This was… well, I cannot say fun, since I had to pause it quite a few times from getting annoyed, but interesting? I knew mosquitos' flying sound can be frustrating, but not this level of infuriating.

The movie might be short and does not really present any plot, but it’s a good watch nonetheless. It’s weirdly tense for a short about mosquitoes and for some strange reason, it works.

The main character might take some drastic measures by the end, but honest? Can’t blame him. I was moving away from the laptop and being close to muting the tab because of the sound.

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This is one of the weirdest love stories I have ever seen…

And this is not a compliment. But I also cannot truly say it’s a bad thing. There is so much wrong with this romance, I could not stop laughing when I finished the movie.

Alice: Boy From Wonderland is quite an experience. First 50 minutes are a true snoozefest. Everything is confusing, but not in a good and interesting way, but more of a “nothing holds my attention”. I became so indifferent to what was happening on screen it was actually hard to follow the plot, because I could not force myself to pay much attention.

Then around half way through stuff starts to happen, and slowly (AND I MEAN SLOWLY) we start to get some puzzle pieces to get the full picture. And then the whole explanation happened and my brain just gave up. Plow wise, I feel like the answer to the majority of the question, but characters’ motivation wise, I am painfully confused.

I’m honestly not sure how I am supposed to feel about romance. The more explanations I’ve got, the more confused I’ve got. Am I supposed to ship it? Can I do it? I finished the movie and went “What now? You cannot leave me with conflicting emotions like that”...

It also had some weird genre mix ups. Especially with the presentation of the female shaman. I was supposed to both treat her seriously, as she knew the key to fixing the mystery and the nightmares, but also she had quite a few comedic moments that did not fit the mood of the movie at all.

Performance wise - decent. Honestly speaking, probably the weakest performance I have seen from Jung So Min. Hong Jong Hyun is not exactly known to be a good actor so that sums up his performance.

Production wise, at times it felt like it was made out of stock content, edited on a free software. Especially during the opening scene.

Overall… Once you start it, you have to finish it. I don’t know if it’s worth the watch, but that ending and explanation of the plot needs to be seen and experienced in its whole confusing glory.

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While the twists were interesting, the idea behind the movie is not quite clear. Who was the true instigator of all the bad events? How did they even happen? How was the supernatural element present? There were many questions that I feel like got confusing answers.

While the story itself was quite interesting, presenting some twists I did not see coming at all, and making me question which characters are involved and who is the bad guy, I wished they gave us a little bit more detail.

It was a fun and interesting watch, the performances were good, characters; motivation was vague at best, ridiculous at worst. The overall reasoning of the events happening did not have that much reason in it.

Overall, I don’t regret watching, but it’s not exactly something I would go around recommending.

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Horror elements that ruined the movie.

This would be such a good thriller mystery, but the extremely cheap horror ruined it. Samara meets Sadako and the killing hair. The effects and the ghost design were so bad I honestly wanted to skip all their scenes.

That said, the story itself was quite compelling. The writer was able to form a close connection of the tragic story for the female lead and the main victim of the events from the past. The story had quite a few layers and the pacing of showing them one by one was rather well executed.

It’s for sure more of an investigation than a horror though. Majority of the movie is just the detective work and solving the murder cases happening.

Arang, by the end of the runtime, presents a good, unexpected twist (tho if it was that unexpected I am not sure, since I might have just not paid that much attention to figure out the plot for myself).

The acting was great - given for such a cast.

Overall, someone should make a cut version of this movie, removing all the cheap on budget Ring moments.

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Kingdom’s older brother with cheeky Hyun Bin.

Quite an enjoyable tale. One that you know the ending of from the beginning, but you still enjoy the journey itself. Nothing too deep, too complex - nothing that requires much brain power. Perfect for a fun evening.

Since I saw Kingdom first, this zombie in a historical setting did not feel as groundbreaking as it actually was. Giving credit where credit is due, even though I was personally spoiled with this fun mix of genres with Kingdom.

Except for that refreshing mix though, the movie does not really serve any innovative ideas. Stereotypical characters following the arcs we all are familiar with from other stories. It’s not exactly a bad thing - the movie is obviously made as an entertaining historical action flick and it delivers in that aspect perfectly.

The thing I had complicated feelings about was the villain and especially the moment that led to their downfall - it was both anticlimactic, leaving me with “that’s it?” feeling, but also surprisingly fitting based on how he was built from the start. Quite some time before the movie finishes we know, he won’t win - no matter what. Keeping him in the story was, from that moment, quite pointless.

I enjoyed most performances, but the one that caught my attention the most was Han Ji Eun - great emotional delivery, both when she was in the spotlight, but also during the action scenes, where she was more of a background.

While I don’t really remember the majority of the soundtrack, the instrumental that played during the big finale was amazing and perfectly fitting the scene and the great fighting choreographies.

Overall, I had fun. Could have been slightly shorter, could do with a better villain.

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Painful lack of direction and vision.

Here’s the thing - I actually enjoyed it quite a bit at the beginning, up till they introduced the last group of characters. And that last group completely ruined the experience for me. I just did not understand what this movie wanted to be.

It tried to be a fun action, survival, drama, dumb blockbuster… and it ended up being nothing truly worth watching. The emotional scenes were flat and unearned, the action was decent, but the car chase scenes were laughable with full CGI cars, one whole side plot was useless and brought exactly nothing to the story except getting my brain boil from the stupidity.

I truly wanted to like it. I waited long enough to be able to separate it from Train to Busan, and see it as a stand alone movie. Sadly, it’s an awful sequel, and mediocre at best stand alone.

The movie lacked focus - too many characters, too many groups with their own individual motivations, too many plots to make it a well written and presented story. The more they added, the worse it got.

Some scenery shots were beautiful, some had such a strong game quality because of the editing and CGI, it ruined the scenes. Even the zombies were worse than in the Train to Busan. One would think they would improve over the years… It’s not like the special effects industry got worse in the 4 years gap between the two titles.

The acting was good, but the characters were so boring and had close to zero personality, it was not exactly a hard job to deliver a decent performance. Kids did the best. Loved their scenes the most.

Overall, skippable. All the driving in the dark got me thinking I'm watching the Fast & Furious Zombie edition. The movie ended and I went - that’s it? It lacked the impact - be it action and entertainment or emotional delivery like the first movie had.

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Sometimes stalkers are cute ¯\_(ツ)_/¯

Love Mate has a strong old school rom-com vibe, leaning into exaggerated set ups, and one either likes it or not. Both Haram and Lee Jun were the extremes in their behavior. The introduction of the characters made both seem rather unreasonable and unprofessional in the best and most entertaining way possible.

Lee Jun tried to use his workplace and project he was working on to vent his annoyance, anger and trauma related to love - not really caring if the project makes sense. Ha Ram went full on stalker mode, always taking 5 steps too far in how he was approaching Lee Jun. Both frustrating, but so entertaining if you accept the over exaggerated set up as a stylistic choice - this drama does not try to be a realistic and relatable slice of life.

The chemistry was one of the best aspects, especially after the initial clash dies down. I do think Lee Jun’s change of mindset came a bit out of nowhere, but at the same time, it’s not exactly completely unrealistic - some people make fast decisions and switch their behavior accordingly.

While I enjoyed laughing about the characters’ antics and push and pull dynamics, I wish the writer did a better job with presenting the conflicts. What we’ve got was one internal and one external conflict happening one after the other. What would work better (especially since these conflicts were actually connected) is making them happen at the same time. It would make the external conflict feel less rushed and the whole context the characters were in more complex.

The acting was mostly good. Loved Cho Hyun Min’s performance - really natural facial expressions. Random thought, but I also loved how he said 완전 twice in the show. At the same time, while Cho Han Gyeol did a better job in comparison to many other kbl actors, he did not stand out with his skills next to Hyun Min. Some emotional scenes felt flat and forced.

Production value was nice - nothing too outstanding, but also nothing so bad it would be distracting. There were a few scenes in which I liked the composition.

Overall, a fun drama, probably better as a binge watch.

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Low key uncomfortable.

When the dudes are flirting in some questionable moments and situations, it’s impossible to even care about the romance, which was sadly the biggest part of the plot.

I think the whole story lacks depth and details to create a more realistic picture of the events - it’s simply a juvenile presentation. There are no answers for the most basic questions the writer should ask themselves while writing a story. Did Kawin’s mom and her sister not contact each other for over a month before Kawin went to Thailand? How come they were not informed about what happened? Who paid the bills in the house? The set up was just ridiculous.

Then we have the issue of the romance, that made me feel a bit uncomfortable because a lot of the flirting and make out sessions had weird timing. Every time there was some romantic progression, all I could think about it - it’s not the right time for it.

The saddest part was the fact the family was actually the best part of the show and they were sidelined by the couple and their mediocre romance. What opened as a wholesome family comedy, became a weird mix of drama, slice of life and romance with cringey “spicy” scenes. Why?

If only good acting saved this show, but we did not even get that. During the wholesome daily and comedy bits everyone did great, but every attempt to deliver anything more emotional was flat and unconvincing. They just did not tap into whatever the characters were supposed to be going through.

The editing and directing was also a bit questionable. The progression between specific scenes was not smooth, and I had to check a few times if I played the right part of the right episode.

Overall, you can skip it.

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Philosophical flick with questionable details.

Jung_E is great as a starter for some interesting conversations, but it does not really dive too deep into the topics itself. What could have been a great movie that ends on a question mark, became a bit too mindless and random closer to the end, trying to give a “reasonable” ending that lacks reason.

What worked? It opened the door for many interesting topics to be explored and reflected on - what is free will, can you put a price on it, what makes us human. What I appreciated the most, even though it was not the focus part of the plot, was the conversation about human rights, and how much does it cost to have them - since, even though on less “dramatic” and smaller scale, it’s a sad reality we live in right now.

The acting - amazing. I wanted to hug Jung Yi, slap Sang Hoon and both hug and slap Seo Hyun. Kang Soo Yeon did an amazing job at showing all the strong, but concealed emotions the character felt. Kim Hyun Joo’s performance was simply raw and I loved every second of it - well, every second the character actually showed emotions.

Jung_E was also a visual feast. I am one to always complain about CGI, but here they truly ace it. The robots looked greeted, the CGI created environments were amazing, the blend of special and practical effects was perfect.

All the scenes that focused on the morality of the whole scenario were wonderful. Every time they focused more on the philosophical and psychological aspect of it - great, and I wish the movie kept that going till the end. But no, we need some brainless fighting scenes at the end, because they had to flex special effects. Last 20 minutes truly made so little sense the movie went from 9 to 7.5.

Then we have Kim Sang Hoon and how painfully underdeveloped and underused he was. This character had such a potential to present so much depth. The set up was perfect, the potential emotional reaction could have been great, the dilemma he could have felt. What did the writer do? Said “screw it and put it in the trash” as they delivered some of the most random development for this character, that they tried to justify with one line of dialogue…

I also wish they explored some of the rules a little bit more. They gave a few lines and hints how the world works, but I wanted more to make it more believable. Some small details just don’t make much sense to me, the longer I think about them.

That said, it was still a truly enjoyable watch. First hour I was just glued to the screen. I am a bit biased, because I love the topics concerning free will, ethics and morality. It was a rather slow paced, character focused story that tackled a few too many issues while also trying to entertain people with the unnecessary action.

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Found family trope, but with real family…

Or rather reconnecting with your family while learning how to move forward - that’s what the drama is about.

To be honest, it was not easy for me to make up my mind about the show. Did I enjoy it? Yes. Was I excited to watch every episode? Not really. That’s the thing with a slice of life dramas - you either connect to the characters and enjoy the ride, or feel like a third wheel in a relationship. This time I felt more like a third wheel.

Here’s the thing though, the drama is good, really good. I guess it just was not for me. Kishibe Mitsuru felt like a plot device to motivate other characters and deliver some truly meaningful lines, while himself staying stagnant. I understand that it fits the theme, but I like my main characters to feel more like the main characters…

The aspect of the show I truly loved was the relationship between Akiba Koji, who also was my favorite character, and Akiba Harumi. The progression was shown in such a delicate and minimalistic way, but when comparing their interactions in first and last episodes, the progress is clear. One line here, one interaction there, but the end result made me cry.

Another thing I appreciated about the show was how mundane it was. Normal people with painfully normal issues and somehow it was refreshing. There is nothing worse than a show trying to seem relatable, but also adding stories 0.00001% of viewers could truly relate to. Here I could understand the struggles of all the characters, either because I faced them myself at some point of my life, or I saw people around me try to deal with similar situations.

The acting was obviously great. Ikuta Toma did a fantastic job with this role. He was truly subtle with some of the emotions, but they were still easily visible and understood.

Production wise, it’s kept in a rather simple style. Simplicity did fit this type of story rather well and both the writing and directing created a cohesive picture.

Overall, even though I did not fall in love with this drama, I would still recommend it. I can clearly see why people love it, and I’m a bit sad I was not able to connect to it as much as others did. It delivers some great life lessons supported by strong dialogues and moving lines.

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This movie made me uncomfortable, scared, annoyed, speechless, confused, angry, and I think it's amazing. Truth to be told, this review was written for myself, to make sense of the movie and how I see it, not for others. There are so many different interpretations everyone can have, I don't think anyone is truly wrong with how they view it.

I went into this movie without knowing much about it. I have seen the trailer once and that was it. Miraculously, I was able to avoid any spoilers, and I'm sure it made the experience even better.

While „Parasite” is often described as dark comedy, the comedy aspect died for me pretty quickly. The whole set up for every family and the situation made me feel extremely anxious. For the longest time I felt scared for the Park family, seeing Kim's as more questionable people. It frightened and frustrated me how easily they were able to slip into the house and daily lives of Parks. The closer we got to the ending, I was starting to see more flaws in the rich family too. The biggest one was their ignorance about anything not related to their life. They lived in the bubble, being scared of even rumors that might break it. That's why they didn't even try to find out the truth about the driver and Moon Gwang. It was easier to just cut them off and pretend like the problem never existed.

What makes the movie so good, was the idea that there are no good characters here. Everyone is twisted to some extent. Kims are willing to cross a lot of lines to gain a better life, but they never put the effort into making a realistic plan. Gi Taek does not act like the head of the family, and in my eyes, he was the one dragging them down. He seemed like the least skilled of them all, failing all his businesses. Both Gi Woo and Gi Jung had amazing potential that was killed by the environment they were living in - both economic and social. They adopted the existence of their parents, dreaming of a better life, but not striving for it, which can be clearly seen in one of the beginning scenes when they barely put any effort while working for the pizzeria. Even the ending shows how twisted the view of reality Gi Woo has. He does not have any meaningful plan, he just wants to be rich. He doesn't want to create, has no idea what he can offer others, that would make them want to invest in him. He has no idea. He just wants to be rich to buy that house. The dream that is impossible to reach. He does not want a better life, a life out of poverty. He wants to be rich, buy the house that became his obsession and live there with his family.

Moon Gwang and Geun Sae had the most parasitic-like mentality from all the families. Geun Sae accepted his life the way it was, in the dark basement, not even being part of the society. It was far more like an existence, as passive as possible. Both he and his wife did not find the situation that strange, keeping it as it was for 4 years. They got used to it, so they didn't really try to change it, until the external situation forced them into action. Even then, they didn't even have a plan. When they've got the upper hand over Kims, they didn't try to come up with an idea out of the situation, they just enjoyed their time in the house, making fun and treating Kims like less of a human. There was no planning, no future in their minds.

Parks are living in denial of reality. Their biggest sin (how much I hate this word) was their ignorance. They didn't deliberately try to hurt anyone, but they were not aware of the suffering of others. It simply didn't even cross their minds. My biggest struggle while watching the movie was placing Yeon Kyu somewhere in my judgment bin. She was a good person extremely unaware of everything that was going on around her. She was oblivious about the advantages she had based on her social and economical status. She didn't try to hurt anyone, but she also didn't try to help and be concerned. All she cared about was herself and her family. It never crossed her mind that the choices she made might have tragic consequences for people around her.

The problem of economic differences and inequality is huge and truth to be told, almost impossible to solve. The idealistic idea of taking away from the rich and giving to the poor is "nice", but would never solve anything. After some time we would end up with exactly the same social structure as we have today. Some people who were on top would not be able to climb back, some who were poor, would be able to invest in their life. But we would still end up with people barely surviving, and the rich getting richer. Some people would be able to produce goods that others want to buy, while some would have no idea how to invest the money to have a long term profit from it. The movie presents an amazing social commentary on the topic that just breaks my brain when I try to think about it. At the end of the day, the money made Kims, Moon Gwang and Geun Sae do despicable things, treating each other like bugs and dogs, not worth even being called humans. It also allowed Park's to ignore it all and not care about the painful events of people who, to some extent, are part of their life.

I think it's also important to add how amazingly shot the movie was. Even just the beginning scene gave me chills. The stunning scenery we've got, the symbolism behind some scenes. It all made a perfect picture that will hunt me for some time.

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Engaging narrative that ties everything together.

Slow paced storytelling that trusts the viewers are smart enough to connect the dots themselves. Noroi opens with seemingly random plot lines that do not quite fit together, but as the story progresses, you start to notice the connections and by the end of the movie, everything falls into a perfect picture. Not a scene nor a frame seemed redundant.

I appreciated how Noroi: The Curse believed in my memory skills and brain power, and did not spam me with countless flashbacks that are supposed to help me connect the scenes and lore elements. It’s up to a viewer to either see the patterns and hints in the background that are dropped throughout the movie. With that, it presents itself as a perfect rewatch material - as a viewer, it’s entertaining to try to find things you might have missed on the first watch.

If you expect a lot of jump scares and a fast paced scary story - you won’t find it here. It relies on building the creepy and disturbing atmosphere framed into a realistic documentary style. It takes a while before anything truly happens, and yet the plot itself is interesting enough, so you won’t get bored waiting.

Overall, one of the best documentary-like horror movies I have seen in quite a while. The filming, editing, acting - all comes together to make it seem like a real story that truly happened. It requires you to pay attention to understand the it completely, but it’s worth it.

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Cute, extremely well produced BL, that almost got everything right, took a step in the right direction, but then countless steps back.

It presents two different romance stories - one more lighthearted with lots of comedy, and the other showcasing the potential hardships that can hold someone back before they are able to accept the love. Pi's character for sure will become one of my favorite BL main leads. The writing did a good job in presenting someone who has low self-esteem and is aware of it. Some of his lines were truly hard-hitting and perfectly illustrated what he was dealing with.

Sadly, the characters' writing suffers from "2gether syndrome" when writers, for some strange reason, decide to ruin the writing for the sake of an artificial conflict and more dRaMa. With 2gether Sarawat was the victim in episode 11, here it's Mork, with the painful writing in episode 8 and our poor girl Bam later on. It was truly hard for me to root for the main couple after a few questionable scenes and decisions that were made on Mork's side, but as it is with BLs - you learn how to ignore some mistakes for the sake of the overall enjoyment.

The thing that the show for sure needs to be prized for is the production and editing. As a viewer, I don't really expect much from BLs on that side - you get used to the fact a lot of BLs look cheaper compared to other dramas, and there is not much attention to detail. Not here though. I was truly amazed with the quality. I never take screenshots while watching BLs, because, realistically speaking, rarely ever is there anything to screenshot. And yet, I have a full folder of pictures from Fish Upon The Sky. Hopefully this will become the standard in the production quality.

And here comes one flaw, that is a flaw no matter how you look at it: the shippers. What bothered me the most was not even their toxicity, but the fact the writer was not sure how they wanted to present them - as a toxic or comedic harmless duo. The powerful scene between them and Pi was completely disregarded in later episodes and I was truly confused. What exactly am I supposed to get from it? What is the message? Is there even any message?

Overall, it’s quite an enjoyable ride. There were bits that frustrated me to the core, but that's the beauty of watching any drama - they evoke emotions in us, whenever positive or negative. It's a show I would for sure recommend if someone asks for some BL suggestions. It's an easy watch with some good qualities that will keep you interested.

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Painful lack of balance.

Duel is an interesting tale that serves as a commentary on morality, what it means to be human and what one can do for survival. It mixes typical corruption and crime plot lines with underlying science fiction elements. Sadly, the lack of balance in terms of writing the characters and their backgrounds makes it hard to truly enjoy and appreciate it.

To keep it simple, this show kept making me feel angry, depressed and frustrated. This drama was determined to dump any possible bad event on one character, not letting him, nor me as a viewer, take even a small chill break. By the end of the show I couldn't care less about any other character except for Sung Hoon. While making me care so much about the "villain" - the angry, manipulative and selfish one of the Sungs could be considered excellent writing, the fact that it also makes me dislike Sung Joon says otherwise.

How many writing mistakes must you commit to make me dislike the good, loyal, selfless and cute character, while I wish to see the happiness of the evil, shady and selfish one? And that's where the lack of balance shows. The good guy was too good and didn't have an interesting backstory, while the bad guy had a compelling background and more complex personality.

The plot follows a rather typical structure of a crime show. The science fiction aspect has little if not no closure. All storylines for each character got a conclusion - some more, some less satisfying.

I have to applaud Yang Se Jong's performance. He aced both the goodness in Sung Joon and madness in Sung Hoon. Truly believable dual acting. I wasn't the biggest fan of Kim Jung Eun in here, but I'm honestly not sure if the problem was her acting, or how her character was written.

Overall, watch it if you like to suffer and be frustrated - for some people it makes them feel alive. For me, the drama could have dived deeper into how external circumstances can shape who we are and how we act, what it means to act morally and if it even matters when faced with a life or death situation.

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Touching and heartbreaking stories ruined by business power struggle plotline.

Doctor Detective touches on the sensitive and controversial topic of industrial corruption and the focus of profit with disregard to the health and life of others. Sadly, it adds other plot lines, mixing the stories of everyday people with conflicts arising among the elites.

Honestly, with the heartbreaking cases of industrial accidents, negligence from the companies and the fight for justice done by UDC, why would anyone care about the power struggle of the higher-ups in the TL and the business politics? The TL side of the story should have been nothing more, nothing less than a background story of industrial corruption, without getting too into details about the specifics.

The cases that UDC deals with are based on real life events. At the end of the episodes we get epilogues that allow us to see the truth behind them - with footage, photos and interviews of the victims. Truly touching and sad stories, showing how much work still has to be put into bettering the laws.

The UDC team is quite perfect. We have the members who are driven and bring the spirits up, ones that use their wits and brain to solve problems, some that bring bits of happiness and jokes. Each and every one of them is unique in their own way, but together they make a perfect team.

On the other side, we have everyone related to TL and their fight for the attention of the CEO and future power over the company. And that's where the problem of the drama lies. There was nothing new, interesting, exciting about that plot line.

The acting was definitely amazing. Especially liked the high quality of skills from the supporting cast. The sadness, frustration, anger, fear... all these emotions that the victims felt had to be well presented, for the show to work out.

Overall, I would suggest watching the show while completely skipping TL scenes. The cases taken by UDC were interesting and knowing they were based on true events, adds to the value of presenting them.

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