This review may contain spoilers
Very underrated drama <3
This drama was one that I discovered randomly, and I am so glad that I did! The story of this drama is so well-done, and it's very fast-paced as well. I honestly loved the faster pacing of this drama, as I was never bored throughout any of it! I absolutely loved the romance between Jiang Xu and Ming Tan, it was just so so sweet!! I also loved how they portrayed the initial awkwardness between them early on in their marriage of convenience.I thought it was so refreshing to know that they are technically still strangers, and that they need time to get to know each other and understand each other. I love that they naturally fall for each other, even if they're "married." I just love how Jiang Xu goes from being wary of her to being an absolute loser for his wife. He is so fiercely protective of her, and I love that he is also very loyal to her as well. The way that he protects her is just so:((( I also love that he is very quick to defend her as well (we love that <3)
The angst that occurred between them was heartbreaking, but I could also understand why Ming Tan felt the way she did, for Jiang Xu did keep her in the dark (even though he had a valid reason to do so). This drama definitely made me cry multiple times, especially when Ming Tan reunites with her father, whom she assumed was dead. The reconciliation between Jiang Xu and Ming Tan was beautiful as well, but what hit me hard the most was Ming Tan's reunion with her father. I also loved how close Ming Tan was with her cousin, Bai Min Min. Her cousin is super sassy and also very quick to defend Ming Tan when she is being insulted or anything else of the sort. I also loved that Min Min also got a happy ending of her own as well.
I absolutely LOVED the romantic scenes between Jiang Xu and Ming Tan in this, especially that scene in the carriage where Jiang Xu is very drunk and is being super clingy with her. It was so adorable! Another thing that I loved about this drama was that there was no unnecessary drama or petty misunderstandings. I also loved the chemistry between Bao Shangen and Song Weilong; I think that their chemistry was very natural and nothing felt forced. Another thing that I loved about this drama were the costumes! Ming Tan's robes were always so pretty, and I also love how they did her makeup and hair! Jiang Xu's robes were also really pretty and suited him well <3
And don't even get me started on the ending!!! The ending was literally so freaking beautiful, and I loved that they had children of their own <3 I also love that we got to see a little bit of their life after everything was over <3 It was so incredibly wholesome, and the last scene where they were all watching the fireworks with everyone was just so gorgeous :((( Overall, this drama is just so incredibly perfect from start to finish, and I cannot recommend it enough! It's definitely a must-watch <3
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Breath of Fresh BL Drama And…
There are so many things I love about this BL show, but I'll name a few.Just binge-watched six episodes, and one, I love the pacing, two, the story is just amazing, three, the boys can act, four, the chemistry is solid, five, no dramatic internalized homophobia or homophobic characters in this show yet (I say yet because there are still some episodes to go) and that's why I call this BL show a breath of fresh air. It indeed is.
While I do appreciate realistic BL shows, especially those set in the early 2000s, that show the truth of been young and queer during that era, with themes like internalized homophobia, passive or even active homophobic characters.
This show is quite unique in its portrayal of the characters as humans who don't see gender as a determining factor when it comes to falling in love. It clearly portrays the theme of “love is love” and it's interesting to watch it unfold.
Anyways, let me save the rest for later or maybe not? Cos if you've read this review up to this point, you better be convinced to start this show ASAP. You won't regret it.
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im sorry this drama no good
I’m sorry, but I still find myself agreeing with many of the broader criticisms that have been circulating about this drama. While it may have started with a promising premise and a cast that clearly had potential, the execution ultimately fell short in several key areas. The writing, in particular, felt inconsistent and at times even careless, as if the story lost its sense of direction midway through. Plotlines that were initially intriguing either fizzled out without proper resolution or were rushed to a conclusion that didn’t feel earned.One of the most disappointing aspects was how the characters were handled. Early on, several of them were introduced with depth, complexity, and clear motivations that made them engaging to watch. However, as the story progressed, many of these same characters seemed to lose their identities. Instead of evolving naturally, they became one-dimensional, stripped of the traits that once made them compelling. It almost felt like the script no longer knew what to do with them, reducing them to mere tools to move the plot forward rather than individuals with their own arcs.
The direction didn’t help matters either. There were moments that should have carried emotional weight, but they were presented in a way that felt flat and uninspired. Scenes that were clearly meant to resonate with the audience ended up lacking impact, largely because they weren’t given the time or nuance they deserved. The pacing also contributed to this issue, with some parts dragging unnecessarily while others were rushed, creating an uneven viewing experience.
As for the acting, it’s hard not to feel that the cast was let down by the material they were given. While there were glimpses of strong performances, overall the emotional delivery often felt muted or disconnected. Whether this was due to the direction, the script, or a combination of both, the result was a lack of genuine emotional engagement. It became difficult to fully invest in the characters or their journeys when the performances themselves didn’t seem fully realized.
And then there’s the ending, which, quite frankly, was one of the biggest disappointments. After everything that had been built up, the conclusion felt abrupt and unsatisfying, leaving more questions than answers. Instead of providing a meaningful resolution, it came across as rushed and poorly thought out, undermining whatever goodwill the drama had managed to maintain.
In the end, despite its potential, this drama ended up being a major letdown. It’s unfortunate because the cast deserved better material, and the initial concept had the ingredients for something memorable. Hopefully, the actors will move on to stronger projects that allow them to showcase their abilities and leave this disappointing chapter behind.
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Perfect Escape from the World Where We Sadly Live
This was exactly the kind of escapism I was looking for right when I needed it. It was definitely historical/fantasy/romance, since it wasn't historically accurate, but I didn't need it to be. It was a beautiful story told with beautiful people, in a beautiful setting. Both leads were very good actors, and I can say that, as I know not one word of Mandarin, they were still able to convey complex feelings through facial expressions, tone, and movement. I am certain that the novel holds more detail with the political aspects, but I was fine with what it had. The slow build of tension between all the couples was both entertaining and frustrating in the best possible way. Although the ending episodes were rushed, I understand that, having watched many series in my lifetime, and of course as a fan of Game of Thrones. Unlike some reviewers, I was fine with the "What If" extra scene, and took it at face value, showing that no matter the circumstances, the right people will end up in your life, maybe at the right time, maybe at the wrong time, but maybe we spend lifetimes in countless worlds trying to get it right. Yes, had the uncle made different decisions, lives would have been changed, but fate would still prevail. Good thing we have many lives to make it work. All in all, a beautiful story. Not to everyone's taste, but you never know unless you find out for yourself.Was this review helpful to you?
Wasted plotline potential, quite bad acting(not allll but yea), characters feel soulless
Two main thing that made me drop this drama wasThe characters were SOULLESS
Like her current comrade group, they are solely there for convenience
Honestly even Cheng linsu character itself is also totally for driving a bit of romance , adding humor etc
Villains?(up till the ep that I watched) They are also lacking
Everything feel two dimensional character, can't connect to them on personal level. Most are there merely for convenience sake and driving plot
Second plot is lost....focus is lost
There are 36 eps. But for entirety of 23 eps I watched, main driving force here is revenging for Xiao jue dad. Which is alright
But I was hoping more focus on revenge but it feel more like Xiao jue thing is main (?)
Like it really had potential. But the execution was quite poor.
Also, just like the comment I saw, I would have love to see how she became so capable in first place. More flashbacks of training etc on he rufei. But now she is just deemed as capable and just because apparently. Like I so wanna connect to her character but there's a lot missing and they keep focusing on these quite irrelevant fillers.
My first point come again. Characters are not flashed out enough.
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This review may contain spoilers
Perfect blend of Rom-com and mystery (Magic of old kdramas)
Oh My Ghost follows Na Bong-Sun, a shy culinary assistant, whose body gets possessed by Soon-Ae — a virginal ghost desperate to resolve her unfinished earthly desires before crossing over. Her target: Kang Sun-Woo, a fierce celebrity chef who works alongside Bong-Sun.At first it seems like Chef Kang only notices Bong-Sun once the ghost possesses her, which feels like a bait-and-switch. But as the arc develops, it becomes clear that Soon-Ae was a catalyst, not a replacement. The chef was falling toward the real Bong-Sun all along; the ghost just pulled him close enough to see her.
The show handles its thornier dynamics better than expected. Chef Kang's discomfort with Soon-Ae's advances is shown clearly and treated as the correct response — there is no moment where his resistance crumbles simply because she is persistent enough. The possession scenes are uncomfortable to watch, and intentionally so. That discomfort is the point: it establishes Soon-Ae as reckless and desperate, not charming. The show does not ask you to root for the pursuit.
Park Bo-Young carries the show on her shoulders, playing two distinct personalities within one body with remarkable precision. Her physical comedy as Soon-Ae is delightful, and her restraint as Bong-Sun is genuinely moving. I loved the chefs' as well there comedy was something I looked forward to. The police officer's acting was something that stole the whole show though.
The series was a bit drag, and became skipable at some points, but still this drama has its charm to bring you back and wait till the finale and it's ultimate reveal.
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Roses & Guns: Pure Binge-Watch Gold!
My thoughts on Roses & Guns:Rating: 9/10 ⭐️
●🎖️Tailor-made lead: The role of the general fits Dai Gao Zheng perfectly.
●🧲Magnetism: His screen presence is incredibly intense and attractive.
●👥 Visual Vibes: Maybe it's just me and others might disagree, but I felt like Flora Dai looked like the actress IU, while Dai Gao Zheng looked like Lee Jong Suk in this drama especially!😅
●⚡Flawless chemistry: The leads share an undeniable, electric connection.
●💥Dynamic duo: Both leads excel in martial arts with a truly strong female lead.
●⚔️Top-tier action: The fight scenes are thrilling and beautifully executed.
●🍿Pure binge-watch: The writing is tight and keeps you hooked from start to finish.
●🏆Final verdict: This is easily one of Dai Gao Zheng’s best and most underrated dramas.
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The Uncanny Counter Season 2: Counter Punch
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Here is a breakdown of why this season fails to land the expected punch:
1. A Radical Shift in Tone
What was once a supernatural drama with deep, personal stakes has transformed into a production that leans too heavily on farce and histrionics. Subtlety has been replaced by exaggerated comedy that shatters the tension during key moments. While the first season treated the protagonists' pain with respect, the humor here feels forced and, at times, entirely out of place.
2. Characters Who Lost Their "Spark"
Despite seeing Mun step into a leadership role and veterans like Ga Mo Tak balancing police work with spirit hunting, the group dynamic feels diluted.
Lack of Gravitas: The organic, protective connection of the Counters has been swapped for interactions that are lighter and less substantial.
New Additions: Although the arrival of Na Jeok-Bong was meant to refresh the team, his integration contributes more to the divisive comedic tone than to the team's emotional depth.
3. A Narrative Going in Circles
On a plot level, the season suffers from problematic pacing. Although the villains led by Hwang Pil-Gwang present an imposing visual threat, the story feels stagnant:
Ma Ju-Seok’s descent into darkness is dragged out unnecessarily.
There is a sense of redundancy, where conflicts repeat themselves without truly moving toward a satisfying resolution.
Final Verdict
The Uncanny Counter 2 is a frustrating experience for those seeking the maturity of the first installment. By trying to become "bigger" and "louder," the series sacrificed the heart and seriousness that made it special. What was once a captivating tale of justice and grief now feels like an over-the-top action anime with too much filler and comedy that never quite lands.
The worst part: The loss of identity and a script that makes a once-fluid story feel heavy and repetitive.
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This Fantasy Drama is Pure Perfection
I love this series so much! It's seriously amazing — right now, it's easily my No.1 fantasy drama. The pacing is perfect, never drags or feels slow at all. The production quality is top-tier, literally flawless. The action scenes are explosive and well-shot, while the romantic moments between the leads hit just right. The sweet scenes are perfectly sweet, and the sad scenes are genuinely heartbreaking. Most importantly, the chemistry between Dilraba and Arthur is outstanding — I have to give them a big round of applause.Was this review helpful to you?
This review may contain spoilers
Was okay series. Think the flying through the air after getting hit by a bike was more meant to be like comedy maybe??Also hitting someone and them dong the deed right there in the open.
What gets me is the time lapse.
It doesnt state how long Sailom went away. How long was Tawan gone to become a pilot again etc.
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Chemistry That Defies Inexperience
If you’re looking for a series that completely redefines intensity in the BL (Boys Love) genre, Love in the Air is, without a doubt, the perfect storm. Released in 2022, this Thai production doesn’t just skim the surface of youth romance; it plunges into a volcanic passion backed by top-tier production quality.Chemistry That Defies Inexperience
The most surprising aspect of the show is the sheer charisma of its leads. Despite being rookie actors, the main quartet achieves a connection that many veteran productions would envy:
Boss (Payu) & Noeul (Rain): They masterfully portray a "cat and mouse" dynamic filled with electric tension. Boss commands a dominant presence that perfectly complements Noeul’s adorable and chaotic energy.
Fort (Prapai) & Peat (Sky): Taking over the second half of the series, they deliver a deeper, more emotional storyline where Fort’s persistence and Peat’s vulnerability create an irresistible alchemy.
Unfiltered: A Legitimately Adult Drama
Forget about shy, hesitant romances. Love in the Air wears its 18+ rating with total honesty. It’s not just about including erotic scenes for the sake of it; it’s the execution that makes them stand out.
Realism & Aesthetics: The intimate scenes are explicit, yet filmed with impeccable visual taste.
Intensity: The actor´s commitment is absolute, resulting in moments that feel genuine, heat-drenched, and, finally, exactly what an adult audience expects from a modern romantic drama.
A Complete Audiovisual Experience
The series is a feast for the senses, not just for what you see, but for what you hear:
Top-Tier Soundtrack: The musical curation is spectacular. From the main theme to the background scores, every track perfectly underscores the emotion of the scene.
Multilingual Appeal: The blend of Thai and English songs is masterfully integrated, elevating the production to an international standard.
Technical Quality: The cinematography uses natural elements (wind and rain, living up to the title) to create an immersive and visually stunning atmosphere.
Final Verdict
Love in the Air is much more than just another campus drama. It is an emotional roller coaster that combines a 10/10 soundtrack, flawless technical production, and some of the hottest chemistry in recent Thai television. If you want a story where romance and adult passion make no apologies, this is the series for you.
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need season 2 asap
I you loved watching like night has come you will definitely loved this one with a twist a bit dark and ready yourself ……………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………Was this review helpful to you?
Cute 1 min love stories ( except ep4 ... Wtf!!??)
I stumbled upon this mini series and it was so lovely.It's about a couple of minutes each, and it shows different types of love.
I like how they present the idea of "falling in love with someone who loves you back" because in real life that's very hard to find.
My favourite is ep11, mainly because I love this type of unfading love, I think it's so pure and extremely rare, and that's why I think its very beautiful.
It also had some questionable types of love that were mentioned like ep4 and ep6, also 12 I believe was somehow odd too.
But generally they are light, cute and worth checking ~
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Not Every Episode Lands, But An Anthology Worth Watching
I enjoyed watching this, though not all the way through—and I’m not sure it’s meant to be experienced that way. The drama is structured like an anthology, with stories that don’t directly connect and can be watched as standalone pieces. However, they’re tied together through shared locations and an overarching theme.Each vignette focuses on everyday people in ordinary situations, showing how they play meaningful roles in the world around them. The slice-of-life approach feels like it’s offering a glimpse into different lives in China, highlighting aspects of the culture and social fabric shaped by these experiences. Some characters are connected to key moments across different eras, reflecting certain values or social norms. They may be ordinary individuals, but their lives help capture a particular time period or suggest how one generation influences the next.
Overall, I think it’s a good watch—as long as you’re okay with not loving every episode or skipping a few that don’t quite land. Here are the episodes I enjoyed most: 1-2, 5-6, 7-8, 13-14, 15, 17, 23, and 24.
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1This review may contain spoilers
YOUR WISH HAS BEEN GRANTED; NOW RUN !
OVERVIEW:If Wishes Could Kill is a YA horror thriller about a group of high school friends whose lives are turned upside down by a cursed app called Girigo. The premise is simple and chilling: record a wish, submit your saju, and the app grants it. The problem? Every wish comes with a death timer. Once the clock hits zero the wisher dies, possessed and violent, taking out whoever is nearest before turning the knife on themselves.
At the centre of it all is Se-ah, a girl already carrying the grief of losing both parents, who watches her world collapse wish by wish. Alongside her are Geon-woo, her next-door crush turned boyfriend, Ha-joon, the quiet one with a secret, Na-ri, the friend whose jealousy makes her the most dangerous person in the room, and Hyeong-wook, the first casualty. Rounding out the supernatural side is Ha-young, a shaman known as Haetsal, and her husband Bang-wool, both of whom become the group's only real lifeline against an ancient evil spirit called Jugu that has hijacked the digital world to do its dirty work.
It is fast, it is creepy, and for the most part it delivers exactly what it promises.
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COMMENTARY:
This drama hooked me from the jump. The cold open is genuinely disturbing in the best possible way and immediately sets the tone for everything that follows. A girl slitting her own throat in a school media room while recording on a phone? Before you even understand the context? That is a strong way to open. It tells you immediately that this is not going to be a soft ride.
The setup moves fast. Within the first stretch you already have one death, a ticking timer, and a group of teenagers scrambling to understand rules that no one warned them about. The pacing in the first half is tight and confident. Every scene is doing something. Every character introduced serves the plot. There is no wasted space and no unnecessary filler, which is honestly refreshing for a drama of this genre.
What really sold me early on though was how grounded it felt. Yes there is a supernatural curse and a death app and spirit realms, but underneath all of that these are just normal kids dealing with academic pressure, one sided crushes, friend group tension, and the particular loneliness of being sixteen and misunderstood. The horror works because the humanity underneath it is real.
The show understands something that a lot of horror dramas miss: the monster is not the scary part. The scary part is what the monster reveals about the people it targets. Jugu does not create resentment or jealousy or loneliness in these characters. It finds what is already there and amplifies it. That is genuinely disturbing storytelling and it elevates the whole series above your average death game setup.
Se-ah is carrying survivor's guilt before the story even starts. Her parents died and the neighbourhood kids blamed her. So when people around her start dying again she does not panic and run. She takes responsibility. She throws herself directly into danger not out of bravery but because she cannot survive being the one who did nothing again. That is real character motivation right there and it makes every risk she takes feel earned rather than reckless.
The backstory of Hye-rung and Si-won is the emotional core of the whole thing and honestly it is heartbreaking. Two teenage girls, and a friendship destroyed by paranoia, jealousy, and one act of public humiliation that went too far. Si-won was so terrified of people finding out her mother was a shaman that she burned her own best friend to protect herself. And then she tried to undo it when it was already too late. Both of them died alone carrying the weight of something that did not have to happen.
Na-ri is the most complicated character and also the most frustrating in equal measure. She is not evil. She is jealous and scared and completely in over her head. The show is smart enough to let the audience hold both things at once: she made terrible choices AND the spirit weaponised her worst impulses against her. She was never really given a fair chance to fight back because the thing possessing her knew exactly which wound to press. I felt genuinely sad for her even when I wanted to shake her.
Ha-young and Bang-wool were the best addition to this drama and I want to say that loudly. Ha-young / Haetsal anchors the occult side of the story with real authority. She is not a convenient plot device. She is a fully realised character with her own limitations and risks and sacrifices. Every ritual she performs costs her something. The fact that she cannot leave her own home adds a layer of tragedy to her arc that the show handles with quiet grace.
Bang-wool is everything. Funny, warm, protective, wise, and completely unafraid of anything including death. The moment he takes a metal rod through his body to shield Se-ah and is still more concerned about getting them to safety than his own condition? That man had my whole heart. The way the show builds his bond with Ha-joon over the course of the story is one of its most satisfying subplots.
The realm sequences are genuinely unsettling and visually creative. The idea of Se-ah being forced to relive her worst memories as tests she must pass without looking back is a smart way to use the supernatural as a mirror for the characters' psychological state. It is horror that means something.
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LIKES:
The concept is fresh and genuinely original. A death app that works like a chain letter pyramid scheme is a premise I had not seen before and the show commits to its own rules which I always respect. The chain effect where one fulfilled wish transfers the death curse to the next user is dark and clever and adds real stakes to every decision.
The performances across the board are strong. Jeon So-young carries Se-ah with the exact right combination of grief and determination. She never tips into melodrama. The possessed sequences are the standout moments because several members of the cast had to physically transform their entire energy and physicality mid scene. Baek Sun-ho in particular during the possession sequences is genuinely scary in a way that feels completely committed and not at all performed.
The Hye-rung and Si-won backstory episode is the best piece of writing in the whole series. Watching their friendship fall apart step by step in a way where you understand every single character's choice even as you watch it all go wrong is painful storytelling in the best possible way.
The atmosphere is handled beautifully. The show knows when to be quiet and let dread build and when to hit you with something loud and visceral. The abandoned house scene is a particular highlight. The flickering compass, the dead birds in the closet, the ruined altar. All of it working together to create genuine unease without relying on cheap jump scares.
Bang-wool. Just Bang-wool in general. Roh Jae-won gave one of the most quietly compelling performances in the whole show. A man who faces supernatural evil with a kitchen knife and a salt shaker and still somehow makes you feel completely safe when he is in the room.
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DISLIKES:
The middle stretch loses momentum. The investigative episodes where the group is tracking down information on Hye-rung and Si-won are necessary for the plot but they slow things down considerably. After the visceral tension of the early episodes, spending this much time on laptop searches and neighbourhood canvassing feels like the drama lost confidence in its own energy for a beat. It picks back up but it does leave a dent in the overall pacing.
Na-ri's resolution bothered me. The show builds her up as this layered, tragic figure being exploited by the spirit and then essentially disposes of her in a way that feels both rushed and cruel. She ends the story trapped in the cursed realm with no clarity on whether she survived, found peace, or is just... gone. For a character they invested that much screen time in she deserved either a cleaner end or a more definitive answer. The ambiguity here does not feel intentional. It feels like the writers were not sure what to do with her.
The epilogue creates more questions than it answers and not in the satisfying way. Soo-san finding Na-ri's phone and a stranger on Discord directing him to it implies the curse is still running. Which either sets up a second season or is meant to be thematically resonant about the nature of human darkness. Either way as an ending beat it undercuts the sense of resolution the rest of the finale was building toward. I needed more of a landing before they pulled the rug again.
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FINAL THOUGHTS:
If Wishes Could Kill is a genuinely good YA horror thriller that does more right than wrong. It takes a concept that could have been gimmicky and grounds it in real human emotion. The friendships feel authentic. The grief feels earned. The horror is well executed. Ha-young and Bang-wool alone are worth the watch.
Where it stumbles is in the middle and the ending. A drama this tight and propulsive in its first half should not lose its grip the way this one does in the investigative stretch. And Na-ri's conclusion is a loose end that sits uncomfortably no matter how you try to read it.
But here is the thing. Even accounting for those issues this show kept me watching. Not because I had nothing better to do but because I genuinely wanted to know what happened. I cared about Se-ah. I cared about Bang-wool. I was disturbed by Jugu in a way that good horror is supposed to disturb you. And the backstory of two teenage girls whose friendship ended in tragedy because one of them was terrified of being seen for who she really was? That is going to stay with me.
If you are looking for something in the YA horror space that has actual substance underneath the scares this is worth your time. Go in knowing the pacing has a rough patch in the middle and that the ending asks more questions than it answers and you will be fine.
Would I rewatch it? Probably not in full but I would revisit specific sequences without hesitation.
With that said, I give this drama 7/10.
Thanks for reading! ♥
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