Reviews

Slow but good when you watch the whole drama

Oh damn, I watched in the wrong order. Long ago watched Summer rose and it became one of my favourite dramas. Now this popped up out of nowhere and I watched it because I like the FL.

There are many things that make this drama great. ML and FL are gorgeous and the chemistry including all what happens between them is credible. Good acting. Also the rest of cast performed really well. The cinematography is beautiful and doesn't look cheap.
Now, why am I not completely over the moon?
I started this drama one late evening and tried to continue it always in the evening and honestly I dozed off often. It is slow on purpose (my streaming had bad translation on top).
There is misunderstanding piling up on another misunderstanding so you just want them to come clean and talk openly and when it all ends you don't understand how there could be so many big problems (while other problems are being totally understandable).
I also felt it is incredibly sad. As I liked the FL and she experiences nothing but a sad life (except few minutes of backlash that happend before the current story and aren't present at all) there is no warmth for her and I find it extremely difficult to watch that. If there were more uplifting moments for her I'd be less critical, if there were more happy couple moments.
ML was convincing but sometimes I didn't understand what was going on, so much self deception you don't see your one and only love slipping away?
So, somehow great drama, somehow a bit slow. If you are in the mood for slow cinematography and sadness then you don't have to hesitate and watch.
I'll rewatch summer rose now.
Again, my drama had bad translation, so don't come after me :)

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O ponto fraco da história foi o protagonista

Traduza meu comentário para o inglês:

No geral, gostei do kdrama, mas apesar do final feliz, fiquei com uma pontinha de descontentamento pelo perfil do protagonista.

Mas antes de pontuar os pontos negativos do protagonista que, pra mim, enfraqueceram a trama, vale destacar positivamente como contraponto o casal secundário, que surge entre o agente dela e a produtora (ex amor do prota). Achei muito mais interessante, pois eles agiram de forma emocional, quente, madura e decidida. Aquele beijo e pegação dos dois foi tudo. Tudo o que faltou no protagonista.

Não tenho nada a reclamar da protagonista (e da atuação da atriz, que foi ótima e versátil, inclusive). Desde o início ela foi sincera, espontânea e cativante, lutou para aproveitar os melhores momentos possíveis ao lado dele, ousando, mas sem deixar de respeitar as escolhas dele. No entanto, apesar dos momentos de cuidado que ele tinha por ela, o que ela mais tomou foi rejeição, grosseria e palavras ríspidas.

O cara desde o início se mostrou emocionalmente extremamente problemático, desde o relacionamento anterior, ao qual preferiu sofrer por anos um amor platônico por uma mulher que claramente expressou que também o amava. Perdeu pro irmão por falta de atitude e ainda assim ficou preso naquilo por anos indo sofrer sozinho no Japão a data do aniversário dela.

Depois ele passa a fazer o mesmo com a protagonista, se esforçando para afastá-la, mesmo quando percebeu que começou a ter sentimentos por ela. Qual o sentido disso se desde o início ela declarou seu amor e desejo de estar com ele expressamente?

Ela era quem tinha todos os motivos para ser a pessoa problemática já que carregava inúmeros episódios traumáticos sérios em sua vida. Ainda assim ela conseguia ser super bem resolvida.

A história não fornece nenhuma razão que justifique o cara ser tão travado e complicado assim. Até mesmo o conflito dele com a mãe me parece ser muito mais imaturidade dele do que algum trauma que a mãe tenha provocado, justificando o que ele se tornou depois.

Já o cara japonês, que inicialmente era um babaca inseguro, evoluiu muito a medida que a conhecia e se encantava por ela. Ele foi muito mais corajoso em superar suas inseguranças, em reconhecer os seus sentimentos por ela, em se esforçar em ser uma pessoa melhor, inclusive em superar a barreira linguística para se aproximar dela. Ele não desistiu mesmo percebendo que ela amava o outro cara, mesmo ela tendo dado vários bolos nele. Ele soube olhar pra ela, se encantar e valorizar o que via.

Tanto que a Do Ra Mi fez de tudo para promover a união entre eles, e afastar o protagonista inseguro e zero atitude, já que ele não era capaz de se esforçar à altura pelo amor dela, só piorando as suas inseguranças e sentimento de rejeição.

Achei ridículo ele se afastar mais uma vez dela após ela entrar em desespero vendo ele com o ex-amor, dele achar que ela estava rejeitando ele, quando na verdade ela estava abrindo claramente pra ele seus medos e inseguranças, aceitando antecipadamente uma possível rejeição dele (afinal, motivos não lhe faltava para ter essas inseguranças e ele tinha acabado de dar a primeira migalha de correspondência). Achei muito
fraco da parte dele não ter sido capaz de entender que ela tinha medo da rejeição e ignorar quantas vezes ela declarou o seu amor por ele e o tanto que ela se esforçou para estarem juntos, mesmo após ser várias vezes declaradamente rejeitada. Achei descabido.

Ainda assim, mais uma vez, por causa de uma migalha de amor (ele revelar que havia até então decidido cruzar os trilhos por ela) lá vai ela voltar a se rastejar por ele.

Não precisava usar esse recurso, surgir a versão Do Ra Mi revelando todos os traumas dela, para uma pessoa minimamente razoável e madura entender os medos e inseguranças dela, e a agir levando em considerando isso.

Do início ao final da trama, ela se expôs completamente pra ele, todos os seus traumas, medos, sentimentos, desejos, alegrias, motivações. Ela precisou se revirar do avesso, ter ainda uma terceira pessoa pra intervir (o produtor que enviou o vídeo dele chorando por ela) e ela novamente correr (pela milésima vez) pra ele finalmente correr atrás dela.

No final, podemos dizer que ele se redime, dando o apoio moral em relação aos problemas familiares e no caso do escândalo, algo que foi muito legal. Mas até chegar nessa parte, ele causou muita frustração e sofrimento desnecessário.

Achei o cara tão problemático e grosso que tava torcendo pra ela terminar e ser feliz com o japonês, que inclusive achei mais bonito e com química, atributos que faltaram no protagonista.

Ainda tô querendo entender de onde surgiu esse amor tão desesperado dela por ele, sendo que foi um encontro casual que eles tiveram e depois uma sequência de patadas.

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Concept 10/10
New Unique
Chemistry as couple 0/10
Intimacy 0/10
Believable couple 0/10
Even at home you don't see them act like married couple who married within a year
Why they married so soon after meeting each other if there is no love or passion at all
Marriage and then keeping it a secret doesn't even worth it if they are just sexless housemates , who want a wider bed so they can be more away from each other...

Such a disappointment
And it been been same problem with most of japanese drama
They can't handle multiple emotions at all
If there story say it focus on secret marriage that just it
Nothing more can be expected from them
One single track simple can't handle emotions at all.
Emotionaless robotic dramas.

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If you stick around for the story, it's not that bad

I see a lot of the negative reaction was a result of the initial episodes. I wondered if 1st impression would taint the rest of the show, in case the story would come through. Several episodes in, it became apparent this new drama is having a hard time letting the past go. There are a lot of flashbacks to old key scenes from Princess Agents, re-enacted by the new cast which made me wonder how much was invested in continuing a new story.

The first few eps follow all the of major characters from Princess Agents as they try to reposition themselves but no truly new developments arise. Even a wedding day sabatoge is repeated once more.

Anyway, it seems the story writing isn't the only thing not well invested in as poor special effects & cinematography were glaring in the first few episodes. In fact, the lake ice in the 1st episode looked as fake as it did in 2017, as if continuing the story from that point was taken so seriously that 9 subsequent yrs of CGI development could be ignored. Yan Xun's costuming & hairstyling is quite a step down from his appearance in PA; there's not much regal about him at all.

After Ep 6 there's a change in the production: the cinematography suddenly looked crisper & sharper. I started to feel that this was becoming its own show, completely separate from the original it tried to crawl out of. But a familiar storyline began emerging, with Chu Qiao now hitching to Li Ce's cause in the same vein as when she supported Yan Xun. I began to wonder if Chu Qiao ever does become her own person instead of always supporting the ambitions of men who would never elevate her above themselves. Her character got annoying as she became a football tossed between Yan Xun & ZGY. However, I'm glad I stuck it out because it did become it's own show which actually got quite interesting toward the end, but not without the huge price of an astronomical body count.

I don't have an issue with new casting because of the time lapsed (the former leads are almost 40 after all) & I actually like Li YunRui. As for Huangyang Tian Tian's young age, she does look strikingly similar to the insanely baby-faced Zhao LiYing of 2017, & I believe there was an implied age gap in the original story. But her range was very limited & she couldn't portray the 6 yrs of what should have been tremendous growth in the character.

And why are there so many close up shots of the actors looking directly at the camera while delivering their lines? The long stares with slo-mo flowing hair. This technique is so overplayed as to be almost comical. In fact, there are very few camera angles through most of the entire show, with only a handful of artful scenes. The acting & dialogue in general was stiff & choppy, which is not the fault of the actors. In fact, I got used to it as the story came through & it just became an individual characteristic of this show. The music also sounded like 10 yr old generic tracks, a reminder of the feel of the original show.

I would've expected a lot more from the director of The Double (2025). It's better off standing on its own as a drama rather than trying to carry on a legacy. The character development could've been deeper, otherwise the drama on the whole was a bit superficial. Watch it just to see what happens to everyone as the story eventually did get interesting & exciting. The finale, however, was lacklustre.

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A rare find in the time slip jungle: A drama you won’t fast‑forward, where consistency shines

I’m just realizing that a good drama doesn’t need to hinge on one heavily scrutinized trait—technical or otherwise. Honestly, I’m not sure if this review will make perfect sense, but here’s what I mean: this drama isn’t flawless, yet I’ve been struggling to find one that’s simply good (average at best) without hitting that discouraging midway slump where I want to drop it. And now, I’ve finally found a series that I genuinely enjoyed from start to finish, without the urge to fast forward through scenes. That’s rare these days.

What I love most is its simplicity. No frills, no smoke curtains to disguise a weak plot. It’s straightforward, respects its audience, and keeps the pacing tight.

The writing isn’t perfect, but it’s consistent. No filler arcs, no unnecessary love lines. Even the flashbacks and sharp scene transitions, while imperfect, don’t ruin the experience.

The characters are written honestly. They’re perceived exactly as they are, without forcing the audience to see them a certain way. The leads are mature, communicate well, and stay in sync without overexplaining every unresolved issue. They’re smart and scheming, but never cross into that frustrating “borderline evil” trope.

And that plot twist, wow!!! I didn’t see it coming, and the best part is it wasn’t overhyped. It landed naturally, blew me away, and still made perfect sense!

As for the time slip trope, in most Cdramas, it is treated as a mere crutch, like a device to make it seem like there’s more depth when it’s really just an accessory. But here, it finally has purpose, woven into the story in a way that elevates the narrative.

In the end, I’m just really happy. I thoroughly enjoyed the ride without skipping scenes, which is reason enough for me to give it a high rating.

Also… Zhang Wan Yi, please go back to Hengdian!!!!!!

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The story lost me. The leads refused to.

Love Beyond the Grave and I had a complicated relationship from the start. I absolutely love the xianxia genre and its spirit worlds. But this one wraps itself in a Halloween vibe that never quite lets up, and that is a different thing entirely, not my natural habitat. I kept watching anyway, mostly out of stubbornness, partly because Dilraba and Arthur Chen were doing things on screen that made dropping it feel like a personal loss.

So I stayed. Not because the story earned it, but because they did.

For roughly twenty-nine episodes I was a hostage. A comfortable one, granted, because the costumes alone justify the watch and the OST is the kind of haunting that follows you into your week. But emotionally? The doom was suffocating, the angst relentless, and I spent most of it wondering how I got there.

Then episode thirty happened. He Si Mu finally lets him in, and suddenly twenty-nine episodes of patience made sense. The romance, when it arrives, is beautiful and heartbreaking in equal measure. It does not fix the ending, which is exactly as doomed as it promised to be from the start. But it made me feel something I had been waiting for since episode one.

The costume team, by the way, did not come to play Whoever designed those outfits was on a mission and clearly had no intention of being stopped. Neither did the leads. Everything else? That is between me and my complicated feelings.

7/10. The story was not for me. I finished it anyway.

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stuck in self proof

Before commenting on my review, I should note that I watched Kill Boksoon first, so I was already familiar with the world this show created. Since Mantis is a sequel/spin-off, it wasn’t difficult for me to get into the story. Kill Boksoon mainly focused on the life of assassins — their training, missions, and how they deal with the aftermath of killing. It’s the type of story that requires audiences to be emotionally prepared for dark and intense themes. Because Kill Boksoon focused heavily on action and fight scenes, I was curious about what direction Mantis would take.

After finishing it, I think it makes sense that the show focused more on the emotional side of being a killer rather than only the action. The story explores the characters’ emotional struggles and insecurities, which I know some audiences may find difficult to connect with. Personally, though, I really liked this aspect because it allowed me to understand the complexity of the characters’ inner feelings instead of only seeing their surface-level motivations and performances.

One of the most interesting parts of the story is how Dok Go projects his own emotional insecurity onto Jae Yi. This becomes the main reason Jae Yi traps herself in the mindset that she will never be as good as Mantis. What makes this even more tragic is that this belief is not originally Dok Go’s own idea — it comes from MK. Dok Go admires MK so much that he accepts his opinion without questioning it. Because he sees similarities between himself and Jae Yi, he ends up passing that insecurity onto her as well.

Even though Jae Yi clearly defeated Mantis during their match, the seniors still believed she would lose if they used real blades. They underestimated her ability and made assumptions without giving her a fair chance. Dok Go later repeats the same behavior. Even when Jae Yi requests a real blade fight, he refuses because he has already convinced himself of the outcome. The sad part is that Jae Yi would rather accept an honest defeat than live with people assuming she would lose. This becomes the reason she constantly feels the need to prove herself until she finally kills Dok Go.

Mantis also suffers emotionally. He feels guilty for being chosen while Jae Yi was rejected, even though she won. He never truly understands why the seniors made that decision. Because of this guilt, he spends his life trying to protect and support her, often holding himself back because he is afraid of hurting her feelings. Ironically, this is not what Jae Yi actually wants. If Mantis had defeated her fairly, she probably would have accepted the result and worked harder to improve openly instead of becoming trapped in a cycle of proving herself.

In the end, both Mantis and Jae Yi are victims of the emotional pressure created by the older generation. Jae Yi desperately wants to prove she deserved to be chosen, while Mantis keeps trying to support her in ways that unintentionally make her pain worse. This emotional complexity is what made the show so appealing to me.

That said, I still wish the series had given Jae Yi and Mantis more memorable fight scenes because their emotional conflict was strong enough to deserve even bigger action moments.

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Yawn! And I had high hopes for this too!!

This was extremely boring!! This BL felt all over the place and it seemed to skip out on a good plot. I adore Zee and NuNew, but this BL; just wasn't it. Slow and steady doesn't always win the race and that's so obvious judging with how this turned out. Slow burn romance, abuse, a masochist, a narcissist Prince. I mean, what was the point of creating this series. Just to make serious BL fans angry 😡? Well, it worked! I'm so disappointed with this TV series.

I was pretty invested in the second couple as their story seemed more dramatic. The acting was subpar, but the chemistry on the second pair seemed genuine

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obra prima de 2025!!

esse é um dos doramas q eu n esperava ver, pq eu falei q nunca ia assistir mas fui lá, coloquei na lista, assisti e amei! eu particularmente gostei mas do drama doq o filme, ele te prende desde o início e faz te surpreender muito! ele é bem pesado ent n recomendo pra pessoas sensíveis mas, ele é muito BOM! qm quiser assistir assiste pq é perfeito, o protagonista e o vilão foram uns dos melhores q eu já vi! JCW e D.O. tiveram muita química como Taejoong e Yohan (n sendo em romance) mas o final q deixou a desejar, deu um ar de 2S, será q teremos? espero q sim, pq oq é bom nunca tem q acabar! Só assistam, 9,5!!!

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Beautifully Crafted with Depth and Imagery

This was a very interesting series that held my attention from beginning to end. At first, the story seemed as though it might become an ordinary girl meets boy...or better said....girl meets demon, girl falls in love with demon...love story. But as the story unfolds, the twists and turns, the subplots and side stories, create a world of fantastic imagination embellished with beautiful imagery.

I will make this review short and to the point. It was beautifully scripted. The juxtaposition of the present with the Joseon period of Korea gave the series an unexpected...and masterfully crafted...depth.

There will always be people who cruelly criticize....berate....brilliant series. Perhaps such vitriol gives them a sense of unbridled power over the actors. Perhaps it gives them a sense of ultimate control not only over the production but of the world of viewers themselves. For whatever illogical reasons these people choose to dismantle works of cinematic art, just ignore them. If the trailer beckons you, follow it...follow the series to its end. You will not regret my advice.

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incrível!

esse dorama já estava na minha lista a muito tempo, aí em março onde moro teve um feriado e eu queria começar algum dorama ent fui assistir esse! e q bom, ele me prendeu do início ao o fim e a história é muito interessante! JCW sabe fazer todos os gêneros possíveis e sempre faz bem feito, eu n sabia q o dorama O Manipulado era um Remake dele, e como O Manipulado já estava na minha lista coloquei ele tbm e foi uma das minhas melhores escolhas! É um filme muito bom e eu recomendo MUITO, nunca ia achar q qm botou o Kwon Yoo na cadeia era o advogado dele (foi oq mais me deixou chocada e me fez n confiar mais tanto em advogados) nota 8,5!!

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I'll take one of everything

As a woman who also appreciates boyish charm and looks from the 25-35 range, the first thing about this series that gained my appreciation was the age gap. It's one of the tropes I loved about My Dear Lady and Dating in the Kitchen. And there is something about historic CDramas and KDramas that draw me in every time. Pretty sure it's the romanticized costumes and anti-tech that gets me. I did find this series a little stretched for what it was. I think this would have been just as good done over 10 episodes rather than 12, but it wasn't so much that I felt super annoyed. If you are someone who enjoys watching cooking competitions, I really think you will like the way she describes each of the dishes she cooks when she presents them. I will say, I thought we were building up to a secondary couple with the chef's assistant and the assassin, but it never actually took off. Still I found plenty of action to keep the story moving, and I really loved the way they wrapped it all up. I don't know that I will watch this one again, but I am happy to have watched it at least once.

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