When discussing about directors Frankie Chen and Chen Yu Shan’s ‘ Our Times’ , the movie is often directly attributed on a surface level as merely being a stereotypical and cutesy love story between its two main leads Lin and Taiyu . However is arguable that when you are able to delve further beneath the film’s surface ‘ Our Times’ isn’t just a literal romance, but a love story and homage by its creators to the nostalgic days of youth in 1990s Taiwan.

Original or replicated props,popular culture references to 90’s idols such as Aaron Kwok and Andy Lau, outfits and copied hairstyles from the era given to the drama’s cast animated scenes to life with euphoria as bubbly palettes and vivid hues onscreen attempted to perfectly capture the rose-tinted warmth and sweetness of adolescence throughout the movie.

However that isn’t to say that Chen and Shan entirely limit the nostalgia-ride with merely visuals. The reimbursed injection of the “ordinary girl meets her Prince Charming” trope admittedly did have its highs-and-lows throughout the movie.

An evident feminine-perspective to this cliche helped to add a breath of fresh air to an otherwise overused trope. Flashbacks and flash forwards throughout the drama’s non-linear storyline between Lin Zhen Xin’s dilemmas as a young woman in her thirties( Joe Chen) against Lin’s naive teen-self ( Vivian Sung) helped to present Lin Zhen Xin’s journey throughout the movie.

Nevertheless ‘ Our Time’ ‘s pragmatic focus upon Zhen Xin’s embroiled meeting with the seemingly fearsome delinquent Taiyu (Darren Wang) could admittedly sometimes feel shoehorned by cliches in an attempt to keep the drama’s plot-drive afloat throughout the movie’s duration. Considering that this is one of the focal drives of the storyline it wasn’t necessarily bad per say that the film attempted to offer opportunities to bring forward the two unlikely lovers together. On the other hand the movie could often feel as though it was trying to drive the series sometimes through enforced misunderstandings leading to further drama, rather than allowing coherent events to take place and then resolving problems throughout the film.

One of the most pleasant surprises of the film came through the movie’s lineup. Joe Chen played the older-self of the female lead; a woman in her thirties stuck in a deadbeat office non who begins to reminisce about her school days back in the 1990s. Despite Chen not having as many focused scenes as she should’ve done as the main character’s older-self in the film, the actress was able to interplay her character incredibly well with younger actress Vivian Sung.

Sung is arguably one of the main highlights of ‘ Our Time’. Whilst at times the actress could admittedly feel as though she was putting on a slight over-the-top ambience to her onscreen persona in order to sway audiences towards her image as the “ dorky teen and fan girl ”, Sung could also surprisingly captivate a loveable and down-to-earth charm to Zhen Xin’s teen-self for audiences.

Costarring alongside Joe Chen was Jerry Yan as main male lead Hsu Tai Yu’s older-self. The actor’s well-known performance as the main lead in the popular adaptation of the original ‘ Meteor Garden’ did carry through with a slight gruff charm onscreen. Nevertheless Yan’s appearance whilst necessary to wrap-up events was limited and brief to say the least.

The notable star-attraction of the series as the younger Hsu Tai Yu was Darren Wang. As the actor’s breakout role Wang portrayed troublemaker Taiyu with a few awkward line deliverances at times but quickly made up for this through surprising heart and soul in tour de force moments of the momvie, as well as wittiness when screen time called for it also.

On the other hand for a movie filled with easygoing nostalgia and sweet chemistry between the leads ‘ Our Time’ could often fall victim to pacing. For a film exceeding a two hour duration trying to captivate an audience is quintessential and dragged-out scenes and dialogue exchanges could often sometimes weigh heavily upon its paced-narrative. Plot points could sometimes feel slightly cyclical at times without adding anything new to the storyline; something that could’ve easily been fixed if the storyline had arguably kept its structure a little more rigid and succinct .

The ending admittedly on a crisp and sweet note for audiences- expected of the genre but fitting for the characters and events of the movie.

Frankie Chen and Chen Yu Shan is an expected love-story with cliches and shoehorning sometimes worming its way into the events of a laissez-faire paced plot. Nevertheless there’s no doubt that there’s something oddly endorsing about its cast, bright palettes and authentic set pieces as well as Chen and Shan’s homage not just to the 1990s, but an attempt to engage audiences through the universal experience of nostalgia also.