Reviews

Another amazing lakorn but such a waste of good Thai lakorn cause it's only sub till ep 4

So the story is about a handsome police officer named akkanee who's twin brother dies in some village where there's two rival farms who are enemies there's also a cute girl name man who has to live like a man because of her grandpa who want her to be strong but forcing her to be live like a man even if she's women don't take me wrong but I just don't like the fact that he wants her to live like man even if she's women when sometimes become weak he treats her like a dirt not understanding that she's young girl almost like a kid love the bickering and lovey dovey moments of akkanee and man.sadly I can only watch till ep 4 cause rest of the episodes are raw such a waste of good Thai lakorn I hope it get eng sub some day so I will watch this entire series became a fan of guy ratchanont hes my type .handsome and strong ♥️♥️

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GBYFD é divertido e interessante, mas acho que os últimos 3 episódios foram bem ruins. Roteiro todo jogado, cenas sem sentido, decisões burras e nada verossímeis das personagens.

é gostosinho de assistir, mas não é nada demais. Não consigo gostar da atuação do Pooh. Entretanto, Pavel estava ótimo. Acho que funcionam bem como casal, mas pooh deixa a desejar em algumas cenas. Ele não te convence do que o personagem está sentindo, ou que deveria estar pelos acontecimentos da série.

Outra coisa que me incomodou bastante foi a constante alternância entre cenas de morte e terror com cenas fofas e românticas dos casais. Era sempre assim, fantasma mata alguém, cena do thup colocando máscara de gengibre, sangue abessa corpo morto, eles de chamego.

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Double Helix foi incrível na primeira parte da faculdade e depois achei que ia só melhorar, sabe, com certeza mudar o tom e dinâmica mas continuar bom e prazeroso assistir. Entretanto, o segundo arco é terrível, cheio de abuso/estupro, e o roteiro se embola todo e fica péssimo.

O final redimiu algumas coisas ruins, mas ainda acho que foi tão ruim que não dava pra salvar. Não sou muito fã de dark DARK romance, mas acredito que se for bem feito e bem roteirizado pode ser bom de assistir. Com certeza não foi o caso de DH. Casal ótimo e atuação boa, tem ótima química. Casal sec descartável e chato

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More Than Revenge, More Than Romance-Finding Home After Losing Everything

When I started The First Jasmine (Mo Li), I expected another beautiful historical romance built around revenge, palace intrigue, and a slow-burn love story. Instead, I got something far more thoughtful. This isn't simply a revenge drama or a romance wrapped in political intrigue. It's a story about grief, survival, healing, loyalty, and the choices people make after losing everything. At its heart, it's about the fall of one era and the rise of another, where every character is fighting a different battle. Some seek revenge, some want to restore their family's honor, some are trying to clear the names of those who died unjustly, while others desperately cling to power because admitting they were wrong would mean accepting that their entire lives were built on mistakes. Every alliance has consequences, every victory comes at a cost, and every political decision leaves ordinary people paying the price.

As someone who loves history, I found the political writing incredibly refreshing. Rather than presenting a simple battle between heroes and villains, the drama explores how power shifts, how loyalty changes with circumstance, and how survival often requires morally difficult decisions. At times, it genuinely felt like watching a historical lesson instead of a work of fiction. The politics never existed merely to create tension. They shaped every character's motivations, relationships, and choices, making the world feel authentic and believable.

One criticism I've seen repeatedly is that the drama is slow, but I never agreed with that. To me, a slow drama is one where the story stalls and episodes are padded with unnecessary filler. **The First Jasmine** never felt that way. It's simply a character-driven drama rather than an event-driven one. Instead of rushing from one twist to the next, it allows every important relationship and emotional wound the time it deserves. Every conversation, every silence, and every small decision contributes to understanding who these people are. I stayed completely invested throughout all forty episodes because I cared about the characters just as much as the plot.

The drama's greatest strength is undoubtedly Ye Li. Historical dramas often advertise "strong female leads," but that strength is frequently reduced to physical combat, reincarnation or transmigration storylines, or an exceptionally intelligent heroine whose brilliance is confined to household politics. Ye Li is refreshingly different. Her strength comes from her intelligence, resilience, emotional endurance, and quiet conviction. The epidemic at Lishan isn't simply a tragic backstory that's forgotten after a few episodes. It continues to shape every decision she makes throughout the drama. She carries survivor's guilt, quietly dedicates herself to protecting others, and refuses to let her grief define her. She never needs someone to rescue her because her greatest weapon has always been her mind. Watching her patiently outmaneuver her enemies through strategy while carrying unimaginable pain made her one of the most memorable female leads I've watched in recent years.

Mo Xiuyao complements her perfectly. He's not written as the flawless hero who swoops in to save the heroine, nor is Ye Li there simply to heal his physical injuries. Instead, they become each other's greatest source of comfort. Ye Li restores his confidence long before she helps him recover physically, while he becomes the first person who truly understands the loneliness she has buried beneath years of composure. Their relationship is built on trust, mutual respect, patience, and quiet understanding rather than dramatic misunderstandings or overwhelming passion.

Because the romance is so restrained, much of its emotional impact comes from Bai Lu and Cheng Lei's performances. They don't rely on grand romantic gestures or excessive physical intimacy. Instead, they communicate through lingering glances, subtle expressions, and carefully measured silence. Their chemistry isn't loud. It exists in the way they look at each other, the way they listen, and the way they instinctively understand one another without needing words. Bai Lu delivers one of her finest performances to date, portraying Ye Li's grief with remarkable subtlety. Even in scenes where she says very little, you can feel the weight of everything her character has endured. Cheng Lei is equally impressive, bringing quiet dignity and vulnerability to Mo Xiuyao. Together, they elevate every scene they share.

One thing that deserves far more appreciation is the production design. Every frame feels carefully crafted without ever looking artificial. I absolutely loved the makeup and styling because they embraced natural beauty instead of trying to hide everything behind heavy filters. You can actually see the actors' real skin texture, natural complexion, and expressions, which made the emotions feel much more genuine. The costumes are elegant without being overly extravagant, and the sets strike the perfect balance between grand and lived-in. The use of natural wood, earthy colors, stone, and soft lighting creates an atmosphere that feels warm, timeless, and authentic. Nothing feels excessively decorated or overloaded with accessories just to look expensive. Every room, courtyard, and palace feels believable, as though people genuinely live there. It is the perfect amount of detail without ever becoming distracting, allowing the story and performances to remain the focus.

Another aspect I deeply appreciated was how the drama portrays women. Instead of forcing modern ideals into a historical setting, it explores the different ways women exercised influence within the limitations of their time. Ye Li, Guo Jin, Qing Shuang, and the other women each navigate power differently through intelligence, strategy, sacrifice, or political manipulation. Their stories never feel secondary, and they offer a refreshing perspective that is often overlooked in historical dramas.

The supporting cast is equally memorable, with each character contributing meaningfully to the larger narrative. Their individual stories never feel like distractions because they all reinforce the central themes of loyalty, family, sacrifice, and survival. Even the antagonists are written with enough depth to make their motivations understandable, reminding us that history is rarely divided into purely good and evil people. I also appreciated how the drama handled Guo Jin's ending. Rather than giving her a gruesome punishment, it allowed time itself to become her greatest enemy. After spending a lifetime controlling everyone around her, she ultimately faced the one thing no ruler can command. I found that far more poetic than a conventional revenge ending.

The drama isn't flawless. There are moments where the editing feels abrupt despite its forty-episode runtime, and a few supporting characters deserved stronger development. I also wish Princess Lingyun's storyline had been explored more deeply because it held enormous potential. However, these are relatively minor shortcomings in a drama that consistently remains emotionally engaging from beginning to end.

Ultimately, The First Jasmine isn't really about revenge, despite revenge setting the story in motion. It's about finding hope after unimaginable loss, learning to trust again, and discovering that healing isn't something you achieve alone. It asks its audience to understand people rather than judge them, to recognize that history is shaped by flawed individuals carrying impossible burdens. By the time the story reached its beautifully understated conclusion, I realized the greatest victory wasn't defeating enemies or reclaiming lost honor. It was watching two broken people slowly find a place where they could finally call home. That is what stayed with me long after the final episode ended.

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09/10 Amazing !

9/10 A Powerful Adaptation with Its Own Identity

I understand why fans of the original webtoon may be be disappointed by some of the changes, but judging the anime on its own merits, Lookism delivers a compelling and emotionally engaging story. It tackles themes of bullying, self-worth, appearance, and discrimination in a way that feels both accessible and impactful, while never forgetting the human side of its characters.

The animation is fluid, the soundtrack fits the emotional beats perfectly, and the pacing keeps the story moving without sacrificing important character moments. Daniel’s journey from insecurity to self-acceptance is handled with sincerity, and the supporting cast adds plenty of personality, humor, and heart.

Yes, some plot points and characters differ from the source material, but adaptations don’t have to be carbon copies to succeed. Instead, this version offers its own interpretation while preserving the core message about judging people beyond appearances.

Whether you’re familiar with the webtoon or discovering Lookism for the first time, the series is entertaining, emotional, and surprisingly thought-provoking. It balances action, comedy, and social commentary remarkably well, making it one of Netflix’s stronger anime adaptations. A confident 9/10.

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Amei muito esse BL!! Assistir isso da aquela sensação de conforto, de paz, de estar em casa sabe. Ao mesmo tempo a trama se torna interessante o suficiente para te deixar angustiado e ansioso pro que vai acontecer.

As atuações foram perfeitas, tanto das personagens principais quanto do elenco de apoio. O casal principal foi ótimo, tem muita química e passam perfeitamente bem o que os personagens estão sentindo. Além disso, o desenvolvimento da história deles, mesmo que perpassado por todas aquelas questões de distorção do espaço e tempo, foi incrível. Ver a amizade deles florescendo na escola e depois sentir que estavam finalmente se encontrando e podendo se amar foi muito recompensante. Ademais, a relação do He Xiangyong com seu pai foi linda e aqueceu meu coração.

O casal secundário não fica pra trás, muito bem desenvolvidos e extremamente bons!! Odeio sentir em bls que o casal secundário está ali só pra passar tempo de episódio, nesse bl isso não aconteceu. Suas cenas eram interessantes e você torcia para eles tanto quanto para o principal.

Gostei de QUASE tudo. O final foi satisfatório, mas acredito que poderia ser melhor desenvolvido e explicado. Acredito que por falta de tempo para mais episódios, decidiram fazer uma resolução mais acelerada. O que na minha opinião prejudicou a conclusão da história. Entretanto, ainda gostei das lições que o "teste da estrela cadente" ensinou, e de certa forma foi uma maneira de finalizar com um final feliz!

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Plot twist and ending

Let's starts with main couple.....
They good ,I loved em Nd their moments were super cute ...not a hectic NC scene but it was a bit hot overall I liked em

Now the other couples...
I like the student /doc couple they really something,.Nd their NC scene was aweeeessooooome ,I dot no issue with em the top is surprising that too the bottom ... As for the gl that I predicted on their first encounter wasn't bad but hated the girl for outing everyone Nd causing a scandal after so much progress



Lastly WTF with the ending ,I get they were trying to do things differently but the loop shld have been myb a scene from 10yrs later telling each other I love u or maybe wen the ZW opens his eyes from the surgery...idk just saying Caz yoh I can't with ending Nd still who is the mysterious Yakuza guy and the dads dark past??? Alot of questions are left unanswered or will the be a s2?

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I expected a lot, maybe thats why i‘m dissapointed

Its finally avaiable in my country so I watched it with high expections after it was hyped so much last year. Choi Woosik steal the show and his acting was too good for this drama. The FL act in literally every scene like this whole show is akward for her and even Choi could not catch her up. There was zero chemistry. The story about the sidekicks was way more interesting. And the Ex was so annoying. my ratings alone for Choi Woo Sik. I‘m so sorry he gave himself away for this 💔

Sorry my english not so good to express what I‘m thinking. but yeah. I kind of not liked it.
Childtrauma, mean Uncle and rich relatives, pls bring something new

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It was good until ep 8

This show had so much potential. We have a main couple who come from two different worlds, crime plot and some personal drama on the side. Unfortunately this show lost it's excitement and tension after the first half.

The show on paper has a very interesting plot that progresses very well until episode 8. The suspension of Krit and Wayu trying to work together to solve the human trafficking case, while navigating their feelings keeps you watching and waiting for another episode. On the side the criminal case and falling in love, both of the main characters have issues in their family life they are navigating. Best part of the show for me was especially seeing Wayu's character development from somehow bit naive host, realizing that he needs to start making decisions for himself and his family that will be better in long-term future and setting up boundaries with Krit.

Unfortunately the shows suspension falls apart in episode 8 onward, and what I was not a fan of at the end, was the crime plot almost completely fading in the background and the show turning into a family drama. This would not be an issue if the show would have been promoted as such, but the catch that made me want to watch this was the crime aspect and the main couples relationship development as the case progresses. The end result of the family drama is also very unsurprising, if you have watched a lot of Thai BLs with this kind of a story ark.

What was also bothersome for me, as the show ended, was that what if Krit was not injured in a life threatening manner, would he still have had the guts to stand up against his father and choose Wayu? Considering how fast he was just willing to move on to marrying some random politician's daughter after his and Rose's fake relationship failed, just to appease his father, makes me question his readiness to defy him, if he had not almost lost his own life.

I think the show would have been better as 10 ep show. In terms of acting and production this was a high quality show and for those who are fans of Up and Poom this will probably still be enjoyable even if it's not perfect to the very end. In conclusion it was just okay for me, not the most memorable, but not a completely bad BL to watch either.

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Nem amei, nem odiei: só fui até o final

Não tenho muito o que falar dessa série. Ela segue bem o estilo das produções coreanas ambientadas no interior/litoral: ritmo mais calmo, paisagens bonitas, personagens simples e aquela vibe de cidade pequena.

Quem gosta desse tipo de dorama provavelmente vai curtir bastante. Eu assisti mais para passar o tempo e porque já tinha começado, mas confesso que esse estilo não é muito a minha praia.

Mesmo não sendo o meu gosto, achei uma série legalzinha para acompanhar. Não me prendeu tanto, mas também não achei ruim. É aquele dorama tranquilo, sem grandes emoções, ideal para quem procura algo leve.

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