Reviews

Amazing ! though …

This BL is good. What I liked most about the drama was its portrayal of hearing loss and the reality of people that struggles with it.

I like the main couple’s characters. Kohei is quiet while Taichi is energetic, straightforward and super kind. I think personalities balance each other well. And overtime both characters had good development throughout the story and has improved alot from who they were from the first episode. (Most especially Kohei.)

I also like the main character’s relationship with their family. (Taichi & his grandpa , Kohei & his mom.) Idk I just find it so cute 🥹 Those little family moments ended up being some of my favorite scenes in the whole drama. Love isn’t always shown through big gestures. Sometimes it’s in the the teasing, spending time with one another and simply being there for each other. Both relationships added a warmth to the story and made the characters feel more real and relatable. (Most especially Taichi’s set up with his parents being divorced & making him live with his grandpa instead.)

But at the middle of the show, I understand that the conflicts between them were caused by miscommunication and misunderstandings but for me it felt like they spent less time together as a couple. Even though I really appreciated the realistic representation of hearing loss and the challenges faced by deaf and hard of hearing people, I can’t help but feel like it took up some of the screen time that could have been spent developing Taichi and Kohei’s relationship and giving them more meaningful moments together and to try to communicate to one another. For me, they should’ve added more episodes.

About the blocked / fake kiss, I honestly wish the writers and the directors didn’t do that 😭😭😭. They were probably trying to stay faithful to the manga but I feel like they should’ve adjusted some things to fit the live action adaptation better.

Besides that, I think Maya’s character was really unnecessary and so sudden. At first I thought she would be nice and be a part of the friendgroup and all, but she was just so mean. She tries to take Taichi away from Kohei and would say awful stuff to Taichi so that he’ll feel bad. I get that her intentions were probably good and she was probably just worried about Kohei and wanted to protect him, but I felt like the way she treated Taichi was unnecessarily harsh which made it hard for me to like her. I also understand why she acted that way because of her back story but I also felt like how they showed her backstory is also kind of late. I wish the show/writers had handled some of her interactions with a bit more warmth or understanding without ignoring the 2nd party’s side / being biased.


And last but not the least, the ending. It honestly felt kinda rushed for me and I expected a little more from the finale.. I was hoping that Taichi would say EVERYTHING that is happening with him to Kohei in the finale or before that. The ending was sweet and all but it wrapped everything up so quickly. I wish they had slowed things down a bit. It wasn’t a bad ending at all ! it just felt like their story deserved a little more time.

Overall, this BL show for me is a 6.5/10.

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This Link did not Click with me...

Oof, this turned out to be a long one. Let me start this review by saying: I'm a huge fan of the original Link Click donghua, but I am by no means a purist when it comes to adaptations of even my favourite works (watching enough Chinese adaptations that completely change the source material while still managing to be excellent in their own merit will do that to you...). In fact, the Chinese live-action adaptation of Link Click falls in this precise category: it changed most of the plot of the source material, to the point where it can only be considered an alternate universe reinterpretation, and yet for me it worked perfectly within the new self-contained world it created, and I consider it to be nearly as good as the original.

All of that to say: I was prepared for this Japanese live-action adaptation to also be its own thing and was expecting to enjoy it for what it was no matter how much of the source material was changed. Unfortunately for me, this series suffered from the exact opposite problem, namely that it relied too heavily on the original story to construct its plotline while at the same time refusing to commit to it fully. The result is that it ended up not having enough identity of its own to stand out as a separate thing.

This can be seen throughout the whole series. There is only ever a suggestion of an overarching storyline (related to Toki's mother), which is introduced in the first couple of episodes only to be quickly abandoned and to forever remain as an afterthought that gets obliquely hinted at by Hikaru vaguely staring into her picture every other episode and sometimes muttering cryptic things to himself until the bitter end. Speaking of, the main characters Toki (Cheng Xiaoshi) and Hikaru (Lu Guang) were mere shadows of their original selves—they were either stripped of their original personality (Lu Guang/Hikaru) or had it dialed up to 1000 to the detriment of the character depth (Xiaoshi/Toki). And because there's no cohesive story linking the episodes together, the characters themselves evolve very little outside of the immediate consequences they experience in response to each case they investigate, and they end up almost unchanged from who they were at the start.

Another issue is that, since the series doesn't seem to have a clear endpoint and therefore any logical progression to follow in order to reach it, the cases Toki and Hikaru investigate start out by copying the ones from the donghua with little variation (except when they conveniently decided to turn the noodle lesbians into brothers, I wonder why that was) and go back and forth between that and convoluted original stories that mostly fall flat as they take place over a single episode, making it hard to care or root for any of the newly introduced characters that will never show up again. This scriptwriting choice made the series feel meandering and lacking in emotional depth, with some misplaced virtue signaling at the end of each case that was supposed to pass off as a "conclusion" but instead just felt heavy handed and poorly written.

There are some positives to this adaptation, though. Firstly, two particular cases were standouts for me: the amnesiac lady with a mysterious past from episode 6 (which introduced a more complex plot and emotionally driven plotline), and the one with the cute teenage romance problems in episode 7. This one was especially interesting because it focused on Rin (Qiao Ling), who was for me the highlight of the series. While her characterization is very different from the donghua, I found it to be well utilized within the story. She often breathed some fresh air into the otherwise clumsy storylines, and in fact far outshined the protagonists with her sweet charm and charisma. The production quality also deserves a shout-out: the set design, styling, wardrobe, and photography were all on point, making the series look polished and avoiding the dated look which I often find issue with when watching Japanese TV shows.

Things did, in fact, start looking up in the second half of the series—mainly due to the two episodes mentioned above—, but by then it was already too late to make a comeback, let alone try to introduce the most important case from the donghua at the eleventh hour (I still get war flashbacks every time I hear her name). By this point the nachos had been reheated so many times that they became a bland, soggy mess, and not even the cute interactions between the main trio could salvage it from being relegated to its final destination: the trashcan.

In the end, what disappointed me most about this series was the writing choices made, as it seems the writers either didn't fully know in which direction they wanted to go or simply couldn't commit to one over the other, which caused the series to lack focus and just never quite manage to stick the landing. And while I was willing to overlook the over-reliance on the original source material for the first couple of episodes (after all, the Chinese live-action also reused a couple of cases), I just don't think an adaptation of a series that already has a (very good) live-action adaptation deserves to take so many episodes to find its footing. After all, if they didn't have a strong enough story to tell, whether it be a faithful adaptation or a fresh retelling, why remake the same story yet again? (The answer is money and a previously established fanbase, obviously).

Honestly, my suggestion is to just skip this one and watch the Chinese live-action adaptation instead. While it mostly reworked the original story from the donghua, I find that this decision actually worked in its favor and the writers were able to utilise the characters and the mostly original script to keep the spirit of the original series alive, something that I personally think this Japanese adaptation thoroughly failed to do. You're not going to find anything other than a lackluster story here, so unless you like the actors or are craving more Link Click in your life, stick to the Chinese versions and spare yourself the disappointment.

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Qing Ye isn’t worth Xing Wu’s Love At All

In short: Dazzling is gorgeous production sabotaged by its own abhorrent screenplay.

The female lead, Qing Ye, simply wasn't worth the male lead Xing Wu's endless attempts. I said what I said, and people need to hear me out because I will gladly explain why.

For starters, this drama establishes a highly compelling premise. We follow a city girl forced to relocate to a small coastal town, where she must learn valuable life lessons. There that she crosses paths with Xing Wu — a brilliant young man who dropped out of school despite his exceptional mind and is now working himself to the bone to support his family. He is not at his best in life when they meet, and that's precisely what makes the setup sing. It’s a bit over spoiled good girl/local bad boy vibes. The foundation is chef's kiss. But the script? Absolutely horrendous. The writers managed to do almost everything else right for every other character in the drama, but they completely fumbled the romance and made baffling structural choices that I will never understand. Let's get into it.

Production Quality

Let me give credit where credit is due, because this drama is genuinely beautiful to look at. The camera work is stunning — cinematic, intentional, and atmospheric in a way that makes you feel the salt air and the golden-hour light of that coastal town. Visually, this is top-tier work. The music, while not groundbreaking and not my favorite, lands well in the moments where it counts. It complements the emotional beats. For a drama set in a small seaside town with this kind of coming-of-age energy, the soundtrack does its job.

The cast across the board is solid. Guan Xiao Tong as Qing Ye did really well in her high school years portraying a young girl, and there was a noticeable and impressive shift in the way she portrayed a grown woman — you could feel the maturity settle into her performance. I actually thought Guan Xiao Tong was a new face because I’ve never seen anything with her before. I had to look up her age. She is 28. So that proves that she landed the part of her younger self well. The supporting characters were actually quite interesting to watch. I enjoyed most of them and their stories because they don't hoard the screen. Sure there were some scenes that I did skip, but it wasn’t too much. They only have enough screen time to make the rest of the story meaningful, and that's exactly how it should be done. The contribute without overstaying their welcome. The development of the supporting cast wasn't hurt or hindered by the pacing issues, which honestly makes the main couple's treatment even more frustrating. But I'll get there.

Chemistry

Here's the thing that makes everything else sting even more: Guan Xiao Tong and Li Yun Rui have phenomenal on-screen chemistry. Like, genuinely electric. The kind of chemistry that makes you lean forward in your seat and root for these two idiots with your whole chest. The big issue - and again I will address this - is that writers under utilize that chemistry. The subtle power dynamics, the push and pull, the way they exist in each other's space — it's all there. These two actors did the work. They showed up. They delivered. The camera did the work too. The writers, however, did not match their energy. Not even close. And that's what makes this whole situation so infuriating — because the raw material was right there, and the screenplay just... wasted it.

Pacing

The first 12 episodes are amazing. Full stop. They build a great setup for a small-town romance between young people on the cusp of adulthood. The storytelling is tight, the character introductions are compelling, and I was genuinely invested. Everything was moving. Everything had purpose. I was having a great time. There was a lot of comedy as well which made it a very fun watch.

Then episode 13 happened, and it's like the writers collectively decided to take a nap. The pacing slowed to a crawl — and I mean a painful, excruciating crawl. Every episode between 12 and 25 was a chore to get through. There was no new information, no interesting plot points, nothing to justify why we were still sitting in this era except for Xing Wu’s return to school. It was filler dressed up as storytelling, and I genuinely believe everything that happened in that stretch could have been easily condensed and folded into the first 12 episodes without losing anything of value. We wouldn't have wasted so much precious time in the high school era, and the drama would have been infinitely better for it.

And then we get to the final three episodes, where suddenly the writers remembered they had an entire adult timeline to cover and just hit fast-forward on everything. Years of separation, a reunion, the development of an adult relationship — all crammed into three episodes like they were packing for a flight they were already late for. The whiplash is unreal. We go from 26 episodes of slow-drip high school content to a full-speed sprint through the part of the story that actually matters. The contrast is jarring, and it makes the entire viewing experience feel unsatisfying.

Writing and Arc Distribution

This is where I need to have a serious conversation with whoever greenlit this script structure. I do not understand — and I mean this genuinely — why the writers chose to spend 85% of this drama on the characters' high school years and leave literally three episodes for their adult lives. Who made this decision? What was the logic? Because from where I'm sitting, there is none.

The romance is supposed to be the central pillar of this drama because our main couple gets a lot of screen time. And by a lot, I mean a lot. And yet by choosing to camp out in the youth arc for 25 episodes, the writers ensured that the relationship never actually goes anywhere meaningful. In fact, it regresses. After episode 12, Qing Ye and Xing Wu share fewer and fewer romantic moments as the episodes progress. Their dynamic starts resembling a sibling relationship more than a love story, which is the exact opposite of what should be happening in a romance drama. Before their separation, they don't even share a kiss or express — even vaguely — that the feelings they have for each other are more than pseudo brother and sister and mutual. Because we can tell that Xing Wu liked Qing Ye since early on, but her feelings remain very ambiguous toward him until the day she has to leave.

I also need to address the cousin thing. Why did the writers decide to brand them as cousins at the beginning and have them call each other brother and sister? If they were going for that trope, they needed to explore it more. They needed to show the awkwardness, the realization, the shift. But no. Nobody bats an eye when the two of them suddenly start dating as adults. No one questions it. No one reacts. It's just accepted. So what was the point of establishing that dynamic in the first place? It was a missed opportunity that adds nothing and confuses everything.

Because the writers chose to burn 85% of their runtime in the youth era, the payoff in the last three episodes — when our leads finally meet again as adults — doesn't carry the emotional weight it should. The impact is gone. You can't build longing for 26 episodes and then resolve it in a sprint. That's not romance. That's a scheduling conflict.

The Romance (or Lack of Proper Development Thereof)

Now let's talk about the separation itself, because this is where I truly lost it. First, I hate the separation C-dramas in general because most don’t do it very well. I’ve seen only one drama where the couple separation was meaningful and made total sense and I didn’t skip through any scenes during that separation. But let’s get back on track with Dazzling. The writers build Qing Ye really well up until episode 25 — until her father comes to pick her up and take her back to the big city, back to her luxury life. And what does she do? She deletes their contacts from each other's phones. She just... erases him. I'm sorry, what?

This is extremely selfish and I will die on this hill. Xing Wu was in danger so many times because of her. He carried so much weight on his shoulders while also being there for her. And she didn't even give him the grace of supporting him through the distance. There was absolutely no need for her to delete the contact from his phone and just leave him hanging. The way it comes across is devastating, and not in a romantic way — in an enraging way. She's essentially telling him: "You're too poor for me. My dad doesn't approve of you. You don't have a good family background. But hey, if you try really hard, maybe you'll make it someday — but don't expect me to be there for you while you're killing yourself trying." That is how her character reads. It was selfish. It was mean. It was giving "I only care about you when it's convenient for me." If I were Xing Wu, I would forget about her entirely and get on with my life because oh my God, this poor man deserved so much better than that.

I understand that the writers needed to create a separation, but it was absolutely not believable. They needed high stakes — real, earned, gut-wrenching high stakes — to justify this couple being out of touch for five or six years. I would have believed it if her father paid Xing Wu’s family off and covered all their expenses just so they'd leave her alone. For a guy like Xing Wu, I could see him agreeing to let Qing Ye go so he doesn't hold her back — that tracks with his character. I would have believed a serious argument where they fundamentally disagreed on something. I would have believed an external circumstance. Just not this forced, manufactured separation that the writers clearly cobbled together because they wrote themselves into a corner and couldn't figure out how to get from point A to point B.

So after five or six years apart, they finally meet again. And she doesn't even say two words to him. At the dinner when they reunite, she doesn't offer to catch up after they get out from the restaurant. She just goes home. She gives him absolutely nothing after telling him to do his best to catch up with her. It’s inconsistent with her stubborn and outspoken character at all. Especially because she’s been waiting for him. Then, when they meet at the beach again, he just runs up and kisses her. Yes I could understand him. It does works with his character. But they don't discuss anything. They haven't been talking for five years. How does he know she still likes him? How does he know they're compatible? They've never kissed before! None of this was believable. None of it was earned. The writers skipped the entire reconciliation process and exploration of their romance as adults and just went "trust us, they're in love" and expected us to be satisfied. No. I am not satisfied. I am annoyed.

Li Yun Rui Deserves Better

I need to talk about Li Yun Rui specifically because this man is the reason I kept watching. I really don't want to rate this show low because of him. This very talented actor has been playing supporting roles for so long and is finally getting good-budget dramas, but he just cannot catch a break — much like his character, honestly. He'll get a promising project and then end up with a crappy script, or there's the disaster that was Rebirth. The universe keeps testing this man's patience, and frankly, mine too.

I continued watching Dazzling largely because of Li Yun Rui and his character, and I had to stop and take several days' worth of breaks multiple times just to push through because of the mess of the script. He has a very simple but elegant face, and he could literally fit into any role — contemporary or historical. He is extremely flexible and adaptable, and that's what I appreciate about him. Give this man the script he deserves. Give him a romance where the female lead actually matches his energy. Give him a project where the writers don't fumble in the second half. He's earned it. I'm begging.

Final Thoughts

I'm extremely torn about the rating. This drama is visually gorgeous, well-acted, and carries a genuinely compelling story at its core. The first 12 episodes had me fully invested. Guan Xiao Tong and Li Yun Rui have the kind of chemistry that should have carried an iconic romance. But the distribution of the youth arc versus the adult life and reunification arc makes absolutely no sense. Because we don't have enough episodes of them as adults, everything is rushed into three episodes, and that compression makes everything that happened during the high school years feel less impactful. They're not given any time to actually learn about each other as adults and explore the romance they've been yearning for since they were young.

The writing choices are genuinely baffling. The pacing is wildly uneven. The separation is contrived. The reunion is unearned. And the female lead's actions in the final stretch make her deeply unsympathetic at the exact moment she should be at her most vulnerable and relatable. This drama had every ingredient for greatness — the cast, the visuals, the setting, the premise — and the screenplay just refused to let it be great. I'm still mad about it. I might be mad about it for a while.

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First Impression: Peach and Me

Overall: solid continuation so far. 4 episodes about an hour each. Airing on iQIYI https://www.iq.com/play/peach-and-me-episode-1-bi0gqb6fds?lang=en_us and GMMTV YouTube channel (not available in the Americas except a few countries in Central America, not available in Japan, Korea or Thailand)

What I Liked
- good continuation that so far is avoiding sequel/special episode cliches
- I chuckled a few times*
- tattoo was awesome

Room For Improvement
- *comedy sound effects did not make things funny
- odd that a head on a shoulder was too much in front of kids

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Silly name, but ended up adoring it!

Absolutely adored this J-drama. I almost passed on the drama as the title made it sound silly and immature, but it was a surprising delight. The drama was funny, touching, so so cute, just enough angst to keep it interesting, lovely kissing and the chemistry between the leads was on fantastic!

The FL was physically beautiful, but she had so much self-doubt about her own worth. Her indecisiveness always kept her in a state of panic and anxious. This is so common, especially in women and I really connected to her character. The ML was just adorable and really helped to support and love the FL just as she was....anxiety and all. A healing drama and very romantic one as well. Lovely happy ending that left this viewer with a smile on my face and a warm feeling in my heart. Highly recommended and I will watch again and again.

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biggest Ragebait of 2026

My Review of The Legendary Female General

I genuinely tried to write this review as objectively as possible and not let my emotions take over. However, after finishing this drama, I have to admit that this became extremely difficult because of some writing decisions that I struggled to understand.

Before getting into my criticism, I want to say that this drama had many things I genuinely enjoyed, especially during the first part of the story.

- Characters (Until Episode 34)

Until around Episode 34, I actually enjoyed many aspects of this drama.

He Feihong was one of the strongest parts. The actress did a great job portraying a woman who had to disguise herself as a man and survive in a military environment. Some viewers criticized that she occasionally behaved too much like a woman despite her disguise, but personally, I never saw that as a major issue. She is still a woman, and those softer moments made her feel more human.

Her fighting style was impressive, and her chemistry with the male lead was one of the highlights. Their relationship felt natural, and the male lead himself was a believable and well-portrayed character.

The young recruits were also enjoyable because their friendship, loyalty, and teamwork created a good military atmosphere.

I also liked Chu, He Rufei, and Grand Chancellor Xu during most of the story. Until Episode 34, the characters generally had understandable motivations and felt well-written.

- Story (Until Episode 34)

The story was also very interesting in the first part of the drama.

Grand Chancellor Xu was a fascinating antagonist because his ideology was not completely unreasonable. His belief that some generals pursue war for glory, wealth, and personal achievements instead of only protecting their country was actually understandable.

Military success could change someone’s entire social position, allowing people without noble backgrounds to gain status and influence. His idea that generals should exist mainly to protect the country during times of crisis instead of constantly seeking war was a strong concept.

Ordinary citizens are usually the ones who suffer the most from endless conflicts. Families lose their children, taxes increase, and injured soldiers often return without enough support.

His vision of replacing endless conflict with diplomacy, cooperation, and trade was one of the strongest political ideas in the drama.

The tragedy of his character was that his methods destroyed his own ideals. He wanted to save people, but he was willing to sacrifice those same people to achieve his goals. That contradiction made him an interesting antagonist.

He Rufei was also a good rival because his jealousy and desire to take Feihong’s achievements slowly consumed him.

- The Battles:

The battles were another enjoyable part of the drama.

Compared to many other C-dramas, the military conflicts included actual strategy. Using tactics like collecting enemy arrows with straw figures and destroying supplies created memorable moments.

However, some strategies still had logical problems. The enemy should have noticed much earlier what was happening, especially with the arrow collection plan. It was difficult to believe that thousands of arrows could disappear repeatedly without anyone questioning it.

I also appreciated that the drama addressed historical issues involving women who suffered violence and were unfairly treated by society afterward. Showing these women regaining their dignity was an important part of the story.

- The Love Triangle:

This is where my biggest frustration begins.

Why do C-dramas always feel the need to force unnecessary love triangles into stories that already work perfectly without them?

The main couple was already great. Feihong and the male lead had excellent chemistry, their relationship felt natural, and I genuinely enjoyed watching them together.

I can understand why Chu developed feelings for Feihong. She is a strong and admirable person, so his feelings were understandable.

But the problem is what happened afterward.

Why do writers always make characters lose all common sense in the final episodes and become completely obsessed with the female lead?

A character can be loyal, reasonable, and well-written for most of the story, but once romance becomes involved, they suddenly abandon their personality and become someone completely different.

I would have preferred if Chu simply accepted that Feihong already loved someone else, wished them happiness, and moved on.

Instead, the story treats the female lead as if she is the only woman who exists and every man must fall in love with her.

And once again, another female character suffers because of this unnecessary love triangle.

This time, it was Ying Xiang.

I genuinely liked her. She was intelligent, brave, loyal, and always supported Chu. She was not just a side character waiting to be replaced.

She was a strong character herself and honestly not inferior to Feihong.

But the story ignored her because it wanted more emotional drama.

And then they killed her.

I honestly do not understand how we are supposed to believe that a loyal spy and trained assassin dies because she gets stabbed directly by someone with almost no experience.

Ying Xiang deserved a meaningful ending, not a forced death just to create drama.

This is exactly why these love triangles are so frustrating. They do not improve the story; they destroy characters who deserved much better.

- The Mingshui Situation:

The moment where I completely lost track of the story was around Episode 35 with the Mingshui conflict.

I genuinely do not know if I misunderstood something, if the subtitles were inaccurate, or if the story simply became confusing.

From the beginning, I understood that the male lead wanted to reclaim Mingshui because his father lost the city and died there. Restoring his father’s honor was one of his main motivations.

But until the end of the drama, I never saw him actually reclaim the city.

Then suddenly, the story announces that Mingshui and another border city are under attack.

I was completely confused.

Wasn’t Mingshui the city he was supposed to take back?

When did that happen?

For such an important storyline, the explanation felt extremely unclear. Instead of feeling like an exciting military conflict, it felt like something was missing.

- Character Development:

The final episodes damaged several characters, especially Chu and the Emperor.

Chu’s downfall speaks for itself. A character who was once loyal and reasonable became someone completely different because the story needed more conflict.

The Emperor was another major disappointment.

The male and female leads protected him from political conspiracies, saved his position, exposed enemies, and prevented Grand Chancellor Xu from successfully taking control.

Without them, he would have lost everything.

Yet after everything they did for him, he suddenly stopped trusting them, interfered with their marriage, and treated his most loyal generals differently.

His decisions felt extremely frustrating and difficult to understand.

- Final Thoughts:

Overall, The Legendary Female General was a drama with a lot of potential. The characters, battles, and political ideas gave it many strong moments, especially during the first 34 episodes.

Unfortunately, the forced love triangle, inconsistent character development, and confusing final parts prevented it from reaching its full potential. My disappointment comes from the fact that the drama had many great elements, but the writing choices in the later episodes damaged much of what was built before.

I still appreciate the work of the actors and the enjoyable moments this drama provided.

Thank you for reading my review. I would love to hear your thoughts and whether your experience with this drama was similar or completely different from mine.

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"Loving You Is The Best Thing I've Ever Done" ~ A Heartwarming Love Story

Honestly, this is one of the best modern dramas I've ever watched. Funny because the only reason I started watching this is because I had nothing else to watch. So how did something I didn't have any interest in suddenly become one of the best? Well, read on!

I'm gonna start my review with why I named this review what I named it. So "loving you is the best thing I've ever done" is actually a verse in the OST "The Best Thing." This OST is featured in this drama and I thought it was a great way to express the message of this drama, which I think is just going for love even when you think it might not work out. I added heartwarming because this really is a really heartwarming drama and my heart melted while watching this!

- The Cast
I already know Zhang Ling He from previous dramas and I know how good his acting skills are. Although it is my first time watching Xu Ruo Han I have to say that she's pretty good. Her acting skills are great and she and Zhang Ling He seemed to match perfectly on-screen.
I haven't seen the rest of the cast in other dramas but they were absolutely phenomenal as well! I really enjoyed watching Tang Jiu Zhou as Li Jie, he was so fun to watch during the little humor scenes and when he would stumble upon He Su Ye and Shen Xi Fan together!

- Setting and Costumes
The tree that was seen in their neighborhood all the time was just drop-dead gorgeous! Also the whole city was just so cozy and in-vibe. My favorite setting is definitely the Herbal Garden though! Their outfits were also really nice and had great style.

- Love and Romance
This was truly the best part of the drama. The whole plot really focuses on all the couples instead of just the main couple. The romance was truly top-notch and so sweet!

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Melhor que a primeira, mas ainda abaixo do hype.

Iniciei a segunda temporada ainda com a decepção da primeira em relação à minha alta expectativa, mas esperançosa de que ela pudesse melhorar. Infelizmente isso não se concretizou e, no geral, essa temporada também foi bem mediana diante do grande hype que recebe. Acho que boa parte desse reconhecimento vem do fato de existirem poucos dramas com essa temática. A ideia da história é realmente muito boa e a execução não é ruim, mas, considerando o hype e o universo rico que tinham em mãos, esperava muito mais.
Os personagens estão diferentes nesta temporada. Dependendo do ponto de vista, isso pode ser algo positivo ou negativo. Particularmente, prefiro a personalidade que eles tinham na primeira temporada. Entendo que os acontecimentos exigem uma mudança e deixam os personagens mais sombrios, mas, ainda assim, eles rendem bons momentos, principalmente nas cenas finais com o elenco reunido.
Park Jin, Kim Do Ju e a participação da Go Youn Jung como protagonista foram alguns dos pontos mais altos desta temporada. Sobre ela, preciso comentar que senti muito mais química entre a Go Youn Jung e o Lee Jae Wook do que entre ele e a Jung So Min, o que acabou elevando ainda mais essa segunda parte para mim.
O desenvolvimento da trama alterna entre momentos mais densos e outros bastante envolventes, mas, no geral, o roteiro não é algo que eu consiga elogiar muito. A ideia da história continua excelente, porém foi mal aproveitada e apresenta alguns furos. As autoras poderiam ter explorado melhor esse universo tão rico que criaram. A direção também poderia ter aproveitado melhor alguns enquadramentos para valorizar ainda mais a cinematografia, que é um dos pontos positivos da obra. Ainda assim, acredito que o maior problema continua sendo o roteiro e o desenvolvimento da narrativa, que poderiam ter sido mais bem trabalhados para extrair todo o potencial do drama e causar um impacto emocional ainda maior.
No geral, considero esta uma temporada ligeiramente superior à primeira, mas os mesmos problemas continuam presentes. Além disso, minhas altas expectativas, criadas pelo enorme hype em torno da obra, acabaram influenciando bastante a minha experiência e a nota final, já que assisti ao drama com um olhar mais crítico.
Por fim, recomendo para dramalovers que gostam de fantasia, romance e mistério, personagens marcantes, bons plot twists e um universo fictício bastante cativante.

Espero que minha resenha ajude, mas desejo, acima de tudo, que você assista e tire suas próprias conclusões! ♡

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Ein gute Film mit hübschem Schauspieler Joseph Zeng

Ich habe The Legend of rosy clouds gerne vom Anfang bis zum Ende geschaut. Habe 2 Mal Vip gekauft und das Schauen bis zum Ende hat sich gelohnt. Ich verstehe die schlechten Rezensionen nicht. Die Schauspieler haben sich Mühe gegeben u. es können nur Antifans sein, die schlechte Renzensionen geben. Joseph Zeng spielt den hübschen vielfältigen Qi Zheng, der in lustigen Szenen mich zum Lachen bringt und ein guter Kämpfer ist, er überzeugt in seiner Rolle. Die lustigen Szenen habe ich mehrmals zurückgespult u. hatte sie mir öfters angeschaut. Ich werde mir den Film noch einmal anschauen, dann noch andere Filme von Joseph Zeng anschauen.

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Simple but Enjoyable

I really enjoyed the story. The main couple doesn’t have explosive chemistry in my opinion, but they still have good chemistry that fits the story well and makes their relationship believable.

The OST, unfortunately, didn’t stand out to me. None of the songs really left an impression, which was a bit disappointing.

There are a few minor flaws here and there, but overall, it’s a solid romantic comedy.

Honestly, I don’t really understand why the overall rating is so low. Of course, everyone has different tastes, but I didn’t find it that different from other rom-coms that became much more popular. Maybe that’s just my impression, but I think this drama deserves more credit than it gets.

Overall, I found it enjoyable, with a satisfying ending that wrapped up the story nicely.

If you’re looking for something light and easy to watch, this drama is a good choice. It may not be unforgettable, but if you just want to relax and enjoy a fun rom-com without expecting too much, it’s definitely worth giving it a try.

8/10

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JUST A VERY NICE SERIES TO WATCH, ALMOND, PROGRESS, KEN & PAUL HAVE DONE A REALLY GREAT JOB!!!

Almond and Progress displayed a very talented ability in their series, Lovesick. Their relationship grew and in one of the last scenes, Progress began to cry real tears, finally facing the fact, he loved Almond. You could indeed feel it. In When Oranges Fall, they have slipped the bond of just beginning actors, to the excellent perfection in every scene, every motion- Almond reserved, Progress a energetic loving character that will keep the viewer watching the exchanges in their performance. To me the break out rolls, were Ken and Paul, who played a distant platonic couple in Boys in Love, to the most surprising couple match up in true form in this series. Ken is alive, a all boy, boy with a love of sports, and Paul admiring him with every heartbeat. You can feel that also, but when alone and Ken asks Paul, "do you know what I am thinking" drawing close to Paul, the Kiss, heartbeat, and warm loving moment is like a tidal wave over the air you are breathing.
I do not usually comment on what I have watched, but this one I just felt the need to say what I feel, and I loved every minute of this series.

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My So Ji Sub fix while waiting for week 3 of Agent Kim Reactivated

This review is being written in July, 2026, thirteen years after The Master's Sun aired. I understand it was a hit when it aired and catipaulted the most excellent So Ji Sub's career. To be fair to the writer, neither Netflix nor Viki had great subtitles. Sometimes, I was confused about what exactly Joong Won was saying to Tae Young. Maybe my review is stunted due to the subtitles because I know the Korean language has much more depth than English with fewer words, causing cultural nuances to be missed entirely.

Before I continue, I have to stop here and say So Ji Sub has aged very gracefully ;-). I did watch this for So Ji Sub so I wouldn't go through withdrawl between episodes of Agent Kim Reactivated, and I stayed not only because of him but because I am a die-hard watcher who seldom drops a KDrama.

The story itself was good but not great (noting the subtitling issue). I have watched many dramas from the same time period that were much better in terms of character development, acting and overall storyline. Most of the characters in TMS were 1-dimentional, with the exception of KHJ whom I felt brought much more depth to Gong Shil than Ji Sub brought to Joong Won. Having said that, Kong Hyo Jin and So Ji Sub were both good in their respective roles - acting as the writer and director wanted. However, because of the stiffness of Joong Won's character, I wasn't convinced of the chemisty between SJS and KHJ. Ji Sub was stiffer than I've seen him in other dramas so I had to atribute his peformance here more to the directing than to him. I also didn't see much of a change in JW's character arc even in the last episode. Love makes people do crazy things, some that are utterly contrary to their character. I was expecting to see, at least a couple times, where he completely crumbled in her presence, casting all fear and/or pride aside. I actually didn't feel any attraction to Joong Won.

I remarked to my sister a number of times how Gong Shil was fearful but bold; (1) in her fearful reaction to the ghosts followed by her absolute need to help them in spite of JW's objections; and (2) how she touched Joong Won out of shear desparation regardless of his efforts to push her away. She even endured JW's aunt's lectures and Yi Ryung's bullying without backing down. I loved how she was comfortable with Kang Woo. To me, they were the better match. Yes, I had Second Male Syndrome. His warm, loyal, protective personality was no match for the abrassive, needy, empty Yi Ryung (Kim Roo Yi).

Gong Shil's mysterious past was mentioned enough times raising more than a little of curiosity about her - and in my mind, full anticipation that we'd find all thar out. With 17 episodes, almost no time was devoted as to why she was able to see ghosts. That would have been worth parts of 2 or 3 episodes to see flashbacks of her in the mountains, being rescued, and the ensuing recovery. In Episode 15 or 16 we should have seen flashbacks of her spirit traveling with photographer Woo Jin Woo (where is the most hansome Lee Chun Hee these days??). We needed more details to feel greater empathy for and understand of her. It would have been nice to hear Kang Woo (good early acting by Seo in Guk) or Secretary Kim (by the wonderful Choi Jung Woo) tell Joong Won what really happened to her 7 years ago and to see his reaction when he learned she spent 3 years in a coma. Scenes with these details are what would have brough greater depth to our ML's. As it was Won Jin Woo's introduction into the story felt like a weak segway into yet another delay to the final climax of them becoming a couple. WJW's character was more than just a segway, he was critical to the next part of GS's growth journey. He almost gave me Third Male Lead syndrome, BTW.

There were plenty of flashback (teasers) aboutJoong Woon and his past, and yet. not enough understanding about the deeper reason why he had no relationship with his father who appeard to be useless to the plot. The actress who played Han Na was utterly unconvincing which made the entire culmination of the main plot about Cha Hee Ju also unconvincing. The poor acting for me caused this part of the story to fall completely apart - and then we came to the immediate segway of Gong Shil leaving with WJW.

The production itself (cinematography, sets, camera angles, etc.) lacked, as the settings appeard to be actual film sets and not true offices, living rooms, or bedrooms. The costuming was also not up to par with other dramas of the same period. It appeard to me this drama was in production as it was being aired (like 3 or 4 episodes ahead of airing). The music itself was good, supporting emotions as appropriate and not distracting to the story, I can get through a mediocre production if the story and the acting are both good. However, the story had a good premice but the execution was mediocre. The acting by the cast as a whole was mixed as I didn't feel most of the actors' performances and interactions came off as natural.

You might like it better than me. because, well..., So Ji Sub is still So Ji Sub.

7/10

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i'm in love with fourth.

disclaimer: it's been a week since the show ended so there might be things i misremember or misinterpret. kindly forgive and point out so i can correct myself.
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things i liked:

1. fourth's acting: his expressions are clear; the way dir. aof keeps the camera lingering on his face reminds me of this one interview i had read on irrfan khan where someone commented that directors often forgot to turn the camera off when it’s on his face because he is just that expressive. fourth’s body language is relaxed and his natural acting is akin to a seasoned actor. tanrak is one of those hamletesque roles - something that can challenge and inspire the best of actors and fourth was a great choice for the role. fourth is going to go places, farther than the places he has already reached.

2. the osts "heavenly" and “tanrak”: “heavenly” is indeed heavenly, esp the last chorus with those adlibs. gemini sounds beautiful in both songs.

3. the cinematography: really impressive in most of the scenes; bested only by boss kuno’s shows as far as thai shows are concerned.

things i didn't like:

1. i wasn't that impressed by gemini's acting. he was good in the teasing and flirting scenes and sometimes in the intimate scenes but lacked the refinement needed for the heavy emotional scenes. esp the one with his mother and father at home, the one where he recounts the abuse at the waterfall and lastly in the prison scene.

2. i had expected the makers to nod to the christian beliefs and the institution of the church as the show had priests as advisors. instead, they tried to chicken out a middle ground by keeping tanrak tied to the faith by separating god and the church. they kept him interested in god but not in the rules of the church which are homophobic and detrimental to his sense of self. i would have been completely okay if they had stopped at that and had kept barth agnostic/atheist till the end. but no, they had to transform barth into a believer. again, separating god and religion. they show the father of the church and kongdech to be benevolent who uphold the "love thy neighbour" idea over the homophobic laws of the church they are very much a part of. it makes sense to people who want a hopeful view of the world but in my parallel woke and ideal world, tanrak could be a gay married man and still be a priest because what does a priest (in a general sense minus the missionary aspect) even do? teach people how to be good: kind, helpful, accepting, civil and overall nice. is a straight unmarried man (the typical priest) somehow naturally more fit to be a priest as compared to a gay married man? logically, since queer people are sidelined and oppressed and have seen the bad side of the world, they should be considered apt to teach people to be kind and helpful and accepting. a straight unmarried man is priviledged enough to lack the bad experience and nuance required to even know why kindness is required in the first place something a gay man knows by heart.

3. kinda overlapping, but all the quotes and the father's speeches were roundabout and all over the place. god is forgiving but you need to repent. what if i am late? no worries, god is patient but you have to turn around. what if i don't? it's okay god still loves you and will forgive you. if god is so benevolent why do we even need laws (re: terms and conditions) to gain his love? technically, we could just chill at home and not go to church or even do whatever we want and god could still love us? if not, that means god's love is conditional and just a specific breed of humans can go to heaven. but then god won't be all-forgiving and benevolent. also, who guarantees what negotiations you can afford? eg, how do the father and kongdech know for sure they'll go to heaven now that they have in a way accepted gay men and hence bypassed the church's laws?

dir. aof has done a good job tying everything together in a neat bow but for the curious, everything-is-that-deep eye, one squint and the neat bow comes undone.

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