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1This review may contain spoilers
Romeo and Juliet.. But The Tortured and Murderous Kind..
First things first, this is not an easy watch.. It’s honestly an unpleasant drama to get through.. A lot of what happens here hurts you, breaks you and makes you want to break into the screen and take matters into your own hands.. Had I Not Seen the Sun embodies what a drama exists for, not just to tell a story but to immerse the audience completely.. The drama doesn’t try to entertain.. It just deeply affects us, shaking, frightening, unsettling, disturbing and jolting us.. It makes you feel the weight of what’s happening, not as fiction but as something real and close and that emotional discomfort is what the drama uses so effectively.. Simply put, Had I Not Seen the Sun has the power to shake you up, terrify you and leave you in a bewildered daze by the time it ends..The director doesn’t soften any harsh realities, violence, cruelty, moral decay.. The drama is honest and in some ways even nihilistic.. It reveals the ugly, disturbing aspects of its subject matter in a sharp, precise way..
There is a lot to talk about here, but I will try to keep it simple.. The whole story unravels in the best possible way, starting with a gripping first episode which is intriguing, sharp and setting up the psychological thriller vibe perfectly.. The drama has a lot of little details in the present timeline about Chou Pin Yu that you might miss if you are not paying close attention, the mirror, the bag, the phone in the first episode, for example.. All of it quietly hints that everything is not as it seems..
I liked how the story shifted between the present and the past and that transition from past to present in Episode 2 was just wow.. The screenplay is ambitious in its framework.. It’s not just a serial killer story, but a character driven tragedy with real psychological depth and a touch of tragic romance.. I also loved the moth-butterfly-sun metaphor, especially the way the drama shows Li Jen Yao as the moth drawn to Chiang Hsiao Tung, his sun.. And Chou Pin Yu’s hallucinations are equally intriguing, they almost give the drama a supernatural feel even though it’s all happening in her mind..
The cast was actually perfect.. Tseng Ching Hua was just outstanding, his expressions, his presence and that calm menace, it was all so eerie.. Moon Lee as Chiang Hsiao Tung was the emotional core of the story and she was painfully convincing.. Chiang Chi as Chou Pin Yu didn’t get a lot of screen time.. Her performance was intriguing enough that it actually made me even more excited to see what she will do in the next part..
The cinematography is beautiful, in the most absolute sense of the word.. It has some seriously good visuals and color tones.. And the framing, the symmetry, was well structured and looks great on screen... And credit to the OST too, the music played such a huge part in setting the vibe..
One small detail bothered me.. Someone that meticulous, someone who didn’t want the FL linked to his crimes in any way, somehow left that one photo lying around?? That should have been the first thing he destroyed, I wonder why he missed that..
Overall, Had I Not Seen the Sun is a seriously good drama that you just can’t overlook, with a cinematic level of screenplay and storytelling.. It’s not an easy watch in any sense.. But if a drama can pull such an overwhelming reaction out of you, then it’s doing something right, isn’t it?? I actually thought these 10 episodes might feel draggy somewhere in the middle because there’s a Part 2 coming.. But not at all.. It’s very well paced and not bloated in any way..
Part 2 is where all the revenge is.. Hope they don't hold back and go all in, brutal, bloody and unapologetic.. There are still so many unanswered questions.. What’s the real identity of Pin Yu?? I thought she was the FL but then who is the girl at the end?? Ko Chia Yen’s character?? If she is the FL, then having three different faces for the same person feels a bit too much.. But I do have a few other guesses.. Let’s see.. Either way I am excitedly waiting for Part 2 and hoping it ends on a harsh, bloody note.. And yeah, I don’t want to debate whether his actions were right or wrong, they were scum, rotten to the core, they had it coming, every last bit of it..
I am expecting a stripped down, bare bones, no nonsense, brutal revenge story for Part 2..
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Love is a many splendored thing.
A Dream of Splendor has rocked the staid, tired, cliché infested Chinese period drama world. It is an alluring adult romance that has set the internet on fire. It is a powerful and exhilarating story about downtrodden women who work together to stand up against feudal society. Written and directed by women, it is a story about how women survive, thrive, bond and love. The production values are astonishing, with meticulous attention to detail and appreciation for history and culture.This story is about the plight of fallen women or jian ji 贱籍 during Northern Song Dynasty. Jian ji are pariahs or outcasts; people who exist outside of the four social classes of scholars, farmers, workers and merchants and are practically slaves, beggars, prostitutes, actors, musicians or fallen people below commoner status. This status is passed from generation to generation and cannot be easily changed and the women are not considered suitable for marriage into gentry other than as concubines. Promising beauties like Zhao Pan'er and Song Yinzhang are trained from a young age in the fine arts and performance to potentially become renown entertainers to the imperial court. Too often, like Zhang Haohao they become courtesans who flourish at the most elite levels of society and are almost indistinguishable from upper class women. Many hope to marry their patrons and leave this existence behind them. This explains both Pan'er and Yinzhang's insecurities and their strong desire to shed the taint of the jian ji 贱籍 status.
The drama was mocked for its preoccupation with chastity which does not fit in with the societal norms of the day. In Guan Hanqing's famous original zaju 杂剧 or Yuan opera 赵盼儿风月救风尘 (Zhao Pan'er Flirts to Save A Harlot), both Panér and Yinzhang are courtesans. Guan Hanqing's works are known for championing the oppressed and courtesans were historically viewed sympathetically. The grace, beauty and education of legendary courtesans is often celebrated in Chinese vernacular literature. The production decided however, that Chinese audiences would not be receptive to a Song dynasty version of Pretty Woman. While some may feel this does not respect the original works, it is not important. The drama adaptation in its entirety is far from prudish and remains faithful to the spirit of the play in its criticism of the hypocrisy of traditional morality. That is all that really matters.
After crushing personal setbacks, Zhao Pan'er, Sun Sanniang and Song Yinzhang make a fresh start in the capital Kaifeng. They are bonded by the hardships they endure due to their low social status. They are realistic characters with flaws aplenty who make mistakes with consequences. They don't always agree and when they fight, they can be woman style mean to each other. Pan'er is a talented performer and a connoisseur of tea, tea art and famous paintings. Despite her serene demeanor, she has her own insecurities but is determined to leave her painful past to become an independent and capable business woman. She won't be bullied, is vengeful and does not hesitate to seek legal redress for injustices.
Pan'er is overprotective of the immature and temperamental Yinzhang, a rare and talented pipa player whose ability is only exceeded by her arrogance and desperation to escape her low status. Together with the feisty and loyal Sanniang, a fantastic cook and pastry chef, the three friends start a teahouse with their pooled resources and combined abilities. On the way to Kaifeng, Pan'er clashes with the Living Devil Gu Qianfan, commander of the powerful and secretive Capital Security Office and all kinds of sparks fly. Liu Yifei and Chen Xiao are the stars of the show with their thrilling, combustive chemistry and screen presence. Both actors have matured considerably and it is fair to say Zhao Pan'er and Gu Qianfan are their best roles to date respectively. Even though Yinzhang is the character that shows the most growth, Lin Yun's portrayal lacks complexity and is not empathetic. It is the weakest link among the main cast. Liu Yan's Sanniang saves the day as the best friend everyone needs with her wonderful mixture of comedic belligerence, endurance and wisdom.
This drama's greatest attraction and also its greatest drawback is the incomparable romance between Zhao Panér and Gu Qianfan. The fervent, ardent chemistry between Liu Yifei and Chen Xiao has me grinning like a giddy, lovesick fool every time they light up the screen. I love how Chen Xiao communicates passion with heat in his eyes and how his expression can suddenly turn from guarded to vulnerable to hopelessly smitten. I leapt up from my sofa and yelled "liar, LIAR" at him in the very first episode when Gu Qianfan claimed not to find Panér beautiful even as his eyes oozed with pure male appreciation. Liu Yifei's Panér is such an exquisite and feminine foil for his masculinity that it is just entrancing to watch their courtship as it evolves subtly from friction to unwelcome attraction as she slowly beguiles him with her grace, independence and soft-spoken sincerity. Yang Yang is a phenomenal director whose gorgeous and intimate camera angles enhances the thrill of their budding romance and build up in passion to the point there are moments I feel like I am invading their privacy. The drawback of course is that the story is much bigger than the love story which is too engrossing and spectacular. All the other plot threads pale in comparison.
At the point I am in serious danger of diabetes from the sugar highs, Pan'er's and Qianfan's romance gets put on ice for a number of episodes for a flimsily crafted misunderstanding. I am less dismayed than most by it, because I like to see a relationship tested for duration by challenges. While their conflict could be better conceived, the writer has fewer degrees of freedom to work with because the plot is embedded within true events and historical figures of the day. This won the praise of many history buffs who got a huge kick out of deciphering who's who and which events, as was analyzed in detail by other viewers such as @CloudA. Panér's heartbroken but enlightened insight that her father fully knew well the consequences of his actions but chose to do so anyway is a resonating fresh twist out of a tired trope. Despite their hiccup, the couple remains honest with each other about their fears and have realistic expectations that it may not be smooth sailing all the way. Du Changfeng and Sanniang's story is charming and heart warming while Chen Lian and Zhaodi's is more youthful and high spirited. I have high hopes that both Yinzhang and Chi Pan will find happiness down the road.
The digression from the main romance plot makes way for the women's story to be properly told, for their bond to mature and for them rescue each other and themselves; to be mistresses of their own destiny. The debut of their fabulous Yong'an Restaurant showcases their combined business sense, artistry and ability to innovate and is for me is the highlight of the drama. Pan'er's riveting tea art performance at the beginning is eclipsed by the extravagant and absolutely decadent dinner performance where famous paintings came vividly to life. I love how spectacularly it involves most of the supporting cast. Both the cheeky He Si and Chi Pan made me laugh and the women looked stunning. It is analogous to how this production breathes life into the famous historical works of art and literature that inspired this story.
For me, the comedy mostly misses the mark. I find Guan Yunping's (Chen Lian) more subtly hilarious brand of humor more appealing than Dai Xu's (Chi Pan) more slapstick and exaggerated approach. The actor tones it down nicely in the second half and manages make me laugh and impresses me with his acting but unfortunately that is where the plot loses momentum. This is somewhat forgivable since it is more of a character story but nonetheless they should have kept things simpler. The political aspects of the conspiracy to disgrace the empress becomes overly convoluted and leaves loose threads. Even though Ouyang Xu's final confrontation with Pan'er is well acted and satisfying, he becomes the embodiment of too many bad men and love to hate stereotypes. The interpretation of Empress Liu-E, a brilliant and powerful historical figure as a woman pushed to try to conceal her humble origins is fascinating and aligns well with the dramas feminist theme. It is well known the Emperor was aware of her background and did not care. Theirs was surely another splendid love story for the ages.
Pan'er and Qianfan's addictive chemistry and their story convinces that love is a many splendored thing. They are certainly bound for the Drama Couple Hall of Fame. Despite the disappointment in plot, which is at best worth an 8.5, I am compelled to rate this a 9.0 for the romance and for getting the important things right including the empowering themes, the originality and the director's magnificent and distinctive visual composition style.
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If you want lots of drama, love triangles or misunderstandings that drag too long... look elsewhere.
If I had to use three words to describe this drama they would be soft, fluffy and heartwarming. It falls into a very well known category, which is Coming Of Age School Drama, but unlike so many others before it, it does not care to create unnecessary plots where our leads suffer too much in their relationship (by breaking up out of nowhere, for example) or act stupidly for the sake of creating conflict; one of its greatest strengths is that characters trust each other and as a result, they won't blindly believe what outside forces try to convince them of when it comes to one another, which is something that happens way too often in dramas like this one.Are there misunderstandings? Of course, but misunderstandings *are* a part of life and having them in small quantities in dramas and done realistically adds to them, and When I Fly Towards you manages to sprinkle them in a way that feels organic enough that you believe it could easily happen in real life.
This drama is something to watch when you need something cute and uplifting with the certainty that good things will keep happening as you watch and problems will be solved. It's comforting and wholesome, and manages to be those things without its characters leaning too much into being cheesy, corny or cringeworthy. An amazing feat, without a doubt.
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The One True King.
This drama packs a powerful punch from the very first episode with frighteningly intense fight scenes that had me flinching at every viciously lethal sword stroke throughout. The dark and intriguing wuxia plot is like an addictive, multi-dimensional jigsaw puzzle that brilliantly seduces with a mysterious backstory and shadowy motives of the key actors. This is a very intelligently written drama that will appeal to engaged viewers who enjoy pulling at threads until all is revealed.Be warned - there may be mild spoilers ahead although I will steer clear of major spoilers.
Wen Siyuan, the suzerain of the information broker Shanshui sect is tasked by a gifted itinerant doctor Zuo Qingci to help recover a stolen defense map that was entrusted to marquis Yan. They enlist master thief Su Yunluo/Fei Kouer and the two top disciples of the powerful Zhengyang sect (Yin Changge and Chen Manqing) to aid them in this dangerous quest. It turns out to be a bonding adventure for them that results in a friendship and trust that can prevail over existing loyalties and conflicting agendas. It also drags them into a battle for the throne and reveals secrets relating to a decade old conspiracy involving their elders.
From the start, that GOT callousness of characters dying at the roll of a dice probably made me protect my heart from caring too much about any of the main characters or couples. My favorite characters are the more peripheral ones - the Ghost Boy and the One True King. All of the characters in this drama are flawed and make mistakes. While Qingci and Yunluo are clearly the leads, there are many important, well developed and well acted roles. Our leads are both single minded to the point of obsession in their goals; Yunluo in a decade long quest to heal her shifu and Qingci initially with Yunluo and later on, with revenge. While I did not enjoy the obligatory angst, the overall progression of this relationship from an unhealthy adolescent infatuation to a mature and sustainable one was well done. Both young actors are charismatic and convincing but it is Zhou Tingwei's enigmatic Wen Siyuan that steals my heart and anchors the entire cast. Romance is not this drama's strongest point but the one between Siyuan and Manqing is sophisticated, witty and laced with just the right amount of spice to make the sparks really fly. The women are strong and independent and have their own agendas that can be higher priorities than love so they don't just meekly fall in with their men's plans. Best of all, they don't bore me with any high pitched squealing. The bro-mance between Changge and Zhuyuan is also very enjoyable although I don't love where the the story goes for both characters.
The real hook of this largely plot driven drama besides the satisfyingly bloodthirsty action is discovering hidden identities, motives and secrets, understanding Qingci's ruthless strategies and his end game and how he adapts when things don't go completely to plan. Which happens A LOT. Because the villains are just that cunning and that much more powerful that sometimes they win. The way tension and suspense is built in this drama is really masterful but can induce stress. The story is brilliantly written but unfortunately flaws and plot holes emerge towards the end. The first arc is really exceptional on all fronts but the excitement and ruthless brutality peaks there although the story continues to be absolutely riveting. From ~ episode 30, the story succumbs to crowd pleasing but unnecessary romantic tropes, some gratuitous deaths and imminent tragedies. While it builds to another climax the ending was only just satisfactory and did not meet my admittedly high expectations. There were too many holes and they unnecessarily wrote themselves into a certain outcome that they did not dare to follow through on with the same characteristic cruelty of the earlier arcs. I am left wondering if their quest was ultimately futile and if the high cost of revenge can be considered justice. To me, the true unsung hero of this story is the One True King who is willing to sacrifice for peace but is not king in name. This is the character that moved me the most. Does the legend of such a noble king make this a very dark wuxia or one that is bathed in bright light?
This is the most awesome wuxia of 2020, flaws and all. I initially considered it a 9.0 due to my high personal enjoyment but objectively 8.5 is more than fair given the messy ending.
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This review may contain spoilers
I understand why people are upset by this movie!But I don’t agree!
Here’s the thing. They didn’t have any sexual feeling for each other in the second half of the movie. They died together so they could be reincarnated “together” so there would be no age gap and hopeful no gender gap either! Phop is gay that is why he and his wife didn’t have any kids there was no sexual love there only the love of friends. He never saw liu sexually he just saw dew in her body! You could tell by the way he looked at her there was never desire is his eyes only guilt, longing, and happiness! I think it was a beautiful ending! There was never going to happiness for them in this life so they chose the next! Your look at the movie wrong. Liu already knew and proved that rebirth and reincarnation were real and Phop proved that they could find each other even in different bodies, so they had nothing left to lose! Remember they are Thai which most are Buddhist not Christian. Suicide doesn’t have the same consequences in Buddhism. Focus on the LOVE in this movie not societies views on what is right and what is wrong. That’s exactly what broke them apart in the first half of the movie!
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I seldom write reviews for dramas, but I felt that this drama was worth my time to recommend it to others. Frankly, I went into this drama without high expectations because the plot summary sounded a bit funny at first. However, this drama proved me wrong and turned out to be one of the best rom-coms I have ever watched. I found myself waiting desperately for each Wednesday and Thursday to come, so that I could immediately tune in for the latest episode. And, more so, I found myself laughing and crying along with the characters.
This is a drama for people who like simple romance, without much salt and pepper, just pure unsophisticated interactions between two individuals in their home space as they gradually fall in love. This is also a drama for people who like to focus on main leads and don’t care much about side characters and their subplots, because all the side characters in this drama are purely for the development of the leads.
Story 8.5/10
The story is about a man called Kim Min Kyu (Yoo Seung Ho) who, due to childhood trauma, developed a rare illness that causes him to be allergic to humans (as in REAL skin allergy!) and he has since then lived all by himself for 15 years. Doctor Hong Baek Gyun (Uhm Ki Joon) gets Min Kyu to test out his newly invented robot, but due to unexpected circumstances, Jo Ji Ah (Chae Soo Bin) was sent in in place of the robot, and there begins their cohabitation life where Min Kyu slowly opens his heart and learns to trust people again. The story focuses on the two main leads and their daily interactions, keeping the story simple and linear. However, that does not make it boring, as seeing their relationship grow in real time was what I enjoyed most in the process. AND THEY WERE JUST TOO CUTE. Although this is a rom-com, it does have a melo downturn in the second half, so be prepared for some angst.
The reason why I deducted marks from the story, is because the pacing was a bit off in the last several episodes. Sometimes they would deliberately drag the plot for an episode to end in a cliffhanger. This took a toll on the plot development, causing the ending to be too rushed because there were many things left to resolve. However, the chemistry between the characters will still keep you anticipating for the next episode.
The story is not without clichés or plotholes, and while you may judge the realisticity of the story by asking “hey, how is it possible for him to not know how to distinguish between robot and human??”, I would say it depends on what you expect from watching this drama. Since this is a sci-fi/fantasy rom-com, its main goal is to present a funny, light-hearted story that does not necessarily have to follow the principles of reality, as long as it is internally consistent and effectively delivers what it wants to deliver. And I think this drama did an excellent job at telling a beautiful story about how bonds are formed, and how love could make you recognize a person’s soul no matter how they may change. As long as you overlook the basic assumptions that the story is founded upon, it is an enjoyable story.
Cast 10/10
Cast was well chosen and fit their roles A LOT – one of the major reasons this drama was well-received is because of the likable cast that keeps us wanting for more.
First of all, Yoo Seung Ho gave a stellar performance as usual. When he cries, you just can’t help but want to cry with him. His emotions felt so genuine and real, that his agony transcended through the screen. From happiness, to disbelief, and ultimately to despair, the transition of his feelings was like that of a real person. Imo, he delivered well the struggles and inner conflict of a character who fell in love with a robot.
Chae Soo Bin’s doll-like appearance and figure makes for a believable robot, and she did an amazing job portraying three personalities (a human, a robot, and a human pretending to be a robot) and they all feel different. On top of that, she had amazing chemistry with Seung Ho. Their adorable interactions were a major leverage to the story, and I don’t think any other pair would have spiked the same type of cuteness-overloaded, star-struck chemistry as they did.
I loved how the Santa Maria research team and the leads were like a real family that cared for each other wholeheartedly. Every member had distinct personalities that made them memorable. As for the villains, they were mainly there to establish the bond between the two leads (and to showcase Aji 3’s intelligence). I was looking forward to the push-pull brotherhood tension between Min Kyu and Yoo Cheol, but sadly it wasn’t developed. I wish the love lines of the side characters were talked about more as well.
Overall, the characters could have been explored in more detail, but since I happen to not be the type of audience who likes side characters and side stories, I am already satisfied enough with my devotion to the two leads. In terms of casting, they all fit their roles very well and I will always remember them as these roles.
Message 10/10
I liked how they made a contrast between characters who think using logic (i.e. the scientists, Aji 3) and characters who think using feelings (i.e. Ji Ah). it shows that emotional intelligence is also a type of intelligence and, although it is often left unseen, it is a quality that’s not inferior to logic. The deeper message – human emotions is something that cannot be mimicked using logic, it is something that can only be felt by humans.
I would say the main selling point of this drama is the sincerity of emotions that the characters share and the heartwarming message. I was definitely touched by the genuine emotions of Ji Ah. She made me understand that sometimes things don’t have to be practical or logical to be meaningful. It’s the heart of a human that makes them transcend robots, and the heart of a human that can make a seemingly useless object become meaningful.
OST 8/10
There’s not much to say about the OST. All the songs match well with the sweet atmosphere of the drama.
Overall 9/10
I can’t say this drama has the best plot, but the chemistry between the characters and the heartfelt messages made up for it. Overall, it’s a drama with sincere characters that are able to touch people’s hearts using their dialogue. The chemistry, characters, atmosphere, and Yoo Seung Ho’s expressive acting have made it work.
It’s been a long time since I’ve been so invested in a drama. This drama reminds me of why I started liking Korean dramas, and I’m certainly glad I didn’t judge a book by its cover and gave it a try. This is one of the dramas that I will always remember even after a long time. It has a special place in my heart.
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This review may contain spoilers
YOU HAVE TO WATCH IT BUT FIRST...
Despite what others think, I loved the drama. I'm sincerely so tired of how dramas usually start with the guy being ruthless at first then you never get to see his ruthlessness once he gets together with the girl. But this drama? It's consistent.The intense male lead is what first made me interested in My Lethal Man, but as you watch it, you'll realize how perfect the girl is. I understand how most people couldn't wrap their minds with the idea that the girl looks exactly like the male lead's sister. To be honest, I had the same feelings at first. However, when you come to realize that they have been apart for 17 years without contact, you'll start to be more accepting towards the plot. You'll realize that yes, the guy indeed loves his sister with all his heart, however, he loves the idea of his sister when she was younger. He doesn't have any attachment to his sister's face or the way she looks now that they're older because he didn't spend his years growing up with her.
In terms for romance, this is where you'll see how the girl proactively fights for their love. She was the first one to confess, and at every point, she was unafraid to show her true feelings. When she says "I love you", she always follows up with the question, "Do you love me too?" (not in a pitiful and pathetic way but in a light-hearted way). With a keen eye, you'll notice how the guy is always the one who gets the better end in their relationship especially with how chivalrous the GIRL is- her always telling the guy she'll protect him, her willingness to accept the blame, her picking him up from work, her kissing his hand, and other details. You'll realize how the guy is always the one who feels giddy and kilig. The girl literally is his home.
Acting: Tbh, I think the guy effin' carried (not that the female lead didn't do well, she perfectly played her part too). I love how lethal and deadly he looks in most scenes. One thing you must take note of is his hair. You'll notice how the scene would play out with his hair and this little detail just the drama more enjoyable. Hint: hair when he's with the girl, and hair when he's going to the office or when he's on an errand alone.
Honestly, amazing directing. I love how when the male lead feels vulnerable, you don't see it right away, but you see it with the way he acts- through the way he slightly bends to hide his face in the girls neck to how he sits down on the floor to signify just how low he's become (or feeling).
Tbh, I loved the drama. It was a good one, but I hate how sometimes, I couldn't see the emotion on their faces due to the whitening filter. When shots are taken from afar, I can see how amazing the actors and actresses convey their emotions but during close up shots, I could't even see how the tears falls down their faces (sometimes, it just seemed as though they were trying to cry without the tears which makes it a bit funny). Oh how I could only wish Chinese productions won't feel the need to whitewash their actors anymore.
Hope to see more dramas like this😭
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ROMANCE not bromance.
This is gay. ෆIm not joking, this show is more flaming than a pride parade float lmao.
This masterpiece of chaotic gay tension masquerading as a school drama has no business being as homoerotic as it is. I watched it expecting a fun, angsty teen soap and ended up screaming at my screen like it owed me emotional reparations ffs.
So we have Saint and Shin, two former besties turned raging enemies forced back into each other’s lives when their schools merge. Saint, the cold, stonefaced heartbreaker who apparently majored in being dead inside spends his days ignoring everyone like he is allergic to eye contact. And then there is Shin ♡ bless his hot-tempered, heart-on-sleeve self, who is ready to blow a gasket every time Saint so much as breathes in his direction.
I am telling ya'll, THE TENSION between these two could power the national grid. Every time I watched them on screen together, I felt like I was committing a fucking crime because the way they look at each other is illegal in at least 23 countries I'm not even joking. Shakespeare himself would be clutching his pearls.
Also the flashbacks are so sadistic because they just drip with the bittersweet remnants of a beautiful friendship and they give you just enough “we were once so happy” moments to leave you screaming at the screen, "JUST TELL ME WHAT WENT WRONG!" And when the big reveal finally drops...well no spoilers but let’s just say Saint didn’t exactly follow the friendship handbook.
And the acting is also so DAMN good. Their scenes have me convinced they are soulmates in some alternate universe or possibly in THIS one because they are fooling exactly no one.
My only regret is that these two didn’t get thrown into an actual BL because they are serving LOVERS so hard. They are giving us slow burn. They are giving us tortured yearning. They are giving us “I’d rather stab myself than admit I love you but oh god I love you so much”. Honestly, Saint and Shin have more chemistry in one glare than half the official BL couples out there. No shade GMMTV, but shade.
Side note: shoutout to Mark's character, who has autism and brings some genuinely refreshing and much-needed representation. He is so fucking precious, authentic and provides a nice breather from the on-screen storm that is Saint and Shin’s "friendship" crisis. NGL Mark is probably the only sane one here, while everyone else is busy having emotional stare-downs or fighting.
So, to sum it up: High School Frenemy is the most non-BL, BL series that ever non-BLed. It’s filled with emotions, teenage angst, broken limbs, unresolved sexual tension and enough romantic subtext to sink the Titanic. You will laugh, you will cry and you will absolutely scream at the screen, “JUST KISS ALREADY!” ♡
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In the first two episodes alone there was cute singing, face slapping, sexy times, and a hit and run that turned into a murder. The crazy doesn’t end there though…it just keeps going and going. At one point a character does a work out montage and emerges as…a whole different actor. No wonder no one recognizes him. People die…but then turn out to have faked their death or have been put in a mental institution. It is just a bucket full of delightful craziness.
The very best part of this drama though, is the Emperor. Shin Sung Rok is a remarkable actor. I came to this drama for Jang Na Ra and Choi Jin Hyuk together again. I loved them in Fated to Love You and was so excited to see them both as leads in the same drama. But to be honest, I can understand why some people are not loving them in this drama. Choi Jin Hyuk’s character is as dry as burnt toast. But I really don’t think the actor is to blame for that. However, the Emperor could have easily been a horrible character if it had been played by anyone else. If you were just blindly reading the script, you would hate his character. But because of Shin Sung Rok’s skills and his facial expressions, you come to care for this admittedly horrible murderer. Like he has murdered multiple people and doesn’t even think he was wrong in doing it, and still you find yourself saying…he isn’t THAT bad… To be fair at least two of the people he murdered weren’t entirely his fault, nor was he the only murderer in those cases. And there I go defending the guy! You see what a good job Shin Sung Rok has done to convince me of this?!
In conclusion, I say you should definitely give this drama a try. If you aren’t mildly addicted by episode 2, then this probably isn’t the drama for you. Personally, I watched the first 17 episodes in one sitting before I realized I had spent the whole day watching kdramas. Not that I have any regrets about that. I have loved every second of this crazy crack drama. If you are looking for a serious, revenge drama…this is NOT the drama for you. Go watch City Hunter or maybe The Lookout. This drama is silly even when it is being serious. So come here if you are looking for your next dose of crazy!
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If you are searching for a light but simply addicting drama, you should pick Long Vacation. The story may began just like the other 'living under the same roof' dramas, but the setting is on 1996 so it was different from other recent dramas. No handphones or emails, so it was more about the characters dealing with themselves regarding their feelings. The simple twist at the end of every episode will keep you want to know more about what will happened next. And the ending is simply beautiful.
The chemistry between the main couple really worked out, it was fun to see them together. Kimura Takuya is as excellent as ever and Yamaguchi Tomoko did a very nice job playing a miserable 31 years old woman. The other casts are also awesome, I didn't find any of them annoying.
The soundtrack is also one of the winning factor for this drama. The opening theme is still one of my favorite song up until this moment (and I always sing it whenever I went for a karaoke) plus all the music pieces they chose for this drama is awesome.
Even though this drama is quite old, it will remain evergreen in my heart. Try watching this drama, you are not going to be disappointed.
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Unbelieveable!「不敢相信!」
A sincere-introspective-queer-supernatural-action-comedy movie sounds like a mishmash recipe for disaster. However, in director Cheng Wei Hao's deft hands, he is able to command these genres effortlessly. With no one genre overpowering the other, each transitioning into another seamlessly and blending beautifully. Thus, culminating into a film that is greater than the sum of its parts.Wu Ming Han, Greg Hsu, is your typical homophobic chauvinistic CisHet male police officer who believes he is God's gift to mankind. After messing up a high speed chase with a member of a drug cartel, he is assigned the task of collecting all the debris from the car chase. He mistakenly picks up a red envelope, and a chill runs down his spine when he realizes it's an arrangement for a ghost marriage. To make matters worse his ghost spouse, Mao Bang Yu (Mao Mao), is a gay man.
Mao Mao, Austin Lin, was killed late one night in a hit and run incident. His loving and supportive Amah didn't want him to be lonely in the afterlife, hence creating the red envelope for him. After Wu Ming Han performs the marriage, Mao Mao reveals to his husband that he is unable to reincarnate until all his affairs from this life are settled. The driver from his hit and run incident was never apprehended, and he demands Wu Ming Han find the driver that killed him.
Well, what's a crime film with out its action sequences? "Marry My Dead Body" ticks off all the must haves: high speed car chase-check, stand off gun fight between police officers and the drug cartel-check, main character in a hand to hand fight sequence-check. But all these standard actions sequences have a bit of a cheeky twist, which are played for thrills as well as laughs.
Speaking of laughs, the humor of this film works on so many levels. Wu Ming Han is the straight man in both his sexuality and as well as being the comedic straight man. Forever the foil to all the shenanigans, but without him all the comedic elements would fall apart. Some of the best bits from the film are references to specific Taiwanese colloquialisms, culture, and queer culture. My personal favorite is a throw away joke when Wu Ming Han recites his badge number. The comedy in this film never talks downs to its audience by going for the easy joke.
Come for the comedy, but stay for a gut punch to the feels. Both leads go on a reluctant journey of self-reflection. Wu Ming Han to see others and a world beyond himself and Mao Mao must face the rift between him and his father. Both of their personal journeys come crashing to a head in the climactic scene between Wu Ming Han, Mao Mao, and Mao Mao's father. All three actors deliver exceptional performances, but Greg Hsu steals the spotlight with his masterful ability to swallow his sadness through forced smiles. The movie patron who sat next to me in the theater perfectly encapsulated the experience of watching this film with "I though this was a comedy..." in between heavy sobs.
Cheng Wei Hao cleverly weaves a poignant narrative of love and acceptance under the guise of a goofy odd couple trope. With an assist from two of Taiwan's rising stars, we are able to believe the growing and maturing friendship between the two leading characters. An excellent cast of supporting actors rounds out the ensemble, with Wang Man Chiao standing out as the Amah every queer person wishes was in their life. Wang Man Chiao exemplifies how beautifully ordinary it is to love your grandchild for who they are exactly as they are. By normalizing the acceptance of queer identities, this is the exact type of positive queer representation pop culture needs. "Marry My Dead Body" is the rare comedy that will make you laugh with tears in your eyes, and leaves a lasting impression as you leave the theater.
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Fifty shades of cliche.
This drama is a dark, melodramatic blast from the past. It is fifty shades of the worst outdated bodice ripper romance cliches imaginable. Dong Tingyao is the sole survivor of her family's massacre. She suspects warlord Fang Tianyi to be the culprit and finds herself a maid in his household. The villain is obvious from the beginning but sadly our voluptuous heroine has more guts than brains and finds herself in one dicey situation after another. Fang Tianyi is the kind of alpha male hero that struts around flaunting his magnificent chest while he uses very coercive methods to seduce Tingyao. Yes, exactly the kind of story that has all but been eviscerated since the advent of feminism and political correctness decades ago. And yes, I unabashedly sucked up every ridiculous, outrageously hot but ahem,I mean totally unacceptable moment of it!The bottom line is you won't enjoy this drama if you think about it. But the leads sizzling chemistry and Fang Tianyi's hot, searing gaze and the heavy lidded way he eyeballs Tingyao is enough to make me forget to breathe, much less think. Despite the cheesy lines and some iffy costumes, the acting, especially by Dai Gaozheng is mesmerising. The melodramatic plot allowed both actors to demonstrate their ability to convey the gamut of intense emotions - love, hate, forbidden desire, fear, frustration and passion, lots and lots of passion. For the first time I really understand why these kinds of characterisations used to be so hugely popular in the past. It is a strong testament to the actors chemistry and skills that can make me look past all these out of favour tropes. Honestly if anyone in real life tries to pull a Fang Tianyi on me, he'd get a kick in the nuts that causes permanent damage. But as a fantasy guilty pleasure of a short drama (10 minute episodes), I enjoyed this immensely.
The ending was terrible but then so were so, so many other parts. Nonetheless I am peeved about it enough to give it a 7.5 instead of an 8.0. Yes I am petty that way. Still, this is a fantastic way to indulge in the occasional smoking hot guilty pleasure.
Final comment: consider stopping at ep 29 for best viewing experience.
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The Making of a Di-tective
Strange Tales of Tang Dynasty is 2022's surprise hit and a must watch for mystery wuxia buffs. Inspired by zhiguai xiaoshuo 志怪小说, this is a collection of slightly supernatural mysteries set in Tang dynasty. This form of folk literature was very popular during that period and is not limited to ghost stories but also strange or anomalous phenomena. Fifteen centuries later, these fantastical tales continues to set imaginations afire and is a well explored genre in contemporary media. Well before Tsui Hark's wildly entertaining and successful movies from 2010 onwards, Detective Dee was already by far the most ubiquitous protagonist of this genre.The Tang Code is one of Tang dynasty's great accomplishments and was the model for all future dynasty's legal codes in China and East Asia. Di Renjie was a Tang judge renown for numerous fair and impartial judgements and one of the heroes of ancient China. He twice ascended to rank of chancellor during Wu Tzetian's reign. The popularity of zhiguai xiaoshuo and this rich historical backdrop makes this period rich fodder for fantastical Di Renjie inspired ancient detective stories like this. This is set during Wu Tzetian's son Ruizong's second reign. Ruizong was a pretty useless emperor and his sister Princess Taiping was the real power behind the throne. Harboring ambitions to be another Wu Tzetian, Princess Taiping was engaged in a power struggle with crown prince Li Longji (Xuanzong). In terms of recent Tang dramas, this takes place after Luoyang and before Longest Day in Changan and The Imperial Coroner. This drama is well researched, largely respects history and is true to the societal, institutional and legal norms of the day.
The county sheriff of Chang'an, the capital city is found dead under spooky circumstances. Su Wuming, a disciple of the revered Di Renjie is summoned hastily to Changan to assume this position. His path keeps crossing with that of Lu Lingfeng, a proud and ambitious young general of the jinyiwei or imperial guards. Their relationship starts off as adversarial as Lu Lingfeng clearly resents that Di Renjie once rejected him as a disciple While not his match in rank, resources or martial arts, the crafty Su Wuming runs circles around Lu Lingfeng and manipulates him (and his resources) into aiding in his investigation. As they race to unravel their entangled cases they encounter sorcery, shape shifters and battle adversaries with unworldly powers. Inevitably a grudging mutual respect and comradeship forms between the men. While Su Wuming is clearly the master detective, Lu Lingfeng is also smart and has great instincts but is foiled by his quick rush to conclusion and lack of experience. This is not another cliched and static brains vs brawn investigative combo where the brains (Holmes, Poirot) is elevated by how dumb and naïve their sidekicks are (Watson, Hastings). This is just as much Lu Lingfeng's story as it is Su Wuming's. Under Su Wuming's discreet tutelage and hilarious machinations that fall barely short of hazing, we see the makings of a Di-tective out of Lu Lingfeng.
Lu Lingfeng''s overweening pride and arrogance would come off as off-putting if it were less charismatically portrayed by Yang Xuwen with the subtlest sense of self-awareness and irony. Although the Tang rulers made imperial exams a mandatory prerequisite, scions of noble families such as Lu Lingfeng's were able to secure coveted positions and advance on the fast track as a result of patronage. This explains why at such a young age he was a fourth rank general in the elite imperial guard. I think most don't appreciate how ignominious it is for Lu Lingfeng to accept a subordinate position to a county level official such as Su Wuming. He rolls with the punches and learns from his mistakes to discover a greater sense of accomplishment by earning his way back to the top. After a long hiatus, it is good to see Yang Xuwen come back with such a multi-faceted, well interpreted character that is arrogant and quick tempered on the outside but pragmatic and even mushy on the inside. He has amazing rapport with veteran actor Yang Zhigang who delivers a flawless depiction of the astute, seasoned detective with keen survival instincts and a slightly diabolical sense of humor.
While Su Wuming is the maestro that pulls all the threads together, the cases are tackled by a motley team of talented and engaging characters they pick up along the way. Master Fei Ji is the extraordinary doctor who sells his soul for a chicken a day, Pei Xijun is insightful beyond her invaluable photographic eye for detail while Xue Huan and Ying Tao round out the formidable martial arts team. They are all lost souls who become found family and find meaning in their work together. It is rare to see such excellent character development in this genre, which tends to be more plot heavy. The team dynamics and witty repartee is one of the most enjoyable aspects of this story. There are two romances that don't take center stage but are quite charming although the second one in particular is not necessary. This is a wonderful ensemble cast that put a lot of heart into their performances. While some of the acting lacks finesse, it is yards better than all the boring posing by overpaid and entitled idol actors that the industry keeps cramming down our throats. It is clear from the production values, the well choreographed action scenes and the CGI that the budget was spent on all the right things.
This intriguing and engaging collection of strange cases from the Tang dynasty hooked me from the start. In a year where too many high profile Chinese dramas have started strong only to fall down on plot, this drama delivers into the final mystery. There are eight cases that wander down an intriguing path of murder, mayhem and all kinds of odd happenings that pay homage to real records of such occurrences from that period. The cases are well written and littered with clues that will allow the attentive viewer to participate in the solution. The supernatural elements end up mostly but not entirely debunked, leaving a nice eerie aftertaste. To me the most frightening case is the one involving the scholar Dugu Xia (shout out to the most underrated actor Han Chengyu), where true evil is not some supernatural phenomenon but resides within man's nature. The drama finishes strongly with an excellent cold case, one that evaded Su Wuming's mentor Di Renjie. If I have one complaint, I would have liked to see the whole team crack the final case together. Instead they traded in two favorite characters for two that are introduce late in the game. I also didn't like that Su Wuming and Lu Lingfeng pursued separate leads for most of the final case although I understand that is to show Lu Lingfeng has come into his own.
I expected this low profile drama to be one of a long string of forgettable Detective Dee wanna-be dramas that is just good to pass some time. I am still rather befuddled at how enjoyable it is. It is on par with, if not slightly better than Ancient Detective, 2020's sleeper mystery wuxia hit, which I also rated 9.0. This has toppled many higher profile dramas to rank #2 on my watch list for 2022.
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Certified Immortality Clowns
I honestly thought the title "Immortality" was clever at first but little did I know it was actually a prophecy about how long we’d be waiting for this drama to air. At this point, I feel like I’ve lived three lifetimes, reincarnated twice, and still there’s no release date.The posters are gorgeous. The cast is perfect. The hype is through the roof. And then... nothing. Just radio silence, broken only by the occasional whisper of a rumor or some vague promise of “soon.” Soon? When?! Are we measuring time in centuries now?
It’s gotten to the point where I check for updates daily, WAIT no, hourly, like a lunatic. I can’t even scroll through social media without being attacked by edits, fancams,and fan theories that only fuel my obsession. I’ve rewatched the same behind the scene's so many times I could probably reenact it by memory. In full costume.
I swear, if this drama doesn’t air soon, I’m going to lose it. Forget immortality, I’ll turn into a ghost and haunt the production team until they release it.
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