1This review may contain spoilers
I had expected this to be a successful second season to a beautifully written drama.. Even if not better than the first but at least close to it.. But honestly, it wasn’t.. And I totally understand the low ratings.. I really do.. I am not going to blame the story itself.. If this had been a standalone drama or not a continuation, it would have actually been an excellent one.. But it wasn’t.. After watching 34 eps and waiting 5–6 months, you shouldn’t have to sit through another 12 eps of push and pull between the main leads.. Especially letting someone like Liu Lang who is a complete nobody affect their relationship.. The court politics, the mutiny and everything else were solid, but most of what happened in the first 12 eps felt totally unnecessary.. The foundation for the characters was already built.. What they needed to do was move the story forward.. Instead they were still stuck in the same loop.. Repeating what had already happened in the first season.. Honestly I respect the commitment the writing shows, it knows what it wants.. But I didn’t quite get the fulfillment I was hoping for.. I am only whining because I expected more..If it were possible to erase someone from the story.. It would be Liu Lang.. Enemies?? Yeah I hate them.. But what about people who stay close to you and backstab you?? He literally got his life back and is living well because of the FL and yet he tried to destroy her relationship out of jealousy?? He was supposed to be like a younger brother to her.. His sister did the same thing and now he followed right in her footsteps.. And the fact that this guy hit the ML and still got let off?? I was honestly disappointed at how easily he was forgiven and also how his stupidity and jealousy were sugarcoated as concern for the FL.. Sure he got his redemption arc but he didnt pay for his mistakes..
Liu Chang was pathetic in the first season but here he completely turned into a character unworthy of any pity.. He did some truly nasty things.. It was actually satisfying when the FL hurt him repeatedly, the stabbing scene especially felt good.. But honestly, he still didn’t suffer enough.. That’s why I wasn’t satisfied with how things ended for him.. He should have suffered more pain..
I actually felt sorry for Princess You Zhen.. The cycle of her life was truly sad.. Hurt by the men around her, including her own father.. I am glad she didn’t die in the end.. It meant she had another chance at life, another opportunity to start over..
Ep 19.. I think they were too hasty in confronting Prince Ning.. I mean he literally crushed their decade old plan in just a few days, it felt way too easy.. And the final confrontation, the war could have been handled much better.. It just goes to show how little attention was given to the parts of the story that didn’t have the FL on screen..
While I wasn’t completely satisfied, this was still a watchable conclusion to an amazing story.. In the first season even though Mu Dan was the anchor, the others mattered too.. But in the second season, it became all about her.. No one else had a satisfying storyline.. Even the ML felt underused and sidelined, just to elevate Mu Dan’s character to glory.. I really wished everyone had a meaningful presence..
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1Pro Bono vs. Lazy Critics: Guess Who Wins?
Pro Bono isn’t controversial, your privilege is. Some bubble dwellers voluntarily watched a legal drama (just 4 eps) and thought the biggest crime was queer representation or women’s autonomy. Spoiler: the only crime here is your complete lack of critical thinking. (You can find my criticism concerning this show at the end. This review only discusses first four episodes and the bad faith comments about them.)“Too woke”
Okay, let’s unpack this embarrassing ‘hot take.’ You’re voluntarily watching a LAW drama, a genre literally about justice, society, and real life conflicts and your main critique is ‘too woke’? This show addresses teen pregnancy, anti abortion coercion, and queer rights (in first 4 eps). If that bothers you, maybe basic human rights just aren’t your thing….own it and move on.
“Pushing your agenda”
Calling women’s autonomy or queer existence an “agenda” is a rhetorical trick. It reframes freedom as threat so that control looks like morality. Abortion as a personal vs. imposed choice. You completely ignore the distinction between personal belief and enforcing that belief on others. A religion can inform personal choices, but trying to force a fully grown woman/teen to carry a pregnancy against her will is coercion, not morality. Claiming this as “moral correctness” while decrying propaganda is contradictory.
If a belief cannot survive without being forced on others, then the belief, not the people living freely…. is the agenda. That’s the distinction.
“Propaganda”
Propaganda isn’t diversity, autonomy, or people living their truth, it’s the weaponization of belief to control others. Showing queer people on screen (for five minutes) or supporting women’s right to choose isn’t “pushing an agenda”; it’s acknowledging reality. The real agenda is hiding behind morality to take away agency: forcing a teen or sexual assault survivor to carry a pregnancy, dictating who people can love, or enforcing religious rules on everyone else while pretending it’s “for their own good.” It’s not about care or ethics; it’s about control. And the kicker? These people rarely give a damn about the outcomes, if the child is disabled, neglected, abused or struggling, that doesn’t matter. What matters is that their moral scoreboard looks clean. Freedom, choice, and empathy threaten them, so they call it an “agenda” to scare others into compliance. If your beliefs need chains to survive, that’s not morality, it’s coercion masquerading as virtue.
“This is Western crap, why bring it to Kdrama?”
Again, watching a LAW drama and complaining it’s “Western propaganda” is peak absurdity. This isn’t a romcom with rainbow sunshine; it’s a show about real societal issues which exist everywhere, not just in the U.S. Expecting a legal drama to ignore these realities is like complaining about rain during a storm. If discomfort equals propaganda, then reality itself is offensive, but maybe the problem isn’t the show, it’s the viewer.
Why did i take this drama as pro bono and defend it with my last two brain cells after scrolling through all the ignorant takes?
Because unlike some viewers, I actually understand what a law drama is, what human rights mean, and that empathy isn’t a ‘Western agenda.’ Yes, I got offended reading these comments deny basic human rights to fellow humans because it doesn’t align with their own religious beliefs. Religious beliefs should dictate how you lead your own life, not how you can control other’s life. I respect your religion and your beliefs. If you don’t want to abort your own baby, that is your choice and I will respect that. If you are not attracted to same sex, that is your orientation, I will respect that. Forcing it on others? Now thats a propaganda, not an opinion.
Media does not exist in a vacuum, it shapes what society sees as normal, moral, and acceptable. When topics addressed in this drama are ignored or softened, existing power structures are quietly validated. By portraying legal support for queer individuals and the real consequences of denying women choice over their own bodies, the show acknowledges lived realities that affect vulnerable people every day. This is not about promoting an ideology, but about refusing to romanticize control, questioning “clean” moral endings that overlook trauma, and reminding viewers that autonomy, consent, and dignity are essential to justice.
Addendum: Why I rated it high, what my actual critique is, and why that still doesn’t validate the comment section meltdown.
My initial high rating was intentional. The review space had already been flooded with low effort, ideologically driven ratings after just two/four episodes, people declaring the show “too woke” while admitting they barely watched it. The high rating was bait: to get people to actually read why this discourse matters.
That said, defending this drama from bad faith attacks does not mean I think it’s flawless or even particularly brave. In fact, my criticism starts precisely where the show pulls its punches. Despite gesturing toward queer rights, it never commits to a full queer centred legal case (yet). Representation remains implied, diluted, and safely peripheral present enough to signal progress, absent enough to avoid backlash. It is still a positive representation nonetheless. In a different perspective, this might be a stepping stone for upcoming law dramas. Similarly, the storyline involving a coerced teen pregnancy initially frames reproductive control as a legal and ethical violation, only to abandon that stance by episode four. The narrative retreats into a “neutral” resolution, having the disabled child adopted by an anti abortion hospital CEO, which conveniently avoids confronting the core issue: forcing a teenager to give birth against her will. This is narrative risk aversion. In other words, the show wants credit for raising hard questions without fully sitting in their consequences. That’s a valid critique. It reflects an industry tendency to appear progressive while ultimately reassuring conservative comfort zones. I also do not align with or endorse any alleged MAP symbolism or geopolitical propaganda some viewers have pointed out (till 4 eps).
Now here’s where the distinction matters: criticism is not the same as reactionary hate. Criticism interrogates execution, consistency, and ethical follow through. What I’m pushing back against in the comments is not thoughtful disagreement, it’s people collapsing at the mere presence of queer people or women exercising bodily autonomy and calling that collapse an “opinion.” Saying “the show avoids depth” or “it plays it too safe” is criticism. Saying “stop shoving this agenda down our throats” because marginalized people exist on screen is ideological panic.
When shows avoid fully confronting coercion, trauma, or queer legal realities, they don’t become “neutral”, they quietly reinforce existing power structures. My review defends the right of these issues to be addressed in this genre while holding the show accountable for how cautiously it ultimately does so. This review is not a blind praise. It is a refusal to let bad faith outrage masquerade as media critique. You’re allowed to dislike this drama. You’re allowed to critique its writing. What you’re not doing, no matter how loudly you insist is engaging in honest criticism when your problem is that other people’s rights make you uncomfortable.
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Overall, this was not -so- bad, and it was an entertaining way to waste some time, but unless you are a diehard Cassie or are just curious about DBSK, there are probably better things to watch out there.
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Aaaaand now I'm a mess.
With the final episode done, my face tear stained, eyes puffy, and nose looking like it could put Rudolf to shame... I wonder what I'm supposed to do with my life now.I feel like a mess. A huge mess. I have been stalking my own TV since freaking OCTOBER! You know the second a new episode dropped, my nose was in the TV and best bet, I haven't made plans to do anything in fear of missing a episode. Lol
구미호뎐 was so gosh damn phenomenal. I just want to spend the rest of my days talking about how much I loved every inch of this show. I have this weird obsession with 구미호 anyway so when I heard there was going to be a show about it starring two of my favorite people - There was nothing else left to do except wait. I needed no other reason because I was instantly hooked. Whoever thought to put Kim Bum and Lee Dong-Wook in a show together... I love you. and thank you for traumatizing me. Okay not really thankful about that last part, but thank you for putting this amazing masterpiece together.
This show is the perfection of a roller coaster without going on those monstrosities (I said what I said) --
There were characters I adored from the start and ended up HATING! There were characters I hated that I ended up loving... but funny enough it ended with me loving everyone. Well... minus the bad people. Hot or not, I still don't like you 이무기 (Imoogi)!! Even though there were a lot of times I wished you weren't a dickbag.
ANYWHO! Every single episode held so much that sometimes I felt like I held my breath the whole time, only able to breathe when it was over. Lol It held a bit of a trance, I suppose. Not complaining. I love shows like that. It's rare for that to happen as well - So I know this show will stick with me forever and will always be a favorite of mine.
Everyone's acting was off the charts amazing, there wasn't a single terrible person that was casted and I really really REALLY hope this wins awards. That's how amazing I believe it is. Not only the whole show, the cast, storyline, even the MUSIC.. just... EVERYTHING should be won when it comes to this show! I'm talking Parasite level of awards. Fight me if you don't agree. lol
I knew getting close to the end it would be sad. It's inevitable, but COME ON!!! I wasn't expecting THAT! I don't think I have cried quiet that hard since I watched Goblin.... and my face turned purple from crying so hard watching that. You can imagine how I looked watching this...... please don't imagine. I'm sure it's scary AF. Lol
The only and I mean ONLYYYYY issue I had with this show isn't even really just a issue, more of a confusion? And that's how it ended the way that it ended. I don't understand? Was he? Wasn't he? kinda thing. So I am really confused. I'm kinda hoping they release some kind of statement about it or extra little piece to explain how that happened when all through the show - we heard different. While I'm happy, I'm confused and maybe a little scared? Also... I wish it could have ended happier, if you know what I mean. If you watch it, and I hope you do -- I hope you'll agree with me that that person deserved happiness too.
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Silk Robes & Side-Eyes: A Sweet Escape with “Prisoner of Beauty”
Watching Prisoner of Beauty felt like getting wrapped in a velvet blanket while two ridiculously good-looking people argued like an old married couple. 😂Song Zu’er? Total gem 💎—graceful, sharp, and that face could lead armies or end wars. The way she glares at Liu Yuning every time he roasts the poor Scholar? Comedy gold 🤣. Her expressions deserve their own drama: fiery when mad 😤, cool when scheming 🧠, soft when in love 💕, and adorably guilty when apologising 🥺. It’s like an emoji keyboard came to life—with actual acting skills. Unlike most cookie-cutter FLs, she brings layers, not just eyeliner. Queen behavior. 👑
Liu Yuning—ugh yes please! 😍 The man is walking eye candy with a dash of brooding mystery and unexpected softness. That towering presence, those intense gazes, and his deep voice? Instant heart flutter 🫠. Plus, his fashion and armor game? On point. Whether he’s in battle robes or sulking in a corner, he serves main character energy with a side of “I’ll protect you but won’t talk about my feelings” charm 🖤🗡️. Love his style, love his vibe—10/10 would stare respectfully (and maybe a little disrespectfully) every episode. 😏🔥 He comes in all broody and battle-ready 🗡️, but surprise! He’s got deadpan sass and “emotionally constipated but trying” energy that grows on you like a reluctant houseplant. 🌱 Their chemistry? It’s giving enemies-to-lovers with a side of slow-burn eye contact and unspoken feelings longer than ancient scrolls 📜.
And here’s the best part—no unnecessary breakups, no stupid misunderstandings! 🙌 Yes, they bicker (and thank goodness, because the banter is gold), but they hash it out like mature, emotionally literate grownups. What a concept! 😂 It’s so refreshing to see leads who argue with logic, then move on with their lives together. Love them for it!
The four Wei generals and the advisor? Absolute comedy squad 🤣. Every time they showed up, it was like a mini sitcom in ancient robes. Whether they were panicking, plotting, or just being lovable idiots, they had me cackling 😂. And the advisor? The one brain cell holding them together—barely. It felt like watching a group project where only one guy read the instructions 🧠📜. Their loyalty was top-tier, but their chaos? Unmatched. I’d watch a spin-off of just them arguing over who gets the last dumpling 🥟.
The only tearjerker? Sweet, chubby General Wei Liang 😭💔. That man was a cinnamon roll in armor. His loyalty, his adorable crush, his pure friendship with the leads… I wasn’t ready to say goodbye. And his love story? Utterly precious and hilarious—like watching a puppy try to flirt 🐶💘.
The OST is like background fairy dust—gentle piano, wistful strings, and perfectly timed romantic tunes when someone almost says "I like you" but ends up staring instead 😳. And the cinematography? Stunning. Golden sunlight, flowing robes, petals flying like someone paid extra for wind effects 🍃. Every frame could hang in a museum, honestly.
Plot-wise, it’s not here to hurt you or melt your brain. No power-hungry schemes with a hundred backstabs—just heartfelt growth, palace whispers, clever plotting, and romantic tension so thick it could be sliced with a decorative hairpin. 🥢
Verdict? 10/10 for comfort, chemistry, visual snacks, and healthy communication. A drama that made my heart full, eyes happy, and left me whispering “just one more episode” at 2am like a liar. 😅📺💖
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Female lead that is equal with the male lead in brain and brawn
I must admit I didn’t start watching Under the Power until I finished all other Cdramas because Allen Ren (Lu Yi) and Seven Tan (Jinxia) doesn’t fit my preferred look for Cdrama leads who are candy cuties, with fairy faces, and winsome smiles (ex. Jung Jin yi, Zhao Lusi, Zhang Zehan, Jing Boran, etc.).In terms of acting and chemistry, all I can say is that the actors gave their A game in this production. Though they might not win the most good looking award, Allen Ren and Seven Tan definitely deserve an award for their superb acting that made me fall in love with Lu Yi’s resting frowning face, and Jinxia’s impish character. The supporting actors also gave their best and I must commend Dong Han for giving us the sexiest, and most handsome villain (Yan Shifan) to date. He did a great job by giving us a villain that you love to hate with his smiling face while doing vile deeds that sometimes you get to question yourself if you’re a psycho for wanting to side with him.
For the plot and writing, I love that all the crime solving in the drama are just subplots to propel the story forward to resolve the overarching conspiracy plot. I also like that there are SEVERAL STRONG FEMALE CHARACTERS in the story not just the main lead (ex. Ms Shengguan, Mrs. Qing, Zhai Lanye, etc). These female characters are just as strong, intelligent, cunning, and brave as the other male heroes in the story. I also felt that there were no filler scenes and that though this drama is 55 episodes long, it didn’t take 30+ episodes for the main romance to be established. Some dramas take the easy way out and give viewers a lot of kissing or sexy scenes, but the writer of this drama took the harder route by creating more logical scenes to establish the romance. Lu yi and Jinxia’s romance is not your cliched love at first sight or the martyr type romance. I fell in-love with Lu Yi and Jinxia’s romance, so much so that I didn’t care that they never had and never needed a full kiss to express their realistic love for each other. I also love the way the characters were written and that they remained consistent to their core until the end of the series. The main leads’ problems were never drawn out and was resolved in a satisfying manner that you don’t have to pray for their angst to end.
Lastly, only people who expect this drama to be either 100% crime solving or 100% rom com will be disappointed . Because this drama has the perfect blend of the elements for everyone. The breakdown of the drama elements are as follows:
40% crime solving
30% solving the main plot
30% romance between the leads
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This review may contain spoilers
IN MEMORY OF YOOK WOO DANG (1984-2003)
That’s what it says at the end of this short film, so I read about him. Yook Woo Dang is the pen name of Yun Hyon-seok, a South Korean LGBT poet-writer-activist. He took his own life in protest against discrimination against gays in South Korea.The short film is also about contemplating suicide. Jin Joon Won is bullied because he is gay. The girl who he fights with is not his girlfriend but his true self, which he blames for his troubles. But he makes peace with her (or himself) before attempting to end his life.
The initial scene in which Jin Joon Won is eating lots of fried chicken, to me, shows that he is not enjoying what he is doing anymore. He is eating, yes, but his eyes are blank and his mind is not in it.
This 12-minute film says a lot in such a short time. Acting is good, and so is the direction, cinematography, editing and overall look. Definitely worth a rewatch.
The lead actor here, Yoo Jun, is also lead in COLOR RUSH, another great show (this one is a BL series of 8 episodes) from South Korea.
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What hits differently with LOST?
We could say it's the way its told. To the dark palette scenes, the silence at some points, the dialogues between characters and their interactions and storylines, they all hit home in a different way. Perhaps it's how crude and natural most seem out to be. That they can be touching and emotional, or even deemed tragic. Nevertheless, everything is so elegantly written that captures the viewers.It's a slice of life that shows us how much loneliness is within each and everyone of us no matter our age or social status, how lost we've become at some point in our lives to start questioning where indeed we went wrong from the path we've once were settled on following. Or maybe there was none of it and we are still lost in a maze of our own delusional perceptions.
A mature and heavy storyline not for the faint of heart or spirit. Because it focuses on dark themes, such as suicide, abusive relationships, depression and hardships. The loneliness of those who live alone, of those sharing a house with someone acquainted, with a lover, a husband, and yet still having this void and drift among them. To the pain of losing someone precious, and the constant sadness, of failing, of being framed. The struggles of finding that your loved one is suffering in silence, or not finding at all until it's too late. The sheer fear of the unknown. Of potential gossips, and misunderstandings, and betrayal. The endless fear of becoming nothing. Of achieving nothing with life, not living but merely existing. The longing of living not knowing how to do so.
Fated meetings and secrets being kept between friends, and the uncertainty of life and death.
However there's a certain melancholic beauty with LOST which allures us to keep on watching and try to empathize with the characters and their own personal struggles. And to their inner emptiness that shows on every single episode.
"What is it like to feel empty?"
Great question, that is hard to give a proper answer to.
The lessons this drama portrays are beautifully expressed by the acting of such talented and seasoned actors.
Do Yeon and Joon Yeol take the prize with the main characters, and the way they engage into their bond and plot in such a natural way that it blends with the symbolic message they are portraying with their roles. Everyone has a role here, and in an odd way they are all connected or interacting at some point. It's hard not to praise the cast for their work here, they all do an amazing job with their characters and the gloomy and serious vibe of this drama. Everything seems realistic, mature and true.
I've known the song Hallelujah before, and it always hit on a deep level, but here in this drama it hits differently. They chose a cover of this famous song, and its spiritual in here. The lyrics, the voice, the sorrow that keeps on matching with the characters storyline and their scenes.
The instrumental melodies and OST blends gracefully with the feelings and the messages the main characters often mention.
Somehow the setting of this drama almost gives some Indie vibes.
Be it the cinematic effects, or even the slow paced scenes and dialogues.
There's an authentic aura enlaced within every single character and story.
Definitely a must watch.
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"Emotional Damage!"
This drama is intriguing if you know what you're in for, and extremely frustrating if you don't. This isn't a true romance drama, at least not in the traditional sense. It's not exactly a love story either, but more a story about pursuing love... or running away from it. Many people watch romantic KDramas for the escapism of a 'soul mates who are meant' to be story or a 'love against all odds' story. Instead, we have a slow-paced drama about longing, obsession, denial, misunderstandings, toxic behavior, and emotional damage told in a more realistic way. The opposite of the escapism most people crave. I found the female lead enraging at times and the male lead frustrating, but I also couldn't look away. Yes, the leads have chemistry, but it's the kind of palpable chemistry that makes you torn between rooting for them and raging against them. This drama makes you seriously question what makes a relationship worth fighting for, or can it only be considered a love story if the love works out?It stars Yoo Yeon Seok as the stoic and dependable Ha Sang Soo, and Moon Ga Young as the stubborn and guarded An Soo Young. What I liked is that both characters felt non-cliché. Sang Soo,'s puppy dog eyes often made me feel bad for him while Soo Young.'s deceptive but pained smile made me both furious and sad. They are both messy, although it's clear that the female lead is much messier, and sometimes just the way they looked at each other could fuel the emotion of a scene. Then we have Geum Sae Rok as the spoiled romantic Park Mi Kyung, and the equally romantic Jung Ga Ram as small-town boy Jung Jong Hyun. If you hate love triangles be warned that this one is a love square most of the time and even ventures into love pentagon territory. Connections between the leads often get intense, depressing, and cringy... but never boring (although repetitive).
Would I watch this again? Not likely. I think the performances are great but what was exciting to watch the first time would probably just be upsetting if I watched again knowing the ending. Also, the story, although it follows a clear timeline, felt pretty one note at times. Boy pursues girl. Girl runs away. Repeat. Sure, it's not always as simplistic as that but that's still the main formula. The theme can be a downer as well since not one couple in this drama is drama & dysfunction free... well maybe one, but that's because they don't include them much in the story.
Overall, this drama is an acquired taste. We love to see stories of people who find the perfect match and live happily ever after, but what happens if you meet someone who sparks interest and desire but fear, misunderstandings, society, and past hurt get in the way? What if you love someone much more than they love you? What if you don't trust love at all? I understand why some viewers would not be interested in a drama like this, but I think I appreciate the imperfect love story it aimed to tell. I can even appreciate the reflective and bittersweet ending. This is one of the rare KDrama moments where the title is actually perfect. Whether it's about getting in the way of your own happiness, or regret, or accepting that every relationship isn't meant to be just because there's interest, it is definitely the kind of story that could have you reminiscing about any love unrealized. Still, This cast and this drama definitely held my interest, so if you're up for it, it may hold yours too.
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This TV show is real tear jerker. Hats off to Writers, Actors, Director, Music-composer, Editor. I fell in love with the characters, beautifully portrayed by all actors especially the 3 brothers [main leads]. They have done justice to the plot with their great acting skills. I fell in love with director's cinematography & eye for nice shots, I fell in love with background music that correctly fits every scene & moves your heart accordingly so that you can feel the character's emotions well. I loved how they carefully edited every scene and how smoothly & beautifully whole plot unfolds. 26 episodes seem like a lot but I promise you that you wont be bored, In fact you'll wish that this drama never ended.
I gotta say Kim Jae Joong is an wonderful actor, who is HIGHLY underrated... Everyone notices how good looking he is, how great his skin is etc etc etc but honestly I admired his acting skills a lot. He is PURELY TALENTED & GIFTED, of course blessed with great looks as well :) I wish more producers/directors can notice this fact about him being talented, gifted actor & cast him more in upcoming dramas. I wanna watch more of his acting.
Anyone who is contemplating whether to watch this drama or not, Just go for it & give it a shot, I bet you'll fall in love with it & enjoy it as much as I did :)
UPDATE: Kim Jae Joong won "TOP EXCELLENCE ACTOR" Award for his role in Triangle at Korea Drama Awards, 2014. Congratulations JaeJoong !!!
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The swift pacing does present some issues though. I know that adapting a well-loved, lengthy novel to the screen is challenging, but either pruning some of the more esoteric subplots or giving them additional screen time would have made the story easier to follow. It took a good 20 episodes to figure out the major character relationships, and some elements remained hazy up until the end. While I generally don’t advocate for extended flashbacks or childhood sequences, this is one case where showing rather than telling about past events would have been helpful. While I could intellectually understand the characters’ grief and their desire to right past wrongs, it was hard to emotionally engage with people and situations only encountered in the briefest of flashbacks. Like Mei Chang-su, the show is precise, intelligent and lovely. It’s also a bit cold. I would have liked more fire in the midst of all the snow.
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The story of a woman who makes ink.
It was a good series for me. Another success story about a woman. I watched many such stories in Chinese dramas in 2025 and 2026. Success stories attract my attention and I enjoy watching them. This was one of those stories. It's a story about ink. I especially found Yang Zi very successful. The story was built around her. I can say the male lead was just a supporting character. But they were still compatible. I liked both of them. Apart from that, the excessive talking and advice, and many details about ink making, made the series stagnant and boring. It wasn't a series that progressed at a consistent level. Sometimes it rose, sometimes it fell. The quality wasn't maintained. The occasional competitions and fights added color to the series, but otherwise, stagnation prevailed. There was no real romance. There was no real drama either. Everything was left open, as if only the focus was on ink making. I think this bored the viewers. In the rest of the series, especially the family relationships, their loyalty, respect, love, customs and traditions were beautifully portrayed. The spirit of unity and togetherness was beautifully portrayed. There was also revenge and intrigue. The series could have been even better if these elements had been distributed more carefully.I especially recommend it to those who enjoy stories about female success.
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Spectacular dresses and world-building but falls short on screenwriting
Sadly, Hotel del Luna's fanciness couldn't make up for the story's lack of coherence and sincerity.The extravagant hotel for the ghosts and the splendid clothes of its owner didn't quite impress me. Each episode has the same dreary pattern of spirits struggling and protagonists babbling at the end. After the first half of the show, I found myself neither interested nor thrilled.
The answers were already laid out so I didn't get the point of dragging out the story. The antagonists which I once thought of as formidable opponents were easily gulled and defeated. Indeed, there is a fine line between a show with a high-caliber script and one with a mere show-off wardrobe.
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This review may contain spoilers
First off, i like Lay and i watch this because of him. Of course the summary sounds interesting and i like fantasy genre so i started to watch this. No matter how much i like Lay i got to comment on his acting here. His character is those type that are suppose to be cool, calm and usually doesn't talk much unless when solving various problems and stuff. This side of him is fine and i enjoy the eye candy but whenever he is acting angry or "sick" or sad i get really cringy. I totally can't feel him being angry except his face being "i am angry!" (breathing heavily) or "i am so sick i am going to faint" (then proceed to drop on the floor). Partly i guess is because of the storyline but i get really irritated on the number of times he is so weak during the whole drama but of course somehow still solve all the problems and becomes the hero. The female lead too makes me frustrated with her acting and character (this i won't blame her since it is the writer's fault) but still her acting is not any better than Lay. Other characters acting are just so-so. Their acting are so awkward that it make some parts really cringy for me to watch and i can't focus on the story at all.Moving on to the story. I will try not to spoil too much. The story started off predictable and nothing much capture your attention. Most of the characters make you feel exasperating. (I will start using their character's name now). MFF character is awkward in the beginning and by the end of the show her character doesn't seems to progress much either. She is suppose to be a clever policewoman but ends up just relying on ZR all the time. As for ZR, he is the Main character of the whole show but i don't feel for him at all when he is sad or angry or whatever which is bad. It means that i am just not into the show. Half is because of his acting and half is the character problem i guess. He is so overly nice to everyone, always forgiving and you know those kind that get betray often and etc that it is kinda boring. He is smart and clever but sometimes it doesn't makes sense how he knows all the answers to whatever problems they are facing but anyhow this is a drama so let's just skip that. HFY/XY the best friend is totally annoying. He likes to butt into everything even when he knows nothing. However i like his character as the story progress, for the very least his character bring some joy and funny moments. At the end of the show i do like him and the way he always say "we as rich guys... " QXB is consider the most believable character and quite okay as the antagonist but the acting part is still awkward especially when she is suppose to be hurt or grieving. It will be too long to comment on each character so i will just stop at these main ones. Btw, if you are looking for romance then look away because this has like 10% only. I can't really feel the chemistry between the two main lead and their progress is so slow. I was like waiting for at least something romantic happen but nothing at all which i kinda feel disappointed as a viewer. Anoher thing i really dislike are the flashbacks. My gosh, these flashbacks take like half of the episodes and worst these are repetitive flashbacks! I watch the same flashbacks over and over again for so many times. I just skip through it and i don't even care if i skip the present part anymore. As the story goes on, it gets a bit interesting in the middle but very soon it gets boring again because of the repetitive pattern. Always on an adventure to search for something but bad guys are always following then they will get caught almost each and everytime then on repeat. In between the different arc of the story, the way the character act sometimes or how the story progress is so illogical that i am just speechless.
Last but not least, be prepare for the ending.
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Underwhelming
I just finished the drama and I have no idea what I just watched.The premise was very interesting: two female spies infiltrated an enemy sect as potential brides to wreck havoc. "We must act as enemies!" they said. "So we can gain trust!" they said. And then it all fell apart. They did nothing except cozying up to the two males and then falling in love with them. There was no suspense, espionage, intrigue, betrayal, ANYTHING to fit into the promised plot. Weishan and Shangguan just spent time drinking tea and talking about what they should do, without actually doing anything.
And then there were long winded pointless side stories. Why should we care about Ziyu's mother? She was some chick his dad married who spent all her life pining after her lost love and ignoring her only son. Shangjue and Yuanzhi made a big deal about her being pregnant when marrying the dad, insinuating that the dad wasn't Ziyu's biological father, which would disqualify Ziyu from becoming the Sword Wielder. We were forced to watch a series of flashbacks of Ziyu's mom and Lady Wuji as if there was an actual point there. Was Lady Lan really Ziyu's mom? Or was it actually someone else...like Lady Wuji? That would've been such a cool plot twist. Ziyu was the secret son of the Gong family and Wufeng's super secret agent "Anonymous". SHOCK! But nope! Lady Lan was Ziyu's mother and Lady Wuji was just a nanny. Nothing to see here.
The drama was only 24 episodes, so I thought it would be action packed. Nope! The writers actually managed to make it mindbogglingly boring. The last 3 episodes dragged on and could've been made into one single episode. There were scenes of characters just standing around with snow falling in the background. I seriously couldn't wait for the story to end. I just did not care about any of the character or the plot. Too much screen time was given to secondary, less important characters and their irrelevant storylines, like Elder Yue and Yunque. Why was this important and why did we need to care? There were extended scenes of characters monologuing and telling us all about their plans, instead of showing us. The dialogues about poisons and fighting techniques were extremely convoluted and technical. I felt like I was reading a pseudo scientific thesis filled with confusing terminology that I did not understand.
For the entirety of the show, it was emphasized that Wufeng was the ultimate villain. So why was Ziyu's brother, who was killed off at the beginning, brought back as the bad guy AFTER Wufeng was already defeated? There was just too much plot entanglement and surprise twists that led to nowhere. Less is more.
The writers could have done a better job at Ziyu's character development. He started off as an immature and care-free guy who was forced into the position of the sword wielder. After becoming the sword wielder, he continued acting like an immature and clueless hot-head. The three trials made him grow up and improve his skills. But we didn't see the actual character growth. He just suddenly became mature in one episode.
I did like that Shangjue and Yuanzhi were not the actual villains, but more like competition for Ziyu. Shangjue was right for questioning and challenging Ziyu because Ziyu was an immature kid who did not deserve the position of the sword wielder. I am glad that Ziyu actually earned it at the end.
The finale was plain stupid. Shangjue watched Shangguan leave after she told him she was pregnant with his baby. Ziyu let Weishan go visit her family without any security escort. It appeared that Weishan was ambushed at the family home, so her fate was unknown. The last scene was Ziyu painstakingly waiting for Weishan to come back looking all sad. We heard the gate opening and him looking at it with an unreadable expression. Did Weishan come back? Or was it someone else? Did Weishan and her twin do a switcheroo? What was happening? If there is a sequel in the works, this ending makes sense. But, we don't know, so the ending was completely nonsensical. It's ok to make sad endings. But an ending should have a logical conclusion. This was not an ending at all, but an end season cliffhanger.
Overall, the drama had very good visuals and fight scenes. The acting wasn't bad either. But the story progression, pacing, and the finale were disappointing.
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