Reviews

The Manuscript of Faust

The Boy in the Last Row is a psychological thriller that plunges us into an ambiguous relationship between a teacher and his student. But the real question from the very beginning is not so much who the teacher is, but rather who truly is the teacher, and who is the student. Very quickly, the series goes beyond this initial framework to become a thriller focused not on the events themselves, but on how they are told and interpreted. You are handed an invitation, and it is up to the viewer to determine the share of truth and lies being delivered. Directed by Kim Kyu-Tae, who is far from a novice and offers a strong résumé with dramas such as The Trunk, Our Blues, Live, and Moon Lovers: Scarlet Heart Ryeo, works that have all left their mark, we already know we are in for effective direction and full immersion from the very first minutes. Without spoiling anything, and unless you are completely unfamiliar with the genre, a high-level duel awaits between these two men.

Heo Mun-Oh (Choi Min-Sik) is a professor of Korean literature at university. A failed writer (he has only published one novel), over time he has become a very harsh, stubborn, and irritable man with those around him, especially his wife, Jo Hyeon-Suk (Jin Kyung), a talented psychologist/therapist. They look more like roommates than a real couple. In his youth, when he was still a student, his rival was Kim Su-Hun (Heo Jun-Ho), who has since become a wealthy and famous writer. The worst for Mun-Oh is that this man married his crush, Ahn Eun-Joo (Kim Yunjin). During one of his classes, he becomes drawn to an unusual student sitting in the last row, the young Lee Kang (Choi Hyun-Wook). Very quickly, Mun-Oh detects talent in him and pushes him further. His interest in Kang’s essays keeps growing, but when Kang admits that he does not invent anything and simply recounts what he experiences in real life, Mun-Oh’s shock turns into obsessive curiosity as he becomes emotionally involved.

The main interest of the drama does not lie in the multiplication of secondary plotlines, but in the focus on a small number of characters. This choice immediately strengthens immersion and gives the impression of being trapped in a closed system where every interaction matters. This makes sense given the limited number of episodes. Without giving too many specific indications, there is one essential, even crucial element to pay attention to as time goes on. It is not just about spotting false appearances, but above all about paying attention to what is said, and who says it. The thriller is built precisely on this confusion, constantly misleading and sustaining doubt at all times. Its strength lies in the power of its narrative and the way it is delivered. What sets the series apart is its use of storytelling itself as a dramatic tool. The story feels filtered, constructed, sometimes fragmented, creating a constant tension between what is shown and what is understood. The viewer is never certain of having access to an objective truth, only to a possible version of events. Hum...Have I said too much? :)

The plot revolves around the Mun-Oh / Kang duo (duel), which initially appears straightforward. But the relationship between the two men gradually becomes ambiguous, making us doubt everything. Trust turns into dependency and evolves into a form of role confusion. One of them seems to control the narrative, while the other gradually loses critical distance. The series thus explores a dynamic in which obsession with a story can alter the perception of reality itself. The Boy in the Last Row is a cerebral thriller where everything relies on perception and interpretation. Rather than multiplying spectacular twists, the series builds its strength on constantly questioning what we think we understand. Reality, imagination, and illusion constantly overlap, forcing us to reconsider each piece of information as it appears. To put it simply, do not believe everything you see or hear. Confusion becomes the key word of the story, and each new piece of information forces us to reconsider the previous ones, reinforcing the addictive aspect of the whole. We are constantly building theories, to the point where it becomes almost playful. And the fast pacing sometimes prevents us from thinking too clearly.

But the series also relies on a very controlled execution. Indeed, it could not work without its essential core, which rests on the two main protagonists. And here I’ll just say it: bravo, gentlemen! On one hand, there is one of the giants of Korean cinema, not for the quantity of works he has participated in, but for their quality: Choi Min-Sik. This actor does not need to speak; his charisma allows him to fully embody the character like no one else. Opposite him, the rising star of K-dramas, Choi Hyun-Wook, who already has an impressive résumé despite his young age, delivers a convincing and powerful performance. The chemistry between these two generations of actors is sublime and elevates the entire story. To complete the cast, the presence of two other “monuments,” Heo Jun-Ho and Jin Kyung, makes this an exceptional quartet of talent. Kim Kyu-Tae knows how to highlight his actors in a convincing and immersive way through carefully crafted direction. The atmosphere is unsettling, heavy, mysterious, and increasingly suffocating. All of this is enhanced by visuals that serve the drama and emphasize the contrast between reality and perception.

If for me it is almost a flawless narrative, I cannot deny being slightly disappointed by the ending, or at least by certain aspects of it. Not because, like in Very Bad Trip, everything is revealed as the “behind the scenes”, but because of the motive and the triggering element of this masterfully orchestrated trap. Like the spinning top in Inception, the ending does not simply aim to provide answers. It invites the viewer to reinterpret the entire story from a different angle and leaves enough subtle doubt to extend the experience beyond the credits. Yes, many times I found myself wondering whether I had fully understood it, or even whether multiple interpretations were possible during the final sequences. The soundtrack appropriately accompanies all these moments of tension and constant doubt, in a dark tone and perfectly integrated into the narrative. For some, a degree of skepticism may dominate, but the strength of the writing cannot be ignored. Before closing the manuscript, one essential point must be retained: it is the viewer themselves who is invited to write the final chapter and decide who is the winner and who is the loser.

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Really wanted to love this.

This one started off SO STRONG with cool FX, fun kung fu, and characters like the Fox Sisters (LOVED them!). But somewhere around Ep 5, the story started going all over the place, everyone was sad and crying, and by the 20th ep everyone was dying, coming back to life, dying, repeat - and all of them had to have a lengthy tearful montage. If you dig sad sack shows with male eye candy - you'll like this. MAJOR SPOILER ALERT: I was pretty bummed out by the entire Wu Shiguang/Wu Wangyan romance which I had been really looking forward to the most. They basically went in a time warp and in five minutes had been married for 30 years and suddenly loved each other. Total let down. Also, they are two of my fave cdrama actors and didn't have enough screen time. Instead we had to watch Lu Wuyi and Ji Ling cry for 20 episodes.

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Love Sea — A Beautiful Adaptation That Softened Its Strongest Character

After reading MAME's novel, I already had a very clear image of Mahasamut in my head. That's probably why Love Sea left me with mixed feelings. The story itself remains excellent, the scenery is breathtaking, and several emotional moments work beautifully. But the adaptation changes one of the most important aspects of the main character, and that decision constantly kept me from fully believing the romance.

The story is one of MAME's strongest. Beneath the romance lies a thoughtful contrast between two completely different worlds: one character searching for inspiration while the other has spent his entire life surrounded by the freedom of the sea. Watching those worlds collide is genuinely interesting, and unlike many romance dramas, the relationship grows because both characters gradually change each other rather than simply falling in love.

Visually, this is a gorgeous series. The beaches, islands, and coastal landscapes become part of the storytelling instead of serving as simple postcards. Every episode feels warm, peaceful, and cinematic, making the environment almost another character in the drama. The production quality is exactly what I hoped for from a MAME adaptation.

My biggest problem is Mahasamut.

Fort Thitipong is a likeable actor, and I enjoyed him in Love in the Air. However, I never completely accepted him as this character. In the novel, Mahasamut has the confidence of someone who has spent years charming both women and men without even trying. He's a genuine womanizer whose natural charisma makes it completely believable that people constantly fall for him. Fort, on the other hand, projects a much softer image. He comes across as warm, gentle, and affectionate almost from the beginning. While that's certainly appealing, it isn't the Mahasamut I imagined while reading the novel.

Because of that, part of the character's evolution loses its impact.

The original Mahasamut is someone who appears emotionally untouchable until he unexpectedly falls deeply in love. That contrast is what makes the relationship so satisfying. Here, because Fort already feels sweet and emotionally available from the start, the transformation isn't nearly as dramatic. It's not that he gives a bad performance—I simply don't think he was the ideal casting choice for this particular role.

Peat Wasuthorn once again delivers the stronger performance. Just as he did in Love in the Air, he understands how to portray emotional vulnerability without becoming melodramatic. His quieter scenes often carry more weight than the dialogue itself, making his character easy to sympathise with throughout the series. Whenever the story focuses on his emotional journey, the drama becomes significantly stronger.

The chemistry between the leads is pleasant enough, but I never found it as convincing as their previous pairing. Ironically, they seem more comfortable together as actors than their characters do as lovers. I enjoyed watching them, yet I rarely forgot I was watching a performance.

Final Thought

Love Sea remains a beautiful adaptation with an excellent story and stunning cinematography, but as someone who read the novel first, I couldn't ignore how much Mahasamut had been softened. Fort Thitipong is undeniably charming, yet he never fully captures the irresistible, experienced womanizer MAME originally wrote. Peat Wasuthorn once again carries the emotional side of the drama, making the series worth watching despite a casting choice that never completely convinced me.

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The Chemistry and Steamy Scenes Sold Me

Let me start out by putting myself on blast, I love a naughty and detailed NC scene. It doesn’t have to be p’0rn, but I think the adults should act like adults. And boy does this drama deliver.

Our ML’s are P’Sorn and Jun. P’Sorn is intimidating, introverted and serious. He’s a good looking man who constantly has both men and women throwing themselves at him, which he takes full advantage of. There’s nothing innocent about him.

Jun is younger, outgoing and a happy and sweet person. He’s inexperienced in the bedroom, which ends up making him the perfect target for P’Sorn. Sorn convinces him that he’s so terrible at kissing that he needs lessons, provided by him of course. Jun agrees, and they become friends with benefits.

The electricity between the 2 characters is palpable and the scenes between them are HAWT. I like how Jun becomes a tease as he gets more comfortable with his abilities.

It doesn’t take long for the characters to start experiencing jealousy and unresolved feelings. I won’t ruin anything but it’s fun to see how their “friendship” plays out.

This drama won’t win any serious awards, but it had my full attention. Highly rewatch able and recommended!

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it's really awesome and crazy.

It was an interesting series. The first episodes were really sweet, but the closer we got to the end, the more everything started to feel absurd and sometimes heartbreaking.

From episodes 7 and 8 onward, it was honestly hard for me to keep watching, but it had a beautiful ending.

This series really messed with my emotions. I had no idea who I should feel sorry for or how I was supposed to judge the characters. Every single character was both guilty and deserving of sympathy.

I lost my mind over how strange and unique the story was. None of them deserved all the pain they went through.

Overall, I think it was an interesting and thought-provoking series, and it was definitely worth watching at least once.

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Love in the Air: Koi no Yokan — A Remake That Surprisingly Improves One Half of the Story

Whenever a successful BL gets remade, I immediately become sceptical. The original Love in the Air set a very high standard, so I wasn't expecting the Japanese version to compete with it. Surprisingly, it managed to do something I didn't think was possible: I actually preferred the first couple over the Thai version.

The production is clearly more modest. You can immediately tell that the budget is much smaller than the original series. The racing scenes are simpler, the locations are less spectacular, and the overall scale feels more intimate. The good news is that none of those limitations really hurt the story. Instead of trying to imitate the Thai production scene for scene, the series embraces a quieter, more character-focused approach that suits the Japanese style surprisingly well.

The biggest surprise is the relationship between Rei and Arashi. Their chemistry feels incredibly natural, and I actually found their romance more believable than Rain and Payu's in the original. The performances are more restrained, allowing the emotional progression to feel smoother and less theatrical. Rather than relying on overwhelming physical attraction, the relationship develops through small gestures and genuine affection, making it easier for me to become emotionally invested.

Unfortunately, I can't say the same about the second couple.

Sky's story was always the emotional heart of Love in the Air, and Peat Wasuthorn delivered one of the most heartbreaking performances I've seen in a BL. That's an incredibly difficult role to recreate, and while the Japanese actors certainly try their best, I never felt the same emotional impact. The trauma, vulnerability, and gradual healing are all present, but they don't hit with the same intensity. The chemistry between the second couple is also less convincing, making several important scenes feel emotionally flatter than they should.

The acting overall is actually very good. The cast understands the quieter style of Japanese dramas and avoids exaggerated performances, which works perfectly for the first storyline. My criticism isn't really directed at the actors themselves but rather at the impossible comparison they have to face. Recreating one of the strongest emotional arcs in modern BL was always going to be an enormous challenge.

Visually, the series makes intelligent use of its smaller budget. Instead of attempting to compete with the original's scale, it focuses on intimate cinematography and character interactions. The result feels more personal than spectacular, and I think that was the right decision. The soundtrack also fits the atmosphere well, even if it never becomes particularly memorable.

Final Thought

Love in the Air: Koi no Yokan proves that a remake doesn't have to copy everything to succeed. I genuinely preferred the first couple over the Thai version because their relationship felt more natural and believable. The second half, however, never reaches the emotional power of the original, making the overall series slightly less impactful. Even so, this is a respectful adaptation that successfully finds its own identity instead of simply trying to imitate one of the most popular BLs of recent years.

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What an emotional rollercoaster. This series took me through every feeling imaginable. 🤍

Sometimes, there’s just one person you can never truly let go of—no matter how much time passes.

A beautiful and heartfelt story that stayed with me long after it ended. Definitely one I’ll remember. ✨

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🌸✨🌈 Hiii~ Welcome to my kawaii corner~ ♡(≧▽≦)ﾉ✨🌸

You can find more of my reviews on Instagram~ 🌟💖

Check my homepage for my account~ (｡♥‿♥｡) 🌷

Some reviews are under 500 words, so I can’t post them here~ (≧ω≦)ﾉ💫

Thank you sooo much~ ☆:.｡.o(≧▽≦)o.｡.:☆ 💕🌸

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Love in the Air — Beautifully Produced, but Not Every Casting Choice Worked for Me

After reading MAME's novel before watching the adaptation, I had very high expectations for Love in the Air. Thankfully, the series gets many things right. The production quality is outstanding, the story remains faithful to the spirit of the novel, and several emotional moments are even stronger on screen than I imagined while reading. Visually, this is easily one of the best-looking BLs I've watched. Some scenes genuinely feel closer to a high-budget film than a television drama.

The cinematography deserves special praise. Every frame feels carefully composed, from the racing scenes to the romantic moments and the quieter emotional conversations. The lighting, camera work, and overall visual direction constantly elevate the material, making the series feel much more expensive than most BL productions.

The story also remains one of MAME's strongest. Splitting the drama into two couples works surprisingly well because each relationship explores completely different emotions. Payu and Rain bring the lighter, more playful romance, while Prapai and Sky gradually take the story into much darker and more emotional territory. Rather than feeling disconnected, the two halves complement each other beautifully.

My biggest criticism is the casting of Rain.

Noeul Nuttarat certainly commits himself to the role, and I completely understand why many viewers enjoy his performance. Personally, however, I never found him believable as Rain. His mannerisms are so exaggerated that I struggled to accept the character's initial innocence whenever Payu openly flirts with him. From the very beginning, it felt like Noeul was performing the character instead of becoming him. Compared to the novel, where Rain comes across as naturally naïve rather than theatrical, I felt the adaptation pushed that aspect much too far.

Fortunately, Boss Chaikamon balances the relationship perfectly. His confidence, charisma, and calm presence make Payu exactly the kind of character I imagined while reading the novel. Even when I wasn't fully convinced by Rain, Boss remained consistently believable, and his chemistry with Noeul is ultimately what keeps the first half of the series entertaining.

Then comes the second couple...

For me, Peat Wasuthorn completely steals the show.

Sky is by far the most emotionally demanding character in the series, and Peat delivers a heartbreaking performance. His portrayal of trauma, fear, and vulnerability feels painfully real. Several scenes genuinely made me cry because you can almost feel the weight his character carries every single day. Unlike Rain, Sky feels almost exactly as I imagined him while reading the novel. Every emotional breakdown, every moment of hesitation, and every small step toward healing feels completely earned.

Fort Thitipong also deserves recognition for understanding that Prapai isn't simply a charming flirt. Behind his confidence is someone willing to patiently wait until the person he loves is ready to trust again. Together, Fort and Peat create the strongest relationship in the series, not because it's the most passionate, but because it's built on healing rather than seduction.

The soundtrack isn't particularly memorable, but it supports the atmosphere well enough without ever becoming distracting. More importantly, the series understands when silence is more powerful than music, especially during Sky's most emotional scenes.

Final Thought

Love in the Air is one of the most visually impressive BLs I've seen, with excellent production values and a story that successfully brings MAME's novel to life. While I never completely accepted Noeul as Rain, the performances from Boss, Fort, and especially Peat more than compensate. Peat's portrayal of Sky is one of the most emotional performances I've seen in a BL, and by itself makes this series worth watching.

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TharnType Season 2 Special: The Wedding Day — The Perfect Goodbye

After following Tharn and Type through everything they experienced over the past two years, I honestly couldn't have asked for a better ending. The Wedding Day isn't trying to create one last dramatic obstacle or force unnecessary conflict between them. Instead, it celebrates everything the couple has overcome and gives them the happy ending they truly deserve.

The story is wonderfully simple because it doesn't need to be anything else. This special isn't about asking whether Tharn and Type belong together anymore—that question was answered long ago. It's about watching two people who fought through countless misunderstandings, personal struggles, and family issues finally reach the point where they can confidently choose each other forever. Sometimes, that's all an ending needs.

Mew Suppasit and Gulf Kanawut remain the heart of the entire franchise. Their chemistry feels just as effortless as ever, and because we've spent so much time watching these characters grow together, every smile, every joke, and every emotional moment carries extra weight. They don't have to convince us that Tharn and Type love each other anymore. We already know it, and that's exactly what makes this final chapter so satisfying.

One thing I particularly appreciated is that the special gives fans time to simply enjoy the couple. Rather than rushing from one dramatic event to another, it allows us to celebrate alongside them. After all the emotional highs and lows of the series, slowing down was exactly the right decision. It makes the wedding feel earned instead of simply becoming another plot point.

The production also feels slightly more polished than before. The ceremony itself is beautifully presented without becoming overly extravagant, and the music fits the atmosphere perfectly. For once, I actually noticed the soundtrack because it quietly enhances the emotion instead of disappearing into the background.

More than anything, this special feels like a farewell—not just to Tharn and Type, but to everything this franchise has represented. It's the final chapter of a journey that began with two completely opposite personalities learning to understand each other, and it ends exactly where it should: with two people choosing to build a life together.

Final Thought

The Wedding Day is the ending I wanted for Tharn and Type. It doesn't rely on unnecessary drama or last-minute twists because it understands that the journey has already been completed. Instead, it gives fans one final opportunity to celebrate one of BL's most memorable couples and lets the story close with happiness rather than heartbreak. As a conclusion to both the series and Mew and Gulf's journey as Tharn and Type, I honestly couldn't have asked for much more.

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A must to watch

Pluto will always hold a special place in my heart; it’s the kind of story where you connect with the characters from various perspectives and find yourself debating what you would have done in their shoes. Words can hardly do justice to Namtam and Film’s performances in this project; anyone familiar with their work knows they have nothing left to prove when it comes to acting, yet here you can truly see and feel that they poured their all into it. While I think the story's pacing could have been better at times, and perhaps some technical choices could have been different, none of that detracts from the narrative flow, and this drama definitely ranks among the very best GL series.

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TharnType 2: 7 Years of Love — Growing Up Doesn't Mean Love Becomes Less Exciting

One thing I appreciated immediately about TharnType 2 is that it doesn't try to repeat the first season. Seven years have passed, and thankfully the writers allow the characters to grow with that time. Instead of watching two young men discovering love for the first time, we're now following an established couple learning how to build a future together. It's a different kind of romance, but one I found just as enjoyable.

The story naturally feels more mature. The conflicts are no longer about whether Tharn and Type belong together, but about the challenges every long-term relationship eventually faces. Careers, trust, jealousy, family expectations, and the fear of change all become part of their everyday life. I actually enjoyed that shift because it shows that staying together can sometimes be just as difficult as falling in love.

What continues to carry the entire series is Mew Suppasit and Gulf Kanawut.

Their chemistry is still outstanding.

If anything, they look even more comfortable together than they did in the first season. Every scene feels effortless because they no longer have to convince us that Tharn and Type love each other. We already believe it. The affection between them feels natural, whether they're teasing each other, arguing, or simply sharing quiet moments at home. That's exactly how an established couple should look.

The intimate scenes also deserve credit. Like the first season, they never rely on explicit content to create passion. Instead, it's the trust between the actors and the confidence of their performances that makes every romantic moment believable. Few BL couples manage to create that level of intimacy while keeping it emotionally meaningful rather than simply provocative.

The supporting cast once again brings plenty of energy to the series. Some secondary storylines are stronger than others, but I enjoyed seeing familiar faces return and watching how everyone's lives had evolved over the years. While the focus occasionally shifts away from Tharn and Type for longer than necessary, I never felt completely disconnected from the main story.

Visually, the production remains consistent with the first season. The direction is confident, the pacing rarely drags, and the emotional scenes are given enough time to breathe. The soundtrack isn't particularly memorable, but it supports the atmosphere well without becoming distracting.

If I have one criticism, it's that some of the new conflicts don't feel quite as powerful as those in the original series. The emotional intensity of discovering each other for the first time is naturally impossible to recreate, and a few dramatic moments seem designed more to create temporary tension than to genuinely challenge the relationship. Even so, because the central couple is so convincing, those weaker moments never significantly affected my enjoyment.

Final Thought

TharnType 2: 7 Years of Love proves that romance doesn't end once two characters become a couple. Watching Tharn and Type navigate adult life together was just as rewarding as watching them fall in love. Mew and Gulf once again deliver outstanding performances, and their chemistry remains among the very best in BL. It may tell a quieter story than Season 1, but it's a story that feels honest, mature, and completely worth following.

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TharnType Special: Our Final Love — Fan Service Done the Right Way

After everything Tharn and Type went through during the series, I didn't need another major conflict. I simply wanted to see them happy together, and that's exactly what Our Final Love delivers. This special isn't trying to surpass the original story. It's simply a reward for everyone who became attached to the couple.

The plot is admittedly very simple. If you're expecting shocking twists or dramatic revelations, you'll probably be disappointed. Most of the special focuses on everyday life, showing what happens after the happy ending. Normally, I would criticise a story for having so little happening, but here it actually works because watching Tharn and Type as an established couple is satisfying enough on its own.

Mew Suppasit and Gulf Kanawut once again prove why they became one of the most talked-about BL pairings. Their chemistry is still exceptional. Every interaction feels effortless, whether they're teasing each other, arguing over something trivial, or sharing quieter romantic moments. Nothing feels forced, and because we've already spent an entire season with these characters, even the smallest scenes carry emotional weight.

One thing I appreciated is that the special doesn't create unnecessary drama simply to justify its existence. Too many sequels invent conflicts that damage the original relationship. Here, the focus remains on the couple themselves. It's warm, romantic, and occasionally funny without ever losing sight of why people fell in love with Tharn and Type in the first place.

That being said, I understand why some viewers might find it slow. There isn't much story beyond spending more time with the characters, and the special clearly prioritises fan service over plot progression. Personally, I didn't mind because that's exactly what I expected from an epilogue.

The production remains consistent with the original series. The direction, cinematography, and performances all maintain the same quality, making the special feel like a natural continuation rather than a separate project.

Final Thought

TharnType Special: Our Final Love is exactly what a special episode should be. It doesn't try to reinvent the story or create artificial conflict. Instead, it gives fans one last opportunity to enjoy Tharn and Type together before saying goodbye. Thanks to Mew and Gulf's outstanding chemistry, that's more than enough to make this a satisfying conclusion.

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TharnType — The BL That Dared to Go Further

I honestly didn't expect a BL to go this far. Most series until now have been fairly innocent, but TharnType isn't afraid to portray physical attraction as an important part of a romantic relationship. The intimate scenes are some of the hottest I've seen in a BL, not because they show everything, but because of how they're directed. Through the tension, the performances, and the chemistry between the actors, the series manages to be incredibly sensual without relying on explicit nudity. It feels bold, mature, and surprisingly realistic.

What impressed me even more is that those scenes aren't there just for shock value. They help build the relationship between Tharn and Type and show how their feelings evolve over time. Their physical attraction grows alongside their emotional connection, making the romance feel much more believable than in many BLs where a simple kiss is treated as the ultimate reward.

The story is another major strength. At first glance, it seems like a simple enemies-to-lovers romance, but it quickly becomes much more than that. Type is a complicated character whose hatred of gay men comes from a traumatic past, while Tharn patiently tries to understand him instead of giving up. The series constantly explores trust, forgiveness, jealousy, family, friendship, and personal growth, making every episode feel important. There are plenty of twists throughout the story, but they never feel unnecessary because they all contribute to the development of the main characters.

Mew Suppasit and Gulf Kanawut are excellent together. Their chemistry is undeniable and carries the entire series from beginning to end. Gulf, despite being new to BL, delivers a remarkably convincing performance. His emotional scenes feel genuine, and he handles the romantic moments with a confidence I honestly wasn't expecting. It's easy to understand why this series is bringing him so much international attention. Mew also perfectly captures Tharn's patience, confidence, and vulnerability, creating a character who remains likeable even during the story's more difficult moments.

The supporting cast also deserves praise. Rather than existing only to fill screen time, most of the secondary characters have their own personalities and conflicts, making the university setting feel alive. Some subplots are stronger than others, but they all contribute to the feeling that this is a world where every character has their own story.

The production isn't perfect. Some editing choices are a little rough, and the soundtrack isn't particularly memorable. There are also moments where the drama becomes more melodramatic than necessary. Still, those flaws never prevented me from becoming emotionally invested in the story.

Final Thought

TharnType is one of the boldest BLs I've watched. It combines excellent chemistry, memorable characters, emotional storytelling, and a level of romantic intensity that feels genuinely refreshing. Mew and Gulf make every scene believable, and together they create a relationship that's impossible to ignore. Whether because of the romance, the drama, or the chemistry, this is a series I won't forget anytime soon.

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