Finding light after a long dark

The world of Dahuang can be a cruel and harsh place, as royal cousins Xiaoyao and Cang Xuan learn bitterly at a young age. Orphaned, lost, and tortured for many years, XY eventually hides herself in the small Qingshui Town working as the town healer of sorts. Also orphaned and forced to live as a hostage in a foreign kingdom, CX spends his early life fending off his murderous uncles. Fate brings him to Qingshui Town disguised as a winemaker. He and XY eventually reunite, but will they be together forever?

In that fateful town, XY meets and saves the gentle Tushan Jing, who she calls Ye Shiqi. He too has his own tale of betrayal and torture at the hands of his half-brother Hou. Nearby is the enigmatic and seemingly harsh Xiang Liu, caught in his own struggle with his past and devotion to his adoptive father. These figures are forever intertwined as they are thrust onto a high-stakes adventure of fighting for a better, kinder future while at all times fighting for their own survival.

I would have liked to see season 2 first before writing this review, but at this point it may be a while before it comes out. As it stands, however, season 1 has a clear story arc focusing on XY and CX's endeavors to win the latter the Xiyan throne, so as a standalone season, it mostly works. There are a lot of other characters and themes that will need S2 to round out their arcs fully, particularly for TSJ, who ends S1 in a bit of a miserable state. I hope to write more about TSJ after S2, as he is one of my favorites. His kindness and genuine love for XY are a bright light in this often dark tale of very complex people trying to make the best of an unkind world.

The cast bring the story to life, and the writing is satisfyingly solid throughout the whole drama. No useless fillers or characters in this tale. Music and production are memorable, with the rare bits here and there of questionable CGI. Bring on season 2!

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Bold, epic with a slight stumble to the end

There is a lot to love about this drama - it is epic in scope and dares to tell a complicated tale not only of love but also of friendship, duty to one's country and respect for your fellow man (or woman). Above all, it features many complex characters that develop throughout, notably several strong female characters including our fearless female lead, Ren Ruyi (played by Liu Shi Shi).

Ren Xin, a former deputy leader of the Scarlet Guards of the State of An, is framed for the death of Empress Zhaojie and forced to reinvent her identity as Ren Ruyi. While on her own quest to avenge the Empress, Ruyi comes across Ning Yuanzhou (Liu Yuning), himself also the former deputy leader of the State of Wu's Liudao Pavilion (a sort of spy organization not dissimilar to An's Scarlet Guards), who is busy trying to leave the world of court politics behind. They find themselves working together and join the diplomatic entourage bearing special envoy Prince Li (who is actually Princess Yang Ying in disguise) to An to rescue the Emperor of Wu.

While the story may sound complicated on paper, it is actually quite easy to follow and watch, a testament to the strength of the show's writing and performances. Particularly in the first half of the drama, with the entourage's long journey as the framework for the show, we get a terrific balance of adventure, exciting fight sequences and character development. Under Ruyi and Yuan Zhou's guidance, Yang Ying (He Lan Dou) transforms from cowardly princess to steely prince in what is to me the most satisfying and interesting arc of the entire show. Along the way, we also get to know NYZ's gang: the pretty playboy Yu Shi Shan (a hilarious Alen Fang), kind and cheerful Yuan Lu (Chen You Wei), stoic and loyal Qian Zhao (Wang Yi Zhe), and lover of all furry things Sun Lang (Li Huan).

At midway, the drama sags a bit when Li Tong Guang (relative newcomer Chang Hua Sen) meets up with the rest of the cast as his character devolves into an injured puppy in what is probably the least desirable arc of the show - his obsession over his former master Ren Xin. I would not have minded a few episodes of this, as I understand what the writer was probably going for. Having suffered a difficult childhood and losing his mother and master during his youth, I can see why he would latch onto his master at their reunion, but 10 episodes of this is overwrought and threatens to undermine his character's development from boy to man and from general to de facto leader of a nation. Fortunately, LTG's scenes with Yang Ying towards the end of the drama somewhat salvage things for me. But it is a bit too little too late.

Then we have the final 6 episodes or so, which zoom by at a more frenzied pace, making one wish perhaps less time spent on obsessive LTG would have translated to a smoother build to the climax and a more satisfying conclusion. And while I enjoy Chu Yue's (and Chen Hao Yu's performance) scenes with Yu Shi Shan, from a writing standpoint the story did not really need her character in there to work. Personally, I would have liked the ending scene to have included YY and LTG instead. Looking at the narrative and characters, these two are the most affected by our main leads, and lacking a conclusion (or at least some kind of denouement) to their story is a disappointment.

Ultimately, however, the many merits of this drama outweigh the downsides, and this is one you do not want to miss for this year if only for the truly great creation of many strong, multifaceted female characters (including villains). If I had watched this before Story of Kunning Palace (to which I gave a 9), I probably would have rated Kunning lower, as this is by far the superior of the two recent costume dramas in terms of story, characters, performances and music.

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I enjoyed this one a lot when it came out in 2021. It's a great slow-burn romance, which might be frustrating to some because the leads do make mistakes initially. Their missteps threaten to undo their relationship altogether, but it's a journey worth watching as they learn to trust and love one another wholeheartedly. Additionally, great chemistry and acting from the leads, bolstered by a wonderful supporting cast and memorable soundtrack, help move the story along.

It's not all about romance - life for a woman in the Ming dynasty is hard. The opening shot of the 1st episode lays out one of these main issues/themes: the difference between the legal wife/children and the "illegitimate". This plays out throughout the whole drama, with some to tragic ends and others with heartwarming journeys of redemption and reconciliation. Highly recommend, also a great one to rewatch.

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This is a great story of female friendship with an inauspicious beginning - between Lin Shuang our female lead and Jiang Xi. Two women from very different backgrounds find common ground and nurture a restorative and empowering relationship that carries the whole drama. The story could have had better flow and dramatic tension if it were shorter; honestly, half the number of episodes probably would have still worked. We know pretty soon on what a deadbeat jerk Wei Ming is, so dragging his dark deeds out was a bit tiresome to me. Acting overall was great. and the workplace scenarios were more realistic - still probably not completely realistic in areas - than many a workplace Chinese drama I have seen in recent years.

If you like modern workplace dramas with strong female characters, this is worth checking out.

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If I were more of a stickler for historical facts in my dramas, I probably would have rated this much lower as this drama takes quite a bit of artistic license with historical figures of the Ming dynasty. As a drama of itself, I found it quite entertaining and moving in parts with a terrific, experienced cast and overall great production values.

The first 2/3 of this drama is pretty near perfect for me - the story and character arcs make sense. The last 1/3 (after Zhu Zhanji dies) is a bit of a mess - I've nearly blocked out all of it in rating this drama. The ending nearly obliterates the journey Zhu Zhanji and Sun Ruowei take together, and the head-scratching ending with the background music out of nowhere just seems like a weird fan MV to me.

In my mind, this could have been split into 2 dramas and would have worked better for each story being told (the first part being Ruowei and Zhanji's story and second being Ruowei and her son's story). In any case, if you are a fan of historical dramas, this is worth checking out (at least the first 2/3).

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Uplifting legal drama with so much heart

I found this little gem while scrolling through Netflix. It's a heartwarming tale of two unlikely partners who find the courage to fight for the "weaker" ones in society and for what they want in life.

Ishida Shoko is a paralegal who works at her father's small law firm. Though a graduate from a prominent university, she has failed to bass the bar exam multiple times. Haneoka Yoshio, on the other hand, passes the bar easily due to his photographic memory despite finishing only high school. The two find themselves immediately at odds with each other when Haneoka is hired to join the firm. Through the course of the 10 episodes, they learn how to support one another and overcome their respective traumas and inner struggles.

There are plenty of darker, serious-toned dramas involving the legal process. This is not one of them. If you need something to lift you up and give you hope again in humanity, this is a nice, short one to enjoy. The cases are easy to follow and are interwoven with the characters' own stories as they progress throughout the drama. Arimura Kasumi and Nakamura Tomoya have excellent onscreen chemistry as our leads - it is almost a shame the drama did not make most of that and push their relationship together further. Shoko's fledgling romantic storyline with our second male lead, Oba Ao, really does not go anywhere. Akaso Eiji does a fine job in his role, but I just did not buy Oba's relationship with Ishida.

In my perfect world, there would be a special or second season to see our legal duo continue their bickering, common folk-helping ways. Alas, I will most likely have to settle for what we have here and rewatch their scenes together whenever I need a pick-me-up. Their quiet moments together are pure gold. Arimura and Nakamura seamlessly move between comedy and drama and ultimately move our hearts.

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Something is rotten in the state of Liang

Nirvana in Fire 1 is a masterfully paced tale of revenge and a fight for the throne in a quest for truth and justice. Its story is mostly linear and thus builds satisfyingly to its climax near the end with a fittingly bittersweet denouement. NIF 2 is a different kind of story. More complex in its character construction and narrative, the second installment gets off to a slower start and because of its story structure, may encounter some bumps along the way for some viewers.

There are essentially 2 major parts to this story, the first part ending with Xiao Pingzhang's death, and the second culminating in Xiao Yuanqi's revolt. As such, although you may consider Xiao Pingjing to be the main character, he has to share screen time with his brother in the first part of the story. At other points in the story, he is either in a coma or hanging out on Langya Mountain, while the plot is moved along by some of the supporting cast. What is more, he comes off as somewhat of a callow youth in the beginning of the drama, although he is very intelligent and quick on his toes.

Once viewed as a whole, however, NIF 2 becomes an epic tale of the frailty and courage of human nature - a timeless tale reminding us that as much as we aspire to be our better selves, we may just as easily fall prey to our vices. There is always a sense of unease when watching this, whether it is watching the creepily Rasputin-like Puyang Ying achieve his devious goals or the pitiful Yuanqi fall further and further to his inevitable defeat. We see the bonds of brotherhood and family tested as the balance of power between the Imperial court and the military hangs forever in a delicate balance. Pingjing's coming-of-age story is interwoven throughout, and I found myself very much moved as he struggles to deal with the deaths of his brother and father and his identity as the son of the Old Prince of Chang Lin.

The older cast definitely elevate this drama with their performances, but the younger cast do a fine job in their roles. The grounded production and stirring music round out this excellent drama worth watching and re-watching.

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Forest of secrets indeed

This show got me back into K dramas after a long hiatus after college. I was tired of watching the usual romcoms and found this one a refreshing departure from what I had been used to seeing. From the outset, the story seems to be a straightforward murder mystery, but as you keep watching, you realize soon that the web being spun if far more complicated. I found myself delightfully second guessing characters and trying to figure out who everything was connected right up until the thrilling climax.

The talented cast give as a whole grounded and nuanced performances, fittingly restrained (for the most part) for the darker tone of the series overall. But it's not a downer of a story; throughout the whole drama, you can't help but root for Hwang Si-Mok, as he charges ahead in search of the truth.

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Not enough steam to last until the end

This drama starts off in a powerful way but by the middle of the 16 episodes, there is not enough meat to the story to sustain it until the end. The female lead's "revenge" story has nowhere to go because the audience already knows that the king is not the true villain of the story. Perhaps more importantly, the character lacks any real personality to make her scenes compelling to watch, much less make her romance with the delightfully complex male lead at all convincing.

The king (male lead), on the other hand, has a true story to tell in this drama. His journey from Grand Prince to exile in Qing and back to Joseon and ultimately the throne is thrilling, and Jo Jung-suk plays him with so much pathos and intensity. The show could have ultimately benefited from minimizing the romance and female lead's role and focused on the king with a shorter number of episodes. Alternatively, a more interesting romance or more complex political storyline could have justified the full 16 episodes.

I was hoping for more from this beautifully produced show, hoping for a really satisfying, dramatic sageuk. There are some really great moments throughout, but by the end, I was fast-forwarding more than actually watching. I feel as though an 8 is really generous from me - but some of the performances (including the younger child actors) are really terrific and lift up the show. Something to check out for those who love period/historical dramas, but it is no masterpiece.

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