Reviews

A warning I probably should have taken

I went into it expecting a messy but entertaining BL, and while the premise had potential, the execution never fully worked for me. Unfortunately, the drama never dives deep enough into those feelings, and the characters often feel stuck going in circles instead of actually growing. The romance lacked the emotional impact I was hoping for, and many conflicts felt dragged out or unnecessarily repetitive. There are a few moments where the chemistry between the leads shows glimpses of what the story could have been, but overall it never fully commits to its more complex themes about honesty, consequences, and real emotional change. In the end, it wasn’t terrible, just frustratingly average — the kind of show that had the ingredients for something much better but never quite managed to deliver.

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WHY IS THIS SO FUN

To be honest at the beginning I didn't expect much. I mean; it's an adaptation of a game and its value is hugely promotional for the game. But it's a good drama and it's surprisingly entertaining like I LOVE those characters so so much. Although the focus of course goes to the male leads, I felt like I adored the support characters — despite the minimal time they had. Like those tomato and his friend duo that is always arguing? Xiaoguang?? Xia & Xiaoguang friendship & the overall team dynamics. Even Yize's rival (not ding fan, the guy from QC) is humanized as we realize that his desire to win is not malicious. He provokes but he has deep respect for Yize. And even the cameo of the older brother arc was interesting. For such a short drama, it surprisingly tackles many events and plot points. Definitely worth watching. Also I'm pretty sure the bromance was added also so the advertisement could reach a niche audience that has been growing in the recent years but it's still so strong like lmao I love Yize and Han Che a lot.
Lastly, it would have been awkward that the eSports was not animated (obv budget) but they managed to pull it off both nicely and smoothly! Is it a masterpiece? No. But it has good writing, is entertaining and has loveable characters.

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WATCH IT PLZZZ

Am going to be frank this was like a fresh of air after too much suffocating dramas a good slice of life literally had everything in it romance, comedy, slice of life and that annoying character that u feel like u want to strangle🤬. The characters were developed ughhh words cannot describe it and the confessions oh my God just uggghh 😭was shedding tears for them literally loved every bit of it and through all of it i learnt about what the people of that era went through and even got interested about and did a deeper dive. All in all don't miss it plzz this will be my go to chinese drama from now onwards and lastly congratulations and thank you for the team that brought this about. Am even trying to wake myself up from the delusion that a character like arthur chen doesn't exist inreal life damn it but all in well EVERYONE SHOULD WATCH IT HEHEHEEEEEEE🫣

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Not perfect, but very, very enjoyable and wonderfully acted drama.

First off: The performances by the two leads, Lu Yu Xiao and Chen Xing Xu were both fantastic. Both really went deep into being their respective characters and their chemistry as a romantic couple was off the charts. I'd like to especially call out Lu Yu Xiao's performance. I had already been extremely impressed by her fantastic performance of a girl on the spectrum in Blossoms In Adversity and then as a more conventional 'strong action heroine' in Love in the Clouds. But this performance was next level. Very different from either of those two roles. She put all kinds of interesting mannerisms into her character and was consistent so that those things weren't dropped along the way. Hu Xiu has a cute almost cartoonish way of walking that is so endearing and her way of expressing emotions through her hands. In lesser dramas these little things often get dropped a few episodes into the story but these (and other nuances) were part of her character's uniqueness and she kept them all the way through. Smiling, laughing, angry or crying - the character of Hu Xiu was unique and real. And very endearing. As the classic strong-silent-type Male Lead, Chen Xing Xu has a more conventional role and is, to be fair, overshadowed by Lu Yu Xiao's performance, but he still does a fantastic job. He does not over-act and also is very consistent in how he presents the character. His breaks from strength to vulnerable are believable and don't look forced. And as mentioned, he has great chemistry with LYX. The two really worked great together.

Other cast members were all solid. Especially Li Ting Ting as bestie Zhao Rou, whose voice has a quality that just owns scenes when she speaks. Her character's story by itself could have been a main lead story. And while I hated the contrived, annoying and mostly useless existence of the Pei Zhen character, I have to give credit to Dai Xu for his performance, especially given the crappy writing involving his character.

The music, sets, wardrobe, cinemetography are all mostly top-notch production. The 'Scripted Murder Game' settings especially were often beautifully done. The one real low point in production quality was late in the series with the warehouse fire scene. That was just very poorly executed and so many aspects of that episode just did not make sense. Poorly written, poorly directed and cheaply implemented.

Aside with that one drop in production quality, my only real complaints are with regard to a couple of specifics with the script / plot. 90% of the time the script is fine and even fantastic. I especially like the dialog given to both Hu Xiu and Zhao Rou. As the top female characters they got consistently intelligent dialog that showcased the intelligence and emotional insight of the two characters. Way better than the dialog given to many other female leads in so many dramas. And for the most part they avoided plot-induced stupidity with either of these two characters so I really appreciated that. Where the script really stumbles is in the contrived character of Pei Zhen as the ML's step-brother. This character is almost completely meaningless to the plot and serves mainly as nothing more than a time-wasting annoyance. He's not even a half-brother to the ML so their sibling relationship is extremely tenuous and what little there is was marked mostly by abuse against the ML. Otherwise it is clear from the plot that ML mostly grew up completely separate of Pei. Yet the plot tries to imply that there should be a bond between them underneath all the misunderstandings. There isn't. Pei is simply an abused son who himself commits his own crimes and is, frankly not a sympathetic character other than for the abuse he does take from his father. The plot tries to make him seem sympathetic, but does not go anywhere near the real steps that need to be taken by him to become sympathetic: He needed to turn himself in, go to prison for his crimes and get counseling for his deep psychological problems - which persist all the way to his last scene. His 'unrequited love' for the FL is just mostly pathetic and childish. I mean, seriously? He's obsessing and fondling that old bandaid at the end? That is just so sad and pathetic. Not one step towards real character growth. Saying "I'm sorry" at the end is not meaningful. Especially when at the same time he still is looking longingly with his stupid sad puppy-dog expression like a 14-year old boy looking at the unattainable popular girl. He's emotionally still a child even at the very end. His character needs years of therapy.

The script for Pei Zhen's dialog tended to be the worst, most comic-book silly of all the characters. Especially in the scenes when he and the ML, Xiao Zhi Yu, would be pumping testosterone at each other. I'll give credit to Dai Xu for delivering well with what he had to work with. But really, this show could have been done better without the Pei Zhen character existing at all.

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A lot of things went wrong in this drama, starting with the plot itself. The whole idea of healing trauma through love is something I strongly disagree with, and unfortunately that’s exactly what the story tries to present through its characters. Team was extremely childish and in constant need of care, while Win often felt less like a boyfriend and more like a parent. Their dynamic resembled a parent–child relationship far more than a romantic one, which at times felt strange and even a bit unsettling.

Another issue was the number of side couples. There were simply too many of them, which created unnecessary chaos and took attention away from the main story. At some point, Win and Team almost stopped feeling like the protagonists of their own drama, while Waan and Tul were the ones carrying the show for me. The main storyline also kept repeating the same beats over and over again, which made it feel quite boring after a while. On top of that, the dialogue wasn’t particularly strong, often filled with overly long pauses that made many scenes drag.

That being said, it wasn’t all bad. The drama is relatively easy and quick to watch, and it holds a special place for me because it was the show that first introduced me to this fandom. Because of that, I can’t help but feel a lot of nostalgia toward it despite its flaws.

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Only watch if you’re reason for watching is Song Wei Long

I happened to come across snippets of this show while scrolling through social media, and since I have enjoyed Song Wei Long’s work in the past, I went into it with fairly high expectations. His earlier performances have often carried a certain depth and presence that make his roles memorable, so naturally I assumed this show would have something similar to offer. Unfortunately, the experience didn’t quite live up to that anticipation.

At its core, the story itself is fairly short and straightforward. A concise storyline can sometimes work very well if it is executed with clarity and purpose. However, in this case, the show attempts to stretch a limited premise across multiple episodes by inserting filler moments that do not really add much substance. These additional segments neither deepen the narrative nor enrich the characters. Instead, they feel like placeholders—scenes that exist merely to fill time rather than to meaningfully advance the plot.

One of the most noticeable shortcomings lies in the pacing, especially toward the end. The final episode feels particularly rushed, almost as if the creators suddenly realized they needed to wrap everything up within a limited timeframe. Important developments and resolutions are compressed into a very short span, which diminishes their emotional impact. Moments that should have felt significant or satisfying pass by too quickly, leaving the viewer with a sense of incompleteness rather than closure.

The character arcs also suffer from this lack of depth. The show introduces several potentially interesting characters, but it never quite spends enough time exploring them in detail. Their motivations, conflicts, and personal growth remain largely surface-level. Because of this, it becomes difficult to form a strong emotional connection with their journeys. Instead of witnessing meaningful transformations, the audience is presented with character developments that feel shallow and somewhat rushed.

Another issue lies in the overall narrative structure. The story often feels abrupt and somewhat disorganized, with transitions between key plot points lacking smoothness or clarity. Rather than building tension gradually and delivering a cohesive payoff, the show jumps between moments without fully grounding the viewer in the progression of events. This contributes to the feeling that the story never quite settles into a steady rhythm.

By the time the series concludes, the dominant emotion is disappointment rather than satisfaction. The premise had potential, and with stronger writing, tighter pacing, and deeper character development, it could have turned into a much more compelling watch. Instead, it feels like a missed opportunity—an idea that started with promise but ultimately failed to evolve into a well-rounded or memorable story.

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Quite decent Male Harem drama.

I watched this with my friend since he is quite avid male oriented enjoyer drama and i asked him to give me non Du Zhao, Wu Hao and Yan Hao drama. I noticed it was Xie Zhe Chen who played the Yang Duo Jie from How Dare You (Long drama). The girls were not stiff on acting. I will give warning if you not comfortable with Male Harem, you can skip this drama.

ML (Sun Jian) is an unemployed college graduate from modern times, unexpectedly travels to the fictional "Da Qian Dynasty," becoming a poor scholar facing a survival crisis. To address the population problem, the imperial court implements a "first wife policy," forcing unmarried men to marry. FL is bound to three wives with vastly different identities by the system he boughts 3 women who falls into misery and people mock ML who looks old and three wives's unfortunate destinies.

Lets differs the 3 wives character:
Zhao Ling Er: A royal princess, calm, wise, and skilled in strategy.
Liu Yan: The eldest daughter of a military family, highly skilled in martial arts, and with a strong personality.
Su Yao: A merchant's daughter, proficient in business and possessing abundant resources.
I liked how this drama show three wives their strengths, breaking away from the traditional "subordinate" role and becoming key allies in the comeback. I liked how they give equal screentime to 3 wives story.

During a hunt, ML is ambushed by bandits. He and his three wives fights to subdue the bandits and bring them under his command. ML and his three wives go from being forced into a bond to sharing weal and woe, and their emotions gradually deepen. For example, Liu Yan's initial dislike turns into admiration, and Su Yao helps him overcome difficulties using her business network. ML also uses modern knowledge to resolve crisis, such as developing hybrid rice to solve food shortages and cracking down on local bullies.

This drama contains political Intrigue: ML is implicated in a cheating scandal in the imperial examinations and framed by the powerful minister Later, he joins forces with the high-ranking official Gu Zijian and the physician Chu Qingcheng to escape from prison and fight back.

Recommended to watch if you can tolerate male harem with political Intrigue. The wives are not wallflower like usual male-oriented drama.

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A warm hug.

"Reality itself is powerful enough. All we have to do is capture it."

This is the quote from the drama that resonates with me the most because it perfectly explains why slice-of-life romance is one of my favorite subgenres. There are no flashy CEOs, no fancy mansions, and no over-the-top romantic gestures. Just two flawed and humble individuals navigating life, learning how to love, and trying to become better people — whether it's for each other or for themselves.

Sometimes when characters fall for one another, they get so consumed by their feelings that they lose their sense of self. But that's not the case with Fei Ni and Fang Muyang. Even when their bond grows stronger, they still hold onto their own hopes and dreams. They stay true to who they are at their core. Even when sacrifices are made, they aren't done at the request of the other. When one fumbles, the other shoulders the burden. When one succeeds, they both celebrate. They are equals. Each other's biggest fan. Their romance is slow-burn, sweet, and most importantly? Healthy. Sun Qian is so natural and bright as Fei Ni, it's like she was actually born in this era. Arthur Chen is so captivating and wholesome as Fang Muyang, I can't help but admire his charms. I adore these two actors as much as I adore their characters. But don't let my praise for the leads fool you. Despite its title, Love Story in the 1970s, this is more than just a love story.

Plain and muted-color clothes, government-issued ration coupons, rustic and cramped homes — the drama doesn't just look like it's set during the Cultural Revolution in China, it feels like it too. It touches on the hardships that many people faced during this time period and highlights the dangers that come with being an outcast in society. To conform is to blend in. To stand out is to make yourself a target. And somehow, following the rules doesn't always promise you safety. You can see the desperation and stress over the scarcity of goods, limited housing, and financial instability in the characters' eyes. You witness the hard choices some have to make for survival, and see how some are willing to throw away their morals, or even swallow their pride, to secure a place at the table. Every single character exists outside of their connection to the leads, and even when I don't always agree with the paths they take, their actions are always aligned with who they are as characters. They feel authentically alive.

It isn't always sunshine and rainbows, and yet, this drama feels like a warm hug. I usually struggle to keep up with ongoing cdramas because of how quickly they release new episodes, but for this one, I was glued to my screen daily. I was addicted. The storytelling is compelling, and the only complaints I have are that the antagonists are too good at getting under my skin. For someone as picky and easily distracted as me, that's a great problem to have, isn't it? That's how you know the entire cast and crew created a masterpiece. From the writing to the directing to the production to the acting — everyone managed to deliver a story so full of heart and consistency that even I couldn't find things to nitpick.

This slice-of-life romance reminds us that we are defined more by our resilience than our setbacks, and we can overcome anything as long as we have each other. Hope might give us the courage to keep going, but hard work takes us further in life than anything given to us for free. Is it preachy? Yes. Is it cheesy? Also yes. But it's the kind of story that leaves you feeling good inside, and we need more of that in this world. I highly recommend!

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