This show is short and sweet, leaving you with a smile on your face. Because Of You almost gives me Long Time No See vibes, just because its something you can sit and watch all in one sitting and not feel tired.
The series itself seems a bit shakily produced, as if they wanted to put in a deeper plotline, but gave up halfway through. It's not exactly bad, but you can definitely tell something's missing there.
I also felt as if three couples was too much for this little series to handle. There's only about two hours of air time, if even that, and yet somehow they expected to fit in three love stories?
I'm not saying I didn't enjoy all three couples, because i did. They each had their own charms and strong points. I just wish perhaps they could've focused on one main couple instead of trying to fit in an hours worth of screentime for a couple into only a few minutes of each episode.
I do admit i favoured one of the couples over the other two (although, i think we all do haha). Jun Cheng and Lin Xun's chemistry is just out of this world, and i hope they're able to do a full-length series together in the future.
All-in-all, i thoroughly enjoyed this drama as a quick watch as i wait for the next episodes of the full-length series I'm watching.
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Cute, Sweet, Precious, Inspiring, Touching
I consider a drama good when it captures my emotions - it makes me laugh as well as it makes me cry - it touches and relates to me. Unlike those crappy dramas that I cannot wait to jump to the final episodes to watch the conclusions, with good dramas, I carefully watch every minute of every episode and relish every moment without wanting it to finish; I want more of the story. Legally Romance is a story like this - a captivatingly good story with amazing acting and memorable characters.I picked up this series randomly in between releases of new episodes for Royal Feast and Dine with Love. The title, in both Chinese 才不要和老板谈恋爱 (literally means don’t want to date the boss) and in English Legally Romance, sounds cliché. Initially I thought it was an office romance in a law firm. Turns out, for two-thirds of the drama, it's a youth romance of law school students. I am taken by surprise how enjoyable this drama is. This is another version of the Michael Fox’s Back to the Future movie (1985) whereby in both productions, the main leads go back to their youth and try to change their choices, hopefully getting a different and better outcome.
Qian Wei (Song Zuer) is a feisty, struggling but upstanding and smart paralegal assistant for Lu Xun (Huang Zitao aka Z.Tao) who is a partner of a renowned law firm. Lu Xun is wise, mature and intelligent. He was also Qian Wei’s classmate from law school. She attributes all her current hardship in life to Lu Xun being always on top of her throughout her college years, from academic grades, to winning all competitions in debates, student council etc.
On that fateful day, Qian Wei gets into an accident and in her unconsciousness, she dreams she goes back 11 years ago to her first year in law school. The dream is actually her subconscious mind that gives us the backstory. There, back to 11 years ago, she vows to start over in her second life and to work doubly hard to win back everything that she has lost to Lu Xun, and to right every choice she has made before, hoping she can change her fate and have more favorable outcomes in the future. She also meets her ex-boyfriend whom she vows she would never date this time. Most importantly, she wants to help her father so that she can avert his untimely death. However, she hasn’t anticipated something that she has missed all these years: Lu Xun is in love with her. This time, she notices everything Lu Xun does for her, from blood donation to fixing the streetlamps to distributing public notices clarifying her innocence etc, all done without telling her; he has always been there for her, protecting and loving her, quietly.
The drama is inspiring as our main leads strive to help the vulnerable with their pro bono legal services. To them, even when something is deemed legal, it doesn't mean it's ethical or right morally. Though a lawyer's role is to protect his/her plaintiff's interest, it should also be done ethically without unduly harm done to the other innocent parties. This is the stance our main leads are upholding firmly throughout.
Though this drama makes me grin from ear to ear most of the time, there are moments that touch me so hard that make me shed my tears. And here is the most touching letter from a father to a daughter.
Song Zuer is a first-class actor; she is cute, beautiful, natural, real and so convincing. As Qian Wei, she brings out the wittiness as well as the silliness of the character. She makes the character so enjoyable to watch and to relate, at the same time, very heart-felt and touching when it comes to her love for her father.
When I first saw Huang Zitao in Episode 1, like many viewers unfamiliar with the actor, I thought, "What's wrong with his hair?" I believe some viewers even get turned off by his outrageous mullet hairstyle and drop this wonderful gem prematurely. But, oh boy, Huang Zitao is charismatic! After the first episode, I grow to like him and by the end of the drama, I love this gorgeous actor. He is genuine, his acting is natural and very believable. As Lu Xun, I love his dynamics with Qian Wei and their exchanges are so adorable that I don't want to miss a moment of their scenes. I particularly love the moments when he sends her love letters in the form of origami which are mistaken as his sarcasms and are returned in an undignified way – she throws them back at him. Being feisty, Qian Wei tends to push Lu Xun around and he goes along with her all the time. I love how he loves her but always gives her space. Even in tense moments, Qian Wei is still so silly and Lu Xun still so funny. Their interactions are simply adorable and hilarious. If you want to watch Huang Zitao's kissing scenes, this drama is full of them.
The whole cast is amazing, including the actors who play Qian Wei’s good friends and ex-boyfriend, both Qian Wei’s and Lu Xun’s parents, and the second couples. There are also the unethical and greedy antagonists who turn murderous. Bravo to the production team.
The plot starts in Episode 1, temporary stops in the middle of Episode 2 when Qian Wei returns to the past where the backstory explains and the plot builds, and then continues from Episode 23 when she returns from the past. Some viewers lose interest after watching the first episode because they find it boring or confusing. If that is the case, I would suggest to start from the middle of Episode 2 when she goes back to 11 years ago, bringing with her today's experience and wisdom. There's a lot of flashbacks of what she has done then when she was younger and what she would do this time to change the outcome.
My verdict
This is a delightful and sweet youth drama with unexpectedly well storytelling and plotline. The story is cute, the characters are lovable, the romance is sweet, and the acting is commendable. Don't be deceived by Huang Zitao’s wild haircut. Once you get through the initial shock, you'll start to love his mullet hairstyle. I do. As both Lu Xun and Qian Wei are excellent speakers and they are very eloquent in debates, therefore they speak very fast especially when they fight. Non-native Mandarin speakers may find it hard to keep up with what they are saying. Huang Zitao is also a singer and he sings the ending song You are the Rest of My Life which is very good. The other OSTs are equally good and unforgettable.
The story reminds me of the song, I See the Light, from Tangled, a Disney production, when the lyric sings ".... suddenly I see ... Now that I see you". For more than 10 years, Qian Wei doesn’t see Lu Xun while he is around her, quietly watching her, loving and caring for her. Now she notices all the things, big and small, that he has done and are still doing for her; she sees him.
If you get a second chance to live your life again, would you want to change anything for a different outcome? If so, what would it be?
This is a MUST WATCH! If you love to laugh, you'll love this drama. Don’t miss this great story.
TWO THUMBS UP!
P/S Don't miss the epilogue at the end of the final episode after the end credits. It is life after a few years later ....
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dark, disturbing, disgusting, but beautiful
Such a story makes speechless. It's a story of two man who suffered a lot, especially one character has a deep trauma because he was sold as a child to a sick man who sold him out to other sick people who sexually abused him. It's a story of two people changing each other and heal each other, first in baby steps but later their bond grows strong.I can't describe what feelings go through you when watching this, It's the whole bandwidth from disturbing, disgusting, aghast, angst to beautiful when you see both getting closer together. Due to the theme it's not a fluffy, funny show, you normally expect a BL to be. This is not really a BL but a drama where two man happend to be gay and finaly love each other.
When you can stormach such heavy stuff, this is a must see. If you are too sensitive seeing abusive scenes, you may watch with friends and help each other process the episodes one by one, If you are suffering from depression or other mental problems, you should not watch it at all. It was extremly brave for the team to take on such heavy non mass compatible material. The actors did an incredible job, cinematography is top notch and we get an intro which does not spoil the whole series which is so common in many series. My respect goes out to all involved in this project delivering such a unique show.
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1The devil is in the details
The Devil Judge is conceptual, surreal, provocative and very much character-driven by one man, Ji Sung as Kang Yo Han, the eponymous main character of this drama.Based on only the second screenplay ever written thus far by Moon Yoo Seok, a former judge himself, who created the well-received Miss Hammurabi in 2018. This time he presents viewers with an imagined version of the judiciary operating within a dystopian setting. In particular, the concept of a “live court” where trials are streamed in real-time and the verdicts are decided by the general public via online voting. This premise revolves around the titular devil judge who presides over this unconventional justice system.
What I enjoyed about this drama
The technical execution is top notch. Direction, editing, cinematography, cinematic visuals and special effects are all very good. The absence of awkward scene transitions or inconsistent camerawork and sound mixing throughout makes for very pleasant viewing indeed, from an audiovisual standpoint.
The high production values reflected in the overall production quality, set designs, shooting locales and costuming are very impressive. From the grandeur of high society events and soirées, the opulent mansions, luxury cars to the uniquely futuristic setting of the supreme court, along with its distinctively cultish ceremonial attires.
The tale of one man’s vengeance by taking the road less travelled that reads like a contemporary and twisted version of the Count of Monte Cristo. The approach falls into the category of cutting-edge dramas that pushes the boundaries of conventional storytelling. Or at least it makes a decent attempt to do so. It is a fusion of psychological thriller, legal drama and mystery that are interwoven with themes of revenge, love and betrayal, as well as elements of politics and corruption. For the most part, the combination of the myriad aspects has been seamlessly integrated into the narrative which induces considerable thought-provoking debates, certainly among viewers, on matters pertaining to morality and justice.
Most of the main and supporting characters are intriguingly written and superbly rendered. No one is purely black or white, and almost everyone is shrouded in grey mist. Where allegiances lie and what motives prevail are constantly being second guessed. Over the course of the entire drama, viewers slowly peel layers upon layers of these multi-dimensional and sometimes larger than life personas.
This is very much the case with Kang Yo Han, the titular character and main protagonist... or is it antagonist? Perhaps somewhere in between, no one can really say for sure because this is one personality that’s open to diverse interpretations, depending on where your moral compass’ true north is set. In a recent interview, Moon Yoo Seok had intimated that having written a good and just main character in Miss Hammurabi, he was inclined to explore a character that is the total opposite and who operates within a contrasting environment, in this case a failed state and corrupted judiciary.
This in-depth character study into the so-called devil judge, is made even more compelling by the excellent portrayal. I’m well aware of Ji Sung’s talents and accolades in the industry, there’s no question what an experienced and fantastic actor he is. But still I was taken aback. His embodiment of the role is utterly immersive, inspiring and captivating, for he truly possesses the gravitas, screen presence and versatility to succeed in this powerful characterization.
Aside from KYH, Jung Sun Ah is a character that mystifies the most alongside a complex story arc of her own that is no less fascinating. She comes across as charming, disturbing, manipulative and opportunistic. In reality, she is a psychopathic and surrealistic dominatrix as well as a complete femme fatale. Played by the prolific Kim Min Jung who injects, in no small measure, a nuanced passive-aggressive vibe into the profile. Some may argue that the character is one-dimensional with ambiguous motivations, but it’s quite fitting that she and KYH share a kind of dysfunctional chemistry and power dynamics that make them the perfect adversarial / love-hate pairing from hell.
Among the supporting characters, Heo Jung Se, the President, catches the eye as the most OTT yet amusingly so at the same time. Baek Hyun Jin is essentially reprising his performance in Taxi Driver with the exact same portrayal. Ahn Nae Sang has been seen in many dramas of late and here he plays the Chief Justice, Min Jung Ho. It is a measure of his experience that he manages to infuse the character with sufficient misplaced idealism and self-righteousness that infuriates most, if not all, viewers. Deftly portrayed with understated conviction and believability indeed. Jang Young Nam as the stoic Minister of Justice, Cha Kyung Hee delivers a commendable depiction where she projects the aura of an iron lady to perfection. The wheelchair-bound Kang Elijah, portrayed by Jeon Chae Eun, is another that's deserving of praise. For someone so young, she showcases such range beyond her years, especially in the last two episodes.
There are a total of 4 OSTs in the soundtrack, of which two resonate with me the most. The poignant classical instrumental piece, Enemy of Truth, and Tempest, the alluringly intoxicating pop-rock fusion. If ever there was a song that fully encapsulates the characteristics of the devil judge himself, it would be this track along with its distinctive guitar riffs and accompanying MV. Additionally the BGM, comprising delicate piano pieces, further elevates introspective moments throughout. Credit must go to the music director, Jung Se Rin for the impressive original score.
허클베리핀 Huckleberry Finn – Tempest
정세린 Jung Se Rin - Enemy Of Truth (진실의 적)
Sondia – Nightmare (악몽)
Zeenan – What You Gonna Do
What I didn't enjoy as much
Issues with the plot development. Despite a really promising start along with numerous twists and turns as well as cliffhanger endings in almost every episode, somewhere towards the tail end of the second half, the story begins to feel repetitive and static. It was a case of one step forward and two steps backwards in a kind of time loop where certain characters repeatedly play out the same scenes time and again. I’m really referring to Kim Ga On and Yoon Soo Hyun here. Overdosed with a crisis of conscience, these two are either constantly disputing KYH or doubting themselves and even each other. The initial intrigue from their mind games and relationship dynamics eventually devolves into a rather superfluous recurring pattern. The presence of a considerably pivotal event in a later episode renders a particular character as nothing more than a mere plot device for the final arc.
If I’m being totally honest, the characters Kim Ga On and Yoon Soo Hyun do feel quite inconsistently written. The lack of profound evolution or at least palpable growth in either character who continuously exasperates with their appalling nonsensical decision making that contributes absolutely nothing tangible or substantial to the overall storyline, other than to recycle dramatic angst that detract from the more compelling direction of the drama. Park Jin Young, who plays Kim Ga On, isn’t the most convincing supreme court judge. He looks fresh out of college and somewhat lacking in life experience. Perhaps his role was intentionally written to be such, to instigate an emotional reaction from viewers and to set up the climactic end, which he does so competently. He does possess much potential, if only his character had been written with more depth.
Likewise Park Gyu Young, who elicits a similar response to her interpretation of police detective Yoon Soo Hyun. She spends most of the time pointing her service revolver at nearly everyone and jumping head on into situations that are beyond her control, oftentimes irrationally and without adhering to procedural protocols i.e. calling for back-up. I do think she’s a promising actress, having previously seen her in Sweet Home. Perhaps she would fare better with a more suitably written role in the future.
Although the nature of dystopia being depicted is supposedly totalitarian instead of post-apocalyptic, scenes of great injustice or suffering aren’t particularly apparent and not in abundance anyway. Apart from an isolated slum neighbourhood in the outskirts where small scale skirmishes break out and montages of public protests interspersed among certain episodes, the atmosphere very much looks like present-day Seoul. This gives rise to a feeling of disconnect between the purported setting and the featured visuals.
Final thoughts
All things considered, despite the misgivings that I have, The Devil Judge remains a compelling production worthy of viewing for its innovative concept, truly exceptional performances by its main leads and no holds barred storytelling. The final point worth mentioning is that the drama does eventually make good on most of the issues I have to redeem itself and ultimately end on a hugely satisfying note.
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this is a drama with a story that i doubt i will ever find it again, i love it as much as i hate it, and i have this kind of mixed up feeling while watching it, what they did is really bad and wrong but i really want them to be together and happy bcuz they suffered enough for their whole life and their relationship is really beautiful (exclude the crime).
i will recommend it to everyone who wants something different and unpredictable, it's dark and heavy though but it's a great drama, the music is good too, overall i love it, but i won't rewatch it, i don't want to endure the same torture i had while watching it. you will understand what i'm talking about if you watch it.. enjoy.. :D
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Glad I stuck with it
After the first couple of episodes I was tempted to give up on this one. I thought it was lacking in lots of ways and really wasn’t keen on the flashbacks. I kept hanging on because I liked the actors and wanted to know Amber’s backstory. Also, it’s a long time since I watched a Taiwanese BL and I like the vibe. With a small budgets they rely heavily on the story being good as they don't have the money to gloss over / disguise a bad one. In this, they literally walk you through some scenes (the slow motion car crash for example - no spoiler - it's the very first thing you see) to tell the story. As a viewer, it is perfectly do-able to fill in the gaps and makes a refreshing change after being spoon-fed so often. It was imaginative with the way they framed the shots too - it’s a bit like reading a comic. Some of the things I initially felt were lacking in the production I decided to embrace as part of its charm. I sped through the flashbacks which are mostly at the beginning of each episode. By ep 6 I was into it, and after that it just got progressively better.Cast/characters:
I really liked Tannie Huang as Yu He. She's a bit in your face and surprised I didn’t find her irritating – but it was cute her being unfiltered and direct - came across very human. The way she behaved after discovering Amber’s secret was a disappointment to me but it was (sadly) the most realistic reaction. It was true to her friendship with Ah Le and maybe turned out to be the catalyst everyone needed in the long run. I liked how honest she was about her feelings and thought her relationship with her brother was really touching - esp during their conversations in episodes 9-10. The actor playing her brother is also in Plus & Minus but I'm finding his role in that a bit limp, so wasn’t expecting to like him so much in this.
The second couple were sweet and funny and wholesome. They didn’t dominate the story and I didn’t feel I wanted more or less of them but was glad they existed. Lin Wei Jie is so fricking cute.
In love with Eric Lin's performance as Amber. His acting was understated - and the character came across painfully lonely in his self-containment.
I don’t want to slag Lukas Huang's acting off because I got a strong sense of Ah Le as a character - I was convinced of his good nature and he carries this reassuring solidness - but the scenes in which he needed to convey extreme emotion seemed a little pained - particularly during the scene with his mum in the final episode. That conversation though was really moving – the words just kept rolling out of him. Really beautifully written.
The relationship between Amber and Ah Le is so gentle and pure - it's the main reason I liked this drama so much. Pre final episode (which I loved every minute of) my favorite part of the show was in episode 11 - their conversation and hug, followed by the teddy-shaped coffee. It felt like a real interaction and comforted me.
Also loved the music.
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A highlight in KDrama history in terms of the processing of women´s beauty-dilemma
Admittedly, "My Name is Kim Sam-soon" is comparatively old. Here you can experience Hyun Bin very young, almost boyish in his early 20s. Nevertheless, I consider this series to be a highlight in KDrama history in terms of the thematic processing of its content. Yes, there's a lot of nagging going on in Korean style. But the arguments and what is being carried out, it has it all.It's about women's beauty ideals, especially about being slim. About last-minute panic among women over 30. About romantic ideals and the reality of relationships. About professionally successful women (and those who want to become or thus have big dreams) - not only the protagonist, but also her mother, her potential mother-in-law and the male protagonist's restaurant manager and ultimately also the male protagonist's ex.
The underlying question is whether a woman, who does not define herself by her slimness and beauty, has a chance of 'getting' a handsome, nice man. Is she even perceived as a woman? Taken seriously? From what else can a woman draw her self-esteem beyond 'beauty' to find her place in life - self-confident and happy. Is that even possible? Is attractiveness in the sense of the ideal of beauty a prerequisite for marriage, family and/or for success at work? And is all this the prerequisite for a happy life? Or maybe the question is completely wrong? Shouldn´t it not be a happy, healthy life at the beginning and then you see what else might be added to it? ...love and self-love - the thing with the chicken and the egg...
"My Name is Kim Sam-soon" tells the story about the female flaw without miraculous transformation. At the beginning (and at the end!) there is a self-confident young woman who is overweight (I would say ´normal´ (vs ´ideal´) weight, but obviously not by Korean standards). She has quirks and doubts, talents and visions, hopes and charm. She doesn't let the adverse winds in her life get her down. Her courage sometimes fails her, but she knows exactly what she wants and even better, what she doesn't want. Although her body dimensions do not meet the standards of the fashion industry - she is painfully aware of this, because that is what those around her tirelessly mirror - she does not question herself. As best as she can, she stands by herself and what she thinks is right.
Kim Sun-ah has won multiple awards for her portrayal of Kim Sam-soon. I have the greatest respect for her, because she lives her role to the fullest, just as if she were Sam-soon for real. In a world dominated by the eyes of men, she convincingly fights on behalf of several generations of women for gender-independent self-confidence, for quick-wittedness and for unconditional self love. She had put on quite a few kilos for this role in order to get away from the usual ideal of beauty. So she wins tons of hearts of women (from all over the world), for whom she carries out her inner and outer struggles on their behalf. In 2004, ratings at times reached almost 50 percent. ...The topicality of the subject has not diminished around 20 years later (one could say: "unfortunately").
The original title is: 'My name is Kim Sam-soon'. Internationally, the KDrama is marketed with the title "My Lovely Sam-soon". That's actually an insult (in my opinion). Didn't the 'decision makers' (they must have been men) actually see the series? Why do they focus the narrative perspective on the male protagonist and also emphasize his possessiveness with this possessive pronoun? And why do they only reduce Sam-soon to her appearance again? I do not get it. I assume that these ´decision makers´ probably didn´t understand anything. Even if it's possibly meant to be ironic, I consider that impossible... In any case, I choose the appropriate international title "My Name is Kim Sam-soon".
By the way, "Sam-soon" is an old-fashioned name for the third-born. It has a certain charm that this 'old-fashioned' birth name represents a bigger self-esteem problem for the female protagonist than her looks...
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Ok, let's talk a little bit about the story:
It mainly focuses on the relationship of nine students from the fictional Nadao Bangkok high school where they course 11th grade.
The drama tells us several stories step by step, focusing the attention on every character and not giving too much importance or relevance to an specific one.
Something that I really loved about this drama is the pace it follows. It is divided into 13 episodes but each episode tells a different story focusing in one or two and sometimes 3 characters per episode and their individual stories. Of course it also follows a main-central story but what makes this drama so good is each character and what they have to face, we'll encounter several teenage problems like sexual orientation, confusion, sex, pregnancy, first love, alcohol, parties, school, stress, family, future, friendship, love and first times... For example the first time going to a concert or joining a band or the first time having sex or falling in love, the first time cheating on a test and so... And, who didn't have a “first time”? We all had a first time doing whatever, so we'll be able to relate with the characters.
The reason why I loved this story so much and the reason why you'll probably love it too, is that we can identify with the characters. When I was watching the drama I was all the time like “omg I already lived this”, “I did this too when I was at school” or -I also was in a band-....This drama manages to connect with the viewers because of that.
Hormones undoubtedly took me 4 years back in time, the time when I was still 16 years old and was at my last grade at school and everything was new to me... *sigh* My teenage days...
This show put a smile on my face all the time, and sometimes it almost led me to the tears, I remembered my first time going to a concert with friends, or my first time falling in love, and the exciting feeling of experiencing something new, the feeling of growing up and the feeling of getting mature and independent and also the pain of that process... This drama made me realize how beautiful my teenage years were and how much I enjoyed them, and I’m sure it will cause the same effect on you.
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A promising yet unfulfilled journey
Prior to troubling the waters with my critique, I would be remiss not to honor the quiet revolution unfolding on screen. Ahn Ji Ho and Lee Sang Jun, rising stars in Korean cinema, have chosen paths less traveled. They assumed the personae of those whose affections stand in defiance of the heterosexist orthodoxy, and in doing so, they performed resistance. Others in the public eye might be moved to follow so commendable an exampleThe interplay between Ji Ho (Hee Su) and Sang Jun (Seung Won) is, without a shadow of a doubt, endearing. Sang Jun (Seung Won) is a reticent and emotionally guarded suitor, yearning to draw closer to Ji Ho (Hee Su). True to the source material, the glances that linger just beyond propriety, the verbal exchanges, and the physical proximities that tremble with implication accumulate with intentionality and culminate in a long-withheld romantic confession
Seung Won: "I don't like Ji Yu"
Hee Su: "Why did you lie?"
Seung Won: "Because I wanted to keep hanging out with you" (chapters 42-43)
A screenshot: https://imgur.com/a/7ElUfSX
Drama Seung Won, too, nudges drama Hee Su to acknowledge his true feelings and discover the solace and happiness that await him in drama Seung Won's arms
Complementing Ji Ho (Hee Su) and Sang Jun (Seung Won)'s chemistry, the adaptation gains narrative sophistication through drama Hee Su's empathetic disposition. This is exemplified in the first episode (5:10-7:04), where he lends an impartial ear to a woman's self-exploration of same-sex desire/introspective reckoning with her attraction toward another woman. He invites us into a space of uncoerced emotional authenticity
Now, it is conceivable that my observation might provoke dissent; however, I am disengaged by a dissonance between the performers' mature appearances and the adolescent roles they enact. Their mature appearances suggest individuals well into their late twenties, if not beyond. The collision of adult identity with the stylized "immaturity" of high school/teenage tropes generates a dissonance that is, for me, disruptive to the suspension of disbelief. A more coherent and plausible alternative might have been to transpose the setting into a university or workplace
I can be lenient with these matters. What troubles me is the pacing and the straightwashing of the source material to cater to the squeamishness of homophobic audiences wary of encountering too many rainbows on their screens. The central gay relationship spends the bulk of its runtime vying for visibility and relevance against the privileged "straight" script that overshadows it in both duration and execution. "Straightness" centers the stage by force, reasserting its dominance and softening the gayness for broader consumption. It has no rightful place here
The source material refrains from constructing a non-platonic Chan Yeong x Ji Yu storyline. To fabricate one where none exists, and to do so by excising the secondary gay pairing of Sun Woo and Yoo Dahm, is a move I find dishonest and regressive. A screenshot of Sun Woo and Yoo Dahm from chapter 56: https://imgur.com/a/OInfwbQ
How mind-boggling it is that our same-sex ships/pairings are condemned as corrosive to friendships, while society destroys opposite-sex friendships by defaulting to non-platonic arcs with nary a consequence
Some might rationalize the excision of the secondary gay couple by appealing to their placement in the second season. It is a dubious, flimsy excuse at best. Being classmates and friends, Hee Su is acquainted with the secondary gay couple. Their early introduction could have contributed to the exploration of identity, intimacy, or social belonging and accelerated Hee Su's journey toward self-acceptance. Sun Woo and Yoo Dahm need not have been "useless" or "irrelevant"
Timelines are malleable. The screenwriters were afforded the opportunity to recalibrate the timeline of the source material/fine-tune the sequence of events in order to optimize the seamless integration of two seasons into a compact drama format. Nevertheless, their creativity was not exercised in service of non-straight visibility. They delegitimized non-straight modes of subjectivity and relegated them to an inferior, irrelevant, or disruptive status
Those reading might pose the question, "are you a hater?" To which I will respond in the negative. Neither animosity nor resentment informs my evaluation
My contention is that preserving one of the two gay pairings is not a sufficient or ambitious act of fidelity. It is, in fact, justified for audiences to experience discomfort when confronted with deviations from the source material. The phenomenon is not unprecedented. Public discourse surrounding the cinematic reimaginings of "The Little Mermaid" (2023) and "Snow White" (2025) demonstrated how even superficial modifications precipitate public disapproval. By parallel reasoning, it follows that modifications to gay source materials would precipitate scrutiny and disapproval
Questioning the producers' call to accommodate societal prejudices against gay-centered narratives does not amount to prejudice or -phobia. The public dissemination of a creative or intellectual work instigates a dynamic feedback mechanism, wherein audience reception, positive or negative, re-enters the production process and compels producers to adapt to the cultural climate and evolve or risk obsolescence
I do appreciate the effort invested in the part-BL/part-gay adaptation. Moving forward, I would love to see BLs exclusive in focus that center and honor gay love without compromise or dilution
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Overall, I have mixed impressions of the drama. Weirdly enough I enjoyed watching it (in terms of entertainment factors), but I will definitely say that this drama had a LOT of issues and weirdness about it, but a few good points to almost balance it out.STORY:
The plot line for this drama was honestly all over the place. I know it was based off of an IP novel, so maybe it made more sense in writing? IDK. I also know that it's supposed to be an "Odyssey" which I guess it really was, it was just such a convoluted path to get there.
The story began easily enough. Rich, young, beautiful daughter of a court official buys an amnesiac boy from a market. Girl also meets a city detective and together they solve crimes around the city with some help. Ok, cool. There's a bit of fantasy involved (obviously), but for the most part, it's relatively logical (for a Chinese drama at least xD)
Fast track to the middle of the drama, the slave boy remembers his true identity, has stolen a precious treasure, and returned to his original homeland. The female lead (IMO) has been getting more and more immature as time passes and is just downright whiney most of the time (I still love Janice Wu though). The second male lead is weirdly one of my favorites at this point in time (he's mature and brave, but still has a bit of a playful personality behind him). The fantasy aspects pick up more, and things start taking a weird turn.
By the end of the drama, we have people turning into dragons, bats, and moths. There's "soul splitting" occurring (Hey, Harry Potter), time travel (multiple times), and magical spells running amok. Relationships are fully formed by this point, and just overall there's honestly a lot going on that you somewhat get lost in the mix.
The romance is super slow burning, which isn't a problem (there are still a lot of cute moments that happen throughout), BUT my biggest issues are how they played out the various romances.
*** SPOILER *****
*** SPOILER ****
The writers spend basically the first half of the drama with Yuan'an having a crush on Lan Zhi, (which honestly I kind of preferred because he was matured and balanced out her somewhat stubborn and child like tendencies). And at the same time, she showed that she cared for Mu Le, but wasn't really in love with him (even though other people just kept saying it to her as the writers way of making people care about Yuan' an and Mu Le's relationship). They keep this going for more than halfway through the story, up until the point that Lan Zhi is no longer an option. So basically this way, whether it's true or not, it feels like Yuan'an is only going to end up with Mu Le because she couldn't have Lan Zhi anymore. Not because she actually chose him.
And to make matters worse, it's not until after Mu Le remembers who he really is that Yuan'an and him get together (so now she not only chooses him because she doesn't have another option, but she only realizes her feelings when he's not her slave boy anymore. Cool.)
Obviously this isn't how the writers want their relationship to be portrayed - probably aiming more for a "she didn't realize until he wasn't her slave boy anymore that she was in love with him and loved him no matter what his real identity was." But honestly, I personally feel like it backfired for them because it undermined her credibility for falling for him.
Also I really disliked Ming Hui as a character for the fact that she spent the majority of the drama being an adversary to the characters and never REALLY redeemed herself (to anyone but Lan Zhi), but gets to have a happy ending by the end. Bleh.
Overall, the story made sense (I guess), but it just wasn't well paced and fluid like I would hope. You're taking your audience on this epic journey, so making things make sense and fit together is a big part of that.
ACTING:
Overall I think the actors were all pretty good.
Janice is very good at the cutesy and stubborn personality types, though there were a lot of times I couldn't take her seriously when she got angry and what not. (I do think it was refreshing that her character was so blunt and somewhat sarcastic. It's not super common in Chinese dramas).
Zheng Ye Cheng - very believable as the loyal and loving Mu Le. Had a very innocent charm to him. As Ah Ying, (and it might have been his age playing into it for me) but I certain times couldn't take him seriously as a powerful prince. But he was very good IMO.
Zhang Yu Jian - it might have been more of his character (kind of my type lol), but I honestly really liked him as an actor. As I mentioned, he was a very matured character with a strong sense of justice and loyalty, but he had his moments of being romantic and also being playful/flirty which balanced him out well. I personally think he was the most well rounded of characters because you saw his strengths and faults more clearly and ZYJ did a good job portraying those different parts.
OVERALL:
Again, I didn't severely dislike this drama. I honestly think it was relatively captivating and fun to watch, BUT there were just a lot of plot issues and character problems that I wasn't a fan of, hence my lower score. It seemed to be a fairly popular drama while it aired, which I can see why, but looking at it overall, there were too many core problems I had with it for me to give it a higher score.
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If I were to describe this story, I'd say, imagine tossing a stone into a pond. This drama is about the ripples extending outwards from the stone; but not only are we looking at these ripples, we are also prompted to ask ourselves why the stone was tossed in the first place. It's of interest to note that the title is translated literally as, "The Distance Between Us and Evil," which really says a lot, because a major theme in this series is examining the distance between labels: good/evil, victim/perpetrator. In the end, the story serves as a wakeup call for society, a reminder that we all tread between the lines.
I would recommend this to those who prefer serious, heavy dramas that bring important topics to the table and enjoy character studies. This is produced by HBO Asia, so those with HBO subscriptions may be able to access it; if not, hopefully subtitles surface soon.
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Beautiful Fantasy Romcom -A tale entangled with music, love and fate ❣️
**May contain spoilers*"The Theme is unique, Sets and Costumes are beautiful, Plot is smooth and Acting skills are excellent. Each character has his/her own connotations and thoughts and storyline.
The highlight for me is the music and the musical performances 👌❤️
I already enjoy Chinese music a lot but there is a bonanza of musical instruments that accompany here which is a treat to watch for viewers with musical interest! The actors are so good with the instruments that it gives us a very natural , relaxed feel while we watch them play! All songs are beautiful ❤️
ML, YunMu, Young Master and the only Son and potential heir of the ruler of Dongsheng, pretends to be playful on the surface and keeps a low key but is actually quite resourceful, strong in martial arts and has amazing musical knowledge and is extremely handsome! But he has to put up that act due to an undisclosed secret! Only his closest aide Xiaoqi knows this. Miles Wei with his amazing looks, talents (sings, dances, musical instruments, martial arts!!!) and excellent acting skills fits the bill perfectly! He has sung the song "Acquiescence" which is beautiful. It is just that much more impactful when the actors sing the tracks!
FL, Su RuoFei, is an exceptional talent in music and looks forward to establishing her Green Flash Music Workshop and help talented fellow musicians. She is fated (through the green light/Jade) with the ability to help YunMu with his secret and through some comic situations ends up being his private entertainer! Kiki Xu, plays her character well. She has strong dancing ability and I am so looking forward for the "Highlight Clip" of her "dancing on the drums"! She has sung the OST "Living up to the encounter " which is amazing! She probably knows how to play musical instruments too.
Su Ruoshan, FL's sister, owner of Melody Musical workshop, is power hungry to become the Music Minister and uses every means possible to achieve this! Zhang Yue's acting is very good as the evil sister! This actress is so easy on the Harp that it makes me wonder if she can actually play it irl!
Then there is an Uncle, Yun Shang (His Majesty's brother) who eyes the throne and had schemed against his nephew previously. His love interest is the sister of FL.
SML, Jin Shangyu played by Caesar Wu, is a childhood friend of FL and another musical genius! He is hot and amazing as always! He is the calmer and the sensible one of the lot and he is in love with our FL.
Huang Ying, daughter of SML's teacher, whom he cares for (and doesn't love!) only because her parents die in floods, is pursuing him against all odds! Her character is like an obsessed stalker at the beginning but it develops into a nice kind helpful one in the later episodes!
Will these characters come together and become a couple? How will their characters develop? Will Su RuoFei help YunMu with his secret? Will YunMu become the Royal Advisor and successor to the throne? Who becomes the Music Minister? Will there be a redemption arc for the villains?? The rest of the story seems to be about all this!
It's only 24 episodes and nicely paced. The first 14 episodes are light-hearted and entertaining. There is some angst from episode 14-19 as the FL gets framed! There is a bounce back from 19 onwards with some real musical performance challenges, martial arts, romance and enjoyable friendships!
Considering that it's a low budget production, the sets, costumes, music , cast, visual effects are all great!! Remember this was filmed in 2021 and C drama has evolved since and so have the actors!
Overall it's a well made, light-hearted , thoroughly entertaining and enjoyable drama!!
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Visually stunning with a truly poetic story. Insights into the early 16th century art included
"Saimdang, Memoir of Colors" is an excellent KDrama with historically impressive dimensions. The focus here is on the legendary artist Shin Saimdang, whose head is also depicted on the 50,000 won note today. The KDrama pays tribute to the great artist and also pays tribute to her roles as a devoted mother and virtuous, yet uncompromisingly progressive woman. The focus is on a time and space transcending, tragic love story - fictitious... or at least not historically documented. (But why should´t it have happened in this way or another? ... :-)----------------- SIDE NOTE --- Shin Saimdang (1504 -1551) ---
... was a painter, calligrapher and poet who was valued in her time and far beyond. Since her father had no son, he gave her (rather unorthodox for a girl) an education and training in literature, poetry, calligraphy, embroidery and painting. Her works as a painter are characterized by their particularly sensitive view of nature and its subtle, sensitive representation. Today only about 40 paintings in Indian ink and mineral colors can be directly assigned to Saimdang. However, it is suspected that many more works of art have survived, although they are not clearly signed as her works. Shin Saimdang has also gone down in history as the ideal of the good mother. She had five sons and three daughters, some of whom also inherited their mother's talent. One of her sons is the even more famous Neo-Confucian scholar and politician Yul-gok Yi I.
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In addition, as far as the perspective of traditional art is concerned, the special focus of this KDrama is the nature of the world of animals, plants and mountains. Actually, it could be mentioned here, that South Korea is characterized by several mountains and 21 national parks on more than two thirds of the country's surface. This KDrama aesthetically focuses on the spiritually legendary mountain region around the Geumgangsand - The Diamond Mountain. It probably got its name in connection with the Diamond Sutra of Buddhism. It was a center of Korean Buddhism, traces of which can be dated back to the 1st century. At the beginning of the 20th century there were still more than 40 active monasteries in the region. In any case, the mountain world plays in several respects an important role in this gripping historical drama.
Special dynamics arise through the play with intertwining time and space. There are two plots. One is set in 2017, the other in the early 16th century during the Joseon era. One follows a young art historian writing her PhD thesis on artist An Gyeon's work 'Geumgangsando'. The other follows historical Shin Saimdang through the first 3-4 decades of her passionate yet virtuous life. Parallel to the art historian's research and struggle with it, that is at the same time enhanced and endangered by Saimdang´s diary, insights on the artist´s eventful life are revealed. Both storylines are quite exciting in their own way. Particularly charming: people from Saimdang's time-line seem to have reincarnated in Seoul in 2016 and are once more somehow connected to each other... Surprisingly, the fulcrum where the timelines converge is Tuscany in Italy.
This extraordinary and visually stunning KDrama offers a truly poetic, heart-rending story, added with interesting insights into the special aesthetics and sensitivity of contemporary Korean art of the early 16th century, as well as the paper production craftmanship of that time. It is rounded by an atmospheric soundtrack and, last but not least, actors who are as if absorbed in their roles. At last, there is plenty of makjang, too.
Taking everything into account, the story is effortlessly captivating over 28 episodes.
At the end I was left in bewilderment, yet to some extend somehow surprisingly satisfied, too.
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It's really so interesting all by itself ... Gotta sayy
This is one of the cutest series I have ever seen , the characters are so cute their action are driving me crazy , I don't just understand why it have to be this much cute , well I thought I don't like university romance so much but after watching it I realised I really love this kind of story lines .And the second couple took some time to sort out their true feelings , actually the main problem behind their disagreement was Van's toxic behaviour .
He couldn't stop myself from doing things that are harmful for a healthy relationship .
J and Jin I love them , turned out Jin secretly liked J from school days till university , he's such a good actor , idk how could he even hide that and pretend to hate him
J was such a tease when he got to know about his feelings before , but who knew that he'd fall even harder .
J at times didn't even care about his life and focused on saving jin's life , It wasn't pity that he had for jin but the love
I love the Intro waohhh the title song is firee Turns out it's you
~ The OST totally hooked me , I can't believe all the songs were differently sound beautiful . Crush on you by Sea is my favourite one for sure
At the ending they concluded the story pretty well .... Both the couples were so sweet and loving I am going to miss it , I used to wait for it every sunday now I don't have something like this to watch .
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