I have noticed how this drama is not received well with a lot of people. I can understand why. It's got to be one of the most depressing dramas ever. 'Missing You' falls in more of a makjang-tastic melodrama genre which could have gone wrong. For me, of course, this drama worked very well. I loved the whole plot and enjoyed every character in it.
I am usually critical of tragedy being used as a cheap means to get the plot moving. Often, including tragedy is seen as convenient for Kdrama writers when they want to create the 'shock effect' in the viewer. What sets this drama apart from so many others is how tragedy is used as a base here instead of some random, bang-up scenario. It makes room for rest of the plot to build up, leaving scope for a lot of plot development and some amazing character development- which is commendable.
The sad parts of the drama are so wonderfully done (especially the childhood parts) that they will remain in my memory for a long time. They are touching and were successful in moving me. Even the sub-plots are very interesting, including the romance.
I loved how even though a lot of bad stuff happened to its characters, they were able to bear with it. That shows us how there's hope even in the darkest of the times. Okay, I know I am making it sound like some sadistic, boring drama but it is not. It is both beautiful and poignant in many ways. It had a nice pacing and many interesting sides to it.
The cast gave stellar performances. I believe this was Yoon Eun Hye and Park Youchun's best role till date. Although I am not the biggest fan of Youchun's acting, he impressed me here. His chemistry with Yoon Eun Hye was very good and believable to me. Apart from that the child actors were TERRIFIC- especially Kim So Hyun. When she suffered, I got the goosebumps. It was that great! Kudos to the director for making it seem so real.
The OST of this drama is terrific. I recommend every one to listen to it.
Overall, this drama is a whole package with a memorable cast, a touching story, lots of tears, lots of love and a solid soundtrack. Though it doesn't have a very high rewatch value, I won't mind rewatching my favourite scenes between the main leads.
Recommended to fans of melodramas and sad stories with good endings. :)
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This review may contain spoilers
FABULOUS STORY, POOR ENDING.
The best thing about Korean 'crime thriller/ murder mystery' dramas is, they focus more on showing the criminal psychology than anything else.And what makes 'Memorist' more interesting other than the supernatural thingy is, the meticulous use of cryptology & cryptanalysis. I regret I misjudged it at first.
Being a semi-supernatural drama, it got a fabulous story, which is as expected heavy, since it's also a crime thriller. The lead actor, who got psychometric powers since birth but had to forget about his past in a tragic accident ends up joining South Korean Police force. He rejects plenty of proposals worldwide to get researched on once his superpowers are revealed worth millions of money. Motive: To find about his forgotten past. In this process he along with the profiler female lead, has to encounter challenges involving another superior power, namely 'the executioner' who creates havoc and gets away every time with them.
The direction, screenwriting, editing, connecting plots & events and the entire plot development are really really good. The crew has done an amazing job and the cast too did their respective parts well.
BUT BUT BUT
Let's talk about the ending.
It was DISAPPOINTING. The way the executioner was caught FUNNY and the person who turned out to be the main culprit behind everything, was an absurd end point to the drama. This drama being one of the best of 2020, had to ruin the ending like this. I was totally displeased tbh.
There's a proverb in Hindi language, "Khoda pahad nikli chuhiya" which translates, "dug up the mountain just to find a mice" means "Insignificant returns resulting from enormous toil".
The ending of MEMORIST felt exactly like that. Anyways, this is a must watch that I'd recommend to everyone.
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Without sounding too pretentious, this drama is really about human relationships and how societies expectations make us question our wants and needs in our personal lives. This drama addresses those thoughts that we all have to ourselves: “I like this, but what would my friends think about it? What would my co-workers say if they knew I was doing this? What would my parents say!? Am I wrong for feeling this way?”
The lead characters are complex and well acted by Kato and MatsuJun. Particularly with the Momo character, I really liked that there was more to him than meets the eye. He’s not just some shallow, free-loading bum with a pretty face. Just like Sumire, he too has his emotional scars and is being healed by their unconventional relationship.
In addition to being smart and well-acted, the drama is downright sexy! Not overtly so, but in very subtle and playful actions between the main characters. It’s funny how some of those moments are intended to be completely “non-sexual,” but still feel as such because of the undeniable chemistry between the two leads. There’s also a lot of sexual tension throughout the series, which is never a bad thing. :)
The script is also youthful and wonderfully comedic. Sumire’s best friend in particular is candid and absolutely refreshing in her role. I love characters that unabashedly say what the audience is likely thinking!
My only complaint about this drama is the use of the Fukushima character. Why must all melodramas portray their antagonist as a typical b*tchy, jealous and spiteful woman? I get really tired of that character. She’s in, like, EVERY drama. It would be nice if writers could re-think the antagonist role, or at least make it more interesting. The Hasumi character is also a bit too gullible for my taste, but he isn't completely intolerable and serves his purpose well enough.
Overall though, Kimi wa Petto is so well-acted, interesting, sexy and funny that the plusses greatly overshadow the small, b*tchy and gullible minuses. :)
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1Those who seek revenge dig two graves.
This is a heartbreaking and sobering revenge drama about an ancient Me Too movenment by nine commoners seeking justice. The two main protagonists, Rulan and Meng Wan are apprentices at Yanyu Tower, whose exquisite embroidery are prized by the imperial palace. Underneath his polished and elegant facade, Yanyu Tower's proprietor and master embroiderer Wu Lian is the worst kind of predator; one who uses his power and privilege to repeatedly manipulate and abuse the young women working for him. When Rulan has the audacity and tenacity to seek legal redress, most including her bestie Meng Wan hesitate to help her; knowing how stacked the system is against them. Ultimately her plight and her conviction inspires nine people to devote their entire reason for existence to taking Wu Lian down and obtaining justice for Rulan and in some cases themselves. There are no fairytales in this drama; their stories are utterly devastating; alternately moving me to tears and making my teeth clench and my blood boil.This drama is not for the faint hearted and comes with a ton of trigger warnings. It is ruthless and brutal in terms of its scathing depiction of the unbalanced power dynamics between the powerful and the powerless. It convincingly articulates why regardless of consequences, Rulan, Meng Wan and their friends decide to take a stand against a clever, powerful and ruthless opponent. Their efforts are stymied at almost every turn and many of them pay the dear cost of justice. Wu Lian is almost too smart a villain and too well resourced. It is dismaying to see these nine avengers fall for the same traps over and over. In desperation, some of them take unnecessary risks and make terrible sacrifices with scant payoff in their attempt to gather enough evidence to indict him.
This is a large cast with consequential roles that deliver all around strong performances. Hu Yixuan's portrayal of Rulan's disillusionment, agony, bravery and forlorn quest for justice is harrowing, piteous and ultimately tragic. Wu Qian also impresses as the icily soft spoken, resolute avenging angel and mastermind of the revenge plot. As for Wu Lian, it is rare to encounter such an intelligent and downright despicable villain, masterfully acted by Qiao Zhenyu. All of the support roles come together well to paint a picture of common people from all walks of life with dreams and goals that get disrupted as they come together to get justice. The thief Li Chunfeng and the embroideress Jue Ming charmed and moved me into rooting for them most.
This kind of drama that tackles such a difficult subject matter is unlikely to appeal broad audiences. It is well executed for the most part but tends to be unnecessarily melodramatic in the later arcs. The villain origin backstory left me unmoved and is not convincing. I would expect Wu Lian's father's concubine to have impacted him in a more positive way. While this story ends in a realistic way, I am not satisfied. Wu Lian's enablers who covered for him repeatedly get off way too lightly. Finally the way this wraps up sends too strong a message that those who seek revenge dig two graves. Revenge becomes their sole purpose and end game to the extent that I wonder - did they really win? There is just too much collateral damage and sacrifice even though Humpty Dumpty can not be put together again. Maybe it would have been better to just live well. I needed to see at least one of the victims recover from this and go on to have a good life. The final What If episode 25 made me feel worse not better. I struggle with how to rate this. As much as I applaud the topic, the acting and how emotionally invested I got in the story, it left me with a hollow feeling after the ending arcs. It is still a good, thought provoking watch but I can only rate this a 7.5/10.0.
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I knew after only 10 mins that I would love this drama so if you're still unsure if you want to watch this just do that.
The first episode starts with a scene 10 years in the future and this show leads up to this beautifully filmed sequence.
Basically this is a show about two best friends that get affected by the downfall of Goryeo and the establishment of the Joseon Kingdom and how their own definition of how they want their country to be makes them drift apart.
Moreover this is also a story of the political game at that time, especially by Nam Jeon, a high ranking minister, a General that will become the King and of course Bang Won, played by Jang Hyuk with a breathtaking performance, who for sure outdid himself in this role.
The actors were all exceptional in their roles and the OST is simply amazing and matched the mood of the show very well.
One of the best things of the drama was definitely the high production value, the amazing directional and camera work and the great fighting sequences which I personally loved to watch.
It is a serious drama with a lot of tragedy, heartbreak and angst, but more than that it shows amazing fleshed out characters and their unique development. While it was definitely character driven it had a high-paced storyline and the show suffered a little bit of squeezing so much storyline into 16 episodes. I think 2/4 more episodes would have made it even greater.
While I liked the romance, it was overshadowed by the amazing friendship portrayed by the main leads. It was truly one of the best I've seen on TV and I thought the writer made a great job of exploring the different stages of it.
There are a few things I think could have been made better, like the expansion of the FL storyline that started to feel like a secondary character at the end, the unrealistic recoveries of stabbing wounds and the huge timeskips in which a lot of storyline happened offscreen without much explanation, which could be a bit confusing for people who aren't familiar with korean history (like me).
But overall the show was just SO good that I could easily ignore those things in favor of this amazing show which I will definitely rewatch (when my heart is ready again).
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This review may contain spoilers
Psychological thriller re. gaslighting & family, wonderfully wrapped in the cloak of a black comedy
Psychological thriller meets black comedy. “Bittersweet Hell” is wonderfully staged in many ways. The script may have its weaknesses here and there, but the performance as a whole quickly makes you forget about that. Lee Hye-young clearly steals the show from Kim Hee-sun here. However, it's hard to top her fantastic performance as the eccentric mother-in-law (which alone might make a rewatch worthwhile...). Together they form a resolved mother-mission-duo, both determined to fight the 'WE' of their family, in which they feel deeply at home… even if this 'WE' might have plenty of flaws... Eventually, the cast is also hand-picked in other ways, e.g. with KPop Idols Yeonwoo, Jaechan and Chansung. Overall, I´d say “Bittersweet Hell” offers unique KDrama enjoyment.The plot is centered around the psychological phenomenon of so-called 'invalidating communication', which is also known as 'gaslighting' – after the play "Gas Light", which became particularly famous in the 1944 film adaptation "The House of Lady Alquist" with Ingrid Bergman. Gaslighting is about deliberately and consistently misleading a partner, family member or close friend. Gaslighting only works among close ones, i.e. trustworthy people. Thus manipulated with psychological tricks and lies, the victims feel increasingly insecure when it comes to their own perception, ultimately preferring to entirely rely on the supposedly valid judgment of their trusted person… who is now able, to fully control his/her victim. In "Bittersweet Hell" various examples of this phenomenon add to the plot dynamics. In passing, the KDrama also explores other socially explosive topics – above all the high value and ideal of ´family´ versus the sobering reality of ´actual family lives´, but also the weal and woe of the mother's role, different parenting styles and sexual orientation.
In my opinion, "Bittersweet Hell" could have used the 16 episodes (there are only 12) in order to better develop some character profiles. The effective production and performance, however, is actually very well making up for some lack of substance here and there. Therefore I´d consider this criticism a suffering on a rather high level… because nevertheless, “Bittersweet Hell” comes along as a great psychological thriller about gaslighting and family, wonderfully wrapped in the cloak of a black comedy.
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Started watching it at 1pm ended at 7am (no sleep). That's how good the drama was for me. The complicated relationships made me wanna watch the next episode so bad that I ended up having no sleep.
THIS DRAMA IS NOT FOR KIDS. One has to be open-minded when watching this drama.
Acting was good. The leading woman acted cutely. The leading man acted jealous and cute. I started this drama wishing that the 1st couple would end up together (after watching the 1st episode, i skipped to the last just to know who the woman will end up with). Towards the end, I ended up wishing that the 2nd guy and the leading woman would end up together.
It has a sense of comedy and drama. You'd be able to feel the drama's emotions. What I mean is that when one feels angry, you'd be angry. When one feels in love, you'd also feel in love. That's what I liked with this drama.
I think this drama aired last year (2011). I actually told myself, why the hell did I postpone watching this?! I regretted watching it late. Now that I've watched it, I feel good because another happy ending has ended. ;)
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Pluses and Minuses
Overall: I enjoyed how we had working adults (I think these are the first lawyer characters that I've seen). Unfortunately a very cliche plot point towards the end was unnecessary and disappointing but the numerous cameos (especially the enjoyable final episode) knocked my score up to 8.5. Watched on Gagaolala/Viki.Content Warnings: 2 slaps (kind of acting), fight scene
What I Liked
- the opposite personalities, Fu is more serious and careful, Zheng is more goofy/player and carefree (but I did like that they showed he isn't always super happy go lucky because in real life even really positive people have times when they are sad/angry)
- that they have less common drama jobs (lawyers, laundromat owner, bartender)
- how Zheng apologized to his dad
- the acting, especially you can see how Fu is conflicted and not sure what to think/react
- good production value
- episode 12 moved quickly but was great
- the daughter did a good job and the story she read in episode 12 was adorable
Room For Improvement
- that the sister was recording them
- the cliche of forgetting doing a certain something when drunk
- the cliche plot point at the end especially after Fu talked to Zheng about never doing that (and what terrible timing too)
- the female bartender's cliche plot point
- sometimes the pacing was too slow
- the side couple didn't really hook me, I didn't like the aggressive pursuit/attraction for virtually no reason
- some nonsense things, like tons of lights when camping, lounging around at home in suits
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1
1This review may contain spoilers
“I had to be flawless not to be looked down on.”
One’s in love and one is clueless - probably my second favorite trope right after enemies to lovers. Both create many opportunities for funny scenes and interesting interactions with the proper amount of angst to spice things up without breaking my heart.The plot is rather simple, giving a nice slice of life sentiment, tackling various issues young people might face, while also telling a compelling love story of two interesting characters with wildly different backgrounds, pasts, personalities and behaviors.
Cha Si Won was a deeply insecure boy who needed a lot of external validation. From the start we get a good glimpse into who he is - craving the attention, enjoying people praising his looks. He takes appropriate steps to make people look in his direction. He feels anxious when there is someone equally attractive as he is - feeling the need to work even harder to stay at the top of that social ladder.
On the other hand Hyeong Da Un seems to be born with good looks and does not need to work hard to get the attention Si Won wants so much. That said, from the start I could clearly sense loneliness and sadness about him. That emo vibes creeping in. We did not get to understand who he is from the start, but the writer dropped hints that his life might not be as sweet and perfect as Si Won assumed, for example when his smile dropped after hearing the door from his house opening. To quote Shrek - Da Un is like an onion and the writer was slowly peeling off the layers of his personality and struggles as the drama progressed, showing who he is as a character and making me cry the tears of pain in the process.
So how did their relationship start? Cha Si Won just had no idea how to act around Da Un. He wanted to make sure Da Un knows he is this confident guy, but it turned rather awkward, and the small lie he told to create that persona was exposed rather quickly and concluded with one simple “맛있게 먹고”.
At the same time Da Un tried to get close to Si Won, joking around and showing real interest in him - which was at first taken as teasing and a sign of him acting superior. Poor boy, to be this misunderstood by your crush, when he just wanted to spend time with him and get to know him better.
Si Won’s whole drunk monologue in episode 2 was a new level of 2nd hand embarrassment, and yet Da Un thought it was endearing and funny. Si Won was literally trashing him saying there was something fishy about him, and Da un was just smiling about it - he was already gone into the love land by that time.
Si Won’s insecurities led to misunderstandings, but thanks to the god of kdramas, these two boys were forced to work on different assignments together, which created many opportunities for Si Won to see how his initial judgment might have been just a misconception. And the sweet love story slowly developed.
The plot line that got me extremely interested was the contest and the aftermath of it. From the start Si Won was not confident in his writing and the script, not to mention the work was autobiographical which would mean being vulnerable about your past in front of many people.
He feared it’s not strong enough to be picked, so even though he was tempted by the opportunity, he alone wouldn't take it. After his sister did it for him, resulting in him winning the first place he felt conflicted. From the start he believed the rumors that he only won thanks to Da Un’s involvement, but at the end he decided to believe in Da Un’s denying it. His words of assurance that the scenario was good and worth the award gave Si Won the confidence to share it with the class…
…and then he found out it was all a lie - the fear of not being good enough became a reality. At that point though, his priority and what he cared about changed. He loved Da Un, he was more angry about him not being honest than the actual contest.
It’s also interesting from Da Un’s perfective. From the start he had an instinct of taking care of, helping and protecting Si Won. From serving him food on the night out with other students, taking him home when he was drunk, going after him after he ran away from the book cafe. His priority was making sure Si Won is fine. Hence when he found out Si Won submitted his work for the contest, he feared not winning would hurt his confidence even more - he wanted to protect him from that disappointment. His good intentions led to misguided actions and awful aftermath. He feared Si Won would be disappointed in himself after losing, but at the end he led to Si Won being disappointed in him.
Except for the personal internal issues the male leads have and their relationship, the drama does quite a good job at showing how bad parenting can hurt the child - be it putting too many expectations on them, or neglecting them assuming they will do well on their own. Both can create trauma and scars that are hard to heal and can carry to adulthood. Both leads struggled because of their family relations and it influenced how they behave now - one feeling the constant need to prove himself, and the other struggling with truly opening to others.
Presentation wise, I loved how Si Won’s family issues were often present in the background - we could hear his mother badmouth their father to Si Yeong, questioning if she likes her father, guilt tripping her into admitting she does not.
Another interesting side plot was Yun Jeong and how she had to deal with the sexist senior - from inconsiderate remarks about her looks to situations where she truly felt uncomfortable and even threatened.
It would be a crime not to mention Si Won’s sister Si Yeong and her adorable crush on Yun Jeong. The cuteness that the character radiated was just amazing.
The acting? Really good. Jo Hyuk Joon just broke my heart with his sad puppy emo eyes, and Kang Eun Bin made me want to die from embarrassment quite a few time with his perfectly delivered lines based on his misconceptions and misunderstandings of people and situations - he was so confident about all the things he was wrong about. At the same time he managed to deliver the more emotional scenes. The scene that impressed me the most was his argument with the mother and them crying in each other's arms - the pain was real.
Production quality for such a small show was great. I also liked the directing that emphasized the characters current situation. For example, how they showed Da Un sitting with his back to the camera when his family was mentioned. It gave an even stronger impression how lonely he is, how he is unable to show his pain to others and he deals with it alone. And then, to add by the end of the show a shot of his and Si Won’s back, sitting next to each other telling us, he is not alone anymore.
Another great example would be how in episode 5 during one of the classes the lecturer talks about the magic/golden hour in photography “This magic hour is called the time between dog and wolf. When seeing a man walking toward you at that time of a day, you’re not sure if it’s a dog by your side or the wolf of your enemy”. Then in episode 6, after Si Won asks Do Un if his parents had anything to do with him winning, we can see a shot of Do Un filmed in that “magic hour” which could be seen as foreshadowing his involvement in the contest behind Si Won’s back. And then later, the whole episode 10 was titled “The time between dog and wolf” when the truth came to light. I appreciated how some references were coming back in different forms and times to tell the story.
Was the production perfect? No. Some scenes were dubbed (if the characters were sitting or walking far away), but it was still clearly visible the sound did not match what the actors were saying. Sometimes some shots seemed blurred and the colors were not sharp enough compared to the previous scene, but honestly, all of these things I only noticed while rewatching the drama.
Surprisingly, this show gets better on the second viewing. Some lines just hit differently when you know the whole story and context. For example Si Won telling Da Un “you were born with everything at the tip of your hands and loved by your parents so much” in episode 2, which could not be further from the truth with how he grew up emotionally neglected, receiving close to no love and attention from his parents who were always busy with work.
Overall, not sure why this show feels so special to me, but it does. The second viewing made me love and appreciate it even more. I would recommend it to everyone, as it delivers nicely written characters that are easy to sympathize with and relate to, soft commentary on some personal issues we might face in our lives and a truly sweet romance with great chemistry that will make you feel lonely like never before.
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Heavenly Sword and Dragon Slaying Sabre
43 people found this review helpful
This review may contain spoilers
This is by far the best screen adaptation for HS&DS that I have seen and read. The story line is very good, it was executed perfectly under a good Director. Scenery is also amazing, the choice of places are exceptional and highlighting all extraordinary places that you can only find in China. This include the choice of Wudang Mountain and the whole temple is just awesome to watch. The wardrobe are also worth complimenting. You can see Zhang Wuji, Zhao Min and Zhou ZHiruo in the most dashing clothes which in my opinion rise to the occasions. The music score were heartwarming and help with the mood as we watched the characters playing it. It helps us understand the emotion underwent in the characters during the particular scene. It is also helpful that the Main Theme is by Emil Wakin Chau. Perhaps this is the only series that I watched and listened to the opening theme every time I am watching.The special effect are also exquisitely done, not overly doing it so still acceptable to watch but able to relay how good of a Wukong Zhang Wuji has, perhaps the best Fighter of the time. The character building was also very good, something that I have never see in any adaptation. So we can be in touch with the character struggles as well as understanding why they did it. I would like to make a special remark for the kid actor who played Zhang Wuji age 10 from the beginning he really stole the show! The relationship between Zhang Wuji and Zhou Zhiruo at that age was entertaining to watch to say the least. No wonder some people were hoping that this time Zhang Wuji will be with Zhou Zhirou, but based on the story line, it was not compatible. Zhang Wuji contemplated a lot on this, until he decided to be with Zhao Min for good. It took him a while to reached the life changing decision. In which Zhao Min knew all a long the hardship that they will endure. Imagine, the Head of the Rebellion against the Mongol occupation and the Mongolian Princess? These were pictured and played perfectly throughout the series, you can see details here and there.
Last but not least, the ending, ultimate test of their relationship was a bit too fast as I had hope but still acceptable. As for the end, I am hoping that we can see more of Zhang Wuji and Zhao Min realizing their dream as Zhao Min pictured during their travel.
My deepest thanks for the team behind this project, if there is anyway I can buy the whole complete series please let me know as that will be the least I can do to show my support.
Sincerely,
Hartanto
PS. I am 49 years old Wuxia lover from Indonesia and I have read almost all Jin Yong, Gu Long and Liang Yu Sheng
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I highly recommend this series for anyone. Although, if you prefer dramas with a lot of romance and kissing this may not be for you.
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This review may contain spoilers
Beautiful Production, Puzzling Plot
The Rise of Phoenixes kept me hooked from start to finish, and for me this is a serious act of binge watching, but... I tend to disagree with fans on the internet comparing this show to Nirvana in Fire, or even Game of Thrones. This show wasn't up to par compared to those two. I think what mesmerized me were the stunningly filmed scenes and actors. I just love to look at beautiful faces and places. The leading couple took my breath away sometimes. Although Ni Ni was forced to play a Mary Sue, completely different from her character in the original novel, I easily forgot all this by just looking at her. The same can be said about Chen Kun. He sometimes fell into the trap of emotional, hammy playing, with eyeball rolling and all, but compensated this with good scenes that made him a true anti-hero. I loved their flirting scenes and their love scene beneath a water surface. Also the supporting cast did a good job, especially the old emperor.So why do I feel unsatisfied after 70 episodes? I think it was the script. With historical drama there’s usually the choice between (a) the “man meets woman/they fall in love/they have difficulties/their love survives or not”- storyline or (b) the “man meets woman/they support each other/one of them choose to break up for the common good”- storyline. I guess this production didn’t make this choice. It started as a love story, and abruptly hopped off to version (b). I wonder why, because we didn’t see the suffering of the common people at all, they were absent during all scenes.
There was also an inconsistency in characters. Normally there are outright heroes, villains, and anti-heroes in a show. Ning Yi is the anti-hero type, who should have become more defined as the story fleshed out. It didn’t happen. In the original novel his life experiences made him another man. In the end he dares to choose for his personal happines. In this production however, although he’s portrayed as a highly intelligent man, Ning Yi only wants to win the throne above all other things, turning him into a Macbeth type. This makes his character difficult to portray. How can this prince be a romantic anti-hero, a highly treacherous schemer, and an intelligent person at the same time? The same goes for Feng Zhiwei. She’s the protagonist/heroine of the story. She’s young, intelligent and she becomes an imperial adviser, she doesn’t know her origins and is highly naive, although she can be plucky and daring at the same time. The moment she knew about the fate of several people who gave their life for the sake of her heritage and dynasty, she should have thought about her purpose, her goal in life. It would have been a call to action for her type of character. This happened in the novel. In this production however, after a few revengeful thoughts, she became like many heroines in other c-drama: a brokenhearted, passive love interest.
This production could have been a complicated love story. In stead it became the story of many people whose lives became intertwined. They just happened to meet at the same place, at the same time under difficult circumstances, namely the struggle for power at the imperial palace. All actors did their very best, this makes it worth your time. There are many questions left about certain events, and characters, so it feels that even 70 episodes is not enough. Perhaps a remake will meet the challenge.
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This review may contain spoilers
"A person is born between two people. It's impossible to live alone"
Umi no Hajimari is a drama that asks only one thing from its audience: to pay attention to the struggles of its characters.Those who are young, inexperienced, or simply haven’t developed a strong sense of empathy yet for fictional characters might look at this drama as being black and white. Meaning, they’ll perceive there being good characters and bad characters, but nothing in between. However, those of us who prefer characters and situations that mirror real life will likely have an easier time watching and understanding the complex motivations of each character.
I’ve been following this drama from week to week and noticed the different themes throughout this beautiful story so I'd thought I'd share some of them.
You Can't Do it Alone
Every flashback scene with Mizuki raising Umi highlights the struggles single parents go through. But through all the struggle, all the hardships, there's one key thing that stood out amongst these scenes: Mistsuki wasn't alone. She had a support system. Yes, she was emotionally distant with them, but still had people to lean on.
Flawed Characters Faced With Big Decisions
Mizuki’s Flaw - Fiercely independent, made decisions on the fly without talking to other people, was willing to struggle alone as opposed to asking for help.
Natsu’s Flaw - Indecisive, a follower, doesn’t express his own thoughts and feelings well.
Yayoi’s Flaw - Too agreeable, feels she is not important, doesn’t consider her own thoughts and feelings.
Each of these flawed characters were forced to make tough choices. For Mitsuki, she was torn between telling Natsu about his child or allow him to continue to live his life. For Natsu, his choice was to step up and be a father for Umi or continue to figure out what is the right thing to do. Lastly, Yayoi was confronted with a decision on whether or not she should play an active role in Natsu and Umi’s lives or leave them entirely.
These thoughts and choices all shape how this drama unfolds. Seeing such flawed yet relatable characters navigate around life’s hardest choices adds a realistic element to the story. As an adult and avid drama watcher, these types of portrayals is invaluable. For younger viewers, this should show you that not everything in life is black and white. Every story doesn’t have a hero and villain, but rather regular flawed people trying their best to make ends meet.
Grief - “Everyone’s so nice but suffering too”
Grief plays an integral role throughout this drama.
It weaves itself in and out of almost every dialogue. At times It’s subtle and poignant. Inescapable. Then there are moments where the grief becomes loud and present - demanding your attention. Urging you to understand the great loss the characters are going through.
For Mizuki's parents, the grief was almost unbearable to see play out. It caused them to unfairly criticize Natsu and even invoked anger towards him (At least on the moms part). Even Natsu himself wasn't immune to the effects of grief.
In Episode 8, Natsu has a conversation with his estranged dad. Actually, it was more like a venting session where Natsu spills out things that he bottled up inside, but that’s besides the point. Natsu said something along the lines of everyone is so nice but suffering too. He then mentioned, like he did before, how he feels like it’s not his right to feel sad because everyone was with her for seven years and he wasn’t. He then said that doesn’t change the fact that he’s sad as well.
Natsu was doing the common thing most grieving people do: quantifying sadness. Quantifying sadness, in simplest terms, is when you place an undetermined numerical value or weight to sadness when comparing it with others. It’s like saying he’s competing in the “Pain Olympics” with everyone who were closer to Mizuki than he was.
Grief doesn’t care about the duration of knowing someone. On the surface, it seemed like Natsu was catching up with everyone's grief, but in reality, he was in pain just like those closest to her. There are no levels of grief. Grief just is.
There are more themes but I didn't want to drag this review on longer lol. Overall, Umi no Hajimari will most certainly have a special place in my heart.
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"It was love at first sight, at last sight, at ever and ever sight."
Road Home is not your typical Cdrama, where you expect to see the most unexpected of them all.In essence, it's just a melodramatic, feel-good, piece-of-life sort of drama. Be prepared to see lots of romantic scenes, Kisses, hugs, long gazes, beautiful locations, and most importantly; how to LOVE and LIVE at the same time.
Plot summary:
This drama is focused on First love. Two youngsters fell in love at first sight and broke up due to fate's plan. Seems simple and predictable at times, yet they take you on a journey of self-discovery and healing. How to grow up and cultivate the love you once lost. It's mature, warm, and heartwrenching at times; yet you will enjoy every single minute of it. Be ready to see flashback scenes and the younger versions of the leads and their interactions.
First Impression:
The drama starts pretty simply as the plot suggests. The pacing is decent, since the leads find each other rather unexpectedly and reconnect because they want to! There is no hatred felt from both side unlike what we see in Asian dramas mostly. From the first episode, you can feel their longing and desire. It's like they are destined to set foot in each other's lives once again.
As the story progresses, there are minimum complications, and no cringe-worthy scenes ( except a few scenes where the leads are cut and can't communicate well). There are no jealous exes or love triangles to mess up the drama. Just sit back and enjoy watching two long-lost, lovey-dovey human beings. However, the ML is a SWAT member, as a result, there are scenes exhibiting his life and work by himself.
Acting:
It was my first time seeing Seven Tan in a drama and I dare say I was impressed. She plays her character so well. You can easily see her development from a teenager to an adult through the course of this drama. She suffers in her childhood as it's depicted through the flashbacks and develops into an independent woman who wants to love and settle down. She expresses her feelings and desires fully and Gui Xiao makes you believe in love if you don't already lol
Jing Boran aka the Male lead Lu Chen. The heartthrob of this drama. I wanna applaud his acting in this drama. It's hard to deliver a rather tough and broken character in a drama, and i must say JBR did a wonderful job delivering a police officer's employment and love life. Not to mention depicting affection and brewing loving chemistry with Seven Tan.
In essence, he is just a simple guy who doesn't talk much but just look at the way his eyes and body move. That is another level of acting in my opinion. Some simply watched the drama for his good looks, Well, you're not alone!
All other actors involved in this drama deserve kudos. Everyone played their respective roles in alignment with the story and this is what makes the drama interesting in my opinion.( A special kudos to the kiddo who plays Qin Xiaonan)
Writing:
This drama is based on a romance novel and the Author is also involved in script writing of this drama, which is a great contribution. I haven't personally read the novel, yet those who have had before mentioned that this drama is closely following the novel's footsteps and we are not deviating much from the novel ( as the novel readers say, the drama followed the novel closely. so if you see things missing or don't make sense, the original book is the same). As a result, the author's presence had a great effect on the script and character development.
Yet again, the only downside was that the second lead had minimum screen time and their relationship was kinda rushed. So we are mostly focused on the main leads.
Production and cinematography:
If you have watched Cdramas before, you are fully aware that their production system is a bit different( In terms of using CGI and dubbing voices, however, in this drama the actors' original voices were used) But this drama uses beautiful locations and picturesque scenery. We see a variety of locations and buildings, camps and bases, and cities too!( not to mention the tents and camps they showed us!)
The episodes that are shot in Qining are the best of them all, which adds to the value of this drama. If you watch the drama, you realize the importance of this magnificent place for the lead's destiny.
Music:
The selection of music is a bit limited, however, the background classical pieces used in different scenes definitely bring about good vibes.
I just want to mention that if you're a romantic and die for romantic dramas with the least complications and cringe, and at the same time crave romantic scenes and beautiful chemistry, be sure to check this drama. It's a solid 10/10. highly recommended.
And another side note. Some did not like this drama. Understandable! Not every drama made in dramaland is aimed to satisfy everyone. But this drama is not at ALL lame and bland. It's designed for a more mature audience who wants to see something realistic and romantic.
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