Reviews

a cute watch

This story is so cuteeee, and esther yu's chemistry with lin yi clicks. This is the type of cdrama that is light, comfy and minor conflict. Their journey with their friends is also cutee too, we could see their interactions which shape their friendship of fun. I wasn't really familiar with ski sport so i clicked out lf curiosity, and I actually do wanna try it. I was also kind of clickbaited of their cover wherein they wore a crown, so i was really curious if this was during a republican era or what, but it just turns out to be a metaphor. but overall, this drama is not so bad and its good to watch if you watched a cdrama that broke your heart lol

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A wonderful series that has it all!

A wonderful series that has it all!
The story is exciting—a bit drawn-out in a few places, but still captivating.
It’s often amusing, funny, and heartwarming, with its own unique, sweet brand of romance. There are plenty of laughs. At the same time, it’s woven together by the suspenseful, sad, and sometimes serious central thread of the main story.
Strong main and supporting characters—some you’ll like more than others, and some don’t fully develop until later in the series.
It incorporates modern art and music that’s wonderful and perfectly captures the moment.
The story, the cast, and the unexpected moments are compelling.
The outfits and music deserve special mention. The clothing is extraordinary and fits the overall picture.

I was swept away, felt deeply for the characters, was amazed, and laughed a lot.

I’d give it between 8.5 and 9.5 points (depending on the episode). Music 10/10.

It was a joy! 😊

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best cdrama of all time.

THE BEST CDRAMA IN XIANXIA OF ALL TIME. TTEOTM is one the first cdrama I have watched and this one is my first drama starring BL and LYX, and I could say their chemistry pretty much clicked.

what I literally quite like all of the elements: production, plot, acting, cgi, ost — these hit me really hard in the heart once you get deep into it. PLUS thr character development?? I LITERALLY CRIED MYSELF AT TANTAI JINS STORY. LYX acting was on point too! tantai jin may appear ruthless, hollow — a demon. BUT once you really know the story, you would soften for him. NOW, on how the fl and ml progressed throughout when ml was still locked or powerless, i really liked the pacing of fl; the effort. cause naturally, ml is cold towards flmat the start but eventually warms up.

I dont really remember much as I'm writing this review in 2026 when I watched this in 2023 lol ( yes i dont rewatch dramas, not even 1 drama💔) but overall, I would keep recommendng this drama. Even though it has been almost 3 years (2023-2026) since the drama was aired, i think none could compare — not even in the slightest, for me. Cause TTEOTM hits hard especially when its one or the first cdramas you watched, it sets the bar HIGH .

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If you want something different from the usual Marvel or DC superhero stories

I watched this series between 17–28 May 2026. At first, I thought it was just another rom-com, but within a few minutes I realized it was actually a superpower fantasy series.

The story follows ordinary people who suddenly gain strange superpowers and end up fighting mysterious villains. What makes the show different is that the powers are not always cool or perfect. Many of them are clumsy, funny, and create some really entertaining situations.

The series is set during the 1999 Y2K era, where mysterious villains and fictional powers create a unique world. Sometimes it feels like an emotional family drama, and other times it turns into pure slapstick comedy.

The pacing can feel a little uneven in a few episodes, but the warm-hearted characters, humor, and human emotions keep the story engaging.

If you want something different from the usual Marvel or DC superhero stories, and you like relatable characters with unusual powers, then you should definitely give this series a chance.

From my side, I would give it 7 out of 10. It is definitely a good one-time watch.

Content Type: K-Drama (Web Series)

Genre: Superhero, Fantasy, Action, Comedy, Drama

Writer/Director: Written by Heo Da-joong. Directed by Yoo In-sik.

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BarthTanrak both deserve sunshine

Ticket to Heaven is one of those series that stays with you long after you've finished watching it.

After watching the initial pilot and later the trailer, I was already expecting an emotional story, but I wasn't prepared for just how deeply it would affect me. This isn't a drama that simply tells a love story of two highschool boys, it is so much more than that. TTH is a story about identity, faith, love, the courage it takes to question everything you have been taught, your purpose/path in life and what it truly means to love yourself, even when that choice comes at an unimaginable cost.

What makes TTH stand out compared to other BLs is the way P'Aof (director) took the risk and broached the rather delicate topic of compatibility of homosexuality and religion with sensitivity and not with contempt.
The series doesn't paint their characters ( i.e. Father Arnon and Magdalena House) as purely right or wrong, it shows that there is no easy answer to a moral question, but rather different nuances. TTH rather shows us different people who got shaped by their beliefs and upbringing, allowing us viewers to understand where everyone is coming from and why some behave the way they do. The characters, specifically Barth and Tanrak, are confronted with new moral obstacles in each episode. Every decision they make, no matter how big or small, carries an emotional weight because it doesn't affect only them but it affects the relationships with the people around them, the same people they've always called home (i.e. Father Arnon or Kongdech).

Barth and Tanrak aren't those perfect characters, no they have their own flaws which makes their struggles and behavior so much more relatable. As an empath, watching Tanrak navigate the conflict between the expectations he put on himself, namely following his religious path in order to meet his parents in Heaven and personal happiness is bittersweet - on one hand it's heartbreaking how he thinks that loving someone will keep him away from God and on the other hand so beautiful witnessing his journey of finding his true self. His fear of rejection, the desire to belong, the guilt that comes from feeling like you're disappointing the people you love, and the longing to be accepted without having to deny who you are all feel so real.
Also seeing how the loud and mischievous Barth become an insecure boy whenever Tanrak was pulling away from him, how much little Barth had to endure under his father's abuse, how the accumulation of various incidents made him turn away from God and also how he was completely alone in the world and saw Tanrak as his lifeline made his character so multidimensional and interesting.

And let's be honest, GeminiFourth's chemistry makes it easy to become invested in their journey, and even the supporting characters add depth to the overall narrative. They both portrayed their characters so magnificently to the point that you were crying, laughing and suffering with them in every single episode. The way Gemini and Fourth used their mimics, gestures, body language and voice to transmit the character's feelings were simply out of this world and both of them deserve all the recognition in the world. GeminiFourth absolutely smashed these characters, they weren't just playing those roles, no they were actually Barth and Tanrak. And one a little side note, seeing how much GeminiFourth evolved as actors since “My School President” is simply INSANE.

Visually, Ticket to Heaven is beautifully done. The cinematography, the different shooting location and the attention to the color schemes enhance the emotional atmosphere of each scene, letting the viewer have a peak into the characters' emotional state. Not only the cinematography was magnificent, but also the OST done by GeminiFourth complements the series perfectly and somehow draws you even more into the world of BarthTanrak. As a person who loves the use of symbolism in series, TTH really delivered and made me so giddy whenever P'Aof involved objects/colors/angles to support the visual aspect of the storytelling.

In conclusion, Ticket to Heaven is a moving, thought-provoking drama that balances emotional storytelling with beautiful production and memorable performances. It's the kind of series that leaves a lasting impression whether you want or not. Whether you're drawn to character-driven stories, meaningful themes, or heartfelt romance, this is a series that's well worth watching.

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we need more kdramas like this

this was difficult to watch at times, but im glad i did.

firstly, all the characters were amazing. they were layered and they did things and said things that felt real.

the plot progession was good. i like how selling a product didn't take too less or too much time. also liked how their desperation to make it through just one more day was always on the horizon because of the crisis, it actually never felt like typhoon trading had money.

i cried a lot, and laughed a lot and while many people found this drama unbearably negative, i liked it for that reason. we, as a audience, are so used to watching a hero who can always save the day that a helpless guy like kang tae poong, who knows as much about trading as an average person, felt weak. but that's the real thrill of the show— learning how to fly little by little alongside this guy.

my most important discovery though was lew junho. what an actor, and what a splendid performance. whatever he got paid for this project, it definitely was not enough. from the way dressed himself to the way he talked to the way he glowed and sometimes giggled like a little kid, i just fell in love with him as a character.

ps. i really hope that lee junho colors his hair oreo irl for a 2pm comeback too, it really suited him so well and we lost oreo junho in just a single ep.

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One of the Best GLs but With Some Flaws

I loved the show overall. It's my first show that I completely watched in a long time (I don't really watch shows).

The casting, the talent, the acting, the stories, and even the sexiness and comedy were all great. I liked how they kinda switched up from the Novel and took their take to not make it a full adaptation from the novel, as it'll be predictable. JanJingJing has some of the best acting and chemistry I've seen out of a duo, and I hope they get another series soon.

Now, besides all that, there are some flaws with the show.

Pacing
Episodes 7-9 felt like they were trying to add too much drama. The Korn Trope was unnecessarily too long and could've been resolved within 1-2 episodes; we already got Wine's emotions, trauma, and issues with the company, which are good enough drama. We also didn't do any heroism for it, besides probably Wine stepping up against Korn.

Episode 10 had some flaws as well, but it's still a good episode. I think they tried to cram a lot. Like, I thought it was gonna be a more cutesy love story after the Korn stuff, but they added a completely unnecessary drama arc for half the episode over a small thing. At least they made it comedic to save it in the end. Not enough LalWine moments. Maybe that's why there's a Special Episode. Also, I didn't like the development of Proud and Tangkwa. They basically had little screen time, and yet they wanted them to be girlfriends? I guess they'll learn more about each other as they date

Nitpicks: Color Grading
I'm a video editor, so this does bother me a bit. Some scenes were WAY too blue and moody. Certain office and outdoor scenes could have benefited from brighter, more vibrant colors—especially when the tone was meant to be lighthearted and comedic.

Overall, this is definitely one of the top GL series of the year and should absolutely be on your radar if you’re looking for something new to watch. Don’t let my critiques discourage you—this is just my personal opinion, and the show is still very much worth watching.

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How Dare You!? Fool Me Like That!

I kept putting off How Dare You!? because I simply was not in the mood for another comedy. Then because of Cheng Lei, I finally gave in, fully expecting a lighthearted palate cleanser. Instead, the drama pulled off one of the biggest bait and switches I have seen in a while. It dresses itself in comedy, only to slowly reveal that beneath all the jokes, fourth wall breaks, and ridiculous situations lies a surprisingly tragic story.

The story follows workplace rookie Wang Cui Hua, who suddenly wakes up inside the pages of a novel as the infamous demonic consort Yu Wan Yin. There, she discovers she is not the only transmigrator. Emperor Xia Hou Dan is actually Zhang San, someone from the modern world who has been trapped inside the novel for nearly a decade. Like two chess players who unexpectedly realize they are on the same board, they rely on their knowledge of the story to outwit dangerous enemies, survive ruthless palace politics, and challenge a prophecy that insists only one of them can live to see the peaceful future they are trying to build.

The first episode was pure fun. Watching Cui Hua and Zhang San awkwardly test whether the other was also from the modern world while trying to navigate an unfamiliar fictional setting was endlessly entertaining. I find it brilliant to use “how are you? I’n fine thank you, and you?” to find out who’s a transmigrator. Their modern references, chaotic teamwork, and shameless glances at the camera gave the drama a playful charm. Then came the second and third episodes, and suddenly tragedy barged in without knocking. Characters started dying. Violence became more frequent. The stakes grew heavier. Yet somehow the comedy never disappeared. Instead, it became a coping mechanism. The laughs never erased the pain, but they made the journey easier to carry. Of course, the tragedy itself was obviously intentional. It felt comical and somehow highlights that they are in a novel. As the political conflicts became more serious, the drama balanced its darker themes with enough humor to keep everything surprisingly digestible. I did find some palace politics scenes dragging a little, but they ultimately gave the story much more depth.

Wang Cui Hua was an absolute delight. She was bright, loud, vibrant, and completely unapologetic about bringing her modern personality into a historical world. What I appreciated most was that she never tried to become the person who knew better simply because she came from the future. She embraced living as Yu Wan Yin, sympathized with the people around her, and genuinely wanted to help clean up corruption and endless power struggles. She carried herself with so much personality that even the way she walked became memorable. Her first entrance into the Emperor's chambers with that confident, flirty swagger instantly became iconic. Whether casually sitting with her legs wide open or gracefully walking through the palace in breathtaking costumes, Wang Chu Ran completely owned both Cui Hua and Wan Yin. She balanced flirtiness, humor, determination, vulnerability, and heartbreak effortlessly. It certainly helps that she looked absolutely stunning throughout the entire drama. I lost count of how many screenshots I took of her costumes despite knowing I will never wear them.

Then there is Zhang San, easily one of the most tragic characters in the series. Imagine entering a novel as a teenager, growing up entirely inside its world, and slowly forgetting your real life. After nearly ten years, Zhang San had become Xia Hou Dan in every sense of the word. He mastered court politics, learned to survive endless schemes, and even perfected the act of pretending to be an incompetent puppet emperor just to fool the Empress Dowager and Xia Hou Bo. When Cui Hua finally appeared, he was no longer just relieved to find another transmigrator. He had finally found someone who understood the loneliness of existing between two worlds.

Cheng Lei once again reminded me why I keep watching his dramas. His greatest strength has always been his facial expressions. He can deliver the smallest, softest emotions just as convincingly as explosive anger, grief, or comedy. His performance made Zhang San's internal conflict feel believable. There were moments when he admitted he had deliberately drawn information from Cui Hua to help himself survive, and instead of making him feel manipulative, it made him feel painfully human. Survival had become second nature. Yet despite his own motives, his feelings for Cui Hua never felt dishonest. When he told her, "In you I found home," it became one of the sweetest lines in the entire drama. There was one small detail that felt inconsistent, though. Since he had spent nearly a decade living entirely as Xia Hou Dan, hearing him casually mention needing a CT scan, even when Cui Hua was not around, felt oddly out of character. By that point, modern vocabulary should have come much less naturally.

The chemistry between Cui Hua and Zhang San was one of my favorite parts of the drama. They were lovers, partners, best friends, and fellow survivors all at once. They respected each other, trusted each other, and always found their way back to each other no matter how dangerous things became. Their relationship never relied on possessiveness or misunderstandings for drama. Instead, it was built on quiet support and mutual understanding. Some of my favorite scenes were simply the two of them eating hotpot together. There was something wonderfully hilarious about watching modern souls happily enjoying hotpot while dressed in elaborate historical costumes. Their planning sessions, complete with occasional looks straight into the camera, were equally entertaining. Beneath all the laughter, though, was the bittersweet reality that they were the only two people who truly understood each other's circumstances. They were wandering souls who finally found home in one another.

One of this drama's greatest strengths is how memorable its supporting characters become. Xie Yong Er completely surprised me. At first, I was convinced she was another transmigrator from the modern world. Later, I became convinced she had come from the future. I was wrong twice. The reveal that she was actually a fictional character who had transmigrated into another fictional story genuinely made my brain short circuit. It was such a clever twist. I loved her friendship with Cui Hua, their girls' moments together, and seeing her happily sharing hotpot and dumplings with everyone. That only made her tragic fate hurt even more. I was rooting so hard for her happiness, especially with Xiao Tian Cai.

The tragedy did not stop there. Xu Yao's death came shockingly early and signaled that nobody was safe. Then came the scholars, whose unwavering loyalty to justice turned them into one heartbreaking sacrifice after another. After the first scholar died, I should have realized what the drama was preparing me for, yet every subsequent death still landed. The series did an excellent job developing even its supporting characters enough that losing them genuinely hurt.

The death that broke me the most was Bei Shu's. He was far more than Xia Hou Dan's loyal protector. He became the father figure Zhang San never had during all his years trapped inside the novel. Watching Zhang San lose the one constant source of unconditional support was devastating. Even knowing the narrative reasons behind his sacrifice, I still cannot shake the feeling that it was unnecessary. Seeing him lying inside the casket genuinely broke my heart alongside Zhang San's. Cui Yi and Fan Siu Wong portrayed Bei Shu with so much warmth that his absence left a lasting void.

As for the villains, Xia Hou Bo and the Empress Dowager were thoroughly detestable. Xia Hou Bo had the classic tragic backstory of an abused child growing into a resentful adult, but his suffering never excused his actions. Manipulating Yong Er, using her love, and forcing her into such cruel circumstances made him absolutely disgusting. Tang Xiao Tian played him remarkably well because I spent most of the drama wanting someone to punch him. The Empress Dowager was equally infuriating. Power mattered more to her than anything else. She manipulated Xia Hou Dan, isolated him from everyone he cared about, and remained determined to control him even after he saved her life.

Visually, this drama was absolutely gorgeous. Normally I find overly polished historical dramas a little too artificial, but here the dreamy aesthetic actually worked. The costumes were easily one of the production's biggest strengths. Yu Wan Yin's wardrobe was simply breathtaking, while Xia Hou Dan's elegant robes and hairstyles perfectly complemented both his character and Wang Chu Ran's glamorous appearance. Together they looked like they had stepped straight out of an illustrated fairytale. The soundtrack also grew on me. At first, it barely registered. By the end, the songs had quietly settled into my head and refused to leave.

The ending may not satisfy everyone, but I appreciated what it tried to do. The fictional world wrapped up much like a classic novel with hope after overwhelming hardship, even if a few threads remained unresolved. The sudden return to the modern world happened so quickly that I barely had time to process it, but given the limitations, it was probably the closest thing to a satisfying closure. What I appreciated most was that the drama addressed the exact question I had been asking myself. Were Cui Hua and Zhang San only in love because they happened to be the only two modern people trapped inside the same novel? Would they still choose each other back in the real world? Zhang San's quiet reassurance that they would was enough for me. I may still have my doubts, but sometimes closure does not need certainty. Sometimes hope is enough.

Overall, How Dare You!? turned out to be so much more than I expected. It tells a solid story filled with lovable characters, heartbreaking sacrifices, palace intrigue, beautiful visuals, dreamy costumes, and a soundtrack that slowly sneaks into your playlist. Most importantly, it understands that laughter and grief are not opposites. They often sit at the same table, sharing hotpot while pretending everything will be okay.

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this is easily most heartbreakingly beautiful film i have ever seen in my entire life.

the cinematography was absolutely gorgeous and i loved how the series was just 2 broken people navigating what love and care means. and although they don’t face the exact challenges when it comes to their familial neglect, it doesn’t change the fact that they both experienced abandonment and standards.

i loved how they open haruki was about getting to know jin but still being careful knowing what type of image that might create for him. i love their mutual sacrifice for one another despite knowing the consequences of being involved with each other. i absolutely loved how haruki found meaning in his life through jin and how he dropped habits for him while Jin ended up picking them up. it really shows how strongly they felt for one another and how distance wasn’t going to change that.

i thoroughly enjoyed how after they met again in the timeskip haruki wasn’t afraid to get straight to the point and continue to keep in contact because he didn’t want to lose jin again.

the line, “your sea and my sea must be connected somewhere,” really spoke to me, and so many lines were so beautifully written it makes me forget that films like this even exist.

haruki’s letter to jin especially broke my heart and really showed me the lengths he’d go to change for him. him leaving behind the cd and his letter inside shows his growth to leaving behind his past and starting a new life, the lines in his letter,“if i hadn’t met you, i think i would have lived hating myself forever. being around you made me think i wanted to become a proper person for the first time. you, who are so extremely different from me, are exceedingly special to me. i think you’re amazing. i began to want to be a person who is worthy of that you.” it really characterizes his growth and his willingness to try harder. even just going to school more often because haruki wanted to see jin was progress. and i feel like the story was slightly realistic when haruki really believed he couldn’t change when he got accused for the shoplifting incident. i think it really shows how jin and haruki can’t fix each other entirely, but they can grow towards new versions of themselves together.

there’s a common theme in these type of films where they will use a time skip to emphasize growth and a lot of them are done poorly. however, i think the time skip in our youth is one of the examples of a time skip done properly and executed well. i loved how neither of them were actively seeking each other out and how haruki had proper time to grow and develop into a “better” person before meeting jin again. the time spent apart taught them a lot about themselves and the people they want to become and i think that aspect of the series was beautifully done.

overall, so beautiful and i will never forget the first time i watched this.

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the brother is mvp

jujur ga nyangka nyawanya selemes itu anjir kek kepentok dikit masa ganti aja, but overall i love all the cast character development nya oke banget tertama bang geul sama abangnya and for the sister i forgot your name but i hate you girl so much, i think the one who hurting so much in this drama is the brother i mean imagine having a twins so villain and having a wife that you really looked up to but she’s stabbed you on the back at the same time that’s hurt babe. and im really happy seeing the the sisters husband aka the doctor he’s really caring and girl harusnya dari dulu lu quality time woth your husband ga usah tamak banget pengen jadi chairwoman jadi gila kan sekarang

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Warm "real genuine" kdrama

The only site where I found eng sub had only till ep 17. Well too bad I could not watch anymore, but what I saw, was enough, This is a warm family drama, genuine kdrama, sure it has some soap, but it is very well done. Sure it has lots of plot and happenings and could spend more time on character development. Overall, it is a nice genuine kdrama watch.

ML actor is fascinating, bc he can look anything from really mean nasty gangster all the way to very gentle child. I dont think I saw him anywhere else I started actively watching in 2019.

This was filmed before plastic surgery and dieting to super skinny and bleached hair and pale faces. ML is super handsome and more manly and good looking than any of the the modern metrosexual manicured plasticized dudes. And the houses have a lot brighter colors and a lot more wood. It is FASCINATING to see the REAL Korean drama.

Also, the WARMTH, this is much warmer and "humane" than modern kdramas, which tend to be very bland, with many main characters being poker faced, and family and community not important.

yeah sure in this drama, ML actor is the only really good actor in the kimchi family, but he is so good at acting that he is able to carry the drama.. The only poker faced in the drama are Uncle and Dad, and they are minor characters. The thugs and villains actors are great

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A Powerful Premise That Deserved More Room to Breathe

I wasn't planning to watch Teach You a Lesson until a friend insisted I'd enjoy it. After finishing all ten episodes, I can honestly say it surprised me.

The series takes a bold approach to school violence by combining action, crime, and social commentary. Rather than simply presenting bullies as villains, it examines the failures of parents, schools, government, and society that allow these problems to grow. Its message is clear: actions have consequences, adults must lead by example, and raising children is a shared responsibility.

Watching the ERPB confront bullies, corrupt teachers, abusive parents, and other terrible people is incredibly satisfying. While the show's methods are obviously fictional, there's something cathartic about seeing justice delivered in ways reality often can't provide.

Unfortunately, the series doesn't always live up to its fantastic premise. Many storylines feel rushed, the Bureau's authority often stretches credibility, and several plot developments rely more on convenience than logic. Some supporting characters are underused, and the final episodes sacrifice realism for spectacle.

Even so, I never found myself bored. The action is entertaining, the themes are relevant, and the show isn't afraid to start conversations about difficult issues affecting schools today. It's an imperfect adaptation with plenty of flaws, but its heart and message ultimately outweigh its shortcomings. I genuinely hope it gets another season because there's still so much potential left to explore.

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THIS IS SOOO GOOD CAN I RATE 1M out of 10?

THIS IS THE BEST SERIES I'VE WATCHED THIS YEAR IT'S IN THAT LIST ALRIGHT!

It gave me the same happiness and excitement as Duang With You, Bad Buddy, and My Stand In .

(IT'S THAT GOOD 😍❤️🥰♥️)

Please make more series like these the story is saurrr good like what? it's unpredictable like you can't predict what will happen next like its not like the other series that you can predict what will happen next

This is sooo good all the actors are good in acting like the crying scenes made me feel what they felt brooo 😭😔

CHINESE BLs ARE ON A WHOLE ANOTHER LEVEL LIKE REVENGE LOVE BRO THISS SERIES IS SOOO GOODD 😭😭

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Clear the Game or Di3

Arisu, Chota and Karube walk out of the building only to find the supposedly bustling city being totally empty, devoid of any living beings whatsoever. They find instructions for them to participate in games where clearing it will reward them with visas - basically pass for them to stay alive. If the visa expires before players manage to join a game, a laser will shoot from the sky straight into their heads, which of course ends said life. As they try to clear each game, Arisu comes across an intriguing girl called Usagi, a mountain climber with superior agility and skill at scaling vertical objects, and both end up sticking with each other to find the game master so they could return to the real world.

Coming from a generation that grew up with Battle Royale and the likes, hardly any scene of this show fazes me, despite them being all bloody and gory. The games are somewhat interesting, but the real motivation for me to finish the show is actually to see the real puppeteers behind those games.

Arisu, although comes from a somewhat well-off family, is not the hero type - he can’t fight, he is not stunningly handsome, he generally panics first and think later, and he used to live his life as a loser back in the real world, being frowned upon by his family as hopeless, thus suffers from considerable low self esteem. He wastes his life with video games and hanging out with equally hopeless friends. So yeah, he is not the ideal hero ML. But one thing he possesses is a very perceptive and quickwitted mind that analyzes situations in a more detailed manner than the usual bloke. This is the only thing that gets him through those games in borderland. You dont get to enjoy an ML who could fight off bad guys or protect his female counterparts. Nope! Scratch that expectation off. Arisu instead gets beaten all bloody quite a lot in here, and he doesnt really lift a finger to fight back. He is a total living punching bag, which sometimes frustrates me to watch as I am more inclined towards physically strong roles. But the show must go on, and my curiosity of the game master trumps my getting cringed at how physically weak the ML is.

Although the ML is weak and rather uninteresting, the females roles here have quite a range of interesting characteristics. We have Usagi the mountain climber, Kuina the black belt transgender, Ann the police forensic lady and Mira the mysterious psycho. The show really picked up when they finally arrived at The Beach that supposedly hold all the answers the players needed. Or so it seem.

Anyway, this is a total survival story, don’t go expecting smooching romance or mindblowing fight choreographs. There are lots of blood, gun shoot-out and knife and sword slashings with occasional racy bedscenes among unimportant characters, and head’ss up for rather icky almost r@pe scene, though. So be advised.

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