Reviews

This 5th Takumi-kun film is probably my favorite out of all them so far. Daisuke and Hamao feel more realistic and comfortable with each other than they ever have, and it makes the movie much more pleasant to watch as you can feel the emotions they are giving off. Their acting may not be the best to ever feature in Japanese media, but this time around I think they've hit their peak.

It's the same old Takumi you love, only this time it was a little more fleshed out. It seems like the same old Takumi problems, but for some reason it was much more interesting to watch. The music was, as always, wonderful and well used at appropriate times.

The story wasn't the best this time around but Daisuke and Hamao's acting really did make up for it, in my opinion.

The one thing that always bothered me in this series, this one included, are the flashbacks. They are oftentimes refilmed and rarely are you given any clue that what you are watching is a flashback. They could definitely execute them much better.

Other than that, I will greatly miss Daisuke and Hamao in this series! They certainly grew from the 2nd to 5th movies and you can see it for yourselves in this great film.

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I started this drama with very high expectatives after seeing the cast, and because it was written by Sakamoto-sensei, who has written most of my favorite dramas. I must say that, while this wasn't exactly what I expected, it was quite good.

The story isn't something that we haven't seen before, but it's well told. The first episode was fantastic but, sadly, the next few episodes don't live up to it. The second half is much more entertaining. As always, Sakamoto-sensei's dialogues are beautiful, and he's arguably the top screenwriter in Japan.

Most of the cast was great. Takahata Mitsuki's performance was probably the best, specially in the forth and fifth episodes. But I also need to comment on Arimura Kasumi's acting. I really don't understand why people dislike her so much. She did a GREAT job in this drama, she's probably the best after Takahata. Anyone who has seen this and Biri Gal knows that she's a pretty good actress when she has the right projects. Kora Kengo and Nishijima Takahiro were good too. I was really sad about Sakaguchi Kentaro and Morikawa Aoi, because most of their scenes felt like filler material, and they really didn't have much to do beside a few great scenes.

The music was solid, but not extraordinary or anything.

Overall, I think this is one of Sakamoto-sensei's weakeast dramas so far, but it's still better than most of the romantic dramas released nowadays, I recommend it to those looking for a slightly bittersweet slice-of-life romantic drama.

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Movie with the architecture in the background, directed by the architect. After a fairly successful directorial debut with Possessed (2009), once an architect, and now director, Lee Yong-Ju came back with a new movie. In contrast to his debut, which was something bordering on horror/thriller, his second movie is a romance with a suitable amount of melodrama. Architecture 101, a title that could not be probably better matched. In the end we have an romance whose title does not contain any references to love, and at the same time is strongly associated with the plot of the movie. Another advantage of the movie is it's cast, which surprised with the good acting. In the main female role we have Han Ga-In (known for her series The Moon Embracing the Sun (2012)), and a young version of the character is played by Bae Suzy. Both ladies are not known for being good actresses and usually present just decent acting, hence the big surprise was how well they coped. In the role of the male is Uhm Tae-Woong (rose to fame thanks to role in Cyrano Agency (2010)), while the young version of his character is played by Lee Je-Hoon (very good role in My Paparotti (2013)). Good cast and interesting title, attracted to theaters just over 4 million viewers and brought a profit of more than $ 30 billion won (~$29 million).

The story is fairly standard and represents an unfulfilled youthful first love. The whole story develops around a pair of students. On the one hand we have a beautiful and somewhat mysterious music student Seo-Yeon (Bae Suzy/Han Ga-In), and on the other a shy architecture student, Seung-Min (Lee Je-Hoon/Uhm Tae-Woong). Their affair begins with the first class of "Introduction to Architecture" and with last, ends. After 15 years, Seo-Yeon finds Seung-Min and employs him to rebuild her home on the Jeju island.

Both stories are intertwined in a pleasant and peaceful way. Lee serves up standard problems, in the form of first love of two students, and the bittersweet romance of the same pair in their prime of life. It seems that we get another typical romance, with all its advantages and disadvantages, but in the case of Architecture 101 is only a first impression. What makes this particular movie stands out from the others? Architecture. All known schemes are presented through the prism of ubiquitous architecture. Love of Seo-Yeon and Seung-Min follows the footsteps of "Introduction to Architecture" and ends after 15 years with construction of home. Lee superbly presented things we already know, in a new way, so that even a cliche story, ends up being "fresh" and consistent.

As for the actors, most of the time we see a pair of Bae Suzy/Lee Je-Hoon, partly a result of the fact that Lee Je-Hoon is de facto protagonist of the entire production. Although not quite similar to each other, we are able to believe that the naive and shy Lee Je-Hoon grew into a cynical and nonchalant Uhm Tae-Woong, and Bae Suzy playing the perfect Korean girl grown to be forthright but at the same time sensitive and delicate Han Ga-In.

All this makes it an excellent story that is closer to the viewer than the sleek affair of Romeo and Juliet. When Seo-Yeon and Seung-Min meet after years, he no longer sees her through rose-colored glasses, because he lost them long time ago. All the time he blames her for how their first love has ended, even though through the movie, we learn that he, because of his insecurity and low self esteem, is equally responsible. Our memories can deceive us, but the pain of unrequited first love will never disappear, the song, a face, book, almost everything can bring it back. The mind will deny it, but the heart never forgets.

Architecture 101 is a position that may bore many and surprise in not a nice way. I recommend people to watch it again, but calmly, to be able to empathize with the characters and think about the whole story. This movie has something which many similar production are lacking, despite the lack of rousing story or breathtaking effects, it really is not a boring production. This is a movie which, thanks to its simplicity, becomes intimate to viewer and seems very real, you only have to look a bit deeper.

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From 'Da Ge' to 'Unknown': "In this infinite darkness, you are my only light"

Today, people are losing the rich habit of reading. Every day he spends more time in front of the screen, watching moving images. Both cinema and television have become the preferred leisure option in our societies, while books have been relegated to the background for many. Faced with this reality, television networks continue to rely on the decisive influence that literature has had on their future, which is why they will again and again resort to books or works published online to recreate television fictions.
Incestuous love has been brought to film and television in works such as 'Starcrossed' (2005), a very famous American short with a homosexual theme about gay love between brothers. Written and directed by James Burkhammer II, it tells the shocking love story of Darren and Connor, two brothers from a suburban neighborhood who are lovers.
'From Beginning to End' (original title in Portuguese: 'Do Começo ao Fim'), the 2009 Brazilian film, written and directed by Aluizio Abranches, tells how two male brothers from an upper-class Brazilian family maintain a special relationship, from children, which draws the attention of the adults around them, worrying their parents and family.
BL series such as the Chinese 'Stay With Me' (2023) tells the romantic story between two stepbrothers. Su Yu, a high school student, lives a simple life with his father, but faces a big change when his mother remarries a rich man and introduces him to his stepbrother Wu Bi.
In this effort to bring literary pages to the screens and also reflect a story of a love relationship between people without blood ties, but considered "brothers", the Taiwanese Youku opts for the novel '大哥 ('Da Ge'), 'Brother', by the talented Chinese writer known by the pseudonym Priest, whose work, published by the web publisher Jinjiang Literature City, covers a wide range of genres, from romance and martial arts to science fiction and danmei, with a quality and creativity that distinguishes her from other writers, due to her deep humanistic themes and her ability to capture the essence of life's struggles and joys.
The dramas 'Guardian', 'Legend of Fei', 'Word of Honor', 'Faraway Wanderers' and 'Justice in the Dark' are based on Priest's novels.
Under the direction of Ray Jiang ('We Best Love: No. 1 For You and Fighting Mr. 2nd, 2021, and 'My Tooth, Your Love', 2022), 'Unknown', based on one of the most acclaimed works of Priest, will immerse the viewer in a moving story that revolves around Wei Qian (Chris Chiu), a young man with a strong spirit who, since the age of thirteen, has carried family responsibilities on his shoulders by being the breadwinner for his half-sister, Wei Li Li. after the premature loss of his parents. Wei Qian's world takes an unexpected turn when he adopts Xiaoyuan (Kurt Huang), a street child who goes by the alias Wei Zhiyuan, as a brother. Living a life of loss, violence, poverty, helplessness and anguish, our characters face life, winning and losing, on a journey of self-discovery.
'Unknown', faithful to the original novel, is full of sorrows and pains, but also of small joys that illuminate the lives of its protagonists and lead them to build a beautiful and sincere relationship.
In this story, which is about human warmth, family, friendship, self-discovery and self-acceptance, and which defends the idea of ​​learning when to persist and when to let go, it shows a love between two boys more powerful than the water, deeper than blood. As if on a slippery slope to the top, 'Unknown' will draw a path for us and even alert us if we have to travel the path ourselves.
With a distinctive characteristic that its protagonists are young, the series addresses the experiences and challenges of the current generation of any country, since the themes exposed are universal. However, it is crucial to understand the codes that guide the plot. Individual conflicts, dreams, challenges and how they deal with life situations are explored. Although youth is reflected in various ways, the series highlights gay love, sensitivity, ways of loving, facing adversity, family situations, as well as the differences and contradictions present in all the characters.
With a capable and engaging cast, the drama is interesting and intelligent. The all-star cast of this captivating journey into the world of romance and human complexity includes Yankee Yang as Wang Jun Le / "Le Ge", Danny Liang (Xiong Da Fang / "Lao Xiong"), Kim Jae Hoon (Tan Yu / " San Pang") and Tammy Lin as Wei Li Li / "Xiao Bao", who weave, around the protagonists, a warp of surprising, complex and beautiful characters and relationships.
Chris Chiu, who pleasantly surprised both critics and viewers with his leading roles in the dramas 'High 5 Basketball' (2016) and 'Hello, Again' (2019), once again demonstrates character by playing a young man who puts his life at risk and works illegally to support his brothers. He will have the help of San Pang, his childhood friend, to get back on the right path.
His character is rich in nuances: He seems ruthless and cold-blooded, but he is sensitive and knows how to appreciate what surrounds him. He makes the decision to protect his brothers and stubbornly guards a place that increasingly looks like a home. He longs to be loved and sheltered, and to give, in turn, love and shelter. Wei Qian wages an internal struggle, a struggle that leaves him in a state of constant battle against the two opposite poles within him.
Ray Jiang, with his unmatched talent, brings to life a character who challenges stereotypes and shows that dreams know no limits.
For his part, Kurt Huang, in the role of Xiao Yuan, shows on screen the vulnerability of a child abandoned by his parents at birth and the suffering caused by the harassment of older boys in an orphanage, until he is picked up by a stranger who will raise him as a "brother." As a young man, he will admit to being in love with the person who raised and educated him.
In this series based on a Danmei. that could revolutionize the BL universe, both young people struggle with a dilemma considered taboo, such as the romantic relationship between brothers. However, they are not linked by blood. Will they cross that forbidden line and end up becoming lovers?
The series manages to combine the subtlety of Priest's prose and the care that the author puts into her heroes and heroines, and the construction of the characters designed from the script by Cai Fei Qiao ('Stay by My Side'-2023) , making the story very beautiful due to the way in which the characters develop and the events develop before the attentive gaze of the viewer. As the events unfold, he understands the characters and the world in which they take place.
If someone found the development of the story slow in the first part of the series, this is because the characters take the time to define their relationship, taking into account the previous bond between them. But once they do it, the actions gain in intensity. The romantic scenes in 'Unknown' are primarily narrative. Intimacy is a function of advancing the story, making it deeper. The sex scenes serve the characters, the narrative, and the tone of the film. But they are also there because they are sexy. But they do not hide the intention of being used to tell the audience how a character feels about their sexuality or identity.
This imperfectly perfect couple will be sustained by longing, desires, hopes, strangely wonderful coincidences, letters that are written from a distance with all the heart, with all the soul.
I do not doubt that the viewer will be able to remember 'Through the Gates of the Strait (Shared Universe)', another of Priest's novels.
Wei Qian, Wei Zhi Yuan / "Xiao Yuan" and other characters, as tools that they are, after all, are used by the creators to tell a story that will attract the attention of the most demanding viewers.
Will the series respect one of the characteristics of Priest's work, that of focusing largely on the plot and the construction of the world in which the characters operate, leaving romance as a secondary aspect? Doesn't this make the romance more epic, since it grows and evolves alongside the story itself, at the same time helping to avoid monopolizing the public's attention in sexual and romantic matters, as many danmei novels do?
Will 'Unknown' be faithful to 'Da Ge' in terms of not showing explicit sexual content and having a limited amount of romance, such as few vaguely described kissing and sex scenes? The series focuses its attention on romance, and it could not be otherwise because the novel on which it is based is romantic above all.
It may be flawed, so it doesn't fully develop the edges of its story, but the central relationship that holds the series together is so compelling that the rest hardly matters.
YA

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Expectations vs Reality

I know that I might be harsh with my rating for this series but please hear me out!

The plot is a typical thai bl plot, a rich smart person and a not that smart and poor person. Leaving behind the main concept of this series, I would like to point out the slow paced story development. I do realise that we need some time to understand who the characters are and what their environments are; but seriously I don't think that we needed 7 episodes with them in high school. They could tell us their high school days in just 3 episodes. I felt that they were trying to expand their year as seniors for no reason. I mean you only have 12 episodes to tell me your story, do not spent 7 of them being in high school. But to be fair, when the university chapter began, the series became more interested.

Regarding the acting. Well, I don't know how to describe it and not sound like an asshole... The acting is bad! I believe that both Win and Marc have potential, but in this series they seem so stiff and awkward. I know that the script does not help them, but from the episodes that I have watched I feel that they have no chemistry. There are a lot of moments of silence between those two. Tbh, I do not see them as people who have feelings for each other; actually, I do not even get the vibes that they are friends.

On the other hand, Fiat is amazing here, I mean there are some scenes that are awkward for me, but still I feel that he is the best in this series. His bi role is implemented in the best possible way. Moreover, JJ is really good here. I like the friendship between Waan and Pure and how Waan values their friendship! Also, Aun has a great potential with acting. He is still young and he has a lot to learn but if he invests in acting classes then in the future he would be one of the best actors.

I have said it before about the product placements, and I know that it would be in vain pointing it out again; but please stop with those placements. I start to think that companies are producing bl series just to have product placements.

I feel that this series had really high expectations, as GMMtv was involved, and it was the first bl series that was aired after 2gether. Everyone, was, maybe, expecting something similar to 2gether and in the end we got something monotonous. Do not get me wrong, I think that 2gether had a lot of flaws and I did not really like it, but at least it was funny and had colourful scenes!

I feel that we would get another season as the script is so slow paced! Again this is my assumption, do not take it for granted!

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A Young Actor Gave Men with Combat & POW PTSD a Real Voice!

All hail Chen Zhe Yuan as Li Zan! This has been one of my most anticipated dramas since it was filming. I knew it was going to be heavy and deep given the subject matter of PTSD and survivor's guilt. Though the writing was off here and there, his and everyone else's acting more than made up for that. Be cautious however when watching for anyone with PTSD, anxiety, depression or anything else in that sector as you may have your triggers activated.

Pros: I'm in awe of CZY as LZ; this performance deserves an award, recognition of some sort. I have never seen an actor and a young one to boot with zero experience with PTSD and survivor's guilt play one so convincingly that it would send shivers through me. I'm a person who suffers from PTSD among other things though not from combat and it's not something one can just do like acting being angry or sad. PTSD is a complex disorder that has everything from flashbacks to intrusive thoughts to light sensitivity and being unable to eat or sleep without nightmares of the trauma. There are many others but I won't list them here as we saw them on screen being portrayed so realistically by this young man. He gave men with combat and POW (Prisoner of War) PTSD a real voice! Couple that with survivors guilt and by the end of the show a once proud, smiling man was reduced to having basically the mindset for the most part of a small child. And CZY was able to do it all; first time PTSD and survivor's guilt that had just started to get slightly better only to be thrust into a gut churning nightmare from which only by disappearing from everything and everyone to live a quiet life in the countryside, could they be as happy as this new existence afforded them a way from anything that would trigger him.

SR played by Liang Jie was also phenomenally done (the entire cast, let's just give it up to them, awesome acting), though writers diagnosed her with depression right away, she too had PTSD after the first trauma. Later it warped into depression but she played her part right. She was shy but very strong when it came to things and people she believed in. Especially her love at first sight with LZ. She was determined to stand by him until the very end and live out the rest of her life quietly.

The chemistry between the two was on point and probably would have been stronger had they told each other the truth about their health issues earlier; no relationship can be solid when there are secrets swirling around especially health related ones. They were all imperfect, flawed characters, which made things even more realistic. But their love transcended everything else which made it iron strong.

I'll talk about my thoughts on the ending and other things here. As most people know, I never read the source material so I don't really care unless it's an HE that was flipped to an SE for no reason. We've seen that happen too much recently. Here it was obvious that they got traditionally married and then on their wedding night decided to elope just as they spoke about a few times within the series because as their voiceovers spoke to each other about what they wanted to do in their next life and she said to live somewhere peacefully, safely, quietly and he said "why can't we do that in this life?" And that is what they did. She left a note to her mom and his dad to not worry about them and to give the manuscript to the publishers. She didn't want them to be a burden to anyone especially their parents. The sparkly montage at the end is more of perhaps his father's dream of them being healthy watching the trees because there was a wooden carving of them two on the hood of the car which was by his dad's house too. Furthermore, after the credits rolled, the two of them were standing by the olive trees, no longer sparkling but corporeal. And as they closed out characters, JY got another postcard from LZ saying he was on a mission and the postcard was voiced over by LZ. So to me it was a bittersweet/happy ending because of who they lost and if they had not delayed their leaving eastern country by a mere two days to be there for the opening of the orphanage, they wouldn't have been kidnapped and his life changed forever. Ben would still be alive as well. 48 hours changed everything. Just to bring things back into perspective, how precious life is. The story never dragged unless it was the merry-go-round of lying to each other regarding everything being just fine when it wasn't. It was a rollercoaster of emotions that literally had you hanging on for dear life.

The supporting cast was awesome as well so though I won't go into them all, I will mention the ones that were important. JL was such a great brother and WZC played him very well. We lost him far too soon. SB originally was the spoiled little rich girl who wanted LZ but she grew up quick after the deaths and explosion that claimed JL's life and sent LZ on his first PTSD spiral. I wonder if she blamed herself on getting SR and LZ to stay those two days for the opening when they were supposed to leave while she herself left. She could have sent them a picture. But you definitely knew whose side she was on by the mid point which was a good thing.

Ben and Sa Xin were your typical enemies to brothers story; they had a lot of screen time but as both were ultimately soldiers, they had to build that relationship as many veterans always say "you have to be able to trust the person in the foxhole next to you with your life." And you can't do that when you're barely speaking to each other. As Ben said to LZ in their last normal moments together, "You, Song, and Sa Xin are my family"; coming from an orphan that meant a lot. Both he and Sa Xin made a strong connection around LZ and SR as did JL while still alive. Brothers and sister in combat regardless of the role. They were the perfect addition to showcase the leads. Dr. Pei should have been given more time with Ben and in general. Mr. L as I called him was the best sounding board for LZ with the first trauma. I was very glad that when LZ bottled everything up, he at least had this one friend he opened up to. Lastly, mom of SR and dad of LZ were wonderful. Mom was a bit problematic at first but she evolved. Especially when she challenged SR on why she didn't ask LZ what was going on and by than even SR knew her ridiculous excuse of "I didn't want to pressure him" was just that, a ridiculous excuse. But both parents were 100% supportive of their kids especially at the end when things were so dire.

Give it up for the crew who essentially built an entire "country" on a plot of land. The set was beautiful and intricate and I believe it is still standing there as a tourist attraction. The OSTs were all beautiful though "Ignite Me On Fire" was my favorite as it was the rock anthem of hope the story needed.

Cons: Every issue I had was with the writing and directing of this series; if you're doing a series on PTSD or any illness for that matter make sure your actors playing doctors know what they are talking about. SR had PTSD to start and it warped into MDD or Major Depressive Disorder later. Her immediate diagnosis of depression was incorrect. Furthermore, what doctor in their right mind would give a clean bill of health to someone with PTSD though stable to go back to the place he received that trauma in the first place? That's a malpractice lawsuit right there plus absolute negligence. After a combat mission goes wrong and a soldier or a volunteer is diagnosed with PTSD plus survivor's guilt, they are discharged honorably and returned to inactive duty so they can resume a stable normal life. Stability is meant for a normal life not to return to hell and have something even worse happen. They may require inpatient care at first but once they stabilize, their family needs to be extra vigilant and they themselves need to be given hope, something meaningful to do to help others perhaps in other ways. Plus regular outpatient therapy and medication. That's how most combat PTSD patients live out their lives. At least the doctor admitted her mistake though not before saying that he should be confined to a prehistoric mental hospital. We're in the 21st century with a lot of treatments for this condition at our disposal and even though she was correct that LZ could pose a danger to himself or others, there were ways to treat that so throwing your hands into the air and just locking him up isn't the answer. Maybe in the early 20th century people did that but not now unless the person really did pose a threat. And even then it was to a temporary inpatient hospital for stabilization. Very outdated thinking and poor research on the part of production.

At the end of the series when LZ has an attack at the hospital, where were the doctors and nurses? They were encircled by bystanders as SR kept crying and pleading. Where was security? It looked like a shopping mall with people coming and gawking instead of doctors running to assist; so weird that it didn't seem like a proper hospital setting or how one was operated.

It was very hard to read the subtitles when you had the OSTs going, people speaking, plus voice overs by the characters. You didn't know what to read first. So a lot of pausing and rewinding had to be done. Wish this was all separated. The hiding the truth about their own health issues I think took way too much time. That was the only thing that was dragged for what seemed like forever. Even though to his credit he did try to tell her several times but she always inadvertently thwarted it and than he'd lose his nerve. But I wish it was out in the open sooner as opposed to right before they had the most traumatic situation. She could have helped him so much, just like she did in that tunnel. So writing was shaky there at best.

Ben, oh Ben my dude! You're not Superman; how do you go charging into a place with many rebels to save LZ without anyone as backup? One man against like 10, come on now. When you had a whole platoon that took those rebels out when they actually saved LZ. Screenwriter & director: if you had to kill him off, you could have done it in a way that was convincing! This made zero sense. For a realistic story, this was very poorly written. And where did the whole Abu revenge plot come from? That he remembered LZ and went after him but could go only as far as getting some kid to stab him and then get knocked out by LZ yet again and we never see him actually die. Meanwhile the other bad guys capture LZ through SR with the whole he can make bombs for us and yet they torture him until he's almost dead. How's he supposed to make bombs for you if he's nearly dead? Again suspension of disbelief engaged. And they had to know the special forces guys would find him eventually. It was all very strange and all over the place. Writing could have been way better and cohesive.

Lastly, the smorgasbord of actors as soldiers, rebels, journalists, nurses, etc could have spent more time practicing their English. I gave up reading the subtitles as those never matched up. We know Eastern Country is fictional but it depicts a lot of what has happened in wars past and present so keeping things cohesive is paramount to an otherwise very realistic story.

Would I recommend it? I absolutely would. Every actor did a great job especially CZY as LZ and it's his best role to date. The White Olive Tree represents hope and that's what we got with the leads living their solitary lives in a place of hope and a better tomorrow. I'm super proud of CZY for this role! He went above and beyond and even though it was hard for me at times to watch it, this is my favorite role of his to date! Again thank you for giving us a voice! Bravo!

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so seriously i started watching this drama because of the female lead but this time her acting actually disappoints me a bit .
if you have watched her previous dramas you will know the difference .
the plot is good but you can really predict what will happen next . Characters have a good backstory . You will like the first half of the show coz it's a bit interesting but then slowly you will start getting bored . The mystery and suspense part is nice .
I was pleasantly surprised with the representation of LGBTQ themes. Watching ji-ho and sang-eun is not at all appealing, I don't feel connected with their chemistry or story. Feels like "let's just watch since I started this". Their is no proper dialogue, connection or any part that feels touching. I expected much more than this, it's just going not actually entertaining. Hae-jin character should've been first male lead. I'm much more interested in how he will solve his family conflicts then how ji-ho and sang-eun will end up together.... I really feel bad for hae-jin , it's clearly visible that he is in love with sang-eun . Personally i don't think that there is any kind of reason left to watch this drama .

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1. GAY 2.Saint, wtf?!

1.
Tf you mean "this is a bromance?"
It's giving BakuDeku level "friendship"
Some BLs I've seen don't have as much chemistry as this does.
Denial is a river in egypt, the two leads are gay and whipped for each other

2.
Bro...
No...
Saint, tf was episode 10?
You can't be stupid enough to make the same mistake again, please
Dont walk away again

3.
Knot, ily. Thank you for having a conscience. Idk what would've happened if you didn't call Shin. He is probably my second favorite after Shin.

4.
This is the first time I'm seeing Autism representation, the second time I've seen it was in Home School. I'm pretty sure it's because of the director

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Why is the rating so high?

Don't get me wrong, I have nothing against the cast/actors. I think like most reviews here, the actors did the best they could with the script that they got.

The story is crap.

Quick Plot Summary:

Nubsib has been in love with Gene since they were kids. Now he's grown up a bunch and is a BL actor, and he stars in the series The Bad Engineer which is written by Gene. Gene, for whatever reason, doesn't recognize Nubsib. Eventually, Gene finds out who he is, they begin dating, pictures are taken, and drama ensues when the shippers are angry that the writer of the drama and the main actor are together and not the two main actors. The company forces them to "break up," and then in the end they get back together.

Why it sucked:

1. Nubsib falls in love with Gene when he was around 5-6 and Gene is 5 years older putting him around 10-11 years of age. So basically a 1st grader falling in love with a 6th grader or middle schooler. Though Gene in the drama never admits he was in love with Nubsib at that time, it sure felt awkward the way they shot their scenes together as kids. With the age gap, they looked romantically involved, and it was made to seem that both of them had feelings for one another. So much so, that Gene's father questions their relationship and seems to send Gene away to separate the two. This felt weird and wrong. I could understand Nubsib falling in love for Gene, but I would have much rather liked them either being the same age, or a year apart. It would make sense in that situation for both of them to be mutually falling for one another, but yet still have that innocence of young kids not knowing why they have those feelings. That could have been explored, but instead we got a weird feeling of an older kid playing with a kid much younger than him, and essentially becoming best friends, and romantically in love. It just felt weird.

2. Nubsib recognizes and knows how Gene looks like, yet Gene never knew what Nubsib looked like after growing up. That also felt weird because their parents live next to one another (even though Gene moved away, his parents didn't. And neither did Nubsib's). Their moms are best friends. I can't imagine Gene going home for holidays and not seeing pictures of Nubsib, or going over to say hello to Auntie Orn, if their families are so close. Even if Nubsib was in the USA, there would be pictures of him everywhere. It just seems a bit strange and farfetched if you ask me. Also, I know people's faces change as they grow, but not enough to where they're completely unrecognizable (without surgery of course).

3. The company forcing them to "break up" was stupid because it wasn't even a break up. They just had to avoid being seen in public. They turned it into a huge deal like they had to cut ties completely. It made no sense. Even if that were the case, Nubsib made such a strong argument throughout the whole series that he had been in love with Gene since he was a kid, and that he could not love anyone else; yet, he let Gene decide that it was best for them to separate because of the faux drama. Both families are extremely rich, both Gene and Nubsib have multiple homes. Neither of them need the careers they have chosen. So obviously, if they loved each other that much, there was no logical motivation to break up. All they had to do was give everyone in that room a middle finger, stand up, and leave. The end. I think if they were both average living people or even poor, it would have caused more tension. Then, it would have been, this is their livelihood. This is their source of income and ability to live. Without these jobs, they can't support their families, they can't live freely. And then, the responsibility to earn that money, and push aside their love for one another would have been justified.

There are many other problems with the drama, and I don't want to nitpick it to death. I think these were the major 3 things that made me think, why did no one sit down with the writer and explain a basic plot diagram? The tension in dramas don't always have to be external, frivolous, sudden, outrageous BS. As a gay man, when I watch BL dramas, the thing that pulls me in the most is the internal struggle. It's scary coming out. It's scary admitting to yourself that you might be gay. It's scary thinking that you might lose everyone around you, and that your life might disappear. Even now, as a married man, my husband and I are scared sometimes to show affection in public (we live in the CA, USA). That's because of the fear associated with coming out. These are the topics that could have been explored in much depth in this drama. We know that a majority of BL actors are straight men, to appeal to the female readers who like shipping two men together. They're straight men who although do fan service by kissing other men, or pretending to be romantically in love with their counterpart, still project straightness to garner love from women. So in a drama like Lovely Writer, that was supposed to shed light on the problems within the BL community, they could have explored something as simple as, having a fear of really coming out and being a BL actor. There aren't that many openly gay BL Thai actors. (I'm not saying they need to come out if they are, but my point being that some people are still afraid of public perception). That could have been an internal struggle for Nubsib. Instead, we got a confident gay. Which is fine, but what happens is there was just no tension. Let's compare it to "I Told Sunset about You" where the main character Teh, is constantly struggling to acknowledge his true feelings.

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Honestly It's NOT THAT BAD

People tend to read a lot of reviews and had a lot of judgement even before watching a show. But honestly this show is pretty good. Not to 10/10 kind of good but definitely deserve at least an 8/10.

To be honest, I got affected a little by knowing they had a lot of controversies after airing the first two episodes which I think it's pretty sad for them to have such an unlucky start because honestly it deserves a better rating.

For those who were saying that JCW doesn't shine in this show, it's pretty wrong. I personally think he doesn't have the need to receive cool hero roles like Healer, Baek Dong Soo or K2 in order to shine; which he really shows his good acting here as well, alongside with Kim Yoo Jung. I'm always very impressed how she captures a lot of details while acting, every expression of hers are telling a story, honestly one of the actress who presented very natural and good acting skills despite being young.

Let's talk about story, simple yet entertaining. It gives you a great laugh time to time. It might not have a big WOW storyline but it was better than a normal story too. For those who think it is super boring, trust me, there are much more worse ones out there. But standing in an objective perspective, if you hardly know any of them or don't like the casts, you might not be able to watch to the end. Because I love the two main casts and I was waiting for the couple to get together so as long as there's a reason to watch then it's worth watching! The two main leads are pretty cute, and when both of them smiled together, the visuals just exploded hahaha! I believe the kiss scenes were being cut because of the controvery, that's a shame. That's why I think this drama is basically just unlucky but it's not bad!

Side note: I really enjoyed The Fiery Priest characters coming out here and there, so for those who haven't watch it you must be wondering who are those people, you have to watch that too as it is the same director!
No wonder I've been sensing a strong "fiery priest comedy" from the very first episode😂

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Refreshing and Must Watch 2025

I found this drama to be different from the others. When it premiered on December 28, 2024, I was so excited, and sure enough, from the very first episode, it had me laughing out loud. Dylan, as Xu Qi An, nailed the role, and I believe this role was made for him. Some scenes where they were laughing felt so natural and real, almost as if they weren’t acting at all. Every day, I eagerly look forward to each new episode of this drama.

As the episodes progress, the storyline becomes increasingly intricate and thrilling. The CGI, along with several scenes set in the mountains and deserts, showcases breathtakingly real landscapes, not CGI, and they’re stunning. This drama truly has outstanding visuals, making it feel like watching a movie. The opening song is also a perfect match, even though it’s the first time a Chinese drama in the Wuxia genre uses a rap-style opening song.

All the cast members are incredible, giving their absolute best. I’m thrilled that Dylan took on a different role and expanded his acting range. He is so natural in the comedy scenes too.

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THE WAY 2 MY HEART

I usually never write these things but the way this drama has me on a chokehold I couldn't resist. I have always been a fan of lusi, and her extravagant acting but the way she expresses the character in this drama just shows you what an amazing actress she is. Waiting for one episode a day is really so annoying but this drama is really worth it.

I have seen a lot of TikTok taking about their age gap and how that is a problem, I just want to say 5 years is not even a big age gap. And second he doesn't even fall for her until she is fully grown which someone are saying - maybe he was waiting for her - as you can see in the first 8 episode he fully treats her as a little sister and nothing else. Even when he sees her 2 years later he still calls her a kid as if nothings changed which in his mind he still thinks of her as the shy little girl he used to tutor nothing more. But anyways I just want to say people need to stop being biased and unfair.

AFTER EVERY DRAMA I HAVE WATCH THIS HAS BEEN THE MOST THRILLING ONE AND THE WAIT IS KILLING ME - DONT FORGET TO RATE <3

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If you are studying Japanese language or culture, this is the drama for you. I say that because not only is it an engaging story with well-developed characters and talented actors anyone could appreciate, or because of the piles of references to Japanese pop culture and television, but because this drama does something not many others do -- challenge.

"We Married for Job" paints some of the most prominent recent Japanese cultural phenomena including soushokukeidanshi (herbivore men) and bankon (getting married later in life) as well as older examples such as the role of women and men, the value/happiness of housewives, perception of homosexuality, oyakoukou (filial piety), work dynamics, collectivism and the stress of shuushoku katsudou ("job hunting") among others.
The most striking thing as a student would most definitely be "experiencing" those phenomena. No matter how much one reads or researches, the 'click' moment didn't come to me until watching this drama. Until now, herbivore men had been a mere concept - a niche group of strange men no-one knew about. After Hoshino Gen's endearing performance, however, I felt myself relate and connect to a lifestyle I always found myself unable to picture. More than anything, it was a refreshing take on Japanese society - the good, the bad and the ugly - that doesn't ever really get shown on television in a non-condescending way.

'Nigeru wa haji da ga yaku ni tatsu' not only depicts Japanese society freshly and without disdain, but challenges the everyday thoughts, relationship dynamics and ideals of the Japanese. A moment that particularly stood out for me was in episode one, when the character of Moriyama Mikuri contemplates the worth of housework as an occupation, and how her changing opinion on the monetary and meaningful value of housework changes in further episodes. Another particularly notable example for me was the character of Tsuzaki Hiramasa's ideas about homosexuals and how they change in a brief conversation. Most of all, the drama in essence, had the purpose of challenging traditional and changing ideas of "love". Marriage without love, love with someone you can't marry, the lines and blurs between relationships and the beautiful sentiment of loving ourselves, and allowing ourselves to love others.

As for the drama technically speaking:
CAST
Lovely cast fully of well-known and lesser-known professionals, who provided a diverse range of looks and personality to the show. I had high hopes for Hoshino Gen, and he really delivered in my opinion. Aragaki Yui is just as lovely as ever and never fails to impress. The side characters were also extremely impressive, though I won't delve into it.

SOUNDTRACK
I won't even touch Koi (the ending title, Love) because I think it speaks for itself. The rest of the soundtrack did however put me off a little. It was quite typical of a Japanese drama, which was relatively welcome, but the repetitious backtracks and instrumentals always turn me off a bit. It was no means bad though, and well used -- never a classic "where's the music??" realisation moment.

CINEMATOGRAPHY
Loved it. I'm no expert, but the TV-themed cuts were absolutely hilarious and really well shot as well. You really do notice a difference between drama and the other TV styles it depicts. I also thought the "hanky-panky" (as the subtitlers opted for) was interesting and rather cute. Nothing ever sore to the eye.


I really do love this drama - it is definitely one of the best I have seen objectively. I have my own tastes and favourites, but in terms of quality and just likeability as a drama, I really can't fault it. Anyone who is interested in watching it - try reading a little deeper and you won't be disappointed.

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