Han Seung-joo, played by Uee, is not just single - she's alone. Her family are judgemental, abusive parasites and her friends have their own lives. She inherits a mountain from her Aunt that her family is intent on developing into a resort. But when she feels threatened in her own home, she decides to hire a man to be her husband. Oh Jak-doo (Kim Kang-woo) is seemingly a lowly herb-gatherer from the mountain she now owns and he accepts the role in exchange for her leaving his mountain home undeveloped.
At the beginning, this drama had an intelligent script that seemed to be at war with the Makjang direction. It doesn't matter how strong or independent you are, it was saying, you still need somebody to be on your side. In essence, everybody needs a mountain. Seung-joo's mountain was both figurative and literal: when things got too difficult for her, she now had somewhere solid and unchanging to rest.
From the start, the Makjang direction was extremely jarring. Full of intense close-ups, overwrought - almost screeching - line deliveries, and long scenes devoted to the bumbling slapstick antics of three mountain Halmeonis, the direction was a sour note in a otherwise enjoyable show.
Unfortunately, by about episode 14 it became obvious the director knew something we didn't. The show veered sharply into Makjang and never recovered. At a daunting 24 episodes, this meant almost half the drama was full of contrived conflict, opaque character motivations and general audience confusion. And screeching. There's a lot of screeching.
While Kim Kang-woo's Oh Jak-doo is often swoonworthy, the show is stolen repeatedly by the affectatious and pretentious Eric Cho as a second male lead, played with a lot of heart and self-awareness by Jung Sang-hoon. Uee also gives her character a lot of strength and vulnerability but both she and Kim Kong-woo struggle with their characters once their motivations get murky.
The performances are not enough to save what is, in the end, a poorly-written and badly-paced soap opera that has little overall point to make about anything.
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This review may contain spoilers
******DO NO READ IF YOU HAVEN'T SEEN THIS MOVIE. MILD SPOILERS AHEAD.******I actually loved this movie for many of the reasons I've seen others criticize it. It is not a static movie. The tone, the atmosphere, and even the genre changes very quickly. I personally get very bored with most movies today because the moment it pops up, you can tell what the ending will be. Cliches upon cliches have been piling up in the movie industry lately. But this movie took an amazing risk by challenging that. It took what would have been yet another light hearted comedy and made you smile and feel good about the characters, and then twisted the situation. (Which is actually realistic. Imagine being a sleeper agent, getting used to being in a certain situation, living as normally as you can, and then your whole world is turned upside down with one order.) I liked that not every decision was spelled out. It felt more real that way. Instead, it makes the audience think, it makes them put themselves in the characters' positions. And damn did I cry, because I never dreamed it would end the way it did. And that is what I call a good movie.
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I Remember You's story is not that original; serial killers are everywhere, and exist in every crime drama. However, what I Remember You does with its story is the difference; it's what puts the show in another league. It simultaneously allows the viewer to feel horror and pity toward certain characters, while it allows us to sympathize and chastise others. It doesn't keep its secrets, though. One knows, oftentimes, what will happen. Yet, despite the predictability of outcome, I Remember You captures the viewer in by probing them with these ultimate questions. In so doing, the show remains intriguing, fresh, and wildly entertaining. Does it answer the questions? One will have to see.
The acting in I Remember You was superb. Jang Nara, Seo In Guk, Park Bo Geum, and Choi Won Young brought such complexity to their characters that they too provoked the viewer to cheer for them when they might not otherwise do so. The chemistry of these characters, sometimes posed in times of large-scale situational irony, pricked both fear and at times, humor into the mind. Special mention must also be given to Do Kyungsoo, who, despite possessing a cameo role, prompted loss of sleep and fear so palpable to derive from an angelic face. (I did not sleep well at all after episode 1.)
The music, sneaky and chilling, provided an immensely rich background for the ensuing action. It allowed the intensity of fear, of romance, of horror to perpetuate into the viewer's ears. In addition, the music never faltered in its fit to the actions on screen. Nothing was out of place or jarring.
Overall, I will remember I Remember you. I don't think I could forget its ability to draw me in and make me question my own notions on human nature and evil. I've always enjoyed shows that make me question everything and everyone's intentions and objectives. In this, I Remember You does not disappoint. In fact, it exceeds my initial expectations, and is now a personal favorite, both in its genre and in kdramas altogether.
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Unique and Worthy
Moving is literally those extremely good, rare television dramas that come out every 5 years.I’ll be honest, at first I didn’t expect much as I thought that Moving would be a ‘recycled’ drama where the theme and some parts of the plot would be a copy and paste, but I was wrong. The fact that the creator thought of the way of starting Moving by showing the students perspectives as a ‘build-up,’ then slowly, but perfectly showing the parents history to lead up to the climax to combine both, is a job well done. Furthermore, the considerate amount of effort put into each character involved is amazing, and really, you can tell. Whether it be the main characters or the minor characters, or those with abilities or not, they are all involved in the story and have unique personalities and stories. Their stories impact the drama, and their history adds on to how the climax was created. Even the introduction of new characters wasn’t tiring because they all have a purpose. Every episode is thrilling, and every episode ends with a cliffhanger. My eyes were glued onto a screen the entire time watching Moving and I would not leave my couch because I wanted, no NEEDED more.
The line-up of Moving is truly a rare sight, in which even my parents were shocked at the amount of stars involved in a single project. Ranging from the legendary icons that brought Kdramas and KMovies global fame (Han Hyo Joo, Ryu Seung Ryong, Zo In Sung, Cha Tae Hyun), to the rookies that absolutely exceeded my expectations (Lee Jung Ha, Go Youn Jung, Kim Do Hoon), this star-stunning cast, portrayed their characters extremely well throughout the drama. Yes, you can be sceptical at once and even confused after seeing Han Hyo Joo playing a mother, but trust me, once you keep going forward, you’ll know that she is the perfect person for the role. I can’t say anything different for the rest of the cast either, because they did so perfectly well portraying their characters, their emotions, and their thoughts. Everyone involved is extremely talented, and their outstanding acting could even get you wondering just how talented they are.
The cinematography involved is outstanding, and so is the music. Believe me, I’m obsessed with one of the BGM because it’s just so perfectly made. The editor really knew when to add each sound in because they relate and fit into the scene so much.
I really enjoyed watching Moving as it’s a really amazing show. I’ll be down to rewatch it another, no, multiple times because it’s definitely those shows that you can watch again without getting bored. The drama is a well executed, well made masterpiece that the Moving staff and actors created what most dramas couldn’t do. Easily a 10/10.
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This review may contain spoilers
The first few episodes made me so happy. I was in heaven with the cute and fun interactions between the characters. The romance was sweet and down to earth. Jung Ha was able to fight for her rights, Hye Joon stayed true to his morals and Hae Hyo was on the way to crossing the villain line. And then… nothing happened.There are quite a few plot lines here; basically every character gets one, but none is truly explored nor well established. At first, this messy and unbalanced way of directing and editing seemed charming to me. Life is messy and unbalanced too. I liked how some important plot lines were not explained right away, but instead, we got a whole scene of the female and male lead discussing how one should apply hand cream. It worked, because I was sure the plot lines will be slowly addressed as the drama progresses… Sadly, they weren’t.
All the characters were rather poorly written, though had great potential to be amazing. Hye Joon is boringly perfect and everything works out for him. Jung Ha has a great 180 closer to the end of the show, Hae Hyo was truly useless plot wise. All the supporting characters were there filling the space, but their motivations were never explained. Why do they do what they do? Who knows?
It had its moments. Park Bo Gum crying? A+. Well, that would be it.
How did the relationship between Jung Ha and Hye Joon go from perfect communication and understanding each other, to never communicating what they truly want and feel and making all the decisions on their own? We had so many dramatic plot lines that could bring the tension in the last episodes, why add new bullshit one?
Why introduce Ahn Jung Ha’s mom into the picture when this story was never truly explained nor explored? She just shows up to give Jung Ha an excuse to be sad and cry, and then she is gone. They ONCE mentioned how Jung Ha has problems accepting help because of her mom, but it was never mentioned again, it has no meaning in the story itself.
Why did they never do anything with Won Hae Hyo? He was neither good, nor bad nor gray. He was just kind of there. How interesting would it be to actually see more of his internal struggle between being a loyal friend and disappointed actor?
Why give us a side romance between Jin Woo and Hae Na? Probably the most useless plot line in the whole show. This could let us explore more of the controlling behavior of Kim Yi Young or be another burden for Hae Hyo: one friend “stealing” his spotlight, and the other dating his little sister and hiding it, pushing him into “I have no one I can trust” state of mind and explaining his feelings for Jung Ha, who was always honest with him.
Why did they never truly use the Charlie story? It was always somewhere in the background, but at the end it had no lasting consequences on the characters at all. When dating make up artist affected Hye Joon more than having a famous designer as his gay sugar daddy? Where is the logic? Why even add the story when it was never important to anyone?
Kim Su Man was painfully dumb.
The "2년 후" aka the boring ending.
That’s it. Not really. But I have no strength left to write more. Damn… this could have been such a good show.
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To Catch a Thief
Cui Xingzhou, the mighty Prince Huaiyang has been trying to catch a thief, the slippery bandit Lu Wen for some time. He stumbles upon a comatose Liu Mintang and like all princes, he simply cannot let sleeping beauties lie. Convinced she must be the beloved mistress of his nemesis, he rescues her intending to use her as bait. Conveniently, she has amnesia and mistakes him for her husband ! Thus this cold and formidable fief lord awkwardly assumes the persona of an indolent and not terribly successful merchant who dotes on his wife. Miantang's true colors emerge as a determined and capable business woman with an scary knack for turning hairpins into lethal weapons. It seems Xingzhou may have bitten off more than he can chew as it becomes clear Miantang has secrets and hidden depths that she herself barely remembers. Meanwhile his elaborate charade and lies keep snowballing until eventually half the town is complicit. What ensues is the kind of comedy of errors that arises when hero syndrome meets analysis paralysis. Complicating matters, her memory and past life catches up with them just as they both become invested in their fake domestic bliss and fall for each other. How will they to resolve their past grievances and make a life together as their true selves?What I appreciate most about this drama is both Xingzhou and Miantang are grey characters who have agency if not free will. They are well matched in terms of cunning, intellect, ability and ruthlessness. I enjoyed watching them work against each other almost as much as I enjoyed their working together. As someone who loves dark characters, I wish they toned down the comedy and dived into a darker and more passionate exploration of their undeniable chemistry and stunning visuals. While Zhang Wanyi is an exceptional character actor, comedy is not his forte. His expressions and delivery is almost too textbook perfect and his comedic timing lacks spontaneity. He pauses for too long to let the punchline sink in when he should keep going as the audience already got it and is waiting for the next joke. The humor is straightforward and not that sophisticated so it needs to unfold at a fast pace to hold audience interest. To speed things along, I watched most of this drama at 1.25 speed, something I almost never do. The comedy also masks that Xingzhou is quite a dark character that does controversial things to Miantang, manipulating her to the point of gaslighting. Zhang Wanyi could have pulled off a darker portrayal in an absolutely riveting and charismatic way so that is an opportunity missed. Nonetheless, he is compelling as a powerful and complicated fief lord who to his chagrin, falls in love with the enemy; a most unlikely and unsuitable woman.
Wang Churan is a vivid beauty and her comedic timing is more instinctive than Zhang Wanyi's. Her portrayal of the amnesiac Miantang is natural and charming. However, her character transitions after Miantang recovers her memory could be better written and portrayed. Part of the problem is in the novel, Xingzhou crosses some lines that he does not cross in the drama. Thus Miantang's rage and sense of betrayal is disproportionate to what actually happened. The stabbing scene was undeserved and this kind of violence is off-putting and has no place in a story where the couple is not breaking up for good. Beyond that, Miantang is a worldly character, a rebel who was on fairly intimate terms with Ziyu without much regard for her reputation. She played in the same sandbox with the big boys so it was baffling to see her go so full on girl angry at Xingzhou, who was just doing his job. These are mostly writing issues but there is also something lacking in the acting. Wang Churan was not able to reflect the character's evolution and approached it as if Miantang became a different person. There are unspoken ways to convey that at the core, Mianting is still the same Miantang; that the person Xingzhou fell for is still there. A more experienced actress would have used micro-expressions and subtle character traits to achieve this. And then just as inexplicably after the angst drags on long enough, she becomes sweet and forgiving domestic Miantang again! Since Wang Churan is new to lead roles and she is so lovely, I am happy to be forgiving. Nonetheless this diminishes Xingzhou as a character and made him appear no less a foolish, love brain than Ziyu. I am also left with a nagging concern that Miantang may be bipolar!
Even though this drama has some interesting and unique ideas and is refreshing in the way women are portrayed, I found it to be a bland watch overall. Despite some fun and memorable moments, the plot arcs are shallow and rehash well known battle for the throne tropes. Which is fine if the character arcs are well done but while the main characters are complex, they are dumbed down by the comedic focus. Miantang is inconsistently written; she starts out as a strong and independent woman who doesn't need to get married to have a fulfilling life. She abandons Ziyu's cause without a backward glance, abandons her revenge arc after a half-hearted attempt to infiltrate the palace, takes over an escort business before deciding she liked playing house best. At the end, I couldn't figure out what she was about. The character I enjoyed best turned out to be Shi Xueji. She finds so much joy in life's simple pleasures, is resilient and her quiet wisdom and dignity impressed me as much as Miantang's inconsistencies did not. I loved how the actress conveyed a layered character with deep and moving emotions via subtle expressions and a gentle smile that radiates with unbridled happiness. I also quite enjoyed Ziyu's character but the second couple was coma inducing and completely irrelevant to the story.
The drama finishes strongly at the climax in both the conspiracy and character arc but doesn't change the fact that despite its fresh premise it did not have enough substance to support 40 episodes. It would have been a more enjoyable watch at a tight 24 episodes or if they had engaged in a deeper and darker exploration of the characters. Nonetheless if you don't over analyse, it is very entertaining as a light romantic watch with phenomenal acting by Zhang Wanyi. My rating is 8/10 but I can see romance fans rating it a bit higher.
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Best Kdrama to start in 2025
This is my first Kdrama series in 2025 and it's absolute banger and has a great OST. Love the chemistry of the leads and has a good supporting characters. The series delivers plenty of laugh-out-loud moments while maintaining a heartfelt and mature tone.If you’re looking for a romantic office drama with depth and charm, this one’s a must-watch. For me, it’s a solid 10/10!
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1
1This review may contain spoilers
Sad People in Love
From the jump, Pavane feels like it exists in a slightly warped reality where everyone is lonely, underemployed, and quietly disappointed in themselves, which already makes it more honest than most romantic films. The story centres on three people working in the same department store, which is basically a factory for emotional suppression. Gyeong-rok parks cars while chasing dance like it’s a personality trait, Mi-jeong works in the basement like society physically pushed her underground, and Yo-han floats around as the charming, slightly strange friend who seems socially successful but radiates the kind of loneliness that comes from being liked without being known.The romance between Gyeong-rok and Mi-jeong does not arrive with fireworks or dramatic confessions because this film understands that people who feel undesirable don’t flirt like normal humans. Their connection grows through small glances, long pauses, and the shared exhaustion of knowing they do not fit society’s idea of a perfect couple, which somehow makes their relationship feel more intimate than any cinematic grand gesture ever could. It is not fantasy love, it is survival love, the kind that says, “You also feel out of place? Great, let’s be uncomfortable together.”
Mi-jeong sits at the emotional centre of the film, and instead of giving her a makeover or a glow-up montage, the story does something far more radical by letting her remain exactly as she is and demanding that the audience take her seriously anyway. She is repeatedly criticised for her appearance, as if her face itself is a social failure, and the film never pretends this cruelty does not wound her. But it also refuses to turn beauty into her redemption arc. Her worth comes from endurance, from continuing to exist in a world that keeps suggesting she should not. Go Ah-sung plays her with a quiet vulnerability that feels like someone constantly holding their breath, revealing trauma, fear, and the aching desire to be seen without ever turning Mi-jeong into a lesson or a slogan.
Gyeong-rok is gentle in a way that feels painfully realistic because he is clearly in love and yet emotionally illiterate, like a man who downloaded feelings without reading the instructions. He hesitates, misreads situations, and can be frustratingly dense, but that clumsiness makes him feel human rather than engineered. Their relationship never feels manufactured; it feels like something that grew by accident because neither of them expected to be chosen.
Yo-han is the most ambiguous figure, hovering between friend, observer, and emotional disruptor, adding a slightly surreal layer to the story as if he understands the characters better than they understand themselves. Sometimes this perspective deepens the film’s exploration of loneliness, showing how charisma can coexist with isolation, but at other times it pulls attention away from the central romance just as it begins to settle into rhythm, which raises the uncomfortable question of whether this imbalance is intentional or simply a flaw in the writing.
Visually, the film leans into muted colours and a faintly vintage atmosphere, turning the underground parking lot into an obvious but effective metaphor for lives lived outside society’s spotlight. The cinematography is restrained and elegant, and the use of classical music lifts certain scenes into something almost dreamlike. Yet the pacing in the second half weakens the overall impact, as transitions between emotional moments feel awkward and uneven, creating a pattern where the film draws you in deeply and then abruptly lets you go before the feeling can fully land.
Still, despite these structural issues, the film leaves behind genuine emotional weight because its sincerity about love, insecurity, friendship, and longing cuts through its imperfections. It is less about happiness than about the way even brief love can permanently reshape how people see themselves. These are characters who believe they do not deserve affection and slowly realise that being chosen once might be enough to sustain them for years.
Pavane is not a spectacle and does not trade in fantasy or transformation. It offers hushed pain, awkward tenderness, and the quietly devastating idea that someone might love you exactly where you are: in the basement, in the parking lot, in the version of yourself you assumed no one would ever pick. And somehow, that restrained hope feels more radical than any dramatic romance ever could.
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You Are My Glory: Living up to the name
'You are already the rabbit who has seen most stars'The love story between a celebrity and a normal person isn't anything new for dramaland. But YAMG is any different? Let's found out.
This is going to be a super long review... if you aren't interested in reading my very long essay, I'll sum up some important points.
↠Great acting from both leads with sizzling chemistry
↠No external problems, stupid misunderstandings, conflicts, the portrayal of a very healthy relationship.
↠The story and characterization are realistic with witty dialogues.
↠Inspirational story giving some important life lessons! but we aren't missing humor too ;D
↠Focused on leads, so screentime doesn't get distributed on supporting roles or any side couple.
↠No overdubbing, actors using their own voices.
↠So many sweet and heart-fluttering moments.
↠No annoying, and unrealistic, over-the-top characters. Very likable leads. But not perfectionists.
↠Many gaming-related scenes in the start and aerospace-related scenes in the middle part of the drama. (in case if you aren't interested in both of them)
↠The flow of the story is very slow in the initial episodes, and it can be boring for someone.
↠And Yang Yang just looks so fine with glasses on, this wasn't really necessary but I wanted to say it lol xD
If I've to use my food analogy again... I would compare it to wine, which needs some ripening to get the perfect taste and treat for all taste buds, a little bitterness in the start is natural but then you experience sweetness that lefts in your mouth at the end, and with time it gets better and better.
Though it seems like that cast is the best part of the show, it's not. The importance lies in the story, dialogue, and execution. I'm a Books-Over-Screen adaptations person (only Hobbit and LOTR would be exceptions), but this would the one of the best adaptations I've seen so far in dramaland. Having the book writer as a screenwriter ensures that writing quality would be par as the novel. In the initial episodes, the pace is slow... not much romantic development between leads: a slow burn. It's natural and realistic, they don't fall for each other out of anywhere for no good reason, through the slow process of getting to know each other with time. The story itself isn't exciting or even grand but it's presented but how it's presented that matters, it doesn't follow any tropes or cliches. Even being 32 episodes nothing feels unnecessary. I loved the fact it doesn't show any external conflict or cause that creates problems but in the start problems are, real, internal struggle, and valid.
Who says it's not exciting so it doesn't have surprises... in the second half its pace changed by 180°... so many heart-fluttering, butterflies moments ahead. The serious ride when becoming full fluff you never get you to know. Prepare yourself for soo much sweetness. Be careful about pain in the muscle of cheeks, I found myself grinning all time ;D
The dialogues are meaningful, and witty too! cherished the small detailing in the bits. For example, when Yu Tu and Jingjing go to watch the movie, they watch 'Coco' and Yu Tu's situation is quite similar to the lead of that movie 'struggle for chasing their dream and what they really want from life.'
When Yu Tu was eating in the canteen, he had conversation with Jingjing that time she said.. she wants to eat at their canteen and when you see Jingjing visiting his research center for first time.. he says we can't go to canteen coz as we don't have much time, I mean see the details.
Yu Tu's name has a special meaning behind it Yutu (玉兔) literal meaning: Jade Rabbit, it was a robotic lunar rover that formed part of the Chinese Chang'e 3 mission to the Moon it had an expected lifespan of 3 months but managed to operate for 31 months on the moon. . So when Jingjing states that he had already seen most stars, it is a reference to this... as Yu Tu having an expected lifespan of 3 months managed to operate for 31 months on the moon.
What to say about the cast, top-tier actors of the industry with their heavenly looks. We've got Yang Yang, Dilraba... Liu Yu Ning oh sorry he isn't there. No actually, he's there coz the drama starts with his voice. The opening song Fireworks and Stars 煙火星辰 is sung by him (ah this guy is everywhere lol).
Oops, I got distracted we're talking about the cast, right? Dilraba looks stunning, beautiful as always.. she always adds that spunk, and charisma in every character she plays that's what makes it special. The only problem would be that her makeup is a bit off :') She did a great job portraying Jingjing as always. Maybe even better as Jingjing is more like she in her real life.
But this time for me Yang Yang outshined or it was Yu Tu... maybe both, due to the complexity of his character, the wide range of emotions and experiences he had to go through. Out of the all works of Yang Yang it's best to date, I wasn't really satisfied by his acting skills yet aside from the great looks he got, but this time he impressed me, his eyes talk a lot... there's no need for words for some emotional scenes, just take look at his eyes and you know what's going on in his mind. Playing as Yu Tu is challenging as he goes through a drastic change throughout the whole process and with every stage, he has to make it visible with his expressions and his acting.. and Yang Yang did it beautifully.
Having extra love for astrophysics and space-related stuff I didn't skip anything related to Yu Tu's profession but you might find yourself skipping those parts as they can be considered boring. The same goes with the gaming scenes, the first few episodes heavily contain them, it was the medium that bought them together after all. I didn't like how Jingjing tricked Yu Tu by calling him to her house, Tbh these are the only problems I found in the drama.. and actually, they aren't really problems as it depends on your preference.
The characters... I love them!
Honestly, when I saw Jingjing first, I got worried oh no not again a cute, innocent female lead. But she proved me wrong. Yes, she is very cute and adorable but quick-witted, smart, a high-spirited person not to forget she has a high EQ (as anyone should have in the entertainment industry). She knows how to talk, how to behave. And she's aware of what exactly she wants. Loved how understanding and considerate she was to Yu Tu.
Again writer surprised me, what was I expecting Yu Tu to be? a successful aerospace engineer living a picture-perfect life. Who would have thought we'll get a struggling male lead.. with low confidence, self-esteem, confuse between a better job opportunity or a dream. It also shows a bitter truth... getting good grades, having a high IQ, great education doesn't mean you can live whatever life you want. Everyone has to struggle for their dreams, desires and on the way to do that reality hits hard, very hard. I would prefer Yu Tu over any perfect CEO lead as he seems so real (Not talking about his looks lol coz that's surreal) I found his struggle, his internal conflicts very relatable. His personal development is the key point of his character, how he starts to believe in his dreams again, belief in himself again. Wait this isn't it... just have some patience and see a new Yu Tu, in a new light. You might argue with yourself is he the one I know before. He's a completely new person, I don't know him anymore xD
Normally for me, when a couple gets together I lose interest, then drama starts to get boring for me but it's just contradicted my belief as it gets more interesting with time. Yu Tu and Jingjing make a perfect couple together with the sizzling chemistry, not just that they look so good but their personalities compliment each other very well (High IQ+High EQ) and both know how to flirt very well, what we need more ¯\_ (ツ)_/¯... they live in two different worlds but it has 0 effects on their relationship, that's what I love, nor external problems, neither silly misunderstandings. Even their small fights are so cute. Most important they behave like they are adults who are in a relationship, not people in their 30s but still behaving like teens lol.
I wasn't sure if the drama will manage to show the professionalism of leads, as their jobs are very busy, time-consuming. What a smart way to use time skips.. without even making it feel as they don't have anything to do other than dating with giving a lot of their moments together.. while doing their job properly. It covers a wide range of emotions. With some very emotional, heartbreaking scenes. I shed tears in Yu Tu's conversation with Zhai Liang 'I made mistake, that's why she's gone. She's a good person.' But then it has some peak comedy moments that'll make your stomach hurt. Bitter-sour-sweet-spicey we get a whole set of flavors. Good deal, right?
This is S+ production, so great aesthetics, pretty clothes (maybe this isn't fully), beautiful cinematography, the color palette is as expected. But I'm not fond of the opening sequence I found it a bit cartoonish and in need of good editing, but it doesn't cut any points as it's nothing to do with drama. Not really fond of music. Other than the opening song that's also used as bgm any other ost doesn't really stand out for me as it's the only song used till the 16th episode (so if you are a little sensitive about music, point to be noted)
The opening song: Fireworks and Stars (煙火星辰) - By Liu Yu Ning, I've mentioned it before but it feels like ages now :')
Time Monologue (光阴独白) - By Lala Hsu
Fall in Love (陷入爱情) - By Curley Gao & Mika
Speak To You (说给你听) - By Aska Yang
Born To Be An Eagle (生来是鹰) - By Chen Xue Ran
This definitely a re-watchable drama, you won't get satisfied watching some episodes only one time. And it's binge-worthy!
In the conclusion, I'll say... You Are My Glory is soothing, refreshing, thought-provoking drama. But not everyone's cup of tea/coffee is hit or miss. But if you are liking it from the start.. you'll end up falling in love with it ;) The heck, I did again 9.5 to a rom-com? But not regretting it.
Whoa, anyone reached here!?
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Hot Priest but boring story strangely slowly-paced despite its interesting thematic.
Despite its interesting premise, the show was overall disappointing. The storytelling managed to be boring which is very strange as the thematic and concept could have been super cool and exciting. The first episode was pretty intriguing with a strong horror vibe but the story became a train wreck overtime with some disconnected storylines and a lot of (over)explanations regarding the plot.The actors were doing an OK job but were not helped at all by the wonky scenario. Indeed, it was very difficult to understand some of the characters' actions but also in particular to believe in the relationships between them. The bonds formed between the main female lead and the 2 main male leads seemed to become super strong too quickly which also led to some scenes feeling very flat.
Clearly the series is lacking in many ways but still, there are some positives: the foreign actors acting was not atrocious (-which is pretty rare in K-drama universe), the visual FX were suitable, the fighting scenes were quite nicely produced, and Cha Eun Woo with his insane visual is real eye-candy in his role of priest Johan.
This 1st season is more of an introduction with some world building but unfortunately lacks strongly in characters development. Due to its strange pacing, it provides little excitement for the next season.
I would not necessarily recommend this to people unless they like one of the main actors or the main actress.
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Acting: They’re having their own personalities as characters. DoJin is a cool handsome lonely man, Taesan is a warm-hearted friend, Yoon shy nerd, and cute attorney, and Jungrok is the hottest playboy on earth haha. Actually, I just want to tell you guys that I’m smiling while typing these because they’re so funny. Kim Haneul and the other 3 divas also did a very good job in supporting, although you saw these divas fighting each other sometimes, I bet they failed to get on your nerves. they’re pretty too. In each of the opening episodes you better get prepared because these F40’s will make you laugh like crazy except when Yoon’s wife's death moment. I didn’t realize I cried my tears out, those without-word scenes really touch my heart deeply, I never cried that much after Secret Garden.
These F40’s really did an excellent job in acting, flawless, cutest, funniest, and great chemistry between the cast especially Dojin, Taesan, Jungrok, and Yoon. You’ll miss Dojin's Betty, Taesan's cursing skills plus Hwak!!, Jungrok's ring and Yoon's nerd glass.. They made my day. AGD is a mixed-feelings drama, funny, sad, dreamy and desires, exciting and loving and this is really the best romantic comedy ever aired. From my personal view, although ImMeahri can be irritating sometimes I pity her. Her relationship with Yoon makes me cry so many times, the cutest forbidden love story. The way Yoon hides his feeling toward her sometimes can be frustrating at a moment but luckily they live happily in the end.
Music: Every time I hear High High, I just imagined the 4 of them gathered and making havoc everywhere. LOL. That song really makes my heart jump excited every time I listen to it and Jonghyun’s song called “ My Love” is in an acoustic version, omg he really has an angelic voice.
Rewatch value: I did rewatch them and I will rewatch them after this, especially the opening of each episode.
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This review may contain spoilers
Forecasting Happy Cheating SML and SFL Couple and Struggling ML and FL Relationship
WTF did I just watch?I watched this only because it was something to watch weekly over the weekend and I did like it at the beginning until I just didn't like it the more it dragged on. I continued to watch it hoping for more "falling-in-love moments" between the ML and the FL but instead, they just fell apart only to get together in the last episode. Even their "happy" moments were overshadowed by the jealous SML.
So major spoilers ahead:
To recap, the FL starts off engaged to the SML. They've been together for 10 years. After the FL's family and herself start finding out that he doesn't go through on putting deposits down for the wedding venue and other bookings, the FL literally catches him in the act in their own bed in their shared apartment with another woman, the SFL. Keep in mind that the FL, SML, and SFL all work in the same building.
Now the SFL was also in a relationship with the ML and she was living with him before abruptly moving out and breaking up with the ML, leaving with no real explanation. Because of course, she cheated on him and left him for another man, the SML.
Later, the SML and SFL, in other words, the two cheating mofos get happily married.
The leftovers, ML and FL, end up meeting and as it turns out, the ML gets transferred to the FL's department. Now all of them work in the same building. So the FL becomes the boss of the ML. Of course, they eventually find out that their cheating exes are the happily married ones. Regardless, they get together after having a drunken one night stand.
Get all that?
Here are some dumb scenes I also hated:
-Okay, so the storyline is basically about FL and ML trying to hide their relationship from work only to get it exposed by the most unlikely character. Another co-worker basically exposes their relationship out loud in a busy cafeteria, which was completely out of character for this co-worker to do something like that. So tactless too. Who does that in a busy, crowded cafeteria? So dumbass. And by the time it's exposed that they're dating, they've actually broken up. So first they hide their relationship and then they hide their break-up.
-The SML and SFL trying to navigate married life. When the SML finds out his ex is dating his new wife's ex, there's all this stupid jealousy that goes on for naught.
-They romanticize the cheating couple who ended up married. Too much focus on their problems and their "happy" ending.
-When they wrote the FL's character becoming friends with her ex, I felt like it downplayed the hurt and betrayal she went through. Wayyyy too soon. Sure she was "strong" about it but that doesn't mean she still had to coddle her ex which she did, writing articles for him and listening to him. Where are her pride and dignity? They make the FL and the SML like best friends in the end. WTF. Whoever wrote this storyline has never been betrayed or dumped so ungraciously as the FL was and it was worse because they all worked in the same building so they ran into each other often. ANDDDD... (major spoiler), no woman in their right mind is going to listen to their ex's new baby's heartbeat so happily. W...T...F...
-At one point, the FL gets accosted by a senior male co-worker in front of everyone. He never apologizes for his blatant assault even though there were multiple witnesses. Blames everyone but himself. Is this a norm in Korean workplaces? Do women often get physically assaulted in their workplace by seniors who have the same position? If so, ugh. So disrespectful.
-The ML's father should've been in jail. But somehow, he doesn't go to jail later. Whatevs. Give the ML a happy relationship with his dad.
-The office gossip is so unprofessional. Nasty actually.
-I didn't care for any of the other characters' stories. Boring.
-What OST? Barely memorable.
Okay, I really had high hopes because I love Park Min Young and SK but I blame the writers. Sorry, but I won't be rewatching this nor do I recommend it. I actually liked the weather stuff in it but that's really all.
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'Shut Up' is not about music or a band, though. The friendship, rather brotherhood, between the main characters is the driving force and is what makes this drama so enjoyable. Bromance between hot guys is fun to watch no matter what, sure, but the writing and overall development of the story made everything even stronger.
About L: I'll admit, I had issues with watching this at first because sticking idols into dramas never really turns out well. He is a really fantastic actor though. At the risk of giving too much away, I'll just say that even though I'm not a fan of his, I was very pleasantly surprised by this performance. He has real talent.
The music is so good. Crappy music can really break a decent drama, but 'Shut Up's music really made everything better.
Everyone says this is an emotional, heart-wrenching show, but it's also one of the only dramas to make me actually laugh out loud at my screen. Everything was crafted so nicely from beginning to end.
If anyone else is on the fence about giving this a shot, just go for it. (Rewatch is a 9 only because I rarely rewatch dramas). I watched this in 2 days because I literally could not pull myself away. Give it a shot!
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1This review may contain spoilers
Solid start, colossally disappointing conclusion
This was my entry into the world of J-Dramas and it was promising to be an excellent first impression. The first 6 episodes were full of fluff and fun cliches and just the perfect touch of angst. You didn't have to use your brain too much, just sit back and enjoy a simple and entertaining story. There was genuinely funny humor, some solid acting moments, and the best part: fire chemistry between the leads. They absolutely carried the drama, as a couple and individuals. Ayaka, our FL, had an unexpected feisty side that helped balance the kawaii vibes, and Togo, our ML, had an endearing awkward side that softened his cold-hearted jerk exterior. I couldn't leave a review without praising what started out as a really cute drama that could have easily gone on my top favorites list. Now for the bad news.(BE WARNED, LOTS OF SPOILERS AHEAD)
Unfortunately, starting in episode 7, everything went downhill at a mind-blowing rate. Out of nowhere the drama took a step into some very dodgy (and surprisingly dark) territory. I don't mind dramas tackling unfaithfulness, misunderstandings, or sexual assault, as long as it's done sensitively and intelligently. But this drama did none of those things. We ended up with a situation in which, mysteriously, our FL doesn't know for sure if she's been sexually assaulted by an old flame, and instead of exploring the trauma of such an incident, the drama puts all the responsibility on her for possibly being unfaithful to ML. The situation concludes with ML essentially "forgiving" FL and choosing magnanimously to trust her when she says nothing happened between her and her old flame. The worst part to me? The subject of assault was not mentioned ONCE.
I'll also give a very brief mention to the intimacy issue. After our lead couple decides to become a real couple, we see ML coming on strong, clearly ready to go all the way with FL, and her shying away/flinching each time. It's often played for humor but I actually found it uncomfortable to watch, and it gave off very unfortunate vibes of experienced adult man chasing after innocent, doe-eyed little girl. It's not romantic and it doesn't portray a healthy, mutual transition into intimacy.
Even more unfortunately, that wasn't the end of this drama's troubles. The next episode put our lead couple back together without even once talking the whole issue through like adults. ML kicks her out for a bit and then eventually relents and accepts her back with no real conversation between them. Then comes episode 9. I get it, ML was afraid his mother would hurt FL, that's why he rejected her, broke her heart, and divorced her before planning a wedding with someone else. Here we get the classic time jump and separation cliches and more disturbingly, both ML and FL being besties with the guy who took her to a hotel (and presumably undressed her) in order to make ML believe they had slept together and therefore sabotage the relationship. But he apologized, so I guess it's all okay (this is sarcasm, by the way).
After all of this contrived, over-the-top angst, we conclude with a happy ending that's a result of the FL finally being told that ML had a really good reason for cutting her out of his life. She fights for him, he gives in, all's well that ends well, no harm done. They get remarried (but without the fussy piece of paper they had for their fake marriage, because who needs that?). I usually try to find a more intelligent way of expressing my feelings on dramas I disliked, but there's really no other way to put it: it felt like a child wrote the latter portion of this drama. I have read fan fictions on Wattpad that were written with more maturity and intelligence than this. It's hard to remember the last time I was this disappointed with a drama I started out liking so much.
In the end I'm rating it a generous 4 because of how thoroughly I enjoyed the first half. I will remember how I felt at the beginning fondly, and try desperately to forget how I felt at the end. It's safe to say I will not be rewatching this one. Try it at your own risk.
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This was my first "historical", and I use the word loosely because I understand that this is by no means a real historical, in that there is time travel and magic. The time travel aspect isn't really unique, especially with the recent crop of dramas this year utilizing it. However, the magic was a first for me, though I wish they had handled it better, or maybe utilized an explanation a little bit more. No one in the present seemed to be aware that magic ever existed, even when Eui Seon seemed to know a lot about Choi Young from her history books. You'd think that he could control lightning magic would have been a prominent focus.
The cast in this show was just amazing, seriously. Though, as it is my goal to someday have Lee Min Ho's babies, I may be a little biased. I had never even heard of Kim Hee Sun before this, and her acting in Faith has me interested in looking up her past dramas. I can't believe it's been 6 years since she has acted! The supporting cast was also a delight to watch, especially Dae Man, who I am glad we finally got a bit of his backstory later on in the drama. I kept wishing they'd tell us how he came to find Choi Young! I loved Lee Philip in Secret Garden, and I wish he had a bigger role in this drama, though I understand his eye surgery issues may have had a part in that. My main complaint on the cast probably lies more with the script than the actor himself. The King was just so whiny! I understand the idea that Kings are humans too, and I get how they tried to humanize him, but sometimes I just wanted to hit him over the head and tell him to man up already!
I make myself wait a day after finishing something before writing a review, because sometimes, you're just too close to it to accurately describe how you are feeling. And usually by that time, I have forgotten all about the music. But this show had such great music, it stuck with me. It really fit the tone of each scene remarkably well.
If you want something with lots of action, a sweet romance story (with next to zero PDA), and lots of kidnapping, murder, attempted murder, poisoning, subterfuge and court intrigue, then this is the drama for you! The romance remains the key plot point for the drama, so you have to like love stories or I think you might be rather bored by all of the posturing and pursuit of Eui Seon's heart.
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