Reviews

What a pity the drama ended. I have been saying this since beginning, but I think that it's still underrated. I have a lot to write, hence I don't know with what I ought to start.

The ending! It was so good! For me, no matter how good drama was, last episode is always the worst, even when the ending was happy. I think that a lot of writers and directors struggle with this topic - If I was a one, I would too. It's so hard to let go of your own characters, tie everything together and deliver the right emotions and message to viewers. Here, chapeau bas! I can confidently say that it was my favorite last episode ever. I cannot recall any other ending that did such a great impression on me. I will praise creators of this drama for a long time. I'm almost 100% sure that we didn't have any plot holes and everyone's actual situation/ending were explained.

I truly loved these characters! The actors here were an absolutely top tier. I had been watching actors I knew before and some new faces for me that I automatically added to lists with my favorites. At the beginning of this series I commented here that "all of them have their good and bad sides, which can't be that obvious in the context of this drama". I still think the same. The story and relationships were unique. Creators misleaded us countless times. Also, I learnt so much thanks to this drama. The story, sentences and morals were meaningful.

It is almost hard to believe that this is a drama. It has a lot of movie vibes. I think it would be even better to watch the whole series at one time and I will definitely rewatch it.

I was surprised that a lot viewers were confused with episodes 12/13 and 14. In my opinion, scenes you didn't like, direction and pace of them were somehow meaningful and in the beat of the scenario. They greatly highlighted main sense and concerns of this story, even when you found it extravagant.

I adored all of the plot twists here. Usually, I could predict some of them but here... Not really. It is one of the biggest virtue - you never knew what else can happen. They handled it in the best way and I was surprised almost every episode. Definitely on one of the highest positions in my ranking with dramas which were the best in this topic.

Music. It nourished my soul and I will listen to the one of the best OST's in the history for a long weeks or months. I memorized these songs so well. They're just beautiful: words and melodies are worth every minute. The actors did a great job singing here.

Definitely in my top three of favorite dramas ever. Everything was so consistent and I can't criticize anything here. I will miss it so much. If you didn't watch it, I encourage you to do so.

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The chemistry between the main couple is pretty intense. Oh Soo and Oh Young both play their roles well as 'broken' people in very different worlds that are equally scary. The secondary couple is just very cute. The bromance/brotherhood between Oh Soo and Jin Sung is really sweet, though I ended up getting mad at/scared for Jin Sung through a couple of his misguided choices due to 'extreme loyalty.'
Song Hye Ko does an admirable job feigning blindness. Jo In Sung looks amazing in fashions that seemed to be lifted right out of American gangster movies based in the 20's and 30's. Besides the fact that he definitely looks the part of an attractive womanize, the man can also act. I spent pretty much all of the drama heavily sympathizing with and rooting for him, even while realizing what he was doing was highly questionable/just plain wrong.
Kim Tae Woo was awesome as Moo Cheol. I definitely felt all sorts of emotions towards him as his story progressed.
I just thought the story was beautifully acted and filmed. I was on my toes for the whole thing, and could not stop watching it until it was all over. It really got me out of my drama slump!

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Woahhhh I'm literally so attached , they just broke the cute-o-meter ( a cheek pinch or ...) .....

I'm literally so done with this level of sweetness , Opps ! there's a lot of ants around me .
Let's start with the very first episode :
Honestly, it was very boring ( just talking about the first episode ) , Well somehow I
lost my interest in it after I watched it cause dao was so damn rude and the ghosts were so annoying , literally how can you let your future husband sleep in a bathtub ?????
I just felt like I'm so done with itt (no hopes) and almost missed all the episodes till ep 5 . I saw a reel about Arthit in love and danggggg I was suddenly so excited and decided to watch it even if I was bored .
Well I kinda liked the 2nd ep cause things were so much better between my sweethearts , not just that gotta learn about dao's powerss that's unique uk ...
After they solved that murder case I was so glad when dao finally agreed to help Arthit , I found it quite interesting cuzzz that little guy was opening up ..
Some parts were funny , I just had to control my laughter with people around .

~ The best thing was the relationship between Direk and Arthit so chaotic and narakkk
•I've to give them the best paaa son duoo awardd fr 🤟🏻
•North's my boyyy I like his reactions mann , funniest guyy ever and waitt don't forget about his overprotective lover .

Wait a minute :::: Where are you going it's just the trailer.
So noww whattt from where should I start !?

Okkkayyy , it was so adorable when dao cried for thit , listen to his voice awwww .
Arthit look at this guy he fell for dao just like that , suddenly caring bout him thinking about him , most funniest decision getting over himmm loll . Can you see how mad he is bout his first love . I literally love to see thit in love the most .
So concerned , so obsessed with dao I can't believe that thit used to hate him naaahhh ...
He turned into a lover boyy isn't it ?
The journey FROM Dao's guard dog TO Dao's puppy .

Those scenes were so sweet : Dao patting thit's head , pinching his cheeks , I wanted to scream out louddd
I was so hot after the car kiss part I can't stop blushing even when I'm just thinking .
I remember : Don't you think Arthit is so aggressively impressive , he was so stunned by just looking at dao wearing shorts , I don't actually like that part cuz I wanted him to respect dao as he looked so uncomfortable
but thit's face was to weirdly funny too .
I honestly like the calm ( outside ) , flirty and gentle Arthit more than the agressive one .
The fight part ep 7 after car race made me even more and more curious about the last episode , I was waiting for the whole time.

Honestly , I changed my mind it's not boring but unpredictably accurate . Believe me just go through the first ep and you're going to love the next episodes for sure remember don't bail after the first one like me , I'm regretting. .

*** Overly recommended by me it's even more beautiful than whatever I just wrote about...
I'm not so good at expressing , but from my opinion I quite like the way I express myself by writing , please don't mind me ...

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It’s kind of hard for me to write a review for Soredemo – I’ve watched this drama about a month ago and wanted to write one since the moment I finished it, but every time I try to actually start writing I can only think about those corny sayings like “story about forgiveness and redemption”, “tragedy of two families” or “great study of human nature”. I don’t like all those cliché, empty words, so I tried and tried, and tried, and then tried some more to write something that could actually describe this drama and to not sound overly banal at the same time, but still, nothing satisfying could come up to me. But then I though “why not use them if they describe this drama the best?” So here goes my corny review:

Soredemo, Ikite Yuku is an unforgettable drama. It’s simple, yet captivating, slow-paced, but addicting and sad, but at the same time very optimistic.

It tells the story of two families whose normal, everyday life was suddenly broken by a terrible crime and shows how people who were affected by it try to live on, cope with this tragedy. What I liked about this drama is the fact that it shows that both sides suffer, although differently – not only a victim’s family’s life is changed forever, but also those, who are related to murderer have to continue living with guilt and knowledge that somebody close to them killed an innocent person and destroyed lives of many people. It’s rare (at least for me) to find a story that gives a right to suffer not only to the victim’s side, but also for the other side too, so that’s a huge plus for writers.

The plot of this drama is really simple – it shows how the younger generation tries to heal their families and find the reason why the tragedy had to happen. Both main leads – Hiroki and Futaba are amazing, not only in terms of acting, but also as the characters. They feel real in their social awkwardness and their stubbornness to make things right is heartwrenching. Also, their relationship is unique and charming – two people who should be on the opposite sides join forces, change themselves and their families and also find in each other something akin to soulmates.

The pace in this one might be considered a bit slow by some, but for me this was surprisingly an advantage; because of that screenwriters could show us a very believable character development; everything was happening slowly, yet in the right moment and nearly every single behavior was justified and didn’t seem rushed or out of place. Also, I loved it that this drama despite taking on a really hard, seemingly depressing subject, is not overly dramatic and sad – it leaves the viewer with optimistic feelings. It’s like a catharsis.

Acting in this drama deserves a separate essay, so I’ll try to keep it short. Everybody was amazing! Yeah, yeah, it sounds like an exaggeration but believe me, it is not. Every single actor played his part perfectly – Eita ended up being my favourite Japanese actor ever, I’m stalking him now and plan to watch all his dramas. He was just natural in his role of an awkward guy for whom the time stopped when he was a teenager and who has to cope with his conflicting feelings for a family of his sisters murderer. His co-star, Mitsushima Hikari was great too, she’s a versatile actress who, in my opinion, has a huge potential to be one of the best Japanese actresses in few years. Just watch her in this drama and then see Love Exposure – I still can’t believe she’s the same person! Supporting actors, especially Hiroki’s mother, a woman who never accepted her daughter’s death (her monologue in ep.5 left me speechless) and Futaba’s father, a man who tries to atone for his son’s wrongdoings with all his might - they were outstanding in their roles, they could easily make the viewers feel the pain of the parent who lost his/her child. The only actor I was not impressed by was Kazama Shunsuke who played the murderer, but well, his role of a slightly autistic guy who never really grew up was really hard and still, he did a decent job, he was just not as amazing as the rest of the cast.

As for music in this drama I’ll only say that the opening song was really annoying at first. It slowly grew on me, but I still think it’s horrible. This wailing guy should keep his mouth shut for his entire life.

So to sum it all up, what I was trying to tell (or more write) in this review is that Soredemo, Ikite Yuku is one hell of a drama. I’ll use those corny descriptions again: it’s beautiful, thought-provoking and original, but see yourself if I’m not exaggerating!

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Finally something worth watching?? I don't have words.

I didn't know that I would say this about a vampire centric drama but it was really a breath of fresh air. After a long wait Cdrama world finally gave something worth watching which ended the spell of boring dramas of this year. We were inundated with many overhyped shows which could not do justice to all the anticipation. I wasn't sure about this one either (especially if it is a republican era one) but the first episode was more than enough to intrigue me with its unique plotline. The cinematography looked really nice plus the music beautifully accentuated the scenes. I loved the acting of all the actors and hoped this one could surprise us the way 'The double' did this year. However my hopes came down shattering pretty soon. It was already becoming impossible to ignore all the loopholes in the plot but by the time we reached the end, the drama totally took us as a fool. I was no longer mesmerized by the cinematography as I was in the beginning. The side characters completely took over the main leads and I could clearly see that they were forcibly giving more screen time to yinling. (Plus their efforts to justify all the wrong actions of some characters to gain sympathy of the viewers is just so... incomprehensible ). The show didn't really give proper closer to most of the characters (I wonder what was the rush?) The ending was so disappointing that I don't have words to explain it. If it wasn't for the good cast I would have dropped the show but I continued just for them..Their acting on the other hand kind of... began to look stiff towards the end as if nobody was feeling the emotions that their characters were supposed to feel or perhaps it was the weird editing that made me feel that way.(Except for Mi Lan, she was pretty good till the end).
To conclude it all...this one could have been a great show with solid performance but they did their magic and ruined it all and made it another one time watch drama at most.

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Choice A or Choice B, live life without regrets

This is not your typical rom-com. The drama’s concept of “what if” is that the female lead is at a crossroad and has to choose between two paths. The drama shows us how these two choices play out at the same time in a parallel sort of way (think the USA movie Sliding Doors). In episode 3, the drama splits in two. Timeline 1, the female lead gets off the bus and stays at her small town with her loving boyfriend. Timeline 2, the female lead stays on the bus and moves to the big city for work. Both timelines are real.

Note, this is a female centric drama so the whole story focuses on Zhong Chu Xi two characters. There are two male leads Liu Xue Yi (small town boyfriend) and Lin Yu Shen (boss in the big city) which I felt shared almost equal screen time.

“Live life without regrets” is the message of the drama that the writers executed perfectly. The best thing about this drama is that it doesn’t sugar coat anything. It shows us the realistic and very human side of life. Relationships are not perfect, they are messy, filled with miscommunication, confusion but also love and warmth. Life is not perfect either and we should cherish the happiness we have, even if sometimes it’s only a little bliss. No choice is wrong or right, we just have to take it all in and navigate through the ups and downs of life.

POSITIVE:
- Realistic story about flawed characters with relatable and real life issues.
- No sugar coating. The drama always keeps it real to make sure we remember that sometimes real life does not work like a cute rom-com.
- Unique plot with deeper meaning about life behind it.
- Real life problems. The drama shows us raw and flawed communication between people that might not be considered healthy but it’s very much authentic to real life.
- Cute romantic scenes.
- No fillers or side stories. Almost all scenes show the main lead’s story (the female lead and her two male leads).
- No cheating. Even though there are two male leads in the story, the female lead doesn’t cheat and there are no love triangles.
- Realistic portrayal of life's highs and lows.
- Blend between daily mundane life in a small time vs a lavishing lifestyle in the big city.
- A mix of very sad and very heartwarming moments.

NEGATIVE:
- Melodrama vibe. The characters were constantly going through many challenges which made the drama very stressful to watch at times.
- Third party vibes. There is no cheating and no love triangles however the female lead does end up dating another man in one of the timelines so for some people that might be difficult to watch.
- Transitions between the two timelines are not always clear and sometimes it takes a few moments to realise we are watching the other timeline. You really have to pay close attention to not confuse the two timelines. It would have been better if the two timelines were more distinguishable, whether with different colours or the female lead’s appearance.
- Female lead being the scapegoat. The writers wanted to create more engaging drama for the viewers but at the cost of their female lead. Unfortunately, a lot of the times I felt all the problems and conflicts steamed from the female lead.
- Happy ending for both timelines however it also felt a bit open. I wish the drama showed us a few years into the future in each of the timelines.

OVERALL:
If you want a melodrama vibe, with a realistic story about flawed characters and the raw portrayal of messy relationships, watch this drama.

FAVOURITE QUOTES:
“We should cherish the happiness we have, even if it’s a little bliss”
“Whatever road you may choose, you may regret. But once you decide, you have to go on. It will end well”

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(Note: this review judges only the drama and will make no comparisons to the original web novel. Though, that would also make for an interesting discussion. Someday, perhaps.)

It’s a special type of emotional experience, watching a drama like Skate Into Love, which has solid strengths yet also a fair share of wobbly flaws. It took some serious consideration for me to establish how to reconcile all the positives and negatives; but after watching the conclusion, I can say that for its genre, Skate Into Love can stand tall in its field.

The basis of the plot is a concoction of classic rom-com tropes. The leads know one another from early childhood and, upon reuniting years later, their relationship becomes an “enemies to lovers” affair. This show's primary differentiating factor is its inclusion of ice sports, which dictates significant plot points and is crucial in the growth of several characters.

The first half of the show overflows with sweet and humorous moments between Tang Xue and Li Yu Bing as their constant bickering turns into genuine care for one another. Their romance is a strong force because they, as separate characters, are both independent people who have flaws as obvious as their strengths. They manage to grow together and are capable of helping each other because they understand the person opposite them incredibly well. It warms the heart to watch and you can’t help but root for them as a couple and as individuals.

That being said, there are some other plot points that beg to be mentioned:

One: third wheels. It’s a rom-com rule that they have to stick their head into the plot. Listen, I don’t make the rules. Take it up with the screenwriters upstairs. They’re the ones who insist on including several love rivals. Some of them can actually pique your interest as they evolve over time, so not all of them are a total waste of your attention. However, it’s my civic duty to throw one of them – Mr. Bian “creepy chuckle” Cheng – under the bus for starting as a minor headache, then evolving into a complete migraine by intervening in the main couple’s relationships in the most boring and inconsequential ways possible. He is, hands-down, the weakest link of this show. You don’t hate him because he’s an actual threat, you hate him because he could be interesting but just isn't.

Then, there are the side couples. Like the third wheels, I don’t even remember how many of them there are. But nonetheless, they pass around the baton for taking over the show every once in many a while. A key positive point about all the supporting characters is that the writers did try to make them more dimensional. Just like the main characters, they each have unique motivations and insecurities, making them feel a lot more human than what could be said for many non-leads in other shows. Whether it be friends, family members, or rivals of the main characters, I really liked how they all had their own lives and problems. That further helped make all of the platonic relationships much more enticing. Even so, it’s incredibly difficult to have a drama effectively focus on a main couple as well as multiple side stories – some will certainly feel like plot filler, especially in early parts of the show, because we don’t see their full development like we can with Tang Xue and Li Yubing.

There are also some moments involving the leads that feel a bit iffy considering their personalities. Don’t you just love when a relationship, consisting of two amazingly communicative characters who deeply seek to understand one another, abruptly crumbles due to external factors that existed but didn’t matter before? To have problems within a relationship is completely normal; and while I’m glad to see them addressed, the way that they’re depicted is sometimes too theatrical. I’m not going to lie. Seeing all the age-old melodrama cliches enter the picture and challenge the romance is almost entertaining – in the same way that watching someone slip and fall is entertaining after you told them beforehand, “careful, it’s slippery”: the ridiculousness of something happening when it shouldn’t is quite…amusing, to say the least.

These flaws aside, I overall found the story to be a good balance of being amusing (even hilarious) at times and serious during others. I liked how sports are involved in some of the characters’ lives, providing them with dreams and purpose. Part of me wishes that there were more competition scenes shown, as the action during them was fun to watch (and inaccurate, but come on. It’s people on ice with knives on their feet; that in itself is deserving of a thumbs-up). Much of that may be due to my own preference, though, since personally like some ice sports and would hardly object to seeing more of them.

As for the acting, I genuinely appreciated the life that the lead actors brought to the story. Tang Xue is a character who – if assigned to a poor actress – could easily be depicted as annoying due to her outspoken nature, but Wu Qian does an excellent job balancing that boisterous behavior with kindheartedness. Zhang Xincheng also shines in the role of Li Yubing. His depiction of a childish yet determined young man is spot-on. Together, these two actors created an excellent picture of a happy and young relationship, full of promises and hope for the future. When evaluating the supporting actors, I found their abilities sufficient for the roles that they're given and certainly wouldn’t mind watching their future projects.

As far as rom-coms go, Skate Into Love is satisfactory. Though it occasionally stumbles, none of that changes how it put some of the biggest smiles on my face out of many of the rom-coms I’ve seen thus far. You really just have to go in prepared to brush off all the cliches, because what’s underneath all that dust is a very sweet story that is worth sitting through.

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A moment connected to the soul will follow us for a lifetime.

A moment might just be a period that lasts for a second, but a moment connected to the soul will follow us for a lifetime.

Every moment is like that, every second is the same, each raising of a hand, each breath, or even hours sitting still without moving, will become a part that follows a person's life, forever.

It's been so long since I watched a youth-themed film, and strangely, any film I previously watched—that I considered good—had an unfulfilling ending, to prove that youth is forever the most beautiful period in a person's life, a time where "even if we had to bathe in the rain, we would want to go back one more time." Perhaps that's why, among the forest of youth films, only "Always Home" achieved such emotional heights for me, making me feel empty after watching, feel unfulfilled, not because of an incomplete ending, but because of an ending, a process, a film, a message so complete that I felt hollow, because the ending meant the film had truly ended. And I realized that hollow feeling is what comes after watching a truly good film, one that has truly filled me, comforted me and brought me so many emotions. The film ended, and I felt lost. Perhaps "Always Home" also marks a period in my university days, and has become a part of me?

I must admit, this is a film suitable to watch while I'm in university. I see the past, I see the possible turning points in the future. Society resembles school, and also carries many unknowns, with young people standing vaguely at crossroads, vaguely striving, vaguely running. I have many questions for my future self, and so many words of advice, comfort, and encouragement for my past self, yet, ultimately, the present life is still the most wonderful. The process of growing up isn't actually the moment the clock strikes from 11:59 PM on the day I'm 17 to midnight on the day I'm 18, but the process of time gradually flowing, the soul collecting each second and minute, each choice, each action, each person around us, becoming the soul of our present self. Youth in the drama is beautifully dreamlike, making me feel empathy, admiration, and longing. But thinking again, whether youth is calm or passionate, whether young age is reckless or simply quiet days, in the end, those are still the days of youth we are living, have lived, and will live in. Youth may not be impulsive, people may not be extraordinary, dreams may only appear in dusty frames, the people we've met may just be visitors with no set date to meet again, the cycle of the universe will not stop, and youth has never stopped being brilliant, in the unique way of ordinary, mundane people who have no second version.

The characters in "Always Home" are also ordinary people like anyone else, like me, except their lives only exist in a short period packaged within the duration of a film. They existed in their lives, loved and were loved, lived the most complete life under our observation. Meanwhile, our lives continue out there, perhaps without such beautiful friendships, open career paths, a warm family, a dream love; perhaps to us, they are the lucky ones, the extraordinary ones, but who knows, to those around us, we might be such the lucky person too. The luckiest person in the end is the one who knows they are lucky; each person has their own life, a blank page is the beginning of all the colors we will paint later. Making mistakes is okay, being foolish is no problem—youth is a stage of life where if we make wrong choices, we fix them together because we're still young, we still have time. Therefore, I want to say to my future self, keep living in your youth, even if you think you've matured, don't be afraid, never feel that life has lost its meaning, you still have, and always have, enough time to fix mistakes. Mistakes are also a part of the soul, don't mistreat them, don't regret, don't resent.

Writing this long, in the end, they're just words, old stories about that childish "youth" motif. The cycle, the impermanence of the world, ultimately are all flowery words about things people often mention when reminiscing about the past and knowing nothing about the future. But that's how people operate, everyone is the same, we're all ordinary with flaws, and it's these ordinary things that make us, that make this life. Perhaps it's been a long time since I gave a film this maximum score, because I always feel everything lacks something. But if I don't make an exception for "Always Home," then perhaps I couldn't explain how my mood and emotions operate. My emotions have filled in each flaw, and I feel emotions should still play the main role in each process of my experiencing cinema (art).

So there it is, the characters have accompanied me, entered my thoughts, aroused my anticipation, indescribable emotions, joy, satisfaction, sadness, contentment, excitement, hope, nostalgia, and impression. The setting, music, plot, lighting, colors, ending, meaning... all contributed to creating a story neither short nor long, not telling an entire human life, but stayed with me for a short time, then became a part of my soul.

A youth film, nothing more, and that's a compliment.

In conclusion, I want to affirm that I truly liked the story of each character in the film, the story of their everlasting youth, of young people and those no longer young in age, of those who love and those who are loved, of those still there and those who left their souls there. Perhaps my process of watching the film was truly a special journey that I will never forget.

And, the final final word, the acting was super excellent! I believed in Zhai Xiaowen's acting from the start, but Zhou Keyu surprised me, really. I'm not describing, evaluating, or deeply critiquing each story and character in this review because I'm truly seeing all their stories as one story with a common name—love. (Though I must say I really liked the Song Tong - Du Man couple—the kissing scene truly left me speechless and I had to pause for five minutes to calm down.) Everyone's chemistry was good, from family to friends to romance, especially scenes depicting very slight stirrings, very light touches, for which I must separately praise the director for the scene arrangement, and can't forget the sound and the actors' gazes. For a film with such complex romantic storylines to be so smooth and understandable, such scenes depicting emotion are truly valuable. And really, thank you to my past self from last week who decided to watch this film despite its "roundabout" nature, because these films aren't frustrating about relationships at all.

In general, this is a beautiful film, in every way.

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So I've been really curious about Won Bin all through this time while watching Korean dramas. I've only watched him in a supporting role in Autumn in my Heart and while I thoroughly enjoyed his role, I always wondered what made him click so much with the Korean audience (and the audience all over the world, as a matter of fact). I mean, if we look at it statistically, Won Bin has barely done any dramas beyond the 90s and has only done a handful of movies but if you look out for best actors in Korea, his name tends to come on top.

It' the quality effect indeed. He has done some really good movies and The Man From Nowhere is a great example of his less-in-quantity-more-in-quality movies. I loved this movie. It was thrilling and touching all at once. A man going all the way to save a little girl because she's his friend. And the man cannot be stopped! He's a freaking one-man army, who won't stop until he wants to. What a great plot! I was on the edge of my seat throughout the movie and the ending made me cry. Well, almost since I don't cry that easily. The ending was a little different from what I expected but it was a good ending.

The rewatch value is the only thing that is not a ten for me. That's mostly because you know how the movie will progress and that steals a bit of the excitement. But the action scenes are simply WOW. The lead character is so strong and invincible, but he doesn't care about glory.

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for the arts not the charts

i might be the only person who enjoyed this show throughout LOL if you're expecting a walking green forest of characters then dont even bother starting this show bc main leads are heavily flawed characters and both have their shortcomings but they were entertaining to watch (for me). this show is about troubled youth chasing their dreams together but dont expect a smooth sailing ride for them. i personally love shows like this (flawed characters, angsty) so if you're one of my kind you might like this show. the 'love will prevail all' mindset they had at the start is so frustratingly cute. im a forgiver to lovesick hopeless romantics unfortunately i found them endearing. some of the plots were questionable but for the most part it was good! second lead cp story was SUPER unnecessary. buuut zhou shui & dai daji's love was worth to watch! i loved seeing their growth and tbh they couldve added more eps to show zs&dj in present time. alsoo this show has an OE but i like it! which is rare bc i hate an open ending show but they somehow executed it nicely and i was satisfied with it at least!! teared up a bit here and there when watching this but i might just be attached to the show hahaa

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Smart Demons + Stupid Humans = Extraordinary Mess

Watched this to see Xu Kai act but just like in a previous series of his; his and everyone else's acting was great but the story itself was a hot mess. Wish he or whomever chooses for him, chose better. The only reason this even got a 6.5 and not lower was because of the literally only 3 pros. Otherwise, it was like the mighty morphin power rangers and mortal kombat took LSD and spit this out.

Pros: Leads chemistry, the actors hard work which included great fight scenes, and costumes (except for the Halloween store costume lion for Uncle Tang), and good OSTs. No other pros.

Cons: Now don't get me wrong, I'm all for smart antagonists but not when the protagonists are so ridiculously idiotic. Just about everyone was led by the nose by the demons the ENTIRE show. Even when our ML told them otherwise, the Elders still chose to believe evil people. The amount of times the good guys failed to understand something very simple made you want to run your face into the wall. The entire series made a ton of no sense because the bad guys were running the show while the good guys were just walking around like zombies and talking in circles.

Did just about everyone really deserve to die; KYY's death in the last episode was pointless and meaningless. Some really did die as heroes but what made much of it senseless is that if they put two and two together sooner and made it 4 instead of 7, they could have made things happen sooner and survived. It made me feel like whoever the writer was, had no clue how to write a novel or one that's understandable or cohesive. Ji Rong staying alive and even her death at the hands of probably the show’s stupidest character, made me feel like I lost brain cells. DXY warned his brother and the two elders something was fishy about her from nearly the beginning and yet both uncles died because of her.

The sets and CGI looked very cheap. The words chucked up on the screen each time a new magic trick was used was eye roll worthy. Welcome to the 90s and not in a good way! Situ Hong's ruthlessness was completely ignored and his death and that of the weird random cultivator that at first clung to XY was completely pathetic. Both were sucked dry for big bad demon God that most of the time sounded like an alien cat that sucked in a helium balloon. We were all expecting a fight between him and XY but yeah, why bother?

Demon Ao Lan turned himself into a psychedelic Venus flytrap to try and kill XY in the last episode and it had me laughing. Little Shop of Horrors that was filmed in the 1970s had better CGI than this mess. I shed a tear for Shifu sacrificing himself at the end as out of all the guardians, he was the only one that infiltrated the demon clan and didn't do too poorly. Yes, happy ending for leads and the maybe 3 other living people but what did I watch for 40 episodes?

Would I recommend? No way. Even if you are a fan of the leads or anyone else, please find something else. Leads chemistry is not enough to hold this thing together.

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Slow paced. Gloomy. Solid crime thriller, set in a perhaps somewhat peculiar milieu

“The Bequeathed” is a dark and gloomy crime thriller that is set on the fringes of madness, obsession and shamanistic practices, taking place in a remote backcountry, where ordinary people have for generations been burying their dead under green burial mounds. It's not a horror story, but rather a solid, yet slow paced crime thriller, set in a perhaps somewhat peculiar milieu.

There are only 6 episodes. Nevertheless, with only a little for the short time, comparatively much is revealed about a wildly mixed bouquet of different characters. A hodgepodge of astonishingly vividly drawn figures cross paths, take their space quite naturally and leave their traces with the audience. Against the background of the ongoing investigation into a series of murders, they all get the chance to clear up what they have (emotionally) left behind ... and move on.

I would not have expected this. Therefore I was positively surprised.
Authentic performance. Amazingly complex with haunting cinematic implementation. Dense. Suspenseful.
Nonetheless consistently gloomy. (It does get a little brighter towards the end though...)

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Display of Social Abnormalities shown by exceptional Actresses

Warning ahead: This is no show for softies. And those who have no tolerance for a drama full of amoral siraegis, black characters. And somehow i'm questioning if i'm allowed to like this show, because it left me with a feeling of watching a pileup. Mass collision episode after episode - that i watched with open mouth in the beginning not believing what i'm actually seeing and during the end with fascination and aww for the incredible good actors and the artistic expression of abnormality and social deviances. So don't make the mistake to assume it's like Celebrity because of the title, trailer and beautiful intro and the poster, it cannot be more far away.

Mask Girl was shocking, and actually disgusting to certain scenes but on the other hand this was incredible original, creative and well executed in production - because despite the very explicit scenes it had a very captivating plot. Every actor leaves a brilliant mark - especially unrecognizable because of the the obviously incredible work of the make-up artists in a thrilling story, with 7 sub-plots in every episode that web together. If i have to describe what this fast-paced, binge-worthy drama is without spoiling much i would say it gives a vibe like a mix of Oldboy and Somebody: It is bloody with violence, abuse and sexual content. So viewer discretion advised this is +18 for multiple(!) reasons.

And still some funny scenes were just brilliant. Black comedy par excellence.
Be careful not to judge hasty finishing episode 1. The ride begins with episode 2. If you make it to episode 3 congratulations. From now on it gets easier and the true story begins.

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Why, of why did I read Violet's review? I had somehow fallen into a sort of quiet limbo regarding my favourite actor and almost forgotten about this movie accordingly, when I read her review, ran to watch the movie myself - talk about patience - and was instantly thrown into my most familiar obsession: Hyun Bin.

My bad. To top it all, I agree with her: this movie is beautiful. I know this is a remake of an older Korean movie with the same title which I haven't seen, but from the start it reminded me a lot of the american/french film "Before Sunrise", with the two leads carving out for themselves a tiny bubble in space and time, far from their present lives and the world outside.
The difference - a notable one for me - is that while in Before Sunrise the two protagonists talk a lot, too much for my taste, here silences are a lot more poignant and meaningful. I am actually glad I watched it raw, to the point I think everybody should do so. To elaborate: most dialogues take place in English, but there are moments when Anna speaks in Chinese and Hoon in Korean. English is their communication tool, but the reason why they understand each other is not a language. Apart from the dance scene mentioned by Violet, I fell in love with another, in which she tells him her story in Chinese and he only comments "bad" or "good", depending on what he feels is her mood. Watching it raw, made me live the entire surreal dialogue as if I were him, not grasping one word, but trying to understand what she conveyed with her posture and eyes.

I also agree about the direction, and I have come up with a sort of theory of my own as to why the colours are so subdued. What we are offered is the world outside the prison as Anna sees it. Since colours only depend on our perception, there isn't much reason for her to paint her life. No wonder she wears make up and happier clothes only for a brief moment: they look fake, in contrast with her mood. The only colourful moments are those in which she imagines.
I guess the choice of Seattle wasn't accidental either: as I recall, it is known as the rainiest city in the States.

The acting is spectacular. Hyun Bin is a gorgeous man, but that's definitely not the point of this movie, where he doesn't have to be good-looking: he has to look vain. And I'm glad it is so, for dwelling on his looks would be an offence to his acting skills.
Wei Tang's performance is outstanding. As I said, she expresses a world via silences.

Beautiful music. I wouldn't have minded a little more of it.

I recommend this movie, but only if you are prepared for its pensive pace and all the untold. Not a fluffy watch by all means, and not for anyone looking for comedy.

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