With a strong start, it manages to leave a really good first impression (if we just ignore that violin scene).... unfortunately it doesn’t remain consistent enough to continue the pace, as for the middle episodes it loses track and becomes unreasonable, a bit unbearable, losing its charm.
Realistic portrayal, characterization of leads, the story stands out in the initial episodes. Corners of furniture in Nian Qin’s house taking consideration of blind people, having a poster of ‘Sleepless in Seattle’ in the room of an aspiring radio host. Sleepless in Seattle is a Hollywood movie from 1993, radio being the core part of the story. Such detailed writing with beautiful dialogue writing sure left an impression on me. But in the second half, the execution failed and some parts almost felt like filler. Unnecessary situations were added near the end but improperly dealt and some were abandoned in the thin air.
As much I was interested in the main couple, that much uninterest in the secondary couple, skippable parts for me :')
Thinking about the relationship dynamics between Nian Qin and Wu Yan is very natural and pleasing to see, there are some cute moments together, some heart fluttering moments (Special mention: Ending scene of 8th episode, I bet everyone has seen it more than one time lol). And this isn’t just about writing, as Evan Lin and Wen Peng’s chemistry just brightens up everything, plus they really suit each other very well… easier for us to imagine them as a couple. Actually, I didn’t expect much from Evan Lin giving a decent performance in the debut work, his acting is natural, he managed to perform a blind person very well that was challenging as it’s more difficult and detailed oriented work other than playing a fit and fine person and of course his looks also stand out most. Wen Peng is doing a great job as usual. So the acting from both the leads adds more points.
Now if we talk about characters. I found Nian Qin pretty reasonable, having a difficult childhood, with a disability, and no one as considered as his beloved one besides him. He's very stubborn and heavily sensitive nature in the words of dramaland Cold nature is quite normal... If his personality was any kinda different than this then it might have been unrealistic. This is definitely not a typical cold man/warm woman story. Wu Yan is cheerful and energetic with plans, dreams for the future. Still, I’m not convinced that she’s a psychology graduate taking into consideration many of her actions. In my opinion, the personal development of Nian Qin is almost non-existence as he becomes childish with time. Not to forget his stalkerish that almost pissed me off.
Music has a big role in the relationship between Nian Qin and Wu Yan, it’s given that this drama has it remarkable.
Meeting you (遇到你) - Evan Lin Yanjun & Wan Peng
As I believe (苏诗丁) - Juno Su
Fall (沦陷) - Wei Chen
Not just OSTs but the background music is also very suitable. The piano piece is very soothing and refreshing to hear.
Aside from the lazy writing of some episodes, it’s pretty enjoyable, entertaining, and even meaningful and it's also so pretty as well in both visuals and cinematography. The couple is worth everything, as their chemistry rocks!
How to get a man, tip from Wu Yan: "You have to be shameless and nuisance."
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This review may contain spoilers
Legend of Zang Hai isn’t the kind of drama you say you enjoyed, it’s more of an experience.. A story about revenge, it follows our ML who after witnessing the brutal slaughter of his parents, friends and family at the age of ten sets out for vengeance with the help of a mysterious group of people..The script, direction and screenplay are just impeccable.. And the performances?? Absolutely out of this world.. Xiao Zhan’s portrayal of Zang Hai is unforgettable.. He fully embodies a boy shaped by trauma and driven by revenge, yet unable to let go of the softness he was born with.. There were so many scenes where he proves just how good his acting really is..
This drama might not be for everyone.. It doesn’t have your typical ML who goes around killing and beating people up in the name of revenge.. LOZH proves that not every hero needs to be a martial artist.. Instead, it dives deep into the emotional cost of vengeance and how destructive it can be.. The story makes us care about the characters so much that we are forced to question whether what Zang Hai is striving so hard for is truly worth it..
I absolutely love it when we have two main leads who can actually act and not just serve visuals.. And also the FL being the one with the physical strength and martial arts skills?? Always a treat.. There’s just something so fun about watching a badass FL protecting her man..
Zhang Jing Yi was extraordinary as usual.. Loved her chemistry with Xiao Zhan.. Even though this wasn’t a romance centered plot, it still gave us one of the best matched couples.. It was heartwarming to watch them fall in love and heal their broken hearts.. After he meets and falls for Antu, the story becomes more interesting.. Because now suddenly he wants to think about a life after revenge..
Absolutely loved the cinematography.. It was artistic and beautiful.. Zhen tower was just magnificent.. Scenes like the Empress Dowager’s funeral, the boat scene in ep 15, the Prince’s residence, the dinner fight at the Marquis’s home, and the rain fight, just to name a few were all stunning to watch..
Overall, Legend of Zang Hai is truly worthy of being called one of the if not the best CDrama of the year..
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1The road to perdition.
To put it simply, The Knockout knocks it out of the park with its audacious portrayal of an anti-villain as the main protagonist. Spanning twenty years, it is a masterful account of how a struggling everyman insidiously strays onto the road to perdition. The stage is set brilliantly from the get-go to manipulate us into sympathizing with a character who does terrible things. We are blinded by their humanity and blame the system for failing them, forcing the oppressed to become the oppressor.Gao Qiqiang starts out as a humble fishmonger doing his best to raise his younger brother and sister. When thugs threaten their livelihood, he stands up to them but is framed and arrested. An upstanding young officer An Xi suspects he was bullied, books the case leniently, and tries to keep his tormentors at bay. Ironically with small acts of kindness, An Xi empowers Gao Giqiang and propels him in unimaginable ways. The complex and sincere bond of empathy and indebtedness that is forged between the two men is the linchpin of this story. Their most pivotal character turning points and moments of truth play out on the neutral ground of a humble noodle shop. where much is revealed with few words.
It is clear from the outpouring of accolades that Gao Qiqiang is an iconic portrayal that put the hitherto under-appreciated Zhang Songwen on the map. Gao Qiqiang is a visionary mastermind who draws inspiration from Sun Tzu's Art of War. He is dangerously underestimated because of his amicable facade and his disarming affection for and vulnerability with those he cares for. The way he embraces fashion to please his wife to how he willfully blinds himself to his brother's weaknesses is both touching and relatable. When crossed, threatened, or betrayed, he is unforgiving and cruel to the point of depravity - no one is safe from him. He is chillingly ruthless and implacable when it comes to imposing his own brand of loyalty and justice. Like any good sociopath he oozes regret but in truth has no qualms about sacrificing his generals. He "makes it right" by caring for their families sincerely and with deep gratitude. He is bound by a very misguided code; one that is ruthless and amoral yet oddly authentic and honorable. Zhang Songwen embodies this character so well that some believe he is not acting and insist he should be at least investigated, if not locked up.
An Xi is both Gao Qiqiang's savior and his nemesis. More than anything, he is his biggest victim. This character makes me sad and mad. He is well meaning and does the right thing with all the wrong outcomes. Zhang Yi was reluctant to accept the role of An Xi, feeling he wasn't a good fit and wouldn't able to pull it off. But Zhang Songwen's Gao Qiqiang would not be so compelling without Zhang Yi's An Xi. It is their incredible rapport and ability to silently communicate that makes the small screen seem huge. Zhang Yi's expressive gaze and more subtle style is the perfect foil for Zhang Songwen's flamboyance and charisma. While I admired and sympathised with Gao Qiqiang, An Xi is the one that often moved me to tears. His speaking eyes frequently implore Gao Qiqiang to be a good man and convey bottomless dejection that gives lie to the goofy smiles he flashes at Meng Yu. The aging of characters over three distinct time arcs across twenty years is rarely captured as well as it is here. But it is Zhang Yi that simply nails this part - he is wary and tired but not quite beaten; the righteous flame in his eyes are dimmed but at the core still burns hot.
This drama is impeccably cast and is a who's who list of China's best actors, all of whom deliver immersive performances. The director's incisive lens meticulously peels back the many layers of the multi-faceted characters and their intricate relationships. The female characters are written to be strong and impactful beyond their screen time. Li Yitong really takes her acting to another level as Meng Yu; it is by far her strongest, most memorable role to date. Her screen chemistry with Zhang Yi is unexpected and endearing. And then there is Gao Ye's simply sensational Chen Shuting, the ultimate gangster's moll - cool, stylish and fearless. The way she menaces the wits out of Gao Qiqiang is one of the drama's highlights for me. There is a lot more on-screen violence in this drama than I expected. While the worst of it takes place off-screen, it is so well staged that it is more visceral and blood thirsty in my overactive imagination.
The rich plot builds to a shocking, unpredictable and devastating climax about a third of the way through. Then it loses momentum and in the final ten episodes it limps toward a predictable ending. This is somewhat to be expected as this was produced in partnership with the state, the nationalist message is inevitable.I really did not care about the party's anti corruption task force and yawned through their heroic sweep through Jinghai City to weed out the endemic corruption that had seeped into the cracks at every level of the bureaucracy. It is clear that there were some cuts and at least one character is whitewashed but I don't think it changes the gist of the final outcome. The final confrontation between Gao Qiqiang and An Xi saves the entire arc and there were enough characters I cared about including Meng Yu that it was still overall a decent arc. All considered, I am not as dismayed by the way this ends as others are. The fact that the government always wins is a foregone conclusion and not a spoiler in any crime and/or corruption themed Chinese drama. But in this case, I don't really think it shines that great of a light on "the good guys". I mean where were they for twenty years? And I am not sure the "good guys" win here. Poor An Xi is definitely is not a winner; in fact no one wins. Indeed audiences overwhelmingly empathise with Gao Qiqiang. Thus this is actually a very dark crime story with a surreptitiously bold and critical ending.
This spectacular crime thriller is a must watch. The first 30 episodes feel like a tour de force that can easily be rated 9.0/9.5. The rest are more at the 8.0 level so 9.0 feels about right for my final rating.
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A reflective, authentic watch. *No Spoilers*
This drama deserves a much higher rating in my opinion.What I found most enjoyable about this whole show is how mature, high quality the characters are. Even the supporting cast is excellent in a natural way. All the characters handle conflict in a natural, mostly mature way, true to real life instead of the clichéd sort of characters who are naive, childish, unruly, whiny, manipulative in an over-exaggerated manner and ultimately boring to watch. Instead this cast of characters are brilliant thinkers and dreamers with some flaws. This isn’t a boring watch where everything is perfect and nothing happens in the plot, rather, the characters authentically handle conflict, true to their character, which makes the conflict more interesting.
How well written the characters are really left an impression on me. Props to the writer.
The actors embody their characters precisely. Although in real life, the male love interests greatly differ in age compared to the female lead, that is not the focus of this drama. Rather the tone of this show is to get back on your feet after shortcomings. This drama focuses on how we influence those around us and how we are inspired by them as well, when working towards a common goal.
The directing, camera angles and pacing of the show help the viewer to truly experience the development of the characters and their lives, resulting in some beautiful shots that evoke emotions—not overdone but not insignificant.
This drama has raised my expectations of what makes a quality Japanese drama and it is hard to top.
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Lead chemistry saved this show
The good:The song "Ikuokukonen" by Omoinotake is an absolute banger. I've been following this band since they made the ost for the "Twittering Birds Never Fly" movie, and I'm glad they got their break with "Ikuokukonen".
Acting:
Chae Jong Hyeop's acting is seriously great! He exudes that golden retriever energy without being cringy, and his subtle acting with his eyes when the tone gets serious makes me emotional. I've been following the producers for the show and Jong Hyeop contributed to some of my favorite scenes!
The Cast:
I've been following the show's Instagram/Twitter/TikTok accounts, and the chemistry between Chae Jong Hyeop and fumi nikaido and with the staff heals me lol.
The Bad:
The story needs a lot of work. I read on the producer's Twitter account that he worked on this story since 2021 and it still needs work. The added drama with Min Ha Na and the book was unnecessary and contrived. They added some lore that had something to do with Ainu people that looks like went nowhere. IDK, the plot is a bit of a mess after episode 5/6.
I see people criticizing the people criticizing the FL's acting, but even Japanese people have been saying it's bad on filmarks.com (which is like the Japanese version of IMDB). I kinda agree, but I feel like it's the fault of the director and how they characterized her character.
Anyways I love Chae Jong Hyeop and he really carried this show for me. Overall I like the show, and its a comfort show for me. Something easy to watch and makes me feel all warm inside lol. I watched episodes 1-3 three times already and Tae-Oh still gives me butterflies in my stomach lol. He smile is to die for.
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I consider the acting performance in "Room No. 9" as it´s true highlight
Another KDrama about revenge? Not quite. Ok, it´s about injustice done in the past. Yet, it´s rather about the desire for official recognition of innocence, let alone the unjust verdict - as reconciliation with fate. Revenge is secondary. I would say, that is good news. The protagonist is more concerned with her own peace of mind than primarily with new suffering that she in turn has to inflict on her perpetrator. She doesn't want to keep turning the wheel of fate, she wants to stop it.Yet once again, being stuck in the past is a driving force: in this case, the protagonist sits in prison awaiting execution - for decades. ----- SIDE NOTE: South Korea has in practice stopped using the death penalty, but all legislative initiatives to officially abolish the death penalty (most recently in 2019) have so far failed.
Dramaturgic maneuver with magical components: a body swap. The motif is not new to KDrama. Although the personalities in the body are now different, the bodies themselves still have their cellular memories plus the environment inevitably remembers the person originally owning this body. So there is lots of room for funny situations - although they are always solved humorously, they are not slipping into farce. The story is serious and touching, but also playfully told. Laughter is allowed. A teardrop here and there, too.
I consider the acting performance in "Room No. 9" as it´s true highlight: Kim Hee-sun and Kim Hae-sook manage brilliantly to unite the characteristic aura of the other and thus perfectly embody the switch. They are marvelous to watch. And it's a pleasure to see the experience in the body of the other person has a transforming effect becoming a new (cellular) memory...
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A new kind of Cantabile!
If you are expecting that it factor from the original Nodame Cantabile (japanese drama) or the craziness that was Tomorrow’s Cantabile (korean version), this isn’t it. This drama is not a remake but an adaptation. There are elements from the original story that are waaaay tone down and this makes Symphony’s Romance break away, distinguish itself, and become a drama on its own but still be that familiar tale you know so well. As a result I could enjoy the drama without constantly comparing it to the other versions.The relationship between Xiao Wo and Zhen Yan develops naturally, from a mutual admiration of the talent each holds to a professional and personal partnership among equals. This makes the romance feel more grounded and mature. A welcome change since it makes leading man more affectionate and open to the leading lady’s proactive and flirty ways and, in return, he becomes the person she can rely on when her genius overwhelms her. They support each other’s dreams and ambitions, based on the knowledge not only of themselves as individuals but as a couple. They keep choosing each other through hardships and insecurities. Xiao Wo and Zhen Yan work out things together like the dream team they choose to be.
The same can be said about the secondary characters. For once we see what happens when some of them make it in the world of classical music and others don’t. What happens among friends, lovers and rivals, whom so far have been following the same path, when they go out into the stage of the world. Do they follow their vocation? Was music just daydreaming? Do they decide to follow society’s expectations of what kind of job they should have?
I appreciate this more realistic take on the story. It’s not a youth drama, it’s a drama about young adults trying to find their place in the world and that’s definitely Symphony’s Romance strongest point.
The only weak point, for me, it’s the musical performances. In a drama about musicians and the need to stand on the stage as the best version of yourself, the performances were lacking for my taste. I am not sure if it was the music selection or the editing but, at times, it felt like there was no emotion behind the music that was playing. It should have been since it was supposed to be the culmination of trials the characters had gone through. In very few performances I can truly say that it felt like these passionate musicians left everything on the stage. However, this does not take away from the drama or the character development.
Overall, I had a really great time with this drama and enjoyed every episode. I have no complains about this drama, it gave me exactly what I wanted and needed from it. Symphony’s Romance is the perfect drama to relax and enjoy as the story evolves and its characters grow. With a super cute romance on top. I recommend it!
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The Chemistry? chemistrying and Censorship? Bet
The MLs dynamic is a kidnapped forced marriage lol, then enemies to "bromance" even when they're enemies they stand up and protect each other they have their own moments. Despite being short it's detailed and done well like any full length drama, even side characters have a nicely detailed style, acting and cast stands out the most they are brilliant and carried well.Plot is very serious a seek for revenge and the events are portrayed in a nice pace, there's a couple funny moments but most of it is angsty and the focus is the male leads, the side female character is a sister figure she's not portrayed terribly thankfully but rather a kind person who supports the people around, so if you're seeking a bromance focus it's doing that.
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If you´re only in it for the romance, than skip that one. This KDrama is actually so much more.
This is a family saga in cross-section. Typically, the list of the main actors only contains Lee Seo-jin, Kim Hee-sun and Ok Taecyeon. However, I think the whole family belongs here because family is the issue. Of course there is a romance (and not just one). However, sooner or later is always about family. And so "Wonderful Days" is the perfect KDrama to study family structures, dynamics and values as well as its impact on every day life in South Korean culture and tradition.Family hierarchies, manners, customs and traditions are presented in detail. The setting for this is fittingly the traditional hanok, in this case a giwajib, a dwelling for a middle-class family. In "Wonderful Days" you experience family as it would like to be and family as it really is, behind the facade - with all its taboos and lies and secrets and flaws. The issues of disability, adultery and flaws of single parents are dealt with. The questions of who is allowed to marry whom and what that means for family life are worked through. Finally, it is also about pride, guilt, shame, reconciliation, forgiveness and emancipation.
I think actress Youn Yuh-jung rocks the entire show. The processes she goes through again and again are numerous and moving. In some places, where she seems very traditional and her decisions seem virtuous in the service of the family, she also turns out to be truly modern. She always makes up for her lack of education with a lot of heart and common sense. She is already a strong mother model. But at the same time she shows herself vulnerable and conveys very vividly that this mother role demanded by society is practically superhumanly difficult and actually impossible to achieve.
With the action location of Gyeongju, you also get a tiny glimpse of the historic Silla city in south-east South Korea. The grave-mounds of the Silla Kings provide a scenic background more than once. The specific, comparatively melodic Busan dialect that is spoken in this region is also acoustically striking in the dialogues.
This family drama, in which everyone works through their own inner and outer struggles within themselves and the family, is told in a compassionate, vivid and multi-layered manner along numerous storylines through the entire family. Accordingly, this 50-episode KDrama has more episodes than usual. You can indeed learn to understand how the individual in South Korea holds back for the family, or what strength one has to muster in order to protect one's self-interest against the (supposed) well-being of the family, especially the elderly. Self-sacrifice and the ability to suffer are a given - as if it were the most natural thing in the world. However, they are sometimes subtly and sometimes openly questioned. The quarrel is conducted within the drama-family, but inevitably continues in OUR heads, hearts and personal worlds, too. Thus, it is a sensitive socio-critcal study and a sophisticated scenario, for confronting South Korean audience with traditional values facing modern life in 2014. Perhaps it is also interesting to know for non-Koreans (in order to understand some other dynamic of the story): adultery has only been unpunished in South Korea since 2015, abortion since 2017. Before that, it was a crime.
Sometimes the family dynamics are almost unbearable from a western point of view. They may also seem exaggerated as far as our (I am here refering to ´my´ western, german) reality is concerned. The decisions of the protagonists sometimes seem to be incomprehensible. But then again - as far as South Korea is concerned - this is not exaggerated at all. These dynamics are real (but in good makjang fashion, they also add a bit more drama for good catharsis effect). In any case, for Western viewers those dynamics are instructive for studying the culture-specific value systems and, last but not least: occasionally also thought-provoking, too.
Ah. Don´t let me forget to mention... it is about a love story, too. Not only one actually. But if you´re in it for only this romance, than skip that one. You will be busy fast-forwarding most of the time - because this KDrama is actually so much more...
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--
The complexity of the plot coupled with the controversial themes set against a backdrop of historic events made it a compelling film to behold. The beauty of this film lies in its hauntingly terrifying realism that most people don't usually think about, the thought of cultures evolving in such a brutally fast way while we all struggle to keep our problems under control not noticing how the rest of the world changes so drastically around us, makes this movie one of the best social commentaries ever filmed.
Created in 1993 it might appear old-fashioned in form for those who are used to today's blockbuster films but it is certainly modern in psychological dynamics, it’s a film that you can lose yourself in, one that washes over you like a pleasant nostalgic memory.
Its beautiful cinematography combined with powerful symbolism certainly deserves all of the awards it earned, masterfully crafted each scene is so poignant and engaging you don't even realize you're holding your breath while watching it. And despite the film’s length reaching almost three hours, Chen Kaige (director) certainly cannot be accused of it being draggy or slow-moving. The pace snowballs towards the last hour, with 30 years of history compacted into its final sixty minutes.
A few words must be spent on the quality of the acting, for both the adult and child cast, which was immaculate. Leslie Cheung once again showing us how versatile he truly was.
Our protagonist Dieyi is easily one of the most relatable characters, going through endless tragedy our little concubine delivers an iconic show for everybody to see. Witnessing the dark behavior of human nature through this film can only make you empathize with the people who suffered from countless hardships and misfortune.
The political dimension of the film, its social commentary and its relevance for today, where questions of how can one still put on makeup and play-act when war was breaking out the following day, gives us pause to reflect.
Despite (ironically) being initially banned in China but shown to international acclaim such as' Cannes & The New York Film Festival, Farewell My Concubine is a motion picture experience that only a few will soon forget after giving it a try.
For me, this film represents beauty in its purest form, a masterpiece that stands the test of time.
I will give this movie a full 10/10 .
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A story about loneliness and the struggles of everyday life...
Many viewers won't like this series much, because first it's not a BL, secondly there is no real drama but many heartwarming/heartbreaking moments in this story. It's a slice of life where two people drawn together, fight their past baggage and come together in the end.It depicts the struggles especially in Japan where social pressure and expecations are a real burden. The last episode Azuma describes that best: "I feel like I've just been running in circles. I kept telling myself I'd take a real break when things settle down. But "settling down"... if you don't force yourself to take the time, it feels like it'll never happen."
We see the disconnect of families like Kuji and his brother, who takes the house Kuji is living in, not just because he inherited but despite his hate for his father. He does not really need that house but he kicks Kuji out of it regardless. Azumas mom is struggeling with loneliness because many eldery people left alone because their spouses already left and their children are struggeling themselves not investing the time to be there for them.
This is slow pacing, some may say boring, but life itself is not an action movie. It's running in circles and to break out of that circle is the real challenge both of them faces. And in the end, they manage to do it.
These are veteran actors not needing a queer role to stay relevant. Of course Takeda Kouhei is best known to us for his role in "Oldfashion Cupcake" while for Shibuya Kento it's his first stop at such an series as a main role (he was a guest in Ossans Love). Both did an amazing job and overall the cast was strong. Production quality and cinematography was on point with slow movements and great pictures to punctuate the actors characters and performance.
If you are tired of the 100th school BL this is something completely different, a mature look of two people struggeling and a sensitive composition of how two people can find to each other without the usual drama and silly scripts. I can't do no other as highly recommand you to watch this. But this is not for escapists, this is for people who want to improve their understanding.
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Romantic and Inspirational
Story:It's nothing new, but it's told in a way that feels so fresh! It deals with the relatable struggles of work life, going with the flow vs. challenging yourself and following your dreams. It seems obvious, but it's actually really hard to take the first step into living a life for yourself instead of living it to fulfill other's expectations.
At the starting point, Umi is overworked and unhappy and doesn't like the person she's become. After meeting Kazao by chance, she begins to want to change herself, and she starts a journey into becoming a person she loves, growing up in the process. There's actually real growth for all characters involved. The story and the dialogues are so well written that the drama progresses very naturally. And, even though the theme may be serious, it has a lot of funny and warm moments.
A few of the most memorable scenes for me were the reccurent after work ramen, gyoza and beer scenes, that created an intimate environment where the main characters were allowed to unwind - these scenes were truly precious and cathartic (and the ramen shop owner was sublime even with almost zero lines haha).
Side note: Don't be fooled by the drama poster into thinking this is another superficial and silly sexyromcom, this is a drama about adults being adults, it has a meaningful message and is filled with the nutritious kind of sweetness. The poster is actually the only thing I didn't like about the drama, because it doesn't fit at all.
Acting/Cast:
This is my first time seeing Suzuki Airi and Honda Kyoya and I loved them as Umi and Kazao, they really became their characters. Suzuki Airi's range was particularly impressive, acing the comedy and making us feel the pain along with her. Honda Kyoya is incredibly charming in a nonchalant way and made me fall head over heels in love with Kazao, breaking all ML stereotypes out there.
I also need to mention Shirasu Jin and Izuka Kenta and their entertaining and heartwarming bromance, as Keisuke and Satoru. I hadn't seen them in this kind of role before and they delivered. Kudos to them.
Music:
There is silence when there needs to be, and there's also music beautifully woven into the scenes, making them even more impactful and emotional. It's really done right.
I have "Gloomy Day" by Lozareena playing on a loop for weeks, now. It's a really great song, and it really fits with the drama.
"Just face forward, run, run until I can run
That's what I thought I should do
I kept fooling myself and losing my confidence
Even though I'm the hero of my own story
I got my mind made up
Run, run and run"
Rewatch Value:
I've already rewatched it, so... ^^
Definitely a drama to (re)watch when you're losing confidence in yourself, when you're feeling hopeless or when you just want to watch the sweetest romance. It will lift your spirits, give you courage and warm your heart.
Overall:
10/10 for me.
On a very personal note, this drama came just at the right time! I finally mustered up the courage to leave my job of 11 years... Oof. On the morning I finally made the decision, I was walking to work screaming inside my head the lyrics to "Gloomy Day" ("HASHIRE HASHIRE HASHIRE!").
I don't know what the future holds, but you only live once, and only you have the power to try to change yourself and chase after your dreams. Ganbatte!
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They tried to make a new kind of drama, where women have power, where they cand dress how they want, put makeup, accessories and date whoever they want in whatever manner they desire. I really liked that. It had a F*ing strong start.
The first few episodes are my favs and I would rewatch those but not the full drama. Ok so onto what bothers me:
The love story: Starts in a refreshing way for a kdrama, I mean, it s not the usual korean drama couple. But as you go into the story, her not wanting to get married, him wanting to, the endless and pointless drama between them bored me very much. The ending was as boring as their couple story. I must say that his acting and way of being (the resting bitch face and voice and everything) was more suited for Kill It (where I really liked him) or the other drama with the serial killer (come and hug me- I think). Not here.
What kept me going? SCARLETT. GODDAM Scarlett was everything, I swear. She ended up being the only one I cared about, her style, personality, everything.
***IMPORTANT: if this was a drama focused on Cha Hyun(scarlett) I would have given it a 10 (so you can watch it based on this little detail)
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