Even though I felt that it was lacking in something on the surface, that I couldn't quite pinpoint, it still had a lot of depth and talent in pulling the viewers heartstrings. The three main actors all did an amazing job which made the story more believable and worth remembering. Over all, it has that dark atmosphere running through almost the entire movie and even though it's more slow paced than the trailer made it out to be, it is definitely worth your time and it will most likely leave you wanting to re-watch it later on (or at least with a craving to recommend it to everyone you know).
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This review may contain spoilers
Lazy ending
This is usually my favorite kind of plot: a female lead transported into a novel or the past, so I was genuinely excited, especially since the male lead is quite talented. Unfortunately, while the story had potential, it was painfully slow. I kept watching, hoping it would pick up, but it never did. Nothing about the drama felt exciting, which is disappointing because this type of plot has huge potential to be genuinely funny...and it wasn’t.The ending didn’t help either. I could predict it from miles away, since this isn’t the first Chinese drama to use the “writing the story” loophole to get around the transmigration ban ( wink a dream within a dream which did this way better ). The conclusion felt extremely lazy : “how he comes into her world is a story for another time” just sounds like the writers didn’t know how to end their own script.
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Mr. & Mrs. Smith but historical China
I saw this described as Mr. & Mrs. Smith but period C-Drama* and I would say that's a pretty accurate description.The shortness of the drama left no space for filler episodes or unnecessary drama, which honestly was really great to watch. The emotions from the actors were very well portrayed, and I really loved seeing a female lead that was strong and could protect herself (which is unfortunately rare in these types of dramas). I wasn't as invested in the side couple as I was the main couple since I felt they were a little bit more cliché, but they were still interesting enough to watch.
Because this show is so short, I found myself hitting "next" all too often, which made this go by too quickly! But honestly it was truly a well-done show. It didn't feel like they were too low-budget (likely because it was short) so I was never pulled away in disbelief.
Nobody was ever annoying, everyone played an important role. There were funny moments, serious moments, romantic moments, and sad moments. The ending was a little too neatly tied together, but even so I still very much enjoyed it.
This is honestly one of my favorite C-Dramas now, just because it's so fun to watch!
*credit for the description to sarah-yyy on tumblr
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We Best Love: No. 1 For You - Special Episode 6.5
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This review may contain spoilers
I'm so confused by the hate of this. I think a lot of it was to mislead us. We are getting a tiny glimpse of their separation.. more can be at play. The baby is HIGHLY unlikely to be Shi De... he wasn't in America long enough to knock someone up. I think the most logical theory is that the girl is his step sister (he did go to America for his mother's wedding) and the baby can be either her's (with another man) or even Shi De's half brother. Shi De probably decided to stay in America to help his family... those medical bills could be for his step father (basing it off the name on it.. makes most sense to me).I think this special episode was just to MAKE us speculate and going crazy with theories until March 5th. I think the major anger is going to be that Shi De stayed in America for 2 years instead of the promised 2 months... Shu Yi was pretty upset at the thought of a long distance relationship in the last episode so maybe him jumping to conclusions and then finding out Shi De wasn't coming back created more of a problem.
The screenwriter wrote the majority of the HIStory series, so I'm going to give her the benefit of the doubt.. that series is amazing.
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This review may contain spoilers
It took me 5 days of mind wrecking just to decide on an overall rating for Empress Ki. The eternal reviewer's doubt whether it is fairer to value a drama using the brain or the heart is maximized here: this is an epic tale where almost every single aspect is at the same time exceptionally good and glaringly bad. In trying to elaborate this, what follows may become very long, and for this I apologize in advance.First, the pace.
If you are preoccupied by the length, be assured the rhythm of the narration is so fast you'll come to the 51st ep. wishing you could have another 10. There isn't even one moment of boredom among the hundreds of little and big events that follow one another. By the end of each episode, I sat there wide awake wishing it wasn't already 4 a.m. and I could watch another. The downside of such a fast pace is that it never gives you respite. I wanted to linger, now and then to bask in the sweetness, or simply see these people being happy for a while, but it was not to be. Every time an issue is concluded the next is ready to shatter that glint of satisfaction it was so hard to finally obtain. The infamous last 10 episodes I've read many criticize, could have been the most poignant part of the drama if they hadn't been so incredibly rushed, to the point that events seem to make little sense. As a matter of fact they do make a lot of sense – with the glowering exception of the silly Maeback botch – but you have to think the entire journey over in order to see it.
Which leads me to the script and its characters.
This isn't a journey to begin in search of historical dependability, not in the details, at least. Little to nothing is known about the woman who became the Empress of Yuan before she entered the palace as a tribute from Goryeo, and there isn't much information about the single steps that were taken in order for her to sit on that throne. The writers have taken many liberties both in characterization as well as chronology, but I personally think they did a great job in always making those steps exciting and suspenseful and when you reach the end you will realize the plot is rounded up very well, with a couple of exceptions. This is why I think knowing a little about Empress Ki's true story in advance can actually enhance the watching and explain the choices some of the characters make.
For instance, we can assume Crown Prince Ta Hwan was exiled to Goryeo when he was only a teenager, which perhaps will make you judge his character with some indulgence. King Wang Yoo of Goryeo, on the other hand, is by all means the most fictionalized of all the main characters, so much so that knowing his true story is not only unnecessary but extremely counterproductive. My humble advice: stay well away from the true known facts about him if you want to enjoy the drama.
When history is taken into consideration, a lot of the twists invented by the writers acquire significance, since the opening scene tells us in advance where we are heading and curiosity is all on how they'll get there. History also explains why so many characters in this drama change side, go from good to bad, from bad to worse or are suspended somewhere in between. It obviously does not explain or justify the fact that everyone speaks Korean, but I am aware that having the huge cast speak different idioms would have rendered the watch almost impossible.
To this drama I own the realization that I possess a dark side too. There have been moments when I wanted to see blood and wished some characters would not only be killed, but killed with pain. It's such an alien feeling for me, it shocked me. It goes to the credit of writers and actors to make me hate with such an intensity, but I'm not sure I want to experience that kind of emotion again. Attachment and love to some characters, though, was equally intense and I swam in it with gusto. It's going to take a very long time before I can get these people out of my system. While it kept me highly entertained in the first half, in the second this drama almost broke my heart. It has very little to do with characters dying or living, and a lot with them losing their innocence. At some point I almost wished the leads had died on that exile island and remain forever what they used to be, before being scarred and marred by that terrible imperial palace, "a place with no blood, no tears and no mercy". to quote Lady Park.
When it comes to the much talked about love triangle, I must say I jumped on Seung Nyang & Ta Hwan's ship very early on and never wavered. I could not see or feel any chemistry between Ha Ji Won and Jo Jin Mo and while my brain kept on telling me these two characters had a lot in common and it was logical for them to fall for each other, my heart never agreed. In fact, my heart unyieldingly refused to accept it. Ha Ji Won and Ji Chang Wook, on the other hand… I could have watched them waltz one around the other for the whole 51 hours run without complaining even once. Some of the most poignant moments in the entire drama involve these two and they are the main reason why I enjoyed Empress Ki so much.
This said, the love triangle was not only central to the story, but dual purpose too. Because on final analysis the true seesaw is not between a woman and two men, but between a woman and two countries. The issue of eradication underlines the whole narration and should never be forgotten in order to understand Seung Nyang's choices. This is, after all, her story, how she's initially forced to abandon her country and her roots and gradually develops an attachment to her adoptive one. The more she distances herself from Goryeo, the more the story focuses on China and takes the viewer along.
Spectacular acting by Ha Ji Won - no news here, not for me, at least. I doubt any other actress would have pulled off such a role with that seeming ease; Ji Chang Wook - yes, I'm just a little obsessed with him right now, after seeing him in two very different dramas I loved and being impressed by his ability to convey such a varied range of emotions. His Emperor is so controversial I could write a review only on him, but let's go on; Baek Jin Hee – Danashili, my most hated and beloved villain was terrific too and Jin Yi Han, who possibly didn't deliver the best performance of his career, but whose charisma alone made him into an all time favourite, unforgettable Tal Tal. The rest of the cast did great too, although I was more impressed with the young actors than the older ones.
A word needs to be spent on the villains. There are a lot of them here, all evil for different reasons. A few of them are very consistent; others are such since the beginning, but the viewer is manipulated to the point of thinking otherwise; some suffer from inexplicable 180° turns. What they all have in common is the unyielding conviction they never did anything wrong, which for me is the saddest trait of this drama and even when they got what they deserved, I was left feeling… empty. Their evil logic is at times extremely lucid and makes the line between good and bad blur.
Music is the hardest aspect for me to rate and perfectly mirrors this drama fluctuating between good and bad. The instrumental pieces are hauntingly beautiful and extremely powerful. Listening to them with closed eyes might be the biggest spoiler of all as to how this story is going to end, which is an achievement in itself since an Ost exists to tell the story via music. The songs, on the other hand, were not only very annoying to my ears (personal taste) but also inserted too abruptly at times when not completely random for the scene they soundtracked. I ended up using good old maths: instrumental 12 + songs 5 = average 8,5.
To come to such a high overall score despite the glaring shortcomings of the script, I took the whole picture into consideration. A 51-hours long story that manages to keep the interest alive till the very end is commendable in itself and the fact that I already know I will definitely re-watch it in the future is proof of the high level of emotion it made me feel. Furthermore, this is not a book, and the visual means is used at its highest, with stunningly beautiful sets, costumes, colours and camera work. If you are able to suspend belief at times and focus on style and emotional impact, you'll no doubt enjoy Empress Ki as much as I did.
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Story: Nothing new here, rich guy comes across a poor girl who's not smitten by money. He gets curious about her and falls in love. The girl follows suit. There is some parental opposition, obsessed lover-wannabe, etc. but they don't play make much difference to the storyline.
Acting/Cast: It centers around just two characters played by Sung Hoon and and Kim Jae Kyung. I liked Jae Kyung in God's Quiz 4, but this was my first time watching Sung Hoon. Though I won't say they did an exceptional job, but they kinda complemented each other on screen very well. His brother and secretary and her friends play minor roles in the story, though I didn't pay much attention to them.
Music: Nothing original but considering 15-min episodes, they suffice.
Rewatch: Yes, yes and yes! Mainly coz it's so short, but also coz of the feel-good factor.
Concluding Thoughts: Nothing new about the story, nothing new about the execution, nothing spectacularly great about the acting and yet - it's pretty much awesome considering the time invested.
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I was watching this parallel to Dream High 2, and the difference in the standards caught my eye more...
First of all, about the story. The bromance, love, friendship, family, these themes are very central in the drama, and are done perfectly. The characters are so perfectly constructed, that you'll start feeling for them after the 1st episode you watch.
The thing that amazes me in dramas like this, is that the characters are like brought to life, they became real for me, as they were not trying to be perfect, they were not perfect, and while absolutely loving every character of this drama, I could get angry with them, shout at my screen, and the next moment swoon because of cuteness, their friendship, romance...
Every episode has a story to tell, not like in some dramas, that just drag on, to get to the 16th episode... I have yet to find a scene I'd like to skip here (don't look for it :P).
I discovered several actors here, that I'm going to follow to other dramas, whatever role they take :P
First, Sung Joon, I'd seen him in Lie to Me, and impressing he was in the beginning of the series, but as the romance advanced between the leads, his character faded away, so to say honestly, when I saw him in the first episode here, I didn't know I knew him :P Though his rough voice was reminding me, I didn't catch the signals... Honestly, now I'm very much in love with his down to earth portrayal of Ji-Hyuk, I loved his caring for his friends, his shyness with Su-Ah, his mess ups as a leader, but at the same time honesty and not giving up... (I can't believe he's just 2 months older than me Y_Y)
Jo Bo-Ah, as Soo-Ah! Fantastic girl :) When I saw she's a newcomer, I automatically started searching flaws in her acting... guess what... didn't find... She did better than great, her acting sometimes reminded me of Inoue Mao's portrayal of Makino Tsukushi in Hana Yori Dango, well to think of it, her character really had similarities to Makino. Love her brave and caring character. (THANK YOU FOR NOT LEAVING!!!)
Becuse of MyungSoo (L), now I'm a fan of INFINITE :P Though sometimes he was trying to hard with his icy stare, he's a cute guy and I think he did great, his character was in the end the balance the band needed (speaking about balance...) Do-Il... I can day, this guy... we're seeing him in more dramas from now on, he's gonna become SO popular with his unusual looks (especially eyes..)
Not even going to mention Lee Min-Ki's character, oops, I did... ok... His character just glued me to this drama... an unforgettable character, like a firework, brilliant in the night, and even when it already out, it leaves an unforgettable impression...
If you think this drama is going to blow up your mind by something super new and undiscovered, you're wrong, it's actually a very old story... 'friendship or love'?
Well, guess what, the script writers did great, the main point becoming, it can be both, only you have to be honest with both parties and most importantly with yourself.
I have enjoyed every second of this drama, and can't imagine that I won't be waiting for it next Monday and Tuesday... At least I can keep the songs and rewatch the episodes, by the way, the music is also very-very good, immersing you into the boys world in the moment it starts...
I'm gonna miss Eye Candy! (who;s gonna read a review THIS long?... I had to speak up, haha~)
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Beautiful drama
I like this drama super beatiful the way of act specially the leading actors of this drama(fair xing and Hu yitian) super gentle and good acting skill. Hoping for season 2 or maybe another drama for this two actor. It's so cute and more lesson for this drama like you need to be true in yourself. The team is super supportive for the love team of two players. And Hu yitian the way he understand the problems of one of his team mates. And also how fair cxing help him to overcome his problemsits such a big HEART for me.Congratulations for the team of this drama. Love you all
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This review may contain spoilers
Editors Chopped This Sh*t Up! And Youku Gave The Final KO.
I honestly feel that all the other fantasy dramas of 2022 have got to thank the editors of this drama for giving them a chance. For those that don’t know and are just reading the editing is bad, the show lost 11 episodes to pass the censorship review that all cdramas must undergo; taking it from 36 episodes to 25.
That’s a lot of content lost. Most of the first part of the story is gone as well as the last part. This means the setup is awkward and so is the end, and only a severely edited middle is left.
The usual answer to this usually to re-edit but a re-edit seems to require another review and in the current precarious climate, it’s possible a show already on thin-ice due to a scandal and some of the show’s content didn’t want to risk potentially not passing the review at all and decided to air as-is, which gives us the current version of SJFY.
So what’s wrong?
It’s obvious from the start there’s been more than one editor. Scene quality is random - some scenes/sequences are high quality and some no better than home video. Post production is also high and low suggesting that the scandal may have affected post production as well, especially if the later editor had to use raw footage.
The biggest loss with the edits, however, seems to be to the characters themselves. Very few of the main characters have full storylines. Only the vice couple seems to have a clear beginning, middle, and end.
Ye Lingshuang/Bai Lu and Yu Xiuming originally had an enemy to lovers storyline but 95% of the revenge angle has been cut. To make this work, many of PXR’s scenes were either cut, rearranged out of order, or redubbed. This has led to a character with fragmented motivations and to some viewers, a mediocre performance. However, the fault in this also seems to lay with the editor/post production as the BTS videos have several powerful scenes of PXR’s acting and yet those scenes either didn’t make into the drama or the post production doesn’t keep up.
Yi Wuyou has it even worse. His scenes have been cut to the point that he is more of a cameo role rather than the lover who turns into an enemy like marketing suggests. When he does appear, he has also been redubbed and his appearance is so small in the drama that it feels unfair to judge him because there isn’t much to judge.
These cuts heavily damaged the interrelationship between the two and greatly weakens the love triangle Youku sold. Viewers might have gotten by on the main leads love line which is very good but most of the more passionate moments between the leads have been cut down or deleted as well to a point that has led to complaints throughout the show.
So what works?
The main leads chemistry is the key driver for the story. They may not seem a match at first glance, but their acting makes it easy to fall for their relationship which despite the cuts, is very well done. Its step by step and slow burn nature may not appeal to an audience used to hot and heavy sensuality but the gradual process of the leads love story feels the most realistic out of the many Cdramas I’ve watched over the years and as a viewer, there is a sense for why they fall for each other and that the years between them are quiet. They’re quite addicting and the lack of scenes between them makes every interaction feel precious and I’ve actually rewatched their scenes together several times.
It’s also a relatively healthy relationship considering the trope and in comparison to other dramas. Yu Xiuming, the male lead, is emotionally intelligent and values the female lead for her intelligence. From the beginning, there’s a constant sense of him guiding Yezi to be a better version of herself. Yu Xiuming also walks the talk as Yezi’s protector and actually protects/saves Yezi throughout the show. And, Yezi challenges Yu Xiuming and while some viewers may not like her decisions or opinions, it shows that she’s got a mind of her own within the relationship.
The other thing that works is the acting. Feng Shaofeng’s veteran acting skills bring Yu Xiuming to life with a delicacy not often seen in fantasy Cdramas. And PXR, when her scenes, haven’t been butchered, is able to keep up. They both bring characters who are as interesting to watch alone as they are together. The older cast members such as Minister Fan and Minister Jie also deliver stable performances. The actor who plays Cheng Wu is also a delight.
The music although not profound is very good and suitable for the show. The opening song is especially pretty.
The costumes and sets are also nice, although some of PXR’s most beautiful sets, the empress sets, did not make it into the show. But the costumes and sets that did make it, have their own flavour and fit the star theme threaded throughout the show. In my opinion many of the complaints about the quality of them actually seem to be filter issues.
Finally, in the scenes/sequences that seem to be the original cut (One way to check is the filter. The better scenes usually have a blue or golden filter), the cinematography, shots, and acting are really well done. Hence my early comment about the other shows of 2022. Just from these few shots, the quality feels high. You have great acting, good chemistry, good cinematography, decent script and plot, novel pairing, interesting concepts, and a good flow. It feels like a properly thought out grown folks fantasy in those moments and those moments, despite its cuts, make it the only fantasy drama I’ve felt excited to watch this year. Based off these few good scenes, it really feels like if the show maintained the same level of quality throughout, then SJFY would have definitely have been a heavyweight contender this year. Believing this, I can only hope that the audience will one day get to see a more complete version.
Giving this a 9.5 cause they did cut down on Yebei towards the end and that deserves a star on its own.😂
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Strong Start, Weak Finish
Contrary to the popular opinion here, I really appreciated the extensive backstories of the characters. It effectively provided justifications for why the participants would engage in such an insane project, which is quite rare for the typical Death Game film (usually, the participants are lazily thrown into their circumstances due to some metaphysical element within the story or deus ex machina reasoning). I also enjoyed the softer social commentaries in the beginning of the film and the fairly realistic and reasonable depictions of the main characters. That is, none of the characters are overly virtuous or exceptionally talented, and they all act or respond appropriately to the situation at hand; I can see these characters in my day-to-day life. Finally, the cinematography and acting (of the main characters) were masterfully executed.Where the series started to go seriously wrong was in the final few episodes when the filmmakers decided to use caricatures for their characters as if they were holding a contest to use as many tropes as possible to fit the bill of the caricature in question; at some point, I was not sure whether the series abruptly became a satire. Not only were these caricatures agonizing to watch, but the decisive shift in narrative presentation really killed the immersive experience evoked by the previous episodes. Additionally, the moral justifications for why the mastermind started the entire project were banal, forced, and unconvincing; the creativity of the "midnight bet," from which he grounds his perspective, is what you would expect from a #SocialExperiment YouTube video, not a Netflix produced K-drama.
All in all, for someone who does not enjoy the typical Death game flick, I found the series very entertaining and well made within the category, but beyond this, it is forgettable. Although the cast, cinematography and music scores were appropriate and exceptional, there was, unfortunately, nothing noteworthy about the screenplay and directing.
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A unique but strange watch.
The whole storyline is quite odd, but it works so well. There is pretty much a different mystery every episode so it doesn't get boring. I honestly think I loved every character. The first episode is very strange and had me wondering if I should continue it, but I feel if you enjoy the oddness of it, you will enjoy all of the storyline.It truly is something I haven't seen yet in a kdrama. The effects are very high quality and well done, truly amazing to see and can't imagine the work that was put in. The effects are very cutesy at some points looking like little pets or candies, and at other points quite scary fitting the ghost/horror vibe. The story is very cute and humorous with some darker tones. It has so many aspects that I enjoy in a show.
It has only 6 episodes so I found myself thinking "there doesn't seem to be enough time to finish the story well enough" but it wrapped up nicely. I do wish it was longer but I feel satisfied with how the story progressed. However I also feel there could be more added on eventually in a new season if they wanted.
At some points a noticed a few plot holes or points that were missing and I was left thinking "wait what happened?" but I eventually figured it out. I do think rewatching it will give me some clarity on parts I may have just missed. All in all didn't have many issues and kept me focused, I didn't skip every 10 seconds like I do with some dramas.
The main leads were lovely, seeing Nam Joo-hyuk in this he seemed way older than other dramas I've seen of his. He fit the teacher role surprisingly well. Jung Yu-mi was very charismatic and she fit the odd-strange school nurse so well. At some points I cringed over how odd the character behaved but it just shows how well she acted because it's exactly what was intended.
Finally to close this off, I do think it's worth watching, the story has many different elements and can make you laugh or cry. I even found myself crying and that's rare for me! The strangeness was so new and fun to see. It's a cute watch that it is truly unique and honestly a breath of fresh air that I felt I needed from dramas.
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1House of cards.
My Journey to You is dark, intricate and suspenseful wuxia that hones in on Wufeng spy Yun Weishan's mission to sneak into the Gong family's heavily guarded mountain stronghold. This is a once in two decade opportunity, as the Gong family holds a bride selection event for their young masters who have come of age. A shocking twist thrusts Gong Ziyu, the least capable young master, to the helm of the family. He is clearly unequal to the task and must prove himself worthy before the seemingly invincible Gong family folds like a house of cards under the force of internal and external challenge.Shocking murders that rock the foundations of Gong family just as Wufeng spies slip through the gates. The whydunit is quite clear from the get go. By elimination and a few clues, most of the mysteries including Wuming or Anonymous's identity, are easy to solve. The mysteries look more complex than they really are because many other sub-plots unfold at high velocity. The key is not to over think; the straightforward answers are usually the right ones. The antagonist reveal comes late in the story after the facts are stale and the long expository style gives a sense of anti-climax at the end. It may have been better to resolve the internal conspiracy prior to facing the external challenge. Nonetheless the mystery sub-plots are fairly tight and engagingly woven into the external plot of this dark wuxia.
The real guts of the main plot centres around the Gong family and the secret that they vowed to safeguard for all time. It is no fun to be a Gong; stuck on an isolated, toxic mountain and locked in an existential battle with their arch enemy Wufeng. All of the young masters of the Shang (weapons), Jue (commerce), Zhi (poison) and Yu (defence) lines shoulder many responsibilities from a young age. All except the self-indulgent and spoiled Ziyu who has a father, foster mother and older brother to lean on. It is no wonder that Shangjue and especially Yuanzhi resent Ziyu and demand he prove his mettle. The real irony is Sword Wielder is the most sucky job that comes with a butt ugly tattoo and life imprisonment on that dreadful, suffocating mountain. Not to mention the exhausting chore of trying to stare, glare or scowl down Shangjue and Yuanzhi only to be torpedoed by one of Zishang's whacky, mind boggling non-sequiturs that destroy any crushing come back! As much as I was riveted by the Gong family soap opera, it is the mysterious denizens of the back mountain that broke my heart with the intensity and absoluteness of their obsessions. This drama has the most absurdly gorgeous, eccentric, layered and memorable cast of characters.
While romance is always a feature, it is never what this kind of dark themed wuxia is built around, so conventional romance watchers are bound to be disappointed. Both Weishan and Qian are spies on a do or die mission. If they have love brains, they'd have been long dead spies. By design, Shangjue and Qian's relationship is more interesting because Shangjue is a more cynical and questioning character than Ziyu. He is a much more difficult target and this forces Qian to take more risks and thus reveal more of herself to captivate him. It is quite clear there is an intense attraction, that they got their hooks into each other. It is a dark and fascinatingly toxic relationship where it is left for the viewer to decide whether and to what degree they actually fall in love.
In sharp contrast, Ziyu is naive and unquestioning. Weishan is his first love and he falls for her like a ton of bricks, absolutely and unconditionally. The feeling may be intense and pure but it is also uncomplicated and not that differentiated. The bigger problem is that Weishan is by design an elusive character. She does not have to reveal much about herself to reel Ziyu in and so for the most part, she remains a blank character. By the end of the drama, she is still so much a mystery that it is difficult for viewers to be that invested in her and thus the main romance. Yun Weishan is the main character but because she is so hidden, it is as if there is no main character or CP that anchors the story. For the most part, this feels a story about many characters told from many different points of views. To me, this is the biggest shortcoming in the narrative that is saved by the presence of many other fully realised characters. This is not completely a bad thing because it allows the entire spectacular cast, and notably Cheng Lei, Lu Yuxiao and Tian Jiarui, to really shine without taking away that much from Yu Shuxin and Zhang Linghe. All of the actors got the screen time their characters deserve and deliver all around strong performances.
In terms of cinematography, breathtaking action scenes and stunning aesthetics, this drama is everything I expect of Guo Jingming and more. He is the ultimate connoisseur of male beauty and truly immortalises all of these actors, male and female at the peak of their gorgeousness at their most flattering camera angles. Yue (Moon) Gongzi was the one that stood out for me in this visual feast and his love story moved me most - I'd have gone to the moon and back for him any day of the week! Despite some holes, I am overall very satisfied with the writing. I much enjoyed the witty repartee, the foreshadowing and the layers in the dialogue and many hidden clues in the form of riddles and homonyms that are embedded in the script.
I actually quite like the ending epilogue which has caused quite a bit of consternation and heated discussion among viewers. This is a plot driven story so none of the main characters are the end game. Both main plot lines converge to deliver a very complete ending in terms of th narrative, which is merely one mission or chapter in the saga of Wufeng's longstanding rivalry with the Gong family. The end epilogue closes with just the right dark and chilling note that upon reflection was long foreshadowed, makes sense and is completely in character. As such, I am very happy to rate this 9/10.
I will elaborate further on the ending epilogue in a spoiler below but please don't read it until you have finished watching this drama. This drama is best enjoyed without spoilers so please don't scroll down until you are done watching.
WARNING!!! Major ending spoiler below!!!
Yun Weishan returns to Wufeng to face the music because her work is not done. The biggest clue is that she is not that surprised to find Wufeng waiting for her. She allows Ziyu to think she chose freedom over him, so that he does not look for her and endanger himself and his duty to protect the Infinite Fire. Beyond that, she also knew the note was not from Yasi and possibly she always knew about her twin. More than the Fortnight Flies, that may have been Wufeng's real hold over her. If you rewatch the opening scene, it is very suggestive. Yasi quickly reassures her that the Yun family was just knocked out and not harmed. So it is important to Weishan they are not harmed yet she is not curious enough to even look at the bride she is replacing. Why? Because it is her twin, she already knows what she looks like.
The bigger reason she returns to Wufeng is revenge. She is probably quite safe from Wufeng because everyone that knows of her betrayal is dead and Qian was the one who actually leaked all of the information that lured Wufeng in. She told Jin Fan the truth about Zhuomei, just not the whole truth. She may even be Zhuomei's daughter. That is why she was taught all of Qingfeng's top martial arts but Qian was not. Neither of them even got close to Dianzhu/Wufeng's leader so they could not have learned Qingfeng sect's top martial arts from Dianzhu. Weishan probably joined Wufeng to avenge Zhuomei and possibly also free her sister. She simply could not stay with Ziyu in Gongmen because her work is not yet done. But the first chapter of her story can be considered complete.
A second season probably reunites Weishan with Qian because Dianzhu is their common enemy. This is also why Qian leaves Gongmen, she also has a mission more important than love. Another season could well take place entirely outside of Gongmen so it is not clear the entire cast needs to return. Given how popular the Gong family is with audiences however, my guess is if they can reunite everyone they will bring it all back to Gongmen. But they can also continue it outside of Gongmen with only Shangjue returning or Ziyu returning after handing the reins over to Shangjue. This is very smart of Guo Jingming. He left all his options open. Including the option of not proceeding with another season.
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This review may contain spoilers
Following History While Telling A Completely Different Story. Brilliant Script All Around.
Great story with great acting. Chinese small screen has really gone a long way. The cinematography is beautiful and the battle scenes are shot like it were for movies. The magnitude of quality offered in this drama is simply breathtaking. I really enjoyed the political schemes and plots since the story is full of intelligent people with their own hidden agendas. The level of Chinese political mind games are in different levels when compared to Japan or Korea.The title is exactly what the drama is about. We all know the history of the 3 kingdoms from the Four Great Classic Novels but this drama told the 'secret' behind the 3 kingdoms' stories but with a twist. For history buff like me, I enjoyed it a lot as it followed the real historical events with real historical figures. The so called 'secret' and how the writer incorporate it to the real historical events are what make the this drama really interesting and great.
I think many people misunderstood the so called 'weak' main character. The Emperor is by no mean 'weak' but he wins battles with wit and intelligence. His kindness and benevolent characteristics are always at odd with the viewers but many failed to see the brilliance behind his decisions. Many times his kindness save them from enemies' traps and never once he was caught red-handed by the enemies. Everytime when he compromised with his enemies, he got more advantages in return -- just by giving something small, he achieved something bigger in return. He won the hearts of his enemies and supporters and they call him a great and a wise king. He strike fears in the heart of his enemies just by being kind -- I find it really brilliant how his kindness is the reason why he managed to turn around the weak Han Imperial Family name into something that the people respect and love.
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It was a pleasant surprise to see these young actors who don't have much experience as leads under their belts - yet they carried the story so effortlessly. So much so that I completely bought the story about life in the world of comic books.
The main characters' side swipes at the overused tropes of romantic dramas were what got me hooked in the beginning, but it was the heartfelt acting - especially from our two leads, that kept me going.
I felt every smile, every tear, every fear that went through their faces. And I prayed as hard as they did to writer-nim to please make this a happy ending.
Yes, it's not perfect, there were some threads left hanging and some sub-plots that were too conveniently solved. But it didn't ruin the story for me.
Most of all, I like the overarching message in the drama - that we have the power over our own lives, we just have to have the courage to take control.
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Just to the add. The leads remain true to themselves and just like their love it has always been honest and sincere. The heart to heart talk and mature discussion before the made up and even the proposal was so fitting. I love the balance of sweet romance and a couple who is honest and mature to face the reality and their background differences, together.
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