This is a drama that I rewatch often. Suzuki Jin, with his beautiful caramel-colored skin and doe-eyes, is like a precious little puppy and I was particularly drawn to the significant vulnerability that he portrayed in every episode. This drama ultimately shows that LOVE, no matter the ages of the characters, wins in the end.

And I love so much about this. Japanese dramas often get right to the point and sometimes that's a refreshing change of pace from an endless slow burn.

The music is haunting and lends itself perfectly to the background. (I wish I could find what the one song is!)
The acting is flawless. This was my first Suzuki Jin drama and I went right out searching for others of his to watch. He's got quite a talent at only 24 years old (at this writing, and between 20-21 when this drama came out!)

So free your mind from often-rigid societal expectations and enjoy this celebration of love between two unlikely people who simply found what they needed in the other person.

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So much to love here

I thought I would never like a K-BL as much as Semantic Error, but The Eighth Sense has moved in and completely taken over. What a beautiful and sumptuous and emotional ride...like surfing. Lots of falls and false starts, but when you finally get to stand up on the board and see the water curl around you, it's magical and like it's meant to be.

The eighth sense, as others have mentioned here, is interoception - the sense that starts deep inside a human being, the sensations that are both natural and learned. Some sensations we're born knowing how to attend to, and some we need to learn how to recognize.

This should mark not only a new era of K-BL but a new era of filmmaking and storytelling.

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Watch this...like right now. Ignore all of the negative comments and the low rating. Watch it.

This has proved to me - maybe once and for all - that MDL ratings don't mean a damn thing and are pretty much irrelevant and meaningless. 7.9 for this gorgeously acted and emotional gut punch in all the best ways....no frickin' way. This has become a new favorite - Matsuoka Koudai is an absolute revelation, and Nakao Masaki continues to hone his craft in masterful ways.
This is one of the best BL's I've ever seen - and I will hear nothing else that could possibly change my mind. The fact that this story was written by a mangaka who is himself a part of the queer community makes me love it even more.

This short drama is one of the best portrayals of depression and social anxiety that I've ever seen on screen. He was morose for a reason...which was one of the whole plots of the drama. Other commenters have called Mamoru an unlikable tsundere character. In my opinion he wasn't tsundere in the classic sense, he had significant depression and anxiety. I'm not saying that he was easy to be around, it was obvious that everything in his suffered from his illness, but as he learned to love and accept himself (and someone else) more, his mood and his environment lightened. The lighting even went from pretty dark in spots to much lighter by the end.

I love J-dramas, firstly, because they're quirky and interesting and pack a lot in about the human condition in a few episodes. JBL's tend to be the same - they're witty and funny and sometimes they're emotionally intense and angst-filled, but they more often than not say things that we didn't even know we needed to hear. This one is no exception.

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It's actually better than its rating here

Sometimes I skip all reviews and just watch the drama I want to watch. In the case of Good Morning Call: Our Campus Days, I am so glad I didn't read all of the negative reviews first. I loved it WAY more than I thought I was going to! I thought the first season was ok, but the second season hooked me almost from the beginning and then on to the end. I thought the acting was better, the writing was tighter, the characters were more developed, and they were less immature than when they were in high school. I loved the addition of cutie Sugino Yosuke as Natsume and I loved seeing characters from the first season like they were old friends.
After I finished this, I read the reviews here and (slight spoiler but not really) people didn't like Natsume because he chased after Nao even though she had a boyfriend. But if you paid close attention, you could see that Natsume really didn't want to like Nao - he fought it and fought it, until he couldn't fight it any longer. That doesn't mean that he should have gotten the girl in the end - but it made his character more understandable than I think people gave him credit for.
I was rooting for Uehara and Nao to get their acts together and I think this season showed real growth for the couple. People grow up in fits and starts and none of us were fully formed humans right after we graduated high school - especially ones that basically had to raise themselves. Both Uehara and Nao showed real growth through this season, and I was here for their partnership. Both characters referenced needing to expand their worlds throughout this season - and that is often not easy. They both had to learn how to communicate better (and more often!) but that's life.
The first season was incomplete in my opinion, and that's why I like multiple seasons so much - we had more time to spend with these characters who just needed time to grow up.

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It's a mixed bag, but a drama you should watch regardless

After rewatching a second time, I can confidently say that the FL and SML are two of the most unlikable, disagreeable, and unprofessional, and frankly, unethical characters I've seen. I disliked them both even more the second time through. I still rate this drama high because of the ML (who is frickin' amazing) and because it says some important things about mental health and self-acceptance but wow, they were terrible.

Here's the spoiler-y part:

Honestly I wish that Yong Shik would have ended up with Jennifer - she was an amazing friend and support all the way through. I just didn't buy Yong Shik's and Ru Da's love, (and I hardly ever say that. ) What the FL and SML did to Yong Shik in the beginning was so unethical and wrong that if there was any justice in the world they should have lost their medical licenses over it - I was just as incensed the second time about how they treated him. Also there are so few dramas that portray issues of trauma realistically and sensitively (and this isn't really one of them either, unfortunately,) but there were a few moments that shined. So all in all, it's a recommended-watch, but Dr. Do is an absolutely terrible example of a mental health professional!!

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A standalone film with a lot to offer

I honestly don't understand the negative comments about this film - it's frickin' beautifully written, acted, and filmed and is a very important and timely addition to other LGBTQ+ media being produced around the world at this moment. There's also no reason to draw too many comparisons to its prequel because these characters are not the same people they were much earlier - obviously. We get to know who they are right now, which is more important. And while there might not be fanservice and skinship every five minutes, the characters deeply love each other (that's obvious), they are there for one another when it matters, and they plan their lives around each other. Do they make mistakes? For sure...and they pay for them, in various ways.
I believe that this film is ultimately about the ways we can atone for the selfish mistakes we make in our lives and how they affect those around us. But, (and this is big,) sometimes the mistakes that humans make are because the societies that they're in do not have their best interests at heart, and do not allow for folks to live fully into who they are, (and that includes issues around both gender and sexuality.)
This film gets ten stars from me, and I hope more people watch it.

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Just wonderful

From the second half on, I just cried - not because it was overly sad, per se, but because it felt SO REAL. For those of us who have survived the pandemic (so far!) while still trying to work and keep our children (and ourselves) safe, this was a kick in the feels. It was done so well, and so authentically, and it took a long time for me to finish it. But I'm so glad I finally mustered up the courage to just sit with the feelings and the memories of those first few awful months (and what it feels like to STILL be in it now.)
This was the perfect addition to an already-amazing drama - one that skillfully navigated so many societal issues and challenges, with humor and love. Just wonderful.
It got straight 10's across the board from me, with the exception of "rewatch value" - because it was so poignant and real, it will be a while before I can watch it again. But all of you need to watch it for the first time!

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Ultimately it doesn't matter if you've read the manga or seen the anime

Having never seen the anime, or read the manga, I loved this. And I disagree 100% (and more if I could) with any commenters who said that Suzuki Jin's acting was disappointing in this. On the contrary, that young man is a freaking star in the making, and this drama helps to confirm that. His eyes, his facial expressions, the way he tightens up his chest and shoulders, the realizations that pass from inner monologues to outward expressions - all of it was authentic, with not a false note in sight. (Btw, for anyone who might need to hear this - anxiety can cause involuntary eye and facial twitches and for as much as Ue seemed to be on the verge of panic throughout the entire drama, it makes perfect sense that he would be a little twitchy at times.)

I read so much complaining about live action adaptations of manga and anime and partly I understand that - folks have a picture in their head when they read something and they get attached to it, and disappointed when it doesn't match what they had imagined. But each medium is different, and the creators should be allowed to interpret the story to fit the medium chosen. And each creation should get a chance to stand on its own, and say things its own way, but in the end fit within the trilogy, if you can call it that - of manga, anime, and live action. Carbon copies can be kind of boring, but totally different interpretations are risky as well. This drama had so many lovely and touching scenes, and I enjoyed them without having seen anything else before them. I got to experience the story for the first time, and it might even push me towards actually reading the manga or watching the anime if I wanted to see more. Good stories, and interesting live action productions of stories based on previously published works can propel us toward their source material without having to be the exact mirror copy of it.

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So this drama ended up having two things: some of the most heartfelt and well-written scenes in dramaland: between the King and his beloved, between the previous King and the new King, between the King and his friend, between Hang Ah and her father, etc, etc, and 2) some of the poorest execution of a portrayal of international folks out there.

I loved King2Hearts a lot, (like a lot), but it had the MOST ATROCIOUS "American" "actors" I had ever seen....then and still now. I don't know where they found those people, but they weren't American, for sure. However, what was even worse was that they were such bad actors it was embarrassing, and it made their scenes unwatchable. The villains were so bad it became cartoonish (and not cartoonish like anime or something cool.)

And I want to go on record here disagreeing with anyone who is being negative about the FL's character - either her accent or her voice or how she looks. Ha Ji Won could turn her character from cutesy and sweet into a badass in seconds - that's acting skill, folks.

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I wasn't going to watch this...but I'm so glad I did

I've heard about this drama for years now, and I thought that I had no interest in it at all. I don't always love melodramas, even though I've seen quite a lot of them, and I don't always like revenge dramas...and this one was both. So I had this drama under "Not Interested" for a long time and I thought that was that. But I recently read an article about hate-to-love dramas and there were so many comments recommending this, that I reluctantly said that I would try it. And MAN. I am so glad the drama fairies made this happen. WOW. I knew that all of the actors involved were top-notch but I had no idea that this drama would bring as many feels as this one has. This was a roller coaster ride and one that I'm thrilled to have finally decided to jump on.

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Beautiful from beginning to end

This is pure sweetness and love. The film explores themes of abandonment, failure, trust, and, ultimately, love and self-acceptance. The acting was first-rate, there wasn't a false note entire film. The music was unexpected, but somehow perfect too. The writing was understated and soft, and yet carried emotional weight. The leads reminded me of the characters from the film version Life-Love on the Line, my other favorite LGBTQ+ film from Japan. These are important stories to tell, and yet, this film doesn't make them exceptional - they're just human. Which is even better.

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It pays to ignore negative reviews and just watch it yourself sometimes

I loved this drama!! It makes you crave sweet and sour pork like crazy. Junho is SEXY AS HELL here and he shows off his superb acting chops again and again. He isn't an "idol actor" - he's an actor. Period.
The FL was completely adorable and grew into a fierce, opinionated, and talented woman and partner for the ML. I loved loved loved them as a couple. I also loved how the bromance developed, and how much love and trust there was between the men.
I'm not sure why commenters are saying there wasn't adequate character development - we must not have been watching the same drama. The characters at the beginning were not at all where they ended up at the end. There's not really a spoiler here to say that the gang turned into real chefs at the end, because that was a main point of the drama to begin with. The secondary romance was also sweet and a pleasant surprise. No spoiler here either, but there was a twist in the middle that was heartfelt, sweet, and extremely touching.
I loved the supporting cast and we could clearly see growth in all of the characters...except one. I hated the mother with the fires of a thousand suns. She was a Horrible. Selfish. Person. I actually found myself screaming at the tv whenever she came on. She started the drama selfish and entitled, and ended up being selfish, entitled, bratty, dumb, and just plain mean. She wasn't evil like other K-drama mothers, but that didn't make her meanness and selfishness any less easier to take. Gah, I hated her.
Sure, this drama wasn't perfect. I wished for a wee bit more of a resolution for one of the main characters at the end, and it's hard to fathom ex-spouses as ridiculous as the ex's of the main characters'. (I've already mentioned the mother.) There were a few plot holes, but let's be honest, what K-drama doesn't have a few plot holes or characters who drop out of sight? That said, any time you get three main characters who all sparkle on screen, a passionate romance without too much melodrama, some amazing-looking food, some very satisfying payback, and the CUTEST KITTEN EVER...I've got all I need.

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This is the story we need

You need to watch Seven Days: Monday-Thursday first, and then Friday-Sunday. I hope that they put the two together sometime because it should be watched as a longer movie. I'll be referring to both movies as just one in this review.

This is not your typical BL story, and that's good. What this is, instead, is an exquisitely and breathtakingly beautiful story about two young men in high school who, almost accidentally, realize a love that they didn't know existed or was even possible. There isn't any fanservice here, thank goodness, only phenomenal - and age-appropriate! - writing and acting. They actually act and speak like high school boys and their shyness, embarrassment, and halting actions were all backed up by their inner thoughts, which the audience was thankfully privy to. We got to listen in on their doubts and lack of self-confidence even when their outer appearance was the opposite. I had never seen either main lead before and my goodness, they both delivered 100%. Also, the OST was the perfect accompaniment to the story, and it was shot really well, from lighting to the filming angles.
But the importance of this story lies well past how well-done it was. It lies in the fact that two people, who happen to be the same gender, find a love in each other. Yes, most of us have seen BL stories before, and many of us have seen a lot of BL before. And reams of type have been dedicated to the more problematic aspects of BLs, like the lack of consent too often portrayed as normal, the often-toxic nature of the relationships, again portrayed as not only normal, but expected in these relationships, and the ways BLs cater to the female gaze, making that more important than the other stories of LGBTQ+ men and women that deserve to be told. So we need more stories like this (and maybe less problematic BL!)
The beloved LGBTQ+ folks in my life experience the same kinds of fears and hurts as straight folks do in relationships and many of them want to get married and have a family and live a stable, settled life with their love. And they deserve that chance. Hopefully stories like these Seven Days films, Life-Love on the Line, and others, will help change public opinion enough in Japan to help pass marriage equality laws and normalize LOVE. Because that's what it is. #lovewins.

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