Sandglass
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1This review may contain spoilers
Haunting. Powerful. Taciturn. Unforgettable.
"Sandglass" is a KDrama that relentlessly, sophisticatedly and yet sensitively processes the pain of the South Korean people, that paves the path towards actual democracy. Here you can get a glimpse of a cultural phenomenon: 'Han', a collectively shared sense of painfully experienced injustice (see side note below). "Sandglass" is one of the first KDramas daring to use the medium of television for more than just entertainment. It is also one of the first who could even dare to do so. Here, recent contemporary history is critically targeted from all sides. And at the same time, it becomes a collective vigil for freedom of speech and opinion, for freedom of travel and for the rule of law that have only recently been painfully achieved."Sandglass" tells the story of three young people who were friends during the 1970s and 1980s - Park Tae-soo (Choi Min-soo), who actually would have liked to study but made a career as a thug in gangster milieu, Kang Woo-suk (Park Sang-won ), who hopes for the power of the law and thus studies law, and Yoon Hye-rin (Go Hyun-jung), sort of imprisoned within the golden, solid cage being the daughter of the most influential, officially tolerated casino king in the country, who systematically suplies the government with his money from gambling via anonymous bank accounts. Jumping back and forth in time, the fatal emotional bond between the three is unraveled against the background of social events. It is a dramaturgically conscientious reckoning with the military dictatorship, its abuse of power and its crimes against the people. Original film documents were seamlessly played in, i.e. during the staging of the Gwangju massacre. The presentation of the Samchung re-education camp was also staged as realistically as possible on the basis of original photos and documents. The second half of the story then goes through the destinies of the three protagonists in mafioso style: the gangster, the prosecutor, and the heiress to the casino king. The finale is on the one hand the moment of free election for the people (running in the background), and on the other hand the result of the personal (more or less free) choices of the three protagonists, who still share a world in which despite all recent tumult and uprising basically not much has changed...
More than half of the South Korean population watched the 1995 KDrama "Sandglass". It was praised and praised again. Hard to believe, that it is these days hardly available for streaming with subtitles, never mind as DVD. Apparently, those who have a DVD are reluctant to give it away. I can understand, after I actually saw the KDrama myself - first only in the original version without subtitles (wasn't that bad, because mostly there isn't much talk :-) ), then with a time delay also with subtitles (it was definitely helpful :-) ), and by now also knowing a little more about that historic background. "Sandglass" is truly a masterpiece. Yes, it is taciturn, thrives on the acting, on long shots and on purposefully used, deliberately reduced light. It doesn't sugarcoat anything. It wants to let it sink, each and every moment. The camera accompanies the events almost like a documentary. Without comment, sequences, events, moments in time stand side by side. The story unfolds like a suction and draws you in. The soundtrack supports this pull effect. The story takes its course, the course of which is known, i.e. is predictable: Park dictatorship / suppression of democratic aspirations under the pretext of North Korean infiltration / Chun Doo-hwan supreme military leader, commander of the security and finally new president by coup d´état / martial law, Gwangju Uprising and massacre / cleansing camps / June 1987 fight, abolition of censorship, end of military dictatorship / free elections in 1992. Amazing and grandiose that via TV series a critical review of those bloody 1980s was already possible in 1995. It's brilliant, too, how the protagonists with their very different backgrounds, values and goals are fatally interwoven and mercilessly swallowed up by historical events and social circumstances.
A fantastic K-Drama. Completely consistent. first class.
A sad story. Not funny. Not at all. You have to be able to get involved with the dramaturgically idiosyncratic, taciturn handwriting. (The mood should be right, so to speak.)
(And yes, it's an old ham when it comes to production quality. Screen format, picture and sound quality can hardly keep up with the Netflix era - a digital remastering would definitely be desirable...)
Anyone who is interested in the topic but can't get to the KDrama can grab an impression of the Gwangju massacre in "Youth of May" (2021), or a feeling for the time under military dictatorship and for the concentration camps in "Giant" (2010).
However, if you have the opportunity to see "Sandglass", I recommend that you go for it. Even without historical or socio-cultural interest, KDrama has a lot to offer in terms of impressiveness and melodrama.
------------------ HISTORICAL BACKGROUND INFORMATION -----------------------
Admittedly, being able to classify the historic events, helped for me. E.g. at the beginning there are scenes in which thugs and police bus-wise arrive at a building and disperse the opponent party´s event. This was actually the key historical point, marking the beginning of the massive social unrest, which resulted in actual free elections 13 years later. In fact, it was originally a comparatively small strike in 1979, which took place on the 4th floor of the New Democratic Party's headquarters. Around 200 women, workers at the textile company YH Trading Corporation, protested against the closure of their factory. Unions had no place during Yushin dictatorship, however his sit-in-demonstration was actually almost too minor, to interfere. Nevertheless, the government used the particular context at the opposition party building as a cover for a major anti-opposition operation - 'Operation 101'. Around 1,000 police officers in uniform and civilian gangs of thugs assaulted leading party members and 174 of the demonstrating women workers. Union leader Kim Gyeong-sook died while jumping out of the window.
The civilian thugs (fictional Tae-soo in "Sandglass" being one of them), were subordinate to the main money-provider of the regime (here the casino king and Hye-rin's father, who clean-washed his income for political means.)
That factory workers´ trade union action by no means was the reason for the following uprising. However the occasion served as the momentum for what was to come. Against this background, the later (fictive) encounter between Hye-rin and one of those women from 1979 becomes understandable. Hye-rin adores the by now torture-broken woman for her brave fight for democracy back then. That woman, however, never wanted a political revolt, she just didn't want to lose her job. In fact she feels betrayed and instrumentalized in a political fight that she really didn't want to fight and in which she lost everything, even herself, her dignity and self-respect.
Responsible for the politicization of events that had taken on a dynamic of its own, was actually the Park regime itself: it´s attempt to split and suppress the opposition. By demanding the party leader Kim Young-sam and his deputies to resign from their mandate provoked and politicized the public. Since this coincided with the beginning of the winter semester, the student movement, too, took the incidence for a red-hot political profile: demanding the end of the Park government. A corresponding demonstration in Busan was violently suppressed in this context. A few days later, president Park was assassinated by the head of the Korean Central Intelligence Agency (KCIA). This assassination had nothing to do with the students and their demands. Neither does North Korean Communism. It just coincided timewise with the Busan demonstration. The military, in turn, took advantage of the political power vacuum situation, imposed martial law on the mainland, installed a far-reaching investigative body and thus paved the way for the meteoric rise of Chun Doo-hwan, who was appointed chief investigator. He used his chance consistently and purposefully. After 8 months of military coup, the country had a new dictator in uniform who presented himself as the savior of the nation.
He repreatedly and systematically declared the pro-democracy drive the enemy by spreading conspiracy and infiltration theories about North Korea's ambitions. Press and public were massively manipulated with so-called K-operations (king´s operations) in order to convince the people by the good of military rule. The credo was: the military and Chun Doo-hwan were the only chance to counter the spreading, communist-manipulated unrest, in creating something like order and security. At the same time, the military units were drilled with the so-called Choongjung (True Heart) training for a particularly aggressive and efficient suppression of demonstrations. New paratrooper units were created as special forces. In addition to physical fitness, the training included the development of a strong corps-spirit and the use of massive violence and targeted abuse.
Against this background, the situation among the military units deployed in Gwangju in May 1980 can also become somewhat more understandable. On the one hand, they were brainwashed. On the other hand, to date it has still not really been clarified who gave the orders for the escalating violence in May 1980 - e.g. orders to shoot and the use of paratroopers. Internal ambivalence and irritation was common at all levels of command. But that didn't help. In the end the corps-spirit was more binding and prevailed. In this respect, the executing soldiers, as perpetrators, somehow became victims in those sad May days, too. The proclaimed enemy - North Korean Communism, which is behind the pro-democracy movement - and the unshakable pillar of power - the military dictatorship with all its arrogance - posed such a strong, effective, powerful threat, so that it was so frightening people in uniform (and without) and made them hitting their brothers and sisters indiscriminately (again, after barely three decades). Because someone had chosen Gwangju as the place of the example. And because the sides there had just turned out that way - those who lived in, studied in or visited Gwangju on the one hand, and those who were doing their military service at nearby barracks at the time. On the other hand, the political vision or just a simple wish, that everybody might finally live freely under fair conditions, seemed hopeless. Suddenly the fight was (rather apolitical) about pure survival and desperate rebellion against arbitrary violence.
Eventually, with "Sandglass" the South Korean population became seriously aware of what had really happened in Gwangju in 1980: a people´s uprising against military oppression, being brutally suppressed. Because of the propagandistic K-operations and the censorship (which was repealed only in 1987), knowledge of these events was never really able to spread. Numerous witnesses had deliberately been put into camps or imprisoned. For the television audience in 1995, these street-fighting scenes must have come as a complete shock, not only because they are terrifying in themselves (regardless of where and when), but because they actually had taken place in such brutal manner and in such close proximity completely without their knowledge. In this way, "Sandglass" also became the trigger for nationwide latest history processing. The TV production paved the way for more critical historical scrutiny in the media and also apparently accelerated the course of the trial and sentencing of ex-President Chun Doo-hwan in 1996. He was sentenced to death. (However, on appeal it was turned into a life sentence. His assets, of course, were safely parked, too. He died of cancer in 2021.)
---------------- Side note: --- NATIONAL SECURITY ACT ----
The National Security Law has been in force in South Korea since 1948 - until today. Its primary purpose was to push through anti-communist propaganda and to control or shut down opposing intellectuals, artists, journalists, students etc.. This National Security Act de facto restricts freedom up to this day and ultimately violates the 1948 Universal Declaration of Human Rights and the 1976 International Covenant on Civil and Political Rights, which South Korea had actually ratified. Fatally, it seamlessly continues a relic from the days unter Japanese rule. Several 100,000 people have fallen victim to this law over the past few decades. The verdicts resulted in prison sentences of thirty to forty years, which is among the longest in the world. It has served military dictatorships well, opening the door to arrest and torture countless times. Even after the end of the dictatorship, as late as 1989, obviously an average of 3.3 people each day were arrested, tortured and sentenced to prison under this national security law. To this day, the law is still officially considered constitutional...
--------------- Side note: --- RE-EDUCATION, CLEANSING AND CONCENTRATION CAMPS ---
A unique dubious institution during the Chun Doo-hwan dictatorship were the concentration camps for re-educating unwanted citizens. 25 such camps were set up in the aftermath of the Gwangju massacres. They served to systematically clear the streets of South Korea of unwanted people (and yet mostly arbitrarily as a military demonstration of power). The camps were primarily used for brutal abuse - any dignity was broken, body and soul pushed to the limit.
The detainees were divided into 4 categories: A implied prison; B and C an agonizing time in one of the re-education camps; D a warning. Category B and C inmates often ended up in prison as well, provided they survived the re-education camps. E.g. a former military prison in Yeoncheon, Gyeonggi was thus modified according to 'Samchung Plan No. 5'. This location officially was established to fight North Korean Communism: up to 100,000 innocent people may have gone through hell without a warrant - and rarely enough survived.
--------------- Side note: --- HAN ---
Han can be considered a collectively shared, identity-forming cultural pain in the sense of sad and angry grief. This cultural characteristic developed in the course of Japanese colonization of Joseon. There has been, and still is, debate about the extent to which Han can or cannot be considered a collective trait that creates identity. In any case, as a shared painful experience of that time, a specific form of expression of grief developed, while behind melancholy suppressed anger also resonates. Han has found its very unique solemn, deeply and sadly swinging aesthetic in Korean culture, which we can observe/feel in music, film, television, literature, poetry etc. It can be considered a collectively shared state of mind, that feeds on the traumatic experience of humiliation and abuse as a people that Joseon endured so massively at the hands of the Japanese oppressors. Han addresses helplessness in the face of overwhelming injustice. But despite all the pain and sadness, there is also something tough in Han: an inner resilience, a rebellion, that still provides something like strength in the darkest depths.
Han was further nurtured in the post-Joseon era by the separation of families into two antagonized nations. Finally those brutal 1980s, which are revived in "Sandglass" in the sense of a solidary vigil, tie directly to this collective Han - as a basic feeling that continuously and silently runs through (especially) the first half of the KDrama. A collective emotional state from which one cannot escape: the experience of suffering; the ability of suffering; the national destiny of suffering.
In the course of South Korean turbo-capitalism over the past two decades, Han as an issue has receded somewhat into the background among the younger generation. Nevertheless, there is already a new, modified, less beautiful form of expression: ´Hwabyeong´, the culture-specific Korean manifestation of a depressive psychosomatic disorder with characteristic symptoms, that already affects wide circles - as a result of suppressed anger in the face of overwhelming social circumstances experienced as unfair. (e.g. victims of any sort of bullying in school or at work etc.)
(I wonder, whether it would not be better to continue to give Han an explicit, contemporary, aesthetic expression - in contrast to the embellished, perfected facades e.g. in KPop + KDrama culture... but that would be another topic.. .)
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Story- Yes there are an abundance of episodes but each one is not even a half hour long and they feel so short because the writers did a great job of giving each main character a story line of their own, which fills the time nicely. What I liked about the writing is not only are most eps truly funny but some eps deal with serious stuff so you also get to feel for the characters. Really though the writing was phenomenal cause it kept me watching all the eps without getting bored. In fact they could have continued after ep 123 and I would have kept watching cause I felt like they had so much more story to tell. As for the ending, while not bad like High Kick S2, I would of liked different outcomes for some of the characters.
Acting/Characters- Whats funny is that I came into this not knowing most of the actors, and even if I did know them, there’s no way I would want to watch a 123 ep sitcom just for them. However, after watching a couple eps I realized that the casting was perfect. Every actor whether main or supporting, made his or her characters stand out. I was rooting for everyone to find their success. The main featured family really did feel like they were a family as they had good chemistry. The only loveline that managed to turn into something (Ji Suk & Ha Sun) had really good chemistry and their relationship was just so cute/funny. My favorite character though happened to be Sung Yoon (Joon Sook’s best friend) because he was just so odd but really cute/sweet/innocent. And surprisingly a character that I was completely annoyed by in the beginning (Krystal) became one of my favorites by the end (really good character development for her). There were a couple of characters I just did not ever manage to like (Dr. Yoon Gye Sang, Bak Jin Hee, and Ji Won) their personalities were awful and i even had to start fast-forwarding through their scenes).
Music- Each episode had its own OST, that being said there were too many songs to remember but I remember liking a lot of the songs within various eps.
Rewatch- While the drama is entertaining enough to watch the entire series again, my favorite part of the drama is the second half so I’ll probably stick to watching those eps over and over whenever I feel like a good laugh.
Overall if your like me and had never seen a Korean sitcom, do try this one out because it’s a lot of fun and you get attached to the characters.
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I stumbled across this drama never thinking I would really like it that much I had read the synopsis in MDL & was intrigued, anyway I was hooked from the first episode (which is rare). The main actors played their roles really well sweet without being saccharine.
What I liked best about it was the story yes its a a makjang & if you don't like that then steer clear, I personally love makjangs :D
The story had twists & turns & always kept you glued to your seat breathless with anticipation as to what would happen next. I found myself shouting at the screen at the near misses/missed opportunities for the protagonists & I am sure you will as well.
The whole look of the drama looks a little dated (fashion wise) as it is from 2004 but that didn't really phase me.
I have given a low score to the music simply because it wasn't particularly memorable to me.
Also a low re-watch score as I rarely re-watch dramas as I have too many to watch on my Plan To Watch List.
If you like dramatic, fast-paced storylines with lots of cliff hangers & good acting then this is the drama for you.
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Women are the real protagonists of this story, from the wise and kind queen Inhyeon to the terrible villain Jang Hui Bin.
The plot is really interesting, full of intrigues and conspiracies.. a look at korean history and a tender and fresh love story between the king Sukjong and Dong Yi.. It may seem like a never-ending drama since it has 60 episodes, instead it was really nice and smooth..and it seemed to have really followed Dong Yi's whole life..
There were many unforgettable characters like king Sukjong, a wise leader for his people and a skilled politician but also a kind hearted and even funny person.. thanks to Jin Ji Hee's acting^^
I also loved many supporting roles..who can forget the eunuch? XD
Han Hyo Joo is one of my favorite actresses and I don't need to say that she was great as Dong Yi.
I loved the setting of the royal palace, the sumptuous and colorful costumes and the lovely music. The OST gave a nostalgic feeling to the whole drama.
If you want to know more about korean history in a beautiful and interesting way this is a drama for you^^
Ps: sorry for my English
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This review may contain spoilers
First 3/4 episodes : I was bored. The cast was great but I didnt understand where the drama was going, it was slow and there was no real storyline, I thought it was about the rivalry between two prosecutors but the drama didn't really develop that aspect either. From the 4th/5th episode : the drama is based on what working as a prosecutor looks like in reality and that's the only continuous storyline.
The underlying concept is showing a different side of society in each episode. Theres an episode about domestic abuse, one about fraud, one about school violence ... and so on.
And in every theme, you witness 4 sides : the victim, the assailant, the entourage and the prosecutor.
What are the hardships, the reactions and the motives of each one of them.
As soon as I started watching the drama as an observation of society rather than trying to look for a continuous drama-like storyline, I got completely hooked.
This drama takes a huge risk in trying to portray reality and using episodic stories which may seem slow or boring for the viewers but I think the drama was amazingly done within the concept chosen.
The acting was really on point. I definitely cried a couple times.
If you like realistic and emotional dramas, this one is for you, give it time ?
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I'd recommend watching both the series and the movie, it's worth it!
There are just a few points in which they differ from each other:1. The Inner Monologues:
What the movie didn't include are the inner monologues of Gook and Taejoo, which I really loved in the series. But what surprised me was, that even tho they left them out everything still works perfectly fine, just because of the amazing acting. You'll notice that even without words you can just read everything from their faces and that's honestly so impressive.
2. The Music:
The movie gives of a different vibe mostly due to the different soundtrack.
In my opinion it was a bit more intense and emphasized the emotions of the characters better in some scenes.
What made me a bit sad was, that the part of the soundtrack which I personally love the most wasn't present in the movie as much as it was in the series (I'm talking about 'Light' by KEUM JO). In the series it was playing at the end of every episode and I loved it so frickin much!!
3. The Transitions/Cuts:
The transitions were different cuz (obviously) they can't just mash everything together and call it a movie.
Some scenes where cut short while some were a little longer than in the series. And it honestly didn't bother me at all!
I think everyone can see how much thought they've put into how to assemble every cut/transition.
Everything just works together very well
I myself watched the movie after the series but I guess the order doesn't really matter! Both versions have their charm and are definitely worth watching!
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A good one-time watch.
For a remake/adaptation of a Japanese movie, the thriller component has been exhibited in a much better way. I've watched both the movies and this remake was definitely an upgrade. The actors acted well, but there was scope to juice out better scenes from them which could've looked way more intense.As a thriller movie it lacked the maniacal intensity a tad bit. Watching it the first time was a decent experience. It made for a nice watch while having dinner. But I don't think I'd rewatch it.
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Romantic movie when you need one
There is nothing new here- the storyline has been done before many times. But what makes it really work is the actors’ sweet, intensely romantic performances. The two leads have excellent chemistry. The music suits the movie, the sets work well, the supporting actors have little screen time but handle what time they have with ease. If you need something to remind you about the importance of treating our lovers with great care and romance here it is. Highly recommended for those snowy or rainy days to lose yourself in the feeling of being swept away watching a depth of love we all want to find and keep.Was this review helpful to you?
This review may contain spoilers
Did it manage to be my favorite?!!
This series is cute, funny and so addictive. From the characters to the storyline to it's background music and osts. Damn I love all of it so much. Everything blends and complements the whole setting. The time travel aspect has been used nicely. It's not just a trope that's sidelined as the story progresses, it's the plot in itself. Kawi knows the future and he's trying to amend things says a lot. I am actually glad Kawi's to do list didn't only contain mending love life but also convincing his father for treatment and getting back with his long time friend Max. The overall concept of traveling back in time and finding an unexpected love, it sounds cliche but it's portrayed so nicely and it's interesting.Talking about the characters, Kawii is a confused soul and towards the starting he seemed so selfish but nevertheless he is so cute mahn. Oh damn! the decisions he took made me facepalm myself but then he did feel guilty when he messed things up and he amended it. The way he apologizes, the way he whines, overall the way he behaves around Pisaeng, damn it's filled with cute gestures.
Then we have Pisaeng, this guy right from the very start had my heart. He is such a sweetheart and damn the level of patience he has. He is whipped for Kawii and I am whipped for him. Episode by episode I just liked him more and more. This guy is a walking green flag. He really deserves the world. I can't with both of them. They both manage to shake me up pretty badly T^T. I just can't get enough of them.
And Pearmai, she is sweet, she is friendly, I kind of understand her and she really deserves better. And Max, this guy is the most understanding, reasonable, lovable character plus a great friend and let me add that hairstyle suits him. We seriously need more characters like him. Also the other characters have played their part really well. Like there were so many instances when I wanted to go inside and knock some sense into Knot, sometimes even knock him down. And Kwan, oh my god, I sincerely wanted to see her get over Knot.
And, Yes!! Yes!! this did manage to be one of my favorites. They are so sweet. I love them. The pacing of the story is good, the plot is interesting, the osts are good and so are the characters. Highly recommended!!
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CHOKUNASTON❤️❤️read till end btw
i would give up both my arms for chokunaston, even though there’s only been 1 ep every time they smile at eachother i am genuinely tweaking out
i am going to save up all my money so if and when chokunaston become an official gmmtv couple i want to buy their mascot keychain because this obsession is becoming too real
other than chokunaston, mickluke is actually quite sweet aswell. i appreciate kit in boys in love, what a professional procrastinator (too real). also micks character is literally so real aswell because like him i suck at playing games
also… whoever decided to give THE BARCODE TINNASIT ISARAPONGPORN an ost for boys in love, i want their hand in marriage because ‘lesson 1’ is one of the BEST osts ive heard. wouldn’t of expected anything less from barcode
im so looking forward to the rest of the episodes and also podpapangs storyline. this will be the highlight of my week im prophesying it
UPDATE FROM EP7!!!!
GUYS WTF!!!!!!! now tell my why this is the most amazing the most perfect youth drama gmmtv has like ever created. LIKE why did i never mention kenpaul earlier because guys im not even kidding, they are like the 2nd best thing which has ever happened to me like they’re so silly and i reckon they should have more screen time. AND THOSE GODDAMN TEACHERS😫😫guys if you’re reading this not sure if you should watch boys in love. all you have to do is go on to astons tiktok lives or his twt- OR just search up Chokunaston and oh my god guys you will EASILY be convinced into watching this. aston is actually too chronically online and he’s exposed himself too many times. tell me why you wouldn’t want to watch that?
oh and also regarding osts i love shot clock, bro the mv is so cute i cant even watch it anymore. also,,, lukemicks ost is lowk so good! not entirely sure how i feel abt micks singing (no offence) but luke surprisingly pulled through and like kinda ate ngl…
to be honest the only downside i have is that i feel like kitshanes screen time is a bit dragged out in a few episodes (ONLY SOMETIMES) and shane kind of just brings negative energy, but i understand thats just his character. i still love kitshane guys dont get me wrong, i just wanna see more teachers😔ONE LAST THING!!!! the montages when they go to like the aquarium or literally any sort of montage in boys of love is surprisingly like a cinematic masterpiece like BRO THIS IS CRAZY!!! like i’m not being dramatic but gmmtv really pulled through with the quality and i haven’t been bored of a single montage (usually i am with most shows) but these montages are just 😍😍😝🤭🥰especially all the chokunaston moments I LOVE THEM SO MUCH
anyways i’ll update my final review in a few more weeks😝😝
final update: this show don’t get me wrong is really good but honestly i haven’t even finished it, i’ve only got ep 12 to go and i genuinely can’t find a purpose in watching it, im just not interested to find out how it ends, and i can add kind of assume. the plot itself is actually not very good, it’s okay. BUT the individual episodes are all really fun and the quality is pretty good actually. i loved chokunaston but sometimes and poddpapang but their screen time was actually awful. micks character pissed me off and kit idk… i think luke’s acting was pretty good though, but i think it’s relatively easy to tell that this is a first project for most. i did like ken paul but then pauls character pissed me off then it threw me off a bit, idk to me they always just felt like best friends…it’s still worth a watch and i 100% think it’s very good as a comfort show or at least a youthful show. but honestly everything in life is pissing me off atm and i’m convinced nothing will be more peak than only boo. overall though i did enjoy the show, but definitely it starts off really strong but then when it gets to the middle ish it just feels like Oh, it’s definitely not bad, but if you decide to go on holiday and have 3 weeks off without watching any series, then maybe like me, you won’t have any sort of motivation to watch the last episode.
anyways sorry for the extremely long review it’s been fun updating this. don’t listen to this review, this is more like a diary for me. Or you can listen to it, i mean all in all its positive but if you think that poddpapang will get more than 3 minutes per ep, then im so sorry 😖depending what mood you’re in this might be the most perfect thing for you, it helped me get through my gcses but rn the only thing i seem to want to watch is nothing, because im so lazy and all i do is doomscrolling and checking my twt for khemjira updates. if anyone has any advice on how to stop doomscrolling and become productive and get a life, pls let me know! anyways i think im done now. bro no one’s even gonna read all this wtf am i even doing😭😭
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Strangely amazing
I really came into this not expecting much. The description sounded enticing, so I decided to try it out. After finishing, I can honestly say I'm quite dumbfounded. It was awesome in its own weird way, and I don't think I've ever watched a show that has made me laugh in confusion and disbelief more than this show has (in a good way).Liked:
- Great acting by everyone in this show! Especially loved SGH has Yeo Reum, as he played his character very convincingly. Not to say everyone else didn't do an equally great job, it's just that he stood out to me the most with his crazy character.
- Well done action shots and fighting scenes, I was really impressed that it was this good for a miniseries. And the guns weren't blurred! Yay!
- Quirky music that felt out of place, but fit really well given what the drama is going for. It lightened the mood, even in the darkest situations.
- Dark comedy is done really well! I enjoyed that aspect of the show greatly.
- Great intensity in the second half!
- Just the overall quirky vibe mixed with action/thriller was something right up my alley.
Disliked:
- A certain common trope was used, which I didn't really care for. It didn't matter too much, but it was just a little annoying/unnecessary. That's the only really tropey thing in this show though.
- I won't dive into this spoiler, but I was really confused/annoyed by a certain part of the show in the second half. Like I'm not sure what really happened there, but if it didn't happen, things could've ended up drastically different.
- First half definitely pales in comparison to the second half.
As for this show's rewatch value, I'd say it's very rewatchable! It's pretty short, so I'm looking forward to rewatching it later with better quality subs.
Overall, I would definitely recommend this show if you want to watch a great quirky teen action show. I do wish it was longer so that we could find out everyone's backgrounds a little more, but given the length of this show, I'm very satisfied. If you were looking for a more romance-centered show, this may not be the show for you, as romance was definitely not a focus of the drama (the romance is there but it's not your typical lovey-dovey romance drama). Well, that was my first review, so I hope it was helpful for you. Adios!
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This review may contain spoilers
A PLEASANT SURPRISE!!!!
"Rise of Ning" is a captivating historical drama that tells the story of Yining, a girl who returns home after being cast away by her father as punishment. Upon her return, she navigates the complexities of her family relationships and the intricate politics surrounding them. The drama delves into the mysteries of her mother's death and the secrets of her birth, adding layers to the narrative.As Yining reconnects with her family, she encounters a man who is intricately linked to her past and is also ostracized due to his origins. This relationship adds depth to the story, as both characters work together to confront the adversities posed by their family dynamics. The series primarily focuses on the various family relationships and the political intrigue within them, showcasing how the female and male leads support each other in their individual battles.
I initially watched this drama for the cast, particularly Ren Min, who portrays the female lead. I have admired her work in various projects before. Similarly, I was drawn to Zhang Wanyi, the male lead, who I had previously seen in the historical drama "Are You the One." However, beyond the impressive casting, I found myself falling in love with the story's buildup and development.
The narrative, centered around family, adversities, and complicated relationships, is both intriguing and engaging. The writer skillfully navigates potential pitfalls in the plot, ensuring that the story remains cohesive and captivating. Although the pacing starts off a bit slow, it serves as an essential part of the overall buildup, ultimately keeping me entertained and invested in the characters' journeys.
Given that this drama revolves around family politics, one might expect it to lean heavily into darker themes. However, despite its deep and heavy plot, "Rise of Ning" manages to maintain a light and relaxing tone, which I found refreshing.
One of the standout aspects of the series is the way its characters are written, particularly the main leads. The female lead is portrayed as quick-witted, smart, and emotionally and mentally strong. While she may not be physically powerful, her vulnerability makes her relatable and human. I loved how she embodies both strength and vulnerability; she isn't a warrior and doesn't rely on physical combat but instead uses her intelligence to navigate various challenges. She also assists the male lead in overcoming his own obstacles.
On the other hand, the male lead is characterized by his calm and gentle demeanor, combined with a sharp intellect. He possesses a tough side that emerges only when provoked, which I admired. Together, these two characters shine throughout the series. For the first time, I felt that neither lead overshadowed the other; instead, they both stood out in their own right, complementing each other beautifully. Their dynamic as a team was incredible, and I loved their teamwork.
Additionally, the supporting characters were interesting and added depth to the story. This drama features a diverse cast, and whether good or bad, each character contributed to making the show even more engaging.
The character development and the balance between the leads created a captivating viewing experience. It's great to see a drama that successfully highlights the strengths and vulnerabilities of its characters while keeping the tone enjoyable.....
The relationship between the leads is developed in a slow yet delicate manner, considering they start off as a sort of family and then evolve into something more. I love how they drew that line; as family, their bond was portrayed in a pure and heartwarming way, allowing the audience to feel the fondness between them. When they transitioned into lovers, it was a simple yet profound change. The shift was nothing grand but rather subtle, with each step taken carefully, which I appreciated a lot.
The chemistry between the leads was beautiful to watch. Their interactions made me giggle, and I adored seeing them together—both as supportive family members and as romantic partners. It was a beautiful, delicate, and heartwarming relationship that felt comfortable.
What stood out to me was the equality in their relationship. The writer made a conscious effort to avoid misunderstandings between them by emphasizing communication. This, combined with the carefully built trust, made their bond even stronger. He was always willing to protect her, even when she didn’t ask for it, and she was equally willing to help him out. Their overall dynamic was amazing to watch.
They don’t delve into the romantic aspect until later in the series, but the buildup of their relationship was so well done that the transition felt smooth.
I also loved how they inserted moments of comedy here and there, which lightened the mood even more. This balance made the series not only engaging but also enjoyable to watch!
The ending was beautiful, I love how they tied the knots and everything felt pretty much sorted out....this drama was such a wonderful experience..from a personal view and perspective...I loved every moment of it and actually needed more..but it was wrapped up beautifully.
Overall rise of Ning was such a pleasant surprise, and I'm really glad I gave it a chance! From the impressive cast to the engaging plot, everything just clicked. I know some people have reservations about the female lead, but honestly, she nailed her role! And of course, Zhang Wanyi did it again—his performance was fantastic, and I can't wait to see more of his work in the future.
The characters were well-written, and the relationship development between the leads was so captivating. The plot execution was spot on, and I never felt like the drama fell short at any moment. This has definitely become one of the best Chinese dramas I've watched this year!
Do I recommend it ? YES like there is no other answer I would give exept give it a chance and it might be exactly what you want.....
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Don't miss it
The reason i created an MDL account is to tell everyone not to miss this gem. This is one of those dramas that you think you'll just overlook since you think you already watch far too many school dramas. And you thought you can start it because theres no other thing to do on your spare time.But then you'll realize what a big mistake you've done because you havent start it sooner. The story of how you overcome challenges and see the world in a new light is what makes this drama so close to realty. The romance is not overbearing, its fluffy highschool love. Theres a strong sense of camaraderie and there are no unrealistic villains or unbelievable evil arc.
The OST is the best, i have not been impressed with cdrama OST since Go go squid until this one. And I know i will rewatch this again...
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Honestly beside Huo Wallace I did not know any of these actors and I have to admit that they were all doing a great job and their portrayals were so convincing and natural.
I'm not going to dwell on the synopsis cause it already says the most important but we surely all know the damages Wars cause(d) and I think it's interesting to see how Chinese people were living during those terrible times and what they had to go through. The drama focuses on the Hu Family and their son in-law Xue Jun Shan, how they coped with the constant Japanese attacks in their Changsha town. And even if my knowledge about the Sino-Japanese wars is weak I think this drama was really well done even the music here fitted perfectly with the general atmosphere.
Many things crossed my mind when I was watching the drama, first I said it earlier but I have to repeat myself everything was realistic and that was my very first thought, I loved to see that even if the Hu family was living a pretty good life (without being super rich either) but they did not wear extravagant and exquisite clothes they simply lived in harmony , enjoying their life in their house all together, eating, working, taking care of each other etc.
Frankly speaking the character that surprised me the most was Xue JunShan, he seemed to be very harsh with his in-laws but actually that was the opposite he cared for them he protected them, he loved them to the point to sacrifice his life for them, he considered them as the most precious things in his life and that is the reason why I loved him so much and why he is my favorite character + I have to say it, I have a thing for older men I found something very appealing about them and that is the case for him too <3
Now it's time to say a few words about the Hu family, Xiang Xiang was my favorite especially the way she evolves throughout the drama and I think that war would change everyone and according to me she's the one who changed the most, she became an outstanding and respectable woman, I have nothing bad to say about her, definitely lovely, bright, cute and very strong but she has a weakness and that is her twin brother I mean their sibling bond is so deep and unwavering, at least that's how I perceived them and I guess that is probably the same with almost all twins of the world.
I loved rhe other characters too especially Gu QingMing( I seriously fell in love with Huo Wallace in this drama, I liked him before but this time he blew me away <3), the grandma, XiangJun, Liu Minghan Xiu Xiu and the rest( I will stop here so if you want to find out why they are fabulous people just watch the drama you'll surely like it as much as I did ). I can't even count the tears I shed for all of these characters, I felt like I was part of their family, that's why Battle of Changsha broke my heart even more than other dramas.
As for the theme song ''I'll remember you'' it is a pure delight, Yang Zi's voice blends so well with Huo Wallace's that we can't stop listening to it and we want more and more. Too bad I can't seem to find it anywhere ! Please If you know where I can download it, tell me :D
I would recommend this drama to everyone even if you're not into this genre because that is not my case and still I enjoyed every minute of this wonderful show. Furthermore this is definitely one of the best Family drama I've ever watched. Just only one thing you must know if you plan to watch it: the last four eps are not subbed and so you would have no choice but to watch it raw or wait but for how long?!
PS: the big plus is that the actors's voices were not DUBBED, what a pleasure !
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