Sweet little spin off from Cutie Pie series
This story continues the complicated love story between Yi and Kondiao who we meet through the Cutie Pie series. Additionally all our favourite characters pop up throughout the series. Including Yi and Liam’s quirky secretaries who have tiny but amusing cameo roles.The plot is slightly different from Cutie Pie in that Dian is attacked by a tiger not a dog (who has one for a pet, FFS! The adults are the ones at fault not Yi who spends his whole life atoning for the accident that occurred when he was 14 and Kondiao 7).
In this drama Kondiao (Diao) is determined to escape a life that he feels is wrong - Yi, his fiancée seems to want to own him, due to some unknown obligation, while having a string of women by his side. Diao’s always wanted to go to Switzerland so packs everything he owns up and heads off to catch a plane, Yi finds out and is determined to stop him but has a nasty car accident that leaves him with no memory and a fiancé determined to atone for the escape plan that left him with no knowledge of him. The ending is fun and exhilarating as once again Khondiao is determined to run away but will Yi catch him in time and will they escape the contract that led to him making a second bid for freedom?
My only criticism is more of a concern in that the actor who plays Dian (Nat Natasit) still seems very uncomfortable in his own skin and spends most of his time looking like he’s about to have a full body seizure or a serious bout of diarrhoea. For someone with a black belt in Taekwondo his coordination and overall movement is really uncomfortable to watch from his slight hunch to stilted arm movement - perhaps it was the choice of the director that his body language is so timid and robotic. That said he is a great actor and I look forward to seeing him in something else. (Authors note: I’ve now seen him in something else and he was fantastic so I think it was the direction he was made to play)
The chemistry between the two main characters is absurdly good even though the kissing is very over exaggerated. Max, who plays Zi shows great range as he goes from scared and confused through to indulgent and finally deeply in love. I also love how Dian is not afraid to ask difficult questions or stand up for himself which is a breath of fresh air. Bravo boys (and script writers)
The gentle, loving and playful relationship between Lian and Kiera from Cutie Pie is also lovely to see as their characters have clearly progressed to a deeper level of happiness and Syn and Nuea (also from CP) have become a strong couple too - I just wonder how Syn’s lessons in the bedroom are going? Did they break anything?!
Overall a decent performance, with a slightly shaky back story, that entertained me (my favourite scene is when Yi and Dian fall off the end of the bed - I was so not expecting that but it made me burst out laughing). The production values were great and I have to mention the wedding costumes as they were as insane as the ones in Cutie Pie 2. The wedding night scene was equally as powerful but in a completely different way.
The ending was utterly gorgeous and inspiring too.
Would I watch it again? If I had a few hours to kill then maybe but not any time soon
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I loved the main leads
Things I loved1 The main leads. both were great in their role and I loved their relationship and how it evolved. They're both good actors and managed to sell their story well.
2 The ending. It wasn't perfect but satisfactory enough.
Things I disliked
1 The FL, but this is a constant for me now. I can't take her seriously for some reason, no matter the role she plays.
2 The lack of romance. I know it's not a romance drama but I always need romance in my series.
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I Thought the Superpowers Would Ruin It… But *Memorist* Completely Hooked Me
I’m not even going to lie, when I started *Memorist*, the first 20 minutes had me doubting everything. The supernatural angle made me raise my eyebrows. With these kinds of dramas, it’s either going to be brilliant or a complete mess. There’s really no in-between. And at first, I was ready to accept that maybe this just wasn’t going to work for me.Oh, how wrong I was.
Somewhere along the way, I got completely hooked. I kept pressing “next episode” without even thinking. It’s one of those dramas where you tell yourself “just one more,” and suddenly it’s 3 a.m.
What I really loved is how tightly written the story felt. Yes, there’s a central case driving everything forward, but all the other cases have s purpose. They’re not random fillers thrown in to stretch the episode count. They feel connected , like branches of the same tree, all leading back to the main trunk.
And the individual cases? Genuinely interesting. Each one had purpose. Nothing felt like wasted screen time, and I appreciated that so much.
Now let’s talk about the supernatural element because this is where the drama could have easily failed. Dong Baek’s ability to read memories by touch is a powerful tool, but what made it work was how it was balanced. It wasn’t just “superpower solves everything.” While Dong Baek uses his gift to uncover clues, Han Sun Mi, who has no supernatural abilities often arrives at the same conclusions ( sometime way before Dong Baek ) using pure profiling skills and logic. Watching her break things down step by step grounded the story in realism.
If the drama had relied only on powers to reveal every culprit, it would have gotten repetitive or even ridiculous. But pairing Dong Baek with someone who relies solely on intelligence and deduction made the investigation process satisfying. As a viewer, what we enjoy in detective dramas isn’t just the answer... it’s the process. It’s seeing how the puzzle pieces connect, how clues are discovered, and how conclusions are formed, and *Memorist* understood that.
The supernatural element didn’t overpower the story, instead it elevated it. It added intensity without sacrificing logic. And that balance is exactly why what I thought would be a risky concept turned into such an addictive, well-executed drama.
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So much stronger of a show when it's about the rise to power Sarah Kim had and all the enemies she made along the way, a really well written character played magnificently.
Sometimes you ought to just know when to stop when writing a script and I'm not sure this knew when to stop, especially when you only have eight episodes at your disposal. Basically a far better drama about fashion and the desire to be viewed as wealthy, even among the wealthy, and a really whatever detective procedural. I can suspend my disbelief if I think it's a fun time to watch, and there are moments where I'm willing to do so even as things get a little too ridiculous, but overall it's just not enough of a balance. Especially since Sarah Kim becomes a little too passive in the closing act, rather a contrast considering her role in the first and second acts of the drama.
Also wish the yuribait wasn't confined to just episode one but maybe that's just me, or blamed on people posting clips of the first episode online to draw me in.
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A Love So Soft It Made Me Hate Men Less for a While
I swear, Love Next Door is the PERFECT example of why Korean dramas are so popular. The acting, the longing, the slow-burning romance, everything works.If you’re looking for something that will make you blush, kick your feet, internally scream, and feel all soft and fluffy inside…then this is the drama for you.
Plot**
The story follows Choi Seung Hyo and Bae Seok Ryu, next-door neighbors who have known each other since birth because their mothers were best friends. They grew up side by side, shared everything, and even dated during their school years. But as life moved forward, they drifted apart. Seung Hyo becomes a well-known architect in Korea and opens his own firm, building a name for himself. Meanwhile, Seok Ryu studies abroad, works tirelessly, and lands a prestigious project manager position at a major company in the United States. She spends ten years building her career and reputation overseas — only to suddenly quit her job, break off her engagement, and return to Korea without telling her family why.
Let me say, Jung So Min has seriously grown on me over the past few years. She’s so effortlessly funny and natural. When she cries, I feel it. When she’s embarrassed, I’m embarrassed with her. She makes Seok Ryu feel real! not perfect, not overly dramatic, just human.
But can we talk about the romance?! Because this is where I completely lost it. The longing !! the way he looks at her, the quiet concern, the way he shows up for her without making it about himself. It’s that “I’ll do this for you, not for my own satisfaction” kind of love. Soft. Respectful. Steady. And yet I was screaming at my screen every episode like, “JUST KISS HER ALREADY PLEASE.”
This drama had me weak. I’m not even joking. It softened me. It made me hate men less for a few hours (which is saying something). It made me wish someone would pursue me with that kind of quiet devotion and years of unresolved feelings. Watching it, I found myself smiling for no reason, completely swept up in the sweetness of it all.
And honestly, this is why Korean dramas are so loved. They make you dream. They make your heart race. They make you feel giddy and hopeful and ridiculously soft.
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This review may contain spoilers
Good, very good!
This series absolutely captivated me from the fist scene. However I had to re-watch the whole series, because it didn't register to me who was the mysterious Alpha standing in the pool. By the time I finally understood, I was already half way into the series. The chemistry between the couple alpha and enigma is fricking unreal.I liked everything about it, I only wished the end was not so short.
If they have plans for a second season, I hope they come up with a good plot, not to spoil the first season.
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Story doesn't make sense
Beautiful and skilled actors but the story doesn't make sense. For some stupid reasons she's constantly rejecting him and almost like "playing"him, until it gets repeated so many times that it's super boring, and then suddenly she decided to accept him??? Again, for not very good reasonsThe other 2couples have better stories but the main leads have zero logical scripts.
I could only endured it by telling myself that they have psychological hangups from the childhood era, and I can see why the ML actions from the point of the little chubby boy who's totally grateful for his friend. Both chubby and Cheng Xing Xu was able to transmit that same emotions but the FL 's scripts to and fro rejection and then acceptance makes zero sense
And then it dragged on like this for a long time and then the last two episodes made ZERO sense. WHO WROTE THIS RUBBISH???WHO EDITED THIS?WHO PRODUCES this level of nonsense? cdrama industry can do better than this, it's a total shame. Non Chinese people will think that Chinese girls are a bunch of losers and spoilt brats like this FL
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One of my favourite rom com
This is one of my favourite rewatches. It’s a short drama bringing first laughter and then emotion as you understand it’s a heartbreaking story of tragedy and devotion. I love the duo of Yang Mie Mie and Yu Long as acting partners. Their performances never fail to deeply move me. The productions seamless editing takes you from beginning to end immersing you into the characters living reality. The soundtrack enhances the humor, timing, and atmosphere of the scenes.Was this review helpful to you?
Good, but still disappointing.
I loved the trilogy (the books): it's undoubtedly one of the most innovative science fiction novels of the last twenty years (after Dan Simmons' "Ilium and Olympos").The casting choices are quite judicious... But the screenplay is too truncated.
Of course, it's impossible to adapt a book into a film (even with thirty episodes), but here we almost have a different story (compared to the novel). Without the ending, we lose all the power of the book; because it seems obvious that there won't be a sequel.
So: a very good story, but read the books before watching the series.
***
Bien, mais quand même décevant.
J'ai adoré la trilogie (les livres) : c'est sans conteste l'un des romans de science fiction les plus novateur de ces vingt dernière années (après "Ilium et Olympos" de Dan Simmons).
Le choix des acteurs pour les personnages est plutôt judicieux... Mais le scénario est trop tronqué.
Certes, il impossible de rendre un livre en film (même avec trente éoisodes), mais là on a presque une autre histoire (par approt au roman toujours). Sans la fin, on perd toutte la puissance du livre ; car il semble évident qu'il n'y aura pas la suite.
Donc : trèèès bonne histoire, mais lisez les livres avant de regarder la série
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This review may contain spoilers
Unveil: Jadewind — Stunning Cases, But a Rushed and Predictable Ending
Unveil: Jadwind is character-driven drama that blemds emotional depth, political intrigue, and layered relationships with strong performances from both tha leads and have great cinematic visuals, it delivers both intensity and tenderness though have few pacing issues.Pros:
1. Visually stunning: The cinematography is one of drama's strongest points. From costume detailing to atmospheric lighting, every frame feels carefully crafted and elegant.
2. Strong lead performances: both the lead and the supporting characters were done nicely and delivered emotions in a controlled yet powerfully manner.
3. It portrays the idea that not every solved mystery needs public exposure, showing that sometimes protecting others matters more than exposing the truth.
Cons:
1. The fl always tries to kill herself to solve the cases, there isn't single case where she don't attempt it. At first, i thought it was impactful and bold, but repetition gradually made it lose its emotional weight and feel unnecessary.
2. A few cases were written in a very complicated way, with too many details and sudden explanations. Story followed a familiar pattern, so big moments didn't feel very surprising, because of this, suspense was weaker and less exciting.
3. Many characters were under developed. Several supporting roles had potential, but they weren’t explored deeply enough, which made it harder to feel emotionally connected to them.
****Spoiler Alert****
The main plot was revealed only in the last few episodes, which made the ending feel rushed. The villain was underdeveloped, and it was confusing how they even found him. When the ML stopped the FL from killing the villain and they broke up, it felt dramatic but not fully satisfying. The truth about the FL’s parents was finally revealed, but the king gave the villain only a light punishment, which was disappointing.
Later, one of her father’s loyal army men planned to expose the villain by killing his sister, the king’s consort. The FL knew about the plan and accepted it. But in the end, the consort was not killed, and the villain was punished — not for killing her father, but for rebelling against the king to protect his sister. This made the final resolution feel less impactful and somewhat frustrating.
Atlast everything was predictable and lost my interest. I skipped through last 6 eps.
Overall, I gave it a 7.5/10 because the individual cases they included were interesting and fun to watch. Even though the main plot had flaws, the process of solving each case kept me engaged and curious. The investigative parts were the strongest aspect of the drama and made it worth watching despite its weaknesses.
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Just draw!
I'm so happy to once again be able to see a Mei Nagano work. Putting her past behind her for now, I really must recommend this movie.The overall pacing of the movie is a little odd only because I believe they followed the manga style of exposition. Since this is based on a life story turned into a manga turned into live action, it definately has this feeling about it. When the story begins it starts out as a standard comedy movie but by the Midway point I believe it delivers a good message of self worth and trust. It just never hits that really high note to be a masterpiece.
Hayashi is performed brilliantly by Nagano. She's always so good at being an ball of anxiety with the ability to turn on the emotions at the drop of a dime. There's so many points in this story where Mei has to just abruptly cry. It's incredible. I teared up like 3 to 4 times throughout this movie. I could tell with the subject matter the was going to be a something in this story that hit hard, but I was not expecting that many moments. I always look forward to her roles where she plays the airhead that gets sense beaten in to her.
Oizumi plays that hard headed teacher well but there were times when the tone of his actions didn't seem like he was 100% all in. I think it felt like Oizumi's natural calmness was fighting hard to be that gruff teacher lol. So sometimes the emotional scenes didn't hit as hard because you didn't believe the interaction. But overall I'm happy with his performance. Just wished that during the last arc of the movie he acted more like he was actually dying.
Her parents were a little too animated for my liking. They kinda took me out of the scenes they were in. The other two supporting characters, Kitano and Ima, I felt were very under used. Ima like he went thru ass arc in the background. I'm thinking they were cut for time. But Ima has one really great scene near the end that I thought was beautiful.
The idea of growing up and making life decisions is abundant in this movie. It explores the topics of living for yourself and not being bound by others expectations while forging your own path. The message resonated with me astoundingly well. When Hayashi is fraught with decisions she tends to just let things escalate until it's too late, later regretting her decision. It makes her such a human character. We can all relate to her. I can even see that in so much that she might have been even suffering from mild depression or decision freeze. Not being able to move forward because she was just going with the flow and not allowing herself to think for herself. There were too many choices and no conviction. I also like how the movie portrayed how overly praising someone can actually hurt their self esteem later in life.
The adult in me is agreeing with her by the end but the child in me understand why she seemed like an irresponsible adult. It wasn't so much that Hayashi was irresponsible, it was the fact that she lost that spark only the teacher could bring out of her. That spark defines what drives us, our raison d'etre. When we make life choices, things always get in the way. Practicality and effort are driving forces in Hayashi's decisions and she tries and loses focus so many times. It's only by the end that she understands the real reason we keep going is not because we are forced to, it's because we have to. I think if they let a bit of those moments breathe more it could of been an A+ movie.
The cinematography of the movie is very vibrant and easy on the eyes. There's a few really nice scenic shots and some great use of color and lighting, which is expected in a movie about art. It was visually pleasing to watch with no real faults.
Music wise I don't remember anything really but the overall music suited the mood. There was some funny quirky songs, some sad piano and a mix of some variety for the everyday scenes. The theme song is cute.
A fairly enjoyable movie that probably could be watched a few times.
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Black Horse Drama
When I first saw this the poster for this, I thought it was going to be a comedy and cheesy and honestly, only started watching it because I liked the ML. However, what started as something light, quickly became nuanced, brilliant and the romance actually was very believable. The plot was way more developed and well thought through than I expected. it was multi-layered. It was fresh. I think this might be my favorite Cheng Lei drama and perhaps one of the more unique dramas I've watched in a very long time. It shows Cheng Lei's acting range. He can be funny, sad, intense, commanding, angry, sad... just such a versatile actor. Now, Wang Chu Ran was also amazing. I have not watched anything else she has been in, but this lady is not just a pretty face. She held her own in ever respect and had just as charismatic of a presence on screen. She and ML had amazing chemistry.Honorable mention goes to the girl who play Xie Yong Er. What a beauty and I believe we will see more of her soon.
This drama absolutely deserves to be watched and is one of those that can be watched multiple times.
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Ti Kuan Ji Bu Dang Le, Xiao Cao Quan Jia Ji Feng Le
3 people found this review helpful
This review may contain spoilers
The best version for that year
I watched Wang Xiao Yi version first two years ago on the same day on 2024. Both drama are watchable and still decent to watch but this drama give more point because FL character was so stunning when she reborn, less verbal sparring-more action and plot was on right track. Although Min Jie isn't particularly stunning at first glance, his acting is quite decent; the tear he shed during the kiss when they confirmed their feelings was just right. The chemistry between them was underrated. It was my secret CP back then. This is my favorite version of the story.This version is really well done for that year. The cool and domineering FL is incredibly powerful. True revenge isn't about killing him outright, but about slowly tormenting him. It's satisfying to see her take revenge on the scumbag. The romance between ML and FL is so sweet; FL always takes the initiative.
Decent watch for the classic drama
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This review may contain spoilers
The "villains" against the world (the plot).
I went into "How Dare You?!" almost blind. I had not read the original novel, watched the donghua, nor seen the vertical drama. I only knew a few trigger warnings and the general direction of the ending. However, as someone who reads a lot of isekai manhwas and manhuas, I expected something trope heavy and predictable.In some ways, it is exactly that. Modern people transmigrate into villain roles, navigate palace politics, and try to escape a written fate. But the execution surprised me. It is more emotionally aware and character driven than I anticipated.
The tone balances romance, humor, politics, and angst well. The comedy never undercuts the tension, and when it turns dark, it commits. The shifts never felt jarring to me.
Cheng Lei and Wang Churan were perfectly cast. Their chemistry and skills carry the emotional core of the story. Many scenes rely almost entirely on their expressions rather than dialogue, and they deliver. Wanyin’s wardrobe is also consistently breathtaking and deserves special praise. Dan’s long hair and styling suit him so well that it enhances his lonely presence and as emperor.
⁂ Wang Cuihua becoming Yu Wanyin
The setup is simple and effective. No dramatic accident, no truck-kun, no tragic prelude. Just two ordinary modern people suddenly thrown into a poorly written palace novel as villains meant to die. Wang Cuihua becomes Yu Wanyin, a doomed concubine of the emperor. Zhang San becomes Xiahou Dan, the tyrant puppet emperor.
What I liked immediately is that there was no long drag of them hiding from each other's identities. Immediately, we sense relief from Wanyin. But for Zhang San as Dan, it is far more overwhelming. And his reaction hints that his loneliness might have ran much deeper than hers.
As Wanyin, Cuihua is not overly dramatic about her situation. She approaches it with practicality, sometimes cynical. She does not have encyclopedic knowledge of the novel, so she cannot outmaneuver the plot with foresight alone. Instead of trying to steal the original heroine’s route, she aligns with another villain with the same tragic written fate.
Between her and Dan, she is the one constantly forming plans. Part of that comes from her having the main gist of the story. But more than knowledge, it is motivation. Where Dan feels worn down by years of surviving, Wanyin feels activated. She has urgency, and most importantly, she still has hope. She has something to fight against because she has not yet spent a decade being defeated by the system of that world.
Another key difference is that Wanyin builds alliances. She believes certain people can be convinced. Dan, having grown up in betrayal and manipulation, had long defaulted to isolation and control. Wanyin still operates with the assumption that trust, while risky, is possible.
⁂ Zhang San’s life, diary, and his life after meeting Cuihua
The biggest emotional punch for me was slowly realizing that Dan had been in that world since he was a teenager. He was not freshly transmigrated like Wanyin. He had grown up there. He has lived longer as Xiahou Dan than he ever did as Zhang San.
That reframes his cruelty. All along, the tyranny was not an act. He grew up under manipulation, poison, and constant danger. He learned to be cruel because the world around him was cruel first. In a palace where kindness is punished, he adapted. He learned to distrust and strike first. He learned that survival requires hostility and distance. Dan is not just lonely. He is resigned.
The diary entries deepen that impact. They begin almost humorous, then turn devastating. We see a lonely teenager trying to test fate and slowly realizing the world will not bend for him. The helplessness in those entries hurt when connected to Dan's current actions and attitude towards Wanyin.
When Cuihua arrives as Wanyin, the tone in his life shifts. For the first time, he has proof that his original life as Zhang San was real. That he was once loved and valued somewhere else. You can see how much that grounds him, because he can be Zhang San again. Before her, his alliances were transactional. After her, they become collaborative. He relearns trust. He allows trusted people closer. His softer expressions, smiles, and decisions not driven purely by calculation show Zhang San resurfacing within Xiahou Dan. Through their partnership and relationship, he slowly allows himself to hope again.
⁂ The villains
The drama presents two central antagonists. One who has been always the villain, the Empress Dowager, and another who became a villain, Duan. I would argue that he was made a villain because of his past, because his stubbornness and insecurity led him to refuse reality.
The Empress Dowager initially comes across as almost theatrically frustrating, even pathetic. But as we watch more of her, she is actually really despicable. Her obsession with power was not shallow ambition. Her connection to Qiang adds dimension and maybe a bit more context to her actions, but it does not redeem her. If anything, it explains why she consistently prioritizes control. She did not care about the empire and its people at all. The cruelty she inflicted, especially on Dan, reframed so much of his behavior. Growing up under someone like her would twist anyone.
Duan, on the other hand, is more complicated.
As the original protagonist of the novel, he was meant to be the righteous hero of the story. He is intelligent, observant, and politically capable. But, as trashy the novel was, he is also written to be deeply insecure and rigid in his worldview.
His mother’s suffering apparently defines him. Even knowing the Empress Dowager is truly responsible for that, he redirects his anger toward Dan. Part of it is cowardice masked under practicality. The Empress Dowager is too powerful to confront directly. Dan, as her puppet, becomes the more accessible target.
But it is also psychological. He needs Dan to embody cruelty so that his resentment feels justified. If Dan is not monstrous, then Duan’s hatred loses its moral clarity. When Dan begins acting more righteously, Duan cannot process it and interprets it as manipulation. If someone else occupies that moral ground, especially someone he has defined as the villain, it destabilizes his entire identity. And instead of reassessing his assumptions, he doubles down. His refusal to accept reality slowly pushes him into antagonism.
⁂ The allies
This drama is ruthless with allies.
Xu Yao’s early death immediately unsettled me. It came so soon after he aligned himself with the leads. And my guts were right on the impending deaths. The allies were on a countdown spree. Every time a new ally joined, I got anxious for them. The scholars, Yonger, Mr. Bei, even the late introduced ally. The drama kinda conditioned me to expect loss early on.
Yonger’s arc is one I have mixed feelings about. At first, she felt shallow and mildly irritating. But after she learned the truth and chose to align with the leads, she softened. She began to feel like a younger sister to Wanyin. That is why her death should have devastated me completely. It did hurt. But when I think about how she died, the impact becomes emotionally underwhelming. Instead of some last heroic move, she was killed suddenly, stabbed mid conversation by one of Duan’s cronies. Realistic, perhaps, but I wanted more weight given to her end.
Mr. Bei’s death, on the other hand, shattered me. He brought so much warmth into an increasingly heavy narrative. So, when the reveal surrounding his death came, I was sad. I had suspicions before the reveal of his death, but I still was not prepared. In a narrative point of view, it made sense that his abilities would circle back in a tragic way. But predictability did not make it hurt less.
The repeated loss of allies made the victories feel heavier, and that is why I understand Wanyin’s guilt so well. Many of her plans succeeded strategically, but they left a sad and bitter taste behind.
⁂ The ending
The final stretch felt dense and slightly exhausting, in a way that makes sense for a story that has been stacking consequences for so long. A lot is still happening, and they need resolution. Between Dan waking from his coma, Duan’s downfall, and the political aftermath that follows, the narrative is clearly closing in on its conclusion. Yet emotionally, it does not feel entirely settled. All of it was compressed into a short span of 2 episodes. Some questions were resolved emotionally, while others were left hanging.
Dan’s poisoning is one of the concerns that still linger for me. We know most of the poison was expelled and that he wakes up, but we never receive full reassurance that it is completely cleared. After investing so much in his survival, I wanted stronger confirmation.
Tiancai's situation also left an ache. He never learns the truth about Yonger. He just learns she went home. I understand Wanyin’s choice not to tell him, but it denied him closure. He cannot properly grieve because he still believes she is alive somewhere.
On the positive side, Dan proposing as Zhang San to Wanyin as Wang Cuihua meant a lot. He did not need to propose anymore. Wanyin was already empress and the harem was dismantled. But this was not about Dan and Wanyin anymore. It was Zhang San and Wang Cuihua. It acknowledged both identities and promised that they would choose each other beyond the novel world.
The return to the real world and the brief reunion on the train left me conflicted. It wasn't clear if they lived the rest of their lives in the novel after the proposal, before they returned. I also usually dislike short reunions that is alike quick epilogue or a fan service. Here, however, it worked just enough because their happy ending had already happened in the novel world and they have promised to choose each other in the real world. Still, I cannot deny that it felt slightly incomplete because of some details that are left unanswered, probably because of censorship.
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Cute, typical coming of age Cdrama
You can never really go wrong with a coming of age cdrama-- they're all so good! This is no exception.I LOVE LOVE the two leads, literally obsessed with Return of the Queen and Love Between Lines so seeing both leads in a drama together was such a surprise.
The high school part had the best plot, and cute moments here and there, but really focused on overall friendship and growing of relationships.
The college part fell on the plot, but the romance was made more solid and thus very very cute.
I'd give this a 8/10, I did hear this was before the leads were big in China and so the drama was low budget, but honestly you couldn't really tell. Very easy watch, though I did skip some filler plot in the last few episodes. Hope we can see them together again!
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