Reviews

My shalala is back = Not addicted just in love

I didn’t even think I needed this until I watched the first few episodes.
I was ignoring many famous BL series because I didn’t want to get addicted again. But our OGs were pulling me in so hard that I couldn’t ignore them. I knew that if I started this series, I’d end up rewatching Addicted Heroin for the nth time—and still, I couldn’t ignore how much I missed them. So yes, I went back… again.

Coming to the series… how was it?
For me, it felt like coming back home. I was giggling, kicking the air, and pausing a hundred times just to process certain scenes—not in a bad way, but in a very spicy way.
I don’t know how new BL watchers will feel about it, but for me, I’ve waited 10 years because this is a continuation of Addicted Heroin (side couples story). Literally, 10 years. So even if they’re just sitting together, I still get butterflies.

Their acting is so good, and honestly, our leads have become insanely hot and sexy. Just watching them on screen feels refreshing for the eyes.
I also loved the topic they touched on—false accusations and fake allegations against actors regarding relationships and cheating. It felt very real. We judge so many actors just because they’re famous, forgetting that they’re humans first.

The music is calm and soothing, and there’s one Korean OST that I absolutely loved—it just flows straight into your heart.

There were a few instances where I felt some miscommunication between the writer and the editor. At times, I also felt that Chinese humor is hard to translate accurately into English, so as viewers we end up feeling a bit confused—like, what exactly is happening here?
Disclaimer: my high rating is purely based on my long-awaited love for lead actors. So don’t judge me even if I rate this a 10 after saying all this.

And please, don’t let me meet that idiot director—how dare he do such things to our pookie?!

Now… the romance.
Oh. My. God. Who is even saying they don’t have chemistry?! That finger-in-the-mouth scene… AAAAAHHHHHH.
Just go watch it, idiots. No need to waste time reading my review. Like me, I’m sure you’ll end up watching it in one go.

-Ahhhh the ending.. How can you rush it like that. Give justice to my pookies!!!!!

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Thoughtful and compelling character study...with a few flaws

Definitely a worthwhile series, albeit with flaws. Below, I outline three sharp criticisms where I think the writing stumbled. None of these missteps is fatal to the story or characters. Definitely a case of falling short of potential greatness rather than a series that misfires on every level. Throughout, the acting, directing, and writing (script/diaog) are mostly high quality. These flaws owe to writing (story structure, story choices) that I believe undercut this series' chance to rank among the all-time greats.

Three criticisms:

1. The high school era was more interesting than the adult era.
-- First: Two boys wounded by family, stuck in unpleasant circumstances. Finding their way toward solace by finding their way toward one another. That is a damn good premise for a BL romance. And our young protagonists had a good thing cooking, too. Enough character, story, and emotion introduced in eps 1-2 to sustain a whole series. Instead, the writers chose a time jump prior to working through all that potential. Second: Two adults wounded by their past. Placing obstacles in the way of their own solace. That is a less satisfying premise for any romance, BL or otherwise. And our older protagonists induced this viewer to contemplate in multiple episodes whether these two humans belonged together at all.
--overall, the bipartite storytelling does work. And yet. Because the later episodes prove far less compelling than the earlier episodes, the result is a series where both timelines underperform the potential baked into the characters and story. Again, to reiterate: not fatal flaws! Still a compelling series.

2. That was the most preposterous time jump any BL series has ever foisted off on viewers.
--12 years? Really? To Be clear, the idea that high school sweethearts reconnect in their early 30s is not a problem in itself. Indeed, one could easily build a whole series around that premise as well. But during the intervening decade, the two individuals ought to have lived some life, grown into new people. Even if the reunion rekindled dormant feelings, the vibe should feel like two near-strangers starting fresh--because none of us at 30 is the same person we were at 18. Characters ought to adjust to Who Are We Now? Here, it is as if both characters have been in stasis since high school. Pining away for one another yet not reconnecting. Apparently (and we must surmise, for the writing reveals very little about how the two protagonists spent their decade apart), neither of them moved past the other. No intervening romances to provide the sort of life experience 18 year Olds didnt have. They do not reunite as older, wiser versions of their younger selves but as emotional cripples stunted in growth at 18. No more savvy about love at 30 than as callow teens. I am all for reigniting the lost flames of a youthful passion. But not for wasting the entirety of one's 20's waiting for something that did not work out. And after 12 years apart, trying to pick up where you left off? No no no. So to be clear: my gripe here isn't the exorbitant length of this time jump. It is for the illogical way in which the writing fills in the gaps.

Note 1: The series hired two actors roughly 25 years old to play the same characters at age 18 and age 30. While that tactic of "splitting the difference" does work visually in the sense these actors can believably play either age, it is nonetheless jarring to see "Twelve Years Later" pop up on screen and have the actors look as if no time has passed. (The make up folks dyed Dad's hair gray. Effort!) As much as I admire the performances of these actors, I think a time jump of this magnitude warranted recasting the parts because that would have emphasized the natural growth humans experience in transitioning from impulsive but callow youths to responsible adults. Here, the actors' non-aging just added to my sense that these two characters got stuck in high school.

Note 2: The obvious BL story that comes to mind with a comparable time jump is His The Series and His The Movie (Japan). That production team did re-cast the TV actors for the movie sequel. The film plot also depicts the rekindling of a dormant romance, one also spoiled by one party abandoning the other. But those characters had to work to rebuild trust, with no expectation of resuming where they left off. In that telling, their present-day situations mattered more than the shadows of the past. His (film) is one if the best "gay men overcome obstacles to create family" stories I have seen from any continent or any decade. Playing the time jump effectively is one reason why. The missing and unseen years had an impact on the characters that added depth to that story.

3. The fraud subplot was unnecessary.
--Sometimes writers fall victim to a temptation to layer additional challenges into their story. ("What new horrors can I inflict on these characters to ratchet upthe stakes?") Often, simpler is better; editing, warranted. Here, the fraud adds nothing to the character. His story was already compelling. Indeed, it may have become more poignant if every detail stayed except the fraud. Dreams shriveled (like a raisin in the sun) are a basis for tragedy. Explore that concept without destroying the character's moral character. If his personal demons had driven him to suffer in silence rather than to overt criminality, a compelling emotional journey is still at hand. Criminal fraud, in fact, makes any character less sympathetic even if his motives are well-explained, which these were not. Adequately explained and justified--yes. But "adequate" falls short of "well-", just as I rate Let Free falls short of elite status. The character had many burdens already, and this self-inficted gaffe demeans everything he hoped to do.

In summation, Let Free is a very good series. Certainly, worth one's time to watch. And the ending eventually proves sweet and affirming. Flaws in story structure undercut the bid for greatness, as does the too common penchant to withhold information from the reviewers via editing. Here, flashbacks in the penultimate and finale to the high school timeline fill in missing information help us to understand why each character behaves as he does after the time jump. But honestly, the middle episodes would have been far less frustrating if those details had been in the open earlier. Handled properly, the romantic story would play as a tragedy rather than the stunted, slow-burn mystery tale we got.

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This show takes an interesting perspective when it comes to plastic surgery. It deals with the "after" of plastic surgery and how changing a person on the outside, doesn't change them on the inside. It's interesting to watch Mi Rae deal with the world looking like a new person while still feeling very much like the old person (prior surgery). I also love that her love interest in the show knew her prior to surgery, so it's an neat perspective that he has as well.

The acting in this is great. The only slight quibble I had is that Cha Eun Woo is noticeably younger than Im Soo Hyang even though they are supposed to be the same age. He's even supposed to be 10 days older than her. However, it's not a big enough issue to affect the show, it was just something that I noticed. Both of them did a great job with their roles as did all the cast. The two creepy guys in the show are exceedingly creepy and the evil girl is horrible, so those roles were filled well too. My favorite characters though (aside from the two leads) were probably the second male and female leads. I loved their relationship and enjoyed any time they got to be onscreen together...or even separately. They were just good characters who were fun to watch.

The music in this is really good too. It was catchy and fun.

I absolutely recommend this show. And if you enjoy a sweet romance, I think you will too.

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I have never called a drama epic before. I think that word is over used. However, if there was ever a drama to be called epic, then this is the one. From the very first episode this drama will draw you in and not let go. It is political without all the jargon; it is action packed; it has romance without sappy scenes; there are happy occasions along with tragedy. The cinematography and action sequences are off the hook. Everything that you are looking for in a drama can be found in Bridal Mask.

The story is very suspenseful. I watched this as it came out and every week I was left wondering what would happen next. The only weakness in this drama is that the people that are told to follow someone aren’t very good at it. There is no ninja stealth in this drama. Although, I guess you could look at it as the people that are being followed are just really good at giving the others the slip. Also, they aren’t very good shots unless they are pretty close. I read somewhere that the guns used in that time period didn’t have very good sights. Maybe it is just part of keeping it real??? LOL I usually don’t like dramas that are this long because the story gets bogged down, but this is an exception. Every episode added to the story and there is very little flashback filler. When they do flashback it has meaning.

What makes this drama great is the acting. I gave it a 10 because of Joo Won and Park Ki Woong. Joo Won’s acting as Lee Kang To/Bridal Mask is amazing. He really should get some kind of an award. He has an uncanny ability to make a person feel what the character is feeling. Park KI Woong plays Shunji to perfection. I’m completely captivated by this actor. The character is so intelligent. I have a love/hate connection with this character and that is a tribute to Ki Woong’s acting ability. The female lead character of Oh Mok Dan/Boon Yi is played by Jin Se Yun. I wasn’t really that impressed with her acting until the last two episodes. However, looking back maybe she felt that her character couldn’t show emotion and that is why she was stilted in the beginning and then showed her emotions at the end. Han Chae Ah who plays RaRa is really good. All you had to do was look at her face to know what she was thinking even when she was trying to hide her emotions. I loved her character and her acting. The side characters were really good too. Special mention for Ahn Hyung Joon who plays RaRa’s bodyguard Katsuyama. He has skills. I hope to see him in more dramas in the future.

The music for this drama is fantastic. I love the theme song.

I will probably rewatch this at some point.

I think this is a must see for everyone. It is defiantly a heart wrenching drama of epic proportion.

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I loved watching Cha Eun woo and Moon Ga young together, their chemistry was so natural and sweet. A show I can rewatch over and over because of their love story. They played off each other beautifully, and I honestly wish the drama had given us more time to see their love grow. Their moments were some of the best parts of the series.

What I didn’t enjoy was how the female lead was written to be so friendly with Su ho’s ex best friend. That dynamic felt unnecessary and took away from the relationship I actually cared about. I would’ve preferred to see her story focus more on Su‑ho instead of building connections with someone who had such a painful history with him.

Overall, I loved the main couple, but I really wish the drama had shown more of their romance and growth together. I’d love to see these two reunite in another drama or movie someday.

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Best C-Drama of 2025 – The Best Enemies-to-Lovers Ever

This is the best C-drama I’ve watched, especially this year.
It’s definitely the best 2025 C-drama. Everything about it is amazing, and I’m so happy Liu Yuning is finally getting the recognition he deserves. It just makes me so happy — and finally, he gets a happy ending! We haven’t seen him in a happy ending much, and my boy truly deserved this one.

However, I wish the last episodes were longer. At the very least, we should’ve had a special episode where we could see more of the couple. I really wish we had seen his reaction when he saw his child for the first time, or scenes of her being pregnant and him taking care of her — showing concern, being gentle. I would’ve loved to see him care for her more.

The last few episodes didn’t have much screen time for the couple, but overall, everything about this drama is perfect. The costumes, the acting… the chemistry is off the charts — honestly, the best I’ve seen this year. I also loved how mature they were as a married couple. They cleared up misunderstandings quickly, actually communicated, and even apologized to each other — such a refreshing dynamic.

There was no storyline that dragged on too long, which was great. I appreciated how understanding they were toward each other, and how he didn’t accept her so easily. It took him more than 25 episodes to recognize his feelings, and I found that realistic. At the end of the day, she is his enemy’s daughter — so him letting go of all the revenge he’d been holding onto for years instantly would’ve felt out of character.

Everything was just on point. The story was unique — not the usual dynastic plot, but more clan-based, which was a nice change if you watch a lot of historical C-dramas like I do. I was also really surprised by how much sarcasm and comedy was in it. When I first saw the trailer, I thought it would be a dark show, but it turned out to be lighthearted and fun. Honestly, I laughed more than I have at actual rom-coms!

I loved how they were always willing to say “I was wrong” and take responsibility — that’s such a beautiful thing.

I felt bad for Bi Zhi when Fan died, because he never actually wanted to be a commander. He only took that position to protect her and build a life with her. But in the end, he lost her and had to raise their son alone. That was really sad. Although I didn’t really like her character, I understood her — I just wasn’t very emotionally invested in her.

Also, F4 deserved to get a happy endings :(
So happy Zu Er was cleared so we were able to finally see this masterpiece. Wish we got a special episode so we could’ve enjoyed them one last time.
I keep finding myself repeating scenes as there are truely amazing memorable scenes. I would say it’s a rewatchable cdrama for sure. Not too heavy and full of romance.

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I am too emotionally involved

In the beginning I was actually rooting for Hyungyu and Sohui since they are highly intelligent and had winner potential. But as the shower progressed, I found myself rooting more and more for the underdogs (Eunyu specifically and even 7high) and was getting so frustrated with the upstairs alliance and their hypocrisy.

When the games began to favor those with more pieces, I knew their was no chance. Compared to S1, I think the games were still very fun and interesting. But everyone in S1 was at least likable and a good sport. I definitely had ups and downs of who I liked and didn’t have any particular favorite until we neared the end and I just wanted anyone BUT Hyungyu to win. It’s fine to scheme and strategize but the dirty plays and getting to just easily coast in the living room and never fight for yourself *cough Sohui cough* (like the prisoners have to continuously prove) just felt unfair and rigged even. I know that’s being emotional but so what, I’m like Hyunjoon.

Once again I think Hyungyu earned his win, but I can’t say he deserved it. It was just so predictable and disappointing and boring. I guess that’s real life for you. Love to Tinno, 7high, Eunyu, Justin, Jiyeong, etc.

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GMMTV's Worst BL

I don't think I've ever seen a story that had an interesting premise go down the drain in 10 episodes. This is the worst show I've seen produced by GMMTV since Waterboyy and that's saying something. Heed my advice and don't watch this show.

First things first, I feel so bad for the original author of Tonhon and Chonlatee because I know it must've hurt to see your work bastardized in such a terrible way. Why the hell did they add toxic homophobia to a character who was never homophobic in the first place?

Tonhon was a male lead that I couldn't rot for in any way shape or form. It's time BLs move past the characters with toxic masculinity mixed with homophobia who suddenly realize that they're into men (or ONE man). Tonhon never atoned for anything of the hurtful things he said to Chonlatee or his roommates Ai and Ni or to any of the people he offended in passing. If anything Tonhon should've been left in the dust along with his homophobic father.

Chonlatee was an okay character, he had guts until it was time to check Tonhon on his homophobia. He was refreshing, in terms not taking shit from no one but I got tired of seeing Khaotung pull the same confused/constipated face everytime he was faced with an obstacle.

Ai and Ni were quite honestly strange and it was obvious they were a couple, Tonhon must've been dumb as hell to not see through that. Mike and Toptap have acted together and previously were each other's love interests in 2Together, so I was confused as to why the chemistry wasn't good as it was before. Their chemistry was sorta there but their performances left me wanting. Also what was with the cut scenes around them kissing lmfao. Did they not do it properly or something?

GMMTV definitely through this garbage together and thought they could feed it to BL fans with no consequences. The budget was not ENOUGH for this production, as it looked like they cut corners and shit. I know they pay well and are quite well known so I'm not sure what's up with the lackluster production.

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For me, the title of this show should be more like “Love and Hate in the Moonlight.” Because those are my feelings towards it - incredibly mixed and indecisive.

When Love in the Moonlight first hit my drama radar, everything about it put me off. The promo posters just radiated cheesiness, so much so that I’m pretty sure I internally gagged. Not to mention, everything about its premise was overdone and oftentimes badly so. The crossdressing girl, the handsome prince, the political intrigue mixed somewhere in there...Was it worth the risk of watching and likely being disappointed?

The thing about Love in the Moonlight is that it is definitely a good show. Well, partially. It suffers from what I like to call “K-drama syndrome,” where it starts off at its peak and then plunges down into its inevitable doom, where the plot and characters deteriorate in a cesspool of their previously glorious existences. It's exactly as revolting to us viewers as it sounds.

The storyline of Love in the Moonlight is incredibly unoriginal. Its desire to take on the tropes of a crossdressing female who falls in love with a higher-class man was quite impressive, and for a good half of the drama, the execution was phenomenal. I found myself practically twitching while I waited to watch the next episode upon release.

There’s something about cliches done well that’s just as appealing as a never-before-seen storyline, and that’s what Love in the Moonlight accomplished. Its cheesy romance was bolstered by a talented leading couple, and its political aspect was intelligent, yet not overly difficult to follow. Not to mention, the characters were all lovable, each with their defining characteristics that made you love to see them. I admired the drama's ability to make the usually predictable storyline both unpredictable and addicting, and making me take back all my doubts from the beginning. Touche, writers; but that victory only lasts for a little while.

The problem with Love in the Moonlight is that as time goes on, you begin to see the infection of K-drama syndrome more and more. I'll admit, the writers keep you on your toes enough so that you barely even notice the problems unless you take a glance backward. But holy cheese, did this show throw away its potential at being perfect.

The romance is great, that much I will stand by. However, I attribute that much more to the capabilities of the leading actors than the characters themselves. I adored the Crown Prince at the beginning, and I likewise appreciated Ra On’s quirkiness. But over time, the writers lost sight of what made these characters unique and reduced them down to “male lead” and “female lead.” I don't even want to talk about the atrocities of the side characters, particularly Ha Yeon, who faded further and further into the background. It got to the point where she would come on screen and my reaction would be, "who is dis," because she had become that irrelevant. I’ve seen static characters, but I was puzzled with how the ones in Love in the Moonlight somehow managed to all move backward in development - their quirks disappeared. To me, there was nothing sadder than the moment I admitted to myself that the only reason I still liked the Crown Prince was because of Park Bo Gum.

Additionally, I have to say that the writers really lost themselves nearing the end of this show. It was cliche in the beginning, but at least they carried it out well. By the end, they were throwing so many tropes in your face that it almost bruised me. Most of which, I didn’t appreciate at all. There’s a difference between using previously-seen plot elements to better a show, and using them just because there is a need to. By resorting to the latter, the writers failed what could have been an absolute gorgeous ending.

For me, the one trump card of this drama was the cast, and this is the one basis I will recommend this drama off of. I sat down in front of the first episode knowing no one out of the main cast aside from Kim Yoo Jung, who I sneered at for being far too young for her role. By the end, I was impressed with everyone’s ability to portray their respective roles.

Park Bo Gum is phenomenal. He’s obviously goodlooking (those puppy-dog eyes though hehehehe), but the level of emotion he puts into every line and movement is awe-inspiring. Everything about his acting feels real, from the look in his eyes and - I swear - each shift of his facial muscles. He brings the Crown Prince to life in a way that I’ve honestly never seen another actor do with their character. And now I have posters of him on my walls. I wish this were a joke, but I guess I’m prouder to say that it’s not - he was just that good.

Yoo Jung is where I’m split. There’s no doubt she’s talented, but I’ll still enforce the idea that she was too young for the lead role in a romance drama. If you’re going to forget how weird it is morally that 23-year-old Bo Gum is interacting romantically with a minor, just know that her acting was far better in scenes where there wasn’t any handholding and whatnot. I’ll give it to her that she tried, and did well alongside Bo Gum, but she still needs more experience to pair with that acting talent. Soon enough, she’ll have a scary level of skill.

I would also like to comment on the music, most of which I loved. They chose a good collection of strong singers for it, and the instrumentals were beautiful (I listen to some of them when I work now because they’re that entrancing). I am going to go out on a limb here though, and say that the song they gave to Park Bo Gum was subpar. I know he’s capable of better music, and I just wish that they provided him the chance to blind us even more with his unlimited talent.

I’d say that Love in the Moonlight is worth the watch, if only to see how the actors are able to bring quality to a usually mundane plot. Despite the bits of disappointment I felt at the ending, I am still glad that I watched the whole thing through and I can say that I enjoyed myself for the most part.

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I rarely write reviews , but this time I just couldn't help it . This movie portrays the real meaning of a man loving a woman . If you watch this you will love the main actors , at first you will think that the lead is such a cutie but then as the story develops you see his manly , sexy and hot side which will make your heart go crazy ! "If only a guy like that exists in real life " that's what I ended up saying after watching this ! The story line is really sweet , emotional and sad . You will most certainly love the fighting scenes . I totally recommend this movie , just believe me and give it a try . You will never regret it .

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a subtle masterpiece

raw, intimate and delicate. it's tender and romantic and handles uglier topics in a genuine way. the music, cinematography and script were great. lovely use of light, colour and silence. the actors fit like puzzle pieces. more than plot it's driven by emotion which gives everything this subtle, quiet feel. perhaps to a fault for some viewers but i thought it captured the fragility of relationships really well. it's a drama to watch when everything surrounding you is loud, it feels like wearing warm earmuffs in the snow or sitting under the shade of a tree in summer. it didn't try to be more than it is yet it resonated with me and i feel like it would with some others too. in its simplicity i think it's one of my favourite dramas that builds and gives layers to each character, showing their flaws and strong points. i'll shut up now but i personally love this drama so much. hwang daseul has yet to disappoint.

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It was a crazy series that I watched????????

This is a crazy movie that I watched. It was insane, Dunk Natachai, thank you for killing all people watching you with your flirting and beauty🙏The plot, the production, the cast, the acting, the lighting, love scenes, crazy scenes, ost, it was all insane!❤️‍🔥❤️‍🔥Putting those scenes on this series is like pouring oil on an already blazing fire. After watching love scenes from here you realize how perfect two males together are, the chemistry and power dictated by the universe❤️‍🔥😍🔥🫶🌟🌹I will rewatch this hot series for many times and will come back here

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For starters, The only reason why I watched this series in one stretch is because of PUSH *drool*. I am new to Thai dramas, the one ones I have watch are the Ugly Duckling series, Full house, Kiss me and Roy Leh Sanae Rai. This lakorn is of 8 episodes, each episode of around 70 minutes. Just like any other drama/lakorn,this lakorn has the bad boy male lead, innocent but outgoing female lead, obvious evil second female lead and the sweetheart second male lead. It is a kind of light hearted drama.

Sibtit (Push) trying to woo Prikkang (esther) with his possessive bad boy ways which I found very cute, the lead was always horny trying to steal kisses from the female lead which I liked. This drama was quite unsettling for me because from what I have read comments and watched lakorns, suppressing women sexually is portrayed as if it is a normal element. After a few episodes of him wooing her and finally winning her heart (after forcing himself upon her), the lakorn goes downhill with more "what the hell is happening" situation which questions us whether he is supposed to be the romantic male lead or the one who is evil and trying to break apart the couple. Push's snd esther's sanity in this lakorn is questionable, although the drama ends on a happy note.

I was very disappointed with Push's role in this lakorn (which is very much likely the same role as roy leh sane rai) but because I like him and also because of his cute possessive nature as well, I completed the drama. This drama isn't for everyone because it can get WTFable later on, but for PUSHSTANS you can watch it easily.

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unique premise with convenient writing (watch suggestions)

Overall: although I enjoyed the premise, the multitude of "because the writer said so" stuff is took me out of the fantasy. 10 episodes about 45 minutes each. Aired on iQIYI. Later re-aired on Kongthup's YouTube channel https://youtu.be/yu0c3Kg2HoI?si=Hp6hpsto4VXeMiuU and Viki https://www.viki.com/tv/41076c-two-worlds-the-series

Content Warnings: murders, attempted murder, suicide, child abuse, drugging, blood, violence, torture, manipulation, manhandling, kidnapping

Watch Suggestions (this avoids some nonsense stuff and a love triangle)
episode 4 watch 9:50-11:20 for fun side couple bickering
episode 6 watch the whole episode
episode 7 watch beginning to 16:30 and 44 to the end
episode 8 watch 8:30-23:30 and then 32:30 to the end
episode 9 watch 24:20-37:20
episode 10 watch 44 minutes to the end

What I Liked
- unique premise
- mystery element
- Khram's female friend
- the side m/m couple
- intimacy/NSFW
- sweet moments

Room For Improvement
- my main struggle was that the characters keep acting completely unrealistically and it pulled me out of the story, a few examples included
* in episode 1 the whole "he won't do it again", the later not having a weapon or not having a bodyguard when a character knew he is in danger and then meeting in a sketchy location
* the medical scenario in episode 2 (should have gone with AB negative or rhnull but wouldn't the universal donor still work?)
* a character tortured another character, then one "I was a little harsh" and all was forgiven, similar thing happened in episode 10
* why didn't a character just tell another character the truth, there wasn't any world building that there would be consequences for this
* people on the run got out of a car in broad daylight
* not contacting police
* not immediately killing characters
* the dad received confirmation that what he wanted would never happen so doing what he did/said at the end of episode 5 made zero sense
* nonsense weapons being used including a butter knife and a sword
* nonsense doing that when extremely injured also his friend didn't seem to care that he left him there/didn't send help

- there were several times where the time jumps/flashbacks felt sudden or were confusing with which characters were in the scene, choppy editing
- the first few episodes had a lot of telling/montages instead of showing, I'd say they didn't have enough screen time but then some scenes could have been cut shorter
- in episode 5 they should have established that a character was evil because just being someone's son doesn't mean you deserve that
- a very cliche plot element in episode 9
- I saw 1 character as 2 different people so most of episode 10 felt like cheating
- unsatisfactory open ending

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