108
208
83
Kate
hell
Surprisingly dark, surprisingly approachable.
For a drama that tackles a whole list of triggering topics, it had quite a way to put a smile on my face.
While the first half is quirky in the presentation, the second half loses a bit of that charm, diving deeper into the realistic approach. One has to be extremely careful when presenting a story built on misfortune and struggles to not make the audience feel completely hopeless and drained from all energy, while also making it tactful - what jokes are appropriate and which ones could cross the line and make fun of the issues. Definitely Not Today does quite a good job keeping the balance. Keep in mind though: a lot of triggering elements like assault, attempted suicide are shown in rather straightforward manner.
To be honest, I kept thinking how unhinged the drama truly is. The way it presented Mi Chong’s constant suicide attempts with his peculiar, emotionally detached narration surprised me, but in a positive way. The same story presented in a hyper realistic manner would break me into pieces and I would fall into eternal drama slump buried under mild depressive thoughts. Going wacky and unconventional was the good approach - the message is the same, the heart is the same, but you don’t end up in a gloomy mood when you watch it.
What we get is a heartwarming and at times funny journey of two people with a lot of emotional baggage who learn how to appreciate living, how to trust others and show care for people around them. Who learn how to receive and give help. People who learn how to live.
Performance wise, I fell in love with Leon Leong. His depiction of Mi Chong was so heartbreaking, even in his more lethargic state, you could sense the pain and struggle behind the odd narration. Vivienne Tien did an amazing job presenting both the strong and confrontational, but also vulnerable and scared side of Zhi Liao. Complicated characters presented in a skillful manner.
Undeniably the directing and editing help the story a lot. The silly drawings during some scenes, wacky editing, quick cuts between shots - all added to that bizarre, but weirdly relatable feeling.
Overall, great drama. I only wish they kept more of the lighter tone of the directing and editing in the second half.
While the first half is quirky in the presentation, the second half loses a bit of that charm, diving deeper into the realistic approach. One has to be extremely careful when presenting a story built on misfortune and struggles to not make the audience feel completely hopeless and drained from all energy, while also making it tactful - what jokes are appropriate and which ones could cross the line and make fun of the issues. Definitely Not Today does quite a good job keeping the balance. Keep in mind though: a lot of triggering elements like assault, attempted suicide are shown in rather straightforward manner.
To be honest, I kept thinking how unhinged the drama truly is. The way it presented Mi Chong’s constant suicide attempts with his peculiar, emotionally detached narration surprised me, but in a positive way. The same story presented in a hyper realistic manner would break me into pieces and I would fall into eternal drama slump buried under mild depressive thoughts. Going wacky and unconventional was the good approach - the message is the same, the heart is the same, but you don’t end up in a gloomy mood when you watch it.
What we get is a heartwarming and at times funny journey of two people with a lot of emotional baggage who learn how to appreciate living, how to trust others and show care for people around them. Who learn how to receive and give help. People who learn how to live.
Performance wise, I fell in love with Leon Leong. His depiction of Mi Chong was so heartbreaking, even in his more lethargic state, you could sense the pain and struggle behind the odd narration. Vivienne Tien did an amazing job presenting both the strong and confrontational, but also vulnerable and scared side of Zhi Liao. Complicated characters presented in a skillful manner.
Undeniably the directing and editing help the story a lot. The silly drawings during some scenes, wacky editing, quick cuts between shots - all added to that bizarre, but weirdly relatable feeling.
Overall, great drama. I only wish they kept more of the lighter tone of the directing and editing in the second half.
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