Reviews

First and foremost, let me just get this out off the way; I am a sucker for romance and I have seen Something in the Rain (multiple times). This will be a lot to read, so kudos to those who get through it.

Many of you will know that SitR ties closely with One Spring Night, whether it be the casting, music or directing styles. This doesn't mean that OSN is simply a carbon copy. No, it's much more than that. This show is a picturesque amalgamation of modern romance, societal pressures and conservative values without the unnecessary plot devices employed by other Korean dramas. But that's just Ahn Pan-seok's (director) style, and it's why I am a huge fan.

Lets go through this methodically so I don't lose track of my objective here. OSN is a story of two people with their own complicated situations, falling madly in love despite the inevitable backlash that will result from the stigma imposed by their cultural values. This is also something that should be kept in mind. This is a story based within Korean culture and society so there may be huge differences in values to what you are used to. Nonetheless, there may be decisions and moments where the character's rationale is incomprehensible. I understand that, but try not to let it detract from your experience. All that aside, this is a drama that provides an important social commentary on modern day Korea's outdated values, something that Ahn Pan-seok (director) and Kim Eun (writer) have successfully conveyed in their earlier work, SitR. Akin to SitR, OSN provides a realistic take on the romance in question. While it is a gradual progression burdened by eventual complications, it is an authentic romance between two people that can't help but tug at your heartstrings and make you feel all giddy inside. There are one or two unresolved story points, but I feel that is largely appropriate and shouldn't be taken as a gripe. This is a realistic story and not everything can be resolved at once. The essence is that things have fallen in place and the rest will be resolved in due course.

Acting/Cast? Perfect. Jung Hae-In and Han Ji Min were both superb in their roles as the couple deeply in love despite their 'flaws'. Their chemistry was electrifying, similar to Jung Hae-In's performance with Son Ye-Jin in SitR. I truly do not believe that anyone else could pull of Han Ji Min's role as well as she could. That's not to say that the side characters weren't also quintessential to the story. Unlike many of the other dramas, the side characters in OSN are seamlessly natural in their performance and appropriately impactful on the main characters. They aren't caricatures or plot devices used to fuel the story, but rather, they have their own lives and accompanying struggles. Side note, it's a bit jarring seeing Kil Hae Yeon as an endearing and accepting mother in OSN, given that her character in SitR is quite the antithesis (and one of my most hated characters).

I feel like it's also appropriate now to talk about directing styles. As you can probably tell, I revere Ahn Pan-seok's modern-romance directing style. He has a way with capturing a scene that encompasses all the quiet nuances and raw emotional value in a colourful, minimalist fashion without any unnecessary distractions. These scenes convey a beautiful and somber melody that truly captivate viewers like myself. It's a style hard to perfect, and something that a lot of directors and producers should aim to achieve nowadays especially when grappling with romance.

The music in OSN was also flawless and appropriate to the story. It boasts the ensemble of Rachael Yamagata, who produced many of the OSTs in SitR, as well as a song from Oscar Dunbar and Carla Bruni. These songs aren't just great for their addictive repetitions on your phone, but they seamlessly blend into the settings of OSN. One song in particular, Spring Waltz by Carla Bruni. My lord, that song was perfect for OSN and an absolute delight to listen to. Even if you don't watch this drama, which I highly doubt by now given how much you must've read of this review by now, you should google that song and play it on repeat. These songs are limited, just like in SitR, but it shouldn't really be an issue.

Rewatch value is ambiguous. Personally, I'll be going through this again very soon (maybe in 2 or so days), but for others, it depends on your enjoyment for romance. I highly believe that this is a drama worth at least one rewatch. For the sceptics, give it a couple of weeks after you've finished the last episode to play it all again. I do concede, however, that I have seen SitR about 4 times by now, so there may be some slight bias but I know OSN will give it a run for its money.

Overall, OSN has ranked definitively in my favourite Korean dramas of all time. It's needless to say at this point in the review, but the casting choices, music and directing styles were all impeccable. OSN showcases a captivating love from one to another with endearing characters from varying social backgrounds. It's truly a romance that will keep you engaged in the show from all their ups and down. I will definitely miss seeing this on my 'Continue watching' list on Netflix, but all good things must come to an end. There is this faith between the main characters that persists throughout the show, and it's a faith I have for the romantic dramas to come from director Ahn Pan-seok and writer Kim Eun.

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Pleasant, but not impressive

PROS:
- strong start
- adorable leads, great chemistry & emotion
- beautiful music
- Shin Hye-Sun's outfits and appearance
- ballet scenes
- acting overall

CONS:
- weak second half (except for last two eps)
- flat (two-dimensional) side characters
- predictable ending
- nonprogressive storyline
- too many back and forth scenes

It was an okay drama, I liked it mainly for the leads' chemistry and especially Shin Hye-Sun's screen presence. L as Dan was surprisingly cute. However, somewhere around the second half I felt like the story wasn't really moving forward. The focus had shifted from the female lead's path and ballet to...yeah, well that's the question. The ending was nice, but couldn't compensate for the lacking second half.

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Cubic is not your usual crime-action-romance. It is a story about a romance between a high school student and an adult and powerful mafia boss. Talk about robbing the cradle! Or the fact that this high school girl is a genius who helped the mafia and international arms dealer to cheat the police........If you can get pass these little 'glitches' in the storyline and the illegality of it all, the rest is a fascinating and amusing journey of mafia politics mingled with poor make-belief Chinese props and customs. Let me elaborate....

Story: Storyline is the strength of this lakorn - hands down. Perhaps this has to do with how the lakorn is based on a best selling novel; so it does come with twists and turns, plots and sub-plots and a love story between a high school girl with an IQ of a genius and a cold and calculative mafia boss. There are many shootings, killings and people running and hiding in this lakorn. The props are poorly done like in a low budget film/drama but if you can look past that, the story is quite addictive. I will not elaborate more on the story without giving it away. It's the sort that makes you stay up just to find out what is going to happen next despite the poor acting, directing and props! Serious!

Acting/Cast: The best actor in here is the main female lead - the high school girl! I find the main male lead too stiff in his acting to appeal to my taste. Sure, his role is that of a cold and calculating mafia boss, but that does not mean his body language should come across awkward as well! Add to that the fact that I have to fast forward too many unneccessary scenes where ppl pretty much just stare at each other for long periods of time, the acting and directing of this lakorn is really its downfall. The use of poor "Chinese" props and customs (such as the fist to palm greeting that no modern Chinese alive will be caught using!) and a few other boo-hoos provide either comical relief or a frown of annoyance.

Music: Obviously they did not invest much on the OSTs. Nothing worth mentioning here.

Rewatch value: This is one of those lakorns where once you had watched it and know the twists, you will not want to watch it again... at least not in the near future! The value of this lakorn lies on its interesting and addictive storyline but once that storyline is known, all the other weaknesses of this lakorn puts you off re-watching it again.

Overall: I give it a 7.5/10 thanks to the saving grace of its rather unique and addictive storyline. I can see why the novel sells well. What I would like to see is either Taiwan or China adopting this into a T or C Drama. The storyline is certainly worth investing in. Put to it the better filming technologies, use of props and funding in Taiwan and China, this story may be given the essential life for it to be a highly rated drama since most of the characters in this story are supposed to be Chinese! I would also like to see Korea adapt this storyline to apply to Korean gangsters and filmed in Korean contexts. In summary, I feel that some Chinese, Taiwanese or Korean director or producer out there should be alerted to this novel and the potential it can bring if produced properly!

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Learnt something

Just watch it.
Enjoy it.
Learn something.
But be careful dear
"WHAT YOU WISH FOR".
Some stories tell us what struggles are
Some say it's not just revenge that is needed.
We should try hard to achieve our goals.
And sometimes we strive do hard, but in the end our hands seems empty.
Easy ways are temporarily and tempting.
Easy ways are not for free.

People debated on who is the main protagonist.
But funnily the story is not just protagonist. But it's us who are playing the main role.
And our dear witch is just a catalyst in making us to achieve our goals faster.
There is Jin
jins mom,
jins moms mom
And two very wonderful helper.
And many many characters.
Each one representing" us".
And mainly there is 🌳

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This drama is pure genius! Thank you writer and actors for letting me have a blast watching this and keeping me thrilled with every episode! This drama never got boring - it was so interesting, I loved every second and I highly recommend it!!! There are tons of action scenes, weapons and fights that take place during this drama but you should expect that if you're watching a crime related drama ;)

Story: In order to catch "bad guys" former detective Oh Gu Tak forms a team of "bad guys" to rid the city of the other "bad guys" < This was one of the things that attracted me to this drama ;)

Cast: Lee Jung Moon (Park Hae Jin) *My personal favorite* (and the reason I started this drama), a genius "psychopath" they have labeled him but is that really what he is? His character had a childlikeness to him that I loved - he was vulnerable and honest. Park Woong Cheol (Ma Dong Seok) a gangster with a warm heart - I loved the bromance between him & Jung Moon <3 Jung Tae Soo (Jo Dong Hyeok) a contract killer who turned himself in. Oh Gu Tak (Kim Sang Joon) a former detective who is kicked out after his daughter dies b/c of being overly violent; He brings Jung Moon, Woong Cheol & Tae Soo together & forms the "bad guy" team (but are his intentions pure?) We see these guys build friendships with each other and learn how to care for other people - can bad people become good people?

Music: The intense ost was right on par with every scene.

Re-watch Value: 10/10 - I loved every second of this drama so I will definitely re-watch this <3

A couple of my favorite quotes: "Violence is the law of beasts. Non-violence is the law of people." - Gu Hyeon - "To sin is a human business, but to justify sins is a devilish business." - Jung Moon quoting 'Tolstoy'

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Destiny is not a matter of chance it is a matter of choice. -: W.Bryan

Basing from the the first half this drama tells about the story of Ye Xi's love story in her every page of life that because of those men she always ended up dead.. Then a Divine Doctor that has always loved,cherished,cares for her trully and always saves her, But because of a curse that he could not fall inlove he could not express or trully openly say his feelings and always love and watch over her secretly..

This drama is just very fun,light, and Li Hongyi and Huang Ri Ying are just cute to watch espicially when Li Hong Yi is jealous :-D hahah.. I just binge watch every episode that is uploaded and wanting more..

I recommend this drama you won't feel boored its just a fun watch...

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STORY
===================

A 17-year story in the making (don't take it literally) with a very grim and dark start that anyone can be easily be turned off. But as you progress through the series, you will realize that it is less about the action taken by Tharnnam, but rather the effect it left for the people around her. It branches out to the other characters that was once touched by Tharnnam and her "never-met-younger-brother".

The approach of the taboo of suicide is unique and doesn't really focus on the ugly side of but rather humanizes what Tharnnam went through both the good and bad. You will ask "why", "what happened" a lot! But no worries, the writing is superb and was able to answer all of those that you will feel relieve after you finished the series. Yes, there are also a lot of heart-wrenching, tear-jerking moments, but, I tell you, all those tears will not be wasted.

You might think that this series is a love drama. Not entirely true. Yes, it may be the main reason why the whole story started, but it will take you for ride in the dynamics of family relationships and sacrifices we make may it for love, friendship or for a family member.

While Tonmai is the only selfless person in the series, which he was tempted at one point to be not, is able to stay consistent with his personality. And I almost forget Mr. Tai. He did everything for Tharnnam in his own capacity. But the rest, Tharnnam, Chet, On, Pana and Tee was selfish at one point in their own respective way. The people around Tonmai is shrouded with lies and secrets. It took Tonmai and Tharnnam's collective effort to shed those layers and at the end is a very very beautiful set of characters that you will forget that once in the series, you might have dislike him and/or her. The revelations will help each character's growth from being one-dimensional to having another side or face. that makes the characters matured in their own respective ways.

The plot has no sharp turns that will leave you dumbfounded. It is constant increasing with revelations here and there but those are integral part of the story, the questions you might have in your minds, and I promise, you will appreciative every single one of them after they are answered.

ACTOR/CAST
===================
Pluem is definitely carries the series in the sense that he is the center of it all with Mild as the catalyst for the other cast members to interact with each other.

Pluem with his demeanor as cute, vulnerable, non-confronting looks fits perfectly for his character as Tonmai as the one that is the most emotionally beaten up in this series. His crying scenes are impeccable. Imagine crying while delivering your lines, relaying the emotion you want to project and sniffling while he do those! Always, always, that when he starts to cry, my eyes become watery too.

Mild as Tharnnam, comparing her role as Sandee in Kiss Me Again is totally a different take on her looks and acting. And seeing the trailer in the upcoming "3 Will Be Free", surely, her looks and acting are noteworthy. In KMA, you can see her as the bossy type girl around her friends and in 3 Will Be Free, she takes a role that is a different "boss". Her being Tharnnam is totally on a different league which she performs quite amazingly too!

All the support characters are effective in their respective roles. From their reactions to facial expressions is a perfect match to what he/she is saying at the time. There was no cringe-worthy scene that you will be left like "Err, i think she/he could have acted this way instead", or am I just too consumed with what is happening while I was watching? I could see Chimon (young Pana), when becomes older is the old Pana here. I guess with the lips and eyes. And that is what I call a great casting.

SONG
===================
The opening musical score for each episode, though the sad version/tune of "Happy Birthday", sets the mood in what you are about to watch.

The song played in the walkman is Kong's song in SOTUS, brings back memories too.

Episode 13, the emotinally heaviest episode with a number of songs will take your watching experience into a different level without realizing it, your tears are falling.

REWATCH VALUE
===================
This is what I find hard for series that start with a big mystery at the beginning; and once the mystery is solved, there is no real value in watching it again since you know how the story will unfold. But if you want to relive or perhaps shed a couple of tears, you will definitely will watch this again, and very soon!

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I never thought that I would ever rate a drama of 100+ episodes "10/10".

I mean that's hardly impossible. Usually, long dramas must contain few boring episodes. But this is an exception.



PPL WHILE WATCHING THIS DRAMA I WAS ALWAYS THINKING WHY DID NO ONE RECOMMEND THIS ONE TO ME?!


- The story is unique and addicting (will get you attracted from the very first episode to the very last). All the stories(including sub-stories) are interesting and never fails to entertain you. 133 episodes and you won't skip a minute.

- The acting is really good that whenever they cry, I do. Whenever they laugh,I laugh as well. The romance is so effin attracting that you can't get enough of it. Drama's love never touched my heart like this one did. I envied such a love.

- The music is catchy. Not the best but it really fits every scene.

- Even though a 133 episodes and I never rewatched a drama, I think that one day, I will re-watch this one.

- Overall I give it a 10 without a second thought. You hear me ppl, A FUCKING 10!



P.S anyone who misses it or ignore it because it's a 100+ drama, then you missed a MASTERPIECE.

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Ummm, it's okay if you don't watch this :3

Writing this review, I really have no idea what exactly I should talk about because the drama has almost negligible context. The low budget and the limited duration are not the problem and I get that, whatever they showed was the main plot only, but Idk what was that. But sure, this drama throws light upon few lessons in long-term relationship.

The story is about Ha Song Yi, a botanical garden curator who is a happy-go-lucky, simple girl leading an average life and his boyfriend Park Do Kyum, the lead singer of an indie band and both equally love each other. With the beginning of the story they break up and the 4 episode drama is about the aftermath of the fall out of their 5 year long relationship. They had to go on a trip together even after breakup. Additionally Seo Ji Kang is another main character who is the tour guide of the team in Jeju-do who also gets involved with the two. The destination of the story is whom does the FL ends up with.

As I've already mentioned, there not much to the story, a small plot is decorated with an average screenplay with many lackings + drawbacks and though the storytelling method is kinda nice. It's visible that the writer debuted through this drama but they needed to study women a bit more because the FL is quite annoying and immature. However she being clingy is kinda realistic because in real it's not very easy to go back to your single life from a long-term relationship.

I think the drama even with such short duration and small plotline could have been better. One or two things felt illogical. The character arcs are not well-drawn. Sometimes it was frustrating also because few things are repetitive as well. Editing is fine though. Anyways, it didn't have much scope to begin with.

Regardless, the story successfully makes you think, rationalize and resonate about few things which are vital in a dating atmosphere. One of them is transparency, the most important thing of all in dating and especially when you've been in a long-term relationship. The story portrays how lies, even told for the better of your partner can ruin your relationship. Always be open & clear with your other-half and even if it's something difficult, ask them to endure that alongside you. It's better to go through the path together than letting them know once it's over because people often feel little of themselves when they get to know of how they were not even aware of the hardship their close and dear ones were going through. What the ML did here was very wrong and given that he shouldn't have been given further chances but anyways, there's no control over one's heart. Also the 2nd ML's storyline is like a filler that didn't quite fit into the story much for me.

Overally, it's good but can't say this is even worth the one time watch. So if you wanna kill time or got nothing to watch or wanna trash-watch, this is a sweet bitter snack for you.

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"A very sweet, and awefully bitter dream."

The masterpiece of a Webtoon is adapted into a drama. My mind sank :(
It sank at the thought of sadness as I grew attached to the cruel story of an unchangeable past filled with regret and how it latched itself onto the people of the present. But, with a hesitant heart, I watched and was reminded again that as much pain as this story brings me, I love it so much.

In the context of the drama, this is a story that focuses on the past and present stories all at once. It was a story that helped me see suicide and life in a different way. The drama, while slightly behind the webtoon, did beautifully in depicting such an intense and challenging story. I really think this is something everyone should watch. The beauty of the story, the bittersweet journey knowing the ending, and the lesson it leaves for the present and to us as watchers. There were some added plot points that I felt were not needed even though I understood why they were added. It just made the story a bit messy.

The fact that I immediately went back to the Webtoon to bask in it because I was so reluctant to leave it is a testament to the power it held.

The acting, Ha Min and So Mang carried. Maybe it was because their story was so impacting, because the actors made them so real and alive, that the rest of the cast (aside from Sunhee) fell short. The emotional scenes really made it hard for me to concentrate on the present cast's emotions. It felt stiff at times.

If I am going, to be honest, I only know one song from the OST and so the rating is a bit low. If I had my way, I would have given the overall rating a 10 just for the story but :/ alas, here I am. I will listen to the rest one day (today probably) and try to piece together my heart but for now, the OST left little impact.

Now, I will definitely be rewatching this and rereading the Webtoon. Why? Because it is relevant. Because it taught me that while the result was due to other people and many circumstances, it was no one's fault. It propelled me to have the courage to unhesitantly offer a hand to someone in need. It helped me want to remember things in a positive light while being able to move past it and live my own. It was a story that resonated with me. One that made me feel for Ha Min because he was just really, really tired and wanted to rest a bit. It made me feel for So Mang that was so stuck in the past and full of guilt. It made me sad to see Ha min in his brother, Jae Min as he had to deal with being the outlet everyone is rectifying their guilt using. They are all very kind people that couldn't bear to hate the world that was testing them. :(

I hope, no one reading this has to bear with it alone and those that do, grab onto the hand that reaches out to them. I also hope, we all find the courage to offer a hand to someone in need. I hope this story touches you in some way. I hope you read the Webtoon after watching it.

For those who have lost someone, I hope the past liberates you as it did for So Mang in the end.

It is a shame, that Ha Min didn't see himself the same way So Mang saw him. That he shined so brilliantly and was her light. I hope everyone can see this in themselves, or at least believe it for someone in your life probably thinks that way :)

okay, I'm done. This review was just thought vomit and not very organized :/ Needless to say, I LOVED IT! YOU SHOULD ALL WATCH!! One thing though. The letter. I know most want her to read it and a part of me does too, but we know what she was to him and we know how he felt about her. There was nothing in that letter that would change that and so I think it is better left unread.

I could write some meta analysis, but we would be here all day. just give it a shot. don't be that person that comes back 4 years later, regretting the skip.

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Tons of Fun

Story: This is definitely one of the best written dramas of 2014. It's really hard to stand out in a sea of romantic comedy dramas but this one managed to be memorable because it actually managed to be funny and romantic until the end. The story didn't have any melodramatic moments. There are scenes that will really make you cry but it's because the characters are so endearing and likable. The story might sound cliche at first but the writer is very clever in twisting expectations. You might know what would happen but it turns another way. The opening sequences are also really creative. The second leads were a little sketchy and unlikable in some episodes but they weren't really the focus on the story so they didn't cause major problems. I really love the two leads and their families. The story really did a lot to make you care for them. The heroine really was an awesome character. One of the best characters of 2014.

Acting/Cast: The acting was the strongest weapon of this drama. Han Groo and Yun Woo Jin were really committed to their roles. I really loved how Han Groo manages to look silly and funny in comedic scenes then be genuinely endearing in dramatic scenes. She manages to give more depth to her character. I want to see her in more dramas. Yun Woo Jin was also really good and he really had so much chemistry with Han Groo. The actress who played his mother was awesome. She was really hard to care for at first but as the story showed the layers of her character, she became a very memorable character. Her acting managed to elevate the material more. I rooted for her in the end. The other supporting characters did well enough to support the leads and most of them were memorable.

Music: The music was good enough to help elevate the drama. There were really excellent musical choices that helps makes the drama more clever. The ending song was definitely memorable for me. I always hum it from time to time.

Overall: This was definitely in my opinion, the best romantic comedy drama of 2014. From the writing to the directing and of course the acting, everything was just pitch perfect. Everything was in perfect harmony with each other. There were some flaws but they were too minor and not enough to derail the whole thing. I would definitely watch it again.

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10Dance: The Score Card

Takeuchi Ryoma: 9/10
Machida Keita: 7/10
Takeuchi Shirtless: 999999999/10
Machida Suited: 100/10
The Kisses: 9/10
Machida finally agreeing to kiss another man: 999/10

Takeuchi’s Dancing: 9/10
Machida’s Dancing: 7.55/10
Doi & Ishii’s (Underrated) Dancing: 8/10
Choreography: 7.99/10

Chemistry: 7/10
Heat: 8/10
Spice: 5/10
Syrup: 1.5/10

Latin stereotypes (offensive): -100/10
Latin stereotypes (well-meaning): -10/10
Every gratuitous mention of Cuba and Havana: -25/10
Every comparison of those repressed Brits and Japanese to those hot-blooded alcoholic Cubans: -10/10
That particular comparison of the Queen to Fidel Castro as the erstwhile embodiments of Britain and Cuba (wait, I need to throw up): -101/10

Script (there was none) : 0/10
Cohesion (there was none): 0/10
Characterisation (thanks mainly to Takeuchi’s acting): 5/10
Story (as it was not told): 2/10

Cinematography (except the Latin parts): 7/10
Cinematography (the Latin parts, aka, the Tropicana filter): 2/10

The Can’t-stop-thinking-about-them Score: 9/10
The Ending (aka, Sequel Baiting, aka, Edging): 5/10
Not having a 10Dance in a movie called 10Dance: -5/10

Reader’s Digest:
DO SAY: Dance is neither about technique nor stamina. Love is what makes it whole.
DON’T SAY: Then make it whole!

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… Captivating…

I was looking for a romance. Somehow, I ran across this, read the first two lines of the summary, and thought it sounded fun. The first five minutes I thought maybe it was some sort of gothic romance, but no, it is the most gruesome graphic violence I have seen in my life. However, the fact that I came in looking for romance, but ended up watching all 1 hour and 20 minutes of this horror says a lot. I screamed and writhed around every five minutes. The plot was awesome, and it somehow managed to have a satisfying ending. Anyways, very much not a romance, and I think I’ve sustained genuine trauma. Would watch again with a blindfold and earplugs.

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The Chaser is the kind of film that will most likely go unnoticed because of its lack of action, and modern execution of storytelling. As Roger Ebert says in his review; it is the type of film that reminds us of Hitchcock, and the days when suspense and drama was more exciting than a bunch of men playing stunts and trying to make us believe it is possible.

The Chaser is a contrived, and manipulative story, which brings us to a clearer understanding of police bureaucracy and corruption. It is not the kind of film to enjoy with a sensible heart, but it will grip you and make you wish reality wouldn't be so grim.

No matter how I write this review, I know I will not make this film justice. There are so many things to address in this story, and I don't have the confidence to answer all questions without messing up my credibility as I go. I might be too mushy, or seemed too biased as I admire this film with all honesty. But I will do my best.

What to expect from The Chaser?: With a well written script, and a rookie director (Na Hong-jin), you will get drama at is best, mixed with suspense, and a dash of British humor.

The story is no doubt well writing. Its an act at manipulation, it will grab you and play with your conscience throughout the whole film. The writers have given the audience all the tools with which we can formulate our own idea of how the story should go, and what it seems reasonable that should happen given the situation the characters are thrown into. However, nothing happens like it should, and there seems to be good reasons why not.

You will find yourself immerse in Jung-ho's quest to find one of his missing girls, who he believes is being sold in the human market. With no lead on her whereabouts, and the cops putting importance on bureaucracy and the media, there is plenty of time for all sorts of ill-fated events to befall the call girl. Jung-ho at first seemed like an uncaring pimp, but gradually turns into the hero we all expect to see from him.

The attention put into character development is absolutely perfect. I believed every action taken, because it seemed genuine. Logic exist in this world, but we are not perfect.

The directing is simply stunning. Hong-jin takes you through the story with such conviction he will amaze you, that you are indeed stupefied.

There will be a chase, and there will be a climatic moment, also a conclusion. But none will have any of the superficiality we are exposed to so often we seemed to be ready for it. No embellished fight scenes, no overly acted deaths, and no open endings. No, there is no sequel to The Chaser. The story ends here! What there will be is a realism so hard to deal with, you might want to have a lighthearted comedy lined up.

All in all, The Chaser is not claimed to be one of Korea's number one film in recent years for no reason. If you are a true lover of suspense, this one is definitely a must watch for you.

All my ratings are 10 except for re-watch value, as it is a suspense, and it will not have the same effect again. For me, it does not matter; when a friend asks me for a recommendation, I know it's time to watch The Chaser.

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