Reviews

Absolute gem! This made me fall sooo hard for Lee Janghyeon. Gilchae is probably one of my favourite female leads and I won't be forgetting her for a while. Both leads were the perfect mix of everything - chaos, love, passion, yearning, angst. Cinematography and costume were on point with amazing support cast.
For me the romance was the best I've seen in a while, it was a painful and yet breathtaking experience where you feel completely immersed in their love for each other and the soundtrack matches all the scenes and moods. My dearest is just unforgettable ❤️

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The Young Strangers (2024)

I love this movie. Such a beautiful narration of the story.
Each character has a different perspective on life.
The way the story changes its flow and pace, how the movie portrays "death" as inevitable, and how each character's narration shows them desiring happiness, with each having their own life—even just for that time—it did impress me.



Ayato and his family, who struggle with their past while paying off the debt of his deceased father and caring for his mother, and how he acts whenever things go wrong, are so realistic, so raw yet powerful.



After what happened that night, each character was shown how they dealt with it and moved forward as life passed by.
This movie touched my heart.
I did cry many times.

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Aged poorly

[I acknowledge that BOF KR is an adaptation of ‘Hana Yori Dango’ japanese manga, and that some points mentioned in my review may not be issues with the writers or directors of the show, but rather elements that stayed true to the original manga]

This show is unwatchable and it aged poorly. I loved it as a kid, and so I don’t remember it being this bad. I think this show could’ve thrived more in a melodrama genre because the rom-com wasn’t doing it justice…It is such a hard watch unless you have a fixation on this drama. It was beloved before and still now so I get how it’s some people’s guilty pleasure.

-The first 10 episodes were good and the main leads were more likable. Its just that as the show progressed @ 11 episodes onwards, the main leads lost their initial spark that they had. I no longer saw the potential for a decent enemies-lovers trope…and I started rooting instead for the second lead.
-I sat through the entire series gritting my teeth hoping that it was gonna get better and it would start picking up its pace…but no, it just got slower and slower and slower. They added all the cliches possible till to the last episode.
-The show ruined the second couple for me. I thought they were only the sane ones, but it was actually Song Woo Bin. The only reason he is, is because they did not gaf about giving him a story (did he have one in the manga? I wish he did)
-Stiff asf acting. They should have given the boys fake tears🤣 The sad scenes was so hard to watch and awkward. They were clenching their jaws and screaming without tears. Koo Hye Sun mastered it though😁
-This was 2009 and it was the Coachella back then. But guys, I’ve watched far better older shows compared to this😔😔 This is by far the worst kdrama I have ever watched

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Unique Story

It's indeed unique story that blends the culture.
But maybe it's too unique, the bl part of it is being sub. Maybe because I'm still at earlier chapter? We'll see.
But it feels like straight story, just happens she got reincarnated to a he. Except the second couple.
For now all I can say, I can't find any good points other than it's being unique story.
***
Ep. 7 edit: the chemistry is more on second lead. While mls are kinda force? Or lacking?
***
Ep. 9 edit: I do understand why there's a community for this. But one of my most dislike in trope is damsel in distress. Knowing the series is named after Khemjira, most of the time he's just helpless. He needs everyone's help just to survive. He just uses his looks and being "kind" To bring supports.
Another edit: yeah don't like the character of Khemjira. He is self absorbs. He abandons the Master, because of supposed guilt and doing "what's right". When in truth he only do whatever he wants.
The side characters, are much better.
If you make the characters the story name place holder at least make it likeable.
***
Ep 12 edit: gotta say Ramphueng story is the most important here. And ChamJet. Like they're truly the main characters. Give Ramphueng and his son a happy ending (crying).
***
End: every characters are good except for the title holder himself Khemjira. The way his character is written as so helpless, and self absorbed.
Additional note, they should show Cham and Jett wedding, as that one is like their delay on previous lives. They should be the one marrying firsts. But no, they give in again to Khemjira. It's like the main character syndrome. Nothing can be done bad. Everything is for you. Production focuses so much on Khemjira, that everything else is after thought, which is the thing that irritates me cos other characters build is good... and product placement.
Still gonna say Ramphueng is the main character here.

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3 O’Clock Snack

Kanbe Misa has spent most of her life playing the understudy in her own story. She puts everyone else first, trusts the wrong people, and keeps choosing kindness even when life gives her every reason not to. Then, in 2025, she discovers that her husband, Hirano Tomoya, is cheating on her with her so-called best friend, Esaka Reina. Before she can even process the betrayal, she is murdered by the very people she trusted. What makes the scene especially disturbing is that they actually have a moment when they could stop. They could rethink it. They do not and so Misa dies.

The opening immediately sets the tone for what kind of adaptation this is. Like the Korean version, Marry My Husband begins with Misa's miserable first life before sending her ten years into the past. But while the Korean drama went for explosive emotions and high-octane thrills, the Japanese version feels much quieter, more cinematic, and almost psychotic in its restraint. I personally preferred Park Min Young's portrayal of Kang Ji Won during the original's opening because the anger and rage came through so strongly. Here, Koshiba Fuka's Misa feels more stunned by the sheer absurdity of what happened, especially when she realizes the insurance money is part of the plan. Somehow, that makes the whole thing feel even more unsettling.

One of my favorite transitions comes when Misa falls to her death and an orange falls at almost the same time, as though someone witnessing the scene was startled enough to drop it. Then Misa wakes up in 2015, with an orange sitting beside her. Having watched the Korean version first, I immediately understood what the scene was doing, but I still loved the visual storytelling. It is such a simple detail, yet it connects her death and rebirth, as well as who has always been there, without needing a single line of exposition. And from there, Misa gets what every wronged protagonist dreams of: a second chance. Except this time, she is not planning to be the nice girl who sacrifices herself for everyone else.

The core story and most of the major events remain very similar to the Korean version, but the differences become much more interesting when it comes to the characters. Misa gradually grew on me. She may not have left the same immediate impression as Park Min Young's Kang Ji Won, but I really appreciated how determined she was. She is not a love fool, she does not suddenly forget her plans because a handsome man walks into her life, and she does not spend her second chance waiting for someone else to save her. She knows what she wants and, for the most part, gets to work herself.

That said, Misa has one habit that nearly sent me into another dimension: she says her thoughts out loud. There were moments when I was practically hiding behind my screen from secondhand embarrassment. It is funny because she is otherwise so composed and calculating, only to suddenly verbalize her entire thoughts. It did make her feel oddly endearing, though, and perhaps that is part of why she became more lovable as the story progressed.

Then there is Suzuki Wataru, and honestly, this is where the Japanese version won me over. Satoh Takeru's Wataru is simply excellent. Compared to Na In Woo's Yoo Ji Hyeok, Wataru feels quieter, more natural, and more like an actual person rather than a perfectly engineered male lead. His charisma does not come from dramatic declarations or grand gestures. It comes from the way he listens, observes, and quietly shows up. The drama also takes the time to explore his own story, giving him an identity beyond simply being Misa's second-chance love interest.

And I definitely preferred the chemistry between Misa and Wataru here. The Korean version has that polished, romantic-drama chemistry, complete with love bombing and dramatic directing. The Japanese version feels much more natural. There are no fireworks every time they look at each other. No constant "I would do anything for you" energy. Instead, their relationship develops through small moments, hesitation, trust, and mutual understanding. It feels less like watching two characters fall madly in love because the script says so and more like watching two adults slowly realize that they have found someone they can rely on.

What I appreciate most is that Wataru never becomes Misa's shortcut to changing her fate. Misa still carries out her plans herself. Wataru is there to support and protect her if she falls, not to do all the heavy lifting for her. Even better, both of them are careful about confirming their relationship and feelings before they have actually come close to changing their respective fates. There is something satisfying about that restraint. Their romance does not distract from Misa's journey of taking control of her own life. If anything, it complements it.

The antagonists are another area where the Japanese version feels noticeably different. Esaka Reina is particularly fascinating because she is not simply a Japanese copy of Jung Su Min. Both occupy the toxic best friend role, but they are toxic in very different flavors. Su Min is the kind of toxic best friend who hides the poison under sweetness. Reina wears the poison on her face. You can practically smell the toxicity coming from her.

Reina is more complicated and, in some ways, more disturbing. I was genuinely surprised when she noticed Misa and Wataru becoming close and decided to go after Wataru herself. It made me feel that Reina's obsession is less about controlling Misa and more about beating her. Su Min's fixation was largely about Park Min Hwan and making sure Ji Won remained isolated and dependent on her. Reina feels more like someone who cannot stand the idea of Misa having something she does not. She wants to one-up her. Shiraishi Sei plays that instability well, especially if the transparency of Reina's emotions was intentional. Either way, she manages to make Reina feel openly toxic, disturbed, and difficult to look away from.

Hirano Tomoya, meanwhile, is almost impressive in how pathetic he is. Yokoyama Yu portrays him with such cluelessness and spinelessness that I found myself looking down on him almost immediately. Park Min Hwan in the Korean version has a sly, almost comedic stupidity to him. Tomoya feels more naive, easily influenced, and completely incapable of standing on his own two feet. He is the kind of man who makes you wonder how someone could possibly reach adulthood and still function like this.

Where this adaptation truly shines, though, is in its visual language. I loved the quiet and muted atmosphere. The color grading is easy on the eyes, the compositions are beautiful, and the camera work rarely feels like it is trying too hard to announce how beautiful a scene is. The directing has a very grounded quality to it. Even when something dramatic happens, the drama often lets the characters react like actual human beings instead of relying on exaggerated expressions, sound effects, or visual gimmicks.

There are so many small production choices that I appreciated. I loved how the sky gradually becomes darker when characters spend a long time in one scene, subtly reflecting the passage of time. I loved how surprise is often shown through genuine facial reactions rather than dramatic effects. The scenery of Japan adds another layer of comfort, while the food shots bring their own subtle flavor to the story. Pun absolutely intended. The result is a drama that feels cozy even when the plot itself is anything but cozy.

The OST was also a pleasant surprise. I kept recognizing Korean voices, only to discover that the drama's Korean and Japanese production collaboration extends into its music as well. While I would not say that any particular song stayed with me after finishing the drama, the OST did its job well. It enhanced the scenes without constantly demanding attention.

Then the ending arrives and suddenly the drama changes costumes. What began as a quiet revenge story with cozy suspense gradually turns into something closer to a psychotic crime thriller. Normally, this is the sort of genre shift that could have made me nitpick the entire ending. Surprisingly, I did not mind it as much as I expected. The directing maintained that same grounded, almost cozy quality even while everything around the characters descended into chaos. That consistency helped the final stretch feel more believable within the world the drama had established.

I especially liked how the ending brought the taxi detail back. It is a small thing, but I always appreciate when a drama remembers its own visual breadcrumbs instead of throwing them away after they have served their initial purpose. The ending also gives closure to the major characters, and more importantly, brings everything back to one of the story's central ideas: your life is yours to live. Misa's second chance is not simply about making her enemies suffer. It is about finally understanding that she does not have to keep living according to everyone else's expectations.

In the end, I enjoyed this version about as much as I enjoyed the Korean one, perhaps even a little more. The Korean drama still has the advantage when it comes to explosive emotions and that addictive, larger-than-life melodrama energy. But the Japanese version won me over with its natural chemistry, restrained directing, beautiful visuals, and quieter approach to storytelling. It feels less interested in shouting that a moment is important and more interested in letting the moment speak for itself.

Marry My Husband ended up being a surprisingly good gateway into Japanese dramas for me. It took a story I already knew and gave it a different texture, like hearing the same song performed acoustically after being used to the full studio version. The melody is familiar, but suddenly you notice different things. And after finishing this, I definitely want to see what other Japanese dramas have to offer.

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This Review Contains Spoilers!!!

Now that i read the comment sections of this drama and some of the reviews and there are some things i disagree with which is why i am writing a review. This is a review for the people who have watched this drama. If you haven't, and are thinking to watch it or not then i strongly recommend to watch it. Its is just 15 episodes, it will be over in 2 days and also after the first 3 episodes the drama will hook you up.

Now comes the spoilers part!!!
People think these are plot holes or convenient writing to progress the story but i disagree. Here's why:

1. Many people disagree with the ending or maybe specifically the reason why the dead girl (Wang MengMeng) wanted to just get out from the bus instead of making a ruckus over the pervert but as we know she was timid and shy. Maybe she just wanted to get/run away from the situation or save her reputation. I am not saying it is a good choice but many people do that why are presented in a uncomfortable situation they just pretend so that the situation can pass.

2. Also many people say that why was the bus driver was wrongfully implicated which i disagree because according to the drama the bus drivers are not allowed to stop in middle of the road and open the doors. Also who the fuck stops the bus in the middle lane of a three way highway in the middle of the bridge to get a girl go. Bro could have parked in the right lane. In most of the bridges people could walk there entire way through foot on the right pedestrian path too.

3. People say that the criminal (pervert) got away with it easily. rather than the parents of dead girl going to prison for terrorism and mass murder attempt probably has a higher jail time than sexual harassment. I don't think so because for unwanted sexual touching and groping offenses in China "Crime of Forcible Indecency" (Article 237). The fixed-term imprisonment is 5 years. And we don't know if Wang Meng Meng was a minor or not so it can be more than 5 years. Also at the end of EP 15 there is a scene where the father of Wang Meng Meng , Wang Xing De identifies the pervert in the jail and stares at him. So, i don't think he is coming out of jail alive.

4. Some don't understand the characters: the FL has more emotional intelligence and thinks with the heart we got to know that in one of the loops where she just tried to convince Wang Xing De why he betrays her. And it doesn't work. And the ML is the rational / logical body of the entire operation. This makes the drama and the chemistry between the leads more interesting.

5. Some argue that there are too many repetitions maybe of police station inquiry that it became boring. I don't think that way, the police station is the only place where they can do confidential information gathering and that can only be possible if they get in as a suspect not as a witness. Remember they will go back to the loop, if the sleep, in the bus and have 20 mins to stop a bomb blast. In the starting however, they did it unintentionally and in the latter half of the series they did it intentionally. Also this is a time loop drama how did you think it will turn out to be?

6. One of the reviewers says that there is no reason explaining why they are in stuck in a time loop?
Now there is not a concrete reason behind this by the original creator (Qi Dao Jun) but we can interpret.
Let me explain: One of the reviewers noticed that Wang Meng Meng and the FL are almost identical
i. they are wearing blue tops/outfits
ii. have almost identical if not the same bag with the same keychains and pins (can be verified in EP 15)
iii.. they both go to the same school
iv. and they have the same Teacher Wu
My interpretation is that the soul of Wang Meng Meng wanted to prevent the tragedy , save her parents and punish the pervert makes the FL the center of time loop. She wanted the FL to do it alone. But in one of the loops the FL blames the ML to be a pervert and the ML also enters the time loop not because the FL saves the ML from explosion but that was a clue given by Wang Meng Meng to FL that what her (Wang Meng Meng) story was about? This was also the reason why Lu Di did not enter the time loop.

7. Now there is one question that why was the ML growing weaker with each loop? And why was he okay in the last loop where i felt that he will die in EP 15?
According to my theory above the reason is that he wasn't the original choice for the time loop by Wang Meng Meng , the FL (Li Shi Qing) was, and she being a ghost could not afford two people going through time loop. He was literally dragged of by the FL altering his fate to die in an explosion. That may be why his body was growing weaker with each loop.
As for why did he recover in the final loop where he was about to die may be due to this being the last loop or maybe because Wang Meng Meng didn't want a sad ending to her story like us (I also didn't want a sad ending).

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Call me dramatic, but I seriously love this show

If you want a light-hearted, funny, easy-to-watch kdrama, please check out Study Group! This show is the perfect show to watch if you wanna watch some action but don't wanna think too seriously. The show's premise is about Yoon Gamin and how he's a good fighter, but his grades aren't the best! His tutor recommends that he joins a study group so the other members can try and help him out, but Gamin finds no luck with this approach since the kids in his school all know that he isn't the smartest. Eventually, he makes his own study group at the high school he's in! The only issue is, no one at the school cares about studying. So Gamin tries recruting people whom he thinks will be a good fit, but he gets into a fight with someone, and wins this fight showing others that he's strong, but this also leads to others trying to fight him since the person he just fought was pretty high up in their school's fighting rank (it's a rank to show who's the strongest in their school). The intro song also is really good! (Am I glazing it because I love zerobaseone, yes but is it a crime? It's a really good song too!!) The editing is really nice, it makes you feel as if you're reading a comic! (I also read part of the webtoon is movie was inspired by, I think you should read it too). The acting was really nice and the actor for Gamin (Minhyun) actually learned how to use nun chucks (I think) for this show, which proves how much effort was put into Study Group!

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"When it comes to sex, no one can be sure about it"

This was really an excellent and well-made series. It's sad that even to this day sex is considered something "taboo" and not many people are comfortable talking about it, and the ones that are open about it are mostly shamed for it.

As the title suggests they tackle concerns people may face around sex, and how nice it would be for sex therapy to be accessible for us to be able to speak about these concerns without fearing to be laughed at.

Also we get to see how women are expected to especially be secretive about their sexual desires and not to comfortablely speak up about the harassment they face everyday because of their gender.

If I had to nitpick I'd say it would've been really nice to have asexual and LGBTQ+ representation, but that's just my wishful thought.

Overall, I do recommend watching this for educational purpose, and understanding some new perspectives. The romance is also decent and they look great together so makes this even more enjoyable.
Do not expect completely realistic therapy sessions though.

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