I like that it didn't focus on the romance between characters, rather it focused on the love between family members. This is a feel good drama for those who would like to see good looking guys going crazy over their child.
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This review may contain spoilers
Before getting into the review, I would first like to commend Kim Taeri's acting. She is simply phenomenal in portraying essentially 2 different characters. This is my first time watching her (have been meaning to get around to watching The handmaiden...) and I'm simply blown away. Now on to the plot, I would say it's pretty innovative of the writer to craft a horror story based on traditional Korean folklore. I'm not Korean, and I found it quite educational to learn about the different traditions and how they compare with the traditions from my culture. With that being said, I'm not quite a fan of how plot-driven this show is - it resulted in a lack of character development for everyone except the FL and ML. This series is only 12 episodes; 4 less than the usual length of a standard Kdrama but the showrunners still decided to be ambitious and squeezed in other minor sub plots in the first few episodes. Some of them ended up being rushed through and inadequately explained (the case involving parents abusing and keeping the existence of their daughter for no reason). it also resulted in the minor characters being severely under-developed. For instance, it was never explained why haesang's grandma was so obsessed with becoming rich. She was never shown using her money and spent her days reading books. And godd, don't get me started on Hongsae. He had a RBF throughout the show and an attitude worse than a teenager going through puberty. I would have rather he died instead of Munchun. Oh, and Sanyeong's mother as well. I guessed she was supposed to be portrayed as a weakling so the audience would feel more for Sanyeong's suffering but lord it was overdone. I ended up hoping she would just kick the bucket because she was not helping at all. It was never really explained why she ended up the way she is - only briefly implied that she might have been traumatised from having a miscarriage and then finding out her mother died right after. But I wished she would have been written in a more sympathetic way.
Honestly, I would have given this series a 9 if not for the ending. The acting is great all around (even for the poorly developed side characters, their actors did all they could) and the cinematography, directing and sound design were great. But the ending... to me it came on too strongly as some anti-suicide PSA peppered with cliches of how important it is to love yourself. With the context of Korea's high suicide rate, I guess this makes sense but I can't help but feel like korean audiences would see through the hypocrisy. The only reason why Sanyeong was able to "love herself" and "want to live" was because she was finally free of her capitalistic burdens. With her huge inheritance from her dead grandma and father, she was free to finally do whatever she wanted to do in life. And all of this would not have been possible without the help of the ghost, who gave her the riches through exploiting her weakness and killing those she hated. Without the ghost, she would have still been stuck doing manual labour part time jobs! In fact, she would be blind, poor, and stuck with her lousy-ass mother. Hell, without the ghost, she would not even have known of the existence of her father and grandmother, and criminals such as Haesang's grandma and the voice phishing guys would still be alive. So that whole spiel about preventing the ghost from exploiting her weakness seems through loving herself more while trying to kill the very thing that enabled you to remove the weakness from your life seems very ungrateful and hypocritical.
The other reviews for this show are quite positive and I think I'm the only who gets the "ick" from the cheery ass ending. Oh well, but its on par of the course for kdramas which usually start off strong but end poorly. I do still think this is worth a watch though, especially if you're a Kim Taeri fan.
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I found FB to be more romantic, which is one of the reasons I love Asian Dramas.
Jiro Wang nailed the part!! But perhaps I am biased becuae I liked him in "It started with a kiss." Here I saw a more mature, manly and serious version of him and I totally loved him!
We can clearly see how he slowly develops feeling for Gao Mei Nam.
He is not so childish as Tae Kyung and more jealous! Always a plus for me!
Lee HongKi will always be my Jeremy , but Evan Yo is adorable!
Hwang In Deok was good, but he did not stand out like the other characters or like Jung Yong-hwa did in YAB.
The main actress was so cute! Even though it was obvious she is still new at acting. But overall I found her adorable!
What I also liked was the way they were dressed, because the clothes they wore in YAB, in my humble opinion were over the top.
The music was ok, but the songs did not move me the way the YAB OST did.
All in all, a great drama! I highly recommend it!
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Of course, that isn't to say some of the offense is incomprehensible. To the Japanese, image means a lot. It’s also impossible to control how viewers digest what they've seen on television. "Will they take it all as fact?" With Ashita, typically fantastical and almost always exaggerated, that would be worrisome indeed. But as previously mentioned, best to take it as the last shadows of a child’s dream, a bittersweet fable. Does Ashita seek to impart a worthwhile message? Certainly, and it succeeds; after all, fairy tales were born from the desire to impart morals, and dreams often contain some kernel of truth. But though we can learn from them, we know they don't fully reflect reality.
This drama rolls along a simple format, one often seen in Japanese titles. In the first half, each episode focuses on a different child and their “trials” with foster homes. This structure allows the viewer to uncover character history individually, learning about everyone at Kogamo no Ie (roughly "House of Ducklings") bit by bit. Viewers will encounter a heavy tone, with certain scenes sporting almost horror film-esque attributes. Oddly enough, the home/orphanage itself wasn't depicted as shockingly as one might assume; it was rather the potential adoptive parents themselves.
Each plot thread shares airtime in the second half, building upon and resolving what we've learned until that point. My issues with the drama began at the juncture between these two halves. If changes were indeed made by the network to sooth public tension, I've been told it would have occurred here. The story lightens, allowing for its natural humor to come out much more. Yet I found Ashita crumbling in places, culminating in at least two subplots without satisfactory resolution. There was eventually dialogue that broke my immersion, lines which felt like sermons. Despite these problems, the emotional aspect of the drama works consistently well throughout its duration. Overall an involving watch, to say the least.
Not surprisingly, most members of the Ashita, Mama Ga Inai cast are children. Ashida Mana towers above the rest with a precocious talent, her turn as Post incredible. She begins by acting like a cynical delinquent writ small, yet develops slowly into a “little mother,” to the other children; this is a child too mature for her age, yet still a child nonetheless, and Mana owns the role from top to bottom. Suzuki Rio is another powerful, budding talent, a young lady who excels at the natural expression of a normal child. Her Donki could have been written better, but she does well with what she’s given. The other kids were often hit or miss, sometimes exaggerated to a cartoonish point (Bombi, sometimes Piami), though somber scenes brought out the absolute best in them.
From the adult half of the stage, we’ve scene-stealer Mikami Hiroshi as the darkly handsome yet gruff director Sasaki Tomonori-san (better known to his charges as “Maou/Devil King”). Thundering about on a limp leg, aided by a heavy cane, this is a mysterious character whose almost esoteric motivations lend much to the thought of Ashita as a fairy tale. Is this character a wicked devil or an unexpected angel? Either way, he's wildly interesting... and that "Tch?" Unforgettable.
Like the presence of “Maou,” music bolsters the fairy tale approach of this drama. Most tracks introduce a very emotional tone to scenes, with many sounding very light or magical, often in a melancholy way. For example, the theme “Dare Ka Watashi Wo,” (Kotoringo) sounds just like a lonely lullaby.
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The acting was amazing! Especially on Ming Dao's part. He played both Junhao and Da ou so completely well that it actually made you believe they could be different people. The female lead... made me want to throw my laptop out the window and never turn on this drama again. HOWEVER, when i did warm up to her after a few episodes she became one of my favorite characters and most of the reason i continued to watch.
The music was not the best but it fit the mood. I think they had like two tracks, one sad and one happy where they would play each episode at their respected parts. I found this amusing more then anything else. reminded me of bof and 'almost paradise'.. XD
Despite there being 30 episodes to this drama, I enjoyed every single one of them. At episode 15, i remember thinking what could they possibly add to this story to fill 15 more episodes? But they somehow magically did! watching the last few episodes I felt so sad knowing it was ending and wishes there could be 15 more.
I would definitely watch this drama again. I'm not the hugest fan of Taiwanese dramas either because I don't know the language as well as Korean and Japanese but this one surprised me :) I would definitely recommend it ^^
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However, the drama didn’t have any of the clichés I had expected. From the first episode I felt something new and refreshing about this drama, and I liked it immediately. What I enjoyed the most is that the characters, their circonstances, jobs or family backgrounds seemed REAL.
I really liked how the main couples didn’t have the monopole of the storyline as the two side couples were as entertaining as the main. Each story was unique and interesting. I was really curious about the development of their relationship as I could identify myself with the characters even though they are so different from each other.
What I enjoyed the most is that apart of just being a romantic drama, it mentioned some real and important issues as inequalities between man and women in their workplace, women’s sexual harassment, the financial problems to acquire a property in South Korea or the exagerated costs of a marriage.
Finally I think that the cast was just perfect, the acting was on point, not only for the main characters but all the others as well. Lee Min Ki was my personal fave, I found him so convincing and really enjoyed the fact that he was not the usual annoying rich mama boy who bullies the main female. His character was rational and pleasant to watch. I really look forward to see him in more dramas. Lee Som was also one of my fave, not only is she freaking beautiful, her character is the ultimate female bad ass working girl goal. All the actors did such a great job.
I tried to find some flaws because I’m usually really peaky but really, couldn’t find any. This drama is a precious gem. I would definitely recommend it to anyone if you wish to see a quality rom-com drama that is light and funny but also treats of serious issues, portrayed by amazing actors with an original plot.
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Story: About a man called Frost who due to an accident when young lost most of his emotions and had his hair turned white. He and his team of "buddies" solve cases dealing with psychology. Every episode deals with a different case - but there is one underlying case involving Frost that starts showing itself mid-way.
Cast: Dr.Frost (Song Chang Eui) This is the first drama I am recognizing him in and I think he did a great job, he's attractive even with the 'white' hair ;) His very rational and thought processing mind was very believable. I liked how I could see the puzzle pieces come together in his eyes. I wouldn't mind working for him myself^^. Yoon Seung Ah (Jung Eun Chae) First time I've seen this actress too, I liked her as the novice apprentice who has a totally different character than Frost - they worked well together. Cheon Sang Won (Choi Jung Woo) was great as the head professor. (I always enjoy seeing this actor in dramas). Song Sun (Lee Yoon Ji) at first I didn't like her b/c of her animosity towards Frost but about half-way in the drama, she stopped acting rude and was then pleasant to watch ;) Nam Tae Bong (Sung Ji Ru) I loved him as the Detective - always bringing new cases for Frost to help solve, he made the drama even better by being there. All the supporting and guest characters did a good job.
Music: It was good and suspenseful at times but I don't remember any actual songs.
Re-watch Value: 5.5 - If I get hungry for some psychological stuff again I may re-watch a couple episodes here and there.
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I watched it as soon as it finished airing, attracted by one of the best actors assembly I had come across in a long time. And true to their skills, they do an amazing job, given the luke-warm, inconsistent, shallow story they had to work with.
I understood none of the characters. Are they ambitious, serious, romantic, evil, malicious? No idea. They are all a mixture of those. Yes, in real life people are never clear-cut, but instead of coming out as imperfect human beings one can identify with, these characters appear like badly assembled patchwork quilts, behaving in a way one episode, the opposite way in the next.
The only character with a little consistency is Maemi, played by an impeccable Shinohara Ryoko.
Without spoiling the ending of the drama, suffice to know that it was so out of the blue, I could do nothing better than scratch my head in puzzlement.
What happened to that character? Why did that one act the way he did? What are they trying to say? What's the answer to that 4-coins quiz repeated to exhaustion?
All questions I found no answers to.
I can't remember the music. In these cases, I always end up giving it a non-committal 7. It certainly didn't blow me away.
What a pity.
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This review may contain spoilers
I loved the second couple
Overall: I absolutely adored Ai Di and ended up enjoying their dynamic/story more. Aired 13 episodes about 25 minutes each on iQIYI, GagaOOLala (not in Taiwan, Japan, Korea, or SEA), Viki & WeTV. Later aired on YouTube https://youtube.com/playlist?list=PLk2gvyPpHLRfpyBmdMhePR2ntRNk3GqGs&si=hjJj5M5ZwqmJN7Rm Watch the post credit scene in episode 13.Content Warnings: murder, attempted murder, blood, violence, past parental abuse, trauma, non con kiss, dub con sex*, blackmail, manhandling, held against will, 17 year old/22-25? year old** (also teacher/student), stalking, manipulation
What I Liked
- more unique premise
- clear timeline (first scene starts in the present then the rest is 4 years before)
- sweet/caring moments
- styling, especially Ai Di
- secondary couple's dynamic
- cameos of HIStory actors, Be Loved In House actors and Plus & Minus actors
- Bai Zong Yi's family, and liked how they knew about most things regarding his decision/actions
- intimacy/nsfw
Room For Improvement
- overall it felt rushed, this covered a long time span but didn't feel that long, they could have removed some parts like the cliche wannabe girlfriend and spent that time explaining things more/showing time passing
- the ending felt especially rushed with cliche plot points tossed in and one plot point left open ended
- comedy sound effects in the beginning didn't fit with the very serious scenes/tone
- villain should have been smoking a cigarette not sucking on a lollipop (it's explained in episode 9 which was too late for me)
- evil wannabe girlfriend cliche
- I got pretty lost with the the gang plot stuff but I also fast forwarded a bit
- not a fan of manipulation/stupid "plan" between romantic partners
- *with the main couple, one was super drunk/on sleeping pills but it was the fictional scenario where he was an active participant and then seemed sober
- **I really wanted them to have aged up Bai Zong Yi but it actually was important to the plot that he was 17 and I do think 17 year olds can be mature enough to enter into relationships with those over the age of 18 so in this instance it didn't bother me and I didn't take off points, though they could have removed the teacher/student element
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Hilarious & chaotic love story of two con-artists
This drama is one of the most hilarious and chaotic rom-coms I’ve seen! It’s truly underrated. The drama is a story within a story. The female lead begins to write her novel and the story is her novel (this was only done to pass censorship). The story is about the female lead who has the power to make any rich man fall in love with her as long as he gazes into her eyes. She is a con-artist, and a good one, until she meets her match, the male lead. He is also a con-artist, a fake rich man. As they try to one up each other (think cat and mouse game) and untangle the mysteries of their past, they end up falling in love.The drama blends seamlessly the comedy, romance and very light thriller vibes. The chemistry between the leads is fire and their supportive friends/partners in crime are the most endearing! There is no stupid love triangle, no annoying characters, no boring work stuff, no filler scenes. Only tons of romance, cuteness and laughter.
POSITIVE:
- Hot chemistry between the leads.
- Tons of cute romantic scenes.
- Sweet kiss scenes.
- Top notch comedy. Seriously, this is one of the most hilarious modern cdramas I’ve watched!
- Great support cast. A perfect blend of friendship/partners in crime/cute side couples.
- Main leads who are always shamelessly trying to one up each other in the best way possible.
- No love triangles.
- No annoying characters.
- No boring work stuff/ filler scenes.
- Fast paced (never a dull moment).
- Fun bickering scenes balanced with heartwarming moments.
- Tragic past for both main leads which adds more depth to their characters.
- One of the most satisfying and well wrapped up endings!
NEGATIVE:
- There are some scenes where logic has left the room. However, that's what makes this drama so hilarious. The writers are aware of that and they shamelessly say “this drama is ridiculous and crazy, and that’s the point”. Basically, this negative point did not take away from my enjoyment at all!
OVERALL:
If you want a highly entertaining, hilarious and silly rom-com with hot chemistry between the leads and strong friendship bonds, watch this drama!
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May scratch your guilty-pleasure itch for trope-filled, angsty dog's blood drama
Okay, let's first be very clear, the ML is a serious, problematic P.o.S. for the first half dozen episodes or so, and their "explanation" (that he is bi-polar and was "cured"?) is just as problematic. This is a terrible portrayal of mental illness and using it as a throw-away story-telling device (it doesn't really get mentioned again for the rest of the drama) does such a huge disservice to an important issue. (C-dramas in general have a long way to go still when it comes to attitudes towards mental illness -- even in serious, high brow, well-scripted costume dramas, it's still common to see the villain "go crazy" at the end.)This is otherwise, your classic, trope-filled, angsty dog's blood low-budget soap; this should be very obvious from the get-go. So if you are looking for a high-quality modern romance grounded in reality, you can safely skip this with zero regrets. But if you're looking for a relatively short melodrama fix (20 episodes, 30 minutes each) with low expectations, this might satisfy that guilty-pleasure itch -- you have tortured break-ups, revenge, family drama, backstabbing, people who do terrible things for unrequited love, disapproving in-laws, an ML who really suffers and is put through the wringer when the FL finally leaves him, and an ML who changes for the better and is willing to give up everything for the FL. The only trope missing, as commenters joked, are twins. Don't expect a well-crafted script that offers character development that makes sense -- this is low-budget dramaland at its soapiest, so leave the over-thinking and expectations at the door, make a lot of assumptions, and fill in the blanks yourself. Do all that and you might find yourself not minding this ridiculous ride! And to be perfectly fair, when it comes to plot holes and making sense, there are many, many worse offenders out there.
I watched this primarily because I was curious to see He Riuxian as the FL -- she was stunning in Warm on a Cold Night and her character was pretty kick-ass from what I remember. I also liked Luo Zheng in some of his earlier supporting roles, and -- as my bio notes -- I'm a sucker for angsty journeys that end in happily-ever-afters.
A few good things I wanted to highlight:
-- Asian dramas love their over-the-top public proposals, or proposals that generally put a lot of pressure on the women to say "yes" out of obligation and guilt. So I was pleasantly surprised by a scene that calls out these types of proposals.
-- Modern C-dramas seem to love making their FL's look frumpy -- high-waisted jeans, boxy, unflattering blazers, ugly shirts, bad hairstyles, you name it -- one has to wonder, do the stylists hate them? Here, He Riuxian's character has pretty great style and clothes -- a genuinely rare sight in my viewing experience!
-- The mothers are hilarious near the end. The ML's mom starts off as your typical rich wife/disapproving mother. (It takes a very long time, but she ultimately just wants to see her son happy and comes to accept the FL, recognizing her kindness and formidable strength.) Her encounter with the equally disapproving FL's mother was fairly amusing, but the scene that had me cackling out loud may be when the ML sneaks into the FL's bed to snuggle .... only to stare right into the glaring eyes of the FL's mother, lol. Priceless.
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Too Short but Enjoyable - Cover Poster doesn't match the drama
Completed - 8/18/2022When I saw the cover poster of this drama and read the synopsis, I was expecting a mature and sexy show with a focus on our female lead's romance and career change. After watching this, I feel like I got cheated. This is a simple, fun and light watch which focuses not only on our female lead's career but actually her personal growth. I am not saying this is a bad drama, but it's not what I expected.
Umi is an overworked employee at a TV talk show. We follow her journey of switching careers, finding love and especially finding herself. Although romance is a part of the drama, it is not the main focus. This is a story about Umi. I enjoy getting to know Umi and following her journey. I appreciate that she's not the typical, quiet, naive female lead. In fact, she is a ball of energy and not afraid to go all out to get the work done. It is quite refreshing in a way. She's easy to root for, though she could be quite loud especially when she was screaming/screeching when snowboarding. Actually, there are many loud women in this drama, though none of them is annoying. Everyone is sweet and supportive of each other. It's quite nice to see that.
I like the three main male characters in this drama. This is my first time watching Honda Kyoya. He is quite cute, though he does look young. His acting is OK. It's nice to see Shirashu Jin as President Keisuke. I love him in "I Don't Love You Yet". It's also great to see a different side of Izuka Kenta as the weird and funny Satoru. He's no longer the innocent college student in the "Pornographer" or the cool hotshot in "Rinko Wants to Try". I quite enjoy the friendship between Jin and Kenta, and isn't it interesting that they both were in a BL drama before?
One thing I really like about this drama is the use of silence. There are many significant moments in the drama where there's no background music. The drama lets the actors and their dialogs take center stage, and does not use music to manipulate viewers' emotions. Viewers can really feel the emotions happening on the screen.
My main criticism would be the length and pacing of the drama. I wish the drama is longer. "Animals" is trying to cover our female lead's career change, romance and personal growth, all in less than 8 hours. I would have loved to see her slowly transitioning to her new job. She seems to fit in too easily and transition from a novice on makeup to someone who seems to be an expert within an episode or two. I want to see the romance develop more and have more scenes between Umi and Kazao. We see their cute bickering (which I like), but I want some more romantic scenes to see how they realize their feelings for each other. The romance lover in me is not quite satisfied.
I also realize I know nothing about Japanese fashion. I find most of the outfits that FL and her sister tried on for the interview and date are really ugly. LOL. Of course, this is just me. I am someone who wears just a T-shirt and jeans.😆
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1This review may contain spoilers
Be 100% you, wherever you are
The Makanai is a delightful and heartwarming coming of age drama about two teenagers who travel to Kyoto to train to become Maiko. The friendships and supportive atmosphere of the yakata will welcome you in and delight you with beauty and delicious food.Close friends Kiyo and Sumire enter the world of the maiko at the age of sixteen. Sumire is a natural but Kiyo is not and is expelled. Fate as it does, plays a hand when the older cook of the house hurts her back and Kiyo steps in with her lovingly prepared meals and becomes the new makanai, fixing all the meals for the women. That is pretty much the whole plot, the story follows the two over the next year as they blossom and find their way in the world all while maintaining their friendship.
The drama does cover the lives of the “Mothers” who run the yakata and also the star geiko, Momoko. The women are supportive of each other as they face life choices, some choosing to stay and others to go. Answers to conflicts arrive as easily and gently as on a breeze. There is no hazing or jealousy, only a little friendly competitiveness and teasing. This is a glimpse behind the scenes and into the world of the maiko and those training to be one. Because one cannot be a married maiko or geiko, as the young women age, they are faced with leaving their art if they choose to marry.
More than focusing exclusively on the maiko tradition, the friendship is the heart of the drama. Kiyo and Sumire have a sismance that will inspire you. The young women are always happy, never depressed or sad living away from home. Everyone does their chores and lessons with a joyful attitude. It may not be entirely realistic but it does make for soothing viewing. The cooking and food prep is tantalizingly shot with great care. Be advised you may not want to watch this on an empty stomach as Kiyo’s dishes do look delicious!
Though the action is languorous, the scenes tend to be vibrant with conversations going on in both the fore and background. Laughter often fills the air in the cozy house. The acting is natural and approachable. This slice of life is an example of life being lived in the details.
With the exception of a boisterous and attention seeking geiko who returns after a failed marriage I found most of the main characters charming. The other exception to my enjoyment of this drama was a mai developed on Night of the Living Dead for a festival. But that’s my personal issue-I’m terrified of zombies even when portrayed by stunning maiko!
In a world that can be cold, this drama wraps you in its warm embrace and feeds you comfort food, giving you hope that your dreams can come true and that friendship can be for a lifetime.
1/14/23
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Funny, cute romance story
So I started watching this after I watched a sad historical Chinese drama. I wanted to watch a modern drama and saw it on my watchlist. I never knew it was a mini series. Although it was a mini series I love it. I would rewatch it all day if I could. It’s cute, and funny. It’s family friendly and has some enemies. I love that the female is confident and not fragile and shy. I highly recommend it it cheered me up and I am about to go rewatch it so enjoy it. It’s perfect if you wanna screen record and watch it wherever you go.Was this review helpful to you?
