Reviews

*****This Reviews contains SPOILERS****

I discovered Korean dramas after discovering and falling in love with Rain in 2010. I've seen many a k-drama and Misty is now the best drama I have seen in my 8-year k-drama life. IMO, it is perfection from the beginning to the last frame.

Every episode of this masterpiece is brilliantly written and acted. From a super compelling who-dun-it to complex, multi layered relationships. not only betweeen Go Hye Ran and Kang Tae Wook, but between Go Hye Ran and her younger rival Ha Ji Won, her boss/director, a female colleague, the protagonist Kevin Lee, and the devoted Byun Woo Hyun. Kang Ki-Joon, the tenacious homicide investigator, is one of the very best of the great supporting cast. This is a mature, sophisticated, complex, suspenseful drama that tackles marital strife, revenge, obsession, freedom of speech, corruption, class, justice, and workplace politics. I feel privileged to have seen it and I LOVED THE ENDING.

While everyone is entitled to his/her opinion, I find many drama lovers' need for some bullshit happy ending idiotic and infantile. The ending of Misty is 100% consistent with the narrative of the 15 episodes that got us there. I mean, did you really think they were going to move overseas and live happily-ever-after given ALL that occurred? Seriously, WTF did these people complaining about the ending expect? IMO, it really could not have ended better or any other way without compromising its integrity and greatness.

Again, best drama I have ever seen and I have no idea what I am going to watch next. CANNOT RECOMMEND HIGHLY ENOUGH.

Read More

PM: a jewel produced through the lens of art and aesthetics.

Shakespeare wouldn't feel embarrassed signing this brilliant series. Really Perfect!

Many have tried to reduce and drag PM into a small, unfounded discussion about misogyny, when what is really in scene are the dichotomies of human nature, light and darkness. What is most curious about this criticism is that it is an unequivocally matriarchal story in which men, naturally arrogant and oppressive as a reflection of the education and culture of the time, when they get married, they become docile husbands to their wives, all of whom are very strong-willed women. This transformation does not harm the dignity of men, but balances the forces between man and woman.

The series manages to bring together all human virtues, innocence, honor, compassion, generosity, in counterpoint with villainy, misunderstandings, family intrigues, compromising pasts, murders, revenge. I identify, in PM, traces of Shakespeare's comedies and tragedies. But if you ask me how similar these works are, the answer is simple. Shakespeare's work builds plots exploring virtues, human flaws, intrigues and surprising twists, whose stage is the intra-family and palace life, of society in all its shades. Perfect Match has the same atmosphere.

The plot has the merit of, from a single thread (the Li family), weaving an intricate network that begins at home and expands to other layers of society, until reaching the powerful.

The series is a light and very fun comedy, with a dynamic rhythm that unfolds in many twists. Like all comedy, it also has its space for tears, whether in lyrical scenes that address the sensitive side of human beings, or in scenes that bring out the painful side of life.

The PM scenes are constructed with theatrical logic, in small spaces and intimate actions, such as the garden, the rooms, the meals, even palatial and noble environments, is framed in a small spatial perspective, giving the feeling of proximity that we have in the theater. I also highlight the theatrical way of acting of three burlesque characters in particular: Madam Li (Ni Hong Jie), Le Shan (Huangyang Tian Tian) and Fan Liang Han (Huang Cheng Chi), with their facial and body expressions, vocalization, reactions, gestures, temperaments, performed with exaggeration, exacerbation, are theatrical concepts that enrich the characters' dynamics and color the narrative. The scene cuts resemble the curtain closing. This combination takes us into the scene, as a local spectator.

I could not fail to mention the first daughter Shou Hua in the context of the non-negotiable defense of woman's dignity. This character does not seem to be understood in her human greatness, and this incomprehension has made her the target of many unfair criticisms, since what some viewers consider to be resentment, grudge, inability to love is, in fact, the non-negotiable defense of woman's dgnity. Shou Hua has a monastic aura and deserves to be understood as a woman who asserts her dignity at a time when women were nullified and according to the law of the time, they were worth less than men. The ironic detail of this criticism made against Shou Hua is that precisely the women who accuse the series of misogeny are the ones who most criticize this character who gives stature and dignity to women. In my opinion, she is the best-crafted and most beautiful character in the series. It is very rare for series to portray women with this depth and delicacy.

The family is the microorganism that constitutes society, PM shows these entrails with mastery. PM is a precious mosaic of microstories that involve a sophisticated cocktail of successes and mistakes inherent to life that gain dimension and life of their own in the expansion of family ties. These microstories have no other theme than virtues and human miseries. In this complex cocktail, everything related to human behavior is on the screen.

In addition to PM having visual beauty, with photography that offers aesthetic pleasure, its narrative interweaves the best of Chinese literature (present not only in quotations from works, but in the deep and delicate universe of Chinese Poetry, recited throughout the series), painting, philosophy. This artistic conception amplifies the beauty of PM's messages.

PM portrays the daily lives of ordinary people, like us. The seesaw of the characters' human flaws and virtues oscillates, and this gives grace and life to the plot, but at the same time, it leaves open the possibility of everyone redeeming themselves.

Why should we be such strict judges? We all deserve this chance.

Read More

Characters here are never out of tricks

And finally a great female lead that stands out unique to other female characters strongly…

The female protagonist here Mu Wan Qing (acted by Jingyi Zhang) suggests them ideas, shows bravery when needed & do not hesitates to help or take risks to get something. She's cool, gives answers to insults, not your typical crybaby. Male lead & second male lead are there to help her but she isn't a burden on anyone. She knows many languages, is hardworking & knowledgeable not only for problems in life but also in business. The way she deals with her evil step sister is so pleasing to see like originally female leads must be sobbing in some corner but this female lead makes that evil one cry instead. The way she supports Xuan Lin unconditionally is also amazing.

Male lead — Tan Xuan Lin (played by Chen Xing Xu) is also a good character. He is always cool, fun & cracking jokes. Even when situation is complicated, he has the time to joke around & bicker with other leads. But the deeper part is that he has an emotional side too. He has his own reasons & rules. He is quite intelligent too as he tackels his problems in the best way possible. His relationship with his sister is adorable.

Another Male lead — Xu Guang Yao (played by Evan Lin) my poor boy Evan, it's just his second work as an actor & he has been really acting so well but why you gave him a second lead role. Poor him T_T… then this character Xu Guang Yao is a righteous man who doesn't know much to play tricks but he's still intelligent. He is like the definition of Nice male lead. He's caring, kind & protective towards our female lead, Wan Qing… he has 2 best friends who try their best to support him. I liked their bond too.

The positive part of this drama is that though there's a lot of politics but it's not so boring, I was actually enjoying people tricking each other like that. Every character is important, has their own background story & are clever. No one accepts defeat easily & comes back with new ideas. Overall, the drama gets more interesting as we go ahead… well, everyone wants to save their position but who will save the people? That's a nice point presented here…


MUSIC / OSTs
♪Eyes like star♪ — by Si Nan (the lyrics is beautiful, so is the voice and music. Soothing & slow… it's the opening theme song)
♪Clearly know♪ — Cai Yisheng (I liked this song too)
♪Horse ride♪ — Zhang He Xuan (this is the ending theme song)
♪Your promise♪ — Dai Yutong
♪Swaying♪ — Liu


Rewatch value… No, I am not rewatching this again. Well, I am not a frequent rewatcher and It's kinda lengthy so… though I enjoyed it, its a one time watch drama only.

TO CONCLUDE… it's a 9.5 out of 10 overall. There's politics for getting power, good supporting roles who keep us entertained throughout. Interesting characters with their own story & stuffs to deal with & how the leads make their bond more stronger while sorting out the complications is what the story is about.
Reasonable characters knitting a wonderful story…!!

Read More

Tale as old as time.

The Legend of Shen Li is a highly entertaining xianxia with a terrific starting hook. Injured while fleeing an unwanted marriage, Shen Li crashes into the mortal realm in her innate phoenix form. Mistaken for a chicken, she is rescued and healed by Xing Yun, a sickly ginseng salesman. Never in my wildest dreams did I think I would be shipping an unseemly attachment between a haughty chicken and a weak but insolent mortal. Their hilarious interactions and witty repartee had me grinning like a fool. This has to be the first CP that I got invested in before the FL properly meets the ML.

While I find Legend of Shen Li quite enjoyable, it is a tale as old as time and I am not just making fun of Xingzhi's age. This kind of forbidden love story between a lonely, crusty old god and a much younger one is the staple of this genre. This one is written more as a character story so there is little plot movement until the second half of the drama. The plot itself leans heavily on well known xianxia tropes with a modern, role reversal approach. What makes it special is that it is well executed, the main CP has scorching chemistry, it is anchored by a stellar cast and tongue-in-cheek dialogue has deep and heart tugging undertones. This is an excellent entry-level xianxia that will thrill and delight newcomers to the genre the most. While die hard fans of the genre will certainly enjoy the fresh take on old themes, they may find the plot predictable after the early arcs.

For me, the mortal realm is always the most interesting xianxia arc and this is no exception. It is at the same time the most disappointing arc in terms of missed opportunities. It is too short and half the time Shen Li is an angry CGI bird. Shen Li's feelings for Xing Yun developed so quickly I felt shortchanged on the how and the why she fell in love. Worse, their story is overshadowed by the two utterly heart wrenching ill-fated love stories. To some extent, the narrative coasts on the residual heat from Princess Agents and assumes the audience is already invested in the main CP. The issue is viewers who did not watch that may not feel the chemistry between them. The arc ends so abruptly that it barely dawns upon me that Shen Li's affections could be one-sided. She very high-handedly falls for a helpless mortal and doesn't give him any say in the matter because she knew it to be transitory. This is quite sad and complex and it is a pity the narrative dealt with it too cursorily.

As someone hungering for closure from Princess Agents, I am stoked to report that the chemistry between Lin Gengxin and Zhao Liying burns as hot as ever. This drama is generous to a fault in fusing passionate love scenes with humor and moving romantic moments. I find myself chuckling at how hot and flustered Shen Li gets by Xingzhi's shameless flirting until the veiled pathos behind Xingzhi's careless words hits me and makes me tear up. Both characters are designed to recycle the strengths of their previous collaboration without taking much risks. Notably, there is no extra dimension or complexity to Zhao Liying's role or portrayal. She once again delivers in spades what she does best from the brilliant, combative glitter in her eyes to her signature awesomely bad-ass fight scenes. I would have liked to see more facets to King Bicang beyond the fierce warrior with a deadpan expression who is casually cruel to CGI animals. There is more scope for Lin Gengxin to shine as Xingzhi is a contradiction; the most powerful and yet the most powerless being in the three realms. I was impressed by Lin Gengxin's heart wrenching and nuanced portrayal of this so very alone ancient being who will crack a joke to stop your heart from breaking for him.

As a couple, Shen Li and Xingzhi are too perfect for each other - their world view is largely aligned and besides the one bombastic obstacle of an existential crisis for the realms, there is no real conflict in their relationship. While they experience some acutely angsty moments, they are all short lived. Most of the intense and lingering agony in this xianxia actually comes from the three devastating side love stories. Both characters are fully realised beings that don't grow much. That is left to the likes of Furong who is my favorite character in the first half of the narrative and the character that shows the most growth overall. His limelight in the second half is stolen by Lady Jin who is by far my favorite character and one who saves the draggy second half of the show for me. I find the villains quite boring and archetypal and those roles are also the least well acted. Even though Shen Li and Xingzhi come together in a moving and masterful ending climax, the finale is too much of something I have seen many times before. I did not enjoy the extended ending fight sequences and the heavy handed CGI.

Despite the unoriginal plot, this is an excellent character driven story. I was invested in many characters beyond the leads - Furong, Youlan, Qing Ye, Feng Lai, Mofang, Lady Jin and the indignant Cluck Cluck. The dialogue uses comedy brilliantly as a gateway to the profound in highlighting complex, deep and at times tragic existential themes. I enjoyed the conversation about how if we can work together against evil, we may no longer need gods to be our babysitters. I also felt a shiver of fear in this age of AI at the idea that as creators, one day we will become an existential threat to our creation. Overall a very enjoyable and highly recommended funny and intelligent xianxia that I am happy to rate 8.5/10.0.

Read More

For being so short, these writers and actors pack a punch. I wouldn't recommend it to just anyone, because it has some emotional and physical domestic abuse (even if some of it is implied). I think it is interesting Le Jun Kai is actually hurting himself as much as he is Ye Zi while he is tormenting her. This was a great melodrama that ended just as I thought it would. I liked the artsy feel to it.

Peter Ho and Janine Chang are very good actors that had great chemistry together. They were intense which was what was needed for their characters.

The music is perfect. I have been trying to find the music on youtube and itunes, but so far no luck. If any of you out there know where I can find it then please let me know. :-)

It was quick to watch the first time, so I can see myself rewatching this in the future.

If you like melodrama, then this is definitely a drama to watch. It only takes about 2 1/2 hours.

Read More

I am going to try to keep this short, because I feel like no one wants to see this much critique towards a drama that 99% of people seem to have liked . If you haven't noticed already, I am in the 1% of white crows.

When I start watching a drama with such high ratings and reviews calling it a masterpiece I try to fight of the hipe as much as I can but I still started watching Love me if you dare with a mindset of 'this is going to be good' and oh boy was I disappointed.

The drama started of strong with a badass female lead and a mysteriously intriguing male lead, but it all went downhill from there.

The STORY, while still not the best, was pretty interesting up until like 15 ep and then it just hit a rock bottom. It felt like the writers were trying sooo hard to be unique, to surprise us but it just didn't work for me, everything felt really forced. All the plot twists were kind of bleh. The romance was mature in a really boring way there was only one scene where I felt some kind of chemistry between Jin Yan and Jian Yao. Oh and don't even get me started on Jin Yan's investigation methods, you might as well label this as a Sci-Fi drama, because he came to conclusions and found out things out of nowhere (not everytime but I could name a few...) The story wasn't the worst thing, but certainly wasn't good it just didn't do anything for me, I never felt my heart racing, It didn't give me any questions to think about...

The CHARACTERS for the most part were so boring. I could not relate to them at all. Bo Jin Yan with some exceptions seemed emotionless. Sure you could say that he showed many emotions but to me he never looked human, in the end I was annoyed by the fact that he was so perfect. I wanted him to make a mistake, I wanted him to just loose his shit, because that is what I love about episodic shows, I can watch characters grow, I can see them fall and get back up again but that never happened. Maybe I am the only one who was disappointed, I saw that most people seemed to like his alien like persona but throughout the whole drama I didn't get attached to him, nor Jian Yao who went from badass to an accessory and for me dramas are all about getting attached. The only character I liked was Fu Zi Yu, he was fun, smart, freaking human like.

I think I could go on and on explaining why I think this drama is not worth the praise but despite all that I still encourage to watch Love me if you dare, because you will probably enjoy it considering the fact that I am picky as hell.

Read More

They should have just made a 1 ep special with the new stuff.

I love 2gether. It was the first of the modern thai BL series that i got into because of the pandemic. I say modern BL cause the first thai BL i got into was Love of Siam. Anyways, 2gether and still 2gether hold a special place in my heart. And after watching other BLs from around the world after 2gether, i've realized that there are far better quality BLs than 2gether, but again, Sarawat/Tine still had a special place in my heart.

So when they said a movie was in the works, i was hoping for a continuation of the story with a better budget and production akin to like Gameboys the movie or Hello Stranger the movie (both of which upped the production, story and everything from its original series). Unfortunately, 2gether the movie is 90% a recap of the series we already know, with footage from the series stitched together as a montage with new voice overs to give more context, and for 10% parts that were new was probably shot all on a single day.

I know the 2gether stans may seem like this sounds harsh but im just speaking honestly. This was utterly disappointing. It was like someone took the original source material and decided to make a fluffy fanfic epilogue/conclusion. I skimmed through the whole movie and watch the last bits and it felt unsatisfying. And this earned a Thai cinematic theater release? This just felt like a low effort cash grab. It felt almost like a slap in the face to the fans. They could have done a single ep special with just the new stuff and it would have achieved this conclusion just the same, if not better. Ill prob get flamed for this, but again, im just speaking honestly.

Read More

enjoyed the second half more

Overall: I'd really like to see these actors with better writing. If I were to start this at episode 4 and think they had just started dating, then the terrible communication and reluctance would make sense. But their characters' ages were 25 and 32, they were dating for 5? years (engaged for 3), they had known each other for 18 years (age 7 and 14). Their relationship dynamic didn't make sense to me even with a traumatic past event. This is based on a book which I didn't read and I reviewed the series on its own merits. 8 episodes about 45 minutes each. Aired on YouTube and iQIYI (uncut). Mandee also produced: Bed Friend, Cutie Pie 2, Cutie Pie and Why R U

Content Warnings: past death/gore, attempted murder, maybe held against will, dub/non con kiss, manipulation, manhandling, trauma/mental health struggles, stalking

What I Liked
- Kuea & Diao's friendship (and Diao and his friend group)
- Lian & Kuea's scenes
- Lian & Yi dream sequences/their dynamic
- cameos from characters in Cutie Pie
- couple funny parts like that dog's costume in ep 3
- sweet moments
- mystery aspect
- good kissing/intimacy (note, this is cut down in the YouTube version)
- Diao's evasive skills in ep 8
- Max's real mom played Yi's mom
- the ending of episode 8 was absolutely adorable
- production value (everything looks beautiful except too much blur filter, the actors, the sets, the cars, etc)

Room For Improvement
- I struggled with the characters and the relationship dynamic, we had an attractive, taller, stern, controlling character paired with a cute, shorter, avoiding physical affection character. The relationship felt more parent/child than equal partners, though thankfully this did start to change a bit. However, Yi said that Diao couldn't go to his own sister's party in episode 4 which was not cool. Also in episode 1 it appeared that there were security guards in their home to keep tabs on Diao/prevent him from leaving and security cameras inside the house for the same reason. And then the writers could have had Diao (an expert in martial arts) fight off those dudes but he got like 1 hit/punch in and then was a damsel in distress. Also him getting around on his bicycle further infantilized him.
- the manipulation/lying to Diao starting in episode 2
- poor communication, they didn't have sex in over a year? they've known each other for over 18 years and can't say what is bothering them, what they need from a relationship, problem solve together how to fix their problems? (I did like that one scene when asking about their honeymoon and future family plans), in later episodes they both say the importance of better communication but then don't communicate well
- the writers didn't make it clear that they had collaborated on their plan
- should have cut out the whole love rival side plot and explained character motivations more
- how Diao frequently avoided physical affection from his boyfriend
- too many time jumps in the first episode
- fart joke humor (and they've known each other for 18 years so what Yi said never happens in front of people was a total lie)
- comedy noises including the goat bleating
- cliche plot point at the end of episode 1
- maybe it was supposed to be funny how the dad prefers Diao because I found it really sad, Yi's dad was awesome in some ways but he was overly harsh to Yi at times
- terrible tiger cgi
- nonsense plot things: in 18 years, Diao didn't know that Yi has sisters (even if the marriage was recent that is something you would know about), Diao had never met Yi's mother in the 18 years that he knew him?, assuming someone is cheating because they smile/hug the opposite sex

Read More

Nothing new.. but watchable.

This drama had been one of my most curious dramas of 2022 . The drama being a BL, I was really surprised that China let it happen. But, I didn't have much expectation, knowing well about the bans and censorships that China usually impose on its shows. I watched it out of pure curiosity.

Honestly, I did like the first episode. But, the story didn't seem to keep a fixed pace. Some parts felt too fast, while some felt too slow to me. This is nothing new and I didn't seem to enjoy this as much as I would have watching a BL.

The acting was meh. I didn't feel it at all. Hu Shi Wen, who played Cheng Yi was alright but there is, of course, possibilities of improvement. Anyways, Hu Bo Wen seemed like a robot. The supporting too didn't do the job of making this interesting.

The music was good. This is the only thing in the whole drama that I wholeheartedly liked.

The editing was terrible. Sometimes, it makes the drama unwatchable. That is SOMETIMES. Overally, the drama is fairly watchable, in spite of some substandard elements.

Read More

This isn't a typical "scriptwriter has it all laid out for you" type of drama. In fact, it's probably the most confusing drama I've ever seen. But it doesn't mean it's bad. In fact, the scriptwriter had her own logic regarding parallel universes and time travel, and it's our job to figure it out as the audience. So if you're into puzzle-solving and piecing things together, then this drama is for you!

The drama starts with bits and pieces of the two worlds, with an overwhelming number of characters (and their dopplegangers, which you may or may not recognize--). There's a lot of foreshadowing going on, as well as important details that will come in handy later on. Hence I suggest that while you're watching, you may want to subscribe to an analysis/explanation YouTuber or something (I had the benefit of being able to understand the Taiwanese YouTubers who did episode-by-episode analyses afterward. It helped me tremendously after ep 7 or 8).

Midway through the drama, things really start coming together and then the originally-slow storyline starts picking up. I think it took me til ep 9 or 10 to really appreciate the complexity and the plot development of this drama -- we follow Lee Gon on an unpredictable puzzle-solving journey to piece together how this world works and how he can save the world from being ruined by Lee Rim.

After finishing the last episode, I began my rewatch journey and suddenly *everything I saw in the first few episodes made sense.* After learning who's who, it's a lot easier to see the significance of every detail presented at the beginning and how everything fell into place at the end. Hence this isn't a one-watch drama -- it's something where after you go through it once to get the gist of it, you will want to go through again to pick up clues to the puzzle and interesting little details that didn't make sense without context.

The main love line didn't make sense to me (since I'm not a huge "destiny/fate" person and the character development wasn't that convincing). However, you will want to keep watching the show just to see how the other characters' relationships develop, and how Lee Gon strives to defeat the evil. There's so much going on with all the characters that having a faulty main lead romance won't kill the drama. Until the drama picked up, I totally watched it for Jo Yeong x Eun Seop. Favorite bromance. Amidst all the killing/deaths, the scriptwriter also did not forget to put appropriate comedic relief, so I found myself laughing a lot during the show.

Gotta commend the acting -- Woo Do hwan and Kim Go-eun especially, who had multiple characters to play. I really hope they win acting awards (and that Tae-ra is just a foreshadow of what will happen in real life next year ;)
The OST was also great. Not as great as Goblin, but I would put this on repeat.

Read More

Crazy Satisfying

10/10. This was rom-com done right. It had all the elements I love--slapstick comedy, character development, heart-fluttering kisses, no draggy misunderstandings, a mystery that kept you on your toes, and a satisfying and unproblematic ending. Sure, the ending was more like a gift-wrapped up and tied with a nice, perfect bow, but hey after all the previous Kdrama endings we've been through (if you know, you know), I think we all deserve a satisfying one that leaves a smile on our faces. Hands down, this will be one of my favorites! Thank you Crazy Love Production and Cast!

Read More

I could write a novel to compare how this adaptation succeded and failed! But because this is a review and not an analysis I'll try to be as brief and fair as possible.

This is what I call the Disney version of KWP! They took the core storyline and characters but repackaged it to satisfy a broader demographic. That's not a bad thing if you like cute romantic comedies with a hint of salaciousness and happy ending! The concept of KWP is unique in itself it's interesting and satisfying. However, if you are a fan of the original manga or original series you might be disappointed at the loss of the story's hard edges.

By softening the characters it actually made the relationship between Sumire and Takeshi "Momo" feel less passionate and dynamic. It also made their growth as individuals feel less dramatic. Without those rough and uncomfortable moments you lose much of the stories impact about intolerance from social/moral/gender expectations. That probably isn't a big deal to most but if you really enjoy those wtf elements (I call it rollercoaster euphoria) from the more mature storyline then you probably won't be fully satisfied with this latest adaptation!

The acting was fine. No one in this drama stood out to me as spectacular but they were adequate. If I had one gripe it would be Iriyama Noriko startled/deer-in-headlights look that I assume is supposed to represent nervous insecurity? I'll be nice though because it seems to work with this adaptations Sumire.  But nitpicky me really wanted that composed and confident public facade in the original. The same with Takeshi "Momo" he was too adorable to the point of being childish vs Man-child. But again it feels appropriate for this version.

Nothing to add on music though the introduction was nice.

Overall rated good, but without the original uncomfortable mature situations it's nothing special. I might watch this again because I love the KWP storyline but I'm not emotionally attached to this version

Read More

Idols With A Twist…

With a predominantly idol actor cast ( aside from actual actress Jung Ji So) and respectfully a lot of hyped fans of these idols watching the drama, it does objectively brand the question for a lot of drama-watchers ( especially those who aren’t interested or a part of idol fanbases), whether ‘ Imitation’ is actually worth watching as a storyline , or is a waste of time.

There is a balance of good things and more critical points when it comes to ‘ Imitation’. On a strong note ‘ Imitation’ has a prominent message about problems with the idol industry and does not shy away from tackling themes such as corruption, the media, toxicity present in idol fanbases , mental health and hardships . What resonated even further was undeniably having a predominantly idol-cast playing in those roles. However, the show often did fall short with how consistent it was trying to be with conveying these messages through writing and character writing also.

Let’s start with the main female lead Ma-Ha. Ji-So is a good actress, however, although initial introduction wasn’t terrible, it didn’t quite embody her role either. It had nothing to do with Ji-So not being an idol. After all she takes on roles in order to adapt herself to becoming someone else onscreen whilst the cameras are rolling. That’s her job. Instead, its rather the fact that Ma-Ha was always a character who you should’ve felt sorry for with her hardships, but often it was easy to grow detached from the FL with Ji-So’s lacking vitality invested with her given - performance. This isn’t entirely the actress’ fault, as this was also sparked by screenwriting problems also .

As viewers there’s a lot we are supposed to like about Ma-Ha. She’s not only the female lead of the drama, but the “ underdog” archetype who takes a central position as a member of her girl group and desperately yearns for the group to become famous. These goals were easily likeable traits, but then when we actually exposed to her reasons for “ becoming an idol” as well as her “ will they, won’t they?” lacklustre onscreen chemistry with popular Shax boyband member Ryeok ( Jun from U-KISS), her character simply became uninteresting for the most part. This is because rather than depending Ma-Ha’s own sense of purpose outside of the group in early episodes , the female lead’s entire being was pretty much defined by romantic tropes, than actual character development.

Oh boy, this leads us onto the romance elements and setups of the show. Tackling this topic in a drama about idols evidently isn’t a crime. After all, a lot of idols have love lives and date in secret but the problem with “ Imitation”’s depiction of the turbulent love lives of idols was that it lacked a lot of depth. There were multiple opportunities for us as viewers to perk up and take note of what really happens in the lives of idols, when the spotlight and cameras aren’t rolling. However, instead “ Imitation” was focused nearly entirely upon bringing in pairings which were fairly dull.

This is even case and point with our main pairing between Ma-Ha and Ryeok. Jun is a really good actor alongside Ji-So but the tropes and cliches soon diminished a lot of onscreen chemistry between them. This was because similar to Ma-Ha, Ryeok’s original character was fairly interesting. He had clear goals and motives, as well as presenting an evident contrast to Ma-Ha due to being successful and suffering under a lot of emotional burdens. Yet rather than connecting these characters under their similarities and learning to symbiotically “ lean” upon one another gradually from their “ hate to love” relationship , the drama attempted to present too many cliche “ differences” between them, which often fell short due to questioning why on earth these characters should have been together if this was all their relationship equated to.

Similarly one of the most poorly-written couples in this drama was Hyun Ji ( Lim Nayoung )and Yoo Jun ( Hwiyoung). Hyun Ji was by herself an interesting character alongside fellow member of Teaparty Ri-A ( Minseo). However, her pairing with Yoo Jun? It was incredibly enforced to say the least. Hyun Ji’s feelings for Yoo Jun were fairly unrequited as Yoo Jun, rarely reciprocated them romantically. Their screen time interactions were minimal and when they were together, the topic was usually just about Ma-Ha. If the show had developed this couple more, or had just disregarded entirely and explored Hyun Ji’s relationship with her fellow members then it would have been a lot more coherent than the pairing we were presented with onscreen .

Aside from the romantic factor, the biggest flaw in this show was undeniably disregarding the seemingly “major” established storyline around Eunjo and Annie. Now this was an interesting part of the show, however, it was nonsensical and seriously bad writing to disregard these characters, bring them up for a few seconds when it was called for and then anticlimactically solve the case, without rhyme or reason .

Perhaps the one character who you surprisingly grow to love as a viewer is solo singer La Li Ma( Jiyeon from T-ara). Ji Yeon really gave a dynamic performance as the soloist, and her character takes some surprising turns away from the stereotypical “ catty second female lead” trope that she was presented within in the first few episodes. It was oddly refreshing and enjoyable to see this character grow.


So, is “ Imitation” worth watching? The drama presents some fairly hard-hitting issues about the idol industry, but sometimes struggled to convey these meanings due to the heavy investment of romance as well as disregarding major plot lines and character development also. The acting is a mixed-bag. There are times where the acting front is really good, and other scenes where it is questionable . The OST is okay also -a little generic, but certainly nothing wrong with it either. Overall, certainly not a bad show but dependent on what you’re looking for. If you’re watching for the idol cast and themes about music, idol and cutesy couple moments, then you’ll absolutely love this one. If you’re not a major fan of them and where enticed by the darker storyline topics, then you may be a little disappointed.

Read More