Lots of ghosts-no vampires
Mr. Vampire 3 left the hopping vampires behind and embraced ghosts, both the friendly and unfriendly kind, in this installment of the franchise. Lam Ching Ying’s vampire slayer was joined by a fellow Taoist played by Richard Ng. Stronger than the second film, it lagged behind the first for me.Uncle Ming, a Taoist priest who utilizes two ghostly brothers to help him make money exorcising “haunted” houses finds himself in the middle of a skirmish between villagers and deadly horse thieves. Uncle Nine leads the villagers and figures out very quickly that the bandits who are impervious to weapons have had a heavy dose of black magic. Uncle Nine convinces Uncle Ming to release his ghosts, but they might just need them when the bandit’s leader, the Devil Lady, decides to seek revenge against the village.
Lam Ching Ying owned this role and despite this being his third outing as the unibrowed Taoist priest gave it his all. Richard Ng was a welcome addition as the Taoist priest who had fallen on hard times yet still had some magical chops. His relationship with the two friendly ghosts was one of the sweeter parts of the film. Pauline Wong, who played a ghost in the first film and a hopping vampire in the second, returned this time as the malevolent Devil Lady. What caused me to drop my rating for this film was the overuse of Billy Lau. As an antagonist with limited screen time in the first he accomplished his task. In the third installment his sycophantic, contemptible disciple of Uncle Nine grated on my nerves. I was rooting for the Devil Lady to tear him apart instead of his friend. Sammo Hung, Wu Ma, and Corey Yuen made guest appearances at a birthday party when they served up a “foreign moon cake” with candles.
This film had very little kung fu unlike the first, which was a shame. Lam Ching Ying in action is a sight to see although he did have a few cool moves in this film. Like the other films in this franchise, the wires were rarely edited out and I could see them in several scenes when the supernatural fights took place. There were rudimentary special effects for the ghostly battles and a deep-fried ghoul scene to top it off. Director Ricky Lau kept the action coming from start to finish.
Mr. Vampire 3 was entertaining for the most part and I enjoyed Richard Ng and his ghosts, though I could have used less of his bare behind. Lam Ching Ying and his twitchy brow were worth watching the film alone. If the writers and director had remembered to dial back the most annoying character it would have been far more enjoyable for me.
14 October 2024
***Trigger warnings: Cockroaches and bats***
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"I want to get that foreign fish fried!"
Lam Ching Ying and his unibrow returned to fight the undead in Vampire vs Vampire. This time he was aided by a Little Vampire, 2 inept disciples, and a fierce Mother Superior. He would be confronted not by hopping vampires, but a European vampire impervious to his magical talismans.Disciples Ho and Fong disturb a palm ghost and attract her attention. Master Unibrow helps them out but now the ghost will not leave them alone. The two have to find her body so that she can be properly buried. Meanwhile, Master Unibrow is helping the village leader who is having a feng shui problem with the land. Master Unibrow shows him where to dig a well for better water and fortunes. Unfortunately, bats move the marker and workers dig in the wrong spot the next day. During these misadventures a handful of nuns are attempting to rebuild their church. The local captain vows to burn the church down but the nuns are persistent. When the well workers begin digging they find more than artifacts, unbeknownst to them they uncover a European vampire staked in the heart by a cross with a giant ruby in it. The greedy captain and his girlfriend awaken the beast when they try to steal the ruby. Master Unibrow has his hands full when trying to dispatch this new foe.
Vampire vs Vampire was a similar set-up to Mr. Vampire (1985). Lam Ching Ying was once again the adult in the room and constantly helping everyone around them whether it was a bat infestation, blood sucking vampire, or distraught ghost. The casting of Chin Siu Ho promised a few acrobatic fights which he delivered on. Lam Ching Ying who also directed the movie was able to get his kung fu on as well much to my delight. Sandra Ng played the self-absorbed girlfriend who was bitten by the vampire and was able to show a completely different side of her acting. Billy Lau who seemed to be in all of these movies played the character I most wanted to be blown up-the pompous captain. Lam Jing Wang brought the adorable to his Little Vampire, a character familiar to those who watched Mr. Vampire 2 even though it was set in the future. With these movies, logic was never a consideration.
Vampire vs Vampire had plenty of slapstick comedy for those who like it, I’m not one who does. There was low budget special effects and once again I spotted wires in various shots when characters went airborne or amphibians. But the film had a few tense moments when the bats attacked the sisters, maybe because bats* freak me out. The European vampire was scarily funny yet also a good opponent for Master Unibrow. The Dracula wannabe became more gruesome looking as the fights went on. Master Unibrow had to think outside the box to bring down the fanged baddie. Fortunately for him, the sisters were willing to help as well as his incompetent disciples and his cute TNT carrying Little Vampire. If you enjoyed Mr. Vampire, this is one you might want to give a try. (Rated on a curve)
14 October 2024
Trigger warnings-bats and a snake
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Touching Story of Impossible Love
This movie is so sad and emotional in so many ways. It has a slower start, but the development is worth it. This movie mainly was good for me because of how the characters act. It seems very real and this movie really shows these real human emotions everyone has. It just makes me want to cry when I think of how sweet a story like this is ( T_T)＼(^-^ )Was this review helpful to you?
Good Plot Twist…
The movie itself wasn’t horrible, in fact it was pleasant to watch, but it just didn’t spark too much of an interest in me. The plot twist at the end was one of the only reasons why I would recommend or rewatch this movie. It is a bit more on the contemporary side so if that’s what’s you like, then this movie might be for you.Was this review helpful to you?
Emotional Roller Coaster
This was my first K-Movie, and boy was I in for a treat. This movie feels so nostalgic and retro. It is so fun to watch and the love shared between the characters is adorable. The high school crushing vibes from this movie are to die for! This movie had me in tears for multiple reasons. I really don’t think they could have done it better!Was this review helpful to you?
The Triangle of Warfare
You know how some movies feature a love triangle, where three people are involved in a romantic drama that can only end with two? Here, we have something akin to a *fighting triangle*, interestingly set up to represent the three parties involved in the conflict: the imperial guards, the slaves, and the Japanese enemies in this historical period of Korean history.Korean movies usually succeed in conveying strong emotion, and this movie has all the elements of a great drama, spiced up with thrilling battle choreographies. But for some reason, I couldn't empathize with the characters emotionally— basically none of them. The story is great, the actors are very good, and the production is top-notch, but something was not in the right place for a perfect epic, so I couldn't fully enjoy the film. I definitely appreciated the scenery, with its beautiful and sometimes brutal shots, but where the film should have been strongest—in the emotional clashes between the protagonists—something was missing, and I can't fully explain what it is. One of the reasons could be the movie's pacing, which wasn't fluid and jumped from one thing to the next, making it seem like the director didn't focus enough on the central plot.
What I really liked, however, was the theme about Korean society and the relationship between the upper and lower castes. There are echoes of a message that we should all be equal, whether someone is an emperor or a slave, and we know that because of this very message, the Catholic faith in Korea was violently suppressed in the early 19th century.
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Even someday I may fall hard
Story of friendship, perseverance, and the power of dreams.At its core, the movie shows that success isn’t just about reaching the finish line but about not giving up, even when the odds seem stacked against you. This theme is beautifully woven throughout the story, as the characters face one setback after another, yet refuse to give in. Their determination becomes a symbol of hope for anyone who has ever struggled with making their dreams a reality.
The theme of trust is equally important. The film makes a clear statement that partnerships built on faith and honesty are key to overcoming obstacles and achieving dreams.
I hate to admit but I only watch this because of Peng Yu Chang. While two other main actors deliver the role requirements, for me, Peng Yu Chang delivers an outstanding performance as one of the lead characters. He has a natural charisma that draws you in from the very start, making the audience smile with his light-hearted and humorous portrayal in the early part of the movie. But as the plot thickens and he is forced to make difficult decisions—ultimately choosing to favor his people over his personal desires—he brings a deep emotional intensity to the role. His portrayal is so moving that I found myself genuinely affected by his choices, and at one point, I even got goosebumps. Peng Yu Chang’s ability to balance both the joy and heartbreak of his character’s journey is truly remarkable.
The movie will leave the audience with a lasting message— “never let go of your dreams until you are ready to wake up and make it happen.” It’s a reminder that dreams are worth fighting for, but they also require action, hard work, and, most importantly, faith in yourself and in the people around you.
This film is light-themed, short and sweet, a must-watch for anyone who believes in the power of chasing dreams.
Will I consider watching it again? Yes, probably if Im having wasted effort and needed an inspiration.
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Just watch it
Watched it without any hint to what it was about or anything. It exceeded my expectations. A top notch movie.Made me feel goosebumps, the cinematography, the different views showing different perspectives, the acting , everything was top notch. The ending was perfect too, leaves you with your own interpretation. Don't want to give you all any spoiler, just watch it.Was this review helpful to you?
A bloody, vibrant adventure with lots of action
First of all, it was a beautiful movie. It was an exciting, adventurous, action-packed movie from beginning to end. I think the striking title was friendship. It started as friendship, but continued with backstabbing, misunderstandings, betrayal and fighting. Finally, they settled accounts. They also resolved the misunderstanding. But it was too late.What is essential here is the strict rules of the past. Freedom being in the hands of others and the pain this caused to humanity were revealed. It turned into a struggle for rights for people classified as noble, common and slave class. The kingdom is also in a separate place. No one thinks about their people. That's why the kingdom collapses. The people rebel. Freedoms are gained.
Of course, we couldn't see the gain, but maybe a sequel will be made.
The story was well thought out, but some things were skipped, the easy way was preferred, and simplified in order to fit into a movie. Also, there are very bloody scenes, the excessive exposure of organ severings is annoying for the audience. I don't know if it will be encouraging, but it may seem disgusting and oppressive to some people. I think it should be less and should be glossed over more simply, it shouldn't be shown too much. Other than that, the acting was good. I liked it. Especially Cha Seung Won, who played the king, was the most prominent in my opinion. He played it very well. I can even say that he added a role to his role. I liked it. Kang Don Won, Park Jeong Min, Kim Shin Rok, Jin Seon Kyu, Jun Sung Ill are the ones I like. I recommend it to those who like this kind of action. Watch it. It's very good.
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I see a thread of light at the end of the road
Through the intercultural relationship of Jie Cheng (Ivan), a well-behaved Taiwanese student, and Eric, a rebellious American exchange student, Californian filmmaker Steven Liang explores adolescence and acceptance in the society of Taiwan.Despite his mother's objections, Jie Cheng, who lives under constant pressure from her, meets Eric and together they embark on a journey along the most dangerous road in Taiwan.
Their trip is cut short when Eric reveals that he must return home after graduation, forcing Jie Cheng to confront his darkest demons.
Beautiful, sensitive and charming, 'Coming Home' has been screened at 30 international film festivals, following its world premiere at the Seattle International Film Festival.
Having been selected to participate in the Beijing Queer Film Festival, LA Asian Pacific Film Festival, Outfest, San Diego Asian Film Festival, Asian American International Film Festival (New York), Boston Asian American Film Festival, Boston LGBT Film Festival, CineSLAM: Vermont's LGBT Film Festival, Festival de Cannes: Short Film Corner, InDPanda Film Festival (Hong Kong), International Student Film Festival PÍSEK (Czech Republic), KASHISH: Mumbai International Queer Film Festival, Marais Film Festival (Paris, France), Peace & Love Film Festival (Örebro, Sweden), Pride of the Ocean Film Festival, Q! Film Festival: Indonesia's LGBT Film Festival, Seattle Lesbian & Gay Film Festival, Taiwan Queer Film Festival, Bilbao International LGTB Film & Performing Arts Festival (Spain), Kansai Queer Film Festival (Osaka, Japan) and Asians on Film Film Festival (Los Angeles) ), speaks clearly about this film co-produced by Taiwan and the United States.
The film made history as the first gay-themed project funded by the Taiwan Tourism Bureau and was distributed by Outplay Films.
Written by Timothy Chang and Steven Liang himself, the film stars Yu-Ting Hsu as Jie Cheng, Benjamin Turman as Eric and Bi Lan Li as the mother.
Interested in telling stories about the resilience of those living on the margins, Steven Liang, an award-winning director and House Ballroom scene photographer, addresses themes of homosexuality and transsexuality, as demonstrated in 'The Extra Mile' (2013), A Better Life (2014), Afuera (2017), Emma and the Butt (2017), Falling for Angels (2017), and Transplant (2018), Coming of Age, among other productions.
Screened in New York as part of the 2015 Asian American International Film Festival, the film, written by Timothy Chang and Steven Liang himself, stars Yu-Ting Hsu as Jie Cheng, Benjamin Turman as Eric and Bi Lan Li as the mother .
The story is populated with thousands of small details, which enrich the look, and a grayer color that carries with it questions that the viewer must answer, if he can.
The song "I Need Your Love", performed by Grace, plays magnificently with the story, and creates a unique and fascinating atmosphere that allows the plot to perfectly connect with the viewer.
The story does not leave anyone who approaches it indifferent, and we all wait for the boys to have a happy ending, and the mother to finally accept her son's sexuality.
The photography and direction are commendable. The plot is beautiful, and although it may seem that all is lost, I see a thread of light at the end of the road.
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This review may contain spoilers
Short Movie for Graduation Workshop
FYI, this is a short movie for a graduation project, so it's really hard to found, especially for inter-fans. When I watched it, I couldn't help but stare at the plot of the story so I didn't really enjoy the film. There are lots of cringe things that make me want to skip certain parts. Apart from that, the visual FX are still really spotty, the color tones are quite gloomy for me. Watching it once is enough, I don't recommend rewatching it.Was this review helpful to you?
That said, it was also best to let it be a drama instead because as a movie it was too linear
But it was exactly what I needed, no angst, no hate, no rivalry, no love triangle, no betrayals, no conflict
Just easy breezy love, love for friends, love for dance, love for family, and a love of youth
Even the teachers were cute
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This review may contain spoilers
A pretty face its all that matters, right?
I admit myself that it was Kim Woo Bin that made me want to watch this.He and Kim Sung Kyun gives a wonderful synergy through the story.
Imho, it ends here. All the good bits.
The entire movie there were several things I just couldnt get my head around:
1. So.. anyone can become an officer and authority if they have the martial art skill?
2. Low level drones giving Ace quality nightvision (facepalm).
3. Ankle devices being able to be cut with scissors....
4. Regardless where they were, what dire situation they were in, they never ever called for police backup nor did they seem to work with the police force,,,
5.Bodywest that does not cover the entire torso...
Tbh, my list can go on. Normally I can ignore those details, but for me this time, it destroyed the story, as these details were the story. It feels they just wanted to showcase KWB's athletic skills but even that was kinda poorly executed.
When the end came I just felt utterly disappointed, what a waste of time.
The only reason it doesnt get a 0 in rating is because the acting of the actors was really good. It felt they did the best of the situation...
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This review may contain spoilers
Ulysses by Alfred Lord Tennyson, Just Chinese and targeted towards modern youth
I did not think much when I chose this movie and I was nit ready to get so emotional watching it. I had been feeling like a failure and thinking that "the 18 years old me would be ashamed of the current me." This is almost what this movie explores: a character loosing its essence and will in pursuit of things that where once but a sideline in the overall plot of their life.I cried my eyes out watching this movie and guess what? I have been feeling much better since. In the book "The Body Keeps The Score", the writer suggests that one way we can turn a traumatic memory into a normal one, is to re-narrate it and change the story; the exact thing that traumatic memories do not allow to happen. It seems like "Suddenly 17" and the way it narrates, did the re-narration for me and healed something in me that I could not completely formulize myself.
Bravo to all the hands in on production of this work. Everybit of the massage was perfectly delivered through nusances of colors, motions and sounds and the right metaphores.
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1"Family is what you make of it"
Twinsters is one example of the internet and social media being used for good. After taking part in a YouTube video, American actress Samantha Futerman was contacted by a French woman living in London named Anais Bordier. The woman’s profile pic looked eerily familiar. Both women were adopted. Both women were born on November 19, 1987 in Busan. And both women looked exactly alike!This documentary followed Sam making contact with her sister and their journey toward learning more about themselves and their past. Sam grew up with two brothers and feeling accepted at home and school. Anais was an only child and often felt lonely and had anger issues when she was young. She was taunted at school for being adopted and different and did not feel accepted. Both women were excited and nervous about meeting the other. Sam and her family visited Anais and her family in London. Anais later visited Sam in Los Angeles. The sisters traveled to Korea to do more research into their past. Sam had been to Korea before to gain information and had met her foster mom. This time Anais would be able to do the same and discover maybe she’d been loved and cared for more than she’d ever known.
The Twins Study Center did the DNA testing for Sam and Anais as well as testing them for similarities and differences. When in Korea the two women attended the International Korean Adoptees Association gathering where their birth country welcomed them. It was heartwarming to watch two sisters go from not hugging to holding hands and embracing each other. They faced the ups and downs of their adoption stories together and in the process found that they were surrounded by more love than they thought possible.
“Family is what you make of it. There is no definition.”
12 October 2024
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