You will erupt with laughter and excuse this old vocab but you will also be squirming with *feels* in every episode.
With a slight-feeling of second lead syndrome, I'll tell you that this is the perfect option for a boring afternoon.
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So...everyone became stupid?
This started off SO well. It had potential to be one of the best. Now I am just feeling offended this had higher ratings than Flower of Evil. After ep 8 it seems like the writer drank water from the toilet. The characters became stupid, some things were extremely hard to solve (or kill) and then suddenly they were so easy...it was so sad. the ending was ridiculous, the characters were stupid...I don't know what to say.The actors were amazing at all times I am just sorry for them that the script went this way. TVN is so inconsistent with their shows lately.
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STORY
While I do feel the need to point out that it's this category that keeps this from being a 10/10 (there are a few glaring plot holes), it is also this category that is going to get people into this drama. Besides the few plot holes, the concept of this show is brilliant: a rich young man with an allergy to humans is interested in investing in a robotics lab that has a working android, thinking that android companionship could be the solution to his isolation. Too bad the people who run the lab don't know about his allergy. Their android breaks and they send a lookalike human in its place for him to "test"! What could possibly go wrong, as these two attractive young people spend all their time together?
While you can tell just from that premise that this will be a show full of cuteness and hilarity (and it is), you will never imagine the emotional heights that this drama is able to achieve just from that simple plot. I won't even try to describe it here, you just need to see it for yourself. Kim Min Kyu and Jo Ji Ah are two of the best lead characters I have ever seen in any piece of fiction; a loneliness as deep as the ocean finally meets an incredible selflessness that might be able to fill it. You will weep with Kim Min Kyu as he rails against his isolation and desperately searches for a glimmer of light in his life. Your heart will shatter every time Jo Ji Ah denies herself happiness and chokes back her words and tears in order to protect the people that matter to her. And when the two of them are together, you'll never want to see them apart.
ACTING/CAST
I'm going to actively try to avoid hyperbole here. Suffice to say, I had real feelings for the characters. And I don't mean just feelings. I mean that I really felt like they were real people and I needed to be with them and help them. That never happens to me. Ever. When I say I "fell in love" with Jo Ji Ah, that's honestly not too far from being literal. Fortunately, I haven't completely gone off the deep end, but the point is that this cast brought these characters to life in the most beautiful and vibrant way.
First, relative newcomer Park Se Wan. She is the definition of adorable. Infinitely watchable, she's going on my list of actresses to follow across genres.
My boy, Kang Ki Young! From his first moments onscreen in High School King of Savvy, I've loved this guy and am so happy to see his career continuing to gain traction. He's never played a role quite like this one before but seems to have taken to it naturally. There wasn't quite enough for his character to do, but KKY himself killed it, being able express a broad range in his role here.
Definitely want to mention brand new actress Yoon So Mi in her first ever Drama role as Jo Ji Ah's sister in law. A lovely woman who comes out as a natural on screen. Even my wife couldn't resist her charms, remarking multiple times how cute she was.
And of course, a young lady who has been hard at work in some truly excellent dramas in 2017: Lee Han Seo! Little Han Seo knocks it out of the park here. She steals every scene she's in and you'll only wish that she had even more lines by the time it's all over.
Now, our male lead, Yoo Seung Ho. What a gravitational charisma. He can literally make "annyeong" sound like it's full of meaning and emotion. I admit he sometimes struggles a bit with some melo scenes, but only because of the impossible tightrope he's having to walk in many of them: balancing true, raw emotion with total awareness of the absurdity of his situation. Despite this, during the melo climax at the halfway point of the show, expect YSH to completely destroy you.
And finally..... what can I say about Chae Soo Bin? She has charms that can't quite be put into words. The same way that a person just has to *see* Lee Min Jung to understand her beauty, and a person has to actually *watch* Jang Na Ra act to understand why she's quite as lovable as she is, Chae Soo Bin has to be experienced for yourself. I will admit, on a personal note, when she has long straight brown hair and bangs, she may be the most beautiful woman in the world. That's impactful enough on its own (in fact, distractingly so, since everyone around her should really always be tripping over her beauty, but aren't because it's fiction), but it goes far beyond just her looks. Her tender depiction of a feisty but pure young woman who never loses her spark in the face of adversity is one of the most touching and impressive performances you're likely to see in this genre. You owe it to yourself to watch CSB work, and to see her build Jo Ji Ah into a person we would all do well to emulate.
MUSIC
It doesn't disappoint! While it lacks one huge standout track that acts as a hook, and maybe a theme or two is forgettable, in an OST of about 7 vocal tracks, I came away from it saving 4 of them to my Kdrama Playlist. I can't say any other drama has hit that kind of success rate.
Additionally, a lot of the incidental and mood music is pretty well composed to; not exactly beautiful, but catchy and evocative, quirky and winsome. No flies on this drama in the Music category.
REWATCH VALUE
This is the first 10 I've given in this category in any of my reviews. The mind-bogglingly huge amount of amazing character moments, hearty laughs, and tender romance means that I'm Not A Robot can be watched, watched, and rewatched many times over and never get old. Heck, if you're trying to convert anyone to kdrama, add this to the list of potential shows that can suck in someone who's never seen a kdrama in his or her life. It's that good. It really is that good. It's never too melo, so no FFing needed there. The villains are never too annoying, nor are there stupid love triangles to skip through. There's no filler at all and never any wasted scenes. In fact, if anything, this show needed more episodes, because there were definitely parts of the story that got cut in order to keep up with the blistering pace, to its detriment. There's literally not one minute of these 16 hours that anyone should ever need to FF through. Not only WILL I watch this one again someday, I am EAGER to do so.
FINAL SCORE - 9.5/10
While a few unforgivable plot holes, a too-quick resolution, and not enough falling action (along with some rather lazy production work in the penultimate episode, randomly) prevent this from being a perfect 10, please please please do not sleep on I'm Not A Robot. Easily a Top 5 All Time Drama, in my book, and perhaps my sentimental second-favorite, this will be 16 hours WELL spent for any drama lover. Just sit back and let it shatter you, because when it pieces you all back together, you'll feel like you're better off for the experience.
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ACTING/CAST: There were only three main characters but all were good actors and the two boys were not afraid to show some skin or kiss.
MUSIC: I liked it, some good beats.
REWATCH VALUE: I'll watch it again later when I go on a Strongberry/Matchbox binge again.
OVERALL: I love K-dramas and add gay to the mix and it's a hit! Please support these guys!
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Surreal Food For Thought, Though Some Storylines Were More Striking Than Others...
Netflix’s Persona is a collection of four South Korean short films, all starring Lee Ji-Eun ( IU). Directed by acclaimed Korean filmmakers Lee Kyoung Mi, Yim Pil Sung, Jeon Go Woon and Kim Jong Kwan and partially produced by record- producer Yoon Jong Shin, each episode was inspired from elements of IU’s own personal life and career.Although there is the initial thought of a vanity project for IU being the main star in each episode, there’s no denying that IU is a talented and versatile actress. Even in storylines which may deliver impactful plot revelations for viewers, IU seemed to add a necessary fair and uniqueness to stepping into the roles of her varied and different ‘’personas’’ in each storyline. Yet due to each episode being vividly different with a new director, story and theme, it is probably easier to assess each episode as a standalone piece before moving on to the overall interpretations of the ensemble.
‘’ Love Set”- Starting off the collection begins with director Lee Kyoung Mi’s strange and surreal storyline on a tennis court. In this fictionalised world, actress Bae Doona is ready to marry IU’s father. Naturally, IU is contemptuous about the matrimony and decides to issue a tennis battle with Bae Doona on the tennis court.
Using minimal dialogue, filmmaker Lee Kyoung Mi turns 19 minutes, into an eccentric , humorous and over-the-top battle of grunts and tennis balls being smacked back and forth in an odd competition of love, rivalry and hormones with a strangely sexual undertone . It is one of the most peculiar shorts in the series with an oddly anticlimactic and abrupt ending. Rather than viewers understanding the reason behind IU’s disagreement, passion and drive to stopping this rivalry, the undeniable relief of not having watch IU’s and Bae Doona’s unexplained and peculiar tennis match instead overcomes the watcher’s mind with just one thought. “ That was weird.”
“ Collector” - Yim Pil Sung‘s film and the second piece of the “ Persona” collection transitions into notably darker territory, with its focus upon an older man named Baek Jeong-u on a date with a notably younger woman, played by IU. As the date goes on, Baek becomes increasingly irked as the younger woman teases him and appears disconnected from their conversion. Pil Sung’s scenes then present the evident discomfort of Baek in a lonely, empty room as he attempts to prepare himself either to relax or to literally be killed by a woman’s subtle emotional jabs. Notably having a more prominent overarching storyline than “ Love Set”, “ Collector” initialises the reminiscent traits of the promiscuous Kumiho ( a nine- tailed fox in Korean mythology) as well as an intriguing critique upon stereotypes of women in South-Korean society. ( Which naturally IU herself has also been subject to in the wider media.) IU’s character is undeniably playful and manipulative with Baek, however, she never goes out of her way to seduce him as Baek practically throws himself at her feet. This subversion reversal of gender dynamics offered both the literal and metaphorical stereotype of the coquette’s ways of playing with a man’s heart. Still oddly surreal and taking time to interpret , the storyline was certainly subversive in this short piece .
“ Kiss Burn”-A clear critique to the oppressive natural of youths in rural Korea, the third entry of “ Persona” brings Jeon Go Woon’s focus on arguably the most ‘’lighthearted’’ short of the ensemble. IU plays a conniving schoolgirl named Han-na, who visits the rural house of her friend Hye-bok. Hye-bok’s father, a forest fire lookout, is strict with Hye-bok and greatly dislikes Han-na under the impression she’s a bad influence. Out of anger and revenge, Han-na helps Hye-bok pull various pranks, but naively ignites other unintended consequences. Go Woon’s filming- style is notably the most basic and simplistic out of his counterpart directors, yet the usage of screenwriting through approachable storytelling, pacing and jokes makes the story easier to follow than the last two predecessors of the collection. The one flaw of this piece is that whilst the storyline was easier to follow behind the reasoning of Ha-na and Hye-Bok’s vengeance, it is harder to truly define what made their characters original or intriguing.
“ Walking at Night”- Persona concludes with Kim Jong Kwan’s monochrome-filmed short tackling the most poignant segment of the entire ensemble. IU plays a deceased woman who appears in her former boyfriend’s dream. In that dream, the couple takes a walk at night, reminiscing about bygones and musing about the nature of love, life, and death.The scenery is kept simplistic with a simple interaction of walking and a succinct soundtrack . The only true uncertainty which may strike viewers as harrowing can be seen through the mysterious figure as the two characters walk into the night- something symbolising the unknown just behind them. Out of all the shorts, this final piece tackle arguably the most heartfelt and profound themes of the series with focuses upon existentialism as well as the social issue of suicide in South-Korean society, giving the piece a sense of deeper meaning and reflection for viewers.
Ultimately, IU is the main star of each storyline and plays each one of her roles with diverse brilliance and talent. Whilst each episode has its own flair, there’s no doubt that some shorts were a lot better than others. “Walking At Night” offered arguably the most touching, harrowing and profound themes of the shorts in literal black and white , closely followed by the surreal, yet social critique of women’s roles in ‘ Collector’. ‘ Kiss Burn’ pointed out an undeniably ironic and twisted ending, but lacked intrinsic character depth, whilst arguably the weakest of the series was ‘ Love Set’. Attempting to weave in too many sociocultural metaphors and messages into one short, the storyline was weakened by its lacking sense of purpose, context and ending.
Overall, the ‘ Persona’ collection was fairly entertaining- IU is a talented actress and the artistic licensing by different directors gave us a fresh feel to each episode. On the other hand, as a collection, the weaker storylines of the piece ultimately complicated episodes and character depth - ultimately not a bad show to binge watch out of boredom, but probably not worth committing time towards if you’re expecting to watch an ensemble of well-written and profound collection of shorts.
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The inconsistencies & lack of continuity was intolerable for me
Review @ ep1-14I actually do like this drama but I so wanted to love it for the sake of Zhou Ye, became a fan of hers after watching her in Word of Honor (I can’t rave enough about that series, special shoutout to the one and only Chief of the Ghost Valley, the philanthropist Wen Kexing) but I don’t love it so far. There are so many continuity fails but I will highlight two.
1). He had huge scars from Su Ying stabbing him in ep1 but all of a sudden the scars disappeared few episodes later
2). When he went to retrieve his sword the first time, the journey was so hard / tumultuous that’s why Yan Hui couldn’t go with him but when they went the second time, they just basically strolled into the place.
She keeps losing things just for the sake of furthering the plot which is out of character for someone who cherishes everything she has.
Also once again we have a female character Su Ying who is so obsessed with a man (the only difference this time is her obsession isn’t with the ML) she is extremely vile and vicious and willing to go to any and all length for him. This perpetual CDrama plot is getting so damn old. Especially the level at which they make this female characters reach. It’s beyond ridiculous and unrealistic. I personally don’t know any woman in my real life who behaves in those extreme ways.
Update @ep21
I am struggling so hard to continue this drama. It’s not terribly bad but it’s not great either. The acting from the ML is actually so bad. He’s had exactly one expression so far. He’s acting range is very limited IMO but he’s handsome so I guess that covers up for lack of acting abilities to some people. Whatever floats anyone’s boat….
The comedic parts of this drama just feels out of place for me.
One more thing I don’t care how handsome or beautiful someone is, or whatever reason they had to stab and almost kill me, nobody is falling in love with someone who literally stabbed them and left them for dead. The lovers of this series can try to justify it any which ways they like, “he has to save the kids” “he was going to return the protective heart thingy to her so he knew she won’t die” etc but to look someone you claim to love in the eyes and stab them for the 3rd time I might add is just beyond unacceptable. He could have asked for it but nah, let’s stab her and then she literally fell so badly, he didn’t even try to break her fall, he just left her there, but wait, he’s really so sorry and because he’s so sorry she has to understand and not only forgive him but let it go and continue the relationship after he couldn’t take 2mins to ask for it and just had to take it in the most cruel way possible. I am sure eventually she’s going to forgive him and they will live happily ever after but that’s a relationship I can never get behind so that arc of the drama has already left a bitter taste in my mouth.
Update @completion.
The production team for this drama really dropped the ball big time especially the editing department and script writers. So many inconsistencies and lack of continuity. The errors in the details was just way too much for me to ignore and tolerate. Marks appear and disappear in the same scene. The characters powers and strengths (with the exception of the dark lord aura guy) where so inconsistent and felt like it was based on what each scene needed. I can go on and on but I have already spent days watching this drama and that is enough time I’m willing to give this drama.
The only thing that was good for me in this drama was the costumes., they looked beautiful and rich.
I am obviously never going to rewatch this drama.
Rewatch value 1/10
Overall value 6/10 (i am being super generous with this rating)
I highly do not recommend but that’s my opinion, you are free to make yours.
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Must Watch!
This is a perfect korean drama to watch. It has good amount of comedy, friendship and romance. Its perfectly done. I want to thank the writer for writing such a beautiful story about youth. This drama not only showed the positive side of youth but also also showed the darkness of youth. Everyone of them had a dark side in their life. Overcoming the hardship is all about youth. I was amazed by the acting of baeinhyuk. He is such a good actor. And the way he portrayed the character was so perfect. Park jihoon was also good. I loved how beautiful their friendship was. The last episode was too beautiful. Two different people of two different background having different problems in their lives met and their relationship was not good. But the way they overcomed it and became happy in their own lives and solved their problems because of the existence of each other is so overwhelming. Baeinhyuk and park jihoon are the real heroes. The OST was beautiful tooWas this review helpful to you?
Casting: Earth and New's chemistry was on par. They did really good together. The kiss scene felt natural. A 10 for them and 8 for the rest of the cast.
Music: Love Pete Pol. A 10 Also.
Rewatch: Only when I'm bored. Even then I'll just watch Waii and Apo.
Overall: Narrative could have been better. A 7 here.
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This drama was awesome and then some, really no complaints here. I just can't believe how it ended and how it all ties into the first episode. I give a shout out to the writers who took this historical story and made it seems like a deep love story. The actors must be commended for their hard work and commitment to the story. The music really suited the different climaxes as the story progressed. I must have cried buckets of tears to the point of drying out my tear banks. So much was given up in order for those who survived to live. Empress ki herself was so strong and brave there are few women who could accomplish, and persevere through what she went through, so I give accolades to the actress who portrayed her life story. This is very much my favorite drama from 2013 to 2014.
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Spoilers for Ep 16
The way I interpreted what happened in episode 16, is that the ML was not in his right mind to communicate clearly with the FL. Even though so far their communication has been really open so far, it shows that he still had reservations in telling her everything, and this unfortunately created a misunderstanding that was later called out by the FL. I have seen comments lambasting her for the way she treated ML, but considering what he did to her I think it’s natural for her to be afraid of him even though she understands why he did it. Forgiveness took time, which I appreciate and even then she later realized how hurtful her words were. Her responses are flawed, and most importantly human and she acknowledges it eventually and apologises and that’s what really elevates this story for me. Including the ML, even though he is an immortal who has been around for some time when it comes to inter personal relationships he still has a learning curve and will make mistakes. Yes, they have established a relationship where they are open with one another but that does not necessarily mean either one will get it righ all the time, and it was later addressed. So, I do not think it was “out of character” or a plot hole but a demonstration of how flawed they are. However again that is my interpretation of it, but I think for anyone considering on dropping it because of that just know it does get addressed later on and is not a moment that happens and is forgotten about
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This review may contain spoilers
The Soap Opera Game
It wasn't cute when Jack and Rose did it in the Titanic, and it sure as hell wasn't cute when they did it here. First off, yes, there was plenty of room on that damn door, and here, I spent the whole finale going, 'there wasn't room in that car for him to get inside too?' Cuz, why the eff did Pheem stay behind? And no, no explanation would justify that nonsense. The Wicked Game took itself way too serious, and ended up falling into the predicable hole.Listen, that brother Chet. What the hell was his problem? I felt like he personally hated me, cuz Mfker spent the entire series overreacting and throwing childish tantrums, instead of giving me what I wanted. The whole time, every time he was on screen saying whatever, and doing whatever the hell he was doing, I was busy staring from him to his bodyguard, you know that one dude who looked like the best regret. Like, whenever Chet opened his mouth, I kept going, 'Yeah, yeah, good for you, now kiss' Only for the mfker to up and die, and saying nonsense like, 'live your life and be happy, bodyguard.' Eff that happiness, what about me ,huh? Sure, bodyguard crooked two seconds later, still... they spent 10 episodes wasting all of that chemistry, and for what? This felt like a personal attack. Boooo!
Pheem and Than.
The drama wasn't called 'The Nice Game', so imma need all the people who keep being on Pheem's case to sit back down. Personally, I get him, he needed to be wicked to heal that child in him who was totally destroyed from how cruel the world treated him. Was he right in what he did to Than, hell no, but that ex-police officer knew Pheem was there for revenge and he still went all in with both eyes closed and heart wide open...only to immediately got shot, twice. LMAO, the eff he thought was gonna happening falling in love with a guy who hit him with a car on their first meeting?
Than is such a nice person it made him dumb. Like, come on officer, wake up a little. Dude got shot twice and spent 5mins looking real sad at the camera, and immediately went back and married the guy who literally dug a grave and shoved him in. Ain't no one that in love. May this level of in loveness-ness never locate me. Sure everyone think he's a dirty cop, but at least he got super rich, and has a not so dead husband, who loves running away, so, yaaay him.
Plot
The cartoonish shooting scenes. Literally, did they all aim at the air beside their targets or what? In the finale, I kept shaking my head, cuz what even are we doing at this point? Like all that shots and mfkers kept running around for like 10 more minutes, only for one to end up dead in a flashback... meh. The plot was also very predictable, cuz who among us believed for a second Than was dead, or that Pheem died? Both times I was like, stop wasting screen time and just show him already, I know his arse still alive, y'all won't even dare.
Characters.
The plot was okay, over the top in how it was directed and acted by some, but it did entertained me. Offroad's character was very interesting, and I liked him. I was actually rooting for Risa cuz the men were annoying. Please, I won't even start on the father, cuz that mfker doesn't even deserves me to waste pixels talking about his arsholeness-ness. I did like DaouOffroad, I always enjoy their work, so although this one wasn't the best they've done, I still enjoyed myself.
All-in-all, a watchable show, very soap opera-rly, so expect nonsense, over the top crap, cartoonish scenes. Apart from that, very decent, and I'll recommend it, especially for DaouOffroad fans. I look forward to their next work.
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Interesting blend of thriller/mystery with fantasy plus romance
Disclaimer: I started to watch this drama because of the catchy title and the female lead being Park Shin Hye (whom have a lot popular works previously).Story: was certainly an interesting blend of crime solving with fantasy elements. Each mini arcs were interesting, the criminals depicted in the drama were certainly rotten to the core (in my opinion) so it was super refreshing (for me) to see how the female lead take matters in her own hands to ensure the criminals gets what they deserved. I also thought the drama was quite nicely written to piece all the mini arcs into a bigger puzzle that focus on the female and male leads' choice and how their choices affect their lives. It was also great to see that this drama had some romance element as well, which makes the drama slightly more light-hearted to watch.
Cast: As always, Park Shin Hye delivers her character perfectly, and this time it was a demon (Kang Bit Na / Justitia). Her acting was amazing, whether it was action scenes or emotional scenes. I didn't expect she will not be able to deliver her character perfectly. It's my first time watching a drama from the male lead (Kim Jae Young) and I was quite impressed with his acting. I also thought the chemistry between Shin Hye and Jae Young was quite good. The acting of the supporting casts were good as well. In fact, their casting was really good (whether its the supporting casts or the guest roles)... In fact, I wasn't expecting Shin Sung Rok to take a guest role in this drama.
OST: I personally liked the most from Sunmi - Crossroad. I always felt a little emotional when the song appears during the drama (especially when its the emotional scenes between the male and female lead).
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Great plot and the actors delivered comedy and hot scenes!
Two assassins in town are suspects of killing other criminals around, and also a young car-thief guy is looking for the police pardon to continue on his life. What about messing a infiltrator inside the assassins organization. Well, it started all well, with action and tense moments, but it went going more predictable and just fan service towards the ends of the show.The series do is recommended, has good plot and it delivers comedy, action and cute love BL scenes. The last episodes are missing "something", but they got to deliver the lovely happy ending for the couples. Also, something very interesting, it's that the main couple should feel like the little brother and the police infiltrate, but the second main couple deliver triple more chemistry and more spicy moments on screen, so they make the series worth watching more about Joong Archen and Dunk Natachai.
In the last episode, they said "no more killing" but there was quite lot killing about other criminal guards. And also one couple gets to own a restaurant and a car retailer shop, and the other one just a international trip, seems so unfair and dispair after so many years.
A good series to watch one time, to understand all the spicy BL references inside, and all the marketing it got, but maybe just worth watching once.
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Best Pacing for a Drama
I will be honest the first 8 Epsidoes I was figuring out if I liked the Male Lead and Female Lead and look now, I finished this 40 episode drama & honestly I have been dropping so many Dramas lately!The more experienced the cast the better, this cast is nothing short of brilliant, the drama doesn't go stale, the writers found ways to continue to make the story fresh, appealing, interesting throughout the 40 Episodes. The chemistry between the entire cast was good.
Jiang Shu Ying was excellent in her role, chemistry with the Male Lead Peng Yu Chang was awesome, they set the tone early.... I mentioned before I need to like the characters or else I drop the drama, these 2 characters become very likeable after 8 episodes, for some even earlier. They grow into their roles. The other main female Lead Liu Min Tao is excellent as well, very strong in her role, the story with her husband also interesting....
The pacing of this drama is very impressive. I do recommend to watch this drama
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Interesting Premise but the need for a sequel lets it down.
Where do I begin?I started this show due to a reel. Admittedly I was also curious because I have watched different dramas of the Female Leads.
It started off well enough, had a cheating subplot that added some character struggle and ethical dilemma(more on this, the show had another brilliant dilemma that they washed under the rug).
But as another viewer pointed out, the "girl boss" drama was only girl boss for 33% of the time. The first two and the last two episodes. The middle? Had the Female leads run around in circles only saved by the Cop husband, the hacker guy, or the antihero fiancé. I was quite disappointed with it honestly. But minor issue I thought at the time.
Up until the major ethical dilemma arises, around episode 10, the story was great. It had issues, emotional struggle, the whole shebang associated with lawyer dramas. Episode 11 and 12 was when the story went for a toss. Maybe they wanted to resolve the ethical dilemma; maybe they wanted another season; maybe they realised that the drama was centred around women actually coming out on top. Whatever be the case, the ending was rushed. The minor ethical dilemma glossed over. Characters killed offscreen. Episode 12 made me skip several times because of how I disliked how it handled complex issues.
The actors were great, the visuals really nice, and pacing was decent too.
Honestly, there's several stuff in the drama that begs further questioning. Quite a bit of issues that we as a society need to think off. Regardless this drama is a one time watch. Hopefully any further seasons fixes how the first one ended.
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