If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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This movie is fucking great. I watched it twice already. Both lead characters are so amazing and talented that you could feel their emotions, happiness, sadness, or whatever feeling right in their eyes and facial expression. The storyline is super compelling. It's a kind of story that stays with you and makes you think of it even after coming out of the cinema hall for days. Despite that violence and bully, the little love between the main leads makes me feel so warm and touched. Main leads did not talk much in the movie, but they communicate through their eyes and their expressions are damn amazing.
To sum up, the story, the actors' talent, and the casting choice are perfect. This is a must-watch movie.
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If you want lots of drama, love triangles or misunderstandings that drag too long... look elsewhere.
If I had to use three words to describe this drama they would be soft, fluffy and heartwarming. It falls into a very well known category, which is Coming Of Age School Drama, but unlike so many others before it, it does not care to create unnecessary plots where our leads suffer too much in their relationship (by breaking up out of nowhere, for example) or act stupidly for the sake of creating conflict; one of its greatest strengths is that characters trust each other and as a result, they won't blindly believe what outside forces try to convince them of when it comes to one another, which is something that happens way too often in dramas like this one.Are there misunderstandings? Of course, but misunderstandings *are* a part of life and having them in small quantities in dramas and done realistically adds to them, and When I Fly Towards you manages to sprinkle them in a way that feels organic enough that you believe it could easily happen in real life.
This drama is something to watch when you need something cute and uplifting with the certainty that good things will keep happening as you watch and problems will be solved. It's comforting and wholesome, and manages to be those things without its characters leaning too much into being cheesy, corny or cringeworthy. An amazing feat, without a doubt.
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I understand why people are upset by this movie!But I don’t agree!
Here’s the thing. They didn’t have any sexual feeling for each other in the second half of the movie. They died together so they could be reincarnated “together” so there would be no age gap and hopeful no gender gap either! Phop is gay that is why he and his wife didn’t have any kids there was no sexual love there only the love of friends. He never saw liu sexually he just saw dew in her body! You could tell by the way he looked at her there was never desire is his eyes only guilt, longing, and happiness! I think it was a beautiful ending! There was never going to happiness for them in this life so they chose the next! Your look at the movie wrong. Liu already knew and proved that rebirth and reincarnation were real and Phop proved that they could find each other even in different bodies, so they had nothing left to lose! Remember they are Thai which most are Buddhist not Christian. Suicide doesn’t have the same consequences in Buddhism. Focus on the LOVE in this movie not societies views on what is right and what is wrong. That’s exactly what broke them apart in the first half of the movie!
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I seldom write reviews for dramas, but I felt that this drama was worth my time to recommend it to others. Frankly, I went into this drama without high expectations because the plot summary sounded a bit funny at first. However, this drama proved me wrong and turned out to be one of the best rom-coms I have ever watched. I found myself waiting desperately for each Wednesday and Thursday to come, so that I could immediately tune in for the latest episode. And, more so, I found myself laughing and crying along with the characters.
This is a drama for people who like simple romance, without much salt and pepper, just pure unsophisticated interactions between two individuals in their home space as they gradually fall in love. This is also a drama for people who like to focus on main leads and don’t care much about side characters and their subplots, because all the side characters in this drama are purely for the development of the leads.
Story 8.5/10
The story is about a man called Kim Min Kyu (Yoo Seung Ho) who, due to childhood trauma, developed a rare illness that causes him to be allergic to humans (as in REAL skin allergy!) and he has since then lived all by himself for 15 years. Doctor Hong Baek Gyun (Uhm Ki Joon) gets Min Kyu to test out his newly invented robot, but due to unexpected circumstances, Jo Ji Ah (Chae Soo Bin) was sent in in place of the robot, and there begins their cohabitation life where Min Kyu slowly opens his heart and learns to trust people again. The story focuses on the two main leads and their daily interactions, keeping the story simple and linear. However, that does not make it boring, as seeing their relationship grow in real time was what I enjoyed most in the process. AND THEY WERE JUST TOO CUTE. Although this is a rom-com, it does have a melo downturn in the second half, so be prepared for some angst.
The reason why I deducted marks from the story, is because the pacing was a bit off in the last several episodes. Sometimes they would deliberately drag the plot for an episode to end in a cliffhanger. This took a toll on the plot development, causing the ending to be too rushed because there were many things left to resolve. However, the chemistry between the characters will still keep you anticipating for the next episode.
The story is not without clichés or plotholes, and while you may judge the realisticity of the story by asking “hey, how is it possible for him to not know how to distinguish between robot and human??”, I would say it depends on what you expect from watching this drama. Since this is a sci-fi/fantasy rom-com, its main goal is to present a funny, light-hearted story that does not necessarily have to follow the principles of reality, as long as it is internally consistent and effectively delivers what it wants to deliver. And I think this drama did an excellent job at telling a beautiful story about how bonds are formed, and how love could make you recognize a person’s soul no matter how they may change. As long as you overlook the basic assumptions that the story is founded upon, it is an enjoyable story.
Cast 10/10
Cast was well chosen and fit their roles A LOT – one of the major reasons this drama was well-received is because of the likable cast that keeps us wanting for more.
First of all, Yoo Seung Ho gave a stellar performance as usual. When he cries, you just can’t help but want to cry with him. His emotions felt so genuine and real, that his agony transcended through the screen. From happiness, to disbelief, and ultimately to despair, the transition of his feelings was like that of a real person. Imo, he delivered well the struggles and inner conflict of a character who fell in love with a robot.
Chae Soo Bin’s doll-like appearance and figure makes for a believable robot, and she did an amazing job portraying three personalities (a human, a robot, and a human pretending to be a robot) and they all feel different. On top of that, she had amazing chemistry with Seung Ho. Their adorable interactions were a major leverage to the story, and I don’t think any other pair would have spiked the same type of cuteness-overloaded, star-struck chemistry as they did.
I loved how the Santa Maria research team and the leads were like a real family that cared for each other wholeheartedly. Every member had distinct personalities that made them memorable. As for the villains, they were mainly there to establish the bond between the two leads (and to showcase Aji 3’s intelligence). I was looking forward to the push-pull brotherhood tension between Min Kyu and Yoo Cheol, but sadly it wasn’t developed. I wish the love lines of the side characters were talked about more as well.
Overall, the characters could have been explored in more detail, but since I happen to not be the type of audience who likes side characters and side stories, I am already satisfied enough with my devotion to the two leads. In terms of casting, they all fit their roles very well and I will always remember them as these roles.
Message 10/10
I liked how they made a contrast between characters who think using logic (i.e. the scientists, Aji 3) and characters who think using feelings (i.e. Ji Ah). it shows that emotional intelligence is also a type of intelligence and, although it is often left unseen, it is a quality that’s not inferior to logic. The deeper message – human emotions is something that cannot be mimicked using logic, it is something that can only be felt by humans.
I would say the main selling point of this drama is the sincerity of emotions that the characters share and the heartwarming message. I was definitely touched by the genuine emotions of Ji Ah. She made me understand that sometimes things don’t have to be practical or logical to be meaningful. It’s the heart of a human that makes them transcend robots, and the heart of a human that can make a seemingly useless object become meaningful.
OST 8/10
There’s not much to say about the OST. All the songs match well with the sweet atmosphere of the drama.
Overall 9/10
I can’t say this drama has the best plot, but the chemistry between the characters and the heartfelt messages made up for it. Overall, it’s a drama with sincere characters that are able to touch people’s hearts using their dialogue. The chemistry, characters, atmosphere, and Yoo Seung Ho’s expressive acting have made it work.
It’s been a long time since I’ve been so invested in a drama. This drama reminds me of why I started liking Korean dramas, and I’m certainly glad I didn’t judge a book by its cover and gave it a try. This is one of the dramas that I will always remember even after a long time. It has a special place in my heart.
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3A Love Letter to a Mature, Sexy, Communicative Romance with sizzling Chemistry
“Fake It Till You Make It” is not a drama for everyone. But if you are looking for something specific like I did, you might enjoy it very much. I found what I want - a mature romance about two smart individuals who give me realistic, honest and sincere conversations + sexy chemistry. A drama that is not full of romantic cliches and tropes, not a silly rom-com nor a sad and angsty drama. Because of this, I am giving this a very subjective and high rating of 9.0.A few quick notes about this drama:
1. There’s a lot of business talk - about 50% business, 50% romance. If this is not your thing, you might want to reconsider watching.
2. This is not really a plot-driven drama. The business plot serves as a way for our main leads to grow personally and professionally.
3. Very dialog heavy - The beauty of this drama is the witty and thoughtful conversations.
4. Try not to fast-forward - you will miss the dialogs and get you out of the mood. Try not to do that with the business plot either, as you will be even more confused.
I LOVE the romance of the leads. Simple as that. Elvis (ML) is a likable and hard-to-resist playboy who's afraid of commitment or opening up. Tang Ying (FL) is a career-focused, hard-working lawyer who is afraid to get hurt after a failed love confession many years ago. They are on equal footing and power dynamics in this relationship. The two of them met as strangers on the plane, slowly becoming best friends and then lovers.
When as strangers, Elvis and Tan Yang seem to be total opposites but chemistry between them is evident. When they become best friends, they seem to be the perfect match in heaven. Their honest conversations of love and the constant flirting are the best part of the show. Even if it’s a few quick text messages, you can feel the chemistry. You root for them and want them to be together ASAP, yet I also worry about the loss in chemistry and excitement when they are together. We all know how dramas go when the couple becomes boring afterwards. Who knew our cool playboy will become a doting boyfriend who can act silly and cute? There are a few cute and fluffy scenes, though not much. The kisses are good but not as great as I want them to be (Elvira maybe is a little more shy than Elvis). We continue to have conversations to deal with potential misunderstandings once they are a couple. We learn that they might not be as perfect together as they seem when they were flirting. Their upbringing and ideals of being a couple brought them unease and discomfort, but they talk things through! They continue to have these honest conversations, some more emotional and heartfelt than the others. They continue to get to know each other, and learn to love each other for who they are and to live as a couple and not as individuals anymore.
On the other side of the romance spectrum, we also follow the journey of Lin Xin Zi (Tang Ying’s half sister). She has a completely different view on romance and marriage. She has her own internal rating system for her suitors and picking the best one to consider for dating and marriage. We all know how that will work out. I personally don’t think Lin Xin Zi is that attractive as a character, so I don’t know why all the guys fall in love with her. Her story, though predictable, is also relatable and realistic. Her way of thinking is probably very similar to many women in mainland China.
Enough of the romance, but what does it mean to “Fake It Till You Make It”? In this drama, all characters at some point have to mask their true intentions and feelings, and express themselves differently. You could be, 1) Having afternoon tea with a bunch of rich ladies and act like you have the richest and loveliest husband in the world who will buy you expensive purses, 2) Pretend you are a tea expert to impress your customer by studying info the night before, 3) Swallow your complaints and hate for your abusive boss and smile/nod to the insults thrown at your face, 4) Act like you are totally fine with your controlling boyfriend because you know he does everything out of love. They just need to tell themselves they are fine and believe that they will be fine.
The acting is on point. This is my first dramas of both Elvis Han and Elvira Cai and they do not disappoint. If you end up not liking this drama, at least you can enjoy the sexy and handsome Elvis Han. LOL. I do want to commend Dai Yun Fai, who played Lin Xin Zi’s boyfriend. I have seen Dai Yun Fan in many dramas, usually as a supporting character. I am so impressed with his emotional acting. He has a very small part in this drama but the last scene when he was on the bridge/overpass expressing his regrets was SO well-acted. I am also very satisfied with the end of his story. The overall acting is really good. There isn't a character that irritates or annoys me.
If you are like me and are looking for what I am looking for, then I strongly recommend this drama. I do think the drama started a little slow and you might be confused with the business side of things. It could also appear to be a little preachy, but stick with it and you will be rewarded with an amazing romantic journey between two flawed but realistic characters and excellent chemistry
Other Random Observations:
1. Elvis Han is just so charismatic and sexy, without the boyish look. I love the scenes when he was waiting by his car at the end of the night, and when he was reading a story by the bathtub. He has such a deep voice and his reading to FL is just so darn sexy.
2. I love FL’s phone conversation with ML about those heart-fluttering moments. It killed me in a good way!
3. Love the dynamic between the sisters. So natural.
4. Really smart to name all the women you are dating with the same nickname in your cell phone contact list. You don’t have to worry about calling out someone’s name wrong when you are drunk. LOL
5. Naming these women as fruits is hilarious as well.
6. Another good female mentor! They are hard to come by.
7. Natural looks for all! No white makeup, white filter or smoothing of skin!
8. Almost forgot, I love the comic book opening theme!
Completed: 9/4/2023 - Review #349
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Love is a many splendored thing.
A Dream of Splendor has rocked the staid, tired, cliché infested Chinese period drama world. It is an alluring adult romance that has set the internet on fire. It is a powerful and exhilarating story about downtrodden women who work together to stand up against feudal society. Written and directed by women, it is a story about how women survive, thrive, bond and love. The production values are astonishing, with meticulous attention to detail and appreciation for history and culture.This story is about the plight of fallen women or jian ji 贱籍 during Northern Song Dynasty. Jian ji are pariahs or outcasts; people who exist outside of the four social classes of scholars, farmers, workers and merchants and are practically slaves, beggars, prostitutes, actors, musicians or fallen people below commoner status. This status is passed from generation to generation and cannot be easily changed and the women are not considered suitable for marriage into gentry other than as concubines. Promising beauties like Zhao Pan'er and Song Yinzhang are trained from a young age in the fine arts and performance to potentially become renown entertainers to the imperial court. Too often, like Zhang Haohao they become courtesans who flourish at the most elite levels of society and are almost indistinguishable from upper class women. Many hope to marry their patrons and leave this existence behind them. This explains both Pan'er and Yinzhang's insecurities and their strong desire to shed the taint of the jian ji 贱籍 status.
The drama was mocked for its preoccupation with chastity which does not fit in with the societal norms of the day. In Guan Hanqing's famous original zaju 杂剧 or Yuan opera 赵盼儿风月救风尘 (Zhao Pan'er Flirts to Save A Harlot), both Panér and Yinzhang are courtesans. Guan Hanqing's works are known for championing the oppressed and courtesans were historically viewed sympathetically. The grace, beauty and education of legendary courtesans is often celebrated in Chinese vernacular literature. The production decided however, that Chinese audiences would not be receptive to a Song dynasty version of Pretty Woman. While some may feel this does not respect the original works, it is not important. The drama adaptation in its entirety is far from prudish and remains faithful to the spirit of the play in its criticism of the hypocrisy of traditional morality. That is all that really matters.
After crushing personal setbacks, Zhao Pan'er, Sun Sanniang and Song Yinzhang make a fresh start in the capital Kaifeng. They are bonded by the hardships they endure due to their low social status. They are realistic characters with flaws aplenty who make mistakes with consequences. They don't always agree and when they fight, they can be woman style mean to each other. Pan'er is a talented performer and a connoisseur of tea, tea art and famous paintings. Despite her serene demeanor, she has her own insecurities but is determined to leave her painful past to become an independent and capable business woman. She won't be bullied, is vengeful and does not hesitate to seek legal redress for injustices.
Pan'er is overprotective of the immature and temperamental Yinzhang, a rare and talented pipa player whose ability is only exceeded by her arrogance and desperation to escape her low status. Together with the feisty and loyal Sanniang, a fantastic cook and pastry chef, the three friends start a teahouse with their pooled resources and combined abilities. On the way to Kaifeng, Pan'er clashes with the Living Devil Gu Qianfan, commander of the powerful and secretive Capital Security Office and all kinds of sparks fly. Liu Yifei and Chen Xiao are the stars of the show with their thrilling, combustive chemistry and screen presence. Both actors have matured considerably and it is fair to say Zhao Pan'er and Gu Qianfan are their best roles to date respectively. Even though Yinzhang is the character that shows the most growth, Lin Yun's portrayal lacks complexity and is not empathetic. It is the weakest link among the main cast. Liu Yan's Sanniang saves the day as the best friend everyone needs with her wonderful mixture of comedic belligerence, endurance and wisdom.
This drama's greatest attraction and also its greatest drawback is the incomparable romance between Zhao Panér and Gu Qianfan. The fervent, ardent chemistry between Liu Yifei and Chen Xiao has me grinning like a giddy, lovesick fool every time they light up the screen. I love how Chen Xiao communicates passion with heat in his eyes and how his expression can suddenly turn from guarded to vulnerable to hopelessly smitten. I leapt up from my sofa and yelled "liar, LIAR" at him in the very first episode when Gu Qianfan claimed not to find Panér beautiful even as his eyes oozed with pure male appreciation. Liu Yifei's Panér is such an exquisite and feminine foil for his masculinity that it is just entrancing to watch their courtship as it evolves subtly from friction to unwelcome attraction as she slowly beguiles him with her grace, independence and soft-spoken sincerity. Yang Yang is a phenomenal director whose gorgeous and intimate camera angles enhances the thrill of their budding romance and build up in passion to the point there are moments I feel like I am invading their privacy. The drawback of course is that the story is much bigger than the love story which is too engrossing and spectacular. All the other plot threads pale in comparison.
At the point I am in serious danger of diabetes from the sugar highs, Pan'er's and Qianfan's romance gets put on ice for a number of episodes for a flimsily crafted misunderstanding. I am less dismayed than most by it, because I like to see a relationship tested for duration by challenges. While their conflict could be better conceived, the writer has fewer degrees of freedom to work with because the plot is embedded within true events and historical figures of the day. This won the praise of many history buffs who got a huge kick out of deciphering who's who and which events, as was analyzed in detail by other viewers such as @CloudA. Panér's heartbroken but enlightened insight that her father fully knew well the consequences of his actions but chose to do so anyway is a resonating fresh twist out of a tired trope. Despite their hiccup, the couple remains honest with each other about their fears and have realistic expectations that it may not be smooth sailing all the way. Du Changfeng and Sanniang's story is charming and heart warming while Chen Lian and Zhaodi's is more youthful and high spirited. I have high hopes that both Yinzhang and Chi Pan will find happiness down the road.
The digression from the main romance plot makes way for the women's story to be properly told, for their bond to mature and for them rescue each other and themselves; to be mistresses of their own destiny. The debut of their fabulous Yong'an Restaurant showcases their combined business sense, artistry and ability to innovate and is for me is the highlight of the drama. Pan'er's riveting tea art performance at the beginning is eclipsed by the extravagant and absolutely decadent dinner performance where famous paintings came vividly to life. I love how spectacularly it involves most of the supporting cast. Both the cheeky He Si and Chi Pan made me laugh and the women looked stunning. It is analogous to how this production breathes life into the famous historical works of art and literature that inspired this story.
For me, the comedy mostly misses the mark. I find Guan Yunping's (Chen Lian) more subtly hilarious brand of humor more appealing than Dai Xu's (Chi Pan) more slapstick and exaggerated approach. The actor tones it down nicely in the second half and manages make me laugh and impresses me with his acting but unfortunately that is where the plot loses momentum. This is somewhat forgivable since it is more of a character story but nonetheless they should have kept things simpler. The political aspects of the conspiracy to disgrace the empress becomes overly convoluted and leaves loose threads. Even though Ouyang Xu's final confrontation with Pan'er is well acted and satisfying, he becomes the embodiment of too many bad men and love to hate stereotypes. The interpretation of Empress Liu-E, a brilliant and powerful historical figure as a woman pushed to try to conceal her humble origins is fascinating and aligns well with the dramas feminist theme. It is well known the Emperor was aware of her background and did not care. Theirs was surely another splendid love story for the ages.
Pan'er and Qianfan's addictive chemistry and their story convinces that love is a many splendored thing. They are certainly bound for the Drama Couple Hall of Fame. Despite the disappointment in plot, which is at best worth an 8.5, I am compelled to rate this a 9.0 for the romance and for getting the important things right including the empowering themes, the originality and the director's magnificent and distinctive visual composition style.
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YOU HAVE TO WATCH IT BUT FIRST...
Despite what others think, I loved the drama. I'm sincerely so tired of how dramas usually start with the guy being ruthless at first then you never get to see his ruthlessness once he gets together with the girl. But this drama? It's consistent.The intense male lead is what first made me interested in My Lethal Man, but as you watch it, you'll realize how perfect the girl is. I understand how most people couldn't wrap their minds with the idea that the girl looks exactly like the male lead's sister. To be honest, I had the same feelings at first. However, when you come to realize that they have been apart for 17 years without contact, you'll start to be more accepting towards the plot. You'll realize that yes, the guy indeed loves his sister with all his heart, however, he loves the idea of his sister when she was younger. He doesn't have any attachment to his sister's face or the way she looks now that they're older because he didn't spend his years growing up with her.
In terms for romance, this is where you'll see how the girl proactively fights for their love. She was the first one to confess, and at every point, she was unafraid to show her true feelings. When she says "I love you", she always follows up with the question, "Do you love me too?" (not in a pitiful and pathetic way but in a light-hearted way). With a keen eye, you'll notice how the guy is always the one who gets the better end in their relationship especially with how chivalrous the GIRL is- her always telling the guy she'll protect him, her willingness to accept the blame, her picking him up from work, her kissing his hand, and other details. You'll realize how the guy is always the one who feels giddy and kilig. The girl literally is his home.
Acting: Tbh, I think the guy effin' carried (not that the female lead didn't do well, she perfectly played her part too). I love how lethal and deadly he looks in most scenes. One thing you must take note of is his hair. You'll notice how the scene would play out with his hair and this little detail just the drama more enjoyable. Hint: hair when he's with the girl, and hair when he's going to the office or when he's on an errand alone.
Honestly, amazing directing. I love how when the male lead feels vulnerable, you don't see it right away, but you see it with the way he acts- through the way he slightly bends to hide his face in the girls neck to how he sits down on the floor to signify just how low he's become (or feeling).
Tbh, I loved the drama. It was a good one, but I hate how sometimes, I couldn't see the emotion on their faces due to the whitening filter. When shots are taken from afar, I can see how amazing the actors and actresses convey their emotions but during close up shots, I could't even see how the tears falls down their faces (sometimes, it just seemed as though they were trying to cry without the tears which makes it a bit funny). Oh how I could only wish Chinese productions won't feel the need to whitewash their actors anymore.
Hope to see more dramas like this😭
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In the first two episodes alone there was cute singing, face slapping, sexy times, and a hit and run that turned into a murder. The crazy doesn’t end there though…it just keeps going and going. At one point a character does a work out montage and emerges as…a whole different actor. No wonder no one recognizes him. People die…but then turn out to have faked their death or have been put in a mental institution. It is just a bucket full of delightful craziness.
The very best part of this drama though, is the Emperor. Shin Sung Rok is a remarkable actor. I came to this drama for Jang Na Ra and Choi Jin Hyuk together again. I loved them in Fated to Love You and was so excited to see them both as leads in the same drama. But to be honest, I can understand why some people are not loving them in this drama. Choi Jin Hyuk’s character is as dry as burnt toast. But I really don’t think the actor is to blame for that. However, the Emperor could have easily been a horrible character if it had been played by anyone else. If you were just blindly reading the script, you would hate his character. But because of Shin Sung Rok’s skills and his facial expressions, you come to care for this admittedly horrible murderer. Like he has murdered multiple people and doesn’t even think he was wrong in doing it, and still you find yourself saying…he isn’t THAT bad… To be fair at least two of the people he murdered weren’t entirely his fault, nor was he the only murderer in those cases. And there I go defending the guy! You see what a good job Shin Sung Rok has done to convince me of this?!
In conclusion, I say you should definitely give this drama a try. If you aren’t mildly addicted by episode 2, then this probably isn’t the drama for you. Personally, I watched the first 17 episodes in one sitting before I realized I had spent the whole day watching kdramas. Not that I have any regrets about that. I have loved every second of this crazy crack drama. If you are looking for a serious, revenge drama…this is NOT the drama for you. Go watch City Hunter or maybe The Lookout. This drama is silly even when it is being serious. So come here if you are looking for your next dose of crazy!
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ROMANCE not bromance.
This is gay. ෆIm not joking, this show is more flaming than a pride parade float lmao.
This masterpiece of chaotic gay tension masquerading as a school drama has no business being as homoerotic as it is. I watched it expecting a fun, angsty teen soap and ended up screaming at my screen like it owed me emotional reparations ffs.
So we have Saint and Shin, two former besties turned raging enemies forced back into each other’s lives when their schools merge. Saint, the cold, stonefaced heartbreaker who apparently majored in being dead inside spends his days ignoring everyone like he is allergic to eye contact. And then there is Shin ♡ bless his hot-tempered, heart-on-sleeve self, who is ready to blow a gasket every time Saint so much as breathes in his direction.
I am telling ya'll, THE TENSION between these two could power the national grid. Every time I watched them on screen together, I felt like I was committing a fucking crime because the way they look at each other is illegal in at least 23 countries I'm not even joking. Shakespeare himself would be clutching his pearls.
Also the flashbacks are so sadistic because they just drip with the bittersweet remnants of a beautiful friendship and they give you just enough “we were once so happy” moments to leave you screaming at the screen, "JUST TELL ME WHAT WENT WRONG!" And when the big reveal finally drops...well no spoilers but let’s just say Saint didn’t exactly follow the friendship handbook.
And the acting is also so DAMN good. Their scenes have me convinced they are soulmates in some alternate universe or possibly in THIS one because they are fooling exactly no one.
My only regret is that these two didn’t get thrown into an actual BL because they are serving LOVERS so hard. They are giving us slow burn. They are giving us tortured yearning. They are giving us “I’d rather stab myself than admit I love you but oh god I love you so much”. Honestly, Saint and Shin have more chemistry in one glare than half the official BL couples out there. No shade GMMTV, but shade.
Side note: shoutout to Mark's character, who has autism and brings some genuinely refreshing and much-needed representation. He is so fucking precious, authentic and provides a nice breather from the on-screen storm that is Saint and Shin’s "friendship" crisis. NGL Mark is probably the only sane one here, while everyone else is busy having emotional stare-downs or fighting.
So, to sum it up: High School Frenemy is the most non-BL, BL series that ever non-BLed. It’s filled with emotions, teenage angst, broken limbs, unresolved sexual tension and enough romantic subtext to sink the Titanic. You will laugh, you will cry and you will absolutely scream at the screen, “JUST KISS ALREADY!” ♡
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Unbelieveable!「不敢相信!」
A sincere-introspective-queer-supernatural-action-comedy movie sounds like a mishmash recipe for disaster. However, in director Cheng Wei Hao's deft hands, he is able to command these genres effortlessly. With no one genre overpowering the other, each transitioning into another seamlessly and blending beautifully. Thus, culminating into a film that is greater than the sum of its parts.Wu Ming Han, Greg Hsu, is your typical homophobic chauvinistic CisHet male police officer who believes he is God's gift to mankind. After messing up a high speed chase with a member of a drug cartel, he is assigned the task of collecting all the debris from the car chase. He mistakenly picks up a red envelope, and a chill runs down his spine when he realizes it's an arrangement for a ghost marriage. To make matters worse his ghost spouse, Mao Bang Yu (Mao Mao), is a gay man.
Mao Mao, Austin Lin, was killed late one night in a hit and run incident. His loving and supportive Amah didn't want him to be lonely in the afterlife, hence creating the red envelope for him. After Wu Ming Han performs the marriage, Mao Mao reveals to his husband that he is unable to reincarnate until all his affairs from this life are settled. The driver from his hit and run incident was never apprehended, and he demands Wu Ming Han find the driver that killed him.
Well, what's a crime film with out its action sequences? "Marry My Dead Body" ticks off all the must haves: high speed car chase-check, stand off gun fight between police officers and the drug cartel-check, main character in a hand to hand fight sequence-check. But all these standard actions sequences have a bit of a cheeky twist, which are played for thrills as well as laughs.
Speaking of laughs, the humor of this film works on so many levels. Wu Ming Han is the straight man in both his sexuality and as well as being the comedic straight man. Forever the foil to all the shenanigans, but without him all the comedic elements would fall apart. Some of the best bits from the film are references to specific Taiwanese colloquialisms, culture, and queer culture. My personal favorite is a throw away joke when Wu Ming Han recites his badge number. The comedy in this film never talks downs to its audience by going for the easy joke.
Come for the comedy, but stay for a gut punch to the feels. Both leads go on a reluctant journey of self-reflection. Wu Ming Han to see others and a world beyond himself and Mao Mao must face the rift between him and his father. Both of their personal journeys come crashing to a head in the climactic scene between Wu Ming Han, Mao Mao, and Mao Mao's father. All three actors deliver exceptional performances, but Greg Hsu steals the spotlight with his masterful ability to swallow his sadness through forced smiles. The movie patron who sat next to me in the theater perfectly encapsulated the experience of watching this film with "I though this was a comedy..." in between heavy sobs.
Cheng Wei Hao cleverly weaves a poignant narrative of love and acceptance under the guise of a goofy odd couple trope. With an assist from two of Taiwan's rising stars, we are able to believe the growing and maturing friendship between the two leading characters. An excellent cast of supporting actors rounds out the ensemble, with Wang Man Chiao standing out as the Amah every queer person wishes was in their life. Wang Man Chiao exemplifies how beautifully ordinary it is to love your grandchild for who they are exactly as they are. By normalizing the acceptance of queer identities, this is the exact type of positive queer representation pop culture needs. "Marry My Dead Body" is the rare comedy that will make you laugh with tears in your eyes, and leaves a lasting impression as you leave the theater.
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If you are searching for a light but simply addicting drama, you should pick Long Vacation. The story may began just like the other 'living under the same roof' dramas, but the setting is on 1996 so it was different from other recent dramas. No handphones or emails, so it was more about the characters dealing with themselves regarding their feelings. The simple twist at the end of every episode will keep you want to know more about what will happened next. And the ending is simply beautiful.
The chemistry between the main couple really worked out, it was fun to see them together. Kimura Takuya is as excellent as ever and Yamaguchi Tomoko did a very nice job playing a miserable 31 years old woman. The other casts are also awesome, I didn't find any of them annoying.
The soundtrack is also one of the winning factor for this drama. The opening theme is still one of my favorite song up until this moment (and I always sing it whenever I went for a karaoke) plus all the music pieces they chose for this drama is awesome.
Even though this drama is quite old, it will remain evergreen in my heart. Try watching this drama, you are not going to be disappointed.
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Fifty shades of cliche.
This drama is a dark, melodramatic blast from the past. It is fifty shades of the worst outdated bodice ripper romance cliches imaginable. Dong Tingyao is the sole survivor of her family's massacre. She suspects warlord Fang Tianyi to be the culprit and finds herself a maid in his household. The villain is obvious from the beginning but sadly our voluptuous heroine has more guts than brains and finds herself in one dicey situation after another. Fang Tianyi is the kind of alpha male hero that struts around flaunting his magnificent chest while he uses very coercive methods to seduce Tingyao. Yes, exactly the kind of story that has all but been eviscerated since the advent of feminism and political correctness decades ago. And yes, I unabashedly sucked up every ridiculous, outrageously hot but ahem,I mean totally unacceptable moment of it!The bottom line is you won't enjoy this drama if you think about it. But the leads sizzling chemistry and Fang Tianyi's hot, searing gaze and the heavy lidded way he eyeballs Tingyao is enough to make me forget to breathe, much less think. Despite the cheesy lines and some iffy costumes, the acting, especially by Dai Gaozheng is mesmerising. The melodramatic plot allowed both actors to demonstrate their ability to convey the gamut of intense emotions - love, hate, forbidden desire, fear, frustration and passion, lots and lots of passion. For the first time I really understand why these kinds of characterisations used to be so hugely popular in the past. It is a strong testament to the actors chemistry and skills that can make me look past all these out of favour tropes. Honestly if anyone in real life tries to pull a Fang Tianyi on me, he'd get a kick in the nuts that causes permanent damage. But as a fantasy guilty pleasure of a short drama (10 minute episodes), I enjoyed this immensely.
The ending was terrible but then so were so, so many other parts. Nonetheless I am peeved about it enough to give it a 7.5 instead of an 8.0. Yes I am petty that way. Still, this is a fantastic way to indulge in the occasional smoking hot guilty pleasure.
Final comment: consider stopping at ep 29 for best viewing experience.
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A ten year secret crush finally sees the light of the day
A refreshing, non-melodramatic story with a unique perspective, a story of mutual unrequited love that seemingly ends a decade ago due to various coincidences. A new opportunity unexpectedly brings the two back together.Ruan Yu, the FL, used the unrequited love from ten years ago as the creative material for her new book. Before her new book's release it's embroiled in plagiarism accusations.
And for Xu Huaisong, the ML, 'a text RYXHXHS' sent by his sister changed everything! It turned out that the girl he had a crush on had also been secretly in love with him all along.
Even though he knows they have a mutual crush, he plays a little game to get closer, not reckless but with eyes full of affection. While helping her with the case, he brings their decade-long deep love and tenderness to life. It turns out that a mutual commitment, ten years overdue, was still incredibly exciting!
Wei Zheming's portrayal of Xu Huaisong paired with Zheng Hehuizi's Ruan Yu, is a perfect match, complementing each other beautifully. The emotional fluctuations between the two are frequent and intense.
Their sweet, back-and-forth interactions are always just right making it very comfortable and enjoyable to watch.
Supporting cast: I love the character Liu Mao! He's used as a scapegoat by Xu Huaisong all the time but he is absolutely loyal to Xu Huaisong. Their playful banter is hilarious. Xu Huaisong's sister and her classmate are a playful pair. Ruan Yu has a realistic best friend Shen Mingying. Cen Si Si is the trouble maker. Li Shi Can yet to appear (4 episodes in) The actors performances are all on point and the cinematography is great.
With such a super interesting plot and characters, amazing acting and cinematography I can't wait to watch how the ten year mutual crush finally sees the light of the day. If you are a fan of mutual crushes, sweet love stories and light hearted comedy, this one is for you.
Review after Episode 19
Still watching and enjoying the show. It's silly, funny, entertaining and relaxing overall.
Special mention to the bgm and sound effects for funny scenes. Afterall it elevates the already good comedic timing of the actors.
The overall narrative of the story shows promise. However, the pacing seems to have slowed down somewhere in the middle around episodes 14/15. Rather than advancing the plot, the story often repeats the same kind of events with fillers. I thought it would have been far more interesting and engaging for viewers if there was more focus on the side stories of Liu Mao/Shen Mingying and Xu Huashi/Zhao Yi.
The final 5-6 episodes let us see some great advancement in the leads romance storyline, professional success, resolved family conflicts, development to the side stories, bringing a structural, definitive and happy closure to the series. Absolutely enjoyable series.
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This review may contain spoilers
The amount of hate that this drama is receiving is astounding to me because in my opinion this has been a stand-out drama among many other dramas that were considered vastly popular this year including Suspicious Partner, Strong Woman Do Bong Soon, and others. The other reviews on this site seem to be incoherent and sort of click-bait so I will try to be as analytical and straightforward as I can with my review. My overall thought is that this is a drama that is great to watch once and feel good about the romance, the justice system and the characters.Disclaimer: I am not a Lee Jong Suk or Suzy fanboy (or many other actors to begin with) so I have no personal feelings for any of the actors.
Disclaimer 2: I value storyline/plot and character/character development extremely highly and far above music which is also above replay value, but I will analyze each in their own category.
Storyline/Plot:
This plot is one of the most interesting yet not confounding plots (I’m looking at you ‘W’) that I have seen in a Korean drama in recent memory. Many recent dramas have been historical dramas that are trying to break the past tropes for a fresh feeling or are mundane/ “normal-life” struggles dramas that bring in new and ironically less “normal” characters. This is something different and interesting because it ties together two interesting aspects: fantasy which are essentially seeing the future through dreams and the justice system. Two aspects that are usually very different but through this drama are associated in a fresh way.
Now, onto the actual plot. I think the pacing was done superbly well and the inserts of flashbacks was well timed. My main complaint about the plot was that there were a few plot holes that were never truly covered. Firstly, why is Suzy able to see dreams about random people when the original idea was that whoever saves you will be who you dream about just like all the other characters? How did Suzy start dreaming to begin with? What is the motive for the detective to hide that he does not know Suzy and Lee Jong Suk? These issues are sort of touched upon but glossed over because there is no real answer to them.
Besides plot holes, everything about this was very good. There are people that complain that the flashbacks and past were not impactful enough but the contrast between past and present that the director/producer used was actually well done. I knew that the plot would be interesting and good when the first episode consisted of Suzy killing herself and Lee Jong Suk struggling with what he saw in his dream just as any other person. Secondly, I believe that one of the strongest points of the drama was the incorporation of the premise of the show into the romance and the melodrama portion. There are some dramas that try to be too many things at once and often fail at all of them or are unable to incorporate all of them. This drama does a superb job of incorporating the dreams into the romance, the justice system, everyday life and the conflicts as a whole.
Overall, one of the best plots done in recent history. This drama is logical (including the fantasy of dreaming of course) and also touches upon some key ideas in an interesting way. What do you do if you know the future? Can you change it? Is changing the future the right thing to do? Is the legal system perfect? Morality over personal interest? All decisions have consequences whether you like it or not. All of these aspects are intricately woven into a very well written plot that presents multiple themes throughout.
Characters:
I believe the true strength of the show was in characterization of not only Lee Jong Suk and Suzy but also of the many side characters. Firstly, I believe that characterization must be logical and follow some “set of rules.” What I mean by this is that some dramas have side characters that perform actions for no real reason or their characters exist with only one thought running through their head. However, each of these characters has their own motivations and thoughts which can be perceived just by thinking about it from their perspective and the drama was shot in such a way and with such good pacing that each character seems relatable. Before I talk about Suzy and Lee Jong Suk, I will talk about each of the side characters and give examples of what I mean. There are 3 “side characters” that I must highlight to show why characterization is so strong and important in this drama. I don’t want to touch upon the detective because there were plot holes that I discussed earlier that I am still unsure about.
Suzy’s mom is an eccentric woman but when you get down to her character she is a person that is devoted to her daughter and her daughter’s happiness is the core of her being like many other mothers. Would you want your daughter to date a man that could get her killed? How about giving her false hope or causing her pain? The rating of the men around her daughter is a personification of what mothers actually do. Every action by this character makes sense.
Lee Yoo Beom or the main villain is an intricate character whose end-game is truly highlighted in the last episode. A self-driven, greedy individual who presents a façade of intelligence but struggles to stick with his own morals when gain is in front. This character through flashbacks and actions by Lee Jong Suk is strongly characterized as someone that would take advantage of another person while maintaining that he was simply doing the logical and right thing. The most impactful seems were when he was in the bathroom washing his hands or loosening his tie and cufflinks. These are small things that show a much more in-depth character. The washing of the hands to symbolize washing himself of his guilt. Or loosening his clothing when he is doing things that are morally wrong to symbolize the loosening of his morals. Every action about this character makes sense especially being driven into a corner where he ends up making the decision to kill a person he said knew him better than his parents. Every action made sense.
Han Woo Tak. Many people love this character and for good reason because he is the charming and loyal second lead that many people are supposed to feel bad for due to his unrequited love. However, his actions also make sense. From the beginning Suzy shows no romantic interest in him and it is clear to anyone that Suzy and Lee Jong Suk were more than friends from early on in this drama. Many other second leads in other dramas would do anything to become the love interest including ruining friendships and ignoring the obvious truth. That is the beauty of this character. He knows how to look and read other people. Woo Tak makes decisions based off of other people while still maintaining his outstanding morals. He decides to value his friendship with both main characters over his own love. Many people experience unrequited love in their life and end up just being friends. Sacrificing everything for a love interest that clearly shows no affection back is a sign of terrible character that does not fit with his logical and morally sound characterization.
Lastly, our two main lead characters. Many people say Suzy is just a pretty actress. I would say that this is by far her best performance and she perfectly acted out her character. How do you act out an optimistic yet afraid girl that constantly dreams about other people dying or experiencing death yourself? Suzy perfectly acted out a quirky girl that tries to always keep a smile on her face and not let her fears get to her. This character is very complexly written because it touches upon an interesting aspect of human psych. How do humans deal with pain and tragedy and fear? Some people become depressed, while others hide it. Clearly Suzy’s character was hiding her fears at the beginning while it was also clearly controlling her life ie. short hair and quitting her job. This character indicates that when you hide pain it can be harmful and cause your character to be much more falsely optimistic or pessimistic at times. Her character makes sense.
Lee Jong Suk’s character is also very interesting. His character is someone that has bettered himself from the past but still maintains his resentment for certain things and events ie. regret about his father and hate for Lee Yoo Beom. Many people say that a plot hole in this drama is that for such a smart character he does nothing except rely on dreams and other characters’ help. I would argue this is very realistic. No matter how smart someone is there are obstacles that they can’t pass without help. Do you kill 7 people, or do you get the criminal? Suzy helps him think outside the box. If you believe every character should have all the answers that means you are watching some very poorly written dramas. Do you unleash your anger, or do you allow the legal system that you believe in to work? Lee Jong Suk is not a super hero and that is very clear from this drama. He clearly struggles with the same emotions and understanding that I our other logical viewers would reach. The last key example is that he knows his best friend Woo Tak loves his girlfriend, but he does not outwardly show it. Other dramas would result in him fighting his best friend or going out of his way to disturb their relationship. But his character’s ability to read other people and trust his friends shines through and he does not complete many of the actions other main characters would do.
Lastly, the chemistry. I would say it was okay and cute at times. I do not think it was as great as some viewers claim or as bad as others would say. It was simply a part of the story which I actually prefer. The romance was not overbearing and did not interfere with the story but instead was another key aspect of the story. Suzy and LJS love each other and would do anything for each other but that does not mean that they do or should. It was not the sizzling romance with smoldering eyes and hot kisses that many fans would hope for, but I honestly think this is more realistic. Love does not have to just be passion, it could be walking your girlfriend to work every morning or being jealous she is paying attention to another guy. It does not have to be star-crossed lovers with exaggerated lines that would die for each other at a moment’s notice. Even though there was a bit of that in this drama too.
Music:
I think this music was quite good. There were several songs that stood out to me including “When Night Falls” by Eddy Kim (which was probably the best song), “It’s You” by Henry (meh, I think the song fit but isn’t that great), “I Love You Boy” by Suzy (fits the drama very well and is also very good).
Rewatch value:
I rarely rewatch dramas but there were many good scenes and moments that you could rewatch for the aesthetics and the acting. I would say that of the recent dramas I would like to watch this drama again to think more about the other villains and the detective. They were all well written and correctly paced but I think I may have missed some key points.
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