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Dear K-Drama Industry, Please Let Your Stories Marinate
I'm going to start this review with a broader observation about K-dramas these days.I genuinely think a lot of modern dramas are suffering from a runtime problem. Writers want to tell sprawling stories with rich world-building, but then they only give themselves 12 or 14 episodes to do it. Worse still, they often aren't ruthless enough to scale the story down to fit that runtime.
So what happens?We get the outline of a grand story, but only half the execution.And My Royal Nemesis is one of the clearest examples of this problem.Because the frustrating thing is that I don't think this is a bad drama at all.
The cast , chemistry and ensemble works beautifully together.There is an undeniable charm here that makes you want to tune in every week and spend time with these characters. The story outline is also fresh and creative but the execution itself feels uneven.My biggest frustration was with the character work.
The writers should have made Shin So-ri a noblewoman. Just someone with more agency.
Not royalty or some absurdly powerful clan. Just a respectable aristocratic family :scholars, officials, academics, something that naturally places her closer to the royal court. Then mirror that in the present. Make her come from a family of judges, prosecutors, professors, diplomats, whatever. Not chaebol-level wealth, just enough social standing and influence to move in the same circles as the powerful people in the story.
Because I think the drama missed a huge opportunity with Choi Mun-do/King.
It always felt strange to me that the modern counterpart of one of the most important figures from her past life i.e the King barely had meaningful proximity to her in the present. If the drama was so invested in fate, reincarnation, and past repeating itself, why not start Shin So-ri already aligned with Choi Mun-do's world? Like she was in the past?
Imagine if she worked for them, supported them politically, or simply moved within their orbit. Then her arc becomes about slowly realizing who he truly is , how he gets in the way of her true love and actively breaking away from him. That's such a compelling conflict. Her "punishment" in this life is that fate once again places her beside the wrong man, but right ecosystem and this time she gets to choose differently.
That would've been so much richer than what we got.
And a lot of the resources and narrative importance given to the second female lead should have belonged to Shin So-ri. She often felt strangely underpowered within her own story.
Don't even get me started on all the dead people. Grandpa's wife, Cha Se-gye's parents particularly the dad , Shin So-ri's parents. Too many dead people. Grandpa's wife should not have been a mystery? We should have known her. We should have seen family rites, heard stories about her, understood her influence on the family, and gradually realized she was the modern parallel to the Queen Dowager. Imagine if Grandpa's moral decline and favoritism of Choi Mun Do was tied to losing this virtuous woman. It would've added so much emotional weight , logic and strengthened the past-present parallels. Maybe Grandpa should not have existed and it should have been a matriarch in the seat of power after a dead patriarch. That would've echoed the historical past timeline beautifully.
My biggest problem with the drama is that it kept telling me these past life connections mattered, but it rarely structured the story in a way that allowed those parallels to breathe.
Enough ranting - want to give appreciation to the cast! Loved Cha Se-gye by Heo Nam Jun and Lim JiYeon .It was also lovely seeing Jang Seung Jo. Hope they get ensemble awards or something.
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I laughed a lot.
Sold Out on You is a very good rom-com. It really serves its purpose by letting the viewers, even for a bit, put away their worries and just laugh along to all the hilarious jokes and blush when the romantic scenes come. But it also shows the deep burdens that people carry for years and how we can help each other heal.One of the things I’ve really enjoyed with this drama is the OST. When I saw the line-up, before I even started watching the series, I got so excited. And they certainly didn’t disappoint! The instrumental tracks were also really good and fitting and I have to mention all the sound effects that made the drama so much funnier to watch!
As a big fan of Ok Ja Yeon, I was very thrilled to see her in Sold Out on You, I got happy every time I saw her on screen!
The intro was really nice and even comforting, my favorite intro recently and one that I barely skipped (which is unusual for me)!
My favorite character was Yang Sang Geum, she and other villagers were actually so funny. I’m a bit sad that she barely got screentime in the last few episodes but she really made Sold Out on You even more enjoyable for me!
I also liked how many relationships there were to cheer on and how all of them ended happily at the end!
Could have been better: There was some unnecessary miscommunication and questionable things, but I’m feeling good today and choose to not rant about everything.
Really recommend if you're seeking a light and funny watch!
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Best series ever!!
TRUST ME YOU'D NOT REGRET WATCHING THIS!! I HONESTLY HAVE A LOT TO WRITE BUT I CAN'T DESCRIBE HOW MUCH I LOVE THIS SERIES AT ALL!EVERYTHING IS TOP NOTCH, EVERYTHING IS PERFECTLY DONE! SALUTE TO P'WAA FOR EXECUTING A MASTERPIECE!! IT DESERVES SO MUCH MORE!! EVEN AS A BROMANCE THE CHEMISTRY IS SO BEAUTIFUL!! ITS TO DIE FOR!! IM A SUCKER FOR NIRANPETE SINCE 2024, THE SERIES WAS ABOVE MY EXPECTATIONS, I STILL CANT BELIEVE RHIS EXISTS IN GMMTV , THE SERIES IS THAT GOOD YK, ITS A DAMN GEM! SO DAMN GOOD I CAN NEVER NOT REWATCH IT, THE DEPTH, THE EMOTIONS, THE TOPICS THAT IT HAS TALKED ABOUT NEEDS TO BE NOTICED, EVERY DETAILING, MUSIC DETAILS , FORESHADOWING EVERYTHING IS JUST ON POINT THIS IS MY MOST FAVOURITE SERIES FROM GMMTV SO FAR AND WILL ALWAYS BE ✨ TRULY A DAMN MASTERPIECE!
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Not Enemies, Not Just Friends
This is not a story that fits perfectly into either enemies to lovers or friends to lovers. In fact, it's much more about two people who have loved each other for years but needed time and maturity to understand their feelings and learn how to express that love in the right way.The connection between them is palpable from the very beginning, and their chemistry works so well that even the simplest moments are filled with emotion.
Beyond the romance, the story delivers a beautiful emotional journey, showing that loving someone also means learning how to communicate, trust, and allow yourself to be vulnerable.
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Too Slow of a Burn for Me - Timing was Off
This is an okay coming-of-age, friends-to-lovers Chinese drama that many viewers, including myself, found pleasant but ultimately forgettable. It moves very slowly, so fans of deliberate slow-burn romances may enjoy it more than I did. While some buildup is welcome in this genre, this one spends nearly half the episodes on the characters' childhood and high school years. Romance timing is everything—reveal it too early and you lose momentum for the later episodes (unless strong subplots carry it), but drag it out too long and the payoff feels absent. This drama struck an odd balance with too much of both in my opinion, likely because there isn't much else happening beyond their relationship.I would not recommend it to most people simply because of the pacing, and it lacks anything uniquely standout to make the wait worthwhile. I don't regret watching it once, but it doesn't rank among the better-paced romances out there.
Spoilers
I really wanted to like Exclusive Fairytale because I loved the female lead character, Xiao Tu (female lead), so much. She wasn't your typical whiny, baby-talking, helpless female lead. She was mischievous in a fun way—a take-no-prisoners, rough-and-tumble tomboy type who was genuinely charismatic. I liked that about her, and it made complete sense why the young men were drawn to her. Many reviewers agree that Xiao Tu stands out positively for her energetic and unapologetic personality.
I liked the core relationship between Ling Chao (male lead) and Xiao Tu, and their gradual falling for each other felt natural and earned. It was refreshing that they were essentially god-siblings (with families so close), so most accepted them being together readily. Xiao Tu's father (female lead's father) was initially a bit of a holdout, but I think his concerns were valid given the family dynamics. Ling Chao is exceptionally intelligent and somewhat reserved, which could have been an issue, but Xiao Tu brings a strong social intelligence and warmth that balances him well. Their chemistry was fine overall, though the romance pacing undermined it.
The second couple was cute up to their weird breakup, which really made little sense and boiled down to miscommunication. It was disappointing that no one pushed harder to get his full side of the story earlier. When they were finally conditionally together they did this weird confession thing in front of all the friends when she was drunk. It was like all the things she wanted to tell him but did not when she was sober. It was a bit cringy just because they did it around the other friends. And they kissed like they were just then re-uniting when, at that point, he had been back and they were working about getting back together for some time. So that felt weirdly paced as well. Many other reviewers have noted that while the second couple starts strong, their arc becomes less engaging or adds limited value later on.
The girl who was so in love with Ling Chao (male lead) was completely annoying—your typical baby-talking, crybaby character whom I found grating (a common complaint in reviews). She admitted and acknowledged finally that they were never going to be together then continued to oddly compete with main girl for his attention. The mean-girl type from his class was also unpleasant, and I was glad Ling Chao saw through her and that Xiao Tu (female lead) eventually told her off.
Xiao Tu becoming a reporter later made perfect sense with her bold personality. I was glad she finally found her way. Her work place issues could have been a dynamic plot point if they hadn't spent so much time on the main couple's high school years they would have had more time on plot points like that. As it was it was interesting but very rushed.
The pacing of not only the romance but just the entire story was really off throughout. They spent far too much time in the high school years when the romance barely progressed. How many scenes do we need to see Xiao Tu treating Ling Chao like a younger brother before we get the point? Not that many. Then, once they got together, the later part dragged excessively. By the time he proposed, it felt like "really? Haven't they been practically married for a while now?" It wasn't surprising or exciting. Even the night they stayed together felt oddly timed—they had been living together practically and unofficially engaged for so long that it came across as "okay, we're just getting here now?" The extended childhood and post-confession stretches made the middle feel padded, a sentiment echoed by several viewers who found the youth portions overly long. Her career was rushed and squished in as was his. Important aspects of their life didn't get much time in the series at all.
It is also a bit of a romance killer to see the married with children aspect of a couple's life. I guess they had a boy? It seemed like he doted on the child? There was a bit of a weird period where we heard things from the child's voice but didn't see the child. Not sure why that was necessary.
Overall, the friends-to-lovers foundation and Xiao Tu's charm carry it to a solid 7.5/10 for me, but the execution holds it back from being something I'd rewatch or strongly recommend.
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6/10 Short Series' aren't for me but...
l've returned to change my review score from a 4/10 to 7/10.After thinking it though, as a short series, it does a pretty good job with the story line and relationship building between the two leads.
- There's a few comedic and cute romance scenes throughout, as well a small conflict scene that is included near the end which was handled quite smoothly- which is impressive considering how short a time they had to tell it....? (Idk how you'd normally phrase that) - The ending is decently satisfying, and honestly if you're look to watch a short BL office romance thing this might be for you! It wasn't
*amazing* for me since I prefer normal lengthed series, but if you're an avid short series watcher I hope you'll consider watching it!
- Or maybe I don't hope you watch it? I wouldn't know if you do or not. Erm anyway...! (030)
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Brooo this drama is so good I need them again on other drama again they have good chemistry and it's not boring and it's like uhmm speed and love?(I think) Bao shengen and Daniel Zhou have nice chemistry tbh beside I hope it's happy ending cause many people said on black app said it's not happy but I hope its happy ending hehehe and beside the acting was so good especially Daniel Zhou and bao shengen...when I first watch ep1 i scream because like I said have good chemistry and acting...I will be ready my self just in case if this drama will be sad ending cause many people saying on black app that this will be sad ending I think? Well I m not sure if it's true and I hope they will have new drama together again💯💯💯💯(sorry if my English is bad ://)
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Can Love Rewrite Destiny?
Love Beyond Dreams uses time travel and a murder mystery framework, but at its core it is a story about love, grief, trauma, and people trying to resist fate. It is a tale of a second chance, but also of how easily someone can be hurt even when love is deeply real. What truly elevates the series is its extraordinary attention to detail. The creators treat no scene, object, or line of dialogue as accidental. In Love Beyond Dreams, everything carries meaning, and attentive viewers are rewarded with layers of interpretation that unfold gradually over time.Symbolism and meaningful details
The most important symbol in the entire story is the necklace with the red thread. In the original timeline, Rann dies holding it tightly in her hand after an attack that occurs shortly after Lene’s funeral. That same red thread becomes the catalyst that sends her five years into the past. When she wakes up again, the thread is still in her hand. It is therefore not only proof that the future she remembers truly happened, but also a symbol of fate and determination to change destiny. Red gerberas also serve as a recurring symbol throughout the series. Early on, Lene tells Rann that red gerberas are meant for someone special and compares the flowers to her. What seems like a simple romantic gesture gradually becomes a quiet expression of Lene’s love. Since she struggles to express her feelings openly, the flowers become one of the many ways she shows her affection and tenderness. Equally important is the handwritten letter. After five years apart, Rann recognizes Lene’s handwriting and immediately returns to Thailand. Instead of finding her lover, she arrives at her funeral. Only later does the viewer understand that the letter was a final expression of love that Lene never stopped feeling. She pushed Rann away not because she stopped loving her, but because “she wanted to give her a life she could not provide herself”. There are many more subtle details like this. Lene remembers Rann’s dreams even when they are separated. This includes having a car, home, the opportunity to study in the United Kingdom and Lene in her life. Over time, it becomes clear that what Rann initially interpreted as rejection was actually an attempt to secure her happiness and safety. The series quietly shows that love is not always expressed through presence, but sometimes through sacrifice.
Story, screenplay, and originality
Although time travel is not a new concept, Love Beyond Dreams uses it in a deeply emotional way. The fantasy element never dominates the narrative; instead, it serves as a mechanism to explore grief, guilt, and the desire to undo irreversible mistakes. The mystery aspect is equally strong. Together with Rann, the audience tries to uncover not only Lene’s killer but also the person responsible for Rann’s death in the original timeline. The screenplay skillfully plants misleading clues, making nearly every character seem suspicious at some point. One of the most interesting aspects is the way the series engaged its audience beyond the episodes themselves. The official production account (MeMindY Official) regularly released “case files” about suspects — including photos, descriptions, and hints connected to the investigation. This blurred the line between fiction and reality, allowing viewers to actively participate in solving the mystery. It was a clever narrative extension that kept the story alive between episodes.
Acting
Aya Orapan Phongmaykin as Rann convincingly portrays a character moving from grief and guilt to an almost desperate determination to save the person she loves. Her performance is built around strong emotional impact, as Rann carries many of the series most intense scenes involving crying, loss, and longing. From the very beginning she experiences deep personal tragedy, starting with the death of her… more on our social media @sawadeeGL
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8/10 Must watch for Love Triangle / Romcom lovers
To be honest I clicked on this just because Arin looked too pretty on the thumbnail and I didn't have anything better to watch. I was almost dropping it at episode 1 when she turned into a man, thinking that it will be a complete sausage fest after that. But it turned out to be a really decent show with unexpectedly good acting, especially when you consider the ages and short filmography of the actors. In some scenes you can actually see the Arin in Jung-hoo and it is my first time experiencing this among all the other gender switch shows I have watched. I haven't read the webtoon but I could easily imagine the panels while watching the show since the cast fit their character types perfectly. When you combine all of these with good writing you eventually end up asking yourself "what would I do in a situation like this" and the answers, confusions, self doubts, late realizations matches to what we see on the screen very appropriately. It's not just a feel good show that you are gonna forget 2 weeks later. Actually if you dive a little bit deeper into it you can feel the heart wrenching love story that ends with regrets and what ifs that inspired the writer to write her story with a new ending.Esta resenha foi útil para você?
only way it could be better is : longer
the ending felt a bit abrupt, maybe not built up with the modern cinema adrenaline. but a good action movie, perhaps would have been better as a series. i always prefer series over movies that's why, that allows more depth to characters.Esta resenha foi útil para você?
So Glad the Show Saw the Light of Day (review till ep10)
I thought I shall wait a while more but couldn't help myself writing this review--the characters are well written and the acting is very good--by the whole cast. But the actor who plays ML--Tan Jian Ci--is an excellent actor--one of the finest actors (in ML roles esp) I have seen in dramaverse (not confined to C drama alone)--he is so good with his micro-expressions and is extremely natural on screen. Even till Ep 10, on so many occasions I forgot I was watching acting on screen.It is a comforting story and I really hope there are none of the silly break-ups and angsty characters that are brought in in many shows for no reason excpet to lengthen the show's duration.
I also hope the leads have a healthy relationship all through.
Oh did I say that the FL Wang Churan is so beautiful!
The show does look dated at times--given the kind of big budget chinese shows we are getting to see these days--and yet it makes me glad to think that the show actually was released eventually and did not lie in cold storage without seeing light of the day.
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Relevant social issues
Overall, it is a very good drama about school violence and much more. It addresses various issues and situations that arise between parents, students, and teachers. Unfortunately, this has become a reality and has evolved into both a social and moral problem.🥲The series does use the “eye for an eye” approach, which I am generally not in favor of. However, in these particular cases, because of the extreme personalities and circumstances involved, it is presented as the only viable solution. One quote from the main character in the first episode really stayed with me: “Some people learn through words, while others are taught through actions.” There is a lot of truth in that.
Of course, I wish that extreme measures like those shown throughout the episodes were never necessary. However, in some situations, dialogue alone is not enough, and it often leads to a vicious cycle rather than a solution.
Since similar incidents have been increasingly observed in my own country—not just in Korea—and because the education system is often struggling to function effectively, I believe the issues explored in this drama represent a global plague that continues to worsen over the years, especially with the rise of technology. School violence, cyberbullying, abuse of power, drugs and institutional failure are no longer local issues but worldwide concerns that affect countless young people.
Naturally, even within the story, our inspector protagonist—who lost his fiancée—manages to carry out this mission with the support of his future father-in-law, who is a minister, along with a team of two additional assistants. Even here, the drama subtly suggests that without support from the political sphere, such an undertaking would not be possible.
I particularly appreciated the minister’s attitude. Despite losing his daughter, his goal was not to use his power to destroy the perpetrator or seek revenge. Instead, he chose to use his influence to continue the work his daughter had dedicated her life to as a worthy and passionate educator before her murder. He refused to let her sacrifice be in vain.
In the midst of unimaginable grief, he chose to see things in a positive light and tried to do the right thing. Rather than abusing his authority for personal reasons, he used it to serve the greater good. To me, that is the true greatness of a father who made the conscious decision to respond in such a way. It is extremely rare. Even rarer is the fact that he is a politician who chose not to put his power and influence first. If there were even one person like him in every country, the world would be a slightly better place.
I also believe this drama has excellent character development and feels very realistic,when it comes to that. The former soldier and fiancé who lost the woman he loved initially wanted to kill her murderer, but his father-in-law convinced him otherwise and brought him into this mission. Years later, he is still struggling with his anger—which is completely understandable—yet he constantly tries to do what is right. Throughout the story, he is also forced to confront the very person responsible for his fiancée’s death, making his internal conflict even more intense as he struggles between his desire for revenge and his commitment to justice. This emotional battle is one of the strongest aspects of his character arc.
Then there is his hot-tempered assistant, who was also a victim of bullying. He saved her, and ever since, despite her impulsive personality and short temper, she has dedicated herself to helping other victims and fighting against the same injustices she once experienced.
Finally, there is the quiet, nerdy assistant, a highly skilled computer expert who contributes to the team in his own way through his technical knowledge, investigative abilities, and mastery of technology. While he may not be as physically or emotionally expressive as the others, he plays a crucial role in the team’s success.
Another aspect I really appreciated was the consistency in the way the perpetrators were portrayed and how their behavioral patterns were handled throughout the story. The drama did not take the simplistic approach of having every bully suddenly change their ways after a single confrontation or emotional moment. Instead, it realistically showed that people with deeply rooted issues, traumas, insecurities, or personality disorders do not change easily and that genuine growth requires time, effort, and self-awareness.
I particularly liked that some of the perpetrators remained completely unrepentant until the very end. This felt far more realistic and believable, as not everyone is willing to acknowledge their mistakes or take responsibility for the harm they have caused. The series recognized the diversity of human personalities and the different psychological complexes that drive people’s behavior, making both the victims and the perpetrators feel like multidimensional characters rather than simple stereotypes.
This level of consistency in character writing added to the realism of the drama and made its exploration of school violence and human behavior even more compelling.
Overall, the drama delivers a powerful message about school violence, justice, trauma, grief, and the long-lasting consequences of abuse. It presents a compelling and believable cast of characters whose personal struggles are just as engaging as the cases they investigate. Beyond being an entertaining thriller, it serves as a thought-provoking commentary on a growing global issue and highlights the importance of standing up for victims while striving for justice rather than revenge. A truly outstanding drama with meaningful themes, strong character development, and an important social message.
It is a good drama overall and I will definitely rewatch it at some point!🩷
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intriguing!
I went in with zero expectations, but I was surprised by how much I ended up liking this!This might be the first time sukfilm did something with a dark tone? This is so much different from their usual cute-fluffy (and mostly campus romances), and I loved it. The plot was pretty intriguing, made me keep wondering what’s happening. I feel like this drama should have a psychological/mystery tag, because it was kinda messing with our minds lol.
The actor playing Jihyeok did such an incredible job! The way he switches from from cute and sweet to absolute psycho is actually crazy. I was on edge every time he was on the screen! I would love to see him in more BLs (hopefully, full length ones) 💕
Overall, this was a pretty interesting watch, despite being so short. I would love to see a second season!
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A Heartfelt, Mature Ode to Macau and Second Chances
Begin Again (2024) is a beautifully atmospheric, slice-of-life healing drama that feels less like a typical textbook romance and more like a mature exploration of relationships, timing, and personal growth. Set against the gorgeous, historic backdrop of Macau, which truly acts as its own distinct character in the show, the drama serves up a comforting blend of stunning cinematography, local Cantonese flavor, and realistic life transitions.What Shines
The Absolute Standout Second Couple: Mai Youge and Xu Junle (Sunny Sun) steal the show. Sunny Sun brings a charismatic charm to Junle. Watching him gently guide the workaholic, anxious Youge through Macau, acting as her informal translator and showing her that life is about more than just money and career pressure, is a total joy. Their soft, slow-burn dynamic and communication are the emotional anchor of the series. Their story line gave me Hometown Cha Cha Cha vibes--Xu Junle born and raised in Macau knowing everyone, and Mai Younge the out of town, city girl trying to navigate her way through Macau.
A Refreshing Break from Romance: While the sudden shift to focusing on the main characters' families around Episode 10 can feel a bit jarring at first, the writing delivers some incredibly real and mature family subplots. The story with Casey and Mr. Frank breaks up the main couple drama. Howard’s story line is genuinely heart-wrenching, but watching him and his father successfully navigate their pain and repair their relationship is deeply rewarding. The matriarchs of the two families are also compelling to watch.
The Ultimate Theme: While the open/implied ending might not satisfy viewers looking for a traditional, perfectly wrapped romance, it fits the tone of the show. The story is called Begin Again for a reason. By the finale, you can tell that every character has finally reached a place in their life where they can approach their relationships with fresh eyes, fresh hearts, and a clean slate. It treats its characters like adults.
What Missed the Mark
The Main Couple's Communication Failures: Elvis Han and Zhong Chuxi have undeniable, passionate visual chemistry, but their story line lacks actual, honest conversations (the noble idiocy trope, yuck!). It gets frustrating watching them repeatedly fail to talk out their issues (they barely even discuss his racing career!). But when they are on screen together locking eyes, it is magic. Elvis brings that same rizz his character has in Fake it Till You Make It, which is another gem.
Final Verdict
If you are looking for a fast-paced, high-drama plot, this might feel too slow. But if you appreciate realistic, mature relationship dynamics, a gorgeous setting that makes you want to book a flight to Macau immediately, and the delicious comfort of a healing slice-of-life drama, Begin Again is a beautiful gem worth the watch.
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Thankfully I made it to the end..
The scenery, costumes, and set design were all nicely done.It dragged in the middle, the main couple didn't really have much chemistry.
Rabbit boy's wide eyed, hurt stare became aggravating.
Pin was insufferable toward the end.
She knew the facts and still questioned why ol' boy couldn't sleep with her or didn't love her.
She started off as a likeable character then was one I wanted to take a long walk off a short cliff.
Yeah, they did her wrong but she beat that dead horse until it came back to life and she could kill it again.
Her tears started to irk me. Especially when she tried to get him to consummate their marriage.
A lot of staring from rabbit eyed boy came across as painful .. like he had gas trapped or something.
I didn't believe the love between the two men, especially when they suddenly had s-e-x.
Too much over the top plotting by the dad, his brother, the other dad, the general...
As for the genera, he was just a cruddy character.
The stepmother needed her mouth rearranged with a good slap.
Even the grandmother was shoddily played.
The only character I liked was the older maid who acted as the go between, delivering notes between the leads.
I started off kind of liking it, but quickly became I was just ready for it to end.
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