This review may contain spoilers
Satisfying series! Highly reccomended.Binged watched the whole series in one night. Engaging from the start till the end., the twelve episodes were used perfectly!
Coming in, you'd think you are watching a semi-fantasy scifi show. Its a story of a missing IT tycoon whose consciousness was mysteriously trapped inside a mobile phone. The phone landed in the hands of a seemingly unlucky jobless man who wasoffered to be the CEO of the company to solve the mystery of the boss' disappearance
I loved that the male princess cinderella transformation wasnt overdone. I specially enjoyed the main lead's boyish charm and acting and his dynamics with his family. I was also happy about the way they resolved the mystery of the trapped boss.
If there's anything con ts the fact that Chae Jong Hyeop's arms are so distracting, cause the guy oozes masculinity even without taking his shirt off.
Give it a go, you'd enjoy it too. Overall its an 8.5.
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The winds of change.
This slow paced suspense thriller by the director of The Bad Kids is told with such dry humor and irony that it initially conceals the story's intense, almost unbearable pathos. It is about how the irresistible force of the winds of change profoundly affects the lives of two generations of Hualin. Hualin is a fictional Northeastern town where the entire economy was built around a state owned enterprise, Huagang Steel, which is said to be modelled on either Angang Steel or Benxi Steel. The mill employs most of the town in some capacity and runs everything from its schools to its hospitals. This economic model collapsed in the late 1990s, displacing hundreds of thousands of workers across China. Towns like Hualin, where one enterprise comprised practically the entire economy were particularly hard hit.The drama opens in 2016, where the main protagonist Wang Xiang, an irascible old taxi driver helps his brother-in-law Gong Biao hunt down scammers who tried to knock off his taxi medallion. They rope in Ma Desheng, a retired disillusioned cop turned ballroom dancer to aid them. Their determined, bungling poking around results in a murder that Wang Xiang insists must be linked to a cold dismemberment case at the mill that they had investigated almost two decades ago. This takes them back to 1997/1998, which was a turning point in all three lives that they survived but never quite recovered from.
Fan Wei's portrayal of the older Wang Xiang's grief frozen expression and his glittering angry sad gaze is brilliant and evocative. I almost couldn't see Qin Hao in middle-aged Gong Biao, who still somehow manages to hang on to that optimism and naivete of youth. And Chen Minghao never fails to impress with his ability to combine comedy with tragedy - his ballroom dancing left me speechless! I enjoyed the chemistry and rapport of the older cast immensely. Only veteran actors of this caliber are able to stay in character and wear the passage of time and hardship through multi-decade transformations so effortlessly. In the present, they are shadows of their former selves, displaced by the reform and changes that swept across China as it opened up to change. I am surprised by how candid this drama is about how these economic reforms did not benefit everybody.
Back in 1997, the three friends are in their prime. Wang Xiang is the important train driver that transports raw materials to the mill; Gong Biao is a rare young college graduate groomed to advance in the mill's senior management; and Ma Desheng is a hot shot detective in charge of shocking murders that shook the town. The young Wang Yang sees the writing on the wall with respect to the mill's future and resists his father's efforts to help him secure a position there, seeking employment in the nascent and seedier private sector instead. There he becomes fast friends with Shen Mo and Fu Weijun. Unlike the older generation who are still in denial, this youthful trio are quicker to accept and adapt to the rapidly changing environment. The bond of their friendship is just as strong and as real as that of their elders. The younger cast impressively hold their own well up against the veterans. This has to be Li Gengxi's best, least petulant portrayal but I still find her to be the weakest link in the cast overall. While her performance was quite good, I did not like or empathise with her Shen Mo the way I felt compelled by and rooted for both Wang Yang (lLiu Yitei) and Fu Weijun (Jiang Qiming).
In terms of the mystery plot, it is very well designed with a few good twists but is overall straightforward and easy to understand. The clues are intriguing and well planted early on and an outline of what happened emerges at a slow but riveting pace. When all is revealed, everything fits together and makes sense. It is true that this drama is a much bigger story than the mystery itself but the unravelling of the case is the centrepiece that pulls the sub-plots and narrative that spans two decades together. It is a very dark story that unfolds during a time of inescapable change that everyone is helpless up against. At the same time, they go through some utterly devastating events. The passage of time doesn't dull anything; in fact to them decades later it is still as if it all happened just yesterday. Poor Wang Xiang and to a lesser extent, his buddies are in limbo, suspended in this dreadful, long autumn. The drama tries to end with closure followed by a positive epiphany; to move forward and not look back 往前走/wǎng qián zǒu. Yet I can't shake the overwhelming sense of how beautiful but quietly helpless and tragic this story is. Not everyone will be able to understand or relate to the late 1990s backdrop or enjoy the slow pace but for me this is the best drama I have watched this year (as of May 2023). I rate it 9.5/10:0.
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Min Ki is so HOT in here! He is such a gentleman I loved how he was caring toward her and changed her into a better person. Did i tell you his eyes are gorgeous!
Chae Rim one of my favourite female actress, she blew me out of my seat.
A must watch drama that you will never regret ever watching!
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This review may contain spoilers
I decided that I really wanted to watch this not only because it was one of the most highly anticipated Chinese dramas of 2019, but because of the actors/actresses. I really wanted to see ZTao (Boxu) in a drama because I was very curious about him in an active role and to be honest, I enjoyed every second of his character. I loved watching his growth from this misunderstood c-pop star who hid behind his popularity to this soft and funny man who learned what was most important in his life and it was one of the things I loved most about this drama - the chemistry between the two leads. I loved their back and forth banter that was 100% flirting, but both didn't realize it. Their relationship seemed extremely comfortable and natural, which made me ship them from the beginning.
Sorry, Yu Zi Rui. This brings me to my next actor - Niu Jun Feng who placed Yu Zi Rui. It was the second time I had seen him in a drama and he was one of my favorite characters in the first one. When I found out that he was a major-minor character again in this drama, I had to watch. Especially since he was playing the caring and gentle (first) love interest of our main character. Was I a little disappointed in the character he played? Yea, but I think he did an amazing job playing his character. I loved watching his internal struggle trying to figure out what he thought was most important in his life and what he was willing to do to get there. Similar to Boxu, but almost an opposite result, which broke a lot of people's hearts, but made others full.
Finally, there is Janice Wu. I don't know how it happened, but I somehow ended up watching two dramas at the same time, not knowing she was the lead in both. I love what she brings to every role that she is in and ended up being one of my top favorite actresses. I loved that she played this hard-working woman who was not scared of Boxu and always was true to herself and in her relationships with others. We also got to see her in some down moments, but she always bounced back with the support of the people she built strong relationships with.
I enjoyed this drama a lot more than I thought I was going to, but there were a few things that I couldn't get over. The first being the consistency and the flow of every episode. It seemed as if one episode was cut into 2 or 3 parts, so when you watched it, at the end of these eps were abrupt and in the middle of a sentence. I also wasn't a fan of ANYONE that worked at Star Entertainment. Some people had their moments, but it wasn't enough. I honestly wanted Boxu's contract to be terminated so he could go somewhere else. BUT, Star Entertainment did seem like a family....a dysfunctional family.
BUT, the one person I disliked the most, and idk if she just enjoys playing these types of characters, was Xia Yuan, Zhen Zhen's best friend and roommate. I felt like she was too much. I'm glad she did a lot of growing in the drama as a whole, but she was a mess in the middle and took it out of Zhen Zhen for something he has no power over. Especially when she decided that she was in love with Yu Zi Rui for no reason really, but I appreciate the ending that they gave her and Zi Rui.
Overall, I would love to see Z.Tao act in more dramas as well as continue to watch Janice Wu in the future. I hope they collaborate again. I was also in LOVE with every song in Boxu had written, that was in this drama, and extremely happy that they were real songs by Z.Tao and downloaded them all.
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I don't think the actual concept of the story is anything original but I'm really suprised at how unpredictable they were able to make it. The time flew by and I didn't feel that there were any dull moments in the plot. Very well written overall.
Acting was great and the cinematography was amazing. I've watched some works with Park Shin Hye and I really liked Jeon Jong Seo in Burning, so I expected good acting and I wasn't disappointed.
*This might be a spoiler, maybe not.*
Even though I didn't really like the ending, that won't affect my rating because I don't think a happy or satisfying ending has to always be the goal in movies. This whole movie made me feel pretty unsettled and anxious but in a good way if that makes sense? (my english vocab isn't the best but I'm trying to think of words to describe my feelings, please understand hehe)
If you like open endings and psychological stuff, this will suit you really well.
I finished watching it maybe 15 minutes ago and I think I need a moment to do some thinking.
In short: Not for people who don't bother to think after or aren't capable of understanding "deep" stories in the first place.
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This review may contain spoilers
This drama was very enjoyable. The female lead is 29 years old, divorced and has a child. The male lead is 23 years old. Male lead is a ceo of a beauty company. Female lead divorced her cheating husband and needs to find a job to get the rights of her child back. She becomes the personal assistant of the main lead. At first they are bickering but slowly they fall in love. I like the female lead because she is smart and thinks quickly off her brain, she doesn't let a failed marriage get to her. She strives to do the best at her work and takes good care of the male lead. The main lead at times can be child like but has time where he is very manly too. ( he looks very young...) Their real life age is the same as in the drama btw :) The male lead had a traumatic childhood which causes him to faint/ lose breath if lights are shut off. I really like the female lead and her best friend's friendship. They are there to support each other through the highs and lows. I wasn't as fond of the best friend and the second male lead's love story because it was kind of stick, lol at least they have a happy ending.
The chemistry between the female and male lead is good too. After they fall in love with each other , there are many sweet moments shared ( kissing scenes >_<). I feel that 16 episodes was the perfect amount of episodes, so that it didnt get draggy. I also liked that they acknowledge each others feeling pretty early on, not like some where they save it for the end. of course their love has some ups and downs ( i'll let you watch that part yourself).
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How this drama got me so hooked is magical!
It took me a while to finish this drama because I really didn't want it to end. "From Now On, Showtime!" is a hilariously silly comedy but there's also the perfect balance of romance, suspense, and heartwarming emotion. I genuinely laughed and ugly cried and truly felt connected to the cast at the end. Yes, the story is pretty well written but it's honestly the cast that makes this drama work so well. At the start of the first episode, I was not impressed and thought it would be too cheesy for me to get into. The arrogant magician meets the stubborn lady cop plot didn't have any appeal. It turns out that these characters would become way more interesting and endearing than they initially seemed, and Cha Cha Woong's "assistants" would soon steal the show, and keep me watching! This isn't just a romance with great chemistry, it's the bond between characters that got me! I won't say too much about the supernatural aspect, since the reveal is so well done, but that's also a major hilarious highlight!Park Hae Jin as Cha Cha Woong is a cold and conceited loner who is the unlikely match for Jin Ki Joo as emotional and impulsive Go Seul Hae. These characters are extreme in order to play up the comedy, and at first, it felt like too much, but soon I grew to love their banter and they seemed perfect together. You can expect some standard romance tropes like denying their attraction, melodramatic destiny, and past life connections, but the ghost aspect of the story made this drama still feel very original. Go Gyu Pil, Jung Suk Yong, and Park Seo Yeon, much like the characters they play, are the glue that holds this story together. Their chemistry with each other and the leads are what makes this drama magical. Their comedic mystery-solving antics (later including Jung Joon Ho) are the plot of the majority of the episodes, and that was enough to keep me addicted.
They were all so good at conveying emotion too, as well as comedy, making the characters also feel memorable and real.
The entire supporting cast is great as well. Sure, some of the characters are cartoonishly evil (like Detective Seo) or overly sweet (like Officer Lee), but because this is mainly a comedy having over-the-top characters made sense. The guest star ghosts were also great. I'm not the biggest fan of dramas with random stories introduced each episode, but the writers did a great job of connecting most of the ghost stories seamlessly to the main plot. I should also shout out Kim Jong Hoon as Seo Hee Soo for giving big second lead energy! For those who hate love triangles, yes this drama has one as a major factor in the plot, but it is also a well-written aspect of the plot not just thrown in as a contrived conflict for the main couple to face.
Would I watch this again? Definitely. It's super fun and I never got tired of watching the main characters work together. The cast seemed like they had a lot of fun making this drama too. I could have done with fewer past life scenes, but they did feel important to telling the story. I also had no interest in the officer vs shaman side romance storyline, but it wasn't bad enough to skip. Watching this whole cast just put me in a good mood, and that's a good enough reason to watch this again.
Overall, I highly recommend this drama if you want to laugh, which I know is weird since this drama also deals with a lot of death. I think this drama being well balanced is why it works so well. I LOLed and wiped tears through so many episodes, especially near the end. I think romance fans will love the awkwardly cute leads, but it was the loner learning to depend on his "employees" & "partner" theme that got me right in the feels! If the idea of ghosts makes you nervous, just know that this isn't scary. It has more of a kid-friendly haunted house vibe than actual horror. I also thought the ending was very satisfying. I don't think this drama is perfect, but it's definitely a new favorite of mine. Even the opening theme song started to get me hyped!
If you're looking for a different kind of feel-good drama, you found it.
Grab some snacks and tissues and get ready to laugh a lot... It's show time!
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As implied above, Yakou Kanransha delves into the effects a shocking murder has on two families (and the town in which they live). It is an emotional story marked by highs and lows, much like the ever-rotating path the titular Ferris wheel follows. Other issues tackled over its course include bullying (by neighbors and classmates), ostracization, domestic violence, and societal pressure. Unlike many other Japanese dramas with such a focus, family is not held on a pedestal. Instead we're shown a realistically flawed structure, full of secrets and misunderstandings. Despite this, beauty remains to be found in the connection between friends, brothers and sisters, parents and children; something so imperfect can still be wonderful.
Most incredible might be how deftly these emotive aspects are combined with exciting, cerebral ones. Character development intermingles flawlessly with shocking revelations and startling secrets. Scenes are rarely lingered on; the pacing maintains a seamless stability throughout the series.
Japan excels at the ensemble piece; Yakou Kanransha boasts a large cast which more than lives up to this standard. Suzuki Kyoka clocks in a believable and solid performance as Endo Mayumi. This role is written simply so she might serve as our eyes into this fantastic circumstance; despite this, Suzuki-san completely brings her to life. Among the other adults, Yasuda Shota and Natsuki Mari are of great interest. Natsuki-san plays an especially polarizing part, yet her consistent and complex portrayal makes quite the impression.
But young actors Nakagawa Taishi (15) and Sugisaki Hana (16) completely steal the show. Both deliver honest and affecting performances beyond their years. Particularly Nakagawa-san; it floored me how drawn into his scenes I became as the series rolled along. Definitely a budding career to watch.
If like me, music comprises an important part of your viewing experience: take heart. Yakou Kanransha posesses an immaculate soundtrack, full of richly mysterious strings and hollow piano. There are also fine vocals, such as those from Ai (ending theme "Voice," which exudes action), and Reiko Oshima ("Daydreaming," a hopeful ballad with a bittersweet feel). Other highlights include the masterful use of sound effects; during particularly intense scenes, one can sometimes hear the grinding machinery and clacking carts of the Ferris wheel. Also take note of its use as imagery between scenes; you'll never forget the way it looks, brightly lit at night.
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This review may contain spoilers
The main focus is not primarily on the action but the intervals. Intimate play. Highly committed.
The story is told quite sensitively, calmly, just a few dialogues. It is almost studio theatre that relies on the two main protagonists and thus on the haunting performance of Bae Yong-joon and Son Ye-jin.´He' is typical male, who feels like he owns the world - and now being confronted with his pride being hurt , whereas 'she' represents everything that makes a "good" wife: devoted, caring and - in case of doubt - convinced that she herself is to blame. However, for both of them as their former worlds fall apart their encounter sets processes in motion. They start questioning their lives. Quietly the chance for new orientation, for a new self-image and changed standards when it comes to relationships open up.
The title "April Snow" refers to the fact that the two protagonists love different seasons: he loves winter and she loves spring. Snow in April thus symbolizes a bridge that leads the two together. In the original, however, the title reads something like "Excursion" and refers to 'his' wife and 'her' husband who, as part of their affair, go on a secret trip on which their serious car accident brings everything to light...
(At first the story somehow reminded me a bit of the US movie "Random Hearts" from 1999. The KMovie "April Snow" from 2005, however, is not a remake, just a similar story.)
Yes, it is not a funny movie. Yes, it is intimate play on high studio theatre level. No effects. Just intense play. The main focus is not primarily on the action but the intervals in between. It´s different. Highly committed. Intense.
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#JusticeForReverse4You
Do people just hate good art or something? Like, why does Reverse 4 You only have a 7.8 rating? Put some respect on its name because this show is so underrated. Honestly, it’s the best GL of 2024 in my opinion, even though we got robbed with only 8 episodes.The balance of romance, comedy, and angst? Absolute perfection. And I mean perfect. Four is a masterclass on how to write a "mean" character. She starts off as an asshole, sure, but the way her character grows and deepens makes you fall in love with her. Then there’s Wa, she’s such a fun and likable character that you can’t help but root for her.
The writing is so good and does not get the love it deserves. Their banter? Pure gold. I was kicking my feet and giggling like crazy. I haven’t read the book, so I don’t know how faithful the adaptation is, but the delivery of the lines? Top-notch.
And let’s talk about that confession scene. The build-up was chef’s kiss, and the scene itself? Best one in GL history, hands down. So cute, so romantic. Writers and directors everywhere need to take notes because this is how you do it.
Even with only 8 episodes, the pacing was just right. Every episode felt complete and left you excited for the next one. Unlike other shows, it didn’t leave you feeling like something was missing.
I love everything about this show and will defend it forever. Absolute masterpiece.
2024 GL Ranking: https://mydramalist.com/list/Ln8MOBO4
My Top 10 GLs of All Time: https://mydramalist.com/list/4vGQqnb1
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Casting. LoCH 2017 used mostly rookies for its leading cast. Yang Xu Wen is probably the best-looking Guo Jing I've ever seen. I also think Li Yi Tong looks very much the part of Huang Rong. She also gives off a Zhou Xun feel (both of them suit this role well). The dubbing did wonders for this pair though, because if I had to listen to their original voices instead my ears will bleed. However, I think Mu Nian Ci was horribly miscast. This is my first time seeing such a... Mu Nian Ci. She doesn't have the right disposition at all.
Acting. Pretty decent acting all around, especially the veteran actors. There must also be something magical with the role of Ouyang Ke, because somehow all the actors who play the character do really really really well with it.
Production. The production team claimed that the use of rookie actors means that they are able to set aside more money for the more important things. Well, I think that's reasonable. At least there wasn't an overwhelming use of green screens *cough, cough G&I*. My problem is with the colours. Despite everything, the colours are still very "idol-ish wuxia" [2]. I much prefer the Zhang Ji Zhong adaptations where the colours were duller, more movie-like and looks like a proper drama as opposed to "idol dramas".
In all, I think the drama stands out from most of the 2017 productions. It also has an edge because of the fact that it's a recent adaptation, and after watching Yu Zheng's dramas, it's like a breath of fresh air. The drama also has a 8.0 rating on Douban, above the 2003 and 2008 versions. Not exactly deserved, but as I say, it has the advantage of being the diamond in the dirt.
-- Footnotes --
[1] I think it's based on the more recent editions of the book, which is a pity since I think in general the changes were for the worse.
[2] As years go on, Chinese period dramas are getting brighter and brighter in colours, which imo is a bad thing. It just looks... cheap.
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I even managed to regain my composure after the initial excitement, let some time pass and cool down, in order to look at it with a less passionate, more objective stance. The result is, SG remains my all time favourite, a drama I have watched and rewatched and will watch again until the characters and the script will be integral part of my life - perhaps they already are.
The plot speaks fot itself. There is fun, romance, magic, tragic, twists and literary references. It flows without interruptions, making you laugh like crazy and cry like a baby, at times flooding you like high tide, but it never leaves one dry or unsatisfied: questions are answered, references fulfilled, all spiced up with a little magic.
The script is unique and brilliant. The funny lines are hilarious, the serious ones thought-provoking. Nothing about this script is either predictable or shallow, making the characters come to life and become realistic in a fantasy world.
Which inevitably leads me to the acting, which is outstanding. The main leads have to play the part of themeselves, then that of the other, then that of the other playing the part of themselves. Lesser actors would have screwed up, but Ha Ji Won and Hyun Bin both do a fantastic job, providing laughters in heaps and tears in the same amount. And their love story is just as beautiful as their chemistry on screen is sizzling.
The secondary characters are not mere supporters. They are all interesting, complex personalities who adds to the plot and the dynamic wonderfully.
The music is addicting, even for a K-pop ignorant as myself. Songs and lyrics are never chosen randomly but highlight and define the scenes they soundtrack.
I can't ask more of a drama. In fact, I doubt I'll find something to fully compensate for the end of this wonderful show.
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1
3I was really hooked around episode 8
I'm a Wuxia fan but I always enjoy a great Xianxia, and this happens to be one of them. Xiao Zhan is an incredible talent. Xiao Zhan is a consummate actor, able to play any role and become that character. I had just finished his beautiful & latest drama The Youth Memories 2023 not too long ago, where he played the confident, assertive, and gregarious Xiao Chun Sheng. That drama was a slice of life/coming of age. In The Long Promise, he played Shi Ying, a loner, calm, quiet, and introspective with a tragic past. Very few artists can reach that depth of acting in two totally different types of characters as successfully as Xiao Zhan has.The overall story is solid and the chemistry between all characters is excellent, it's not just 2D between ML and FL so that's another really strong point about this drama that many other dramas lack... The different relationships between all the characters and their character growth. Loved Gen Qing, Chong Ming, & Yuan.
I wanted to add that at first, I was skeptical about the FL because she's not a big-name star but she stepped up to the plate and played Zhu Yan wonderfully. A young, strong girl, who stands up to bullies even if she has to face adversity, and isn't afraid to show her true emotions. I always found little games like playing hard to get so annoying in other dramas (pet peeve) but that isn't the case in this drama.
Finally, the CGI, cinematography, and fighting scenes are so well done. The usage of natural geological landscapes is stunning. Scenes have a Zen-like quality. My favorite parts are usually the marital arts scenes since as I said, I favor the Wuxia genre. They were seamless and fluid, with great choreography. The color, the lighting, and the movement were done very well. It's just a stunning visual treat from beginning to end.
Highly recommended., especially if you love Xianxia.
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The story is just a big WTF! to me, really... and it doesn't always make sense. But incredibly it is still a catchy story lol, this is what BOF is, it somehow hooks you up, but deep inside of you, you know that what you're watching is not good at all.
The acting is just BLEH! although I love Lee Min Ho and now is one of my favorite actors, in BOF he wasn't as good as he is now... it wasn't a terrible acting but it wasn't a good one either... Same for Koo Hye Sun, she's good at dramatic scenes and crying and suffering but she lacks emotion in other scenes like kisses or funny moments and etc...
F4: oh boy! the eyecandy in this story has a 10/10 these four Asian boys doing whatever they want with your feelings and looking hot while they're destroying your heart haha it's just asdfghjk...
And probably what makes this drama a "must see" and a famous one is Yoon Ji Hoo (Kim Hyun Joong) BOF probably has the worst and saddest second lead syndrome ever! REALLY... even if you don't ship JanDi with JiHoo the drama still makes you feel terribly sad about JiHoo's life (a terrible and lonely one) omg! my heart still aches when I remember...
Despite of all that BOF is a very rewatchable story... if you want to cheer up, or cry like crazy or just remember or see hot Asian boys gathered in one drama, just go to BOF. :)
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OhmLeng Deserved Better
I was genuinely hyped for this show. With Ohm in the lead, there is always a promise of natural chemistry, especially with a new face like Leng. The trailer painted a picture of darker themes in my head, I mean, a kidnapping subplot? Intriguing, right? It seemed like this could be one of GMMTV’s more serious or emotionally grounded series, maybe even a hidden gem but I was wrong.➬ Plot and Execution
To put it as nicely as I can, it's a dumpster fire. It feels like they pulled random ideas out of a hat and slapped them together without any thought lmao. I think they cater to a 12-year-old audience while simultaneously throwing in themes that should never be anywhere near a show for kids. A kidnapping subplot? Really? How do you take that and mix it with juvenile humor? It’s embarrassing and that's not to say a show can't be dark and funny at the same time but it has to be well done which isn't the case here. The storyline is not only predictable but it’s also shallow as fuck, there is no substance whatsoever.
➬Tone and Pacing
This is where things went completely off the rails. The tone oscillates wildly from (attempted) intense drama to cringeworthy + over-the-top humor which makes it nearly impossible to get emotionally invested. One moment, I was watching a serious “kidnap” scenario that should be thrilling or tense and the next it’s as if the characters are filming a skit lmao. This back and forth annoyed me a lot. I’m not sure what they were aiming for but whatever it was, they didn’t reach it and the pacing is equally disjointed which makes the show feel like a mishmash of scenes rather than a cohesive story. Important moments are rushed while trivial scenes drag on smh.
➬ Character and Performance Analysis
Ohm → is as talented as ever but even he struggles to shine under this weak script. I can see he is trying his best but with stilted dialogue and poor plot development, there is only so much he can do. It’s disappointing to see an actor with his range stuck in a story that doesn’t even let him showcase half his potential.
Leng → For a first-time lead, Leng isn’t doing a bad job but he does need improvement. He has potential, his charm comes through and he has an innate sweetness that works well for his character but again the plot leaves him stranded. Even with great chemistry with Ohm, the weakass dialogue makes it difficult for him to deliver anything memorable.
➬ Chemistry and Romance
Ohm and Leng have a good on-screen chemistry which is honestly the only reason to keep watching. But even that suffers due to the poor writing. Romantic scenes that should feel sincere instead feel forced and hollow and this is mainly because of the misplaced humor. With a better script, these two could have delivered a very good romance.
➬ Overall Production Quality
While the show looks pretty decent, the direction is inconsistent with no clear vision guiding it and don't even get me started on those damn cakes they keep shoving on my screen, I know sponsorship isn't new to GMMTV and this is something that has always pissed me off because there are show's that make the Ads very subtle and then there are other's who shove it in my face, like this one.
➬ Final Thoughts
Watching this has been frustrating because GMMTV has access to talented actors but instead of capitalizing on that talent and creating good stories, they are more focused on quantity over quality. This series feels like a product made for the sake of staying in the game, rather than any real effort to push BL forward.
Why I am watching? → Out of respect for Ohm and Leng because they deserve so much better. I hope GMMTV takes note of the show’s shortcomings and reconsiders their approach in the future but I have no hopes lmao.
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