Reviews

An amazing journey of self-discovery

I know there are at least a few people who are on the fence about starting this drama since it's heavy on politics and it's not everyone's cup of tea. It sure is not mine. Yet, here I am, loving this drama and recommending it to everyone. And here's why...

STORY
Would I call it realistic? Not really. Did it bother me that it was unrealistic? No. Why? Because it was cohesive and consistent. I know that political dramas can be boring for people who are just not interested in the topic, and that's why adding some unrealistic, but definitely grabbing the attention plot points made this drama more approachable for a wider audience.

The main point of the drama was the development and growth of the characters. It's a story of believing in yourself and what you stand for, fighting for the right. Discovering that just because there are winners, does not necessarily mean there must be losers. How to play the game that will make not only you achieve your goals, but also make everyone around you content. It's about slowly realizing your strengths and ways to use them. Figuring out that wanting something does not necessarily make you a bad person who is only led by greed. Many interesting lessons to learn with our main character. An amazing journey of self-discovery.

CHARACTERS & CAST
I was not sold on the idea of Ji Jin Hee being the lead of the whole drama. Especially after watching the first two episodes. Him being surrounded by all the strong and captivating side characters made me worried, if he can truly lead the whole show. And oh boy, I was wrong. Now I would say he was born for this role and he aced the character. Seeing Park Moo Jin slowly grow without giving up on his principles and beliefs was an amazing journey. It was refreshing to see a really smart main character that was also empathetic and, to put it simply, a good person.

It's also worth mentioning other characters that won my heart: Cha Young Jin, whom I loved to hate at the beginning and then just simply loved. Han Na Kyung who was the MVP of the badass team. Oh Young Seok, who made the drama even more thrilling to watch. Yoon Chan Kyung who was the true politician - I never knew where she was standing and what her motives were. Is she good? Is she bad? I guess you will find out for yourself, if you decide to watch it.

OTHER
The show also talks about some serious issues in a realistic and not patronizing way. It helps with understanding the reasoning for specific choices characters make. The cinematography and the way it was shot was beautiful. Definitely a high quality production. The music was good; it was not exactly grabbing my attention, but it's a political drama, the ost is not the main focus here. The ending was perfect, and everything I could wish for.

Overall, I did not expect to like this drama as much as I did, but it will probably stay as one of my favorites.

Leggi di Più

Love in Dahuang is cruel, lonely and makes your soul bleed - A deeply emotional analysis.

Season 2 of Lost You Forever drops you straight into the tragic, painful, full of yearning madness that is the brutal world of Dahuang. It brings with it the same excellent cinematography, gorgeous sets, beautiful dialogues and haunting music score that was the signature in its first season.

However, this season is more raw, more bleak and more unkind to your heart as it follows the journey of our broken characters and their futile love. Ultimately, it is a story of what could have been, what never will be and what remains.

✔️What could have been - Xiang Liu - The glorious dragon of all our hearts

At times, watching this season, it felt like this was Xiang Liu’s world and we were all just living in it. The nine headed dragon has to be one of the most complex, deeply layered and nuanced characters on Chinese television. With his life shaped in torture, the shackles of a lifelong oath dragging down his very being and undying loyalty to a doomed army hanging over him like a cloud, Xiang Liu is the most devastating unsung anti-hero I have ever seen.

Even though he started his journey with borderline villainy, he is soon revealed to be sacrificial, noble and selfless in a way that is both self-punishing and painful. His love for Xiao Yao is real, thoughtful, tender and pure even as he tries to bury it under constant denial. He builds her up in a way no other man has ever done. With tough love, unexpected tenderness, hidden affection and needed ruthlessness, he makes her the kind of woman who she has always wanted to be.

Someone who can rely on herself, who belongs and who is strong and unafraid. Ultimately, he is the one who understands her on a soul deep level - he is her teacher, her best friend, her soulmate and also the man she can never have. Always there to pick her up when she needs it most, always there to save her when nobody else can.

To the very end, his goal remains to do what is best for her even if it plunges him into infamy or rips his own heart out. He wears the mask of her worst tormentor when in reality, he is the guardian angel who makes it possible for her to have everything she has ever wanted. His love, unlike others, comes with no conditions. The only condition he has is her happiness.

Tan Jian Ci’s acting was phenomenal here. He was capable of displaying so much emotion in a matter of minutes. His fearless, vicious, demanding, deeply sacrificial, stubbornly duty bound, frustratingly complex, unflinching, vulnerable, SEXY ASS SIN portrayal of a dragon with a golden heart, that is so broken that he knows nothing else, completely wrecks your heart.

At the same time, his duality shines through in the form of Fangfeng Bei - a carefree, playful, witty, flirtatious casanova that is even more painful to watch because it dangles the possibility of how different things could have been in another life for both us and Xiao Yao.

The “what if” here is so strong. What if Xiang Liu was just Fangfeng Bei - a man who could love without restraint, live without burden and could accompany Xiao Yao for the world to see? What if he gave them a chance? What if? What if? What if? It’s enough to drive you insane.

It’s like Xiang Liu had an unspoken connection with my eyes. Every time he came on screen, my eyes cried tears of blood. I felt like a live wire of hurt as I saw him kill all the longing in his heart, stomp on the love he thought himself unworthy of and march towards an end that was as devastating, unstoppable and glorious as the man with all these jagged edges himself.

It’s almost sadistic the way the author of this drama lets us know the depth of his love, the tenderness of his heart and the ultimate compassion behind his sacrifice. It’s an unbearable doomed secret that hangs between us and Xiang Liu. The one we want to scream at the world and the one he wants to bury. And bury, he does.

A serpent with the sweetest sting, a dragon with a fire that burns only himself, a man with a heart that is boundless - Xiang Liu will forever live in my heart as one of the most memorable and formidable characters I have come across in ages.

✔️What will never be - Cang Xuan - The wolf who tore the sheep's clothing

From the very start, Cang Xuan has shown to be a man capable of absolute mercilessness if he is pushed towards it. A strategist who can do away with all personal feelings for the end goal. He has forever been a cornered wolf, clawing and manipulating his way to power so he can protect the one he loves. He has worn the cloak of civility, he has made compromises for the throne, he has hidden his anger under the guise of a smile - all so he could be the man who calls the shots.

Now, he has it all and yet, his head hangs low under the weight of the crown he fought to put there. His love for Xiao Yao has been the oldest and coldest friend he knows - his underlying motivation for everything. What he feels for her has simmered and bubbled under his skin since they were children. After all, she’s the only person in his life who he trusts without question. The only woman who has been with him through thick and thin.

However, Cang Xuan has been suppressed for far too long, been forced to muzzle his fangs for too long and this season, slowly his veneer of politeness has started to chip. His desperation and his need for her has started to congeal into an obsession that is as self-destructive as it is selfish.

Slowly, you see him unravel as his need to keep her next to him, his festered bitterness and his damaged soul that has been deprived of love for way too fucking long threatens to propel him off a cliff where there is no coming back from.

Cang Xuan is a deeply unfortunate, tragic hero and Zhang Wanyi’s delicate portrayal made this flawed, broken and wholly human character always easy to empathize with. On one hand he can be beyond ruthless and decisive for the things he wants and on the other hand he oozes this childlike fear and insecurity when he faces Xiao Yao. He is king to all but at her feet alone and it’s eating away at him that she cannot see it.

He cannot get the love he is starved for, so he feeds himself with more and more power - it keeps him full yet malnourished. Until, he is nothing but a famished wolf, yearning for a love that is always at the tips of his fingertips and yet millions of miles away.

While, I definitely feel like the drama declawed him in the last few episodes, and stuffed his wolf back into the sheep’s clothing, there is also some reprieve in seeing this character come into his own and make peace with his ambitions while ultimately choosing a path that keeps his conscience clean and his hands bloodless.

✔️What remains - Tushan Jing - Weak spineless noodle who is the only option available

One of my biggest gripes with this drama was the way they executed Tushan Jing’s character. He is spineless and cowardly to the point of being intolerable. Always weeping and coughing on the side, always waiting for other people to clean his messes, always the least interesting person in the room - the only thing Jing has going for him is the ten or so episodes of the first season where he endeared himself to viewers as the pure and untainted Shi Qi.

Since then, all his actions are just explained in dialogues. The show wants you to like him just because the script says so. He is good just because the script says so. Deng Wei is the weakest link of the cast and fails to manage to bring forth even a hint of a second layer to his character.

It’s almost like the drama makers hate him because he’s given the least impactful screen time and even when he isn’t he wastes his moments with the same redundant facial expressions we have seen from episode 1. He is never Xiao Yao’s equal and is more of an adopted pet than a partner. All he does is get sick, cries and causes Xiao Yao to mother him.

He is a very useless character overall - bland, uncomplicated and a man who would always be on a lower level than his woman. Which is also why, it’s the most understandable why Xiao Yao would be attracted to him given the rough life she has had and why he is the only real option available to her. So, while I understood his appeal to Xiao Yao, it still didn’t mean I had to like him as a character and I couldn’t help but yawn every time his scenes came on screen because of how much of a snoozefest they were.

✔️Xiao Yao - The Queen of Broken Hearts

Xiao Yao - one of my favorite female leads ever - really took some hits this season. She was at times frustratingly indecisive, forever hung up on a man when that’s never been her character, stupidly self-blaming and had some moments that were downright naive. That said, Yang Zi’s excellent portrayal made her impossible to dislike for me. Her acting is one of the best I have seen by any C-drama heroine in my entire life.

Xiao Yao is a woman who wears her past and troubled childhood like a cloak. It’s always there, lingering at the back of her mind. She is a product of her upbringing and abandonment is a word that rules her deepest phobias. That is why, even when you dislike the decisions she makes, they fall in line with her character. You understand why she does what she does and you can’t begrudge her that.

Her underlying strength never vanishes even at her lowest; she is clever and scheming when she has to be, and she never loses sight of her passion that lies in healing people. While I do believe her life revolved around the men more than I would like, Xiao Yao is still one of my favorite characters.

There's something so nurturing in her that speaks to the broken men she comes across, something so wounded that reaches out to others with similar wounds, that there is never a question as to why she is the one all these men are pining after. That said, as compassionate as she is, Xiao Yao’s wrath is a cold, cold dish and when served, it freezes the other person to near death.

Yang Zi’s phenomenal acting made me feel her loneliness, her pain, her anger and her hopelessness. She has always only ever wanted to have someone that would put her first and it’s impossible to forsake her for it.

Even if it pains me to say it, her ultimate decision is the most realistic and practical one among the very meager options. Cang Xuan’s love is shared by the throne he sits on and tainted by all the women he must marry for the sake of power.

Xiang Liu, who is without a doubt the one she would be with if she could, is imprisoned by a debt that will never be paid. A debt that has become his identity - it’s all he knows, all he has ever known and parting with it, means parting with himself.

So Jing - simple, unimpressive, easy to handle Jing - is the safest option for her heart. She doesn’t need saving because she can save herself. She doesn’t need fame because her lineage gives her enough of that. She doesn’t even need the epic, unforgettable love anymore because all the torture that she has faced over the years has beaten it out of her.

What she needs is just a partner, fully devoted and simply there, right next to her with no other responsibilities other than staying with her. In Jing, she sees the innocence that she herself has lost and preserving it, means preserving a part of herself.

By healing him, she heals herself and so she fights for him with such devotion because despite all the pain, he has brought her happiness that is simple- a simplicity she has forever craved for and I won’t hold that against her.

Because, despite the men you root for, this is ultimately Xiao Yao’s story about the love she lost, the love she never had and the love she gained. It’s a journey of how she met these men who changed the very trajectory of her life - who broke her some, who healed her some - and who left different kinds of impressions on her heart.

❌ Some Flaws this drama had:

I am not going to say this drama was perfect because I did find some flaws in it. For one, the plot did go in circles at times and the action/war scenes were poorly executed. There is a lot of telling rather than showing as well. Other times, there were unintentionally funny scenes that didn’t go with the tone of the drama. (Even if they were few and far between.)

However, the biggest flaw was the last few episodes. Rushed, messy and deviating from the original novel. It baffles me why the drama chose to make some of the choices it did in order to reduce the brutality and tragedy of the original novel. I think it made the story more audience friendly but it really felt like defanging a lion and turning it into a house cat.

The fates of these characters in the novel were there for a reason. They made sense because their personalities and actions led up to those conclusions. So, meddling with that, especially in the case of Cang Xuan, just made a lot of things feel underwhelming for me.

And yet, they decided to keep one of the most cruel fates in this story, just like it was in the novel, even when audiences prayed for some reprieve there. So, I am not sure what the point of those changes really was because I am sure the amount of scenes they modified, they ended up pissing off fans of each of the men.

✅ Final Thoughts:
So yes, while I had problems with this drama, it was still very much a story that pulled at all of my heartstrings. I felt so much empathy and so much grief for these flawed characters and I feel that overall, the writers did an excellent job weaving a narrative that was so compelling and so utterly agonizing.

There are some excellent supporting characters in this drama in the form of the bratty but endearing princess Nian, the wise Xiyan emperor and the lovable Haoling king. They all have moments that steal the show and allow you to look at the main protagonist’s actions with a different perspective.

Lost you forever is an extremely character driven slow burn story which is why I think this is best seen 2 episodes a day. You have to sip and feast on it like a mug of cozy hot cocoa instead of downing it like a tequila shot in one go because if you do that, you’ll be left coughing, sputtering and bored.

Ultimately, this is a story about love but love is not the end goal. These are complicated characters who all have their own motivations to do what they do. And, while they crave for a home, for companionship and for a future - they don’t necessarily base their choices around it. As a result, there are more or less no antagonists in this drama - just these complex people with their own internal struggles, fighting their own demons.

I had already read many excerpts from the novel, so I knew how most things were going to go and yet, when I saw it all come to life on screen, my feelings still got manipulated like I was a puppet on strings. I cried, I laughed, I stressed and I despaired. For that alone, I feel like for me, it was a drama worth watching and I cannot give it a lower score.

So, this is without a doubt one of my favorites and 100% Jeana recommended.

***

To Xiao Yao,

You don’t have to be alone anymore. May you have somewhere to go and have someone to rely on. Wishing you a lifetime of peace and happiness.

Xiang Liu

Leggi di Più

Love the story (mostly) and characters, but it is not flawless for sure

Apart from the fact that the series is adapted from a BL work, I see no reason it would be taken down. In fact, suggestions of BL are few and far between even though the relationship between the two main characters approaches the intensity of romance.

I think the story has some basic changes from the original work, but the story in the series is pretty strong overall. It is highly engaging as the characters enter the virtual world represented by one door after another. The progress in the dangers of the different levels of the virtual reality game is also nicely calibrated. But the story would have been much less engaging had it not been for a group of interesting and likable characters that the audience will care about. A case in point is the character, Tan Zaozao, a female actress who starts off being a character one doesn't take seriously but ends up with one we might cry over.

It is a little ironic that a series that toes the line in so many ways is taken down after an hour, with most attributing the cause to censorship. If one has no idea that the series is based on a BL work, one might not even imagine that there is any romance going on between the main characters. No doubt, there is a strong bond between them, but it could either be a strong friendship or romantic interest that never really gets a chance to be expressed. I would even say that one of the major flaws of the series is how it toes the line politically, making it thematically simplistic. In the series, it is none too subtly suggested that America = Capitalist = Evil. (No prizes for guessing which country it is antithetical to.)

As a critique of capitalism, what the characters say may make sense at a certain level. However, it is a different matter to posit that evil Western capitalists will go out of their way to corrupt a virtual reality game (or some sort of game where the line between the virtual and the real is blurred) and fill it with violence. Look, in the series, it is not as though the capitalists can make money when:

1. people who start playing the game have no choice but to continue--they can simply go through any door and be transported to one of the worlds of the game even if they do not wish to play and presumably even if they are too poor to pay to continue playing the game.

2. people who die in the game also die in real life, so they cannot continue playing (even if we assume that they have to pay each time they play)--and it it VERY easy to die in the game.

3. people actually actively discuss the game on the Internet and it is quite possible for the game to gain such a bad reputation that not many are adventurous to even start playing it

4. such a game must take an immense amount of energy to power even if it were technologically possible: which profiteering capitalist will foot the bill?

Another issue here is the pitting of the main characters against the agenda of the evil capitalists. You mean as long as the main characters triumph, the evil capitalists won't be able to replicate an older, corrupt version of the game that can cause people to die?

I suspect the original work is more coherent than this, but alas, it probably runs into censorship issues. But if only someone had the foresight to see that the series would be catapulted to the status of a cult classic because it would be taken down after one hour of release, perhaps a decision could have been made to stay more faithful to the original work.

In the last couple of episodes, the series becomes quite perplexing. It does not make sense to have an "it was all a dream" sort of ending, especially one that ends up being self-contradictory. There are at least three key interpretations we are invited to consider:

1. It was all a "dream"--ok, but why would Ling Jiu Shi's dream reveal to him the names and even personalities of people he sees after the dream and not before, and why isn't Ruan Lan Zhu amongst these people?

2. The game has started earlier than Ling Jiu Shi realizes at first, but when he completes the game, he is transported to maybe 15 minutes after the start of the game. This would mean that all the so-called real-life characters for most of the episodes are game characters. Ok, but why are these characters so similar to random people Ling Jiu Shi later sees around.

3. Ling Jiu Shi is still in the game (not mutually exclusive with 2). Maybe there is a challenge he must overcome. Who knows? He chooses to spend the next 50 years creating a replica of the game (presumably without the awful parts) or basically Ruan Lan Zhu and other people he cares about during the previous 70+ episodes we see him. Ultimately, though, this seems to be an act of self-deception... it it suggested that no matter how real we make the virtual world or "merge" it with the real world, we can escape the fact that our physical bodies age in the real world. That is unless we ditch our physical bodies (die physically) and upload ourselves into the virtual world (which can be sustained by god knows what)... I guess this is one way of achieving a happily-ever-after for our leads. Then again, it is a solution that involves cutting oneself off from the people in a different realm.

I think the series makes things unnecessarily complicated and not quite in a purposeful way. This is where it falters despite being a really engaging series to watch about 95% of the time.

Leggi di Più

Booty Call Appointments

Oh, Mr. Khun Elyes, now talk about a guy you wanna punch under a mistletoe. Yes, this show is not called 'Very Nice Tall Guy My Boss' but damn Susan, did Elyes have to be so good at being a red flag? He got under my skin so much, I'm lowkey having beef with a fictional character. And can someone please slap Pat with a rubber chicken? cuz I'm this close to throwing the holy Bible at his head. Homeboy is so pathetic I can physically see myself losing braincells with every decision he makes.

Reasons why this show gave me headache, and yet, cuz I'm nosy and love drama, I kept coming back for more. This is the whole romance plot sums up in one:
Pat: I love you so much Khun Elyes. Do you love me too?
Elyes: *crickets* y'all hear sumthin?
Pat: Well, then you have to leave. I have my dignity.
ME: Dignity? Where? Child where is it?
*Khun Elyes and his long legs leaves*
*Five seconds later*
Elyes: I bought you bird nest soup. I'm gonna take care of you, although you don't need it.
Pat: bird nest soup? You are the best human in the whole wide world. *In-love noises*
Me: Child, that's not bird nest soup, that's literally water with rock salt and some plantain leaves, ask him about the feelings thing.
Pat: I love my water soup. *opens legs*
ME: Ah, there was your dignity... ON THE EFFING FLOOR.

This show lived up to its title. It promised exactly what it said it was gonna give us, a bad boss. What it didn't though, was how my blood pressure was going to hit the roof because of Pat. Homeboy had me fighting to stay sane with every decision he made. Pat was in love with a boss who had a schedule for his booty calls, treated him and his feelings with no care, and still he kept forgiving him, and coming back for more. Pat, son of Adam, please, quit!! He kept threatening to quit every 2-3 business days, then comes running four seconds later.

Like, tell me why you gonna love a guy who makes you drive him to his booty calls, schedule the appointments for his hoes, and knowingly plays with your feelings, and is somehow also still hung up on his ex who cheated on him? No, but Elyes is an asshole with a capital jerk! He's the kind of character you wanna shove down a long cliff, then throw a bulldozer over just to be sure.

Cuz, literally 2 episodes in, and Elyes have:
1) Double booked a booty call. Homeboy has a schedule where he appoints his booty calls!! Nah ah, it could never be me! Come try that in my backyard, child, see what happens ho! I dare you.
2) Made Patt filled in for a date so he could get with another booty call instead. The angry girl threw water on Pat for his troubles, while Elyes was having a good time against some wall.
3) Made Pat buy a birthday gift for his booty call, just to hurt him. He was like, 'you know what he likes, get to it.'
4) Humiliated Pat by letting him serve him and yet another booty call as their waiter.
5) Forbad him from quitting, or being friendly with people he dislikes.

And after all that, all THAT, Pat still loves him with a capital stupid, and let him kiss and bed him. Child of Adam, why? Why yous so stupid?? Pat deserves no right. Do you enjoy getting hurt?? QUIT, child, QUIT! Listen, I love drama, and stupid arse characters with no self respect makes me love myself more, but this was just sad. And the worse part was, Pat knew he didn't deserves how he was being treated, yet he still stayed. And to that I say once again, ON THE FLOOR. At this point, I don't even blame Elyes for how pathetic Pat was, cuz homeboy should have known better, he was literally the one in charge of Elyes' eff-buddy list. Falling in love with a guy who actively hurts you to teach you a lesson cuz he sorts of cares---miss me with that BS!

I still can't get my head around why Pat didn't just quit and save himself the tears. Pat helped Elyes build an empire in five years only to remain an assistant, a booty call, and the designated driver while Elyes is out effing everyone and their mamas. Elyes even made him a stand in for his dates. And he has to wait in the car while he's out ho-ing. Plus, after all that Pat have genuine feelings for Elyes. Like, why? Literally, why you gonna fell for someone who treats you with less respect than dirt? Sure, there was a scene where Pat said he didn't mind the ho-ing and felt nothing about it, but dude, you have a random else photo of your boss and you, with you in the corner in a frame, on your bed-stand, probably taken off the internet. Come on son, have some shame! Self respect Susan, do you have any? Cuz bish, after 5 years together, working so close with him, many late night dinners, if he doesn't know you're allergic to seafood, you should riot.

And the sad truth is, it's not that Elyes didn't see that what he was doing hurt Pat, he did, and even knew when he was mad at him for it. Plus he seemed to like him back, and didn't want him to quit. Then of course he got all jealous and possessive when that random ex-girlfriend showed up. (Sidenote: Literally, are there girls like her who can't take a hint and just disappear?) So yeah, Elyes still liked Pat while hurting him, which was the worse.

Listen, I felt so embarrassed for the villains in this show. No, really, they were pathetic and flat-out cartoonish. Like, that one guy who went to steal whatever from Elyes's computer. Mfker was like grinning, doing whatever with his eyebrows and trying to look very sly, but came off looking constipated. Like dude, give it a rest. And the two big bad villains. HAHAHAH, like, one of them was like:

Villain #2: We need to kill Run cuz his lover is a mafia. Big bad mafia.
Only for the big bad mafia to show up to a kidnap/blackmail with one hand in his pocket and get totally beat up. Then in the end, he was standing there doing some real hard staring and breathing, while Villain #2 fell down like he did something, and my arse was like, my brother, my brother, go find somewhere to sit, you've embarrassed me and your ancestors enough for today. While they were fighting, I was laughing my arse off, all that guns and both weren't smart enough to keep one on them? And in the end one of them pulled out a knife and got shot in the head.

PLOT:
This had an interesting premise, falling for a bad guy who is also your boss. I went in knowing there would be nonsense drama, and that's what I got, so they nailed that part. The execution of the plot however was all over the place. The bad guys were mid, the secondary characters were uninteresting, and the mains kept going in circle with their relationship. Yes, after a while they made Elyes changed his way, and with some backstory, we came to understand why he's the way he was, so it added to his character. Unfortunately, there wasn't so much meat anywhere else to make this go from interesting premise to a very good show.

I'm still wondering what the reason for that random arse time jump after all the close up shots was about. I went from: how many close up of his effing shoes did we need to see, how is the camera work weird and all over the place to, 'a time jump literally after 1 scene is rubbish'. The director and editors might have thought they ate with that, but my arse was staring like... pack it up and bring it back Sharon, you've done nothing impressive enough to time jump.

CHARACTERS:
Though both leads had my head spinning, I enjoyed the drama they brought to the table. Stupid, braincell losing drama, but still drama. As for the acting, it could have used more work to weed out the awkwardness, and whatever Elyes kept doing with his eyebrows. Most of my attention was on the leads, but Run's character also seemed very interesting, though he was as dumb as Pat, falling in love with an abusive cheater. I wished we'd have gotten more depths from the other characters, but even with Pat, he was a nice guy, stupid and a pushover, and that's basically most of what he was. Once in a while he'd get some bold genes but they deflated pretty quickly. I almost reached into the screen to shake him when he couldn't just be straight with the ex-girlfriend. Though in his defence, homegirl just couldn't take a hint.

As mentioned, the story with the business part was uninteresting, and all that bidding stuff went straight over my head, so it didn't make the secondary characters any interesting than they were made to be. Even in the finally whatever problem arose, all we saw were different montages and Pat putting his pen to his chin. I'm sure they solved it, cuz they had wine, so... yaay for them, I guess.

FINALE.
That finale pissed me the eff off. Literally, after all the work they did with Elyes, only to have him cheat one last time. He could easily have told Kim they should just be friends instead of making out with him. And Pat, after... you know what, why bother, homeboy is officially too stupid to insult, so whatever. I stayed in this show for the drama, but damn, did the writers even know what they were doing with the plot? And was I supposed to cheer that Pat and Elyes ended up together? cuz all I did was roll my eyes and laughed at that corny arse candle love scene. Literally, why?

All in all, a typical bl, nothing special, but watchable like most bls, but you gonna need patience for this one. So if you're looking for some dramatic arse show that's probably gonna make you want to reach into the screen and slap yourself a lead, then this show is for you. Grab some popcorn cuz we've got a red flag and a lead who is colorblind by choice, it doesn't get any dramatic than this. I am looking forward to more series with James and Kad in a different drama. Hopefully, something that will keep our interest from start to finish, and with their acting improved.

Leggi di Più

It wasn't perfect, it wasn't without it's faults, but it was a drama that I really enjoyed watching!

-The story centers around Cha Joo Hyuk, who is miserable with his married life. The drama focuses on how his one choice changes the world that he has always known. Not just for him. But for everyone he has known and loved.

- Frankly, I'll agree with everyone who says that Joo Hyuk was an immature selfish jerk. I'll say the same thing. He was everything that people described him as. But REALISTICALLY so.
We, as viewers, are used to seeing a male lead who is righteous and is ready to sacrifice himself, for the female lead, at the very least. But Cha Joo Huk wasn't like that. Not at the start anyway. The choice he made was solely for his own happiness. But dare I say I understood Joo Hyuk? Don't get me wrong, I didn't like him either (not for a long time anyway), but I get his character. If faced with a similar situation in similar circumstances, maybe not everyone but still more than a few people would make the same choice.

- Again, this will probably go against general opinion (from those I read on different places), but I liked the character development of Joo Hyuk. And yes, I do think he had one. He started out a completely self centered jerk, who only wanted his own happiness. He blamed his wife for his unhappiness. But slowly, as he got to know his own faults, as he realized his own mistakes, we started seeing his character grow. He wanted to make her happy. Even if it wasn't with him.

- Enough about the male lead, let's move on to the female lead. Woo Jin... At first she is portrayed like a "monster" who has a really short temper and is extremely violent. But later on we get to see what made her that way.

- One thing I really liked about this drama was the fact that how BOTH the leads were far from perfect. Although Joo Hyuk might be more so. Nevertheless we get to see them try and become better person. Both individually, and together.

- I really enjoyed the chemistry between Han Ji Min and Ji Sung. As a married couple, and as a non-couple too, they were believable.

- The second female lead- Hye Won. She is portrayed as a materialistic and vain person. I actually think she wasn't as bad as they were trying to show her. She behaved like she was entitled to everything, but she wasn't evil or villainous like a lot other SFL.

- The second male lead Jong Hoo, was a really good character. He was charming, but he never overshadowed the male lead enough to give you SLS. I really liked the bond between him and Joo Hyuk. It wasn't exactly bromance but they had a really nice friendship.

- All the other secondary characters were fun to watch. The mysterious ahjussi, Joo Eun, Woo Jin's mom... Everyone. My favorite was Sang Shik. His emotional scenes always got me smiling.

- Also Jo Jung Suk's cameo! Loved it! The whole thing was so cute! Joo Hyuk 's reactions XD

- As for the one thing that bothered me was about the children. How could they give us one, just one scene. I think everyone is aware of the fact that a parent child bond is truly a special one! So how could you not, writer-nim? This is just one thing I cannot get over.

- Overall, I really, really enjoyed this drama! It has everything, a spectacular cast, and intriguing storyline, a good OST. So please give this drama a chance.

Happy Watching!!

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OKAY. THIS DRAMA IS CRAZY GOOD.

The characters, the story, and the relationships were all so well thought out! I loved all of the characters, and they all have really wonderful relationships with each other- that are REAL. They fight, bicker, annoy the hell out of each other, get seriously frustrated with each other, and they realize that they all have their own flaws. And the story stays realistic, (funnily enough to say about a drama based on mental disorders) showing the true struggles people in relationships (wife, mother, girlfriend, brother, daughter, etc.) with people with mental disorders have to face. It's really wonderful. The cast acted out everything brilliantly- the emotions were conveyed very well and wow, some of the best acting I've ever seen.

AND THE MUSIC. *BREATHES DEEPLY* I DON'T KNOW HOW TO EXPLAIN TO Y'ALL HOW MUCH I LOVED THIS OST. LIKE... THESE SONGS. THEY'RE GREAT. THEY FIT IN SO WELL WITH THE SCENES AND I'VE DOWNLOADED A BUNCH OF THEM AND I NEVER GOT TIRED OF THEM (like I have with very many other songs in other dramas) AND WOW. A++++++++++++++++++ TO WHOEVER PICKED THESE SONGS. A FREAKING PLUS.

Anyways, I totally recommend this drama! It's probably one of my all time favorites now and I loved this drama from start to finish!

For a country still dealing with its own discrimination towards mental disorders, I thought this drama was just plain- WOW. Wonderful. Seriously, good job!!! (I'm in awe)

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Its empathic. Powerful. Yet, beware: it is rather slow & actually not on the bright side of life

"Trolley" is a SBS production for South Korean TV first of all, even it is promptly running on Netflix, too. One could say that the KDrama is about a politician's wife, who is caught up in an emotionally draining past and overtaken by an extremely unpleasant present. One could say that it is about an ambitious politician with a promising career, who is in the middle of the national assembly election campaign and will give everything for it. One could say that it is about the classic moral trolley dilemma, which is running through the story like a key note – should one intervene in the unstoppable, catastrophic events and sacrifice one human life in the process, or let things take their course, the but then (in the case of the trolley dilemma) will claim several victims? With respect to each of these varying aspects, the story delivers suspense, depth and emotional intensity, enriched with complex details until the end.

"Trolley" is like a large patchwork quilt made up of many colorful, isolated, fateful pieces of the jigsaw puzzle that becomes a whole while increasing in suspense episode by episode. And this spectacular whole is what I particularly appreciate about this KDrama. Because the production is dedicated to a sensitive issue in South Korea society: the devaluation, harassment, oppression, contempt, discrediting, defamation, exploitation, sexualization of women and widespread physical violence against them.

The KDrama articulates a quiet howl calling for change. This howl, which has been rather mute for the longest time, wants a voice. This howl of pain wants to be heard. One voice should become many. Laws protecting women (and victims of abuse in general) would be all well and good. But even more so (and above all) there is a need for courageous role-models of women (and men) who lead the way. (Or for a start: KDramas and their e.g. female protagonists...) Role models are needed, who stand up for themselves, for their lives, for what happened to them, and for their rights as human beings. Tangible role models are needed embodying what lies at the heart of (these much-needed) laws: the non-debatable dignity inherent in every human being, regardless of gender, creed, birth, or ability. Paragraphs alone are not enough. They must be filled with life. With people who dare to actually venture out of the familiar swamp with their heads held high. And that's (for women) still easier said than done in South Korea 2023. "Trolley" embodies these circumstances in an impressive way. In fact, this is more than overdue. This TV production also places this message with some force and spreads it worldwide, too, so it cannot be overheard. Can it? May the message get through and encourage … women, young people, … and men too.

However, the spotlight is not directed at one or 'the' man as such, but at society as a whole, in which women structurally function (or supposed to function) well; in which they themselves participate in the premises - as mothers, as classmates, as part of a bullying, via public and Social media easy to manipulate crowd. The poisonous social thorn is so deeply rooted within women themselves: a systematically and consistently cultivated, inferior attitude towards their life. The the circumstances usually aren´t even seriously questioned because: that's the way it is… has been… (will be?)

Practically all of the women in this KDrama represent a self-esteem that has been deeply hurt and thus weakened as a result of private and public devaluation or even physical violence. They all somehow learned to live with it. They are battered, wounded and scarred, and they suffer from their feeling of inferiority that weakens them into old age. The worst thing about it: that they are still standing there alone, because nobody really can/wants to acknowledge their suffering and justified anger. Women have had to learn to live with the fact that there are no witnesses, no advocate, no encouragement, no attention, no consolation for them and their traumatic experience of harassment. No one is standing in their corner. The social message: You didn't deserve anything else. You´re to blame. 'Submissive, quiet, tame and silenced, everyone can do whatever they want.' Such is fate as a daughter. As an unwanted daughter. As the first daughter. As a daughter-in-law. As a wife. As a divorced woman. As an illegitimate mother. That something, which has remained deeply in these women, now shows impact, too: so that they either secretly and quietly devalue and question themselves, alternatively devalue others on their behalf, or let others devalue them on principle. This painful experience has not been redeemed to this day and should not be redeemed (from the social point of view of some). It is the ingrained yet invisible mark that South Korean society brands its women with. With "Trolley" it is out in the open. In multiple ways. Options for change are discussed, and the difficulties involved are also explored.

A strong portrait of society, cleverly prepared and seriously presented, yet in an entertaining manner. The KDrama meets a red-hot zeitgeist that calls for winds of change. The story courageously challenges the conservative, patriarchal attitude, which by nature denies women the right to be fully acknowledged human beings with the same rights. In the course of the last year, blood boiled high in South Korea after President Yoon declared 'structural sexism' being no longer existent in the Republic and wanted to abolish the Ministry for Equality and Family (or move it to other departments). In these times (see also the side note below), "Trolley" is a courageous and important production, because it tells a different story - that of devalued, sexualized, abused women in a self-satisfied man's world. Respect!

Its empathic. Powerful. Yet, beware: it is rather slow and actually not on the bright side of life.








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SIDE NOTE: --- Always burning topical: violence against women in South Korea ---

If you compare the crime statistics in (i.e.) Germany and South Korea, South Korea is clearly the safer country. Seoul is arguably one of the safest cities in the world. But not for women...

Overall, violence in South Korea may be limited. But against women it is alarmingly widespread. Of the violent crimes recorded in South Korea, about 80 percent of the victims are women. In 2020, more than 58 incidents of sexual violence, including rape, were recorded among 100,000 residents in South Korea. (There were 12 in Germany for comparison). There have been newspaper reports of brutal femicides almost weekly in recent years. In a national survey conducted by the Ministry for Gender Equality and Family in the summer of 2021 (the ministry still existed then), 57.8 percent (!) of women stated that they felt threatened by misogynistic violence.

But the current political line is different. President Yoon stands for the values of the so-called "New Men's Solidarity". Behind this is a deeply patriarchal, conservative thinking that denies women to be full human beings with the same rights. Accordingly, the official line tends to go backwards: the penalties for false allegations of sexual assault are increased and the politicians rather argue with classic perpetrator-victim reversal: the women provoked the men by not doing what the men want them to do . Courts rarely judge in the interests of women. On the contrary. The outcome might be: victims of sexual violence are punished more severely than the perpetrators. Law against defamation of sex offenses is far stricter than that on sex offenses. It allows victims of sexual violence to be sentenced to up to 3 years in prison – even if it is proven that their publicly disclosed allegations are true. In the actual cases of sexual offenses, the verdicts against the perpetrators, however, are mostly merciful, with a mild sentence for crimes against women, as soon as there is one or the other weakening reason or an impeccable good reputation. Lax investigations and re-traumatizing behavior towards female victims in police and judicial authorities make matters worse.

All in all, it is very difficult for women to effectively defend themselves against the violence they might have experienced. Headwind blows from almost everywhere. Here we are again with the deeply patriarchal, conservative basic attitude of a society that denies women as a matter of course that they are full human beings with the same rights. This 'self-evidence' needs to be questioned and confronted. Resistance works best when women unite and at least start to stop this structural mutual devaluation among themselves. Speak, talk, share, cry, console... You don't need laws for that. Supporting one another, acknowledging injustice as such, comfort and compassion would be soothing ointments on the wounds of countless women that could heal a little bit better that way.

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JoongDunk Stole the Spotlight in The Heart Killers

Now that The Heart Killers has ended, I have to admit… I was really only watching for Fadel and Style. Going into this, I already loved both FirstKhao and JoongDunk. FirstKhao has always been one of my absolute favorite pairings, and I’ve enjoyed JoongDunk too, but they weren’t at the top of my list—until now.

To be honest, Kant and Bison’s storyline just didn’t pull me in the way I hoped. I still love First and Khao, but their dynamic in this show didn’t hit as hard for me. Meanwhile, JoongDunk completely stole my heart. Their chemistry, their emotional depth, the way their characters just clicked—I was obsessed. They were the highlight of the entire series for me, and now I love them so much more than I did before.

So yeah, The Heart Killers had its moments, but for me? It was the joondunk show all the way.

Looking back, I think one of the reasons JoongDunk didn’t impress me as much in their previous BLs was because the stories didn’t really suit them. It’s not that they were bad, but I feel like those roles didn’t bring out the best in them. But with The Heart Killers, Fadel and Style felt made for them. Their dynamic, the way they balanced each other out—it just worked so well.

As for Dunk’s acting, I actually think he’s good and has improved a lot. Of course, there’s always room for growth, but I honestly don’t get the hate he gets. He has a naturally relaxed face, which can make some expressions harder to convey, but you can tell he’s putting in the effort. And I respect that. Seeing him in this role made me appreciate him even more.

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Find a spouse with same value

So here a bit review on each character, please be noted the drama version is bit different from novel. The drama ver is for fans of Ding Yuxi the actor to gain more fans. Haha.

1. Ning Yuxuan NYX:
Outside: a cold, heartless man
Inside: a puppy heart
A good govt officer, has 2 wives but touch no one. Haha.

2. Nie Sangyu NSY:
Outside and inside: heartless woman
Spoiled since a little, loved to torture maids. Even until last breath still not instrospect her wrongdoings. She created her own bad karma. What a stupid evil lady.

3. Ji Man JM:
Outside: business maker, money lover
Inside: pursue everlasting love
NSY separated since baby, twin sister. She treated everyone either as potential customers, shareholders, or professional employees. Kind, funny.

4. Gui Bai GB:
Inside outside is just like his master NYX. Even copy his master when pursuing a girl and take an oath to love her one and only forever. Lol.

5. Wen Wan WW:
Outside: kind and soft
Inside: evil
Fooled NYX as if she was abducted and raped, so when NYX found her he got no choice but to take her as concubine. WW is evil but too stupid so we can relax.
Later she worked together with enemy against NYX but was betrayed and executed, so she kinda too late to realize her mistakes.

6. Ling Xingjian LXJ:
Outside: coward and evil
Inside: just want to surpass his childhood buddy NYX
Well at least he realized his mistakes and corrects them, so his head is safe from execution.

7. Yuan Lang YL:
Outside: kind hearted bandit
Inside: also a puppy heart
Together with JM and NYX bring down enemy and decided to let go hatred of their parents, as long as they could work together for people.

8. Emperor:
Inside and outside: a god of matchmaker, treated NYX dearly.
You know, just like King Wendy in drama Love Like The Galaxy, he supported 100% NYX and become a matchmaker for our female and male lead.

Conclusions:
1. Sweet moments NYX and JM, ladies, just imagine yourself is JM. Happy watching.
2. Remember to find a spouse with same value, same morality kindness, so you will be willingly share each other burdens.

That's all,
I will be more than happy to watch the drama repeatedly.
Loveeee~

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Go watch this drama now ~~~~~~~~~~~> GO GO

It is a veeeery good drama, as for the acting, as for the truth of the characters and for the really smooth plot accompanied with some really nice cliffhangers.

It is definitely worth to watch, and I would even say to re-watch (which is not something I usually do). The songs are great and some sequences full of emotions are really strong and great.

You will laugh at some situations, tears at some others and even though some imagination is needed sometimes, it all makes sense.

It's a drama I had much pleasure to begin, much pleasure to continue, and much pleasure to finish. It's well done and makes you go through a bunch of states!

I didn't know any of the actors but they are really doing great and you get attached to them really fast.

A MUST SEE

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This was really an exceptional drama! It's one of the best I've seen so far. Although the whole girl pretending to be a boy thing is not new, the setting and situation is fresh. This gives it a very different style than all the dramas it has been compared to. The beginning is slightly confusing if you have no knowledge of Korean history, traditions or culture. But as you watch, you will understand. I like how there is friendship built and emphasized as the characters encounter little twists and obstacles.

The characters play well off each other as their chemistry is greate and the actors are all well suited for their parts. And honestly, the guys are very cute :P

One notable thing about this drama is it gives you room to imagine in details yourself. For example, they don't necessarily give the full backstory of the characters. Instead they hint at many parts and let you create your own story for them in your mind.

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"Remember, your fate hangs on the tip of your blade." ~Zhou Fei

Legend of Fei is not only a Wuxia drama, but it has several cute love stories, an intriguing mystery, and a lesson that all of us should learn from. This drama is based on a popular Chinese novel with the same name by Priest, which I have not read before. (Translated version is only available as machine translation) Two large downsides to this drama were the the terrible editing skills, and unrealistic backdrop that was very obvious from time to time, but the lovable characters and fascinating storyline eventually overshadowed these disappointments. It is quite understandable that many would be unwilling to "wait" more than 20 episodes or so to finally get into the drama, and this is a barrier that everyone should be aware of before attempting the drama. With strong martial arts skills and intelligent thinking, Zhou Fei teaches us that we can achieve our dreams, but achievements are only the result of endless and persistent hard work. With many setting high expectations for a drama with their favorite actors or actresses, this rather low rating isn't very surprising, but I really enjoyed it.

Honestly, I don't even know if this contains spoilers. If it does, please message me about it.

Story-8.0
With the usual pugilistic world (Jianghu), there are admirable heroes who help others, but there are also people greedy for wealth and power. Zhou Fei is born into Forty-Eight Fortress, a sect founded by her grandfather (Li Zheng) known for its good deeds and efforts toward eliminating evil. Growing up, Zhou Fei had always been taught by her parents to only do good, to work hard. Her mother seems overly strict to her, but loves her more than anything in the inside. Zhou Fei longs to please her mother, and to achieve this goal, she plans on becoming a famous heroine. After a series of events, Zhou Fei meets Xie Yun, who appears carefree, and quite annoying. Zhou Fei leaves Fourty-Eight Fortress for the first time, and along with Xie Yun, her two cousins (Li Sheng and Li Yan) and some newly made friends, they start to uncover the reasons for the deaths of her grandfather and many other martial artists. The moves for the martial arts were choreographed fairly well, and it was clear that each actor and actress had put in a lot of effort to perfect their moves. I also really liked the costumes; Although they were simple, they fit perfectly for every character, and the light-weight clothing worked reasonably well to portray everyone's personalities. Each story behind the famous heroes are very motivating, and we learn lessons along with A'Fei. The story starts rather slowly and quite boring (and a few episodes could have been cut), but to make fire, wood is needed, and I promise, as the story progresses, it becomes more and more intriguing. There is no clear plot until episode 20-something, which disappointed many viewers. The story revolves around the idea that evil may seem to win, but oh no, it doesn't. Only with a kind heart can you rule the world.

A very important aspect of this drama is the mystery incorporated into it. An item said to be able to assist one into ruling the world was coveted by countless people, and this didn't exclude the evilest of the evil. In the later episodes of LoF, the main plot is revealed, and things do not cease to captivate.

Acting/Cast-8.5
Legend of Fei has some of the most lovable characters in the history of Wuxia characters, as well as some of the evilest. There were some with some annoying attributes, such as the Third Prince, who I still don't know why he was included in the story. We have quite a few comedic duos that give us quite a show, and each and every character has their own story, no matter if their journey throughout their life was tragic, hopeful, or just mediocre. Here are my descriptions of a few of the most influential protagonists and antagonists:

ZHOU FEI and XIE YUN- A strong-willed young girl, Zhou Fei had wild ambitions, but luckily, her ambitions were to do good for the world. (and impress her mother) She and Xie Yun start on a rather bad note, but friendship quickly links them. She discovers that the world outside of her home is not all that cheerful and fun, but rather dark and scary. A hatred towards the Demons starts to grow inside her after she learns of their countless evil deeds, and she manages to kill many of their leaders through the guidance of many martial art heroes and heroines she meets on her journey. The persistence in Zhao Liying's eyes are present throughout this drama, and her acting never fails to disappoint. (I am not a die-hard ZLY fan) Our female lead matures from a girl ambitious to be the best to a young woman who is admired by the many people she had helped. (may contain spoilers:)With a complicated past, Xie Yun is not your typical male lead. He and Zhou Fei first meet when Xie Yun "steals her father". Underneath his cheerful personality hides an unforgiving identity, which Zhou Fei and everyone else learns later in the drama. This identity isn't very surprising, but is crucial to the story. He is very agile, and always manages to escape the Demons without even exerting too much energy. As talkative as he is, he is also very intelligent, although he doesn't always show this aspect of his personality. In front of Zhou Fei, he is funny but also caring. Although Wang Yibo could be considered a rookie actor, he managed to pull off the complex personality of Xie Yun, which is quite impressive.

Wang Yibo and Zhao Liying do not have that fire chemistry, but their pairing was more than acceptable. It may be disturbing to some that ZLY is 10 years old than WYB, but their interactions in the drama made me forget about this irrelevant detail. Xie Yun and Zhou Fei are our troublemakers, they are really two peas in a pod. They only want the best for each other, and will go to the ends of the earth to save each other.

LI SHENG and WU CHUCHU- Another cute couple, Li Sheng and Chuchu are very adorable as well. Li Sheng never manages to beat Zhou Fei in martial arts, and was rather jealous of her. Later, though, he discovers that he doesn't always need to be #1, because as long as he can use his strong skills to help, he is satisfied. Even though he doesn't have the strongest martial arts skills, his leadership and intelligent are two of his main strengths. I found him particularly annoying in the beginning (because he was rude to A'Fei), but his smart and caring personality eventually stole me heart. His love interest, Wu Chuchu, was born with a silver spoon, but her parents are both killed mercilessly and she spends a large portion of her time with Zhou Fei and Li Sheng on the run. Some of her early actions were very frustrating, because she was doing some really dumb things, but her determination to avenge her parents led her to even start to learn some basic martial arts skills.

LI YAN, YANG JIN and YING HECONG- Oh boy, our three troublemakers. They are quite the trio! These three never fail to make me laugh, especially Yang Jin. His motion of rubbing his head is his most famous movement, and makes him appear dumb and useless, but he has some strong martial arts skills. The actor who portrayed him did a great job in showing his funny but strong personality. His love interest, Li Yan, could be said to be even dumber than Chuchu. I love her as well, but some of the things she did were very unexplainable, and led to all sorts of trouble. She wasn't a very crucial character here, but she did manage to add some comedic elements to the show. Last but not least, Ying Hecong, aka The Poisoner. I didn't really understand his presence until I realized that he was very knowledgeable in poison, and he eventually was a very helpful friend to A'Fei and everyone else, and like the others, after undergoing a tragedy or two, he musters up the courage to stand up for what is right. I loved this trio, they are hilarious.

HEROES/HEROINES- Without the wise and famous heroes and heroines, Zhou Fei couldn't have achieved what she did. Each and every martial artist gave her priceless life lessons, as well as had some of the most beautiful stories. Although most did not have much screen time, they each played a crucial role in fighting the Demons, and passed on their skills to Zhou Fei. Li Zheng and Duan Jiuniang had an unforgivable love story, while Ji Yuncheng was an honest man who couldn't forgive himself for a certain event. Madame Ni Chang was a great woman, and saved Zhou Fei and the others quite a few times. Unlike the Demons, these wise men and women were even willing to give up their life to keep the world at peace, and they probably could have a drama just about themselves!

DEMONS- Demons are demons, evil and merciless. They do not even know what the treasure is, but spent years trying to uncover it. Without these terrible characters, the drama could not have progressed, and the actors/actresses did quite phenomenally as the evil roles they portrayed. I wish that some of them got a closure where they learned the valuable life lesson, but even if none did, their satisfactory ending was enough. Each of the demon leaders had their own detestable personality, and not all of them wanted the treasure.

Music-8.0
The music in this drama wasn't very memorable, but it was far from bad. The OST could have been more delightful with a few more songs, and it was kind of a surprise that Zhao Liying didn't sing any of them. Wang Yibo did, and the tune and lyrics fit quite nicely. As for the background/instrumental music, they were very common in fighting scenes and calming scenes, and were also a snug fit. With the mysterious but upbeat music, the audience could predict that Zhou Fei would win the battle, or that some despicable Demon was about to be defeated. In Forty-Eight Fortress or with our Yunfei couple, the soft music showed us the beauty of peace.

Rewatch Value- 8.0
If I had to rewatch this drama, I would most likely skip the first 10-20 episodes, and go straight to when I started to actually make strong connections with the characters. I did enjoy the second half of the story, and did not skip a single part of it.

Overall-8.5
The start of the drama was a little disappointing and underwhelming but the ending was not, as well as the story as it progressed. Some interactions between the characters were hilarious, while others were tense and dark. We are given three cute couples as we followed the main characters' journey to eliminate evil and help the poor civilians. No matter what happened, Zhou Fei did not give up, and her persistence was the key to defeating the Demons. She and Xie Yun have a very valuable relationship, growing from an unfriendly encounter to unbreakable love. And without the amazing acting of every actor, this drama wouldn't have been able to portray the most important life lesson, which I'll leave for you to discover.

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Cheeky, cheerful and heartfelt, drops of suspense included

“Knight Flower” is set in Joseon days, yet it is no epic, historical KDrama in a classical sense. It has endearing comedy to offer, the touch of a romance and even a touch of crime thriller, while the setting back then in Joseon is accounted for predominant neo-Cunfucian social ethics in those days. In particular, back then being widowed was bad news for women, whatsoever. (See side note). This circumstance is providing the hook for a cheeky and fresh-minded KDrama plot.

In "Knight Flower", the widow simply cannot get herself to merely spending the rest of her long life in honorable, virtuous seclusion, mostly invisible to the rest of the world, trying not to be too much of a burden to her in-laws, and otherwise mourning the deceased husband (whom she never actually met) in the afterlife.
No, this widow does her own thing. She is not interested in being reduced to the virtue of mourning. During daytime, her everyday life is that of a honorable widow and decent daughter-in-law. Yet, at night she is dressed in black, wearing pants and a mask, climbing over walls, jumping over roofs and helping the poor – as "Midam", a kind of Robin Hood of Joseon. Such is her double life. All goes well, until one day...

While the plot is drawing its dynamic appeal from the actually rather sad background of a dubious tradition of treating widows (not only practiced in old Joseon, and not only back then…), the good news is: "Knight Flower", as a production broadcast in 2024, is built on intelligent emancipation, too. What is called for is not compliant bowing, but rather self-confident, creative solutions in dealing with life. Obviously South Koreans are craving for such a role model these days. The show was quite a success. People there apparently enjoyed it. So did I.

"Knight Flower" is cheeky, cheerful, and heartfelt, drops of suspense included, thus with alluring wit offering an enjoyably entertaining genre-mix.








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SIDE NOTE: --- Yeolnyeo or Yeolbu, the virtuous woman of Joseon ---

A loyal subject can only serve ONE king and a virtuous woman can only serve ONE husband. This perhaps briefly summarizes the core of the moral teachings of the period between the 14th century and the beginning of the 20th century. Practically speaking, this implied a widowed woman could face death penalty, if she ever wanted to marry again.

Women had to be obedient to their parents and in-laws. They had to honor their husband. And after his death the eldest son had the say... The greatest asset of a woman, besides bearing children, was her virtue. And that was eventually all that was left, if her husband might have died before herself. There was even granted an official award for valuing outstandingly honorable virtuous widows with the reputation of being a Yeolnyeo or Yeolbu. Thus they had to be particularly determined with living as a commendable model wife even after their husband´s death – according to all the rules regarding morals and daily routines as set out in detail in the book about good conduct for virtuous women…

However, the pressure on widows to be respected as Yeolnyeo became excessive over time. At some point it was even common for widows to consequently take their own lives, too, thus expressing their praiseworthy being loyal to the husband until the bitter end. In this way, they could posthumously provide their family (or that of their deceased husband) an honorable glory of virtue in which all family members could bask. Eventually, suicide was even expected of a widow – especially if she became a widow at a young age...

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So English yet so Korean...

U know that one thing that is different about kdramas that you cannot find in other dramas all around the world. That vibe, feel that is hard to define but it is there. Yes, that is what I find the most in this movie. This movie is so Korean yet so English, one can only understand this after watching it. This masterpiece is unforgettable and has a very realistic ending. The eye contact between the leads is my favorite part of this movie.
And of course, this is the best movie of the year...
So don't contemplate whether to watch it or not and just watch it.

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