Reviews

A true masterpiece

Under the Queens umbrella was nothing short of a masterpiece. It was beautifully written with such compelling characters.
Queen Hwa-Ryeong was more than an amazing character who I believed at first would just be a mother constantly chasing after her children but she proved to be very powerful and strong without ever losing her femininity and compassion. The title was a true testament of her character. A mother who protects her children without waivering and loves them unconditionally even with their flaws.
The romance was also handled well without changing the overall tone of the story.
1000/10 would recommend this to anyone.

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Lack of chemistry, frustrating ML & infuriating romance arc left me unsatisfied

A reddit friend told me about Shen Hao Nan having dimple. I wanted to verify so opened my iQIYI app and randomly chose this drama because I thought it was a sweet campus romance. Oh I was wrong!

What I liked:
1. Acting - I was moved by A Shang's performance during scenes of FL recollecting her past. I cried - that's unexpected. I also cried when ML realised how precious FL was to him.
2. FL characterisation - I liked her character pre and post rebirth. It's great that she reinvented herself post rebirth. I liked her character growth except that last part.
3. Confessions - FL shared her perspectives of her wasted potential in past life with ML and I was heartbroken by her insights.
4. Supporting characters - I liked FL's best friend Liu Nian. ML's brother was ok but his character was underdeveloped. I liked FL's grandfather & ML's mother.
5. Drugged - I just want to say that the treatment to ML's drugging was refreshing. I was shocked.

What I disliked:
1. Romance - I didn't like that ML pester FL for a second chance in their relationship. For a couple who had been together for 10 years, they were emotionally disconnected. I didn't buy the romance and was disheartened that FL decided to give him another chance.
2. ML characterisation - He was terrible at expressing his love in his past life. Once reborn, I found him selfish. I wish he had given FL space to grow & realise her potential without his meddling.
3. Plot - Overall the story left me unsatisfied. There were plenty of loose ends from SML's role in this whole drama to that crappy reconciliation.
4. Acting - I see chemistry as subset of acting and there was lack of chemistry between A Shang & Shen Hao Nan. Their couple scenes were awkward as though they didn't know how to play off their characters' dynamic.

Favourite scene
When FL told ML how she wasted her potential because her focus on him

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Good one. Must watch

Good drama. I really loved the main characters storyline and their chemistry. Wish we had a more elaborative ending with a marriage ceremony but anyways...

Didn't like the other 2 couples boring as hell. 2nd couple had no Chem and they filled up half of episodes. Skipped most of theres also 3rd couple esp sml being in love with fl for majority of it.

Disliked the villain girl so much. Didn't get any consequences for her action after repeatedly doing bad stuff towards fl ml and sml. There lifes were ruined bec of her. And she instead got unparalleled supprt from fl. I skipped her when she was forgiven. Fl helping her blah blah....idiotic as hell.

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It's a film full of quality and acting talent darma

At the very heart of this spectacular opening is the female protagonist, Li Zhen. Her character arc is nothing short of extraordinary, and the actress's performance is a brilliant, 100% perfect portrayal of resilience and determination. From the moment she appears on screen, she commands attention. We witness Li Zhen taking her first courageous, calculated steps toward monumental goal: reviving her family's legacy and reclaiming the stolen dignity and honor of her beloved father and grandfather. She does not play the victim; instead, she takes charge of her destiny with an iron will, making her one of the most compelling and refreshing protagonists in recent drama history.
This drama is an absolute gem, and it deserves a perfect 10/10 rating without a doubt. From thệ incredible cinematography to the brilliant directing, everything about this production is high quality. What stands out the most is the exceptional acting skills of the main cast. They portray their characters with so much emotional depth and dedication, making every scene unforgettable. It is deeply frustrating to see malicious anti-fans deliberately review bombing this show with low ratings to ruin its score. This beautiful piece of work represents the intense dedication of the actors and the entire production crew, and it should be judged solely on its actual merit. If you are looking for a drama with a strong storyline, magnificent acting, and cinematic beauty, do not let the biased low ratings fool you. Please give this masterpiece a chance, because it is truly one of the best shows of the year. Let's support fair ratings and protect this wonderful work!
The production quality, music, and casting are all flawless. If you are looking for a drama with high production value, remarkable acting talents, and a storyline that will keep you thoroughly hooked, this is the one. It is a masterpiece that is worth rewatching over and over again!

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Watch this to recharge

I had a blast watching My Troublesome Star from beginning to the end. I really like Uhm Jung Hwa; she is effortlessly funny and really a good actress, and her role choices are always so interesting.

Plot**
The story tells about Im Se Ra, a popular actress who has become Korea's sweetheart, and as she is becoming more and more notorious, she gets into a strange car accident. Since then, she disappears, but 25 years later, she comes back to the spotlight with shocking revelations.

The kdrama was really a nice watch; it has a good amount of comedy and storytelling with a bit of a reality check in terms of the scary deals that female celebrities have to go through to get to the top. The story is fun, not heavy but still has a bit of drama, and it was a pleasure to see the female lead and male lead together; they worked so well, and I had seen them in another movie together years and years ago, and they had great chemistry, so I was so happy to see them again as romantic interests.

This is definitely one of those dramas you can watch easily; it's not heavy, and it's very enjoyable. The cast does a really great job; I really love the choice of Jang Da A as the young Im Se Ra. Although she is new, she is incredibly talented. I saw her in Pyramid Game and thought she was a seasoned actress, only to find out that was her debut role. She is so talented, and I hope I get to see her more and more.

Lee El, who plays the role of the antagonist, is so good. I have seen a few kdramas with her, and I think she is so underrated; she played her role so well with a bit of sassy comedy. I really disliked her character, who was so jealous and ready to do anything for fame and Lee El was so good at potraying her.

Uhm Jung Hwa, she is such a funny and talented actress; whenever I see her in the cast of a project, I am always eager to watch it as I know she is going to be funny and the story is going to be good and not going to stress my mind. This is exactly what this drama is; it’s funny but also heartfelt.

If you are looking for something that makes you relax and makes you laugh after watching a heavy dramas, I would definitely suggest this one.

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Li Zhen proves that a woman's greates YZ's acting.

It is incredibly rare for a drama to completely captivate its audience within the very first week of broadcasting, yet this phenomenal series has done exactly that.
| can confidently and proudly state that this show is an absolute masterpiece, leaving absolutely no room for criticism. Every single element-ranging from the tight, gripping storyline and the exceptional casting to the beautifully composed soundtrack-aligns flawlessly to create an immersive viewing experience.
Even though the drama is still in its early stages and far from its final conclusion, the sheer quality showcased in these opening episodes thoroughly deserves a perfect overall score of 10/10.For women everywhere, Li Zhen stands as a powerful,Her journey strikes a deep, emotional chord because it reflects harsh but realistic societal truth. She teaches us that no matter how impoverished your circumstances may be, and no matter how much you are looked down upon, marginalized, or insulted by your own relatives and family, you must never allow their disdain to break your spirit. Instead of drowning in despair or waiting for a savior, Li Zhen proves that a woman's greatest weapon is her own competence and intellect. She inspires female viewers to rely entirely on their own inner strength, to stand tall against prejudice, and to fight relentlessly to rebuild their lives from the ground up.What impressed me the mnost is YZ's acting.
Her performance feels so natural and perfectly balanced never too much, never too little. Even in quiet scenes, her expressions and emotions speak for ... his presence is eagerly anticipated and promises to add another compelling layer to an already brilliant drama.

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Yang Zi's acting is always on point.

It is incredibly rare for a drama to completely captivate its audience within the very first week of broadcasting, yet this phenomenal series has done exactly that. Having watched only from episode 1 to episode 6, | can confidently and proudly state that this show is an absolute masterpiece, leaving absolutely no room for criticism. Every single element-ranging from the tight, gripping storyline and the exceptional casting to the beautifully composed soundtrack-aligns flawlessly to create an immersive viewing experience. Even though the drama is still in its early stages and far from its final conclusion, the sheer quality showcased in these opening episodes thoroughly deserves a perfect overall score of 10/10.For women everywhere, Li Zhen stands as a powerful,Her journey strikes a deep, emotional chord because it reflects harsh but realistic societal truth. She teaches us that no matter how impoverished your circumstances may be, and no matter how much you are looked down upon, marginalized, or insulted by your own relatives and family, you must never allow their disdain to break your spirit. Instead of drowning in despair or waiting for a savior, Li Zhen proves that a woman's greatest weapon is her own competence and intellect. She inspires female viewers to rely entirely on their own inner strength, to stand tall against prejudice, and to fight relentlessly to rebuild their lives from the ground up.What impressed me the mnost is YZ's acting. Her performance feels so natural and perfectly balanced never too much, never too little. Even in quiet scenes, her expressions and emotions speak for themselves. She delivers every moment so smoothly that it feels completely

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10/10★the heir drama 100% perfect drama

'm also learning new things about Chinese culture. I never really paid attention to ink before. In many dramas, kings and nobles use ink so casually that it seems easy to obtain, but this drama shows that ink was actually rare and required the hard work of many people to produce. It's also the first time
I've learned that ink could be used to heal wounds, which I found really interesting.For women everywhere,
Li Zhen stands as a powerful, empowering role model, offering invaluable life lessons within just these 12 episodes. Her journey strikes a deep, emotional chord because it reflects a harsh but realistic societal truth.
She teaches us that no matter how impoverished your circumstances may ho and no mattar how muc vouara loked downEverything feels polished and well-balanced. For me,
this drama truly deserves a 10/10 so far. Yang Zi's acting is one of the biggest reasons why the drama feels this powerful and engaging.

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Urban fantasy meritocratico

Quando ho iniziato Itaewon Class ero convinta di trovarmi davanti a un revenge drama duro, realistico, quasi sociologico. Le prime puntate lo promettono davvero: discriminazione, bullismo coperto dalle gerarchie, potere economico dei chaebol, isolamento sociale, differenze di classe, senso di impotenza davanti a un sistema che protegge i forti. C’è una scena semplicissima, quella dell’insegnante che vede il bullismo e non interviene perché il padre del ragazzo è un pezzo grosso della ristorazione, che secondo me racconta la Corea più di cento dialoghi.
E infatti l’inizio funziona tantissimo, ho pensato che avrei dato dall'8,5 in su. Ha rabbia, identità, un protagonista molto definito e un conflitto morale forte. Park Sae-ro-yi non è il classico eroe brillante da k-drama: è rigido, socialmente impacciato, quasi congelato emotivamente, socialmente inetto. Sembra una persona che vive più per principi che per desideri. E questa cosa all’inizio mi aveva colpita molto, anche perché rendeva credibile il fatto che venisse percepito come strano dagli altri.

Poi però la serie comincia lentamente a cambiare... il problema principale di Itaewon Class, secondo me, è che vuole essere troppe cose contemporaneamente: revenge drama, critica sociale, favola meritocratica, romance, racconto di outsider, storia di startup, parabola morale. E a un certo punto queste facce iniziano a combattersi tra loro.
Come revenge, ad esempio, per me funziona poco. E qui forse sta il cuore della mia delusione finale. Sae-ro-yi non si vendica davvero. Resiste. Sopravvive. Aspetta. Ma non costruisce mai quella sensazione di ossessione strategica che dovrebbe avere un protagonista di vendetta. Se penso a The Glory, lì la vendetta è attiva: la protagonista orchestra, manipola, crea lentamente il collasso dei suoi nemici. In Itaewon Class invece i cattivi si autodistruggono soprattutto da soli, facendo errori sempre più stupidi e caricaturali. Lui rimane quasi sempre moralmente puro, quasi ascetico. E questo toglie tensione. Più che “ti distruggerò”, il messaggio sembra essere: “continuerò a essere una persona integra finché il sistema collasserà da solo”.
Che è un tema interessante, ma non è revenge puro!

Anche il cattivo principale, Jang Dae-hee, secondo me soffre di questa impostazione troppo simbolica. All’inizio è inquietante perché rappresenta davvero il capitalismo patriarcale coreano: l’uomo che valuta il valore umano solo attraverso il profitto e la sottomissione. Però andando avanti diventa quasi un villain da operaetta morale. Le risate, l’ossessione per la genuflessione, la teatralità continua… troppo. L’inginocchiarsi diventa una specie di pornografia morale: ogni scena deve culminare nella sottomissione rituale del potente. Capisco il significato culturale dell’inchino pubblico in Corea, ma qui si esagera fino a perdere realismo umano.

E infatti ci sono momenti che sfiorano il fantasy :la nonna usuraia che si rivela investitrice ricchissima di startup o una cuoca trasgrender che si impegna e vince gare di cucina, è lì che ho realizzato una cosa importante: Itaewon Class non è davvero interessato al realismo. È interessato al desiderio collettivo. È una favola meritocratica per una società ossessionata dal successo e dalla posizione sociale. In Corea il fallimento pesa tantissimo sull’identità personale, e credo che il drama giochi proprio su questo: il sogno che gli esclusi, i discriminati, gli strani, i poveri, possano creare una comunità alternativa e vincere contro il sistema. Esattamente come i romance forniscono speranza alla commessa o alla donna povera di poter essere notata da un chaebol.
Alcuni aspetti secondo me sono realistici e sono il punto forte della serie: la difficoltà di esporsi sentimentalmente, ad esempio, è rappresentata molto meglio di quanto facciano tanti drama romantici. Ho trovato realistico il personaggio del figlio illegittimo che ama Yi-seo ma non si autorizza nemmeno a provarci, perché interiormente si percepisce inferiore. Lì c’è davvero Corea: gerarchia, vergogna, autocensura emotiva e la vediamo in Interest of love per esempio.
Anche la romance, che tantissimi hanno criticato, a me in realtà è piaciuta più di quanto pensassi. Non totalmente ma mi ha coinvolta. E credo di aver capito perché. Sae-ro-yi e Soo-ah parlano sempre come due persone che seguono binari emotivi diversi. Si vogliono bene, ma sembrano continuamente costretti a spiegarsi. Lui con lei è sempre in modalità contenimento: “non sentirti in colpa”, “va bene così”, “gwenchana”. È una relazione di cura, di servizio. Mentre con Yi-seo succede qualcosa di diverso: non hanno bisogno di troppe parole. C’è familiarità, riconoscimento, sincronizzazione implicita. Lui con lei è più se stesso, sembra più a suo agio e Dio se sono simili, lei viene presentata come speculare a lui ma con strumenti diversi (difesa dei bulli).
Ed è qui che la serie, secondo me, trova la sua verità più forte. Yi-seo non ama Sae-ro-yi perché è bello e ama la sua struttura morale, il suo modo radicale di esporsi contro il sistema. In fondo lei fa la stessa cosa che lui aveva fatto contro il bullismo: rischia posizione, immagine e stabilità per qualcosa che sente autentico. Sono complementari proprio perché entrambi sono disposti a vivere senza adattarsi completamente. E lo dice chiaramente quando si confronta con l'altra: "Non fai altro che chiedere di cambiare per adeguarsi a te, io lo aiuto a prendere ciò che gli serve per stare bene". Questo lato della storia è fortissimo e per la prima volta è stato rinfrescante vedere una compagna-amica, solidale con cui dividere il peso dell'esistenza.
Però anche qui la serie inciampa: il "payoff"romantico arriva troppo tardi. Troppo. Per quindici episodi Yi-seo si espone completamente, mentre lui resta emotivamente congelato. Capisco l’idea narrativa: Sae-ro-yi è bloccato nel trauma e nel ricordo di Soo-ah come ultimo frammento della sua vita “prima” della tragedia. Però non c'è stata soddisfazione per lo spettatore.
Anche il finale romantico mi ha lasciata un po’ perplessa . Yi-seo è stata costruita come un personaggio impulsivo, passionale, quasi famelico emotivamente. E poi nel bacio finale sembra improvvisamente trattenuta, composta, quasi passiva.

A livello di interpretazioni però il cast regge tantissimo. Park Seo-joon riesce davvero a dare a Sae-ro-yi quella rigidità morale quasi dolorosa. Kim Da-mi è probabilmente il cuore emotivo della serie: riesce a rendere Yi-seo fastidiosa, brillante, feroce e vulnerabile allo stesso tempo. Anche i personaggi secondari spesso funzionano bene, forse perché rappresentano quella comunità di esclusi che è la parte più autentica del drama. Il villain per me è un grosso no.
Il figlio illeggittimo è stato molto poco sviluppato , come motivazione, storia, desideri, i motivi per cui passa al lato oscuro sono deboli narrativamente.
Altro problema è la struttura narrativa ciclica, che tende a ripetersi, reiterando lo stesso schema:
Jangga provoca,
Sae-ro-yi resiste,
qualcuno viene umiliato,
Yi-seo soffre in silenzio,
Soo-ah guarda malinconica,
nuovo piccolo ostacolo,
nuova resistenza morale.
E dopo alcune puntate senti che la storia gira intonro senza approfondire davvero nulla di nuovo. È lì che nasce quella sensazione di “pesantezza” Non perché manchino eventi, anzi: ne succedono continuamente ma dello stesso tipo, ed emotivamente la serie resta ferma nello stesso punto per troppo tempo. Anche la figura di So-nha è sempre uguale e la sua interpretazione si risolve in una gara di sguardi fissi,soffferente, mentre lei attende e scopri alla fine che poteva avere più agency ed essere molto più utile di Yi-Seo nei suoi piani di vendetta.
Penso che molto spesso realizzare adattamenti uguali al web toon sia deleterio , perchè su un disegno proietti meno realismo. Il disegno crea una distanza simbolica. Un attore in carne e ossa invece porta inevitabilmente il racconto verso il naturalismo, anche quando la sceneggiatura resta da fumetto. E qui nasce lo strappo percettivo.
Secondo me Itaewon Class avrebbe funzionato meglio rendendo Sae-ro-yi più umano, facendo evolvere prima la romance, tagliando alcune scaramucce aziendali ripetute e approfondendo davvero il trauma, la classe e l’identità. Perché il materiale emotivo per una grande serie c’era. Ma spesso è stato sacrificato alla fedeltà da webtoon e alla necessità di creare momenti iconici invece di vera progressione umana.
Una cosa positiva è pero che, pur essendo molto favolistico, non sceglie la soluzione romantica più nostalgica o rassicurante. In moltissimi drama il primo amore resta idealizzato fino alla fine e viene premiato quasi per diritto narrativo. Qui invece no. E questo, paradossalmente, è uno degli elementi più realistici della serie.

Sae-ro-yi non sceglie la persona che rappresenta il passato o l’innocenza perduta. Sceglie quella che ha condiviso concretamente il suo percorso di costruzione. E questa è una scelta molto coerente con una società come quella coreana. Anche Start-Up lavora tantissimo su questo immaginario: la Corea contemporanea romanticizza enormemente il self-made e il partner che partecipa alla crescita personale e professionale del protagonista. Non basta più “esserci stati all’inizio”. Conta chi regge il peso della scalata.
Ed è interessante perché da una parte il drama diventa quasi una fantasia meritocratica estrema, ma dall’altra racconta in modo molto realistico alcuni meccanismi culturali:
il sistema posizionale,
la rigidità gerarchica,
il peso del prestigio,
il conformismo,
il successo come misura del valore umano,
la difficoltà di esporsi sentimentalmente,
il compromesso necessario per sopravvivere.
Perfino Soo-ah, che per è stata frustrante da vedere, secondo me rappresenta qualcosa di molto reale: la persona che capisce il sistema, ne soffre, lo disprezza anche, ma non riesce davvero a uscirne. Non è abbastanza “eroica” per distruggersi pur di restare coerente. E proprio per questo è probabilmente uno dei personaggi più umani della serie.

Alla fine il mio voto è 7,5. E forse è un voto più severo proprio perché la serie aveva ambizioni alte. Ci sono drama molto più stupidi a cui ho dato voti simili, ma almeno non fingevano di essere qualcosa di più profondo. Itaewon Class invece promette una riflessione enorme su classe, potere, trauma e vendetta, e poi spesso sceglie la scorciatoia simbolica e melodrammatica, con un villain da telenovelas anni '90. E non basta il cameo finale a Park Bo Gum per risollevare la serie. Il paradosso di Itaewon Class è stato questo: più cerca di essere realistico nei temi sociali, più diventa interessante.
Più entra nella costruzione da webtoon morale e simbolico, più perde credibilità.

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Loser Lesbian

So yeah first of all to those people who says that this series is bad probably doesn't even know the quality of this series, their probably watching it blindly. Acting was good but not to the top, cinematography was good. I'm actually impressed that more and more GL this year improved when it comes to the cinematography. The only thing that I probably didn't like was the amount of green screen 😭. I mean not a lot of honestly but it's one of the things that you'll find disappointing in this series. It's slow burn burn which is good I like that. But yeah overall this first series form the mega project was good. Waiting for the Fire cause air is airing

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Why Twelve Letters will shatter your heart and rebuild it piece by piece

It’s 1991 in the damp, suffocating alleys of Meiwan Town, and it’s 2026 in the freezing, snow-covered streets of Beixing city. Two eras, thirty-five years apart collide.
Twelve Letters isn’t just a fantasy melodrama; it is a raw, bleeding-heart narrative that drags you kicking and screaming through a cause-and-effect stream of absolute desperation, heavy sacrifices, and a connection so profound it breaks the fourth wall of human suffering.
The plot kicks off with Yu Nian in 2026, desperately searching for her missing father, Yu Zhiyong, only to find a mind-bending mystery. Suddenly, Nian and a deeply reluctant, cynical ally, Shen Cheng, find themselves communicating with the past.
What follows is a rapid-fire race against time across two timelines to stop a horrific cycle of the most torturous life that threatens to rewrite itself. The pacing hits you, and lets you see the grit, the dirt, and the beautiful, agonizing choices these characters make.

WHAT I LOVED
Tang Yixun: An angel in a cruel world: I feel like Xun is an angel. This boy has nothing, yet his heart remains so pure and fiercely protective. He is the blueprint of unconditional love.

Ye Haitang’s defiant, unbreakable spirit: This young girl's heart is dead and bleeding from the start, but my God, she is a fighter!

The soundtrack: I love all the soundtracks in this drama. Each beautiful, melancholic song carries its own powerful emotions, perfectly timed to make you weep through the screen as the characters face their darkest hours.

WHAT I DIDN'T
Ye Yibo: An absolute demon walked the earth: I already know he’s trash, but this lying, deceiving man takes the cake for one of the most vile antagonist in cdrama history. An absolute demon.

Ms. Tan’s Severe Lack of Critical Thinking: Oh, I hate people like her. She plays the righteous academic. Her rigidity fails these kids when they need a safe haven the most.

The utter tragedy of the broken kids: The irony of these good-hearted boys getting crushed by some demons while trying to protect what they love is a tough, bitter pill to swallow.

The Final Verdict
Twelve Letters is an emotionally raw, utterly authentic cdrama that captures the exact heartbeat of desperation and survival. It doesn't sugarcoat the trauma of domestic abuse or the cold reality of some things, but it wraps that darkness in a breathtaking story of soul-shattering loyalty. You aren’t just watching a show, you are living it. Prepare yourself for a bleeding heart, lots of crying, and a masterpiece you won't forget.

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Nothing but CCP propaganda

Possible spoilage in the future......


I do talk about violence that may be missing from scenes. Don't know if this actually reveals spoilers, but just in case, there may be some.



I like the actors, and that's the only reason I gave this two seconds of my time. The acting in the first 12 episodes is good. I think Zhao Lusi seems a bit too convinved on how wonderful the Communist Party is. Not even Zhao Lusi is that perky about a government party. Especially one that wasn't above shooting you right in the street. I do find it amusing that they never even infer about the copious torture they used on their own citizens, in the name of 'possibly' uncovering a spy.

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Felt like a completely different tv shows by the 2/3 of it?

I usually don't care much about the story as long as the romance is good. Plot is a background concern. However, they really pushed it too far here😂🤡 I'll start with the good, as I loved how the relationship between the leads had no stupid angst. No love triangle, misunderstanding, breakups and all that. I now understand that they didn't make a mess of their relationshio because they put the mess everywhere else on the show lol. They did make the ml too perfect, within the relationship he has no flaws but writers made the fl exhibit behaviours that don't really make sense. Then again, seeing the latter part of the series, the writer obviously aren't the most logical. Both leads act well enough, I especially like the ml but that might be biased since I've liked the actor in other things. The male villains of the story fell short on acting for me though. I also really, really appreciate that the women who like the ml weren't made into men-crazed characters. Now, let's talk about the mess. Because that's what the plot is, a mess. Around episode 20, the show makes a 180°. Now, it wouldn't be so bad if there was any foreshadowing in the beginning. But literally the foreshadowing (nuts) happens in the same episode the plot changes💀 The show also gives the villain way too much screen time that isn't of much substance.

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