With numerous reviews over the years upon the drama, it wouldn’t be surprising if this review easily becomes disregarded amongst others. Nevertheless, it’s important to give an honest and objective verdict on whether “ Pinnochio” still lives up to its legacy as a “ good” series , or is overrated for what its worth.


Pinocchio tells the story a man ( Lee Jong Suk) whose life was devastated by corrupt reporters. Seeking revenge since childhood, he takes up another identity as “ Dal Po” ; the deceased son of an old man suffering from denial and mental illness called Choi Gong Pil ( Byun Hee Bong). Together with his “ niece” and sufferer of the fictionalised illness “Pinocchio Syndrome”, Choi In Ha ( Park Shin Hye), the two go on a journey of self-discovery that forces them to face some uncomfortable truths.

Undeniably the most intriguing concept present within the show was the ideology of Pinocchio Syndrome; a (fairy tale-inspired) condition which causes the individual to hiccup whenever he or she lies. As someone suffering from the condition, In Ha is often subject to discrimination and prejudice by wider society, however, this concept of the show did lack genuine or factual explanation to viewers towards its causes- is it hereditary, psychological or just a cause of random gene mutations? Although it is notable neither of In Ha’s parents suffer from this disease, it did remain a lingering question towards exactly how and when In Ha was diagnosed with Pinocchio Syndrome and the actual science behind this fictionalised disease.

Instead, the fantasy concept of Pinocchio Syndrome is truly reduced to more than an asset plot device to accompany more prevalent focal point of journalism within the show. The aspects of critiquing the competitive and exploitative natures of the industry of media did notably help to present a surprisingly realistic and somewhat fairly profound depth to the storyline.

Dal Po’s entire character is driven by his enmity and obligated feelings of revenge for his family . Yet by becoming the very thing he hated more than anything in the world, he stumbles upon the truth that the world of journalism is not as black and white as he originally had the preconception of ; news outlets, individuals and reporters may twist certain stories for their own gain whilst the true victims remain without voices. Whilst Lee Jong Suk has often had a mixed bag of performances over the years, his role as Dal- Po did seem to capture multifaceted and depth to his character. This is because Dal- Po is still motivated by his intentions for revenge, but he also learns to forgive and learn that sometimes honesty is the greatest weapon of them all.

Yet this also moves us on to the obvious problem of the drama. The ridiculous amount of cliche coincidences happening in the subtext of thirteen years of secret messaging between the second male Beom Jo ( Kim Young Kwang) and In Ha, the notable “ chances” which arise for Dal-Po being able to land a job as a journalist despite his limited qualifications ( regardless of his intelligence) and of course the sudden reversal of “ external forces” which kept away characters such as Dal-Po and In Ha from developing relationships in order to suddenly have a “ happy ending”. Although a preferred choice for the dramatised events of the series, it was initially off-putting at times within the cliche and unrealistic setups which suddenly manifested without prior build-up.

Yet perhaps the biggest problem in the series was the dragging sensation of storyline in places. Initially this is somewhat ironic for a show which has surprisingly quite good pacing for the majority of the show , but the duration of episodes in addition to transition in places upon plot devices, over actual characterisation often resulted in this problem.

The biggest example of this problem can be found through In Ha as a character. Although Shin Hye can’t be faulted within her stellar performance and her character does initially having an interesting backstory, her actual relevance to the storyline often felt minimal and intrinsically quite lacklustre. In Ha simply does not have notable character growth in the series. Arguably a lot of In Ha’s problems and the drama wouldn’t have been as effective without In Ha having remained the same, however, this is also a somewhat nonsensical venture into In Ha as a character. Considering her experiences and scenarios growing up, In Ha neither really seems to be given the chance to confront them openly and actually learn and develop, often resulting in her character coming off as a plot device in order to keep the story motivated such as her relationship with her mother and Dal Po , than an individual in her own right.

In terms of the latter mentioned point , the relationship between Dal Po and In Ha was a little questionable over the course of the series. Although not relatives by blood ( giving the obvious explanation against the otherwise incestuous proposal) , a lot of viewers often forget that In Ha and Dal Po grew up together for more than thirteen years as uncle and niece as well as during their younger years having a notably fraternal relationship - the pairing between the two characters just felt odd and mismatched. Actors Lee Jong Suk and Park Shin Hye did help to cover up some of the more awkward onscreen moments through their performances and the show acknowledged it to some extent , it still seemed oddly problematic to romanticise this pairing in the first place as well as the striking differences between both characters and their personalities.

Perhaps the most praiseworthy relationship in the show occurred between Dal-Po and his biological, revenge driven brother Ki Jae Myeong(portrayed by Yoon Gyun Sang), provided the zeal of the revenge story and the clear differences in motive and experiences of both brothers.

Dal-Po seeks revenge in a similar manner to Ki-Jae, but in the process considers and acknowledges reconciliation and forgiveness against certain individuals due to being distracted by a kind-hearted “paternal” -figure and surrounded by a fairly loving family . On the other hand, Ki-Jae’s experiences was solely driven with cause of distraction for revenge with a carte blanche given by viewers just to see how far he can gross the line of morality. This presents an intriguing relationship between brothers with Ki Jae oblivious for a major proportion of the series due to not knowing Dal-Po’s true identity. Jae Myeong’s performance was surprisingly good and a honest gift to this drama by making up for some of its more evident flaws .

So, was a “ Pinocchio ” a good series, or another overrated drama? It’s fair to say that the concept of the show was intriguing by tackling difficult issues of manipulation, injustice and exploitation, the OST was quite good, and there were some particularly well-written characters such as Dal-Po and even In Ha’s mother, Song Cha-ok ( Jin Kyung) who was surprisingly given some profound depth despite her antagonistic role in the series. Nevertheless, “ Pinocchio” isn’t as flawless as watchers truly make it up to be- the ridiculous coincidences took away from the surprising twists of storyline, In Ha as our female lead was severely underdeveloped and the relationship between both characters was ultimately a little uncomfortable considering the angle of the storyline. It is probably fair to say that “ Pinocchio ” wasn’t a dire or terrible drama by any stretch of the imagination and had many likeable assets , but it certainly was overrated within being passed off as a “ flawless” drama by some fans.