GLAD I CONTINUE TO WATCH TILL THE END!!
I get excited to know that one of my fave actress will be the female lead w/c is Xing Fei.I watch all her dramas and i can say all of them where good for me as i like light,sweet romcom dramas.As for the male lead i got curious of Hu Yitian since i havent watch any of his works. The 1-3 episode really caught my attention and made me look forward as to why the male lead acted that way towards Tang Xin..I got a lot of WHY's i really am happy i continue to watch until the end ( focus on the drama and avoid those reviews because we have different taste in liking a drama). There's no denial that Hu Yitian and Xing Fei's chemistry where one of the best ive seen ( ill call Xing Fei "Goddess of Handsome Male Leads")their chemistry is overflowing on and off screen. This drama is about "Healing each others psychological trauma". I love this drama because there is no annoying 2nd lead who chases the main leads,no break-ups, no annoying parents. This drama will teach you how to cope and treat sum1 whose having mental illness/trauma. Tang Xin and Shen Qing Yuan's love is the purest of all❤️ Both have so much respect to each other, help each other to overcome their fear and pushes one another to reach their dreams. I also love Tang Xin's brother who always support and protect her, Shen Qingyuans wingman,team mates and friends who helped him a lot on how to win over Tang Xin's love. The OST is really good too (i downloaded it already) the visuals are nice,the acting are on point.Thanks for giving me a lot of mixed emotions,i cried,giggle,laugh and feel the butterflies in my tummy with those sweet scenes😍 This drama & the couple become one of my favorite❤️❤️❤️ im really hoping for Hu Yitian to collab w/ Xing Fei again🙏 planning on rewatching🥰Spread LOVE❤️
STAY SAFE🙏
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A sweet drama told with patience, a rare gem!
With Miles Wei as elite lawyer Xu Huaisong and Zheng Hehuizi as the resilient novelist Ruan Yu, the drama successfully balances professional challenges with a slow-burn, nostalgic romance.Plot: After being accused of plagiarism, the very person she based the story on just showed up out of nowhere. But ahh the feeling of meeting the right person at the wrong time...
This story is not about falling in love - its about returning to it. The central conflict isn't just whether they love each other- it's whether the timing is finally right,
It's a romance built on timing not iust chemistry.
He is a classmate from the next class she'd never spoken to. She thought he had never even known her before. Ten years have passed. They've changed, grown, and built separate lives.That makes every interaction carry more weight, because this time the stakes feel real.
Time and opportunities were needed and had to be built up through their interactions after a long separation.
It wasn't the obsession of an 18 year old Ruan Yu for an 18 year old Xu Huaisong that she couldn't have. It was a 28 year old Ruan Yu, still falling for a 28 year old Xu Huaisong all over again. Her lingering feelings weren't about regret, but about wondering why a reunion after so long couldn't lead to a different outcome.
Alas! If only she knew that her secret crush wasn't one sided...
On the other hand, it didn’t bother Xu Huaisong that he had a one sided crush on her. What troubled him was that after all those years, suddenly when he looked back, someone told him that they could be together. Now! Yet, Xu Huaisong at 28, didn't dare to confess easily. He was afraid that if he confessed, it would be 'in the past' for Ruan Yu. Insecurity, fear, hesitation kept deliberating him whether he could win her over again if he made his move, and how he should even begin. So he schemes to get chances to be close to her.
We follow their journey while their "long simmering affection" matures into a stable relationship, and builds a future together.
Review Highlights:
Refreshing Lead Dynamic: Miles Wei delivers his signature "charismatic, reserved yet sweet" performance, perfectly. In addition, he is seen as scheming, petty and witty and has been rightfully nicknamed as a "sly fox" by many commenters here 💖. Zheng Hehuizi shines as a badass and relatable female lead who takes charge of her own career. Their chemistry is sweet and natural, avoiding over the top tropes or forced dramatic moments.
Engaging Plot: The "plagiarism" mystery provides a solid professional backdrop that keeps the stakes high while allowing the leads to reconnect through a shared cause. Another point of note is the mutual support between the leads as they face career trials together. Ruan Yu's career progression to a screenwriter and while Xu Huaisong is already established as a highly driven and hardworking IP lawyer he reaches a high point in his career and successfully clears his father's name. There seems to be just enough family dynamics, sibling interactions, friendships and supportive partnerships
Creative Storytelling: The story weaves together dual timelines of campus flashbacks and the present day work related reunions which I thought was novel. It features inventive visual choices such as video/voice call participants appearing physically next to the characters which adds a modern and humorous flair. There are internal monologues and telepathic conversations which make the narrative lighthearted.
Easy Watching: "Comfort food," low-stress, warm vibes that is both hilarious and endearing.
The supporting cast are doing a pretty good job. Of note, Li Jun Xian, as Lawyer Liu Mao was great adding some hilarious interactions with Lawyer Xu (Miles Wei). It was great to see the siblings from 'I May Love You" back as siblings. Zhang Mu Xi as Xu Huashi was charming and played an important role to get the leads together.
OST, cinematography, dialogues everything is so beautiful.
Overall a charming and lighthearted modern romance that serves as a "belated joy" not only for fans of the "childhood crush to lovers" trope but for anyone who loves a warm, endearing story.
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Favorite 2021
I didn't know anything about this until I randomly came across the poster of this series. I was hooked right from the beginning but the way in which every next episode elevated the show is truly worth mentioning. If you're on the fence about whether or not to watch the show, go for it. The only thing I'd ask you is to keep in mind that not all human beings are perfect and let the characters be themselves. I really do hope they make a second season because I would give anything to watch how they grow.Was this review helpful to you?
PLOT:
Anyone looking for a fast-paced action packed drama, should look away now. This show really defines slice-of-life. I am sure everyone watching this drama could relate to one of the girls or even just a situation faced by the girls. I was able to relate to different situations and aspects of many of the girls personally and also have seen other friends/family facing similar situations:
- Jin Myungs hardships! I could especially relate to her feeling lost.
- Ji Wons non-existent dating life
- Friends who have faced similar situations as Ye Eun in their relationships/love life
- Eun Jae's hesitation, timidness
- Yi Na questioning herself and her decisions in the last 2 episodes or so
There have definitely other aspects. I just listed some that were especially relatable to me.
I was really glad that the plot focused on the girls the most and not the boys. It didn't take a detour. It was consistent. Each girl's individual storyline and character growth was moving, and the different episodes focused on different stories perfectly. The show shows us how the girls are important as individuals as well as their relationships with each other. It was very apt and moving that throughout, the relationship between the girls, them as a 5, was way way more important then their relationship with any of the guys/ or any one else tbh. They valued each other and nothing came in between them. It was very realistic in portraying their relationship, even though they lived together, and despite the closeness, each individual has their own personal hardships (defo last ep), and you don't share every single detail with everyone. Another point was that they didn't try to force the 5 girls being close to each other equally, it made perfect sense for some girls to be closer to each other then to others - this never undermined their bond as a 5 though. I could ramble on about this but I'll stop.
CAST/ACTING:
I don't have any complaints. I could imagine the actors as their characters perfectly. Never once did I doubt the acting, or imagine anyone else doing a better job. I was immersed in each and every character and that is partly due to the actors job (also story/director etc). The guys played their part really well, and very convincingly. I didn't think the acting was over the top or anything.
MUSIC:
The songs were so perfect! I have been replaying Sogyumo Acacia Band - Butterfly. There is something about the song that makes me just want to reminisce my youth and think about stuff (lol). It fitted the show so perfectly. It was subtle yet it did its job.
REWATCH VALUE:
I gave it a high rewatch value, because I'll probably rewatch this at some point - probably after university finishes and I miss my college days. Though I don't know if I'll be able to handle it. It has already made me feel so much, and taught me a few life lessons, I don't want to rewatch it and make it less impactful on 2nd watch. Its too soon now.
FINAL THOUGHTS
The highlight of this show is definitely the girls. The only negative I have is the shortness, but they sure packed a lot in 12 episodes. I know each girl's story didn't complete (in kdrama completeness - happily ever after sense), esp YE EUN at the end, but in true fashion of this drama and its genre: life isn't start and stop, its ongoing for them, they don;t all need to have a boyfiriend or everything figured out, because thats what life is for. They only showed us a snippet of their life and so we can't expect everything to end completely and perfectly.
[A lot of comments going around earlier about when Jin Myung will develop her backbone. Speaking from life experience, I know someone in similar situation who had and still has many many hardship, but keeps quite and deals with it all. It took her many many years before she finally came to realise that this is her life, and she needs to live it her way, that she need to speak up for herself and not put up with people who hurt her. So people don't just change overnight. It takes a lot of self-realisation and growth. And I'm glad the show touched on this the way it did, for everything to reach a limit before you finally break down]
Age of Youth was definitely one of the best written, acted, and directed kdrama I’ve seen so far this year (this and Signal). And I sincerely pray for a second season!
This is so long.
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This movie is a true masterpiece by all aspects. It was so warming and I felt like it hit me in all the right places. Nothing felt overdone or underdone and the cast did a wonderful job of portraying people suffering from grief and tragedy. Although the movie is sad, it also has immense hope in it, much like its namesake. It is all about picking yourself up from the downsides of life and moving on with a smile. It forces you to think about all the harsh realities of the world and question the thin line between justice and fairness.
I have to really, really commend the stellar performances but on by the little girl and the actors who played her parents. It was too good to be true and felt too real. For a while, I lost myself in the movie and forgot that what I was seeing on my screen was not real. The irony is that it is real and at the same time not real. My heart goes out to the family of Nayoung and hope she is doing well in real life.
However, the reason to watch this movie is mostly to take a cue from it and smile in your life. This movie is indeed very inspirational and the direction is flawless. There are no bits of it I would want to change. Everything from the casting to the script were smooth and neat. A thorough masterpiece of a film that manages to capture a lot of reality and present it to you without any sugarcoat. It tells you how if you end up with a bitter candy, swallowing it won't make the bitterness go away. You rather have to live with chewing the candy and ingest the bitterness that comes along with it.
Do watch this movie if you are looking for something different. But be warned and prepare yourself with a box of tissues.
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I'm a huge fan of the anime version and I have seen both taiwanese and korean drama versions and I gotta say INK Love in Tokyo beats them both. The taiwanese one was way too long and therefore was boring at times and the korean one... well, not so good actors and even though I love the story, I couldn't help but being hella bored while watching Playful Kiss.
INK Love in Tokyo managed to still be interesting to me even though I knew the plot (and its twists) by heart. Now yes, the over the top acting (especially the main actress) was kinda off-putting at first but once I got past it, I really got fond of the characters and the main couple. I loved their chemistry, even if (no) thanks to the author, Irie Naoki's character is difficult to understand (to the point you just want to shake the hell outta him) and Aihara Kotoko's one is way too dumb to not be frustrated with her at some point. Still, loved them both together and individually.
The drama has its fun moments, not to the point where I'd like, laugh out loud or anything but enough to make me smile and feel good when watching them. And again, that was exactly what I expected from it. No more, no less.
I'm really glad it got a second season even if I already know how it's going to end but the drama's amazing characters and its sweet aura will definitely manage to keep me interested throughout its second run.
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1Call It Shim Woo Joo
I was unprepared for how much I liked this drama, especially since I've been in a somewhat prolonged slump in K-drama, so this was a welcome surprise. Without a doubt, Shim Woo Joo is the star of this drama. I love everything about her. She is a rare and refreshing character in the K-drama world. I love how much she feels and isn't scared to show it. I love that she isn't a pushover. I love that she lets herself live her emotions, whether anger, frustration, hate, love, or whatever else. Kudos to Lee Sung-Kyung for doing such a fantastic job with her. She has come a very long way.A lot touched me with this drama, and it's what makes it so relatable. I am from a culture where one is expected to respect elders and authority figures, but as I grew up, I realized respect is earned, not given. People cannot just demand it because culture expects it or because of age or blood relation. I don't know if this drama intends to push this notion, but I respect it for putting it out there, and it's why the story and the way it's told captured me completely.
The raw emotions in this drama and how it looks to tackle societal expectations in who and what love looks like and the need to continually save other people's face/pride, especially of elders, bosses, seniors, and family members, at one's expense, always disguising their true feelings feels more like punishment than reverence. Add to that the hierarchical societal roles and the logic or illogical stance of obedience, responsibility, and adherence at all times is a part of the culture that is hard to accept or even understand if one is not born into it.
As good as Lee Sung-Kyung is, Kim Young Kwang is even better in how he plays Han Dong Jin. I love him in this very stoic, melancholy role. I haven't seen him like this before, apart from his last Netflix drama, Somebody, now that was something else. I liked him as an actor, but that drama proved he isn't just a pretty face with a beautiful smile. The man can act. But this drama doesn't just do a fantastic job of flushing out Woo Joo and Dong Jin as leads but puts the same detail and care in Yoon Joon, Shim Hye Seong, Choi Sun Woo, and even Min Young. It's what makes it such a good drama. One of the best of 2023 to date.
Early on, I understood Woo Joo's need for revenge, and I appreciate her family's reaction to her falling in love with the sworn enemy's son. But I can't find fault in Woo Joo catching feelings for him. What hurts most is that Han Dong Jin was unfairly judged for being the enemy's son. Even before knowing what kind of person he was, they had already considered him as foul as his mother. The sad thing is that when people judge others, they do not define them; they define themselves.
I wish Woo Joo had just opened up to Han Dong Jin, but then life is so much more complex than that. Despite growing up with a selfish mother, I love the person and man he's become. To think that this world has a parent like his makes me cringe and filled with sorrow. I cannot comprehend parents like her, but I now fully understand the saying that every child deserves a parent, but not every parent deserves a child. People say we are products of our environment, but I tend to agree with those who say we are products of our choices despite our environment.
Life is so unfair at times, but it's also a string of natural and unexpected changes and opportunities for growth, despite or maybe because of it. It's admirable how far everyone in this drama comes, or maybe a better word is grows, especially Woo Joo and Hye Seong. I love that falling in love doesn't distinguish between enemies or friends. It doesn't follow human-set cultures or blind traditions. It happens because it's right and, in the process, changes everything for the better.
I love this drama and how everything, spoken and unspoken words, movements, stares- has meaning. It just clicks and falls into place despite how complex we humans can get, as it happened for Woo Joo and Dong Jin and Yoon Joon and Hye Seong. I value this drama for conveying that life is a matter of choices. Just because something is traditional or culturally acceptable, or not for that matter, is no reason to continue, especially when it causes more harm than good. As they say, one's tradition and culture should be a guide, not a jailor. As I said, I wasn't prepared for how much I would enjoy this drama, and to think I almost didn't watch it because of its title. A lesson learned never again to judge a drama by its title.
They say to engage an audience and have them relate to the characters in a story, character development is critical, and if there was any drama that had that in abundance, it's this one. Throughout the 16-week journey, all the characters, even the horrid mom, grew tremendously. What made this drama special was how convincing the actors were, but more importantly, the dialogue and the talking back and forth were beautifully done. I love the message too. Love can forgive all if we let it. All the actors were outstanding, but Kim Young Kwang stood out to me the most. He was just superb. Kudos to everyone involved with this heartwarming drama. Watch it, it will not disappoint you.
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The Yin-Yang Master: Dream of Eternity
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The Perfect Yin Yang
The Yin-Yang Master: Dream of Eternity is a much anticipated movie that went through hell and back, and literally pulled us fans into the same predicament. This production has been plagued by backlash against its director-screenwriter, Guo Jing Ming who lost a plagiarism lawsuit back in 2004 for a novel that he had published and since then, there have been those in the industry calling for a continued boycott of his works. On top of that incident, another accusation of plagiarism was made against him, this time for this movie where certain scenes resembled Marvel’s 2016 release of Doctor Strange. This fresh wave of backlash had resulted in the film being pulled from cinemas less than 2 weeks after its initial release in China on Christmas 2020. There were real fears that Netflix, which acquired the world-wide distribution rights, may pull the plug on this as well. Fortunately, it did not and the movie was released on the streaming platform as originally scheduled on 5 February 2021.Dream of Eternity is adapted from the novel series Onmyōji by Yumemakura Baku, with a fair amount of interpretation through the screenplay (as I understand from various news sources) written and directed by Guo Jing Ming. This is the 3rd incarnation of live-action based on the novel series, the first two were Japanese adaptations in 2001 and 2003, and comes into direct comparison (and probably competition as well, due to the timing) with another movie based on the Onmyōji mobile game (which is also inspired by the original novel series), The Yin Yang Master. To be perfectly honest, I haven’t read the novel series, played the mobile game, and even seen the two Japanese adaptations. So I went into this on a huge wave of anticipation and excitement based on rave reviews by nearly everyone who had seen the movie.
The plot focuses on the adventures of the lead character, cosmologist (Onmyōdō, the traditional Japanese art of esoteric cosmology) Qing Ming as he investigates strange cases linked to an overarching mystery involving the heavenly realm and a mystical artifact. This takes place in a fantasy world where supernatural beings (demons, and others that I’m unsure of how to classify) co-exist. Along the way, he develops a friendship (and bromance with hints of BL) with the Imperial Guard (similar to the Embroidered/ Brocade Jing Yi Wei guards) Bo Ya. Together they form a formidable partnership in tackling the unsavoury otherworldly (super)villains that get in the way of solving mysteries. They also encounter other intriguing supporting characters such as Princess Zhang Ping, Master Long Ye and He Shou Ye.
If the story depicted here is anything like the original source material, I’m severely tempted to start reading the novel series. Exquisitely intricate world building of the highest degree with equally fleshed out major and supporting characters. Little wonder a running time over 2 hours is needed to bring this entirely fantastical setting to life. It certainly did not feel that long at all, as the storytelling progresses at a reasonably engaging and quick pace with perfectly-timed intensity and thrills where it mattered. Perhaps an additional 15 to 20 minutes would have provided more richness and depth to certain scenes and the development of character build-ups and relationship dynamics.
The cast is one of the major reasons for getting excited over this movie. Mark Chao headlines the eclectic ensemble that also comprises the likes of Deng Lun and Olivia Wang. The award-winning Mark Chao is globally renowned for his role of Ye Hua in Eternal Love (TMOPB) as well as numerous other starring roles since he made his debut in the critically-acclaimed Monga a decade ago. Deng Lun is another big name in the xianxia series through his major role in Ashes of Love. Olivia Wang is probably not as universally renowned as the two gentlemen, but she has been no less prolific with a portfolio of works that spans 15 years in the industry.
The characters of Qing Ming and Bo Ya were delectably portrayed by Mark and Deng respectively. Mark invokes a particularly subtle kind of charm and sophistication as the titular Yin-Yang Master that makes him appear genuinely warm and sincere but with a dash of self-assured confidence. Deng’s Bo Ya is seemingly more minimalist with a stoic disposition permanently etched on his entire being. These two make for a great couple, whether as brothers-in-arms or even beyond the usual conventions. Wang was almost unrecognizable as the Princess Zhang Ping, even without the heavy Tang-esque makeup. I felt that although she was probably way out of her comfort zone in this role because it was such a controlled and subdued character to portray, her performance was on point. Her character is arguably one of the most enigmatically intriguing.
The most talked about aspect of this production that garners the highest praise from most viewers, with which I agree wholeheartedly, is its visual representation. This is a big budget production that seamlessly blends top-tier CGI technology, beautiful cinematography, and astounding choreographed sequences with breathtaking set designs and immaculate costumes that embody the world of Onmyōji, supposedly set in the Japanese Heian period. There is absolutely no way to describe how visually stunning this film is - you just have to see it for yourself. Principal photography fully took place at Hengdian World Studios and apparently this film and a sequel were filmed back-to-back in what is a planned series. The impressive visual effects were provided by the well-known Korean animation and motion picture VFX production company, 4th Creative Party which had produced feature films in Asia, Hollywood and Europe, most notably Okja, Snowpiercer, and The Host.
The music in the film is no less exquisite, composed by celebrated Japanese composer Kenji Kawai, famed for his works in Ghost in the Shell, Death Note and Ip Man series, among many others. The BGM for this production is one of the best in the fantasy genre, where traditional sounds blend harmoniously with contemporary tones. The OST lists 2 tracks used in the film, both of which are slow-tempo ballads:
Heart Fallen 心殇人 - Huang Ling 黄龄
Infatuation Tomb (Ending Song) 痴情冢 – Deng Lun 邓伦
Overall, The Yin-Yang Master: Dream of Eternity is an exceptionally well-crafted film that is stunning to watch, refreshingly straightforward and uncomplicated (despite the premise), and effortlessly enjoyable as well as fun. It’s a no-brainer, what are you waiting for? (before Netflix actually removes the content because of plagiarism issues...).
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This review may contain spoilers
I wanted to wait until I had processed the ending of this drama before reviewing it. The emotional investment I had in these boys and their story stopped me from writing down coherent sentences at first. But here we are, a week later! For the first few episodes, we see a fairly regular (and wonderfully done) set-up between an A+ student with a poor background and a rebel with a soft heart. I must say, I really fell head over heels for both boys and how soft they are with each other. How much happier Shigu became after gradually letting Haoting inside his heart and life. Haoting shouting from the rooftops how much he loves Shigu...
The promising flow of this story was what disappointed me and resulted in a lower score overall after the last episode aired. Having Shigu die, off camera, and fast forward 6 years felt like a cheap trick for making the audience cry. An ending can be sad without being disliked. This was just bad writing.
Why not let Shigu be sick from the get-go and let the audience experience them fighting-perhaps even losing the fight, but alongside them? Why not show us what happened on that god-awful day and watch Haoting pick up the pieces of his life and move on? Both would have been a lot more powerful in my opinion. And both Wei En and Juan Zhi could have carried that as actors.
I think the decision to take Hao Ting's incredible love for Shigu and make it so he seems stuck at 18, broken and unable to move on, too much. The LGBTQ community has had enough of those sad and useless endings, dramas don't have to be lifelessons. They don't have to have the shock-factor this writer aimed for. Sure, we were shocked. But also pissed off. And I was unable to even talk about it because I was so upset that a poor boy who finally found love and warmth got ran over by a car we didn't even see. One of Haoting's lines at the end even insinuates he'll go climb the highest mountain in the world and die there to be with Shigu again. Healthy image for queer romance? I think not. Sometimes it's okay if dramas wrap everything up in a little bow, making people happy can be just as powerful as making them cry.
I guess in the end, this was not what I signed up for when I started this and therefor I cannot stop my emotional reaction of giving it a lower rating. I do wish for the actors involved to get more work and recognition through this, as it is thanks to their performance that the ending hurt so much and the happiness made my heart soar.
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When fiction meets reality...
As a sociologist and someone from a country that went through two dictatorships, Youth of May, a drama that addresses one of the most tragic moments in South Korean history (which took place during a dictatorial period, it is important to emphasize) caught my attention.I usually believe that art in general, including dramas, has a social function, which is to remember, even what we most want to forget, because even what causes us sadness is part of the stories we experience and it is of course, the stories that make up a country and its people.
And in Youth of May it is possible to identify this effort to revive the collective memory, mixing fictional aspects and others that go back to the often cruel reality. For, against the background of the Gwangju massacre, Youth of May portrays the multiple deaths that can be experienced in traumatic events.
"Death" does not always refer to the body, but to dreams that are not lived, hopes that are dashed and reputations destroyed. Making you question what it means to live? Is a person who has given up on their dreams alive in some way or is they dying with each passing day?
That's the question I asked myself when I was introduced to the protagonists, especially Myung Hee who, for various reasons, is forced to give up her own future until finally the opportunity to leave for another place arises. But what to do, when meeting Hwang Hee Tae, our male protagonist, she finally decides to live...
Giving up a "fair" path that allowed her to live securely in sacrifice of her own happiness, Myung Hee experiences love, fear, self-pity, while questioning herself and her own values. Feelings that are interesting, as the protagonist starts to question herself and her choices, while she sees the self-control she had slip through her hands, replaced by the possibility of living a love...
Already with Hwang Hee Tae we learn somehow about remorse, about autonomy and responsibility and, in a way, submission, while he is willing to exchange his own future for the possibility of saving someone from the past, aspiration ruined for an "exchange" , who made him meet Myung Hee on a blind date. He who was willing to give up on himself found a reason not to abandon himself...
It is from this exchange that Hwang Hee Tae and Kim Myung Hee live their love, intensified by the almost instantaneous attraction and historical moment they were experiencing, as well as by the networks of relationships that tied them to a reality that cannot be defined in any way. positive. After all, the use of repression against the innocent will never cease to be regrettable.
The relationship created between the historical event, the novel presented and the other relationships demonstrated allows us to think about abstract concepts such as justice, injustice, insurgency, freedom and the false feeling of being free, as in the case of Soo Ryeon and Soo Chan's family, our secondary characters. Being Soo Chan awakened from his illusion in the final part of the work.
It is noteworthy that this symbiotic relationship (dramatized historical event + romance + family) also allows us to think about how hard reality can be. Because, through the characters, it was possible, at least for me, to somehow establish a connection with the feelings evoked and delve a little deeper into the presented historical fact.
It's as if somehow it was possible to bring, with the plot presented, an understanding even if shallow of the difficulties of those who did not have their stories told. I wonder if I'm traveling, but I got this feeling while wandering.
And finally, with the sum of the novel, with the representations (which still do not represent the full complexity of such violence) accompanied by worthy performances, the doors are opened to seek to know a little more about the true Youth of may.
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Authentic Portrayal Of Asperger's
As someone who who has been diagnosed with Asperger's herself and as a mother of a son who is diagnosed the same I felt compelled to write a review for this drama. Tang Jung Sang is simply amazing and very authentic in the part of Gu Ru. I cannot stress that enough. Some people might try to disagree with me, but you have to understand, we all have different traits that manifest. Though I, as a female Aspie am totally different than Gu Ru, I still could relate to many traits that the character had and how they were acted out. My son is a lot more similar, though not as extreme, but he also has had professional therapy and has been raised by a mother who is also an Aspie. In the drama, it is shown that Gu Ru's father was the one who worked with him throughout his life, so of course he would still have many issues, though his father did such a a wonderful job just by accepting him and loving him for he is and teaching him. Honestly, the simple teachings his father gave to him were so very similar to how I have taught my son. His father was not autistic but still. He just knew how to get through to Gu Ru in such a patient, loving way. I mean, it is such a simple approach, how he shown doing things, but it is always the *right* way. That is exactly how parents of autistic children should communicate. I saw so many traits, however, that my son had when younger, before the years of therapy began. (Not ABA. I just want to make that clear before anyone jumps on me. I am talking social skills.) For instance, as a child, my son, like Gu Ru, would talk robotically and stim much more when overwhelmed. Also, he still walks very stiffly and won't make eye contact at all.Another thing that I must point out is very authentic is his ability to memorize what he sees. In my case, I cannot in the way he does, but I can memorize an accent if I hear it once and determine where the person speaking is from. My son can memorize languages and mathmatical concepts. Again, our traits, while similar, can manifest differently.
A number of shows and dramas have been coming out lately that make autism the focal point. I haven't seen all of them, but Move To Heaven nails it. I can also vouch because even though I have explained my and my son's differences to Gu Ru, I know quite a few just like him. In fact, while watching, it is easy to think Tang Jung Sang actually has Asperger's, he is that good at acting it out.
Anyway, on to the rest.
The story is heartwrenching in so many ways, but deeply moving. The main focus is actually the relationship between Gu Ru and his long lost uncle. His uncle appears like a selfish, uncaring slob, but as the story progresses, we get to understand him more and see his heart soften for his nephew. As usual, Lee Je Hoon is excellent. He is such a great actor. He can show a range of emotions and also, just like in Taxi Driver, he kicks butt in fighting scenes.
I give this drama a 9 because it is wonderful, beautiful and doesn't screw up showing autism. I would have given it a 10 but I was kind of hoping for a certain plot twist and it didn't happen. Lol (What did happen was still good, I just really wanted the other thing. Haha!) Also, it left off with something like...not a cliffhanger but something you are left waiting to see what and if anything happens there. It was totally on purpose as an opening for a possible second season on Netflix, I just hate it when they do that when nothing is confirmed. Don't leave peeps hanging! I do hope there is a Season 2. I will watch if there is.
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This review may contain spoilers
A story that causes controversial overreaction by viewers without doing anything controversial
This is my first time writing a drama review because I was usually a silent viewer but this drama was so interesting that I ended up feeling the need to write one despite this is not a language I speak.Story:
When I first read the synopsis, I thought that It must be one of those lazy shoujo/BL story that used to be popular with trope like bully x victim cheesy high school romance which usually end with bully kept enjoying the bullying while the victim just submit to them after awhile because they can’t fight back. It started with two kids with troubles of their own who seemed like it will end up in a bad relationship but the story turned out different the more I watched. It was about calling out their deep rooted issues until they are ready to face it together and touched on topics like communication, idolatry, consent and first love. Because of first episode alone I feel like these characters have more behind what they are showing on facade so I chose to look for the source material and found the audio drama adaptation which is close to the original Novel. I LOVE IT. I was anxious and anticipated to see how the drama which only have 2 and half hours run time overall would be able to adapt such complicated story accurately.
Characters:
They started like one of those boring flat characters, an obsessive introvert boy and his crush who’s the opposite. However, what you will realize is that, the story is being told in first person point of view, which mean for the over half of the drama you will hear from this boy Hira about his life and his obsession over his crush. From his point of view, me and the other viewers are sympathized with him and feel the anger toward the crush who seems like bland untouchable character but we are so wrong when the narration switched to Kiyoi, the popular boy, to be the one telling the story from his eyes which to be honest, more realistic view than Hira’s. It told you the complexity of both characters and WHY there was misunderstanding between them because even we, as the third person who watch them, also misunderstood them. Worth noting that this story might not have much of them as romantic partners but more like HOW they became a couple because this is only adapted from 1st book of the novel trilogy.
A lot of people’s reaction to this drama was a shallow view and criticism on the story and characters without looking closer and reflecting. The word “Toxic” and “Abusive” wouldn’t be what I would call their romance, I would say they are two teenagers with their own issue who found comfort in each other but miscommunication happened, loneliness and bad timing didn’t help either.
Rewatch value: HELL YEAH this is the only romance drama that I suggest rewatching because trust me, every rewatch will give you new details you didn’t notice before and that should thank to awesome and attentive production team as well as the young actors who surprisingly are good at portraying complex story and characters with such a short limit of time.
I believe drama-only fans won’t find it anything special but this drama put a lot of effort in including favorite lines and hidden detail from its source material so the rewatch value is MUCH higher for fans who love the novel and audio drama version.
However, I would suggest everyone to give it a try and watch for yourself. This is a good story but probably not for everyone, especially those who refuse to open their mind.
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The concept of the drama was based on Insurance crime and for those who don't know much about it, it might as well be a little complicated to follow. The scenes where all the schemes and cases were explained were dialogue heavy with some technical terms and for watchers who want their shows easy to digest, it could be a bit of a problem.
That's not the case with me though. I don't like my dramas to hand me everything on a platter. I want to be able to think about the events taking place and then have this lightbulb moment of 'Oh, so this was what happened.' I like it when a show makes me replay some scenes to catch a dialogue I missed because this means that I care and a drama has to be good if it makes me care.
I'm not gonna say Mad Dog was perfect. It had some flaws here and there, some plot-holes, some illogical things but when you looked at it as a bigger picture you saw that actually yes, this could've happened in real life too. It wasn't far-fetched from reality and you realized that the plot was indeed very well-connected and backed up by smart characters with brilliant planning who were always trying to one-up each other.
While the show started off slow, focusing more on introducing all the characters and their dilemmas, once it hit the 9th episode mark- it skyrocketed and the real action came out in play.
However, the strength of the show wasn't its plot, rather it was the character development. This was a story about how a team (Mad Dog) of lovable individuals each with their own unique talents joined hands with a lone wolf, scam artist (Kim Min Joon) and how together they grew into one tight knit group that was closer than family.
Every role was beautifully constructed and the moment I felt that a character wasn't getting much attention, the script changed its course and swallowed down all my complaints. Besides our amazing team, there were some very endearing side characters (Nurse Sem and Manager Park) along with intriguing and well-portrayed antagonists that helped the show retain its charisma.
Yoo Ji Tae is an actor that emotes with his eyes and Mr. Choi with his vengeful looks and determined actions gave me so much life, especially because YJT's acting was exceptionally brilliant towards the end. Jo Jae Yun (my all time favorite supporting actor) once again brought forth a memorable character. Cheetah shi was so cute with his matchmaking skills, a softie heart and the gangster ways. Kim Hye Sung with his adorable Pentium; a genius and kind-hearted boy, stole many hearts and Ryu Hwa Young gave life to the badass, headstrong but caring Jang Ha Ri that you couldn't help but adore.
But, despite the presence of the more experienced and brilliant cast members, Woo Do Hwan once again snatched all the spotlights. He should honestly be named 'show-stealer' because whenever he takes a role he owns it so completely that other people are given a deadly run for their money.
Try as I might, I couldn't believe this was just the second show he's starred in because he's just too fucking good. He's the kind of artist, I can imagine in every possible role because of his humongous talent and versatile personality. Without bias, I can say that despite being a newbie he's one of the best actors in dramaworld. I love the way he walks, his charming quirks, his beautiful smile and his amazing voice. (Now, is where the bias is speaking.)
So there was no surprise in the fact that Woo Do Hwan's Kim Min Joo slayed me completely and then went for more. Kim Min Joo with his German adlibs, sneaky personality and fearless swag was truly one of a kind. He was incredibily smart with a talent in annoying people to death. He loved pulling everyone's leg, all the while calmly laughing while doing so. He was a bit arrogant, definitely not one to mess with but ultimately, a huge sweetheart. I loved how realistic his character was. He didn't develop magical super powers when people came to kill him (and they came a lot) nope, he innocently got beaten every time instead, was a huge scaredy cat and couldn't even throw a punch properly. And I loved that. The highlight of the show was seeing him warm up to other people and letting go of his trust issues and finally being given a family that he could rely upon.
The dynamics within the Mad Dog team (Kim Min Joon included) were simply everything. The way they had each other's back was extremely heart touching. These people had so much love for each other that at one point, I was shipping every-one with everyone. I loved their little missions, their secretive and conspiring shared glances, their smart strategies and their protectiveness of one another, so much.
And last but not the least: The romance. Even though it was done as a sub-plot only, it was so so good. Kim Min Joon and Jang Ha Ri were a match made in heaven. The small moments they had with each other were so incredibily sweet and their chemistry was fire. The minor touch of romance in this show was far well-done than some of the wholesome love stories I have seen. I think I've never wished for a kiss scene before in my entire life. But ah, we can't have it all now can we?
While Mad Dog did have some great 'Oh shit, what's going to happen next' scenes, it wasn't a show centered on 'the bext big thing'. The beauty of the show was in the small, intimate moments between the characters, the way they grew on each other and the way they evolved together and as individuals.
If you let it, Mad Dog will make you feel. It will touch your heart deeply and make you feel joy, sadness and love. So much love.
I really enjoyed the OST of the show. From NiiHwa's popping and catchy track to Eric Nam's soulful ballad- the sound track did great things for the mood of the drama.
I loved the cast and their antics, so much so, that I really didn't have the heart to let them go till the very end. Although the ending was a little bit rushed, it left me with a wide smile and some heartfelt happy tears.
So while Mad Dog might not be everybody's cup of tea, it was a steaming mug of delicious cappuccino for me.
Definitely one of the better shows of 2017 and one I surely recommend.
Enjoy!
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This review may contain spoilers
When you think about all of the clues we are given about Yuma, the ending doesn't seem so open ended, after all. Throughout the series we are given a glimpse of his abilities. Bringing on a rain storm. Sending lightening to strike his adversary's water supply. Suspending a bottle in mid air. Not dying after taking a euthanasia pill (right there we are shown that he can perform the impossible). And...Yuma's happy go lucky parting with Ritsu and Masumi, promising that he will see them again. The bond that developed between Meguru and Yuma, gave Yuma a future to look forward to. He found his dead idol in her look alike sibling....almost as though she were resurrected from the dead. The series followed the manga almost exactly. Happy ending in the manga. Yuma sent the meteor away.There is a strong message to this series (and manga). When our own individual world is collapsing around us...when we feel as though there is no longer a reason to live...the entire world could end for all we care. But then...when our lives get back on track...and things look hopeful again...we want the world to go on. And...so it was...with Yuma.
Ritsu and Masumi also had no hope for living....until they reunited and rekindled their love. Ritsu says in the last episode that there was no reason for him to live any longer...but when he found Masumi again, the desire to live was renewed.
This is a lesson for all of us....about despair...and the renewal of hope.
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