This review may contain spoilers
Ended in a cliffhanger...
The elefant in the room with this series is the lip-syncing of the whole audio. For me it always felt out of place. They could not transfer all the emotions of a scene in a believable manner. Unexpectable the kissing was not good either.The finale was a bit of a bummer. We get a cliffhanger for a 2nd season and I always hate it, when they do that. Chances are good with all the support this series gained it will happen. But to wait for a year for the continuation of this story suxx.
Besides the couples and the girl, I also think the acting was lacking. They choose to implement silly moments in such a dark story and I'm not a fan of it. Production quality was top notch, besides the lip-syncing.
We get a story between a "soft" gangster boss and a "innocent" student who is the pride not only of his family but of the whole neighbourhood. It's quite clear from the beginning that the student is drawn to the gangster and it's typical BL cliché that the gangster boss has to struggle to accept his own feelings. So nothing new there and nothing which does justify all the hype about this series..
Overall it was good entertainment but for me it was not stellar. And to have to wait for another year for the conclusion (or again 9 episodes with a cliffhanger) pisses me off.
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Love Endures, It's a beautiful tale of childhood friendships
It's a beautiful tale of childhood friendships and how they evolve over time. The journey from playful teens to complex adults is portrayed with emotional depth and relatable twists.A must-watch for those who cherish stories about enduring bonds and the rollercoaster of life.
My favorite line from the opening ost,
“From then on we had our own stories”
“The small universe in our respective orbits”
“Maybe in a city where dreams shine too bright”
“You will forget and lose those carefree day”
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First off, the story progression was absolutely great. It was nicely paced without giving everything away too quickly. A lot of things could have gone wrong with its progression but the writers avoided all my concernsl. If they changed the focus of the plot to tackle some of the slightest story lines that they left untouched, it would have hurt the overall plot progression, but whomever wrote the script is a genius.
Secondly, the cast was great. With each drama I watch, I keep saying "oh God this cast is great," but end up somewhat feeling like I forced myself to say that. However, with this cast, I instantly saw the chemistry and knew that they were having fun with it. They weren't forcing themselves to play the role. Instead, it came naturally and that's the beauty of this cast. Also, the love between all the couples was refreshing. As a dude, I would normally cringe at this stuff, but the more K-Dramas I watch, the more I become inclined to smile at a good K-Drama couple when I see one and this drama was no exception. Love was all throughout the air, and I need to kindly ask to borrow some of it (and So Nyeo if that's alright).
Music wise, K-Dramas never tend to fully grip me with their soundtrack choices, but damn, this one made all the right choices. For the first ten episodes, the dramas usage of music was flawless. The songs put at each scene were cleverly chosen, and I applaud the PDs for that because some dramas choose pretty good songs, but either use them at the weirdest spots or over use them. As the show progressed, especially in the last four episodes, certain songs were being over used, but they were still being utilized well. The OST was ridiculously good and that goes for the BGM all throughout the show, too.
Lastly, for re-watch value, I give this one a 9, but honestly I never re-watch a drama, but this one is probably going to change that. I might re-watch this bad boy during Christmas time or something, but I never thought I would ever find myself saying "oh I'm going to re-watch this drama."
Overall, ridiculously good drama. Execution, writing, camaraderie, this show has it all. If you ever are contemplating whether to watch this, stop because It's Okay, That's Love is a worthy sixteen-hour long ride,
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This drama can best be compared to Full House. Their resemblance at times was eery. Both dramas have a bickering couple, cuteness, a killer OST and a lot of repetitiveness. It's basically the whole back and forth of will-they-wont-they. The thing is you already know the answer and if you are not patient or if you don't have a lot of time on your hands you'd just want to give up.
I wish this drama could have remained the way it was introduced. A bit random but fresh with a lot of appeal. I won't say the freshness died or anything because come on, it is set in JEJU frickkin island. The cinematography was killer and the lead pair is endlessly soothing to look at. I really enjoyed the old school Kdrama style it followed at times but during others it made me want to tear my hair out.
I didn't have the will to rate it higher than a 8 nor did I have the heart to rate it lower. The second leads are terrible in the drama. The other couple (hyung and the diver lady) were the funniest till their relationship had nothing left anymore.
I want to mention the little attempt the drama makes at encouraging people to try living in Jeju- including foreigners. I liked how they have little programs for people to adjust to the lifestyle there. Plus they showed a really nice relationship of the people living there. The mayor was shown as a sweetheart to all the people and the way he went around in his bicycle was adorable. <3
Baek Geon Woo was a cutie at times and a jerk at others. I wish Lee Jung Joo could be a bit hard at times but she was too soft-hearted. A classic Kdrama heroine in short. Think of Full House and the characters are almost a replica at times. I dunno if anyone else felt that way or not but I did.
Anyway, I had a lot of issues with the drama but couldn't get to rate it any lower. Like Dramabeans says, how much I enjoyed it v/s how much it deserves- I'd say an 8 v/s 6. That's it. Now decide for yourself whether you wanna watch it or not.
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I hope for the last, but given what it’s to come, I can’t be too optimistic. This show has one quality in my book: it prompted me to finally watch an Asian drama to completion, after months of going over all my repertoire of already known by heart dramas. And what better way to come out of a slump, than jump happily into Melo at its highest... or lowest?
Relax, I'm not going to bore you with long explanations as to why I find this drama ranges from interesting to mediocre - suffice to say that it has all your average paraphernalia attached to a melodrama: cancer, stabbing, abandoned children, scheming side characters, the mob, the corporation with its shareholders and a complete absence of logic.
This said, if one enters Meloland with a clear head, one is also prepared for all the above and more.
However, I'd lie if I said I enjoyed the descending curve of both plot and acting, which started well and ended horrible. Beautiful Song Hye Kyo suffered a pitiful case of DAS (Degenerative Act Stiffening), to the point in the end I couldn't help but wonder if there was a real person under that perfect skin of hers. Her behavior was at times so random I had to check whether I was watching the same drama or had been catapulted into another while I blinked.
Jo In Sung is like a shot of hormones through the veins, hence making every other consideration a little hard, at least until my female mind has fully cleared from the fantasy of his km long legs and other amenities. But while I think he’s great in portraying his desperation, I do believe there was just a tad too much desperation as a whole. Why not simply make him play poker, fight and interact with yummy Kim Bum? The ending of the drama would have made just as little sense anyway.
Therefore, the acting as a whole was good, at times incredibly intense, but at others over the top or repetitive. Not the best I’ve ever seen. And as superficial as the issue may be, I found the kisses, all of them, highly disappointing, almost a relapse into K-drama wall-kisses after a series of dramas that made us all hope for a change.
I loved the piano pieces, not so the songs.
On the positive side, there’s a plot that keeps you curious as to what will happen, a wonderful cinematography – I do believe this feature should be given a mark of its own, That Winter would get a full 10 – a pair of lovely side characters, well portrayed by Kim Bum and Jung Eun Ji, and Moo Cheol, one of the most complex and appealing villain I remember . It’s definitely worth a try, granted you like makjang and don’t really care for plausibility in a work of fiction.
Oh, and please someone give me the name of Oh Soo’s coats’ designer, because they are all absolutely gorgeous and I want them (yes, before you ask, I know the coats will not come with Jo In Sung inside them…)
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This review may contain spoilers
Powerhouse Acting, Fragile Script
The Art of Illusion | "If you can't distinguish fake from real, then is it really fake?"➥ SYNOPSIS: The Art of Sarah follows a woman who reinvents herself through carefully crafted lies, climbing into high society using nothing but intelligence, confidence, and deception. As a murder investigation begins to unravel her world, the drama slowly reveals who Sarah really is - and how far she’s willing to go to protect the life she created. It strongly reminded me of another Netflix show "Inventing Anna", especially in the way it explores identity, ambition, and social climbing through illusion. But that's where the comparison ended.
➥ MESSAGE: The drama critiques society’s obsession with status, luxury, and appearances. It shows how easily people accept illusion as truth when it’s packaged attractively. Prestige only exists because powerful people decide it does. In many ways, the system itself creates someone like Sarah.
➥ PROS: Acting & Visuals/Cinematography
I started this drama because I believe in the acting talent of the mains - Shin Hye Sun and Lee Jun Hyuk. I have seen them since the time they have been support actors & have loved the evolution as being regarded as acting powerhouses. And they both have a visual presence that you simply cannot ignore.
In this drama - Shin Hye-sun completely owns it and rightfully so as this is Sarah’s story. She moves effortlessly between confidence, vulnerability, and manipulation. She shines brighter than the glamour and couture of "Boudoir" bags. Lee Jun-hyuk plays the investigator well. He’s solid and convincing, but I thinks his character was not written well, as I have seen him much stronger before. Still he powers through as he's a talented and actor, and together, they made the cat and mouse chase enjoyable. The cinematography adds to the story as it is sleek and stylish, with luxury settings and fashion that reinforce the theme of illusion without overpowering the story.
➥ CONS: Weak Writing & Unexplained Plot Holes
Despite my genuine affection for the lead actors—and the undeniable talent they bring to their performances, which makes the drama consistently engaging—I can’t overlook the evident weaknesses in the writing. One particularly glaring issue was the unexplained corpse introduced in Episode 4, a plot point that was abruptly abandoned as the story shifted in a different direction. Additionally, the ending felt overly convenient and ultimately unconvincing. While I appreciate the intended message, its delivery seemed rushed and would have benefited from clearer development rather than relying on a convoluted “con-within-a-con” twist. Although the conclusion aligns with the central theme—that certain circumstances can give rise to someone like Sarah, and others like her—the final episodes lacked cohesion and narrative payoff.
➥ OVERALL:
I’d still recommend it as a one-time watch—it’s short, well-acted, visually strong, and offers thoughtful social commentary. While the writing could have been tighter and better developed, it remains a solid effort and an engaging pick for the 2026 drama line-up. If you enjoy stories about con artists, investigations, manipulation, and social themes, you’ll likely appreciate it—just go in with reasonable expectations rather than expecting a masterpiece.
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This drama needed a soul......it was so lifeless and cringey
The minute you label the genre as romantic comedy, then a thousand expectations are dropped but yet only a handful remain.And if you can't even met those then the drama needs to be trashed.
ML : basically the only person/object/character worth watching. He is the only reason I endured 16 hours of cringey material.
FL : goddess of goodness. I wish more girls like this existed - but they don't because her character was fake and so was her smile. Outrageously created do-gooder, star winner......just nauseating.
Main Couple : I couldn't find the chemistry within 16 hours of torture. Romance is tepid, no sizzle, no heart fluttering scenes. Please don't call it a romance if you cannot make our hearts flutter. It's the only request we have for you.
The friendship between 3 females : they should really edit out all the scenes with the 3 friends because it is an embarrassment to young women. Who behaves so idiotically? Are these stolen clips from a 70's drama?
Bad coworkers : Yea,right
Trip to Thailand: ridiculous joke
Arab Prince: The comment and review sections are filled with this so go figure.
This drama had a hope, some good bones. Unfortunately they wanted a quick fix so the whole thing came crumbling down.
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No. Just no.
I should have know this was going to be a disaster after seeing the trailer and the intro episode. I honestly don’t really like anything about this show. Not the plot (it wasn't really interesting), not the execution, not the acting, not the OST… it was all very bland and mediocre. The cinematography isn’t the worst I have seen, but the lighting and certain shots are done very strangely. The comedic sounds were horrible and didn’t really blend in.Dino & Rak: Dino looks too old to be in university and most of his “seniors” look like they are ten years younger than him. As a character, he was very straightforward but also in a slightly creepy way. I didn’t like how pushy he was at times, but also super closed off and not ready to share anything with Rak. Rak is… well Rak. There is nothing about him that stands out, he is soft and innocent. And that is his whole personality. There was some chemistry between the two actors, but it didn’t translate well most of the time. I knew Pepper (Dino) from before and I must admit I didn’t really enjoy his acting in this series. As for Kong (Rak), it felt like he had one, maybe two, expressions throughout the series. His crying was not believable, and the adorable-yet-dumb look that he wore the rest of the time was annoying.
I really wanted to give this series a chance, hoping I would at least like some of the side characters. I know that there are three more couples in the Buddy Line Y Animal storyline, so I thought at least one of them might interest me to watch its future series. Yeah, this was my one and only try at it because the rest of the characters were very meh as well.
I honestly ended up skipping a lot of the scenes, mostly because it got boring and kind of repetitive very quickly. I don’t fully understand what they were trying to do by dragging this series out into 10 parts when the storyline could be done in a much better-rounded way in less episodes. It would probably be less boring too.
I dropped this on ep 7, mostly because I couldn’t force myself to watch any more of it. Even with skipping big chunks of it. It just wasn’t an enjoyable watch.
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Karma was absent for 90% of this series. Romance decided not to show up at all and social reasoning and common sense responses/reactions was often napping while filming.
Again I wouldn’t recommend this to a mature person, it would be appalling and ridiculous to them. If you can stomach clingy females, ridiculous reasoning, wishy washy people and whinny bits you’ll like it, however for me this was a big No no.
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Drama is so good
Oh my goodness, this drama is so good! 🥺😭🤍Daily dose of sunshine is my new favorite drama! Even though Daeun's first day is already stressful it was a heartwarming drama. I found myself getting quite attached to the characters from the psychiatric ward because they had their own personalities nurses, physicians, guardians, and patients.
I enjoyed how each episode's narration and the patient's perspective on mental illness were portrayed. It was also entertaining to watch the love line between Go Yoon-da-eun and Yoo Chan-da-eun Yeo Hwan-deul-le!
One of the best of the recent Netflix originals!!! ♥️
Mental illness is an unpredictable illness that can strike anyone, anywhere, at any. I'm thinking a lot about this line.
**
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Renascence Means Revival
There is a reason for this show to be titled Renascence. It’s about vengeance fulfilled, doomed love revived..... and bad editing redeemed (at the very end).Renascence is adapted from the graphic novel, “The Cry of the Phoenix that Reached Ninth Heaven”, but deviates somewhat from the original plot, according to a number of readers. This is a serious historical drama with sombre themes, intense acting, and a largely experienced cast and crew. Director Liu Hai Bo helmed the exceptional The Rise of Phoenixes while the supporting cast comprises some notable veterans. Even the leads like Chen Zhe Yuan had performed so well in Handsome Siblings. I don’t know much about Li Mo Zhi but looking at her filmography, she seems experienced enough leading dramas, so I had a really high expectation on this one.
In most historical C-dramas, we dread the tragic or open endings while constantly hoping for a happier and positive outcome. Here, we were continuously worried that the conclusion, in any form, would not even be given to us.
What went wrong?
The EDITING, primarily. The show was cut from the originally planned and filmed 70 episodes to 36 episodes. We know why it needed to be cut (new industry regulations, I would think rather than censorship reasons), but why 34 EPISODES CUT, only heaven knows. This affected the entire storytelling and pacing, as well as creating plot holes large enough to inspire viewers to glean invaluable answers from various BTS footage. There were scenes that didn’t make sense, characters that appeared from nowhere and story arcs that suddenly concluded without warning (or concluded too quickly without much satisfaction gained).
There were some acting and casting issues with various characters but that would be nitpicking so I’ll leave it at that.
What went right?
The ending, obviously. Fortunately the producers didn’t destroy the one thing left for viewers to hang on to – a happily ever after ending that mostly ties up the loose ends, which thankfully wasn’t edited out. There were real fears that we would only be shown 30 seconds of that, if at all. Although the final episode did feel somewhat rushed, it’s the closure that counts, and what an end it was!
Chen Zhe Yuan is another redeeming factor for this show. His acting was on point, and he delivered a totally different character in Prince Su here as compared to his previous effort – he was restrained and stoic in comparison with his more carefree and laidback character in Handsome Siblings, and that’s due to his versatility and range. His emotional scenes were convincing, and there were many. Although he doesn’t come close to Cheng Yi - who does anyway? - he did deliver a commendable depiction of the tormented lover who had to see the love of his life abandon him to marry his own brother. Twice.
Initially I wasn’t too convinced with Li Mo Zhi as the FL. I felt Eva Cheng was better suited to lead but, she proved me wrong by gradually growing into her role and showcased such remarkable character development as the show progressed. At exactly the halfway mark (ep. 18, 24:05), she dramatically and majestically turned into an epic badass, giving off serious Zhao Yao, Shen Lige, Chu Qiao, Fu Yao vibes in the process. This was truly the pivotal moment where our completely transformed FL was finally unleashed. It’s interesting to note that Li Mo Zhi bears such an uncanny resemblance to Chen Chiao En (Joe Chen). At times I felt like I was watching the Taiwanese drama queen on screen.
The many plot twists were major talking points throughout the show. New conspiracies and machinations kept coming while numerous villainous characters were introduced and deliciously evolved at frightening frequency. The remarkably fast pacing was no doubt a result of the reduced episodes and lack of fillers, which isn’t entirely a bad thing if only they hadn’t cut the important details out as well. Even till the final stretch of episodes, still the screenwriters kept cramming as many new side plots as possible. This drama truly never ceases to amaze at nearly every turn.
The OST here is outstanding. I’m glad the music wasn’t affected by the editing in the show. The opening theme, in particular, is very good. Track list as follows:
1.叶倾君 - 金润吉 (Ye Qingjun-Jin Runji)
2.涅槃 - 陈哲远 & 李墨之 (Nirvana-Chen Zheyuan & Li Mozhi)
3.春知 - 刘美麟 (Chun Zhi-Liu Meilin)
4. 一诺 - 晏紫东 (Yinuo-Yan Zidong)
It’s worth mentioning how captivating the Emperor’s voice has been in this drama. As commented in the discussion board, he was voiced by a notable voice actor, Bian Jiang (边江) who also dubbed Wang Yi Bo in The Untamed.
Confusing elements?
Concerns and confusion were regularly voiced out by viewers regarding the “soul switching” and usage/ abuse of the bodies in question. The horrendous editing and resultant plot holes, as well as the inclusion of an amnesia arc, all added to the uncertainty of what exactly is going on and WHO the FL actually is. With the plot of the drama deviating significantly from the novel, it was left to the screenwriters to then devise an alternative outcome to the story.
My take on this is that from Day One, it had always been Mo Xin who took over Mo Wan’s body. She did lose her memories at one point, but it was still the amnesiac Mo Xin in Mowan’s body. The person whom Prince Su was attracted to and fell in love with (again) had always been Mo Xin in the guise of Mo Wan. And so it proved, right to the devastating end…although I wished it could have played out a little differently without that tragic sacrifice…
Overall
Regardless of the problems this drama faced, and the confusion it caused because of the poor editing, I still enjoyed Renascence very much. The unpredictable twists and turns in the plot kept things interesting, and because everyone was informed of the impending happy outcome at the end, it balanced out the (minor) angst and frustrations from certain events in the show. I would recommend that you give this show a chance, enjoy it for what it is and really suspend disbelief for as long as you can (hopefully till the end).
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Violence galore lacking meanings and life lessons, too much side stories, good acting
UPDATE: I still think this non-linear storytelling doesn't work well for a 20-episode drama. Many characters were left underdeveloped, their back stories felt like unimportant side stories. I wish they'd cover the core story sufficiently here... So I'm not really looking forward for the 2nd Season.I have mixed feelings about Moving, I found this action show to be unique and gripping although I do not gravitate to watch a superhero genre. I really enjoy the suspense and stake built within every episode; At any moment the storm is coming and the action really starts where anyone can die. The pacing is fine and what's great is that all the characters are given their moments to shine. Another pro is the CGI, they are great quality and really believable.
Moving spends a lot of episodes introducing us to its many characters and setting up the story. The first 7 episodes highlight the kids' superpowers and friendship while hinting to us that their powers might bring more trouble than they’re worth. It gives us glimpses of the mystery and danger to come. I love the healthy relationships between parents and children throughout the show. I also want Bong Seok to be happy, although I'm not completely sold on a romance between him and Hee Soo. While I appreciated the parents' stories as well, after the 13 episodes of our character's backstories, I still have very little attachment to most characters besides Bong Seok. They are not fully fleshed out. This is way too structured, by the time I get invested in these characters, their story is over already (@,@).
Watching the 2nd half have left me feeling bitter and it does not recover till the end. My main issue is that the writer and director purely highlight violence is romantic in these backstories. In a world dominated by conspiratorial and corrupt governments, the only way you can survive is by murder. Also, the portrayals of North Korean villains as monsters could have been more intriguing if they're written as more morally gray characters. Their superpower is used to kill, not for self-defense, and sorry to say, I really dislike it. If that's the case, then what's the difference between heroes and villains?
-Sept 2023, Yovita
Find me on Instagram: @kdramajudge
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Great moments, but moments only.
Who likes a healing show about a timid female lead who moves away from the toxic environment to end up in another toxic environment and receive close to no character development? Not me.Like many other slice of life shows, this one also has little to no plot, which is completely fine. These are not supposed to give you thrills and excitement, they are supposed to be relaxing and warm. When I go into slice of life, I’m getting ready for a little bit of life lessons and characters I want to befriend, ones that make me want to root for them. Did this show deliver any of these? Not really.
Starting from Lee Yeo Reum - doormat, timid, no self love nor self respect. No issue with that. I wanted to go on that self improvement and self discovery journey with her. But damn this girl got on a merry-go-round and ended up in the same circle of self pity. The moment I thought she learned her lessons, she went back to the old ways - ready to blame herself, ready to take a step back, ready to run away. Trying to fix it all in the last episodes is not the way to go.
While An Dae Beom was better and for sure a stronger character, he also got easily manipulated by others, mostly by Ji Young. At some point I started to question myself - am I liking the character or am I just completely biased towards Yim Si Wan and I will just buy anything he sells?
Then we have all the other characters who either: started well and ended annoying, started annoying and miraculously became nice in between scenes, started annoying and ended annoying. There was honestly barely anyone to root for… Which is a true nightmare for a character driven slice of life drama.
To be perfectly honest though, I can deal with annoying characters, but I cannot stand conflicting messages. Yeo Reum tells herself to only think about what she wants and feels and not care for others, but also tells Bom to put her grandma and her family before her own emotions and well being. Protecting an alcoholic and abusive father is fine, but protecting your son with developmental issues makes you the top enemy. I am sorry, but what am I supposed to learn from this show? What is the message? What does the writer want to present and tell me? For me, it all made no sense.
Yes, the ending message was great - appreciate what you have, find happiness in little things, you don’t have to excel in everything, just being happy is enough of a reason to be alive and enjoy the moments. IT’s all great, but why did they fail so badly with all the other issues they talked about?
And I know how some people will scream “realism” as an excuse for some of the topics. Sorry, but you cannot explain some awful takes with it, while also ignoring the complete lack of realism in other aspects. You can’t have both.
Last, but not least plot wise - the “mystery”. When the characters have to explain EVERYTHING to me through the dialogues and flashbacks, it means the writer completely failed to set it up. I should be watching and connecting the dots myself, not get everything served with a narration.
From the acting and production side, it was great. Kim Seol Hyun improved greatly since her debut, and everyone knows Yim Si Wan is one of the best idol turned actors. The teens did an amazing job too, I especially liked a.mond’s performance - cheerful and hyped, but with hints of sadness and tons of loneliness.
Visually, Summer Strike is beautiful, I cannot deny it. They used the environment they were filming in to its full potential. What’s the point though, if the story is not on the same good level of execution? This year we had a holy trinity of dramas with amazing and beautiful moments, but also poorly executed overall plot and character’s development, and laughable villains - Today’s Webtoon, Cheer Up and Summer Strike.
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Will You Become “ Mad” At This Drama?
It has been said countless times before in the reviews, however, novice screenwriter Ah Kyung’s ‘ Mad For Each Other’ did surprisingly start on a fairly high note. The storyline incorporated the more avant-grade archetype of the ‘ unconventional lovers’ where both leads suffer from mental health issues. ( A tone reminiscent of Rain’s movie ‘ I’m a Cyborg, But That’s Ok’ [2006] .)
‘ Mad For Each Other’ focuses upon Lee Min Kyung( Oh Yeon Seo), a woman suffering from repressed trauma, social anxiety and paranoia as well as her matched “ potential love interest” Noh Hwi Oh( Jung Woo), a suspended cop who suffered from anger management issues. In between the more questionable faeces jokes of the first episode, ‘ Mad For Each Other’ did seem to have a lot of potential towards being an intriguing love story. However the drama slowly began on a downwards slope as a consequence of cataclysmic screenwriting and certain acting performances in later episodes.
This problem became particularly prominent with Min-Kyung. Oh Yeon Seo isn’t entirely a terrible actress, however, her over-the-top expressions and reactions as her onscreen persona can quickly grow tiresome for some viewers.As a character it is understandable that Min-Kyung suffered from low self-esteem and so her journey to developing an “affectionate relationship “ with Hwi Oh was always going to be a rocky road.
However, it was an ineffable screenwriting decision that one minute Min Kyung seemed to be presented as an unfortunate young woman suffering from social anxiety who is trying to get over her trauma , and then later in the same storyline she is dumping Hwi Oh,getting triggered at Hwi Oh trying to help her, running away and then yearning over Hwi Oh once more.
It is understandable that Min-Kyung is supposed to be a flawed character and struggles throughout the drama to make her own moral judgements, however, rather than using previous exposition ( such as Min-Kyung learning self-defence lessons from Hwi Oh) in order to allow this character to develop as an individual or defend herself, the show enforces the stereotype of the “ fickle female lead” into the mixture in order to allow Hwi Oh to become the “ dashing hero”. ( In a montage during the finale which was an unintentional laughable parody of an 80s car chase scene.) There’s an evident difference between low self-esteem, and a lacking of self-respect; something that screenwriter Ah Kyung seemed unable to distinguish between with Min-Kyung as a character.
Oh Yeon Seo’s costar Jung Woo seemed to carry a fairly “ down-to-earth” ambience as his onscreen persona Hwi Oh. However similar to Min-Kyung’s more “turbulent” moments in the drama , Hwi Oh was the epitome of “ writing gone bad”. As it happens it wasn’t necessarily that this character had a” dire” creative setup in the beginning . Hwi Oh ( similar to Min Kyung) showed a gentler side to his cantankerous personality ( such as promising to help Min Kyung with her self-defence lessons)throughout the majority of the drama.‘ Mad For Each Other’ seemed to particularly struggle, however, with Hwi Oh’s intended character development across the show.
Hwi Oh just seemed to raise one question above all; “ how on earth did he pass police academy exams and become a police officer in the first place, when he often allowed dilemmas ( especially the incident with the ex-boyfriend and Min Kyung entering the abandoned building)to boil over?” It’s easy to put together that Hwi Oh is supposed to fit the “ disgraced and renounced cop” archetype because of his short-temper. However it was hardly to truly comprehend what even motivated Hwi Oh to becoming an officer, or even truly understanding why we should feel pity for Hwi Oh over his role in the first place when he often was pretty dumb with his strategies ( case and point with the car chase with the ex-boyfriend) , acting aggressively ( at times) towards Min Kyung and then not thinking to even try putting together concussive evidence and case reports towards Min Kyung’s- ex’s records. This isn’t stating that Hwi Oh should have been the “ police prodigy” archetype, however, even if the show had perhaps delved into something that Hwi Oh had flourished with his job as an officer ( such as fighting or capturing criminals), and then something he struggled with or was mocked by his peers ( his strategies or even just struggling with a desk job), Hwi Oh would have felt been more sympathetic for viewers as the “ flawed cop” trope that the show seemed to struggle to concisely execute.
As far as their relationship is concerned, the best way to describe the pairing between Min Kyung and Hwi Oh is “ flawed for all of the wrong reasons”. Relationships are naturally messy in real life and it did present
a potentially interesting setup to see two unconventional characters, helping to support one another but whilst there were undeniably elements of Hwi Oh and Min Kyung learning to lean upon one another over the course of the drama, their pairing was undeniably oppressive for both parties. Hwi Oh could often been controlling and inflict aggressive conduct ( anger issues or not) towards Min Kyung, whilst Min Kyung often lashed out before neglecting Hwi Oh and then loving him again because it was “ necessary to the plot”. It wouldn’t have been too bad perhaps if the drama had allowed these characters to recognise their mistakes, show remorse or at least acknowledge their wrongdoings, however, the fact that both characters were quick to bury their problems under the sand in order to “ be together”, made this toxic relationship hard to watch for the most part.
Oh boy, then there’s the incomprehensible side characters. On a more positive note ( and against all odds), the occasional appearances of the irksome gossipy residents and Hwi Oh’s police officer peers were arguably more entertaining at times than our main characters. However, then there’s Soo Hyun ( Lee Soo Hyun); the definition of the “ prosaic filler character”. It isn’t inherently that her scenes were “ bad” or “ terrible” and the setup of her character trying to work multiple jobs and aspiring for higher goals , was an intriguing setup. However the show didn’t really give Soo Hyun enough time to really be “ fleshed out” or understand her motivations as a character aside from being the “ girl who pops up on the screen and starts randomly singing just to promote that the actress is an idol singer”.
Also on the sideline of prosaic side characters was the therapist ( who quickly became elusive to the majority of the events of the storyline apart from arguably having the potential to play the most important role), a psycho and then “ Samantha” ( Ahn Woo Yeon). Now, there’s two decisive arguments with “ Samantha” as a character; the positive by an attempted representation of diversity within South-Korean society, the second being distasteful for some viewers through the comedic scenes . Despite covering over more hard-hitting issues such as mental health issues, cyber bullying and transphobia, it seemed as though the drama often struggled to truly convey these messages more profoundly. This isn’t due to the nature of the drama as a “ comedy” but rather the styling it took as a “ lighthearted” show, rather than allowing or pertaining more “ bittersweet” elements to enter the storyline. The ending wasn’t bad per say, just more “ questionable” considering the storyline arc.
It’s establish that this isn’t to concisely rule that “ Mad For Each Other” is a “ terrible” show as some watchers may enjoy the comedic scenes and setups, however, “ Mad For Each Other” is arguably more of a “throwaway” drama - easy to binge-watch and certainly with a fairly catchy OST, but leaving a bitter taste for certain watchers by sporadic plot logic and one-dimensional characters.
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I thought the cast were brilliant- at no point did I find their acting wooden etc and I thought the two main leads were fantastic. The last drama I had watched Lee Hong Ki in was You're Beautiful, so needless to say he was much better in this drama. The same went for Yang Jin Sung, as the last drama I watched her in was City Hunter.
I loved the music in it- especially Lee Hong Ki's song!
I don't tend to re-watch dramas, but I definitely will re-watch this one again sometime, hence why I gave it a 7.
I really enjoyed this drama, and I enjoyed all aspects of the show- from the romance between the two leads, the incredibly cute grandma and the ghostly backdrop of the curse (as well as the lovely ending). This is the best drama I've watched so far this year. :)
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