This review may contain spoilers
The first real omegaverse series, strong beginning, flat in the end...
While Pit Babe tried to be omegaverse it was without explaination and without a real omegaverse story. This series explained most of it in the beginning and you think you will get a typical storyline, but you won't. This is more a psycho-thriller with BL elements than a BL with psycho-thriller vibes.I won't go too much in details, because there are many reviews out there which will depict the series. When "Sheng" said "you little maniac" to his partner, he is exactly that. A ruthless, manipulative tyrant in most cases but with Mr. Sheng he is the cutest omega-like being on the planet. Mr. Sheng is also not a "child of sadness". While having a soft core he did also questionable things considering all his ex-lovers he had, a wolf in sheeps clothes so to speak.
Then we have a second couple which had a good dynamic in the beginning but got less and less screentime as the story progressed. While Shen is an alpha, he has too much hate for omegas in him to see the true nature of Gao and it ends in a disappointing finale (for me). There is hope, we will get a special to have their story to be completed but now it's open ended. At least for me it felt unfinished.
There is the critics who say there was rape, but in the omegaverse there are just animal instincts taking over when in "heat". It's not a rape per se, because both partner have the same desire. And everyone else who said "but we could see it clearly", yes that was because the director choose to show us even when in the story the room was dark.
Production budget seemed huge and in typical BL manner there is a lot of subtle bluring going on especially in the more romantic scenes and close-ups. The lip sync is also not perfect, especially with the child, the acting felt sometimes a bit stiff (due to the lib sync) and it often sounded subdued for the scenes we were seeing. Because this was a chinese production for the foreign market I wonder why they had to do this, because everyone besides chinese people would not know of the different chinese dialects and it took away some of the intensity of the scenes. Other then that, production quality was top notch.
While it is a groundbreaking series, it is far from a 10 for me, because a) I'm sound sensitive b) Shen seemed a bit too two-dimensional without the growth I expected and c) the finale. It's a very good show overall when you like the psycho-thriller approach.
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1This review may contain spoilers
Moral Bankruptcy, Bad Wigs, and Surprisingly Good Chemistry
Alright, gather round, chaos enthusiasts. This drama is not for the faint of heart or those who enjoy neatly wrapped moral lessons. The ethics in here are wobbly at best—like a toddler on roller skates—but that’s part of the fun. Each 10-minute episode feels like someone tried to condense three emotional breakdowns and one questionable life choice into a single espresso shot. And you know what? It works. I was hooked, blinking in disbelief but unable to look away.Now, let’s talk production. The budget? Missing, presumed dead. The emperor’s acting was serving “community theatre villain with unpaid bills.” The OST has been reincarnated more times than the leads, and the wigs… spiritual experience of their own. Yet, somehow, none of this ruins the fun—it just adds flavor.
The leads are a special breed of unhinged. Their dynamic starts off as “toxic fumes and trauma bonding,” then slides into “kinda hot, actually.” The reincarnation twist adds spice: the FL remembers the first life, the ML does not, and together they prove that hate and love are basically just different toppings on the same emotional pizza. Both of them are morally carbonated, fizzing with chaos and guilt, but balanced enough to make you root for them anyway.
By the end, the FL does what most characters in revenge plots forget to do—she heals. She drops the hate, forgives the man who probably deserved to be set on fire at least once, and becomes his biggest cheerleader. Growth, baby. Toxic but touching.
And bro—if these two needed three lifetimes to get it right, how am I supposed to find my happiness in just one?!
In conclusion: it’s a short, chaotic, ethically grey pit stop between your prestige dramas. Expect messy emotions, shaky wigs, and a surprisingly wholesome aftertaste. Would I recommend it? Absolutely. Would I question your sanity if you liked it too much? Also yes.
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Weak start, getting better with every episode...
While we are flooded with short KBL mini-series, this is a serious TV production. And it shows. The main actors are already established and even the best friend is a character we have seen in other series as supporting role.I like scifi and time travel always but I would lie if I would say the script does not have it's flaws. Sadly it has. Especially the color-blindness was not explained at all. Especially WHEN does he have it, is it just an after-effect due to his time travelling or did he had it all the time or did it develop gradually. It has such a prominent role in the story that I don't know WHY it was there. So it irks me still, why it wasn't explained at all. Also the fight between Woojin and his best friend was overly fast resolved without the proper appology. Teajun had the vibe of jealousy which was not done right. It gave me first the impression he is also interested in Woojin in a romantic way but that was just a fleeting moment and imho not necessary.
The cinematography was top notch giving the past and the "now" a different vibe - which it should. Also they did an amazing OST. The only gripe is the overly blurness of their first kiss in the beginning, this was a bit over the top. I disagree with some reviews here saying the did not have chemistry, I think they did. The glances and micro expressions did it for me, without the face to face aural confessions we are so used to. They don't need words to convey their feelings. In the finale Woojin said his smile had a sadness to it and yes, that's what was intended. This was a much more mature storyline compared to most school/university BLs we get to see nowadays which I appreciated.
Regardless of the flaws of the script, I enjoyed the series. It took almost a year after "Ball Boy Tactics" to get a proper KBL on the screen and I appreciated it. So while not perfect, it's worth the watch.
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1
1Very niche, but my favourite show EVER!
"Two men talking in a room" is what you'll get in 60% of this show. 25% of the show has more than two but no more than ten men, or a man and a woman, talking in a room. And another 10% is two or more men talking outdoors... yup, you get the idea. Superficially, that's most of what you'll see in The Wind Blows From Longxi. And it’s also part of the show's very niche appeal.Longxi checks all my personal boxes for a favourite drama— great acting, real historical events, tight plot, treacherous politics, and zero distracting romance. It’s one of my favourite shows of all time, if not my favourite show ever. In a nutshell, Longxi is about spies during the Three Kingdoms period. Chen Gong is a veteran Shu field agent embedded in Wei. A critical military campaign against Wei goes horribly awry due to wrong intel provided by Chen Gong. How did that happen? Where do Chen Gong's loyalties truly lie? These are the questions that Chen Gong’s sworn brother and in-law, Xun Xu (also an intel veteran), is brought in to investigate. If you’ve read The Tao of Spycraft or any of Ralph Sawyer’s other books on ancient Chinese warfare, many of the spy methods and tactics in this show will be familiar. Since defection and double agents are normal in spycraft, one question is whether the defection is genuine or just a ruse to gain the enemy’s trust. That’s the central issue in this show, which the poster caption 谋中谋 计中计 (“the scheme within the scheme; the plan within the plan”) encapsulates.
Plot: A very twisty plot that doesn’t strain credibility. The least headache-inducing way to follow the plot of this show is to ask whose interests are currently aligned with whose. Without saying too much about what happens (because that would really ruin everything), the whole plot turns on the constantly shifting allegiances of various players, at the highest and lowest levels of society, in the conflict between Shu and Wei. The plot is complicated but doesn’t tie your brain in a knot until the episodes hit the late teens. Thankfully, ep. 21 onwards provide the clarification you need. If you get lost, there is a 5 minute “Cliff’s Notes” recap at the end of every episode that summarises the key developments. However, you’re very much on your own when it comes to the finer plot points, which the recap doesn’t cover. The final resolution is elegant and gut-wrenching, and I am glad the team did not go for a happier ending. That would have been far less satisfying.
Script: The script doesn't waste any time getting the show off the ground, even if it seems that little goes on in the first episode (it's important background context and sets the scene for everything else). Overall, it's just the right length at 24 episodes. Since this is a hardcore spy-plus-politics drama, most of the real action takes place behind closed doors, with bearded, middle-aged men plotting and scheming over cups of tea. The dialogue is exquisitely political and worth following closely. We are treated to scene after scene of various players abandoning old allegiances and cementing new ones, and having those allegiances tested by their new masters. One such scene is the one where Feng Ying (Shu spymaster) seeks out Li Yan (Shu general), formerly from an internal “enemy” faction, to declare his allegiance to Li Yan. Feng Ying tries to get on Li Yan’s good side to protect himself from Li Miao (Shu interim mid-level "civil servant"), who also works for Li Yan, but wants to turn Feng Ying into a scapegoat for his own political purposes. Li Yan appears to believe this is a ruse by Feng Ying and tests him, but goes along with it as it benefits him in the short term. I also liked how there were relatively few flashbacks. The ones in Longxi are short and moving without being too sentimental; I especially loved the one where a ball lying by the door causes a very miserable Guo Gang to reminisce about playing cuju (蹴鞠?) with Chen Gong in the rain. Another striking thing is the judicious use of action scenes. Since Longxi is about politics and intel, there are only a handful of brief action scenes (mostly military skirmishes). Then in ep 23, the viewer is treated to the show's only extended sword-fighting sequence with Chen Gong. The burst of pure violence and pent-up rage in this sequence arguably makes this scene the emotional climax of Longxi. Chen Gong, like any good field agent, has iron self-control. At worst, he has quiet breakdowns in private, then quickly gets his act together again. But in the swordfight scene, he lets it all out. It's moment of pure catharsis for the character that sets the stage for the final episode. Definitely one of the finest moments in an already amazing show.
Themes: The 2 main themes of Longxi are (1) the moral neutrality of politics, and (2) that human relationships are a double-edged sword. The life-and-death political struggle between Zhuge Liang and Li Yan is not a matter of good versus evil (even if Li Yan does some truly terrible things), but down to a difference in opinion as to how Shu should ensure its medium-term survival. And at the end, it’s Chen Gong’s feelings for Di Yue (his wife) and Xun Xu that threaten his allies’ best-laid plans, even as his allies exhort him to continue making enormous personal sacrifices for Shu. For both Xun Xu and Chen Gong, what ultimately gives them moral closure and defines their biggest decisions is not self-interest or patriotism, but staying true to their loved ones. Powerful stuff.
Acting: Everyone put in an A+ performance here, except Angelababy. I have nothing against that lady, but she was pretty wooden in this show and looked so airbrushed. She also didn't quite click with Bai Yu on screen. (I don’t watch enough shows to comment on whether this is better or worse than AB’s usual...) Chen Kun was of course brilliant as Chen Gong, but I was equally (if not more) impressed by Bai Yu’s low-key but completely spot-on performance as the dangerously sentimental Xun Xu. Xun Xu has the smarts and EQ to be a great intel guy, but he's too emotional and high-minded for his line of work. He's terrible at lying and makes a few wrong calls that have serious consequences. One gets the sense that he has only survived this long due his kicked puppy expression that tugs at everyone's heartstrings, a good brain, and sheer luck. Bai Yu perfectly captured this precarious balance of vulnerability, world-weariness and cunning at the core of Xun Xu. His final exchange with Chen Gong, especially the delivery of「我看透了你的心」(“I’ve seen through your heart”) in ep. 24 was also a total tear-jerker. With a lesser script and actor, Xun Xu would have been a character whose naivete makes the viewer question how his head has managed to remain on his shoulders. But through the combination of great script characterisation and Bai Yu's acting, Xun Xu becomes a convincing example of the idealistic survivor who manages to keep going even after all the dust has settled. I also really enjoyed Edward Zhang’s performance as the Wuxian cult leader Huang Yu. He fully conveyed his character’s megalomania and cruelty with what little screen-time he was given. The actors playing Feng Ying, Guo Gang and Mi Chong were also absolutely brilliant. I loved them all!
Music: This was okay. It was composed by Kawai Kenji, but I was hoping for thematic music that was less Western in flavour. It was also disappointingly run-of-the-mill "epic"-sounding stuff. But it's not a deal-breaker for me.
All in all, 10/10, A++++ from this very satisfied viewer! For me, I’m not sure if any other mainstream period drama can compare with this show.
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I liked it less than Season 1, but I still appreciated the new season!
I was literally in the middle of randomly rewatching season 1 of Yumi's cells when season 2 finally appeared! Yay!!! If you were a fan of season 1 then season 2 tries hard to recapture that magic and continue Yumi's story right from where the last episode ended. I was glad to see all of the old characters and cells return, but I will also confess that I am unapologetically team Wung, and was rooting for him more than Yumi at the end of season 1. I say that so that my bias is clear, although I will try to not let that cloud my review too much.I think the main issue I had with this season is that unlike season 1, which was a clear linear plot about the evolution of Yumi & Wung's love story, season 2 tries to possibly do too much. Yes, as you can see from the poster art, Yumi has a new main love interest, Yoo Babi from season 1. We do get to see their relationship turn romantic and get introduced to Babi's cute and festive cells, but a lot of time is also spent on Yumi's writing career, some new characters, and an appreciated update on Wung too. I didn't read the webtoon, so maybe they just tried to fit as much of the original content as they could into the story. Sadly, although Yumi's emotions and the storytelling overall is still super creative and often relatable, the actual plot starts to drag and get repetitive about halfway through. And although watching season 1 first makes the most sense, there are plenty of flashbacks for context just in case you skip to this season for Park Jin Young as the male lead.
He may not have been the ship I wanted to sail but he is cute, so I understand.
Speaking of Park Jin Young as Babi, I do think he played his role pretty well, but once Babi became the center of the story he also became super boring. He and Kim Go Eun do have some cute chemistry moments in the first episodes but there are also quite a few cringy-trying-too-hard-cute moments too. Their cells often have to save the day to keep the story fun, or make their fights much more engaging. Watching Yumi become super jealous and distrustful on loop was already annoying in season 1, but Babi always being even-keeled with the same bland smile or sad expression just made it worse. If you are a Park Jin Young fan I'm sure he will be sufficiently cute for you to enjoy but compared to the chemistry in season1 I was kinda disappointed. Side couples were often much more interesting than the leads were. Wung's character having a decent amount of guest star screen time helped a lot too, but he always wore a shirt this time : ( #imissedhisabs
The rest of the cast were the same quirky characters I liked in the first season with some good new editions. My favorite of the new characters hands down was illustrator Control Z. ("Zeeeeeeee" lol ). He was another character that saved me from wanting to drop the tedious love story parts. I was hoping Da Eun would be as involved in the story as Sae Yi was, but I feel like she was underutilized. I think because of the self-centered nature of the Yumi character some great performances are more like guest appearances than the feel of an ensemble cast. There were some literal good guest star moments too. Park Jin Joo's cameo was really funny.
And all of the voice actors were amazing once again! I truly missed their antics!
Another plot issue was, as inspiring as Yumi's writing pursuit was, without the cell's POV, that was boring to watch as well, and definitely started to feel like filler in the last episodes.
Kim Go Eun as Yumi grew on me too and had a little more life in her performance this time. Or maybe that's just compared to boring Babi. Bland Babi's character was never allowed to evolve much past pursuing Yumi. Or was the lined black and white version of Babi also a metaphor for his lack of a personality? Apparently, in the original story he's the fan favorite, but I had a hard time seeing his appeal in the show. Their relationship was shady from the start, which was also pretty hard for me to look past after liking Wung so much!
Would I watch this again? Sure. I would definitely skip past a lot of scenes but the same charm of the cells and getting frustrated at Yumi makes even this messy plot still fun to watch. The Cells are everything, and along with favorites (like naughty) they really got creative with some of these new cells... like the hilarious "hand"!
And yes, I still love the OST and the new song editions. I was very glad to hear certain songs again.
Overall, it's super hard to recapture the energy of a successful first season, which the writer even blatantly has Yumi stressed over during the show's last episode (very meta). What Yumi's Cells 2 does well is stick to what worked in season 1 without trying to repeat it exactly. I still never cried, but I LOLed often. It's still the perfect length to binge and re-binge, even if the story drags at times. I got some character updates that I needed. I still wished for more growth from Yumi, but through her chasing her dream I saw some. I was also satisfied with everything ending as it did, and how they implied what was next in Yumi's love life without me needing to see it all played out, but if they do decide to actually go for a season 3, count me in... again!
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Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.
The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.
However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.
The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.
The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.
Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.
Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.
Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.
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Ask me no questions, and I'll tell you no lies.
Mysterious Lotus Casebook is a dark 江湖/jiānghú story about the ultimately futile aspirations and obsessions of the martial world. In an epic battle for supremacy, Di Feisheng of the dark Jinyuan Alliance challenges Li Xiangyi, the leader of the righteous Sigu sect. Both men disappear from the martial world afterwards, leaving a vacuum at the top and their sects in disarray.Ten years later, aspiring young detective Fang Duobing comes across Li Lianhua, a famous itinerant doctor whom he is convinced is a quack. Determined to expose him, he attaches himself to Li Lianhua as inextricably as a wad of chewing gum in his hair. They run into Di Feisheng, who immediately recognises in him his old nemesis Li Xiangyi. The two old rivals remorselessly keep Fang Duobing in the dark as they try to figure out who sabotaged their fight and search for Li Xiangyi's deceased sect brother Shan Gudao's corpse. An unlikely friendship develops as they work together to solve a series of strangely connected jiānghú cases.
Plot wise, this drama is solid but dry and unremarkable. The cases all unfold at a fast pace and are easy to follow, but do not engage audience participation. They are simply plants for clues to a treasure hunt for artefacts that unlock the main conspiracy. Despite a hint of the supernatural, the cases fall short of chilling or suspenseful. The hidden mastermind behind the main conspiracy is pretty obvious and revealed fairly early on, and even the ironic twist at the end is not much of a surprise. Both villains are one-dimensional jiānghú archetypes driven by vanity and delusions of grandeur. Wang Herun's scarily convincing portrayal of the Saintess of the insane cackle elevated the role beyond its one-dimensional character blueprint.
\What makes this drama a success are fascinating main character designs, strong rapport among the three leads, the scintillating dialogues, and well-choreographed and exciting action sequences. The real mystery is about who Li Xiangyi was and why he was killed. The answers are at surface trivial. Li Xiangyi was perched at the top of the martial arts world as the world's best swordsman and leader of the righteous sects. This made him the envy and natural target of virtually everyone. However, Li Xiangyi was far from the perfect hero of Fang Doubing's idealistic imagination. In fact, he was a self-absorbed, pompous ass who believed the universe revolved around him and his worldview. His swordsmanship is matched by a brilliant, cynical mind and a razor-sharp tongue that, according to poor Ai'man, can slay a person with a few words. If there is one thing lacking in Cheng Yi's otherwise stellar performance, it is that his Xiangyi is too empathetic. This masks his many flaws and hides how insufferable and difficult he was as a person. It took me awhile to realise that his sect had some inkling who Li Lianhua really was but they refused to recognise him because they just did not want Li Xiangyi to come back.
As for Li Lianhua, he is just a shard, a detached, sickly, disillusioned and world-weary remnant of the glorious Li Xiangyi. Cheng Yi really compels with his heart rending expression of this facet of the character singing his swan song without a shred of self pity. I lived for the sudden bursts of energy or sheer willpower that momentarily revives the breathtaking, dazzling and dizzying swordsmanship that propelled Li Xiangyi to dominate wuling. Only to all too rapidly diminish back into Li Lianhua again, a wickedly unapolagetic compulsive liar whose mantra is clearly, "Ask me no questions, and I'll tell you no lies." This is how he keeps everyone, and especially the hapless Fang Doubing, at arm's length; to avoid new personal entanglements. Fang Doubing (which literally means "sickly") is a parody character, the typical naive, high-minded, young adventurer raring to make a difference in the martial world. The dialogue is well written and humorously illustrates how grudgingly Li Lianhua is moved by this pesty young detective and tacitly accepts him as his successor. However, this kind of clichéd relationship dynamic of the clueless sidekick that elevates the brilliant sleuth is too common and quickly becomes boring. Li Lianhua's lies to Fang Doubing went on for too long to the point it became cruel and unnecessary. Their relationship is over explored and shortchanges the more interesting relationship in the drama.
What disappoints me most is that the writers opted to very cursorily explore the more complex and interesting relationship between Di Feisheng and Li Lianhua. Di Feisheng is the most layered villain in this story; that rare antagonist who transforms into a protagonist. Like Li Xiangyi, he rises to the top of his sect through sheer martial prowess rather than by winning hearts and minds. They are enemies who become friends, both betrayed and searching for answers. But his story is sidelined for much of the drama, his backstory is rushed, and his relationship with Li Lianhua does not really get a chance to develop and grow. Yet the best moments of this drama, are when all three of them are together, like a found family.
I like that this ends with an action-packed finale and satisfying final confrontations with the antagonists. But as for the plot, the best reveal is when Fang Doubing figures out who Li Lianhua is, which isn't really a revelation to the viewer. And I can't really pinpoint when the plot reaches its climax, as none of the high points make a strong impression. As for the ending, it is fitting but not as definitive as I would have liked. Most of Li Lianhua's journey is about putting his affairs in order and offering closure to those he cared for; to help them move on from Li Xiangyi who in all the ways that mattered died ten years ago. Yet Li Lianhua continues to string poor Fang Doubing (and us) along, which is too cruel and inconsistent with the drama's core message about letting go of past attachments and moving on. These kinds of endings that try to please all audiences really annoy me. I still enjoyed this superbly well written drama, immensely even though I think it had the potential to be much better. For me, this is an excellent 8.5/10.0 and a highly recommended watch.
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Slow steps with questionable pacing and timeline. Also, let me just add I love Chot.
It's started off great but it fell flat towards the end. From time to time the plot and the timeline feels off and hard to progress. The plot is not consistent at all. Sometimes it's good and sometimes it feels like it's all over the place and honestly I can't quite grasp the time skip. I don't even know what the screenplay writers were thinking like where is the whole in between story, especially of Jaab and Jen??Also Pat and Jeng, they both have one hell of a chemistry but their storyline is seriously slow, like it can not even be called a slow burn. It leaps from 0 to 1000 and then the next moment they are back to 0. What I am trying to say is the pacing is a mess. This series could have turned out to be so much better. It had so much potential but it couldn't live up to it.However, hear me out, it's not the best but not the worst either; it's worth a try, especially the first half of the series.
The characters are lovable but then again sometimes a little annoying and even rash. Starting with Jeng, his character is most of the times calm, composed, reasonable, a little controlling and hands down his visuals. Also, it was kind of cute how he was so bothered about the manager performance appraisal review from Pat. And Pat is cute especially when he is drunk. He worries a lot and even messes things up but sooner or later he rectifies it too, of course after the damage is done though. Also, he cried a lot, more so, in the second half of the story and I wasn't quite a fan of it. I do get it that the writers wanted to portray him as a pure, upright and innocent person but he came off to be irritating at times. His actions were questionable and his reasonings didn't quite make sense.
The most disappointing part of the series for me was the story of Jaab and Jen. Damn!! Jaab and Jen , in the starting, the tension between them was so clearly evident. I was actually more interested in their story than the main couple's storyline even though I did love the main leads. I was manifesting them and somehow it worked. They ended up kissing and it left me in total awe - I was like 'WOW' but then at the same time 'What just happened?!' Right after that kiss, it just turned into ghosting and then out of nowhere there is Paint. Also, two years gap. Their story is officially a mess.
What I really really adore in this series is the bond between the two brothers: Jeng and Jaab, it's heartwarming. They bond and blend so well. They are effortlessly funny in the right amount and supportive too. Further, the friend circle of Pat is hilarious and also extremely supportive in whatever he does which is both good and bad but I love them especially Chot. Touchwood to the bond that Pat and Chot share.
Chot really is the MVP of this series. He is sassy, confident, funny in the right amount, a reliable friend, an understanding lover and a heart stealer. Also, the office plot in the starting is so on point from the part of not getting the credit for the work one has done to the gossiping colleagues and this kind of really riled me up.
The series is not the best but it's still worth a try.
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A Background Story Review
P.s. this review focuses more on the background story, hope that others can grasp what's going on better.Mirror: A Tale of Twin Cities (镜双城) is a xuanhuan drama, adapted from the novel with the same title, 镜·双城by 沧月 (Cang Yue). The novel is broken down into 6 series: Su Mo, Bai Ying, Zhen Lan, Na Sheng, Yan Xi, and Yun Huan. But their stories are all correlated. Mirror Twin Cities drama adaptation focuses more on the story of Su Mo and Bai Ying.
A little background story for those who didn’t read the novel nor watched the donghua yet, the story takes place in the Yunhuang continent. In Yunhuang continent, there are 6 countries (Kongsang, Cangliu, and more). 7000 years earlier, Kongsang destroyed the sea kingdom. The previous sea emperor made a pearl to preserve his power and bloodline; and 7000 years later, a mermaid unaccidentally swallowed the pearl. Thus, Su Mo was born.
In Yunhuang, the mermaids were tortured and enslaved. A mermaid’s tears will turn into pearls, the mermaids were forced to cry; and if they cannot try, their eyes will be gouged out. Mermaids were tortured, forced to break their tails, and sold as a commodity and slaves. Both Su Mo and his mother are also very miserable. His mother has her hand and leg amputated and turned into a human swine. Su Mo was also tortured, and in order for others not to have his eyes, he gouged his own eyes. So Su Mo itself is a very dark character and he hates Kongsang people.
Mirror Twin Cities drama narrative centers around Su Mo and Bai Ying. Su Mo is a merman who also bears the identity of a sea emperor, he has the responsibility to bring the mermaids back to the sea. Meanwhile, Bai Ying is the eldest daughter of the Bai clan who has the responsibility to marry the Kongsang’s crown prince. The drama story timeline takes place when Kongsang was invaded by Cangliu, and after the sea emperor resurfaces again and wants to bring the mermaids back to the sea.
The first few episodes of the drama tell the flashback of what had happened 100 years ago. It has very weird and fast pacing, everything is thrown at you so sudden that you might need some time to process what’s going on. And you also won’t feel their chemistry yet. But stay and keep watching, it gets better! It has a pretty average script, but it has gorgeous landscape shots and CGI! But the editing and set are lacking, there is a lot of choppy editing especially during their fight scenes. The fight scenes are beautifully choreographed, but the shots and choppy editing makes it hard for people to understand whats actually going on. In addition, the set is also poor, this is a S+ project but the set looks like its a low-budget project. The "real" locations such as forest, houses, mirror tower were still okay but some like the sea kingdom, underwater scenes are poorly executed
Mirror Twin Cities is led by Li Yifeng (Su Mo), Chen Yuqi (Bai Ying), Zheng Yecheng (Zhen Lan), and more. This drama is Li Yifeng’s comeback historical drama after almost six years. Li Yifeng's portrayal as Su Mo is right on the point. A lot of people may say, “his expression stays the same”. But that’s what Su Mo was like, he is a cold and emotionless man. And also Li Yifeng looks REALLY GOOD in a historical drama. Meanwhile, Chen Yuqi's portrayal as Bai Ying was fine, she did improve a lot from her previous projects. But I can’t help but to notice that she has almost the same expression throughout the whole drama (except when she’s crying). Last but not least, Zheng Ye Cheng acting in a historical drama never disappoints, from his fighting scene, articulation, looks, everything is superb. Zheng Yecheng is also really commendable for being able to portray two totally different characters
In addition, Mirror Twin Cities also has an amazing OST lineup with star studded singers! And I love how there’s a specific OST designed for each character and situation that’s happening. The line up for Mirror Twin Cities OST includes:
1. 念归去 - 周深
2. 无惧 - 阿YueYue
3. 爱若无声 - 毛不易
4. 不为喜欢 - 张碧晨
5. 我是你的雨 - 银临
6. 相思不相忘 - 利胜
7. 风月唱 - 锦零
8. 问酒 - 姚晓棠
Sung by Zhou Shen, Mao Buyi, and Zhang Bichen, you can expect how much angst this drama has.
As someone who has read the novel, I’d say the drama has changed around 80% from the novel, especially character-wise. In the novel and donghua, Su Mo is a very cold and ruthless character. In the novel, Su Mo has no real feeling for Bai Ying at all. All he did was use Bai Ying to overturn Kongsang and try to rebuild the sea kingdom. It was only after Bai Ying jumped the tower, did he realized he was long fallen for her. However, in the drama, he is someone whose more emotional and compassionate (not that it is a terrible thing). For instance, during episode 1, you can see Su Mo as a bright young man helping other mermaids passionately, but that was not the case in the novel. Going through torture and betrayal when he was small, he was a dark and cold character. But in the drama, Su Mo has a straightforward attitude towards his love for Bai Ying. All in all, the drama focuses more on the romantic side of the story. If you have read the novel or watched the donghua, you may find the whole Mirror Twin Cities character deviate from the novel or donghua, except Zhen Lan. But when you are watching the drama, just try to forget the novel and donghua.
If this drama premieres after The Longest Promise (Xiao Zhan and Ren Min), the audience would probably grasp better whats going on.
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This review may contain spoilers
I have many thoughts about this drama. First the good: it is one of the most atmospheric and beautiful ones I've seen in a while, on par with the quality of Sword and Flower in its cinematic-like portrayal. The framework of certain scenes was just breathtaking. (Changing the aspect ratio at the end as well — just… outstanding). Also, it was very good at building up historical events, like the heart-wrenching fight of the Joseon people, the dread of being colonized by Japan, etc. The latter especially, every time a scene was characterizing that, the camera work paired with the ominous music portrayed the doom-and-gloom perfectly, enough to send chills down your spine. Its action scenes were a work of art as well, with the fast-paced sword work and quickness of biting bullets. When the drama focused on action, it was a joy to watch. If this had been the majority of the drama, I would’ve given it a higher score for sure.Another praise I want to give the drama is its realistic sets and costumes. I loved the mix of traditional and modern clothes, the slow-yet-rapid advancement of technology, etc. It really felt like we were given a glimpse of living in those “turbulent times,” as Ae-shin says at the beginning.
Which leads me to second, the cons. The elements of this drama that made me not rush to watch it, that always had me on the verge of feeling utterly unabsorbed and frustrated at times. The pace is just too slow at times; there are one too many longing looks between the two leads and lingering goodbye scenes. While it could be argued that the pace of the drama matches its tone and atmosphere, that it builds slowly because it’s reflecting how historical events slowly build up with tension until they explode, there’s a balance that unfortunately was mostly not reached. It leaned too heavily into following the slow precession of the hour hand instead of the quick ticking of the second hand on a clock (throwback to Hui-Seong). Those slow scenes lost the tension that is essential for a drama like this. I was reluctantly uninterested in many character-to-character moments when those should’ve been the spine of the plot. Instead, it was the political backdrop and those types of events that held the story together rather than the original story-beats of the drama itself.
Finally, that leads me to the characters. I liked them overall, but I never fell in love with any of them. They had good character arcs (for the most part. Looking at you, Gu Dong-Mae, the man with a million lives) and the actors played them excellently, But there was just something missing, like a disconnect between the characters, their motivations, and the overall story. The characters felt more like an afterthought, a throwaway the director can rely on when they need the story to go forward, but couldn’t use a historical event yet, so they have the characters muse and muddle about in the same problems they’ve had since the beginning. I guess I felt like they weren’t fleshed out enough and didn’t feel like they were an essential enough part of the story, which seems weird because they are the main characters, and they’re /in/ every scene. They just didn’t feel… real enough? I don’t know. My favorites were Hina Kudo, Go Sa-Hong, and Kyle Moore. The other four were lost in their convoluted love-square and unrelenting, stubborn pursuit of a single passion, with the exception of Hui-Seong, who weaved in and out of the story seemingly uselessly until the very end. I liked his final resolution, at least.
I’ll leave it at that. Obviously I had a lot to say, so this drama is memorable in that way. I think it’s overall worth watching, but I would recommend it to people who are most plot-focused than character-driven, and even then to expect some meandering scenes. It was well-acted and brilliantly shot, and it does have many redeeming factors (those last three episodes even got a few tears out of me, which is rare). It’s a decent drama, it just has some outstanding flaws that unfortunately keep it from reaching its best potential.
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I don’t know where to start to express my feelings toward this drama, if you’re watching it from the beginning till the end and you will know and understand how I feel. It's a huge big feeling like you want to scream it to the world. You need to watch it”. THIS IS MUST WATCH DRAMA OF THE YEAR.Overall: Innocent Man or Nice Guy or Chakan Namja is not an ordinary drama you see nowadays, because the leading characters both are smart, not easily be fooled around and they both are having a strong personalities, you will love them no matter how intense and cruel situations they were in. From the very beginning, this drama is having very good pacing, never felt bored or trying to skip it because each scene is too precious to skip it. For a moment I wonder, do we need to sacrifice that much for someone we love? Until the 19th episode, storylines explained why this story was made and executed this way. If really such an innocent nice guy really happens to exist in this real world?
Acting: Song Joong Ki as Kang Ma Roo, I was shocked when I fell for him and his cold staring eyes, how can this cute guy can change my perceptions toward him and he can be so manly just with both of his eyes, he is so talented and flawless in acting, seeking revenge against someone he loves so much, too complicated how he endured mixed feelings, but he never failed to convince me and I believe in him from the first scene till the last ones. Moon Chae Won as Seo Eun Gi also succeeded in portraying a smart, arrogant, and stubborn young lady and the only daughter of the Taesan Group owner. She is an awesome girl who can be in any personality and she did it well, funny thing about her, no matter how rude and harsh she is but I bet you still love her for being bold and strong. Park Si Yeon as Han Jae Hee also did a very good job in acting although I hate her character in this drama she succeeded in being a ‘femme fatale” in this drama. Her character was confusing me from the start, LOL, I tried to understand her but I’m still confused about her true feelings toward others. Supporting roles like Jae Gil the funniest, Choco the warmest, Att Park the shy one, and Att Ahn the mysterious lawyer on earth haha. All mentioned characters did a very good job as supporting lead roles also they have a strong character of their own, their side stories can be scary and cute too.
Music: Suspend weird music, I wonder why they chose this music for a melodrama in the beginning but now I understand and can blend it well with the story and Song Joong Ki’s song, “Really” only one word can describe it. WOW!. I really have no idea this guy can sing really well, his voice is smooth like his face, and sounds so innocent.
Rewatch value: To be honest, I already rewatched it. I did roll back the best scenes from previous episodes while waiting for the finale.
I’ll nominate this drama for TOP 5 dramas in 2012. Hope Innocent man will win a lot of awards because you already owned my heart.
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1This review may contain spoilers
A Mature Storyline
I had not expected , I thought this would be same Thai traditional cheesy BL story but I was wrong . Gmmtv did a great job .Disclaimer - I wrote this review according to my own thoughts . This review may contain spoilers . It will be change according to the upcoming episodes .
Story - Po , a heartbroken soul , was wondering a good job but everytime for being honest he failed at the interview . He recently broke up with his partner ( Earn ) and tried to heal his broken soul . He suddenly got a job at a big entertainment company and he was tasked with documenting a boy group's ( MARS ) final concert before their disbandment . Thame ( the leader of MARS ) about to make a solo debut in South Korea for a misunderstanding with his bandmates .
Impression - A mature and emotional story . The way the actors expressed every details ,is excellent . Thame and Po , both of them were trying to understand their hearts with each other's companion . The cinematography and visuals are top tier . As William is here then the music must be good , yes his beautiful voice stole our heart . The intro was so beautiful , one of the best intro I ever seen .
Overall - Try one episode , you will understand . I am giving 10/10 .
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Some comparisons between the drama and the novel
At the time of writing this I have watched 28 out of 30 of the episodes of the drama. Some none spoilery thoughts :- I love the main leads. The acting is great and both are very good looking. (I am a big Jeremy fan)
- The drama within a drama about the love between Grand Tutor and the Princess is filmed so well, I would totally watch this if it was a real movie!
- The amnesia part went on for ages and I wish they spent more time on developing the love story between the leads once the anmesia resolves.
I ended up reading the novel because I felt the last episodes were rushed. Here are some differences that I found interesting.
Warning : Super spoilers of the drama and the book so don't read on unless you want to be spoiled!
The novel is 108 chapters and is the love story of Ting Zhou and Ming Wei, the Award Winning “King of Film” and the rookie actress. They act in 3 dramas/movies together which provide the background setting of the novel :
1) “Grand Chief Cabinet Minister” (iQiyi translation!), a tragic story of the Grand Tutor and the young Princess Ming Wah – Ting Zhou becomes so entrenched in his character that he goes into a psychosis where he believes he is the Grand Tutor and Ming Wei is the Princess, as in the drama. By chapter 42 we are out of the amnesia but in the drama this took up 2/3 of the episodes.
2) “Dragon King” – a sci fi story set in the future where Ming Wei is part of a space exploration team trying to "conquer" a new inhabitable planet and he is a Mythical creature that is some sort of Dragon Snake that inhabits and protects the sea on this planet. It’s described in detail just like the Grand Tutor Princess story and is actually quite engrossing (but also another tragic ending – under team command she “seduces” the Dragon King and betrays him and he is captured. He is angry and hurt but she thought it was better that he be captured than killed. She was trying to think of a way to free him but dies trying to protect him) Outside of the filming the romance is driven by him who is obviously developing feelings for her as Ting Zhou, but she is resistant because she doesn't want to confuse her feelings for the Grand Tutor with her developing feelings for Ting Zhou. There is a lot of push and pull in their relationship in this part but both the readers and the characters are clear that Ting Zhou is not Grand Tutor, and Ming Wei loves Grand Tutor but he has left, like an ex-boyfriend.
3) “White Snake” – based on a famous Chinese Legend (it’s been remade numerous times in real life). Ming Wei plays the White Snake that cultivated 1000 years to become human and falls in love with a human. In this version he dies and she thinks he reincarnates into another man so she marries him, only to find that in fact he reincarnated into the monk that was sent along to capture her. Ting Zhou plays both the human character and the monk in this movie. The movie is directed by Ting Zhou’s father. Outside of the filming Ting Zhou and Ming Wei are dating but in secret, they want to see each other (especially Ting Zhou who is head over heels) but to stay in character they stay apart. It's really steamy whenever they are together though!
After the amnesia ends in chapter 42, you essentially get 60+ chapters of Ting Zhou falling in love, wooing Ming Wei, and then being a crazy in love boyfriend! Once Ming Wei agrees to go out with him, he is like a sex crazed schoolboy and can’t stop kissing her. (He is 30 years old and never had a girlfriend before) I can’t even count how times they kissed, each time described in detail by the author. He is cold on the exterior throughout but with Ming Wei he is caring, thoughtful, madly in love and gets jealous of himself as the Grand Tutor.
Ming Qiao is quite different in the novel. She just graduated high school and goes to college to study Automobile Engineering, and is only a very small part in the novel. She is a cool, quiet girl with few words but loves her sister. She only interacted with Zhao Xiao a few times and it’s only hinted in the last chapter that he had shown some interest her and realises how pretty she is 3 years later at the Wedding. The drama elevated her into a whole second couple story line with Zhao Xiao that wasn’t in the novel.
Ming Wei’s biological father Xu Xiu took advantage of Ming Wei’s mother after she was drugged by some old rich CEO at a function where she was playing the Guzheng. She marries Ming Qiang, who is a motor mechanic but loved her and accepted that she was pregnant from the assault. Xu Xiu approached Ming Wei after his father commented that her smile was like Xu Xiu’s mother’s and Zhao Xiao gets DNA sample from her hair.
Zhao Xiao’s family is a lot better fleshed out in the book. The patriarch is actually Zhao Xiao’s grandfather. He has 2 sons, the first is Xu Xiu who has 2 sons, Zhao Xiao and his older brother. They all adore Ming Wei once they find out who she is but she keeps her distance from them all. Grandpa has a second son who is the father of Lin Lin and another brother who is the boyfriend of Wong Ying Ying. The brother’s character is merged with Ming Wei’s ex boyfriend in the drama. Therefore Lin Lin is Zhao Xiao’s cousin. She is a spoilt brat but only has a small role in the book. She comes back to pester Ting Zhou whilst he still has amnesia, and triggers Ming Wei to leave she is petrified that when he is no longer the Grand Tutor he would leave her. Lin Lin comes back later when Ming Wei and Ting Zhou are dating and tries to spill a drink on Ming Wei but the whole Xu family pretty much blocks her from interfering because they know they are dating in secret and the whole family loves Ming Wei. But she never calls Zhao Xiao her brother like in the drama.
In the novel we know the name of Ming Wei’s biological father by chapter 21. She only reluctantly acknowledges him because he gets into a near fatal accident on his way to visit her in hospital when she breaks her wrist filming another movie after White Snake.
Ting Zhou’s family always liked Ming Wei and was encouraging their son to pursue her. They never even interact with Lin Lin, so no scene where Ting Zhou’s mum gets pushed over by Ming Qiang. No Lin Lin slapping Ming Wei or Ming Qiao slapping Lin Lin.
Was there a proposal up to Episode 28? In the novel Ting Zhou was the presenter of the Best New Actress award at one of the big award nights, which Ming Wei won. After he presents her the award, he gets on one knee and says “I am changing career to become a Director. Miss Ming, I want to use the rest of my life to make a movie, will you be my female lead?” *swoon*
Finally, Ting Zhou never says whether he regains his memory as the Grand Tutor. In the wedding night scene just like in the drama he gets on his knees and says “your servant Mu Ting Zhou thank the Princess for marrying him” At that moment Ming Wei realises that Ting Zhou gets on one knee, but only the Grand Tutor gets on both knees, and concludes that he must remember, but still won’t call himself the Grand Tutor because he is still jealous of him/himself. End of novel.
So essentially the drama is based on the first 40 chapters and then is only very loosely based on the rest of the novel. Whoever adapted the drama must just have loved Grand Tutor a lot! I wonder what is in episode 29+30? Hope you found this interesting!
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Legal Rommates
THRC was “supposed” to be a story about a upcoming star instructor who got pregnant and entered into a marriage contract with a guy and later they fall in love. 100% of everyone who tuned in to this expected that kind of story. Instead we got a rising young instructor who gets pregnant enters into a marriage contract and then becomes the second lead because her baby daddy and his nonexistent issues came first.This show had potential. If only the writer hadn’t gone and smoked that cheap ass pot or whatever it is they smoke. To come up with one of the most stupid nonsensical stories ever. So many storylines were started and like magic they abracadabraed out of existence.
Examples:
-Yeon Doo’s career before and after the baby
-The shared baby between her uncle and TaeKyungs brother & sister-in-law (shaman’s vision)
-SeJin’s revenge on the Gong family for making her family feel like shit
- SooKyum’s mom’s absence for majority of her life
- BongNim and SeJin’s dad possible romance
- The weird resemblance of YuMyeong’s ex Jay and DongWook which was extremely weird I might add
ummmmm I think I’m forgetting something else……what is it?🤔🤔🤔🤔Oh yes!! The relationship/chemistry between Yeon Doo and Taekyung.
It very clear that this writer caught some form of amnesia or writers stroke cause they clearly opened more plot lines than a DC Comic TV series and forgot to close them.
Another thing that got on my nerve was that as a writer you’re supposed to not be biased and not have favorite’s. Clearly this writer missed Writer’s 101 class. That wretched character Kim JunHa became the main lead over night and everything that was done worked in his favor. With the way he was written you’d think this writer hated happy endings.
As the weeks went by TRHC went from a show that solved problems by episode 2 or 3 to a show that dragged issues out for the next 5-10 episodes then solve then either 2 minutes into the show or right before it ends.
And don’t get me started on the lack of chemistry between the main leads. Their marriage progressed from fake to real and only stayed real on paper. For the entire series they were roommates. The most intimacy they’ve had can be counted on one hand. You’d think that for a show based around fake marriage there’ll be loads of lovey dovey I’m falling for you stuff.
I’ve seen my fair share of weekend dramas and honestly after YLAG (Young Lady and Gentleman) I’d sworn off them. But I’ll rather take the amnesia plot lines in YLAG than this crap show. The only character that I liked was Haneul. She made the show better.
To any future watchers of this circus freak of a mess show…..please I beg of you with everything that exist DO NOT watch this show! Even if you’re curious pick any show…better yet take a deep dive into the comments and you’ll see for yourself what I mean. We all hated it with a passion.
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chaotic and ridiculously good // perfect blend of comedy and historical genre
Surprisingly I enjoyed the series considering the fact that i dislike historical dramas a lot because they are too boring and dark for my liking. The writers did a really good job in mixing chaotic and comedic moments between the characters and also the dark theme of a puppet king and the battle of power between officials. Unlike many other so-called "rom-coms" that are only funny in a few episodes, Mr Queen brought a lot of laughter in every single episodes and it didn't seemed forced or cringe thanks to Shin Hye Sun and Kim Jung Hyun's amazing acting. I was not surprised by how well Kim Jung Hyun fits the role of Cheoljung considering the fact that he's a master in this type of characters but Shin Hye Sun's acting was WOW Having to act as both gentle and a chaotic man stuck in a woman's body, it was very natural which really helped in the comedic aspect. I would highly recommend people to watch this if you are looking for a funny drama with a mixture of an exciting plot!! #TeamNoTouchingWas this review helpful to you?
