Reviews

Let me just say, if you plan on starting this, prepare yourself, it's going to be hard to watch. Not because it's bad but because the stories being told will get you angry and break your heart. This was the hardest part for me, see the stories of the innocent lives of them being mistreated and abuse by evil people. I won't go into details on what these are. You'll just have to watch and find out yourself.

When the law fails at providing justice and safety for the victims, you as a victim just want somebody to turn to. In this case, that's the rainbow taxi, since they all have been through that feeling of not receiving that justice and how criminals goes free or get not as harsh punishment. It all seems well and all and even their actions seems reasonable. Revenge seems sweet. I mean watching this, I enjoyed seeing the revenge but it does come at cost as well. Was everything done by them was right in their eyes or did they miss some crucial pieces with their actions?

Then you have the other side, Prosecutor Ha Na, who believes in finding justice through the law. At first, she's a character who solely follows by the law and believes everything through the law. She's a hardheaded character with nothing else in mind other than solving and winning cases. For me and many others, she was a difficult character to like as she had that kind of snobbish personality for 11 episodes of this drama. However, she was the one with the most growth in my opinion once that hard wall of hers broke and she finally sees the flaw of the law, along with having consideration and feelings for others. I really enjoyed her character afterwards as she works hard to fix this broken system of a law which does involve teaming up with Do Ki and the rainbow taxi crew.

If it's one thing I wasn't too fond about this drama, it's that there are plot holes within the sub stories. Now they did a great job with concluding each sub story in the beginning but towards the halfway mark and the end, there were a lot sub stories that's just didn't have a full end conclusion as I would've liked. I say this because the clients are what makes Rainbow Taxi and the cases. Without them, you wouldn't have any of this to begin with. So that being said, I'm disappointed how this drama didn't have a full conclusion some of the clients with their sub story plot before moving on to another client or sub story.

Besides that, I still liked this drama. The buttkicking scenes from Lee Je Hoon and also his all around personality his character were my favorite. But also the realness of cases that were presented in this drama as well.
Let me just end this off with my favorite quote of this drama.
"Do not be overcome by evil but overcome evil with good"

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The story of this drama and the manga its adapted from, as everyone has pointed out, is not original. Girl and boy start living together and have to hide it from the people at school.

I enjoyed almost every episode, some felt like "filler" episodes but were still enjoyable. I didn't care much for Yuri's storyline. Girl needs to get it togther and stop unloading her problems on teenagers! It was also very annoying how cold Uehara was, but I still loved him because I am a sucker like Nao.

I enjoyed this drama so much, staying up till midnight on Thursdays, waiting for the new episode! The acting was very good, I really liked everyone's portrayal of their characters. Nagasawa Koya as Abe and Arai Moe as Marina were my favourites, such good comedic timing! Fukuhara Haruka was very, very good and I look forward to seeing her in more dramas.

I would definitely re watch this, and I really hope they do another season. I would recommend this drama for anyone who likes romantic high school dramas.

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I only began Bloody Monday because I was told by a dear friend that Miura Haruma was hot. What I didn't know is that he happens to be a good actor, of which I suspected but needed some time (about 2 episodes) to confirm. But there you have it. The reason why I watched a Japanese drama about a terrorist cell intent on destroying Tokyo with a deadly virus known as Bloody X was because of Miura Haruma. Our then 18 year old lead star plays Takagi Fujimaro, aka Falcon – an internationally acclaimed master hacker who of course becomes unwittingly involved in… dun Dun DUN… saving the world. Or at least Tokyo.

Needless to say is that Bloody Monday is an intense action-thriller that successfully kept my interest in its 11 episode run. Before I get down to knit-picking it, let me just say that for the most part I was pretty sure on how much I liked it. It was a staunch 8/10 from at least episode 3 onwards. Whether that was because Miura Haruma proved to be so efficient at portraying a genius high school boy/hacker whose world is thrown off balance by the intrusion of downright evil and plot-twist-worthy terrorists is a moot point. I try to be objective, but the only proof I have right now is to say that when he cried, I cried. No Kdrama heroine-esqe tears from this boy. I believed him! I was also impressed with the nearly endless series of plot twists, some of which I predicted from day 1 and some of which I never in my wildest dreams saw coming (and I seriously dream plot twist detection - it’s my one consolation before bed that at least my brain is smarter than Dramaland-ish plot twists). In the last five minutes, I hastily changed my 8 to a 9. I like a good emotional twist. So sue me.

While Bloody Monday is an overall exciting watch with notable acting (even among the supporting cast), I’m just going to have to say that thrillers, even more than comedies, come under my scrutiny for gaping plot holes. For instance, I’m pretty sure I could hand in my current resume, and instantly get a job with the number one Japanese intelligence agency (in this drama, Third-i), because obviously my rationale for thinking out logical strategies is higher than half the plans created by the master spooks in Bloody Monday. I also know that when you’re gearing up for a gun-fight, you really shouldn't walk up to your intended target close enough to where your target can easily disarm you and aim that gun directly at your own head. But I digress.

And all plot holes aside, I really did have shivers most of the times I sat down to watch this drama unfold. Having genuine anxiety for fictional characters goes a long way in my book of Appreciating Entertainment 101.

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When i tuned in for this season i thought it would a continuation of the last season, although I was excited to Xia Lin and Ling Yi Zhou with their new family from last season, i was not exactly disappointed with this season.
I thought that the alternate universe was a refreshing spin on the show and the still had references to season 1, which made the show all more enjoyable. I do believe this was the right way to go about season 2 because in season 1 LYZ faking XL's leukaemia was incredibly cruel. This reboot gave a less stalkerish role and he was someone you could root for the whole time. In this season, the way the couple came together was more natural and there were less mind games, which was better for everyone.
The side couples were featured a bit more than last season and their stories were still incredibly cute. Only thing I can say is I prefer Chu Yan and Xiao You/Ruan Meng in season 1. They were still very cute in this season. But i thought they were funnier in season 1, but their romance story is just as powerful.
I think you guys should watch it. I think the story is more approachable and has a sweeter touch to it. This season was funnier too.

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I'll be honest, I decided to watch Into the Ring because I heard Nana was starring as the main role. As my first Nana drama, I did not know what to expect, and let me just tell you that I was shocked. I went from watching because of Nana to continuing to watch because of the amazing cast, story, and characters.

Story:
Politics is a genre that I never mind watching. As someone personally interested in the matter, I am always up for a political drama. But with drama's, I usually find the political side either lacking or too hectic. For Into the Ring, I saw a perfect balance, which I loved a lot. I loved how it was not obvious how every issue would turn out, and I love how each politician was portrayed. I found myself laughing multiple times, and even shedding a few tears here and there. For me, there was a perfect balance of everything, and nothing went overboard.

Characters:
The thing that made me love the drama the most was no doubt the characters and the relationship between them. Starting off with the leading lady, Goo Se Ra. From the first episode, I already loved Goo Se Ra. I loved how passionate she was and how she never gave up. I was happy to watch a character that would keep trying instead of breaking down and cry when things don't go her way. The leading man, Seo Gong Myung, was another character I cherished dearly. I loved how we got to see how Gong Myung transition as he starting helping Se Ra. Which speaking of, Se Ra and Gong Myung were such a cute couple to watch. I loved every scene they were in, even before they starting dating. No doubt one of my favorites couples in kdramaland. For other characters, Yoon Hee Su and Kim Min Jae were two characters that I could never decide whether I like them or not. Despite my personal feelings, I think they were good characters and brought a lot to the drama. Cho Maeng Duk, the "villain," was another interesting character to watch. Although his character infuriated me multiple times, I do think he was a great character with how he was set out to be. I loved the relationship between Se Ra, Han Bi, Woo Young, and Ja Ryong, which speaking of Ja Ryong, he stole so many scenes he was in! Overall, all the characters stood out and made the drama what it is. I also applaud all the actors, especially Nana and Park Sung Hoon. They portrayed their characters flawlessly and I couldn't imagine anyone taking on those two roles.

Other:
As someone who took a film class for my senior high school year, I'm all too familiar with camera angles. From the first episode, I'll admit it was weird seeing camera angles I've never seen before, but after a few episodes, I grew to love them. I thought the angles complemented what was happening very well, and I think it was an interesting addition. Personally, I wouldn't change anything about them, as I cannot imagine this drama without those fascinating angles.

Final Thoughts:
Into the Ring is no doubt one of my favorite dramas of the year and one of my favorite dramas of all time. Every week, I found myself counting down to a new episode, and when I saw one had been subbed, I would immediately stop what I was doing and watch it. I hope people don't ignore this underrated gem because of the political side and instead give it chance. If you're hesitant to watch this drama, I'd say go for it. You never know, you could be pulled in by the characters, plot, relationship, or everything wonderful this drama has to offer.

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I was hesitant about the overall score to give to this movie. I basically loved everything about it, from the plot to the acting to the execution. Possibly it deserves a 10, and I gave it a nine just to retain a right to a higher score in the future.



I wasn't expecting anything less from the same screenwriter of Tatta Hitotsu No Koi, Sunao Ni Narenakute and Orange Days, nor from the same director of Winter Sonata, Sorry I love you and Bad Guy. They both did not disappoint.



The script is delicate and moving. It touches deep chords in the hearts of anyone who has experienced the loss of a beloved one at least once. It talks about the fragile, magic relationship between the living and the deceased: how hard it is to let go, to overcome regrets and remorses while still keeping the memory alive.



The photography is beautiful, it highlights that vague atmosphere constantly suspended between reality and fairy-tale. It helps that the two main leads are both beautiful to watch and just as convincing together. Hero Jaejoong might not be yet ready for complex line deliveries, but he's very expressive and, let's face it, a pleasure for the eyes. Han Hyo Joo, on the other hand is brilliant here, bringing up the joyful side this movie would otherwise lack.



I think I've written enough. If you are willing to watch a movie which combines the Japanese delicacy and the Korean intensity of emotions, give this one a try.

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One of a kind - The only one, perhaps!

Life Senjou no Bokura presents one of the most authentic BL/LGBT storylines I've encountered, capturing a profound sense of realism and passion. The narrative masterfully navigates the complexities individuals face when grappling with their identities, vividly portraying the suffocating impact of societal and cultural pressures. While the storyline may not be entirely groundbreaking, it manages to carve out a distinct space, evoking a range of emotions from warmth and happiness to a deep sense of love. Life on Line is poised to linger in my memory for an extended period, a testament to its ability to resonate on a profound and lasting level.

Story: 10/10
The narrative unfolds around the lives of Yuki and Akira, two sheltered teenagers aged 16, whose paths cross in a unique manner. Their initial encounter takes place as they walk along a road surface marking, perceiving it as a symbolic bridge in the fictional world of their shared game. To navigate challenges beneath this metaphorical bridge, they must stay on the line. Fate intervenes, and the two discover they are playing the same game, sparking love at first sight for Akira.

A routine develops where they wait for each other after school on the same line, yet for Akira, it transcends mere companionship; he longs to gaze upon Yuki's face. In the midst of confusion about his feelings, Akira rejects advances from the most popular girl and shares a meaningful kiss with Yuki. Thus begins their clandestine journey through adolescence, their love deepening against the backdrop of societal pressures.

As the weight of societal expectations bears down on Akira, he reaches a breaking point, choosing to end his relationship with Yuki to spare him a life fraught with challenges. Despite the breakup, Akira's love for Yuki remains steadfast, almost overwhelming. Akira proceeds to marry the popular girl, attempting to embrace a "normal" existence, but the void left by Yuki persists, resisting normalization. Yuki, on the other hand, experiences heartbreak and anguish.

Realizing the gravity of his mistake, Akira undergoes a profound transformation. He courageously confronts his family, bares his emotions in coming out, and takes the difficult step of divorcing his wife. Over the course of three years, Akira relentlessly searches for Yuki, driven by an unwavering commitment to fulfill a promise made during their shared dreams—to witness the aurora together. As he embarks on this journey, fate takes a surprising turn, and while venturing to the very place where they once aimed to bring closure to their ill-fated relationship, Akira finds Yuki. Amidst a storm of emotions, Yuki forgives Akira, marking a poignant and unexpected reunion that solidifies their shared destiny once more.

Yuki is warmly embraced into Akira's family, where he is graciously accepted. The two decide to move in together, embarking on an ordinary yet profound journey, navigating life's challenges side by side. Strengthening their bond, Akira formalizes Yuki's place in his life by registering him into his household, legally cementing their connection as a family. Together, they face the complexities of life with resilience, forging a path forward as a united and legally recognized family.

At 85, Yuki, now known as Ituo Yuki, wears two rings as he awaits their eventual reunion in a hospital bed. Serenely departing the hospital, Yuki, seemingly transformed into his 16-year-old self, steps onto the very same road surface marking where their paths first intertwined. At the culmination of the line, a spectral Akira, forever eternally 16, envelops Yuki, and together, they transcend into the eternal beyond, leaving behind mortal constraints.

Acting: 10/10
Shirasu Jin as Akira and Raiku as Yuki, were out of this world in their roles. I can not criticise, it was acting done right in their respective roles. All other supporting characters, shined as well.

Music: 10/10
Oh... I love the music given by band Ryu Matsuyama, all of the songs are mellow and with pop touch, my favourite are "Go Through, Grow Through", "Love is Coming Home", and "No Better Place (inst)".

Rewatch value: 100/10
This series/film is a heartwarming journey that offers a spectrum of emotions. From heart-wrenching moments to instances of joy, the narrative seamlessly weaves together elements of reality and love. It is a tale that unfolds with a perfect balance of poignant and uplifting moments, leaving a lasting impact on the audience. The ending, while breaking your heart in a happy way, is so compelling that the desire to witness the characters' journey persists. This is one of those rare stories that begins with a clean slate and concludes with a satisfying and proper end, providing a complete and fulfilling narrative experience.

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Part political thriller, part re-interpreted fairytale, part awful.

A modern re-interpretaion of Snow White, this show could have been so amazing with some tight editing and a female lead chosen for her acting rather than her fan base. Yoona was terrible, the action was too emphasised, the real female lead was sidelined in lieu of an awful romance cliche and in the end it was a giant mess.

The biggest positive was the acting of some of the cast, especially Ji Chang Wook (the Huntsmen) and Song Yun Ah (the Evil Queen). Their performances were exceptional and their chemistry was off the charts. If the show had concentrated on that dynamic rather than shoehorning in the world's most boring romance with Snow White, this show would have been significantly better. The action scenes were brilliantly choreographed but in the end too pervasive.

Basically, when this show was channelling its fairy tale source material it was borderline genius. The rest of the time it was just terrible - nothing borderline about it.

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Taking supernatural genre in a Rom-com, He's Coming To Me has impressed me in several levels.
First the music in the series was heartwarming, especially the opening song of the series.
Secondly the acting of all the amazing actors and actresses. The chemistry between the character of P'Met and Thun is lovely, unbeatable acting by both of them. Prince and Kheim playing best friends to Thun, it was real fun having them. The three notable female characters, Praifah, Thun's mother Kwan and Ngoon (the ghost) were awesome. And let's not forget Jeng who made us smile right from the beginning and stealing our hearts too.
I'd like to thank all the people who put their complete effort in creating such a wonderful piece of work.
This series will make us watch again and again, but unfortunately it is very short. (But fluffy and will melt you with the love) Overall a wonderful short series to brighten up the mood with lots of love!

P.S I waited everyday for the episodes to come, and being an Int fan, I need subs. That was one amongst the sad parts in watching the series, plus it was not available on YouTube. LineTV is not available in my country. And I still hope for a season 2!! Or at least a lengthier sequel!
P.P.S: I have watched the last episode without subs... And I stilled loved it. Had a smile on my face and tear in my eye. They'll remain in my heart forever.

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A Hidden Gem

The Kingdom of Great Chu is a female-centric world where women’s and men’s roles are flipped. Women hold power and important office, whereas men stay home and do house chores, tend to the kids and are subservient to their wives. Here, we have a female emperor, and all the generals and ministers are women, and a powerful female shizi (世子) who holds the prestigious title inherited through her family. All families’ heritance and titles are to be passed down to daughters, and men are to be married into the women’s households. Courtesan houses are popular where men serve for the women’s pleasure.

Shen Ye (Yuan Hao) has fallen in love with Shu Cheng (Jia Ze aka Claire Jia) since they were both kids because she had shown kindness towards him. From then, Shen Ye disguises as various characters and hides within her circle, secretly protecting her. As the intelligent shizi, the Emperor is threatened by her prowess and military power her family holds, and secretly sends out assassins to kill her. Time and time again, assassinations fail because Shen Ye always protects her in the dark, and she always comes out unscathed.

After saving Shu Cheng yet again in an ugly humpback cover that leads to her falling in love with him, Shen Ye changes his identity and reveals himself to her as the owner of Feng Lou, a courtesan house where wealthy women come to drink and to be entertained by male courtesans. Here, Shen Ye is considered as a stunning beauty in the Kingdom of Great Chu. He is charming and fast to please, frivolous and loves money dearly; but all these are on the surface. Under that good-looking skin, Shen Ye is intelligent and schemeful; he is always ahead of everyone around him, and always has a solution for every problem he encounters. He has multiple identities which add additional mysteries to his character. Despite being such a complex character, Shen Ye is devoted and willing to give up everything for the one he loves. He has so many secrets that he says he would reveal to Shu Cheng at the appropriate moment, this has created a lot of hilarious suspicions and misunderstandings by Shu Cheng. How Shen Ye continues to overcome such obstacles and maintains Shu Cheng’s love for him is brilliant.

I am intrigued by the Shen Ye character. I almost spit out laughing when he wears a veil covering his face when appearing in public or meeting with other women (think of ancient women wearing veils). His visor-looking veil is really ugly and looks funny on his face. Perhaps this is the purpose – to make viewers laugh. Yuan Hao’s portrayal of the character is very believable. He has a face that can look feminine (to be called beautiful in the land of Great Chu), and yet he is also very masculine.

Shu Cheng has to pretend to be a playgirl to make the Emperor let down her guard and stop wanting to kill her. So, she frequents Shen Ye’s courtesan house and proclaims he is hers; she tries to look as bad as possible. She is taken by surprise when she finds out that the man she’s being decreed to marry by the Emperor is Shen Ye under a different identify, Su Rongqing, the only son of one of the Emperor’s high ranking ministers. Even after they get married, Shu Cheng still doesn’t fully know Shen Ye’s real identity and what is under his sleeves. She loves him and yet doesn’t trust him, whereas for Shen Ye, he respects and loves her with no holding back. Despite their sweet romance, the secrecy spurs the plot on.

This is the first aired drama for Jia Ze playing a main lead. I find her acting better than many better known names. As the shizi, Jia Ze manages to bring out her commandeering charisma, courage, earnesty and upstandingness, and yet she also shows her feminine side when she is tormented by the conflict of her love for a man whom she believes to be a usurper, and her love for her country that she swears to protect. Jia Ze is natural and convincing.

The second couple is amazing with a very compelling story. Both Li Zhehao and Peng Yaqi (aka Yakisa) put up a fine performance as a heart-wrenching couple, Shen Cong and Murong Wanqing, who endure revenge and love, romance and guilt. The Murong Wanqing character reminds me of the sweet-silly characters played by Zhao Lusi. In fact, Peng Yaqi and Zhao Lusi look somewhat alike in their aura and demeanor under certain instances.

My Verdict

Unusual, refreshing, great plot, captivating storyline, intense, lovely characters, good humor, sweet romance, fine writing, directing and production. Unfortunately, not many viewers are watching this wonderful drama because decent English subtitles are not available at the time of airing, therefore, the rating here is lower than it deserves.

An enjoyable watch. Don’t miss it!

P/S: A sneak peek of next season seems to be dark and even more intense with amnesia, deaths, and protagonists turn antagonists.

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Makyang at its finest. Staged with great sensitivity. A rollercoaster ride of emotions guaranteed!

Back then, in 2000, "Autumn Tale" kicked off the celebrated "Endless Love Series" and is (like the other 3) a hit. Timeless. Heartbreaking in the face of life's unfairness. Bittersweet and tragic. "Autumn Tale" offers makjang at its finest. All of this is staged with great sensitivity. A rollercoaster ride of emotions guaranteed!

Two siblings who aren't actually siblings - but nobody knows. A momentous decision when it comes out randomly. Outrageously mean intrigues. And an unshakable bond of love that (nevertheless) must not be. Because even if you might dare to rebel against the family, there is always another stroke of fate.

It is always possible for things to turn out worse - this is a promise, KDrama Land can surely give!"Autumn Tale" is prove of that. And as always with makjang: an enormous capacity for sympathy, suffering and compassion is a prerequisite for 'enjoying' this KDrama. Makjang could be considered a reinvention and revival of the idea of catharsis in connection with the Greek tragedy. On the roller coaster of human feelings between greed, love, betrayal, hate and forgiveness and suffering, scolding, laughing, crying, the moment of empathizing with the emotional processes of the protagonists can have a liberating effect. (All 4 KDramas of the "Endless Love Series" - "Winter Sonata", "Summer Scent" and "Spring Waltz", too - are actually great at ´that´. You better be prepared and ready for it... if you are, you won´t be disappointed!

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When I first watched this, it was as a filler while I waited for some other BL series to be released. However, I didn’t expect to enjoy this drama so much. Although it was very short (almost too short), I do wish it had been much longer, especially as the last few episodes felt a little rushed. That’s not necessarily in a bad way, but they definitely could have gone further with it which is why I was happy they decided to make a season 2.

Story: I thought the overall storyline was quite interesting and unique. I’ve never watched a drama with a plot like this, though it definitely gave me HIStory vibes. When I first read the description I worried it was going to be the half-brothers in love, so I was relieved when I realised the series was about them and their separate partners. The script was very clever in helping the 2 leads to get closer in a more realistic way than just shoving them in the same direction like I have seen happen in other series, so I was definitely happy with this. Although it’s clear who the main and side couples were, I found myself loving all 3 couples and enjoying the progression of their relationship, rushed as it may have been.

Cast: I was surprised to see that the actors were all very new, as they were really good at what they were doing. I didn’t feel any awkwardness between them, and there was a lot of chemistry between all the couples. I like how we saw the changes between the brother relationships as well, in the beginning they weren’t close at all and always fought, yet it ended with them all sat having a meal with their partners looking very happy. It was nice to watch them become closer and friendly like that. My one complaint was the languages, the main character talked in Korean yet they responded back to him in Taiwanese, it was just a little disorientating.

Music: I liked the opening OST, but other than that there was nothing incredibly memorable about it.

Rewatch value: If I’m ever bored and want to watch a quick, short BL series, this will probably be one of my first choices. I can’t see myself rewatching it unless I’m bored, but I already know I won’t watch it and leave it like I do with other series.

Overall: This definitely won’t be anyone’s favourite drama, and it won’t be winning any awards for best BL series, but I think it you give it a go and watch it with a clear mind, you may find yourself enjoying it just as much as I did.

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A hot and cheesy mess.

Though hardly original, this drama's switched bride trope is well executed and entertaining. A very shady prime minister marries his illegitimate daughter Shen Keyi to Wen Ye, a prince and the country's God of War posthumously. As it turns out, Wen Ye is very much alive and full of suspicion when he discovers himself married to his enemy's daughter. Meanwhile Shen Keyi is tasked by her stepmother to steal a jade token from Wen Ye in exchange for her beloved nanny's wellbeing. Their early antics are silly but very funny. It was great to watch an older and jaded general fall for a lively, natural and utterly beguiling young girl. The leads have good chemistry and both actors deliver convincing performances. I also enjoyed the comedic banter between Wen Ye and his two sidekicks.

At twelve episodes this drama was hilariously hot and cheesy but by twenty-four episodes it turned into a hot and cheesy mess. The palace plot becomes increasingly convoluted and absurd and both lead's adorable silliness descends into stupidity and melodrama as they navigate multiple obstacles. Ultimately, the much simpler love story between the princess and the guard moved me more. The ending is a bit rushed but it was actually pretty good in the messiest way possible. All considered not the worst drama to watch to just pass some time. I rate it 6.5/10.0

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Great performance & complex narrative re. challenges in politics during dreary SK post-war decades

"Uncle Samsik" offers a quite interesting narrative of the complex connections between party politics and the even more crucial backroom politics during South Korea's first republic (1948-1960). The KDrama is primarily set in the run-up to the turbulent events and nationwide demonstrations that led to the resignation of the first President Rhee and the founding of the second republic. However, the nation that had hoped for real democracy and prosperity stumbled into a third one just three years later through a military coup. Although this brought the hoped for prosperity via totalitarian capitalism, it was still far from real democracy...

The story of the KDrama is based on historical events, themes and people of that time, but is ultimately fictional - even if historical film sequences are occasionally interspersed as part of the April Revolution. The focus is on Uncle Samsik. For all those, who don't know much about South Korean history, Uncle Samsik is the emotional reference figure and dramaturgical bridge that holds all the politically complex threads together. Even without prior knowledge, "Uncle Samsik" offers an exciting, haunting political drama that takes place in the post-war years. It is in particular thanks to the passion of the great actors who manage to captivate the audience with comparatively 'dry' fare. It is advisable to watch the episodes consecutively so as not to lose the thread.

With a fictional plot the well-known historic events and what actually drove the political actors of that time are portrayed from different perspectives. Thus they are shown as multifaceted people with complex motives and stories. Political calculation becomes tangible through relationship dynamics and formative personal experiences. What created the conditions for that dictatorial regime and its totalitarian capitalism to torpedo South Korea into dazzling prosperity - the needs, hopes, ideals and concerns underlying the political actors - are being filled with life. And at the same time also what the young democracy still has to gnaw at today - authoritarian directive, opaquely networked and strictly hierarchically structured backroom politics.

The time in which the KDrama is set is marking the initial struggle to set the course for 'right' politics and a democratic political culture to start with. You have to keep in mind that Korea has not yet been able to gain much experience with modern, international politics and economic policy on the world market. Until the end of the 19th century, the Joseon Kingdom had isolated itself from the rest of the world and concentrated on itself. Western modernity and international influences increased during the early 20th century, especially while the Korean peninsula was a colony of Japan. The guidelines for political autonomy and independent parliamentary politics were only set in the course of the founding of the Republic of Korea as South Korea in 1948. And even then, the USA kept a close eye on the young republic. The people in South Korea had not yet been able to seriously experience themselves as political mature people of a democratic country... The south, by now isolated from its rich in raw material and industrially well developed north, was at that time one of the poorest agricultural countries in the world.

Uncle Samsik vividly depicts the conflicting feelings in the country. He represents the prevailing longing for wealth... or simply for three meals a day. Uncle Samsik's nickname already reflects what he stands for: sam (eum)sik = three meals. He (as a good uncle) grants this to his people. So actually this very basic human need was the top priority in those politically turbulent years. Hunger and poverty shaped everyday life for the many. Democracy as a political ideal may sound good, but it doesn't fill your stomach. Samsik cares about people. His political goal is to use all possible means to support those politicians who have a solid concept and can bring the country to a point where the people will soon have enough to eat. The way to get there: to consistently boost the economic power of the economically weak country (compared to the north) and thus create appropriately paid work whose salary is enough to provide for the families... even if that might imply that the people´s hope for true democracy still has to wait a bit longer...

So would I recommend "Uncle Samsik"?
Yes, but...

It's one of those things with historical dramas that deal with Korea´s recent post-war history (and with the KMovies about the first post-war decades, too... you have to want to see it. Colours, light, selection of protagonists - this is often enough inevitably not a treat. Colorful robes that were still common in Joseon times are rarely seen anymore. After the Japanese colonial period and at least since the influence of the USA in the wake of the Korean War, fashion has been completely westernized. This makes the production design comparatively rather dreary - dark suits, ties and plenty of scenes inside or in the dark. It is about scenes inside offices, hotel bars, conference rooms and bunkers instead of lushly planted palace gardens, picturesque bridges, colorful pavilions and pagodas, or the shaded, meditative palace walkways - it's all history. Politics by now happens behind closed doors. If suitable, it might sooner or later end up on the streets, too. Female characters with impact are also rare - gone are the lively days of palace ladies, servants and princesses, scheming dowagers and queens or spying gisaeng... Instead, there are lots of serious men in their (as I mentioned before) dark suits, preferably smoking and debating or giving orders in back rooms. Politics is a man's business - a power struggle that is eventually resolved with the help of thugs and cloak-and-dagger operations... (After all, women's power is at least trying to carve out some space in "Uncle Samsik"...)

In short, the setting is rather dark, complex, even complicated - and ties-heavy. Be aware.

Apart from that, "Uncle Samsik" is really well done. Vividly played and thematically differentiated, the KDrama brings those dreary, sobering post-war decades in South Korea to the international DisneyPlus audience, presenting it as a time that, despite all the prevailing corruption, arbitrariness and obedience to authority, was also characterized by a lot of idealistic passion and political hope. Once again, high-end historical drama à la KDrama...

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