I find more fault with the whole "Drama Producing Machine" rather than with the writers, actors or director. I think if this show would have been able to stay on course and end at 16 episodes it would have been beyond great. The extra filler did it no favors. Having said all that...
This drama had such a different and fresh feel to it! Yes, it was quirky and had clichés but there was also a charming departure in the way they used those clichés. It seemed the familiar drama tropes were thrown in for fun here and there but not used as a fall back due to lack of writing skills. The relationships were written differently. All across the board; whether it be the family dynamics [which was particularly refreshing and endearing], how the love square was treated throughout and of course the main couple's budding love. There were a lot of genuinely funny moments. And again, the romance was portrayed slightly off from the normal..."Couple meets, don't like each other, they fight, there is sexual tension, love, trouble, noble idiocy, true love!" trajectory that most dramas follow.
A standout part of the plot for me: The friendship of the three women. I am speaking of how this drama decided to take a different tact with the female second lead, Na Yoon. They curled her into the already established friendship of the Myung Ran and Eun Seol and made her a part of them. And oddly, comically and rightly..she fit! It was charming. Rather than turn her into a clingy, clueless one dimensional bitch, they gave her character development. She had her own endearing quirks and she ended up being one of my favorites to watch. Show, I heart you for her! Thank you.
Don't let those few slower episodes in the latter half turn you off. This Drama has a lot of wonderful moments, great plot, story momentum, refreshing writing and acting to recommend it. Funny, Quirky, Sweet! Check it out!
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We Best Love: No. 1 For You Special Edition
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This review may contain spoilers
Barely Any Differences Between the Normal Ver. and the Special Edition
What's the difference?Episode 5's Bing Wei and Zhe Yu's confrontation scene and the locker room is extended. This is probably the most important since they are a featured side couple in the 2nd season.
They also tacked on the Season 1 special episode 6.5 into the last episode, so it eliminates the need to watch the special episode.
Other differences are just extending small scenes here and there worth a minute or two. For example, Zhou Shu Yi staring a few seconds longer at something. Or adding a few seconds of B-roll for a smooth transition. There is also a few extra seconds added into the hugs and kisses between Gao Shi De and Zhou Shu Yi.
Season 2 is where the Special Edition is important because it's drastically different from the normal version.
Should you watch the Special Edition if you've already seen the normal version?
For Season 1 is doesn't make much difference, but I'd just watch the Special Edition for Bing Wei and Zhe Yu's scenes in episode 5. But YOU NEED TO WATCH SEASON 2 SPECIAL EDITION!!
Should you watch the Special Edition first or watch it on the re-watch?
I would just watch the Special Editions. But if you want to watch the normal version and Special Editions then... How do I put this... Watch both normal versions of Season 1 and Season 2 then watch the Special Editions on the rewatch.
YES - Special Edition S1 → Special Edition S2 (Skipping the Normal version is okay)
YES - Normal Ver. S1 → Normal Ver. S2 → Special Edition S1 → Special Edition S2
NO - Normal Ver. S1 → Special Edition S1 → Normal Ver. S2 → Special Edition S2
(You won't understand why they extended some scenes)
NO - Special Edition S1 → Special Edition S2 → Normal Ver. S1 → Normal Ver. S2
(The rewatch will be boring. Especially Season 2's rewatch. You'll probably claim that you wasted your time watching the normal version since you watched it the Special Editions first.)
~~~~~~~~~~ We Best Love: No 1 For You Review ~~~~~~~~~~
This is the perfect BL. It encompasses everything that is BL. Season 1 has the whole student/university innocent love story while Season 2 has the adult angsty drama. It's the whole package.
Anyways, I'll focus on Season 1 now.
Story:
Gao Shi De has always been a thorn in Zhou Shu Yi's side. He's always excelled in everything and should have been number 1 in everything, if it wasn't for Gao Shi De. When Zhou Shu Yi got into college, he thought that was in end of it. Gao Shi De went to a different university so everything should have been good, but now Gao Shi De has transferred to his university. His life is a mess again. His female friend that Zhou Shu Yi has been crushing on is in love with his best friend and now he has to deal with Gao Shi De. It doesn't help that Gao Shi De saw through his pathetic crush and is trying to help him get over it. Zhou Shu Yi's supposed to hate Gao Shi De right?
This is an amazing story. Enemies to Lovers is not anything new in BL or in Romance, but what is new is that Zhou Shu Yi is half-Japanese and it incorporated it into the story. Zhou Shu Yi often uses Japanese phrases to express himself when he's talking to himself or doesn't want to be understood. His friends also accept that and use Japanese phrases too. It's really realistic to someone who is mutli-ethnic. (I'm half-Japanese, and I also use Japanese phrases when talking to myself or when I don't want to be understood. Sometimes there are words in Japanese that express things better than in English too.) I love how Gao Shi De nor any of this friends address the fact that he's half-Japanese and just accept it. In a usual story the fact that Zhou Shu Yi's half-Japanese would be high-lighted and constantly brought up. There is none of that in this story.
Another thing that's different from the norm is that Gao Shi De isn't seeking to be Zhou Shu Yi's boyfriend. He literally just wants to be friends. Yes, he's in love with Zhou Shu Yi, but he spent so long being hated by him that he just wants to be friends and be able to talk to Zhou Shu Yi normally. It was so heartbreaking when Zhou Shu Yi found out about his crush, yet instead of saying "Yes, I'm in love with you. Please date me." He literally told Zhou Shu Yi, "It's none of your business." He was pushing his feelings to the side because he thought Zhou Shu Yi wouldn't accept his love and he didn't want to break their friendship. Such a selfless love!
Acting:
The chemistry between Gao Shi De and Zhou Shu Yi is amazing. Gao Shi De doesn't even have to speak and we can already see what he's thinking and feeling. Gao Shi De might be stoic, but just look into his eyes and you feel every emotion. Such talent! Zhou Shu Yi has significantly a lot more lines than Gao Shi De, but that doesn't mean he can't express himself either. Zhou Shu Yi is more in touch with his emotions and let's them out. He physically shows all of his emotions be it happiness, anger, or pain. Zhou Shu Yi also has the best teary-eye/emotional scenes in the whole BL industry. I can barely name any actors that can compare with him when is comes to scenes that are so emotional they make you tear up. Anyone can cry when they're sad, but to be so emotional that you have tears forming in your eyes, and you don't know why you're crying? Zhou Shu Yi's actor is amazing.
This BL is so amazing that there really isn't much to criticize. If there is any criticism it would be Zhou Shu Yi's Chinese language skills. I don't speak Chinese, so I can't say too much. That being said, since he is acting right next to other Chinese speaking actors, even I can hear it sometimes. Again, I don't speak Chinese, so it doesn't bother me, but I can understand why it would bother some people. However, I can chalk it up to Zhou Shu Yi being half-Chinese, half-Japanese. Realistically though, if Zhou Shu Yi was born and raised in Taiwan his Chinese would be better than Japanese. But seeing as in Season 2 his dad speaks better Japanese than Chinese, I guess the apple didn't fall too far from the tree. Everything can be explained nicely though the storyline, so it works out for me. I do feel bad that the fans are knit-picking at Zhou Shu Yi's actor's Chinese skills (even to the actor's himself) when he was born and raised in Japan, so obviously his Japanese is better than Chinese. If you want to start knit-picking at language, aside from Zhou Shu Yi's actor, when the Chinese actors speak Japanese they have terrible pronunciation. It doesn't bother me though, since they are Chinese and not fluent in Japanese. You can't have everything perfect in life you know. Can all of you criticizing him even speak two languages fluently with perfect pronunciation for both languages? I think most of you can't, so I think it's time we all just sweep this topic under the rug.
Overall:
We Best Love is amazing. One of the best BLs out there. If you haven't watched it, you should.
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The most devastating thing about this drama (and there are a fair few to choose from) is that you know there's no way it can end happily. It's very premise sets it up to have at best a bittersweet ending.It is extremely well written in this respect, and believable throughout. I found myself truly invested in the characters and the storyline, desperately hoping both Nao and Reina could find safety and happiness on a more permanent basis than constantly being on the run.
I would now spend a paragraph picking apart the faults of this drama, except I'm rather convinced it doesn't have them. Everything from the acting (Ashida Mana may have become my favourite child actor of all time through this drama) to the movie-esque quality to the filming records it down as a must-watch in my book. It truly is once watched, never forgotten.
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My major frustration is with the three leads. I loved them as a trio. Those moments were my favorite in the show for sure, and their friendship was also the source of many of the emotions I felt while watching. Still, from the very beginning the show is set up as a love triangle, and that's the part where I think this drama falls short. I'll give it credit for not being cliché, but it still didn't really work for me.
The story centers around Im Shi Wan as Wang Won. It's Won's story, so it makes sense that he was the character I liked the most. I thought Shi Wan did a great job in all aspects. He was funny, he was clever, he was stubborn, he was impulsive... and I enjoyed watching his character navigate all of the palace drama without being passive. I think he did an awesome job.
Hong Jong Hyun plays Wang Rin, his partner in bromance. Rin is the straight man, to Won's uninhibited personality, and their dynamic is awesome. I loved that we get to see the start of their friendship too. The show really explores the deepness of their friendship in a way that got me in the feels from the very beginning. It gets very complex, but their love throughout it all is the strongest story in the drama.
Then lastly there is Im Yoon Ah as Eun San. I loved her character in some ways, but she was also the reason for most of my frustration. When she was being brave, impetuous, and independent, I loved her, and her camaraderie with the guys. However, when the obligatory love triangle comes into play, she spends far too much time looking like a deer in headlights. I won't speak too much about specifics, because which guy you root for is mostly about preference, but it really bothers me that by the end all the romance was still questionable. I thought maybe it was the writing, but I honestly think it's that she had trouble pulling off the romantic parts of the story. I've seen better actresses, Ha Ji Won for example, pull complicated love stories off, but I think where Yoona shined in action, comedy, and even some emotional scenes, she left much to be desired in the romance department. Cute moments with Won worked, because their banter was funny, but anything involving serious romance fell flat. I don't think she was bad, but I do think the role was a little out of her league in that respect.
The rest of the cast was good. I loved Jang Young Nam and Oh Min Suk the most out of the supporting cast (both so good at being bad), but there were a lot of great performances. A few characters made no sense to me, but that wasn't the actor's fault, just weird writing. There are a lot of duplicitous characters to keep the story interesting. If you like ancient Joseon political drama, this story definitely has a lot of that to enjoy. If you're not a fan, you will probably get bored about halfway through.
To be clear, this show is 40 episodes, but the episodes are 30 minutes, so really it's like watching a standard 20 episode drama. I thought the show started strong, and ended strong, but somewhere in the middle I began to stop caring. Still, for some reason I just couldn't quit watching. I think that's because of curiosity, and probably because I became attached to the characters, even when the shows seemed to drag. In those times it helped that the episodes were shorter than usual.
Would I watch this again? I'm torn. If I did I would probably be tempted to skip too many scenes. There were a lot of great moments, and like the characters reminiscing, I would probably enjoy revisiting those moments again. Maybe it will feel different watching while knowing how it will all play out, but I think my main frustrations would remain.
Overall, this is a good drama for sageuk fans who want a different kind of story. It is more bittersweet than completely tragic, and there are comedic moments too to add some balance. I think it's far from perfect, and gets messy in the middle, but it all ties together for a touching ending that made me boohoo cry, and smile through my tears. I never heard of the novel before watching, so I am curious what fans of the book thought. It's not the best or worst sageuk around, but if you're in the mood for something a little less typical, this may be exactly the kind of drama you are looking for.
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Real definition of "Dark Comedy".
This is exactly what you call dark comedy or black humor; perfect combination of comedy elements & morbid satire. Inspector Koo, in my opinion, is also the investigative thriller of the year 2021 and I am amazed to see an immense investigative drama after a long while.Inspector Koo (구경이) got a simple yet "not so basic" storyline. The title clearly indicates about the drama being centered by single person, i.e. Inspector Koo Kyung Yi. She's an ex-cop who now works as an insurance investigator at a company after retiring from police due to a tragic incident involving her personal life. Her desire to perceive truth behind different cases is so high that she can do literally anything to get her work done. She ferociously chases down a university girl, who seems to have been connected to a serial murder case, all of them staged as either suicide or accicent.
The drama has 3 stages in total:
i) know it all but no proof.
ii) have proof but can't catch.55
iii) oh! everything is a messs.
Koo Kyung Yi (Lee Young Ae) is a crazy woman; to say it in Korean, 'michin yeoja'. Food, alcohol and gaming are what she lives for, and can go insane when not provided with them. She got severe mental health issues due to past incidents, and can be sensitive when mentioned about them. Song Yi Kyung (Kim Hye Joon) is a university student with abnormal behaviours and considered a psychopath by many. She's a dramaclub member too and her past has made her like this. She avenges victims of several incidents who have been unfairly compensated by the law, by doing what? Killing the guilty. She's also know as Ms. K.
This drama infact is a all female story and is dominated by women all over; amazing actresses playing major characters. We have here, Chief Yong Sook (Kim Hae Sook) as the chairperson of a charity foundation. Na Je Hee (Kwak Sun Young) as the team leader of the investigative team B, Director Kim (Jung Suk Yong) as Chief Yong's right-hand man, Oh Kyung Soo (Jo Hyun Chul) as an investigator in the Team B, Santa (Baek Sung Chul) as Kyung Yi's assistant, Ahn Keon Wook (Lee Hong Nae) as K's helper, etc in the major roles. These are all profound actors, and hence the acting department has done very well in the drama.
The plot development is stupendously set up in the drama and the progression is very pleasing. The first impression from the 1st episode is sooo intriguing that you'll definitely move to the next without hesitation. This is something that'll keep you hooked throughout and never ran outta substances. There are places where you might feel like the consequences might be become uninteresting, but that's where the table turns and they start over again. That's the beauty of the drama. There are several peaks in this 12 episode script and I loved how they were able to keep the moods & vibes up till the very end of the show.
I don't want to believe that the writer is actually a rookie and it's their debut script as the main jakka. Sun Cho Yi jakkanim have done a great job such a mind blowing script with a compelling plus captivating progression. The character dynamics for each and every major character is very well drawn and everyone has got a fair share of importance, I feel. You're gonna love Koo Kyung Yi, Song Yi Kyung, Santa, etc. Special mention to the cute-acting namja Santa who'll melt your heart multiple times with his acts TT. There's also a portrayal of homosexuality (gay character) for one of the major roles (won't spoil) and I am happy they didn't use it in bad light.
Director Lim Jung Heum, known for the critically acclaimed thriller drama "Nobody Knows" did take the responsibility for Inspector Koo and was able to do a fabulous job there. This is clearly evidebt from the 1st episode of the show. Screenplay management, coordination, screen-editing pacing and execution is amazingly handled and the entire crew deserves credit for it too.
The sound production department as well as the composer for this drama Kim Tae Sung needs some serious praise. Loved how the drama has so many enraging OSTs that perfectly fit the mood of the drama and were appropriately used at instances. A major part of OST album is sung by TRPP, a Korean Indie trio, known for their rock, alternative and garage elements. The songs by TRPP are "Yeah (Round and Round)", "Coming After", "Sins", "Patience", "Liars (I feel Alive)" and "Limbo".The speciality of TRPP is that are the electronic instrumentals used in their songs plus their harmonic vocal line up, which is totally visible here.
Other than that we have "Up" by Hajin, "Watch Me" by SURL and "SURF" by INNI. Additionally TRPP has collaborated with Wayco and Mollo separately to remake Yeah (Round and Round). I swear to my life, there couldn't be any other song to accurately suit the drama and the mood it wanted to deliver. Music for Inspector Koo deserves 10/10.
The sense of choosing from right or wrong is the main concept of this drama. This drama reminded of this quote which I don't remember was said by the person, but it goes like, "Right is right even if no one is doing it; wrong is wrong even if everyone is doing it.". Everyone who has their standards to differentiate between the two and in case they committ mistakez they come up with certain prenotions to defend themselves by which the whole concept of righteousness itself is wronged. Perceiving the drama from this way, Inspector Koo is secondarily a revenge game where someone tries to avenge the right by unlawful means and another who tries to stop the former because righteousness can never be achieved when you commit the same mistake.
The drama also focuses on mental health issues. Abnormal and morally dangerous personalities induced by lonliness and trauma can harm the society in many ways and the drama is yet another portrayal of that. I am happy they has also emphasized on that.
The 2 important elements of Inspector Koo are investigation and comedy. Again, thia drama is a great treat for the lovers of investigative thrillers. Although you known who the culprit is, it really takes a great effort and time to figure the situation, motive and consequences. Connecting the dots and drawing a figure is all yoh have to do and this drama did it brilliantly. There are several highs and lows in the status but what matters is the end, and I assure it was as compelling as the entire show. Many shows claiming to be of dark comedy genre actually fail to understand what dark comedy is but the writer of Koo has done a good job in doing her homework. The main source of comedy is Koo herself and anything involving her might look serious but they simultaneously make you burst into immense laughter too. Several scenes which scare you off about the consequences, also seem weirdly funny, and that's how it should have worked, I mean that's how it happened. I had a good time watching the entire show.
Overally, Inspector Koo is an amazing drama and it has also those entertaining factors. I thoroughly enjoyed the show and honestly wanted more episode tho I don't wanna complain. The basic storyline of chasing after villain is not something new but the screenwriting and plus the execution along with music surely make it a stupendous thing. It's a must watch in my opinion with high reawatch value, so definitely coming back to it.
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This review may contain spoilers
A deeply flawed drama with absolutely phenomenal acting, gorgeous sets, elaborate costumes, layered characters bogged down by inconsistent pacing, questionable editing and unsatisfying scripting, especially towards the end. I love this drama a hell lot, followed it from its initial broadcast which I've never done for cdramas. After watching the making of documentaries, I deeply appreciated what this team tried to do, but its flaws are also so apparent and hard to overcome that I don't know how to recommend this to anyone, but I still want to so I'm going to try.The plot is actually about princes' power struggle with sprinkles of romance, the focus is on Ning Yi, Feng Zhiwei plays second fiddle to him, do not come in looking for romance, you will probably be disappointed. Their interactions were actually pretty jarring compared to the rest of drama due to its different tone. It was super restrained, there were no real kiss here, I'm serious! There were just scenes hotter and cuter than kisses. I do like what's shown of their romance, it's nice to have an OTP who understand each other on a fundamental level and have similar ambitions, even if they disagree when it comes to methods. It meant they don't really go through misunderstandings, until the drama crashed and burned in the last 10 episodes, but I digress. It's lovely to have a drama that cared so much about details and trusted the audience enough to interpret things that's half said, the schemes were fun since everyone, including multiple antagonists who were smart, so it was always multiple parties trying to further their own agenda and screw up lead to unexpected circumstances. The protagonists weren't infallible either, they disagreed and sometimes they end up doing things that would seem unwise to the audience. This drama doesn't really play by the books.
The thing is, the first half of the show, up to ep 45 is fairly steady, packed with lots of information in each episodes. Then Minhai arc got shaved off probably 75% because of NRTA*, which ugh but can't be helped, we can make out important things that happened (it's all in the dialogues) but that's a pretty bad viewing experience. It returned to normal with some explosive acting, Jinshi arc was relatively simple because scriptwriters couldn't really touch it but I think it was mostly fine, Dayue arc got probably 30% cut, but it was mostly still there. Then came the last arc, which I'll just say features a lot of sudden appearance, sudden deaths, sudden misunderstandings (which will get cleared up, no worries! but it sure as hell shouldn't have happened) I suspect that the ending was a very rushed rewrite (which would explain all the plot holes) and the pacing was 3x of the earlier episodes, making everyone who stuck around for 60 episodes fairly confused. The events and character motivations do make sense if you analyse it and fill in the gaps, but they needed more lead up, foreshadowing and detailing that it was so good at before. Never have I, after watching 70 episodes, wanted to have more episodes so the story wouldn't feel so jarring. I honestly think when they edited it, they should have repaced the drama, if latter arcs were cut due to main plot not popping out, this is NOT how you pop it out.
Ning Yi, as a protagonist is one of most layered character I've seen. He is a gifted manipulator, but also someone who care deeply for people close to him because of his childhood. He can be ruthless to his brothers. childish and awkward with Zhiwei, utterly broken when it comes to his mum. He deeply wants a father-son relationship with the emperor but they sort of can't, as being an emperor means being on guard even against your son. He's pretty morally grey, but some of his lines were dubbed over due to NRTA (most notably, end of crown prince arc and the ending). Chen Kun did an astounding job playing Ning Yi, I was quite bemused by his overacting in the first episode. which I know can put off people, it's just Ning Yi likes to be on the edge and taunt people. I was also not a huge fan of his long hair look, but it did signify Ning Yi's carefree attitude. Chen Kun can definitely overact at times, rather like stage acting, but he's also very good at microexpressions and small gestures that just make some scenes so much more real.
Feng Zhiwei is the female lead that I love through and through, even if I'm somewhat disappointed with how they wrote her. To make her more realistic (compared to how OP she was in novel), she was made into a smart but bit naive and impulsive girl who gets dragged into power struggle for the throne and had to grow. That's fine, except Minhai arc was basically her time to show her abilities is equal to Ning Yi got cut (because the main plot doesn't pop? political reasons? idk). Jinshi and Dayue both had limited time and significant changes, so while she wasn't helpless, she was still partially damseled to prop up Ning Yi more, who honestly doesn't need more focus. I know the romance is linked to the plot but it's just badly plotted. I do appreciate that FZW is more straightforward, so she tends to lead the romance. I LOVED Ni Ni who portrayed her, she's gorgeous as a man AND a woman, and neither looked jarring. She had some of the best crying scenes I've seen and had wonderful chemistry with her co-actors. I shipped the otp so hard and was deep in otp hell for a long time after this drama.
My other favourite character is probably the emperor, who was the smartest I've seen in recent years. Emperors in these kind of dramas are usually overly suspicious or useless, and he's neither. He's not a good father or even a good husband, and I'm pretty sure he's sort of an antagonist but that doesn't stop him from being a complicated person. Thanks Ni Do Hong, I'd watch all your scenes all day long. Headmaster Xin had great chemistry with Ning Yi, they shared the same goal but had very different methods and priorities making their scenes a blast to watch. The various princes all had their shining moments too!
It's such a shame most of the people around FZW's characterisations weren't as layered. Her mum was rather conflicted between reviving the kingdom and having her live peacefully, but she was one of the big reason the OTP didn't proceed as well so it's somewhat hard to like her. Her brother is kind of an idiot but had a few nice scenes that I really liked. Gu Nanyi had awesome lines and decent character development, but we weren't show how that happened. I'm actively mad about how they cut out Hua Qiong, who was originally promoted as a main character, and reduced to essentially cameos. Her scenes were largely in Minhai arc, she appeared later and played pivotal role as a best friend and in a scheme then was promptly written out of the story, excuse me?! There wasn't even mourning for her? Helian Zheng actively seemed like he was in a different drama just because of his behaviour and he literally couldn't follow along what Zhiwei is thinking, good as comic relief I guess. I suppose he could also be used as a contrast against Ning Yi, but they also hastily wrote him out of the plot.
Honestly, I think they were too ambitious when they wanted to fuse power struggle + romance, where the OTP can go head to head, they lost their balance. The romance and anything involving the female lead had noticeably more plot holes and was weaker. They also tried to make it more realistic but still fuse in book characters, I love them a lot and would have liked to see a realistic version of them, but I'm in the minority. They should have cut their loses and fused more characters or plot lines. Jinshi is honestly not really needed as an arc, FZW could have gone elsewhere. If it was for uniting the kingdoms, the drama didn't really accomplish that either (whereas the novel managed to establish an alliance there). Dayue had very nice characterisation moments, but it wasn't plotted that well, they could have written other scenes to get the idea across.
I must emphasis this was recorded live while filming, which is super rare in recent years in historical cdramas due to noise pollution, accents and actors' acting. The drama usually have ambience sounds as bgm, and only play its insert songs during important moments. The sets and costumes are exquisite, I did spent fair amount of time just staring at them. I loved the use of go/weiqi, the tea pouring, the small differences in manners in different countries. I'm a little mixed about the dialogue, I have been taken out of the drama by some rather modern words, but it also quote a lot of classical Chinese, some rather cleverly (like when FZW became imperial adviser) , some I had to look up but got its meanings through context, some were just plain wrong. I appreciate the attempt but they could definitely have made it flow better, rather than feeling like they just dropped it into the drama to look well studied.
Despite all of its issues, I still loved this a lot and will probably rewatch it just for acting and characterisation, which is something I basically never do, as someone who largely care about plot. I deeply wish the female characters played bigger roles as they had likely intended before, but even as is, I still love them because they are different and varied, and they are allowed to be flawed, to make mistakes, just as male characters are. I would love to see more effort in fusing more serious elements with romance because that's much closer to life than just fluffy fun times or only serious business time.
P.S: *NRTA is the government agency that all cdramas have to go through, this drama went through it at least twice and they also had people come in half way through filming to check on their progress, and part of the script were rewritten on set. Historical dramas, especially ones that go on prime time slot (this one is, the only other one this year is Ashes of Love) are subjected to stricter scrutinisation, this year have gotten even tighter. Main characters can't be overly dark which is why some of Ning Yi (and maybe Zhiwei?)'s lines were dubbed over.
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The story seemed rushed for the most part and there were a lot of plot holes that could have been easily answered if this series had been a bit longer, but overall it was a good story. I liked the way the director/writer played with the color blue to show that these characters were not your typical "innocent/naive/nice/arrogant/villain" typecast. HQ's depression, his indecisiveness, his vulnerability, his happy moments all came through thanks to the actor playing him (Aric). I felt sorry for all characters and I liked that this drama didn't shy away from showing realities of love and relationships. The color blue also played a big role in the way the main characters interacted; whenever HQ and YF were in the same scene, it always seemed to have "lightness and blues" to show that they were truly in love with each other. While, YF and Jimmy's scenes were often "dark" as well as HQ and PJ.
Music wise, I LOVED IT. I downloaded the main song by MaxLin. It is such a great song and it fit the story well. Overall, if you aren't into the messy love hurts and you don't want to see the "nice guy" be hurt, then don't watch this. But, I suggest you give it a shot and see things from a different perspective. Love hurts, love isn't always kind and sometimes people don't get their happy endings, but that doesn't mean we shouldn't be exposed to that. Also, if you want to see some hot men kissing and touching, it doesn't hurt to watch this (come on most people are watching this for that anyways, don't lie)I for one loved this story, but then again I love messy complicated stories more than sweet ones. So, I hope my review helped some of you in some way.
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Redemption
You can't talk about One Spring Night without mentioning Something in The Rain.Because OSN is the result of what SITR could've been. It's about growth to both the drama and especially to the writer. One Spring Night is a take on modern Korea where the youth have to face the older generation, but not with guns or lawsuits, it's all about dialogue.
The first two episodes give the viewer an amazing introduction to the story, something most kdramas really fails to do, and the supporting cast is probably the best of the year. Every single person here has a story, no matter how much screentime they got. I dare to say that at least 3 or 4 supporting characters could easily have a drama to call their own, even if they just appear for a few minutes each episode. The music is soft and the editing makes the transitions between conflicts fit in nicely with the narrative.
Remember when I said this drama is about growth especially to the writer? Well, this drama is not perfect. It has its problems but that's what growth is. It's not a straight line to success. Don't come to this thinking all the missing points from SITR were fixed and that you won't get annoying sometimes. But the acting, damn, the acting.
I don't like to compare performances because I like to believe that actors can't only do so much if the script isn't good. But what an amazing performance by everyone.
One Spring Night is (once again) about growth, and I believe that the best score you can give to a drama is "I want to watch whatever this writer and director are doing next".
For the first time in a while, I feel bad that I can't see a drama on my 'currently watching' list anymore. There's no "I want to finish this quickly so I can watch another one" with One Spring Night. In a world where people consume so much media, not seeing a piece of content as a simple checklist is one of the best adjectives it can get. That's what happens with OSN.
Binge watch it, watch two episodes a week, whatever works for you. If possible, watch it on a Spring Night.
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Incredible Romance
When I first came across Fake Princess, the title sounded cliche and the storyline tropey. I was not familiar with the actors. I thought I would watch the first episode and drop the series. To my surprise, not only I didn't drop it, in fact I was rather enjoying this drama.She is a bandit and he's a crown prince. She wants his telescope so she steals it and they meet, and later marry each other without him knowing the actual identity of the person he is marrying. He has assumed that she's the granddaughter of the Prime Minister, his arch enemy, and a mole planted by him (the Prime Minister). But despite all the suspicions and distrusts, very quickly they fall in love with each other and become inseparable. Everything they do is for each other. Never once they betray the other. Each is always there to save the other. As a viewer, it's hard for me to drop such heart-warming storyline.
I love the Chang Le (Yu Kai Xin/Eleanor Lee) character - altruistic. wise, strong, humble, quick-witted, and intelligent. She is also unusually technologically talented. Yu Kai Xin has that casual expression and body language on her that fits perfectly well for the bandit character she's portraying.
Li Che (Zhao Yi Qin) the crown prince is one of the most adorable crown princes I've ever seen. He doesn't have the normal sharp good look of a crown prince that we are so familiar with. Instead, Li Che tends to have a blank face, a clueless look most of the time, giving the viewers the impression that he's not that smart. Perhaps he's indeed not as smart as his wife, but his devotion and upstandingness capture us all. In front of Chang Le, Li Che is like a teddy bear - compliant, devoted, silly and loving; he becomes a little boy, dependent and gullible. Zhao Yi Qin is new to me but his acting here is wonderful, delivering his character 100%.
My favorite scene of the couple would have been the moment when both try desperately to save the other from the 'poison' both have ingested. The altruism in each is amazing and brings tears to my eyes. Both are faithful to each other with one united heart.
There are 2 incredibly well-developed side couples here - Zhu Yan/Li Heng and Nong Yi/Gong Sun Mo. I have always thought the Zhu Yan/Li Heng couple would have a tragic ending whereas the Nong Yi/Gong Sun Mo a happy one. With a twist of events, they do not end as I have expected, and it's painful to watch the loss.
The villains are despicable characters. Having said that, the Prime Minister is villainous and yet super funny when it comes to his beloved teapots. I laughed so much at those scenes because they are so unexpected of his character. Being mean and nasty but not so intelligent make the villain characters very entertaining and a joy to watch.
The wuxia scenes are extremely well executed. Beautiful fighting choreography, floating hair and flying clothing making the whole scenes stunning to watch. Absolutely wonderful.
Yes, this is a good drama deserves our valuable time to watch. Don't miss it!
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This review may contain spoilers
I started watching this drama knowing that it will be a sad one. However, I never thought I'd fall in love with all the characters. This drama made me think and feel emotions that are not part of the drama. It made me pause and look back on my own life. Am I happy? Did I ever make anyone around me happy? If I die will people I consider family and friends act like how Yuri's family and friends did? It made me value more the meaning of life. Thus, I believe, this drama exceeded what it was suppose to do which is to share a story. Through every episodes of the drama, it tried to impart with us a lesson we can take in life.
I'm happy that the writer did not choose to give us an ending which is absurd. It stayed true to its title. I know somewhere along the way, we somehow wished that Yuri will stay and live but we started this drama knowing that she will die again eventually, heck, the title of drama gave it away. It literally is "Hi, Bye Mama!"
This is me being greedy but I wished they had a longer epilogue for everyone. I would've loved to see how Yuri's family is coping with losing her again and of course her best friend Go Hyun Jung.
PS: I was really hoping that Lee Si Woo's character (Jang Pil-Seung ) would've gotten more screen time. But will just wish to see him more in his next project.
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Misaeng's path of story transcends the typical office narrative. It's not just watching office workers struggle, suffer, get praise, or be joyful. We know these characters; we know their faces and names, their pasts, their hang-ups, and their fears. However, we don't know them only as Jang Geu Rae, Oh Sang Shik, Kim Dong Shik, Jang Baek Ki, Ahn Young Yi, or Han Suk Yeol. We KNOW these people; they are our friends, neighbors, acquaintances, and often, ourselves. That's what Misaeng brings in its storytelling, its cinematography, its constant image of being small in a big world and finding what we can do to be significant.
That path was taken by, in my opinion, one of the greatest ensembles I have ever seen in a drama. The entire cast has this way of making one completely identify or not identify with their actions. We see how everyone starts--naive, raw, rough, intimidated, at times, arrogant and ridiculous. Yet we also experience their growth, admissions of success and failure, and admissions of self-centeredness or guilt.
Behind the ensemble, traversing the path of Misaeng was an exciting and memorable soundtrack. Each piece told a story. I enjoyed the somewhat folk storytelling of the OST tracks because it mirrored the narrative of the day-to-day experience of the office workers. One could argue that the music is a character in and of itself as it travels the visual text.
Through its story, cast, and music, Misaeng took me on a journey. At times, I felt like Jang Geu Rae, wondering and asking myself the same questions. That's what I loved about Misaeng. I'm not an office worker, but I identify with their struggle. I ask myself the same questions. I feel defeated at times. At the end of the day, I'm just an incomplete life looking for completion.
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Story:
The story is well developed but a bit rushed since this is quite short for a movie. There are several things I could see being fleshed out better with more time, but they use the time they have well. I'd give a summary, but I probably would end up spoiling something.
Acting/Cast:
Alright, this is my favorite part. There were three scenes I watched maybe thirty times each because of how raw and real the acting was. The cast knows what they're doing. The gang boss we see the most of frequently over acts and it threw me off at first until, after a few more interactions, I realized his personality was extra, not his acting. Chisoo, our protagonist, almost pushed me to the brink of tears and I have literally never cried over a movie. The combo of Chisoo and Gitae and all the emotion the shoved into every scene didn't bother pushing me; it punted me past the sun and directly into a galaxy of ugly sobbing. And I was damn glad for it. Okay, let me not get to into this, the short version is simple: the acting is amazing. The cast is amazing.
Music:
If you watch this movie and happen to notice the music, I don't think you're watching hard enough. It took a couple run-throughs before my brain could focus on anything but the immediate action. The music that I did hear and process was good, more so because it fit and blended into scenes instead of snatching me out of them.
Rewatch Value:
I rewatch no movies. Ever. I just don't have the attention span, especially if I already know what happens. That said, I have watched this movie three times in as many days and I'm not bored yet. In fact, every time I watch it again, I have a bit more fun (and bemoan how short it is a little harder).
Overall:
Watch this movie. Watch this movie because there is absolutely something in it that will make it a favorite of yours. I was wary at first, but it was 100% worth my money and I'd pay for it again even. The happy ending is just a bonus, because this would be my review even if it was a tragedy.
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The story is cute. There are no DUN... DUN...DUN... moments at all. It's mostly generic, will I be exposed in this most random way ever kind of moments.
I think the main couple did a great job. The female lead, Nishiuchi Mariya is quite well suited for the comedic genre. While pretty much everything she does is over-exaggerated, that's what made it funny. It's fun to watch the her oscillate between her two personas. I also like her well "mostly" internal dialogue. Her facial expressions are hilarious, and I do enjoy the "acme" cartoon effects.
The main male lead, is also adorable. His character is played in a much more subbed way, to offset the female leads over the top presence.
The music was fine. There are no "WOW I will always associate that music with this drama" songs. The music didn't really add anything to the viewing experience, but it didn't detract from the viewing either. Just complimented it nicely as background music.
Overall this is a fun romp when you need a little sugar in your diet. But like all sweets, don't eat too much or you will most likely end up bouncing off the walls from a sugar high, or curled up in a corner weeping because your belly hurts - then again maybe that's just me =-p
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This review may contain spoilers
The film which catapulted little known Lee Jun Ki into instant stardom all over Asia. Yes I admit quite candidly that I watched this movie for my recently found Jun Ki mania but I'm going to remember this movie for the masterpiece it is rather than just a random K-movie featuring LJK. The controversy regarding the racy humor used throughout the movie notwithstanding, the movie is a fine portrayal of love, friendship and betrayal. It is heart-warming to see the effeminate Gong Gil and the heroic Jang Seng's relationship, which was most certainly much more than just friendship. At the height of utter despair and chaos in their lives, when they flee from the countryside in the hopes of a better life in Seoul, the way they act out the parts of two blind men in the middle of nowhere is a treat to watch. That is perhaps the most poignant scene from the film barring the one at the very end. There's a puzzle in the title of the movie since it leaves you in doubt about who the real king is. In my opinion it's Jang Seng rather than the tyrannical, literal king since he desires to be a commoner even in his next life and chooses the right to live on his own terms rather than living a life of luxury whose terms will be dictated by others. He is the real king of the movie. The actors have portrayed their parts to perfection. Jeong Jin Yeong has done especially well in conveying the inner turmoil the King suffered from, his eccentricities and frequent displays of mindless cruelty. Excellent acting by Kam Woo Sung as well. And last but not the least, LJK proves in this movie that he IS after all an actor and not just a great looker. I think it will be hard for even a straight guy to resist his charms after watching this movie.
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