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This is a 4-part series, roughly 75 minutes total run-time.
STORY: The first part is wacky and a tad confusing but stick with it because it settles down and reaches its stride rather quickly and carries it all the way to the through the end credit roll. There are also quite a few clichés but this has a HAPPY, even if a somewhat bittersweet, ending!
ACTING/CAST: The cast chemistry was great (well, only 3 people really get any real screen time). The main couple were fun to watch and there were a few hilarious bathroom scenes that as a guy I was cringing and laughing at the same time. Makes me wonder: do women really not know male bathroom etiquette? Well, watch the scenes and you'll see what i'm talking about.
MUSIC: The music was good though I don't speak the language. The sound quality had issues but this was most likely because I saw the English fan-subbed version.
REWATCH VALUE: Definitely will watch this again, next time with a good friend.
TL;DR: Starts out strange, quickly gets good, has some twists, and a happy ending!
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I wasn't disappointed, either. The Ouran High School Host Club drama truly was the icing on Hunny-sempai's keki for me. I love the drama, the cast, and the entire adaptation of Bisco Hatori's fantastic manga on screen.
In particular, I find that Yamamoto Yusuke plays Tamaki well (I knew he could do it--he is awesome). I don't understand the arguments about his acting ability based on his hair color--which in the manga isn't blonde anyway. A character which surprised me was Daito Shunsuke's Kyouya. Kyouya was my least favorite character in Ouran until the drama. He's still not my favorite, but I like him much more now (that has nothing to do with Daito's suaveness, whatsoever, lol). I also felt that Haruna was a good Haruhi, and Chiba is an awesome Hunny. The Takagi Twins never fail to disappoint, either.
Plot-wise, I feel that the drama did the best it could with the ridiculous time constraints put on it by the network. As the first drama I've ever watched in Real Time, I never once did not laugh during an episode. Everything worked well, and it could not get me more excited for the movie.
Overall, I will rewatch Ouran again because it's that good, it's my favorite manga, and it's a good drama on sad days.
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I like that it didn't focus on the romance between characters, rather it focused on the love between family members. This is a feel good drama for those who would like to see good looking guys going crazy over their child.
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This review may contain spoilers
Before getting into the review, I would first like to commend Kim Taeri's acting. She is simply phenomenal in portraying essentially 2 different characters. This is my first time watching her (have been meaning to get around to watching The handmaiden...) and I'm simply blown away. Now on to the plot, I would say it's pretty innovative of the writer to craft a horror story based on traditional Korean folklore. I'm not Korean, and I found it quite educational to learn about the different traditions and how they compare with the traditions from my culture. With that being said, I'm not quite a fan of how plot-driven this show is - it resulted in a lack of character development for everyone except the FL and ML. This series is only 12 episodes; 4 less than the usual length of a standard Kdrama but the showrunners still decided to be ambitious and squeezed in other minor sub plots in the first few episodes. Some of them ended up being rushed through and inadequately explained (the case involving parents abusing and keeping the existence of their daughter for no reason). it also resulted in the minor characters being severely under-developed. For instance, it was never explained why haesang's grandma was so obsessed with becoming rich. She was never shown using her money and spent her days reading books. And godd, don't get me started on Hongsae. He had a RBF throughout the show and an attitude worse than a teenager going through puberty. I would have rather he died instead of Munchun. Oh, and Sanyeong's mother as well. I guessed she was supposed to be portrayed as a weakling so the audience would feel more for Sanyeong's suffering but lord it was overdone. I ended up hoping she would just kick the bucket because she was not helping at all. It was never really explained why she ended up the way she is - only briefly implied that she might have been traumatised from having a miscarriage and then finding out her mother died right after. But I wished she would have been written in a more sympathetic way.
Honestly, I would have given this series a 9 if not for the ending. The acting is great all around (even for the poorly developed side characters, their actors did all they could) and the cinematography, directing and sound design were great. But the ending... to me it came on too strongly as some anti-suicide PSA peppered with cliches of how important it is to love yourself. With the context of Korea's high suicide rate, I guess this makes sense but I can't help but feel like korean audiences would see through the hypocrisy. The only reason why Sanyeong was able to "love herself" and "want to live" was because she was finally free of her capitalistic burdens. With her huge inheritance from her dead grandma and father, she was free to finally do whatever she wanted to do in life. And all of this would not have been possible without the help of the ghost, who gave her the riches through exploiting her weakness and killing those she hated. Without the ghost, she would have still been stuck doing manual labour part time jobs! In fact, she would be blind, poor, and stuck with her lousy-ass mother. Hell, without the ghost, she would not even have known of the existence of her father and grandmother, and criminals such as Haesang's grandma and the voice phishing guys would still be alive. So that whole spiel about preventing the ghost from exploiting her weakness seems through loving herself more while trying to kill the very thing that enabled you to remove the weakness from your life seems very ungrateful and hypocritical.
The other reviews for this show are quite positive and I think I'm the only who gets the "ick" from the cheery ass ending. Oh well, but its on par of the course for kdramas which usually start off strong but end poorly. I do still think this is worth a watch though, especially if you're a Kim Taeri fan.
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I found FB to be more romantic, which is one of the reasons I love Asian Dramas.
Jiro Wang nailed the part!! But perhaps I am biased becuae I liked him in "It started with a kiss." Here I saw a more mature, manly and serious version of him and I totally loved him!
We can clearly see how he slowly develops feeling for Gao Mei Nam.
He is not so childish as Tae Kyung and more jealous! Always a plus for me!
Lee HongKi will always be my Jeremy , but Evan Yo is adorable!
Hwang In Deok was good, but he did not stand out like the other characters or like Jung Yong-hwa did in YAB.
The main actress was so cute! Even though it was obvious she is still new at acting. But overall I found her adorable!
What I also liked was the way they were dressed, because the clothes they wore in YAB, in my humble opinion were over the top.
The music was ok, but the songs did not move me the way the YAB OST did.
All in all, a great drama! I highly recommend it!
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Of course, that isn't to say some of the offense is incomprehensible. To the Japanese, image means a lot. It’s also impossible to control how viewers digest what they've seen on television. "Will they take it all as fact?" With Ashita, typically fantastical and almost always exaggerated, that would be worrisome indeed. But as previously mentioned, best to take it as the last shadows of a child’s dream, a bittersweet fable. Does Ashita seek to impart a worthwhile message? Certainly, and it succeeds; after all, fairy tales were born from the desire to impart morals, and dreams often contain some kernel of truth. But though we can learn from them, we know they don't fully reflect reality.
This drama rolls along a simple format, one often seen in Japanese titles. In the first half, each episode focuses on a different child and their “trials” with foster homes. This structure allows the viewer to uncover character history individually, learning about everyone at Kogamo no Ie (roughly "House of Ducklings") bit by bit. Viewers will encounter a heavy tone, with certain scenes sporting almost horror film-esque attributes. Oddly enough, the home/orphanage itself wasn't depicted as shockingly as one might assume; it was rather the potential adoptive parents themselves.
Each plot thread shares airtime in the second half, building upon and resolving what we've learned until that point. My issues with the drama began at the juncture between these two halves. If changes were indeed made by the network to sooth public tension, I've been told it would have occurred here. The story lightens, allowing for its natural humor to come out much more. Yet I found Ashita crumbling in places, culminating in at least two subplots without satisfactory resolution. There was eventually dialogue that broke my immersion, lines which felt like sermons. Despite these problems, the emotional aspect of the drama works consistently well throughout its duration. Overall an involving watch, to say the least.
Not surprisingly, most members of the Ashita, Mama Ga Inai cast are children. Ashida Mana towers above the rest with a precocious talent, her turn as Post incredible. She begins by acting like a cynical delinquent writ small, yet develops slowly into a “little mother,” to the other children; this is a child too mature for her age, yet still a child nonetheless, and Mana owns the role from top to bottom. Suzuki Rio is another powerful, budding talent, a young lady who excels at the natural expression of a normal child. Her Donki could have been written better, but she does well with what she’s given. The other kids were often hit or miss, sometimes exaggerated to a cartoonish point (Bombi, sometimes Piami), though somber scenes brought out the absolute best in them.
From the adult half of the stage, we’ve scene-stealer Mikami Hiroshi as the darkly handsome yet gruff director Sasaki Tomonori-san (better known to his charges as “Maou/Devil King”). Thundering about on a limp leg, aided by a heavy cane, this is a mysterious character whose almost esoteric motivations lend much to the thought of Ashita as a fairy tale. Is this character a wicked devil or an unexpected angel? Either way, he's wildly interesting... and that "Tch?" Unforgettable.
Like the presence of “Maou,” music bolsters the fairy tale approach of this drama. Most tracks introduce a very emotional tone to scenes, with many sounding very light or magical, often in a melancholy way. For example, the theme “Dare Ka Watashi Wo,” (Kotoringo) sounds just like a lonely lullaby.
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The acting was amazing! Especially on Ming Dao's part. He played both Junhao and Da ou so completely well that it actually made you believe they could be different people. The female lead... made me want to throw my laptop out the window and never turn on this drama again. HOWEVER, when i did warm up to her after a few episodes she became one of my favorite characters and most of the reason i continued to watch.
The music was not the best but it fit the mood. I think they had like two tracks, one sad and one happy where they would play each episode at their respected parts. I found this amusing more then anything else. reminded me of bof and 'almost paradise'.. XD
Despite there being 30 episodes to this drama, I enjoyed every single one of them. At episode 15, i remember thinking what could they possibly add to this story to fill 15 more episodes? But they somehow magically did! watching the last few episodes I felt so sad knowing it was ending and wishes there could be 15 more.
I would definitely watch this drama again. I'm not the hugest fan of Taiwanese dramas either because I don't know the language as well as Korean and Japanese but this one surprised me :) I would definitely recommend it ^^
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However, the drama didn’t have any of the clichés I had expected. From the first episode I felt something new and refreshing about this drama, and I liked it immediately. What I enjoyed the most is that the characters, their circonstances, jobs or family backgrounds seemed REAL.
I really liked how the main couples didn’t have the monopole of the storyline as the two side couples were as entertaining as the main. Each story was unique and interesting. I was really curious about the development of their relationship as I could identify myself with the characters even though they are so different from each other.
What I enjoyed the most is that apart of just being a romantic drama, it mentioned some real and important issues as inequalities between man and women in their workplace, women’s sexual harassment, the financial problems to acquire a property in South Korea or the exagerated costs of a marriage.
Finally I think that the cast was just perfect, the acting was on point, not only for the main characters but all the others as well. Lee Min Ki was my personal fave, I found him so convincing and really enjoyed the fact that he was not the usual annoying rich mama boy who bullies the main female. His character was rational and pleasant to watch. I really look forward to see him in more dramas. Lee Som was also one of my fave, not only is she freaking beautiful, her character is the ultimate female bad ass working girl goal. All the actors did such a great job.
I tried to find some flaws because I’m usually really peaky but really, couldn’t find any. This drama is a precious gem. I would definitely recommend it to anyone if you wish to see a quality rom-com drama that is light and funny but also treats of serious issues, portrayed by amazing actors with an original plot.
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Immersive experience that makes you part of the plot.
Incantation is a 2022 found footage horror movie directed by Kevin Ko, loosely inspired by a real life case that happened in Kaohsiung in 2005. That said, the real events give more of a framework for the plot, and nothing that actually happened in the movie was related to real events. Apparently, it’s not easy to find any truly reliable info about it in English.Incantation might have one of the best opening sequences of any horror I have ever seen. By directly addressing the viewer, presenting the optical illusions in the context of the power of will and personal framing, and by asking the viewers for help - it’s hard not to feel the immediate immersion. Breaking of the 4th wall is an aspect that comes back quite a number of times during the movie, which made me far more engaged than I initially thought I would be.
What about the plot? We are presented with two different timelines - present time of Ronan trying to gain the custody of her daughter and the bond with her, and the past timeline explaining the fear and ritual she was a part of a few years ago. As much as it’s a horror, it’s also a drama - showcasing the variety of emotions a parent can feel in relation to their child, and the actions they are willing to take to help them.
Are the scares actually scary? Truth to be told, the few jump scares I’ve got were a bit disappointing? The core value of the show is the eerie atmosphere, which was built in a perfect way. From the start we know, the plot is leading to some awful events, so even the happy and warm moments between the mother and daughter feel bitter.
Incantation is a movie that obviously cares about the details of world building. The Buddha-Mother, hand gestures associated with it, chant, symbols and rituals were well designed and planned - created a cohesive picture of that fictional spiritual belief. That’s why, even though I knew it’s not real, it was impossible not to feel affected by what's happening on screen - especially during the “directly addressing the audience” moments. The minor detail I was especially impressed by, was the use of the after-image closer to the end of the movie. Small, clever trick that felt like the last nail in the coffin for me.
The acting was perfect. While all the adults did an amazing job, with Ina Tsai portraying the conflicted emotions, fear, desperation and hope in a clear and realistic manner, the one that surprised me the most was the little girl Huang Sin-ting who played Dodo. Not only was her performance great, it was amazing to see a child act like a child in a horror movie. Why they always try to present the kids as demons incarnated with cold and detached behavior is beyond me.
Any flaws? I do believe the movie was slightly too long. Keeping it around 90 minutes instead of 110 would be preferable for the pacing to feel more tight. While I understand it was important to present the relationship between Ruo Nan and Dodo in great detail, the moments diluted the tension quite a few times. Personally, I could do without a few jump scares, especially the “cheaper” looking ones - the movie just did not need them.
Best to watch for scares: alone, evening/night, headphones on, no distractions.
Best to watch for the analysis: buddy watch, talking about the symbolism as the movie progresses, trying to predict the outcome.
Trigger warning; trypophobia, child neglect/child harm, body horror, gore.
The movie has some rather… gross moments. Also, might be too much for people who strongly believe in the supernatural - I can see it messing up with someone a bit.
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This review may contain spoilers
for its genre, it's a really good drama
I feel like a lot of people dislike TB because they consider that it's cliché and that's it's been done before. Honestly I don't disagree, but that's just the thing: it's a high school drama about an insecure FL and a ML who helps her gain confidence...I agree, it's been done before.
But frankly I feel like describing the drama this way doesn't really give credit to the execution.
I loved the main love story. My heart broke for Seojun, like everyone else's did, but I frankly didn't want him to end up with Jookyung. I agree that he practically carried the entire drama on his back and he's the reason why it became this popular, but I didn't mind him as the second lead, I just wish they had worked a little harder for him to have a happy ending. I feel like they used his pain to make the drama more interesting but I mean.. isn't this what writers are supposed to do? Make the story more dramatic? The ending hit hard because it made me wanna sob. That's the whole point.
So back to the main couple, i really loved them. I think they had chemistry and that their entire love story was well-written. At first I was scared they would drag out the whole "he doesn't know it's her" plot line but turns out he finds out rather quickly. People hate on Suho because they love Seojun but i just don't agree i think both characters deserves Jukyung just as much. Suho and her were just meant to be I guess. Suho went through so much and i didn't see him make one decision that was rude or out of line. I also feel like the pure, 100% love he had for Jukyung was exactly what she needed, whereas Seojun teased her too much. Although it's something, as viewers, we love, it might not be as fun for her who literally hates how she looks.
HOWEVER I loved Seojun's character so much that I really hope they write a character like him again as a main lead. Cause i agree, he's amazing. His earrings and hair and personality and naturally smokey eyes are what made this drama what it is!!!!I'm tired of seeing similar ML, although I loved Suho.
I loved Soojin's character, because it allowed a female second lead to pick herself up. I feel like male second leads are always like seojun: jealous of the main couple but still supportive at the end. Whereas the female second lead is always so toxic and manipulative. And sure soojin is all of those things but there's much more than just her jealousy behind it. You can really feel the build-up of her anger and pain because of the abuse she goes through at home. Her acting was great too.
Oh and finally the OST?? chef's kiss. Whether it's how do you do, Missing you, starlight, or even those 1:30 mins of Seojun singing flower pot? I finished the drama a few weeks ago and i still listen to all of these all the time.
Overall, I feel like you need to remember this is a high school drama, okay? It's mostly about the vibe, the outfits, the OST, the love story. Yeah it's basic but i feel like the execution is great, and I rewatched the scenes a billion times. Watch iiit and keep and open mind.
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Story: About a man called Frost who due to an accident when young lost most of his emotions and had his hair turned white. He and his team of "buddies" solve cases dealing with psychology. Every episode deals with a different case - but there is one underlying case involving Frost that starts showing itself mid-way.
Cast: Dr.Frost (Song Chang Eui) This is the first drama I am recognizing him in and I think he did a great job, he's attractive even with the 'white' hair ;) His very rational and thought processing mind was very believable. I liked how I could see the puzzle pieces come together in his eyes. I wouldn't mind working for him myself^^. Yoon Seung Ah (Jung Eun Chae) First time I've seen this actress too, I liked her as the novice apprentice who has a totally different character than Frost - they worked well together. Cheon Sang Won (Choi Jung Woo) was great as the head professor. (I always enjoy seeing this actor in dramas). Song Sun (Lee Yoon Ji) at first I didn't like her b/c of her animosity towards Frost but about half-way in the drama, she stopped acting rude and was then pleasant to watch ;) Nam Tae Bong (Sung Ji Ru) I loved him as the Detective - always bringing new cases for Frost to help solve, he made the drama even better by being there. All the supporting and guest characters did a good job.
Music: It was good and suspenseful at times but I don't remember any actual songs.
Re-watch Value: 5.5 - If I get hungry for some psychological stuff again I may re-watch a couple episodes here and there.
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Don’t Frighten the Horses
Well I got what I was wanting, something totally unchallenging. Yes I just wanted to veg out for a few days and this met the bill exactly. It also provided a good number of unscripted lmao moments as the ludicrousness - if that’s even a real word, it has the ring of a non-aural onomatopoeia - unfolded shamelessly before my eyes. It’s no Ming Lan, which is a pity because taken a bit more seriously it had all the ingredients. So how can I really get stuck into something that managed to keep me watching for all 40 episodes. There has got to be some good stuff there even though it undermined itself at every opportunity.The storylines had interest and they offered good opportunity for character development and showcasing contrasting character traits. This is mainly what kept me engaged for the duration, although even this wore a bit thin at the end. They were a series of set pieces rather than one long twisting narrative twisting and these varied scenarios were paced well and showcased different characters.
But the time taken to achieve remarkable results was drastically foreshortened. Things that should have taken at least two years were achieved in six months. In doing this, all sense of realism and difficulty was undermined and the whole drama, and particularly the characters, were coated with a gloss of immature fantasy. The script didn’t help by reducing the business conversations to a mockery. Simply by lengthening the time-frames and writing more credible business dealings the characters could have achieved so much more depth and been offered space to reveal determination, grit and courage which were not really evident in the easy-success-piled-on-easy-success procession. It was episode 32 before there was any bite and real consequences were more fully explored. Unfortunately, before and to some extent, after that, any nasty unpleasantness had a feel-good blanket pulled over it.
Although lip service was paid, the opportunity was mainly missed as there was no real exploration of the cost or difficulty. Things happened and slid by without much of the proverbial s**t sticking to the protagonists. In fact they glided through the whole thing with serene, wrinkleless (another impossible word) faces. I was less than impressed by Hu Yi Tian (Gu Yan Xi) who managed to get through virtually the whole thing with one facial expression, except for the odd occasion where the director requested him to open his eyes in surprise. Which he did, to mirthful effect. Zhang Jing Yi (Hua Zhi) was a little more expressive, but remained far too calm to be convincing. The chemistry between them was placid rather than fizzing without that visible excitement you get when you’re bang slap in love.
I was more invested in some of the minor characters who had more life and animation. It was a large cast and showcased female actors and the story was predominantly shown from the women’s perspective, particularly early on.
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I watched it as soon as it finished airing, attracted by one of the best actors assembly I had come across in a long time. And true to their skills, they do an amazing job, given the luke-warm, inconsistent, shallow story they had to work with.
I understood none of the characters. Are they ambitious, serious, romantic, evil, malicious? No idea. They are all a mixture of those. Yes, in real life people are never clear-cut, but instead of coming out as imperfect human beings one can identify with, these characters appear like badly assembled patchwork quilts, behaving in a way one episode, the opposite way in the next.
The only character with a little consistency is Maemi, played by an impeccable Shinohara Ryoko.
Without spoiling the ending of the drama, suffice to know that it was so out of the blue, I could do nothing better than scratch my head in puzzlement.
What happened to that character? Why did that one act the way he did? What are they trying to say? What's the answer to that 4-coins quiz repeated to exhaustion?
All questions I found no answers to.
I can't remember the music. In these cases, I always end up giving it a non-committal 7. It certainly didn't blow me away.
What a pity.
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Girl Power – Delightful and Inspiring
Despite being set with a background of a royal harem in a fictional world, this drama exudes positive aura throughout, without the typical and tiring hair-pulling cat fights commonly seen in historical palace dramas. “New Life Begins” describes a utopia where girls band together to help each other, freeing themselves and achieving their goals, realizing the adage “unite is power”. Most of the characters are lovable, albeit with flaws, and their growth is distinct, from being weak and helpless to being strong and courageous. The story is inspiring and comforting.Centers around Xin Chuan, one of the nine kingdoms, and its sixth Prince, Yin Zheng (Bai Jingting)’s household, the story contrasts each kingdom which has its individual unique characteristics, features and cultures, with Xin Chuan being the leader of the pact. To build cordial relationships with all the other kingdoms, the King of Xin Chuan wants his sons to marry noble girls from the various kingdoms. He calls for the kingdoms to send their best eligible girls. Li Wei (Tian Xiwei) is selected and sent to Xin Chuan; she is reluctant, for Li Wei doesn’t want to marry a man she doesn’t love, and she wants a one-man-one-woman marriage with equal rights practiced by her home kingdom whereas Xin Chuan still follows the traditional polygamous system.
Among all the noble girls, Li Wei seems to be the least favorable for she tries to wriggle out of the wife selection process. Despite that, she is chosen by Yin Zheng the 6th Prince as a “side” wife, for Yin Zheng wants to maintain his low profile by marrying a girl nobody wants. Yin Zheng looks sickly and to survive in the back-stabbing treacherous palatial world, he blends himself into the background that nobody takes notice of. What seemingly an unlikely relationship, Yin Zheng and Li Wei fall in love with each other.
Li Wei is intelligent, compassionate, and down to earth. She provides Yin Zheng with practical ideas and helps him maneuver and eventually get noticed by his father, the King. How she makes friends with Yin Zheng’s “proper” wife and the wives of his brothers, all of whom later become her business partners and they help each other to become independent, is very inspiring. Tian Xiwei’s Li Wei is natural and believable. She has given a wonderful performance here.
Bai Jingting’s Yin Zheng is equally great. The actor is very pale and slim and does look sickly, which is perfect for the Yin Zheng character. Under that weakling skin, Yin Zheng is intelligent, well-read and a competent fighter that no one is aware of. Despite he has two wives initially, he is devoted to Li Wei only; his relationship with his “proper” wife is cordial and platonic. Bai Jingting has been one of my favorite actors. His acting range is very wide, from a ping pong champion in Ping Pong Life, to a special taskforce police officer in You are My Hero, to a silly and humble character in Octogenarian and the 90s, and to a historical prince in New Life Begins. He immerses himself completely into all his characters, giving viewers very convincing and lovely performance in each. He is always subtly funny.
Each prince has his story with his wife/wives. Most of their stories are hilarious and relatable. For example, the fifth Prince loves his wife and is helpful, but he can’t get a thing right; the third Prince has multiple wives but can never get their names straight. All the other characters are lovable, even the antagonists are pitiful, and the whole cast is very believable. Though despicable, the second Prince who is groomed to succeed the throne, and the fourth Prince, extract sympathy from the viewers when they get into trouble.
My Verdict
This is a heart-warming drama with girls helping girls, and trying to change the male-centered system. All the girls are intelligent, courageous, and independent. Despite their unfavorable environment, they don’t self-pity nor fight among themselves but help and take care of each other. This eventually makes the group strong and enables them to be financially independent, maintain their dignity and eventually change the society to a fairy one. This may sound very feminist to many viewers, nonetheless, it's one of those easy and delightful story that can cheer viewers' mood.
Romance wise, the chemistry between Bai Jingting and Tian Xiwei is pretty good and sweet. There is also a very lovely second couple here with a very funny relationship.
The message: No matter where one comes from, be it Iran, Afghanistan, Pakistan, China, or even the open west where girls are being suppressed and their rights infringed, only when girls unite and work together, great things can be achieved, and dignity maintained.
Easy watching and entertaining. Recommended!
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