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hell, where all the cool kids are
The story behind the Sewol is extremely complex. It’s not just a case of one person negligence - it’s a story that involves individual workers, coastal guards, press, police, politicians - you name it, more or less everyone was involved.
So does this documentary tell us how it happened? Why it happened? Does it provide any concrete explanations? No. But it paints a horrifying picture - when people on the site were too scared to even talk about what was going on. It focused on just a small portion of the events - the use of a diving bell, and how the government was doing its best to not make it successful. Exposing that lie in such detail, with interviews and video/recordings proof is how you break the well crafted picture the government and press created.
The movie shows how much effort was put into creating and upholding a lie and shifting the blame on others, when half of that effort would probably be enough to save the people trapped in the sunken ship.
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Fluctuating quality…
It’s honestly hard to judge this show. I liked some parts, I was bored with others.Starting with contestants - on one hand I appreciate how distinctive everyone’s personality and style was. It was easy to remember everyone from their first introduction and not get people mixed up. Because many of them were so drastically different, the interactions were that much more fun and interesting to watch.
At the same time, because everyone was rather far on the unique side, they truly did not feel like your everyday people, but rather high profile influencers (which some of them were, and most had some entertainment connections). The thing that is enjoyable for me in dating shows is the fact these are normal people and not celebrities… But here, the line felt blurred.
That end result was rather predictable. I was not shocked or surprised by anyone’s choices. Did it bother me? No. I know some people did not like the predictability of the show, but I honestly don’t know what they expected. These are real people, they won’t change their mind just to deliver a plot twist. It would make no sense to randomly pick someone else, and not the person you spent most time with and had some type of chemistry with.
About the hosts - while I loved the 4 main ones and Bambam fitted into that picture perfectly, I am kind of disappointed how little screen time test rest had. I questioned what was the point of even having them there, when they barely shared their opinion and just reacted to what the main panelists were saying.
For the length of the episodes - 2-3 hours long ones never felt like too much. Granted, I did skip scenes and interactions between people I did not care about, so that might be the reason why the length did not bother me much. Even with that, I still believe it’s better to show more than less with dating shows like that. The level of enjoyment depends on how much the viewers will feel like they know these people and connect to them emotionally. If you skip all the build up, and only show the highlights, it will all feel scripted and unnatural.
Overall, it was fun. I thought kdramas made me have high standards in men, but then Jung Hyun Gyu happened and he is just a walking perfection.
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The 8th Night has this simplistic, sharp, cold, grainy texture to it, which you’ll either like or dislike. At times it might even feel borderline cartoonish or gimmicky. The directing and editing style does not fit my preferences, hence I did not connect well with what was happening on screen. It seems to cater to a specific type of audience, and for those who like this type of styling, it will for sure be an interesting and entertaining ride.
The opening narration serves as an exposition, but crosses the line of telling us the general plot of what’s to happen. Later, as we follow the main characters, the story gets expanded and the details are added.
Surprisingly, I chuckled a few times as I was watching. Some scenes were clearly intended to be funny, some were unintentionally hilarious. I might be desensitized to horror, which leads me to have rather unexpected reactions to scary or disturbing scenes, so keep that in mind.
Even though it was a miss for me, I have to appreciate the fact they stuck to the vision and ideas they had, without trying to please everyone.
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When stupidity is scarier than the vicious virus.
Not gonna lie, at some point I kind of wanted the drama to end with the end of the world. Watching all these characters behave the way they did make me think: maybe the world would be better without people in it.That said, what a ride this show was. Not one episode was boring with all the zombies, scheming and danger. Adding great chemistry between the cast made this drama a pure joy. Sure, I wanted the majority of the characters dead by the end, but how much fun was it to watch the chaos unfold.
Happiness has this uncanny, surreal vibe to it - no one reacts to any given situation in a realistic manner, the society deals with it in the most chill way possible, there is little to no information about what the government is doing with the guy working for pharmaceutical company (given he is associated with military)making all the important choices that involve worldwide survival. Nothing about this show is realistic, little to nothing truly makes sense and yet… I liked it a lot.
Production value was top notch. Sure, they overdone the “zombies'' with funny eyes, but at the end of the day, the infected were not supposed to be the scariest part of the show anyway. For me, they were adorable and had many comedic moments. Face covered in blood, but they will be like: I’m fine.
Isaac Hong’s Pain was probably the best song of the whole OST. Listening to the soundtrack while writing the review, it hits me how dramatic it is compared to the drama itself.
The show sends a vaguely clear message - happiness is not defined by where and how, but with whom. It’s the people in your life that can make it or break it. That said, with all the awful characters in the drama, I rather stay alone and not risk it…
Overall, I started to feel far more frustration in the 2nd half, since some of the choices the characters were making (including our main duo into that mix) just made no sense and showed complete lack of planning and ignorance towards the obvious dangers, both in the form of the virus and the residents themselves. The last episode was a bit disappointing, not delivering a conclusion the show deserves. Even with all that, I would highly recommend it. The entertainment value was so high, I will gladly turn a blind eye to the things that bothered me.
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Each new person we meet is a new chapter in our life.
I want to be completely honest - this is my subjective take on the show. I feel like My Liberation Notes is a drama one either vibes with, or they don’t. I don’t. It’s not like I hated it, but I was not as moved, touched, absorbed by it as other people. It had a fair number of elements I enjoyed, but overall, I was not invested.I think my biggest reason for disconnecting was the fact I did not relate to any of the characters and, at the end of the day, it is a character driven show. Yeom Mi Jung? Extremely unlikable for the majority of the episodes. I completely gave up on trying to like her when on one hand, she complained how no one ever made her feel alive and whole, but at the same time said she herself never really liked anyone.
I understand that all the depression (probably more specifically dysthymia) symptoms she presented must have been something many people related to. I am not a stranger to these feelings myself, and yet, I could not be on board with what they tried to present with her. Admitting on the side though, the last episode changed my perception of her character quite a bit, and I liked that a lot. They hammered a specific picture of her, and then gave me a 180 change with a new perspective delivered with just one line. Whatever I did not like about how she was written became less valid at that moment.
That said, putting aside whenever she was likable for me or not, I do appreciate some aspects of her personality. The fact they broke away from the “shy introvert” portrayal many dramas have. She was not shy, she was simply not interested in people. Sometimes people who don’t engage in every social interaction are not shy, they just don’t care. At times her inner dialogue and conversations with people made me think she might even be asocial, one step further than introversion. If we truly listen to what she was saying, I still have to appreciate that it’s just who she is - there is no trauma, no social phobia. She just does not like people that much and prefers solitude.
Then we have Mr. Gu. I liked him a lot at first. The mystery around his character in that rural area made me curious about his story, but they dragged it for too long. When I finally found out more about who he is, I was not that interested. It was a well done suspense, since me and many people wondered about his identity, but I feel like keeping the viewers in the dark for so long took away from him as a character. On the other hand, one could say he serves as a good contrast to Mi Jung’s journey, and the different pace they both took in figuring themselves out.
While Yeom Ki Jung was entertaining to watch and one of the reasons I pushed forward and finished the drama, I found her arc a bit one dimensional. At some point I started to feel like her obsession with finding a man was overshadowing the underlying issues she has. It felt like a comedic bit, that is not quite funny when you truly think about it. That said, her romantic endeavors were enjoyable and endearing and for me, she was easily the most likable of all the siblings.
I don’t really have much to say about Yeom Chang Hee, except for the fact he was underused. His interactions with Mr. Gu were amazing and I would love to see more of them - that friendship could have been an interesting addition to the story. I am honestly not sure what his purpose in the drama was. I get the vague idea, but for me his characterization lacks focus? He shined the most in the last (around) four episodes, and I probably enjoyed him the most at the time, out of all the characters.
One of the aspects about the drama that can be either viewed as a positive or negative thing depending on the preferences, is how the main characters were not that well defined. A lot of aspects were left for interpretation. I was discussing the show with many people as I was watching, I also read many comments and takes on the plot progression and characterization, and I have to say - many people had quite different takes on who the characters were.
As far as I see it, it’s a good thing. It’s not a “play in the background” type of a show. The true value comes from wondering about it as the episodes end. Trying to understand the characters. And since everyone looks at them from the lens of their own private experience and personalities, it’s given that they will see different things in them. It’s the viewers who add depth to them, their interactions and plot development. So for me, who was not engaged enough to feel motivated to do that, the drama lost one of the most important aspects.
I know a lot of people love the dialogues and inner monologues in this show. I completely agree they were well written, but they were also repetitive. A lot of them were talking about exactly the same thing, just with different words. So at the end of the day, we end with exactly the same issue - you either relate to the lines and love them, or you don’t and you find them boring.
While they went into detail about Mi Jung’s inner struggles which led to many people appreciating the show, I also feel like a lot of aspects suffer because of it. The relationship between the parents being one of them. Literally all the supporting characters. The biggest let down? Underuse of Liberation Club. I wish there was more focus on this rather than Mi Jung and Mr. Gu together. Using the writing note as a way to deliver the inner monologues was used just a few times, overshadowed by emo train rides that took the spot for the narration time.
That said, with all the complaints I had, they are all subjective. The same things I complain about, other people name as the reasons for loving the show - depending on the perspective. As I said, you either vibe with it or you don’t. It’s really consistent with how they deliver the mood and message, creating a well composed picture. The acting, writing, directing, editing, soundtrack - everything fits well together.
Overall, would for sure recommend to anyone who likes slow paced, character driven shows that focus on daily lives and struggles of normal people. There is no reason not to check it out. It's a good drama, it just does not try to cater to every viewer, and as a result, it might not resonate with everyone. But you won't know if it's something you will see as a true gem, unless you check it out yourself ;)
Ps. Refrain from telling me maybe the genre is not for me. It’s not the genre, it’s this specific show.
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With how little time they spent on developing any type of relationship between the "Korean" guy and his roommate, did we really have to get any scenes reminding us of what did not really happen? Probably not. We are still left with no closure, and one could argue, there was no true beginning either.
I did enjoy Type and his mother's relationship and the fact we got to see the serious talk Type had with his best friend. After I finished TharnType, I felt extremely not happy with how they just left it. The fact we got to see them resolve the argument did put a smile on my face. I can easily say that Khom was the best character.
We got to see some aesthetically pleasing scenes, like the beach/sea scene of Type and Tharn, that, I must admit, was shot quite well. Overall, except for maybe 2 scenes, it was quite an "empty" episode, pure fanservice. At the end of the day, they simply gave the fans what they wanted to see (except for Lhong being in prison, even though everyone would love to see that). I can easily see how someone who loved Tharntype would be extremely pleased while watching Our Final Love. Since I was not attached to the show, I sadly could not share the excitement.
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Amazing buildup with blurry conclusion.
I did not have such a level of mind-f**k in a long time. Half way through the show I stopped making any theories, because it was just impossible to predict and evaluate anything. The only thing I knew was - anything can happen.The events present in the show happen in 4 different timelines, and like puzzle pieces put together, slowly showcase the whole picture. Sadly, along the way some pieces have been lost, and the answers were not fully delivered, leaving me with my own interpretations and theories.
The story follows quite a number of characters, with their own back stories and plot lines, that are all connected in a convoluted way. The moment you might think you start to see the whole picture, they do 180 on you, and you are back to the beginning - confused and frustrated.
Without the doubt Uhm Tae Goo was the star of the show. Jo Kyung Ho was such a glooming and enigmatic presence throughout the drama, I could do nothing, but get intrigued and drawn to him. The calmness, confidence and the assured tone with which he delivered the lines made it that much more terrifying.
On the other side of the events we had Choi Hyung In - emotional and driven detective, and Jo Jung Hyun, who failed to run away from her fast and was forced to face it. With each episode we see the paths of the three characters getting closer, leading to an inevitable clash.
From my perspective, the show tells the story of the different ways people deal with trauma, grief, anger and fear. Some give up, some fight till the end, some run away and some dive into a revenge fueled path. Hometown presents how turning a blind eye to suffering can lead to more pain and more victims. Facing your past, working through the pain, accepting the responsibility, regretting the mistakes and working to fix them, even if it seems too late to take any actions - it’s worth living even if we suffer.
The acting from the main cast was a top level of awesomeness. I felt sad and defeated thanks to Yoo Jae Myung, confused and trapped thanks to Han Ye Ri’s performance, and uncomfortable with, but enchanted by Kyung Ho’s character, thanks to Uhm Tae Goo’s skills.
Some of the teens' performances were questionable - the characters did not feel quite real and the emotions did not reach me. Luckily, it only happened during a few scenes, and overall, all of them did a fairly good job.
The production quality could not be better. The mix of horror elements perfectly elevated the thrills, blurring the lines between the reality and creations of one's mind. For a show that is not mainly a horror, it delivers the tense atmosphere in a skillful way, giving the viewers goosebumps during a number of scenes.
Are there any complaints? Yes.
Set up that is not explained well. Till the end, even after the credit rolls on the screen, you won’t get all the answers of “how” and “why”. If we limit the story to what’s possible in reality - this makes little sense. Me and many other viewers voiced how the presence of supernatural elements could elevate the show to a new level, explaining some plotlines and character’s choices and skills.
By the end of the last episode, I was still confused about what exactly started the whole plot - what made Jo Kyung Ho what he was, why he did what he did, when he started and what exactly was his desired outcome. I have my theories, but the point is - I don’t think the show did enough in explaining what drives the villain - they fail to explain his motives properly.
Confusion surrounding some plotlines, especially circumstances around Im Se Yoon and the timeline of her death. The last two episodes confused the heck out of me. I tried to sum up all the information I’ve got since episode one, but it just does not work in my brain. I might have missed something, they might have made it far more convoluted than needed, or it might be both.
Overall, it was an extremely intense ride. The journey was so entertaining, even with the disappointing conclusion, I can’t help, but love the show. Hometown ends with a question mark rather than a full stop, but for me, sometimes it’s better to not give the answers than give the ones that are not satisfying.
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It was a simple story, simple romance and a simple watch.
Sang Yi helped In Soo hold onto his dream, In Soo helped Sang Yi step out of his comfort zone, and it was all done in a quite subtle way. We never get to actually meet the big bad guy, and his presence is introduced later on, but didn't really have that much impact on the story. Or rather, it had a huge impact, but it didn't feel like it.It's a sweet story about two boys that fall in love with each other (and each other's music). There is a vague background about going against other people's expectations and chasing your dreams no matter what, but in only 80 minutes, the plot is not explored enough to have an actual emotional impact.
The acting was nice? Overall Lee Sang did a better job than In Soo, but none of the actors convinced me during their "sad" scenes. The emotions just weren't translating onto the screen well.
The production value was quite good. The shots had a nice indie vibe to them and the music was definitely one of the strongest points. That said, for a show that centers around music production, the audio quality in the beginning episodes was questionable...
It was an easy watch that never really got me excited, but I wasn't bored either. Watching it won't be a waste of time, but skipping it would not be much of a loss either. It is what it is: a short cute BL romance with a simple plot and pretty leads.
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The story is quite complex and the characters' motivations make you question their every behavior. At the same time, a quick guessing game will lead you to the correct answer, because at the end of the day, the ending is not as unexpected and surprising as one could wish for.
The acting was for sure the best aspect of the movie. To say I was impressed would be an understatement. While Haneul aced the role, I didn't expect any less of him. I was the most drawn to Kim Mu Yeol - acting and character wise. He showed both a soft/friendly, but also mad and driven performance, and both were done perfectly.
There was one moment in the movie that caught me off guard and I could not stop laughing for a good five minutes. One of the quite common tropes used in Korean dramas, that turned this movie into a comedy. Thank God it was close to the end, because I wouldn't be able to take any scenes seriously after it happened.
Overall, the process of watching the movie and guessing where it's going was more entertaining than the movie itself.
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The Lost Tomb - Bromance edition.
Yeah, I know, the whole Grave Robbers’ Chronicles is one big bromance party, but this one truly relies on the bromance a lot. The bromance is literally the reason the plot exists here.It’s a simple, fun and well executed short side story. Most of the characters have valid motivations that justify the risks they are taking. The visuals were surprisingly good. After seeing quite a few tomb dramas/movies I am honestly not sure, but I think the wacky fighting scenes are wacky and questionable on purpose - this seems like a stylistic choice and not the lack of effort on the production team side.
I also appreciate all the deaths. The Tomb installments never shied away from killing side and supporting characters, but here I appreciate that they actually showed the kills.
Acting was great, dubbing - not so much. The line delivery was great, it just barely matched the movement of the mouth. At times it became distracting.
Overall, a quick and enjoyable watch. For sure it serves as better entertainment if you know and like the characters.
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Sex jokes, poop jokes, pee jokes - that's the content you will get.
This is one of the movies that left me wondering why it was made and why did the cast agree to do it. It does nothing to their career, there was no way on the planet they got paid a lot for it, as the budget itself seems limited, and not much probability of it becoming a hit.You know what the movie is mostly about? 3 people sitting down and talking about the most boring things ever and making awful jokes. Anything even remotely connected to horror happens in the last 15 minutes. I saw no real comedy in it either. It’s just full of nothing.
Sure, the performances were nice and the cast was solid, but what’s the point when the writing had nothing to offer?
Overall, just don’t bother watching. It's juvenile humor and poor storytelling.
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There are two ways of making a good remake: make it better or make it different.
Cube failed at both. It was not interesting, not innovative and the special effects were laughable - apparently people there have no internal organs.Being perfectly honest, the only good thing was the acting. I am amazed how the actors were able to deliver a solid performance, when most characters had ridiculous arcs and out of the blue quick last minute changes of heart.
I think the worst crime of this movie was the fact it was simply boring. There were hardly any deaths nor traps shown. The ones we got were as basic as they can get.
There is nothing Cube 2021 can offer that Cube 1997 did not already deliver, so why bother watching?
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Way to strip a plot of any suspense by revealing everything from the start.
Welcome to the world of one of the worst storytelling examples in the history of horror. Why did they decide to show so much of the background and context of the supernatural events, when the unknown is the vital and most important part of any horror movie?My brain hurts so much. I feel like the only people who put any effort into this project were the actors, and I honestly feel bad for them.
The level of ridiculousness? Unimaginable. The pacing? PAINFUL. The remake of the game takes about 4 hours of gameplay to complete. They tried to fit that into a 1 hour and 30 minutes movie, and they failed. Since there was so much to show and tell, there was no breathing moment, no time to build the atmosphere and the suspense - I was bombarded with information, action and poor CGI.
There were so many laughable moments. They literally introduced, explained with dialogue and flashbacks, and concluded a whole new past plotline 7 minutes before the movie ended. I think this tells you a lot about the writing and pacing of The Labyrinth.
Do yourself a favor and just watch a whole playthrough on youtube or play the game yourself - the story makes more sense, there is a better suspense and even the graphics for the phone remake are better than any CGI this movie gave us.
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This review may contain spoilers
Make it make sense, because I cannot.
Inconsistencies in writing are my pet peeve and this drama was full of them - from the characters' actions and personality traits to ever changing rules and types of games. It's a show I would enjoy far more if I did not use my brain while watching.To be perfectly honest, I loved the first two episodes. I was ready for either clever or violent games that Arisu tries to solve. But as the drama progressed, the characters completely lost their wits and the games became painfully predictable.
Arisu ⇢ Keeping the character smart only when the plot needs it.
I'm sorry for the writers, but you cannot present your characters as this genius with an almost photographic memory in episode one, to turn him into a complete idiot in the 2nd half of the show. One episode he assesses the game based on the information he gained, taking into consideration different options and overall the type of the game that is indicated by the card's symbols, the other time he has his brain just turned off and runs. Well written and consistent character? Not this one.
Games ⇢ No one cares about the rules, not even creators.
What's the point in introducing the symbols as a game categorizations, when you just completely ignore it later on? How is the first game team battle, when it completely relies on wits? Or The Witch Hunt game, which again could be won only by using your brain and wits. Or the bus game which was a team battle, but had NOTHING to do with teamwork and again, needed a brain to solve it and understand the rules. The only game that truly fitted the category given was the wolf and the lambs game in episode three. It was pure survival based on betrayal. No double meaning, no hidden ways out.
The male lead should also be dead. When The Witch Hunt begins, his Visa is said to expire tomorrow. Since he was not part of The Witch Hunt game (he did not register before the game started by scanning his face on the phone), he did not gain additional 10 days to his Visa. They did not play any games after that. Unless they found the hiding spot of the Dealers right the next day, and he joins the new game right away, he should be dead. Or the game was just paused after the Beach event, but that makes no sense, since the events in the Beach did not affect all the players in that game world.
Predictable outcomes ⇢ The games that did not surprise me.
The games were either laughably easy to solve and I hated the characters for not understanding them, or were impossible to beat and you just knew from the start which character would come out of it alive. Because of that, there was no element of surprise or excitement. More often than not, it was just me watching idiots dying and feeling nothing about it.
Players ⇢ collective 10 points IQ
I get it, most people are not amazingly smart, but I did not expect everyone to be. I just wanted them to try to survive, but I felt like most people were working hard to die. The best example was The Witch Hunt. The rule was clear: burn the witch in the Fire of Judgement. So what do most characters start to do? Kill everyone. Which is the least logical thing to do, because it's impossible to move all the bodies to a Fire of Judgment in the limited time. They set themselves up for failure. When the two characters next to the pool said "We killed so many people and yet we still did not find the witch"... well you won't know if you found her or not, because you are just leaving the bodies here, when the rule said you need to burn the witch in the Fire of Judgment. No one cared about survival and winning the game. And while they explained that it was Aguni's plan for everyone to die and not solve the game, it did not excuse all the other people. Kill everyone, but remember, you need to burn them in the Fire of Judgement - the rules were simple.
You cannot claim this show is a commentary on how people turn into the worst version of themselves in life or death situations, and when their survival instinct kicks in, because the majority of the characters didn't even try hard to survive...
Out of place emotional elements ⇢ The lack of proper characters exposition.
I'm not gonna cry during the emotional game of hearts, where two friends are giving up their lives for the 3rd one, when the writers did nothing to make me care and connect to these characters in the first place. Each and every death in this show evokes in me this reaction: oh... ok. They gave some flashbacks about some characters' pasts, but more often than not, it was too little too late.
Still camera shots ⇢ The directing beauty
I'm honestly exhausted with all the shaky camera work and angles changing every few milliseconds style of presenting scenes that is used in many shows. I truly appreciated how calm the directing here was, especially taking into consideration the chaotic tone of the plot itself. Loved the opening shots of the empty city used in a few episodes. I took a ridiculous amount of screenshots - this show was truly an aesthetic masterpiece for me, perfectly fitting my taste.
Aguni ⇢ The one that made me care and surprised me
Taking into consideration the fact this is not a character driven drama and most of the characters don't have much depth (it's really superficial), it did not even cross my mind that there could be more to Aguni than just rivalry with his old friend. Slowly discovering his past and his role in The Beach was quite a nice side plot line, and even though him killing the Hatter was obvious, the reasoning behind it caught me off guard and I appreciate that.
Overall, the first two episodes were too good, which ruined the rest of the series for me. They got me excited for some smart games that will make my brain cells do some workout, but the show never delivered after that. Each episode was more disappointing than the previous one. I wanted to immerse myself in the show, try to solve the games with the characters, and wonder if I would survive... but I guess "the game master" was not clever enough to create truly challenging tasks. There were many rules introduced, but when you truly try to digest and understand them, you find out, nothing made any sense.
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I was promised angst, what I’ve got was clownery... kind of.
But I still enjoyed it quite a lot. The core of the show were the relationships and these in most cases they aced. For such perfect writing of the main characters, how come it did not move me on any deep level? The answer is easy - failed villains and unnecessarily complicated politics.One and Only is a love story that was created and led by tragedies. The stepping stones for the relationship development were in most cases linked to bad events happening to the main couple. The tragedy led to sweetness, which led to more tragedy. Honestly speaking, Ren Jia Lun and Bai Lu had more on screen chemistry just looking at each other, than many other couples with full on romance going on from other dramas. The tension, love and care was so intense, I did not even need anything more than stole glances, a few hugs and not straightforward poetic love confessions. Their bond was so meaningful, it needed no reassurance .
As individual characters, I failed not to love them, even though they both possess the traits that for me is a big sin - they were too good, too trusting and too naive. Usually, this would make my blood boil, here - I completely did not mind. The fact that everyone told me to be really for the angst might have been the reason I was not annoyed too. I knew they would have a tragic ending one way or another, and it was obvious that their good nature would be the reason for their demise, so I just accepted that fact and watched in peace.
This was especially evident with Zhou Sheng Chen. He had a really bad habit of giving people chances to redeem themselves, when it was obvious some of them were unredeemable. He took too many chances with too many people, and some of these encounters and good deeds literally led to his death. Still, it’s impossible not to love the guy. He had a personality of a warm smashed potato, yet… he was perfect. How loyal he was to his people and the country was commendable.
Then we have Cui Shi Yi - the adorable angel. I don’t think I have ever seen a character more pure than her. I found strength in her innocence? She was for sure a passive character - she went with the flow of the things happening around her, barely ever taking any active steps herself. Sounds awful right? Somehow it was not. Somehow it was perfect and I loved her as a character a lot. Yes, we all love our badass warrior princesses, but sometimes a more realistic approach is much needed and just as charming.
We also have some extremely fun and memorable side characters, and few… existing with little to no personality. My ultimate favorite, the one and only mr. Sexy Monk, aka Xiao Yan. He was truly perfect - and by perfect I mean he had some interesting personality, he was good and moral, but not completely selfless and overall smoking hot. I also loved Feng Qiao with her badass fluff. That’s kind of it? I feel like many side characters were rather one dimensional. There were “the good guys” and “the bad guys”, but in many cases, they presented little if anything as individual characters.
Talking about presenting little to nothing - what a joke the villains were. The clownery was amazing. They be killing all the good guys, all the skilled people, and then being surprised the country is falling apart. What did you think will happen when you made THE ARMY your enemy? What did you think would happen after killing the only dude that was able to defend the border for years? It’s not like Liu Zi Xing had any plan formed on what to do next, after getting power. What a joke. I am truly curious how his brain works and how he perceives reality, because the level of denial he presented was truly something I struggle to understand.
Still, he was the best of all the clowns we’ve got. There was also Queen Dowager who showed up here and there to cause the issue for the main couple, but had nothing going on for herself and was just boring. There was one Prince that got involved because “power”, but he was also painfully stupid. Not to mention Yang Shao… this guy. What did he even want? What was his goal? Why was he on that side? What motivated him? We don’t know ¯\_(ツ)_/¯.
As I said at the beginning, the villains were the reason the emotional impact the show showed has just felt flat for me. The ending of Zhou Sheng Chen and Cui Shi Yi was tragic - truly it would be hard to make it more sad. But, since it was a result of constant extremely dumb decision making on everyone’s side (both the good and the bad guys), I could not make myself care. Last episode, I truly hoped everyone would just die (except for the monk), some side evil dude would win, and the whole country would burn and collapse. It was that ridiculous. I mean… 24 episodes and they changed the emperor 4 times - what the heck. It was never needed to go this nuts in the last few episodes. Having one, well written and presented villain would do the trick. You can get the same angsty result with less shit happening on screen.
Plot wise, not that much happened in the show - the main couple got to know each other, the main couple fought the evil guys, and the main couple died. Seems like nothing, yet because of the presentation, it was not boring. Sure, I skipped some scenes in the second half, simply because some characters felt extremely empty, but overall, I enjoyed the watch.
The amazing cinematography and some great directing choices had a lot to do with it. An aspect that I loved about One and Only was the fact, the director let some scenes breathe for a while. Lingering a little bit during some emotionally impactful scenes, with nothing but visuals and music was a great idea. Grounding the emotions, instead of skipping between the scenes as soon as the narrative was done. The show had this poetic quality to it. Not to mention, it was beautiful. Cui Shi Yi suicide was a whole ass cinematic experience.
The acting, ladies and gentlemen - Ren Jia Lun and Bai Lu are a class of their own. To be able to present so many emotions and so many raw scenes, with the plot barely happening, and most of the interactions being so tamed - they deserve an award for it. Saying I am amazed would be an understatement.
Overall, the first half was perfect. Middle dropped in the quality, but was still fairly enjoyable, but the mess that we’ve got by the end just took all the emotional impact away and left me crying from laughing so hard. Am I evil? Heartless? Soulless? Or were the events poorly established because of the weak writing of the villains?
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