But the story was absolutely brilliant. It had some great plot twists that were genuine twists, as in, it was actually unpredictable. Obviously it had a scientific aspect to it, but wasn't full of jargon, so you don't need to be a science nerd to enjoy this. It wasn't full of action, though there were some great scenes, but it was never blandly telling the story either. Most of the technical stuff, ie the stuff on computer screens, were in English, and for us non-Japanese viewers, it really helps to understand the plot better. All the characters were fantastic. The writers did a great job balancing out each individual character's depth and background, and so none of the characters felt false, or like just fillers for the plot.
Acting of the cast, again was incredible! there were a couple of iffy moments, but still it was good. Nino I think, did brilliant as Ryuhei, a really fascinating and complicated character. And not just Nino, all others were just as brilliant with their characters.
The music was perfect. They used several tracks, and they matched all the scenes perfectly. It was quite a long film, but it is definitely worth rewatching.
Overall, this movie is totally worth 10/10. No matter if you are a science buff, or action/thriller buff or a Nino stalker, you would absolutely love this film. Happy watching everyone!
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The romance is the fluffiest thing in the world and the couple has good chemistry, they look really cute together.
I hadn't watched a drama with Yoo Seung Ho before but I've developed a crush on him watching this it seems, he's such a good actor who portrays emotions really well. Chae Soo Bin is also a great actress, I applaud her for the dual portrayal of both characters.
The main negative thing I could point out is how some scenes are too childish and naive.
Overall, I only recommend giving this drama a chance if you're prepared to lose some braincells and to be frustrated by the draggy episodes.
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Ao Haru Ride’s Best Live Action
Let me start with stating that I was a fan of the anime, and quickly pick up the manga right after, and unfortunately did not end up as one of my favorites due to many frustrations, but I was super excited about this live action since the trailer came out, why???THE PERFECT CAST! like I was so surprise of these cast. I have also previously watch the live action movie version, and that pale into comparison with it’s casting especially for the main leads. I expected myself to be attracted to Kou, but never expected myself to be more attracted to Futaba on this version, the actress is such a delight to watch, and she wasn’t just pretty, she absolutely nailed the character, it was such a natural to watch her.
Season 1 only has 8 episodes, compare to anime who has 13 episodes, and the anime did not even get to a point where the main leads had their first kiss, so that being said a lot had been skipped. This live action was more fast paced and only focus on the highlights of the story, I would have like them to have spend more time on the friendship side too, and here I am suddenly wishing JDrama would have more episodes on their season. Probably the only cons I could point out. It would have been more flesh out relationship/friendship wise if there were more episodes to show the interactions.
Despite it being felt short, this version was definitely worth watching, the cast brought in their characters on a silver platter, they like came out of the pages, and portrayed their part beautifully.
The chemistry between the leads was great! I wish to see more and more of them, and I cannot wait for the season2. I need the sweet couple moments!
IF YOU ARE NOT FAMILIAR WITH THE STORY:
The premise was amazing, the story is truly a classic romance story with all the drama if you like drama. Childhood friends/crushes who parted ways due to unexpected situation, and met again when both aren’t the same person as they used to be, and despite that changes, managed to still fell for each other the second time around and mixed it with drama.
I used to be very frustrated with Kou like I wanted to shake him so badly, but with this version (at least to what has been shown so far in terms of Kou’s attitude with Futaba) it’s been tone down which I appreciated so much, and the portrayal of the actor makes me understand his situation and his actions, his eyes are very expressive that hold such sadness, and all kinds of emotions.
With more drama coming their way on season 2, I would like to separate that second half of the story from my rating, season 1 served well and big thanks to the cast, I enjoyed every part of it.
THE OST WAS SO BEAUTIFUL! I’m addicted to the ost, it has been on repeat.
P.S. big thanks to the subber that subbed the show, she didn’t want to be linked but you’ll see her watermarked at the credits, it’s been amazing watching fansubs again, it takes me back when subs are done so beautifully matching the fonts, subbing all parts.
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Beautiful drama. 10/10
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1South Korean history lesson
"Oasis" is a dark/noir drama series since it is set in the era of the dictator Chun that set up a concentration camp for "purificatory education". It shows workers/college student movements (represented by supporting character Lee Jeong Ok [Doo Hak's younger sister] and second lead character Choi Cheol Woong) in the 80s and the hideous government education camps (character Choi Cheol Woong experiences the abusive purifying education). The story includes movie theaters in the 80s where movies were so popular (represented by movie theater owners/movie producers character Cha Geum Ok and main female leading character Oh Jung Jin / Sophia in "Oasis"). Historically, some movies became the most entertaining films that are still regularly watched today. It also tells the story of a former slave/servant that does whatever his former master wants him to do, including giving up his second son. I am saddened when Abeoji Lee Joong Ho died (the main character Lee Doo Hak's father, a farmer and a former slave/servant). The scene is so harrowing when his wife, Eomma/Eomoni Jeom Am Daek (main character Lee Doo Hak's mother) sobbing aguishly when her husband died and during the funeral and funeral procession. "Oasis" is a mini series that is a gut-wrenching portrait of the parental sacrifice and the oldest son's filial piety, a complete obedience to his parents (represented by male character Lee Doo Hak). It also tells a story of a manipulative woman Kang Yeo Jin ( "Cheol Woong'mother") that will do unapologetically by any means necessary including lying that "her" son, Choi Cheol Woong is her former lover (Deputy Hwang Chung Seong)'s son, and uses Deputy Hwang Chung Seong to cover her deceit. it also shows the authoritarian leader of Deputy Hwang Chung Seong that has complete control over his subordinate Team Captain/Prosecutor Coordinator Oh Man Ok.There are many fighting scenes and also when South Korean government forcefully clear low income housing areas, as a strategy to impress the international attention and build sporting facility for upcoming Olympics event in Seoul, South Korea. It tells the story of the main character and his new career as a contractor purchasing land from low income people and the mushrooming of high rise apartment buildings around the Olympics center.
I really like watching and waiting patiently for the next episodes of "Oasis" mini series. It has South Korean history lesson that is interesting and educational for me. The cast are wonderful, including lovely actress Seol In Ah (role Oh Jung Jin), solemnly performed by actor Jang Dong Yoon (role Lee Doo Hak), skillfully performed by actor Choo Young Woo (role Choi Cheol Woong), veteran actor Jeon Noh Min (role Deputy Hwang Chung Seong), veteran actor Kim Myung Soo (role Abeoji Lee Joong Ho), veteran actress So Hee Jung (role Jeom Am Daek), and most notably "Everyman warrior" actor Jin Yi Han (convincingly portrays role Villain Oh Man Ok). Watching "Oasis" can be depressing since it is a noir/dark drama series that has intricate plots and gruesome story during the dictator/dark times era.
I must say I am impressed with actor Choo Young Woo's performance in "Oasis" He is only in his early 20s and is able to deliver a solid complicated and hated character Choi Cheol Woong in "Oasis". He will be the next generation great actor. Also, it is worth noted that Actor Jin Yi Han really immerses himself in his role as a villain Oh Man Ok and he lost so much weight , 11 Kgs, for his role to look more "sinister" in "Oasis (2023)". Additionally his deep resonant voice and intense different facial expressions show he is an excellent actor and is able to deliver his thorough and fine performance.
I rate a 9 out of 10 for the mini series, I highly recommend watching "Oasis (2023). Enjoy the mini series.
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Amazing! Deserves All Awards!
DO NOT READ THE SYNOPSIS FOR THIS MOVIE!The long synopsis at the top of this page spoils too much.
All you need to know is: One mute guy and one girl, Japanese romance, maybe sad times ahead.
Honestly, this is one of the best films I've seen in years.
I'd say this is Yamada's best movie since Grasshopper. His performance is always solid but he excels in this; how he conveys and comunicates in this is just amazing. Hamabe, I wasn't familiar with going in but I think she was absolutely perfect too! Her acting was amazing and you could feel her emotions and her journey clearly.
The story itself is just way more than you expect and it's so beautiful and emotional and pure.
If this doesn't win any awards at the end of the year, I'll be shocked and disgusted.
***
Slight Spoilers: I cannot describe how misadvertised this movie is, and I am kinda glad it is. You go in thinking it's just gunna be your typical Japanese romance but it's so much more. I cried the entire time, so definitely prepare tissues!
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A Story of Emotions and Life Lessons
This drama has done something for me. It has proven (to me) a bit of a formula for what a show needs to have to be a 10/10 FOR ME.-Multiple storylines
-People that are written like REAL people - (not perfect people, not idealized people, but nitty gritty, do the wrong thing, say yes when they mean no, REAL people)
-Romance that is present throughout but is not the major focus
-Love "tri"angles that are dirty and messy and emotional are a plus
-This show is long.
-This show takes a LOT of detours NOT focusing on the "Main" plot, most of it consists of side plots
-This show's ML is VERY VERY VERY rigid in his beliefs and this is often at the expense of his relationship with the FL.
-FL does NOT explain herself to ANYONE until after the fact (and then only sometimes)
Ultimately, because the show focuses so much on the side stories, the main story does fall to the background with the thread popping up again every few episodes to move something forward an inch. What this means though is that if you DON'T like the side stories the show will fall flat.
Personally, I think the first was the weakest but with each subsequent one I slowly got more invested. I had tears in my eyes by the end.
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Do you like/ not mind:
angst?
misunderstandings and doubts?
slowest of snail romance?
Low/no physical intimacy
older cgi, costumes, hairstyles/ wigs
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Fully biased 10/10
Unbiased... 7.5 or 8 probaby
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the main couple has A LOT of chemistry
Tong, a young man who believes he has hemophilia, but actually possesses a rare and potent "golden blood" that vampires find irresistible. The series follows his encounter with Mark, a centuries-old vampire who is tasked with protecting Tong from other vampires who crave his blood. As they navigate the dangers and complexities of this supernatural world, their relationship evolves from a protector-protected dynamic to a romantic one. -The series is good. of course the cgi is not the best but i fell in love with the couple and just ignored that. the storyline is not bad either, i enjoyed watching the series, that was fun.Was this review helpful to you?
This review may contain spoilers
a jerk and an idiot with good chemistry
Overall: We managed to get not just 1 but then a 2nd jerk main leads (well Aioon was maybe more of an idiot). They had good chemistry, but things just didn't make sense. Watched on Gagaoolala.Content Warnings: physical violence, fight scene, threatening violence to employees, manipulation, mental health issue, bullying
What I Liked
- Aioon and Nawee had good chemistry (they looked comfortable in intimate scenes, I would like to see these actors together in another series)
- Jeff Satur is singing the OST
- pretty good production value (I liked that mirror reflection shot in the last episode)
Room For Improvement
- I really didn't like Nawee's behavior/character. Past trauma doesn't give you an excuse to be a total a**hole - if they had shown his dad/step brother being abusive in the past and then Nawee had character growth, I would have been better with that
- the cliche wannabe wife/girlfriend plot*
- *this just made me dislike Aioon for stringing her along for who knows how many years, so Aioon is a jerk too
- I don't understand why Aioon had such a sudden change of heart. Nawee treated him terribly and then one finger suck and he's in love???
- Aioon is also an idiot, who tries to cure anxiety/phobia like that? If it were that easy, then people wouldn't have anxiety/phobia.
- cliche drama at the end and then a rushed ending with a flashback montage
- that dad's character didn't make sense. Why would he have Nawee run the company only to then later switch it to his step brother? If the dad hates Nawee that much he would never have let him run it in the first place.
- I think they should have cut the adopted brother character and made Nawee's assistant and Aioon's brother be romantic or used that time to develop the Nawee/Aioon plot more
- the mullet (I didn't take points off for this, but I dislike mullets)
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A good but not great drama that is more political than wuxia.
Completed - 5/18/2022"Who Rules The World" was my most anticipated drama in 2022 because I am a fan of Yang Yang, Zhou LuSi and wuxia dramas. Though I wouldn't say the drama exceeded my high expectations, I thoroughly enjoyed it for the most part. At first glance, this seems to be a wuxia drama (or it's advertised as such), but it's actually more political.
What I Enjoy:
1. Smart Characters - It's rare to find a drama where almost all the main characters are smart and strong (emotionally and physically) from beginning to the end. Our Black (Hei Feng Xi) and White (Bai Feng Xi) lead characters are established and well-known martial artists in the pugilistic world. We don't have to wait for them to grow stronger throughout the drama. They are already two of the most powerful people. This creates an interesting dynamic between the two that is fun to watch as they compete and fall in love. We also have a strong supporting cast in Feng Qi Wu (badass female general), Huang Chao (intelligent and cunning crown prince), and Yu Wu Yuan (the two-faced Dr. Jekyll and Mr. Hyde of the drama). No one needs to be saved all the time, and no one becomes dumb all of a sudden. I wish there are more dramas out there with such strong and intelligent characters.
2. Mature Main Romance - It's fun to see our leads bicker all the time, yet slowly fall in love. I quite enjoy watching our ML being the smartest cookie in the show, yet so clueless when it comes to courting our FL. A shy and embarrassed Yang Yang is a treat. This is a romance without misunderstandings, break-ups, or evil unrequited love rivals. Our leads love, support, and trust each other. A comfortable romance to watch and one to die for.
3. Costumes/Styling - I am usually not a big fan of the bun hairstyle for the male characters in historical dramas. But in this drama, I would say almost all of the guys look pretty dashing in their costumes. I think Yang Yang looks the best when he's ill with his hair down. He even looks great with white hair! Zhao LuSi is made for historical dramas. She is so beautiful here and her particular hairstyle as Bai Feng Xi suits her so well. All the ladies have beautiful dresses and hair accessories. Nothing is too overdone, but just natural and complementary. I also like how they color coordinated ML and FL's costumes in many scenes when they are together.
4. Acting - Though many criticize Yang Yang's acting and his role selection, I do feel that his role here provided him the ability to be cool, sweet, romantic, serious and heartbroken. He might not be as amazing as he was in "Glory of Special Forces", but he's not bad either. He's great in Ep 28 - heartbreaking palace scene with the emperor. Zhou LuSi can also be typecasted into the cute female lead. Similar to Yang Yang, her role here also provided her an opportunity to show the different sides of Bai Feng Xi - from the carefree girl, to the elegant queen, and finally as a commanding ruler and soldier. The rest of the supporting cast is pretty good as well.
What I have mixed feelings about:
1. Leads Chemistry - For some reason, I don't feel that Yang Yang and Zhao LuSi have amazing chemistry in this drama. They seem like good friends or siblings. Maybe because their romance is so calming and understanding? There's no sizzle, no longing, no real heartbreak or super fluffy moments? Perhaps that's why I am not feeling it quite as much, even though they have some romantic, fun bickering and cute moments.
2. Fight Scenes - I was quite happy with the first few episodes of the drama. It was so fun to see FL fighting with that long ribbon. The fan that ML uses might not be as entertaining but the fight scenes are pretty good with no slow motion movement or posing. But the number of fight scenes decreases throughout the drama when the plot becomes more political. The few fight scenes that we got are short and not well-done at all. The last two big fight scenes in ep 39 and 40 - war battles and the final one in the palace - are just actors flying here and there with very little actual fighting.
3. Sets/Props/Lighting - This is a very subjective category and it probably only bothers me. I am expecting a pretty decent, if not big, budget production where money could be spent on props and sets. For some reason, it was irritating me throughout the show to see 'fake' sets and props. The color of the furniture/decorations and inside the palace don't seem right, compared to other historical dramas or similar caliber, such as "Novaland: Pearl Eclipse". I am not expecting the quality of "The Rebel Princess" but still, something is off and it bothers me. Another area that bugs me is the lighting of the drama. I am not expecting awesome lighting or cinematography like in "Luoyang" or "The Longest Day in Chang'an", but the drama could use more candles and lanterns for NIGHT scenes, instead of bright light from the window or artificial lighting. On the positive side, there are many beautiful aerial shots over different kingdoms.
4. Pacing - I would have placed this in the "What I Like" category if not for the last few episodes. For most of the drama, the pacing is really good and the story moves along smoothly. I was not bored and the drama kept my attention for the most part. However, in the last 5 episodes or so, there are many war battle scenes. I get confused about the city names and the repeated back-and-forth advancing and retreating, making these episodes feel rushed. I think the two time skips also affected the pacing as well.
Other Random Observations:
1. No one commented that the eldest prince (ML's older brother) can walk again?
2. Songs are not overplayed in this drama.
3. Does anyone find Zhao Lu Si's weirdly-shaped eyebrows distracting? No? Maybe it's just me. LOL
4. Where did teenage Han Pu find ingredients to make drugs in the war zone?
5. It's cool to see the soldiers waving the flags in a battle to communicate war strategies.
6. CGI is not good.
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Being the movie adaptation of a legendary manga, the plot of this live action would need a 1 page discussion at least. But here's the rub! The movie does absolutely no justice to the cultural reality it was born in. Tomorrow's Joe is originally a story of social redemption that features a very self destructive antihero; it's not your average story of poor guy becomes rich and popular thanks to his fists and strength of will. It is, or I'd better say it SHOULD BE, the mirror of a period, a true social condemnation embodied by a derelict guy who can express himself only on the ring. This is where the film fails big time. The character of Joe is so scantily written one needs to be a seer to understand his motives – unless you've read all 20 volumes of the manga, in which case you'll probably be disappointed anyway by its brevity.
The direction seems to have been so preoccupied with the tiniest visual detail that it completely forgot to tell a story. The same applies to all the characters, whose arc is touched so superficially I had to appeal to my imagination to fill all the glaring voids.
Not to mention the boxing aspect itself. While the actors have done an amazing job at preparing for a difficult athletic task, the combats themselves are visually beautiful but tremendously repetitive. Since so much time is dedicated to the fight, I was hoping for more moves and tricks that never came. Once again, in their anxiety to be loyal to the manga they concentrated on the outer picture, instead of creating a movie which could stand on its own feet, for viewers who weren't yet born in the 60ies or have never heard of Yabuki Joe.
So why am I giving this film such a high overall rate?
Let's say this is my way to pay homage to the cast, mostly Tomohisa and Yusuke Iseya, and the director of photography. As you may have inferred from the premise of this review, I do not belong to the group of those who think Yamapi's just another pretty idol who can't act. On the contrary, I maintain he has what in theatre jargon is called the "physique du role", regardless of the part he plays. He does not express much with his face, he actually uses his whole body to enter the character. From Akira who flaps his arms like a weird butterfly to the über cool flying doctor, from the basketball court to the boxing ring he's always extremely believable. I could mention more roles, but it won't be necessary, I stand my ground: here, he IS Joe. If he had been given the chance, he would have created an unforgettable character.
Iseya did an amazing job too, despite the sad lack of depth the character he portrays is condemned to by the terrible script.
As for photography, it's absolutely stunning. Colours, angles, close-up shots and flashbacks are spot on. It does have a flaw, though, directly related to the abovementioned necessity to stay visually true to the manga: at times it looks as though the story took place in the 20ies, when in fact it's the 60ies and 70ies, as proved by the fact that people watch television, among other things.
The music falls into the same trap, but I'm willing to forgive this detail, since it's very beautiful and suits the atmosphere perfectly.
I may rewatch this movie in the future, just for the visual. I'm not sure I'm willing to recommend it, unless you're familiar with the characters and don't care for the plot.
Let's say that this movie has done nothing to ignite my interest for the sport, but it has confirmed my undying love for Yamashita Tomohisa – as if that ever needed validation.
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The Full-Time Wife Escapist: New Year's Special
14 people found this review helpful
A Delightful Pregnancy/New Parent Story
This is a follow-up special to the excellent 2016 J-Drama Nigeru wa Haji da ga Yaku ni Tatsu and if you enjoyed that series, then this special is absolutely a must-see. The film is a tad didactic about pregnancy and new parenthood, but I think that even people who have not seen the original series can enjoy it as a standalone movie.The special continues roughly three years after the end of the series. Mikuri and HIramasu are now happily and genuinely (if not legally) married, and working hard at their jobs. Mukuri's Aunt Yuri has broken up with Ryota, and facing her prospects as a successful business woman with no life partner.
The story largely focusses on Mikuri and Hiramasu as they discover that a child is on its way, and have to deal with the usual issues of first-time parents in Japan which are complicated by the birth occurring immediately before the first Covid lockdown in Japan. The show deftly addresses the systemic resistance to the legally mandated parental leave by Japanese businesses, and places the two on the front lines of trying to change the work culture to reasonably accommodate pregnancy.
Most of the side characters return for the special, and the series continues to be unusually LGBTQ+ positive in comparison to most J-dramas. Hiramasu's gay previous boss Numata is now living with the guy he met in the final episode and there are a couple of other good solid moments of inclusion as well.
All in all, this special is a happy story about a young couple facing the challenges of pregnancy and new parenthood. It is a test for their relationship, but it is one that they work together to face, and in the end they have a loving, growing family in the new normals of life in Covid times and the acceptance of LGBTQ+ relationships.
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1How to make a noona romance work for 2 sweet and caring individuals
Subjective Gut Rating - 7.75This is a simple Jdrama with a very common plot. If you like older women/younger men and fake relationships, then this is a decent watch. The plot is really nothing special but it’s comforting if you like certain tropes.
The leads have pretty good chemistry and the acting is decent. I would have liked to see Mizuki’s cold personality last a little longer before he falls so in love with Yukino. Afterall, the English title of this drama is “Aoshima-Kun is a Bully!” Well, he wasn’t really a bully and even if he was, it didn’t last long.
The drama focuses on two kind and considerate individuals at different stages of their lives. When they get together, their approaches to romance and relationships are quite different. There’s a lot of back-and-forth guessing each other’s feelings and getting stuck in their own thoughts, instead of communicating. I would not say there are many misunderstandings, and they do talk eventually and resolve conflicts quickly.
What I like about Yukino (FL) is that she is a regular, working woman. She dresses appropriately for work and also at home in her casual wear and PJs. I act just like her when I am lounging at home! LOL Her reservations of love given her past experiences, are totally understandable and age-appropriate. What’s not age-appropriate is the typical shy and somewhat coy behaviors for an experienced 35-year old who had multiple relationships in the past. She might take the initiative to reach out for a kiss or two, but for the most part, she appears inexperienced in PDA.
My biggest complaint is probably the side plot about the family member introduced in the last couple episodes. I don’t think that storyline is needed and it was not well-written.
This is a quick and OK watch. I enjoy the fake relationship trope (though it’s not really a big focus) and seeing how two sweet and caring people try to make the relationship work.
Completed: 9/21/2024 - Review #487
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First impression: stands out more for its ambition than for consistently polished execution
In its opening episodes, Sammy’s Children’s Day presents itself as an ambitious entry within the BL genre, leaning less on the comfort of idealized romance and more on a narrative shaped by contrast. Setting the story in the 1980s Kowloon Walled City is not just an aesthetic choice, as it defines the entire viewing experience. The environment is chaotic, violent, and unpredictable, and that energy carries directly into the tone, which blends crime, humor, and melodrama in ways that aren’t always perfectly balanced, but are almost always engaging.The narrative structure stands out for its relatively brisk pacing. Unlike many slow burns that take their time laying the groundwork, the first episodes here quickly introduce conflicts, relationships, and even major turning points. This creates a double-edged effect: on one hand, it keeps the viewer engaged and avoids any sense of stagnation; on the other, it weakens the emotional impact of certain developments, which arrive before the audience has fully connected with the characters. Even so, there’s a clear intention to develop the central relationship gradually, building a steady tension that keeps the story compelling.
It’s in the dynamic between He ChuSan and Xia LiuYi that the series finds its strongest footing. Their contrast isn’t treated as a simple trope, but as a driving force of the narrative, exploring differences in personality, social standing, and worldview. Their chemistry works from the start, largely supported by performances that balance intensity with lightness. Even within a violent setting, the series allows space for humor and more spontaneous interactions, which humanize the characters and keep the story from becoming overly heavy.
From a technical standpoint, Sammy’s Children’s Day shows above-average care in certain areas. The cinematography and production design play a key role in immersion, with framing that enhances both action and quieter, more intimate moments. In contrast, the fight scenes reveal clear limitations, whether in the lack of polish in the choreography or in editing choices that disrupt the flow. The dubbing can also be distracting at times, creating a disconnect between dialogue and performance that undercuts some of the more emotionally charged scenes.
Overall, the opening episodes build a series that stands out more for its ambition than for consistently polished execution. There’s a strong identity taking shape, supported by a striking setting and characters with real dramatic potential. At the same time, issues with pacing, tonal balance, and technical finish suggest a production still searching for its footing. If it manages to better align these elements as the season progresses, Sammy’s Children’s Day has all the potential to move beyond a strong first impression and establish itself as one of the more interesting entries in the genre.
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