1This review may contain spoilers
War of Faith: Best Financial Espionage Drama
History would tell us that Shanghai in the 1930s was, to say the least, wild. In the midst of all of this, enters a poor young man named Wei Ruolai, played by Wang Yibo. Wei Ruolai has little to no money, came from a province controlled by the communist party, and was having a hard time receiving his diploma. It's a recipe for a bleak future. But with grit, determination, and his genius brain, he managed to secure a place at the Central Bank and work alongside distinguished officials like Shen Tunan, played by Wang Yang. Here begins the gripping story of Wei Ruolai finding his faith and fighting for it. No matter the cost.To be completely honest, I am a fan of Wang Yibo. His acting has been improving rapidly and all his films released in 2023 were a massive success so naturally, I was looking forward to this drama. However, I was not expecting to get so much out of this than I actually did. Republican era drama is my least favorite genre in dramaland. It's suit porn but I think this genre is the least famous internationally for a reason and my username is what it is, also for a reason (LOL), I watch romcoms and healing dramas! It's a finance drama set in the 1930s-- how riveting could it be to watch people talk numbers, right? Boyyyyy, was I so wrong!
The story is told in the ML's POV. Viewers get taken along his journey of finding his place in the world, finding confidence in himself, and finding his passion only to lose them all. He goes through a series of pain, heartaches, and grief-- and in the midst of it finds his true faith and his true passion. We see the ML transform several times throughout this drama. Through this journey, viewers also get shown the world of finance during the troubled times of the 1930s. We see how finance plays such a huge role in war and economics. We see people's greed. We see how innocent people get sacrificed, and we see how the government can turn a blind eye.
The series in itself is very action-packed. There is no dull moment and the story keeps moving very rapidly. A lot happens in the first 4 episodes to set-up the drama but everything that happens in the story has meaning. No fillers. It's 38 episodes but it is very fast-paced without sacrificing compelling and complex storylines. Every episode makes you want to watch more. I was watching earnestly and the foreshadowing in this drama is so smooth and clean that I probably missed some tiny details along the way. I'm already excited to rewatch this drama now that I know what I'm looking for!
This is an original IP so my hat is off to the screenwriter and the director for creating such a marvelous piece of art in television. The cinematography in this drama is also of high quality that is rarely seen in c-ent. It felt like watching a movie, and despite the 2.5 weeks of airtime, I wish the story goes on. I want to see more.
The casting of this drama is also top-notch. No holes anywhere. Everyone down to the little girl acted so incredibly well. Wang Yibo was such a star in this production and it is his best acting to date! Wang Yibo's Wei Ruolai feels so incredibly human and real. He conveys very complex emotions with his eyes and his face. His performance is so captivating because of the precision and nuance he gives the character. You can feel through the screen every single thing that Wei Ruolai feels throughout the drama-- and to be honest, it was a lot to handle!!! This drama also spanned 6 years and many transformations for Wang Yibo's character and if you compare his transformations, you can clearly see the contrast between each one. From his starry-eyed full of hope young man, through the disappointments and desperation, and to becoming an integral part of the communist party. Wang Yibo did such a stellar job and as a fan, I am so incredibly proud.
Wang Yang, Li Qin, and the rest of the supporting characters also deserve their flowers. Everyone was captured in such a humanized way that you can feel empathy for every character. You believe everyone's storylines and you get to feel that a lot of the big players in this drama are morally gray. Everybody had their purpose and I was hooked! The storyline and acting did its thing for me. I hated who they wanted me to hate, and cried for the ones they wanted me to cry for. I've never felt a story so real and close to me like this in a very long time. Certainly not in c-dramaland, and not in a Republican era drama. A gem of a find for me is Lan Xiya who played Niu Chunmiao. She was introduced halfway through the story with such a very firecracker of an entrance. I loved Niu Chunmiao as a character and I loved Lan Xiya for her talent in acting. She's so new and young but her ability to act is very high. I'm so impressed with her just as I was impressed with her character. Another treasured character for me is Wei Ruolai's best friend, A'Wen played by Li Weilong. A'Wen allowed us to see many layers to Wei Ruolai so very early on in a drama. Also, special shoutout to Zhang Tianyang's Lin Qiaosong-- he put me through the ringer all 38 episodes!
Lastly, the music. I think all I gotta say is Zhou Shen.
This has been a very long review but if you're still with me, please go watch War Of Faith. It will be worth every second of your time. You can find out how apropos the English title War of Faith is. And if you don't believe how a Republican drama can be so good, check it out yourself! :)
Was this review helpful to you?
As implied above, Yakou Kanransha delves into the effects a shocking murder has on two families (and the town in which they live). It is an emotional story marked by highs and lows, much like the ever-rotating path the titular Ferris wheel follows. Other issues tackled over its course include bullying (by neighbors and classmates), ostracization, domestic violence, and societal pressure. Unlike many other Japanese dramas with such a focus, family is not held on a pedestal. Instead we're shown a realistically flawed structure, full of secrets and misunderstandings. Despite this, beauty remains to be found in the connection between friends, brothers and sisters, parents and children; something so imperfect can still be wonderful.
Most incredible might be how deftly these emotive aspects are combined with exciting, cerebral ones. Character development intermingles flawlessly with shocking revelations and startling secrets. Scenes are rarely lingered on; the pacing maintains a seamless stability throughout the series.
Japan excels at the ensemble piece; Yakou Kanransha boasts a large cast which more than lives up to this standard. Suzuki Kyoka clocks in a believable and solid performance as Endo Mayumi. This role is written simply so she might serve as our eyes into this fantastic circumstance; despite this, Suzuki-san completely brings her to life. Among the other adults, Yasuda Shota and Natsuki Mari are of great interest. Natsuki-san plays an especially polarizing part, yet her consistent and complex portrayal makes quite the impression.
But young actors Nakagawa Taishi (15) and Sugisaki Hana (16) completely steal the show. Both deliver honest and affecting performances beyond their years. Particularly Nakagawa-san; it floored me how drawn into his scenes I became as the series rolled along. Definitely a budding career to watch.
If like me, music comprises an important part of your viewing experience: take heart. Yakou Kanransha posesses an immaculate soundtrack, full of richly mysterious strings and hollow piano. There are also fine vocals, such as those from Ai (ending theme "Voice," which exudes action), and Reiko Oshima ("Daydreaming," a hopeful ballad with a bittersweet feel). Other highlights include the masterful use of sound effects; during particularly intense scenes, one can sometimes hear the grinding machinery and clacking carts of the Ferris wheel. Also take note of its use as imagery between scenes; you'll never forget the way it looks, brightly lit at night.
Was this review helpful to you?
a thriller/horror turned into an examination of how awful people can be
Overall: I struggled with how to rate this as there were parts that really worked for me and others that didn't. I was also disappointed but not surprised when some viewers victim blamed the character Non. 12 episodes about 45 minutes each. Aired on iQIYI. Production company is Be On Cloud which also produced KinnPorsche.Content Warnings: murders/death, blood/gore, decapitation, animal death, vomiting, bullying, manipulation, coercion, mental health struggles, suicides, attempted suicide, parental abuse, beaten up, grooming, teacher/student, non con sex, non con recording/sharing, cyberbullying, drugging
Thoughts on Victim Blaming Non
- consent is multifaceted, one part is non-coerced and Non was definitely coerced, he was groomed by someone he had respected and felt he owed that person, Non did not deserve the terrible things that happened to him
- for people who said "why didn't he just switch schools", we don't know the cost/transportation difficulty with doing that, also I think Non was an abuse cycle with the friend group, Jin was the little bit of sweetness that made Non hope for things to get better and then when they were terrible it was difficult to break free, viewers also forgot that Non had been lied to/manipulated and believed the first thing was his fault and that he was mainly responsible for all of the awfulness happening to him (update in episode 11 around 7 minutes Non says "if you didn't see me as a friend I could have moved to another school" which confirms for me that Non would have left if all of them had been terrible all the time but Non had glimpses of kindness an that kept him at his current school)
Watch Notes
- if you like horror/thriller (and don't want to see a ton of bullying/people being awful), watch episodes 1-4, then watch the beginning recaps of episodes 5, 6, 7, 8 and 9 which are all flashback, watch episode 10 thru the end
- if you like sweetness, watch the first 5 minutes of episode 7 and watch episode 11 33-41:25
- if you like spiciness, watch the scene at 26 minutes of episode 9
What I Liked
- mystery aspect
- the NSFW/intimate scenes in the first episode and episode 9 were well done
- character actions sometimes felt realistic
- that they talk about not splitting up like in a horror movie
- sweet moments beginning of episode 7
- fleshing some characters' backstories out
- flawed characters
Room For Improvement
- slowly paced for being a thriller, flashback episodes 5-9 provided important context but they also interrupted the thrilling part of the series, they could have condensed them or interspersed with the thriller part in the present
- there were 9 main characters and it took me quite some time to figure out who they all were and their relationships to one another
- Jin got off the hook way too easy for something absolutely terrible that he did, it felt unrealistic and was disappointing
- episode 10 was an exposition dump/reveal with some scenes (wandering around the woods) that dragged
- one character did not deserve what he got (wish there had been some kind of twist with this character)
- ending felt rushed and too much fantasy (no way would hallucinations have been exactly like that), wanted more/different twists and then the 31 minutes onward didn't work for me
Was this review helpful to you?
My opinion on sato takeru change from a so so actor to good capable actor and this was his best performance I must say and he deserves the best actor role on this. IF he continue do performance like this then he might join the ranks of those top class japanese actors. Haru kuroki is one of the best young japanese dramatic actress today and perhaps she is the best. Her acting here is like silent-but-deadly and she never overact and thats the best thing i notice on her.
The story is very engaging definitely one of the most inspiring drama's I saw and i love how they dramatize tokuzo akiyama who is a real person, his antics, his movements...I love it. I also like the way they manage those time skips it didnt feel rushed. The acting here was phenomenal even the foreign actors did well specially that french girl and I wanted to know what happen to her after. This wont become that much inspiring if not of this drama's music....they inserts right music at the right moment. I notice this in every episodes they will build up you emotion, just as you thought that was it but there still a final kicker at the end then BAM.
I didnt cry while watching this but i do feel like I wanna work more harder after. Watch it you wont regret it.
Check my Blog for other reviews & other JDramas stuffs. (｡◕‿‿◕｡)
https://thatjapanesedramaguy.blogspot.com/
Was this review helpful to you?
1This review may contain spoilers
Moral Bankruptcy, Bad Wigs, and Surprisingly Good Chemistry
Alright, gather round, chaos enthusiasts. This drama is not for the faint of heart or those who enjoy neatly wrapped moral lessons. The ethics in here are wobbly at best—like a toddler on roller skates—but that’s part of the fun. Each 10-minute episode feels like someone tried to condense three emotional breakdowns and one questionable life choice into a single espresso shot. And you know what? It works. I was hooked, blinking in disbelief but unable to look away.Now, let’s talk production. The budget? Missing, presumed dead. The emperor’s acting was serving “community theatre villain with unpaid bills.” The OST has been reincarnated more times than the leads, and the wigs… spiritual experience of their own. Yet, somehow, none of this ruins the fun—it just adds flavor.
The leads are a special breed of unhinged. Their dynamic starts off as “toxic fumes and trauma bonding,” then slides into “kinda hot, actually.” The reincarnation twist adds spice: the FL remembers the first life, the ML does not, and together they prove that hate and love are basically just different toppings on the same emotional pizza. Both of them are morally carbonated, fizzing with chaos and guilt, but balanced enough to make you root for them anyway.
By the end, the FL does what most characters in revenge plots forget to do—she heals. She drops the hate, forgives the man who probably deserved to be set on fire at least once, and becomes his biggest cheerleader. Growth, baby. Toxic but touching.
And bro—if these two needed three lifetimes to get it right, how am I supposed to find my happiness in just one?!
In conclusion: it’s a short, chaotic, ethically grey pit stop between your prestige dramas. Expect messy emotions, shaky wigs, and a surprisingly wholesome aftertaste. Would I recommend it? Absolutely. Would I question your sanity if you liked it too much? Also yes.
Was this review helpful to you?
#JusticeForReverse4You
Do people just hate good art or something? Like, why does Reverse 4 You only have a 7.8 rating? Put some respect on its name because this show is so underrated. Honestly, it’s the best GL of 2024 in my opinion, even though we got robbed with only 8 episodes.The balance of romance, comedy, and angst? Absolute perfection. And I mean perfect. Four is a masterclass on how to write a "mean" character. She starts off as an asshole, sure, but the way her character grows and deepens makes you fall in love with her. Then there’s Wa, she’s such a fun and likable character that you can’t help but root for her.
The writing is so good and does not get the love it deserves. Their banter? Pure gold. I was kicking my feet and giggling like crazy. I haven’t read the book, so I don’t know how faithful the adaptation is, but the delivery of the lines? Top-notch.
And let’s talk about that confession scene. The build-up was chef’s kiss, and the scene itself? Best one in GL history, hands down. So cute, so romantic. Writers and directors everywhere need to take notes because this is how you do it.
Even with only 8 episodes, the pacing was just right. Every episode felt complete and left you excited for the next one. Unlike other shows, it didn’t leave you feeling like something was missing.
I love everything about this show and will defend it forever. Absolute masterpiece.
2024 GL Ranking: https://mydramalist.com/list/Ln8MOBO4
My Top 10 GLs of All Time: https://mydramalist.com/list/4vGQqnb1
Was this review helpful to you?
Casting. LoCH 2017 used mostly rookies for its leading cast. Yang Xu Wen is probably the best-looking Guo Jing I've ever seen. I also think Li Yi Tong looks very much the part of Huang Rong. She also gives off a Zhou Xun feel (both of them suit this role well). The dubbing did wonders for this pair though, because if I had to listen to their original voices instead my ears will bleed. However, I think Mu Nian Ci was horribly miscast. This is my first time seeing such a... Mu Nian Ci. She doesn't have the right disposition at all.
Acting. Pretty decent acting all around, especially the veteran actors. There must also be something magical with the role of Ouyang Ke, because somehow all the actors who play the character do really really really well with it.
Production. The production team claimed that the use of rookie actors means that they are able to set aside more money for the more important things. Well, I think that's reasonable. At least there wasn't an overwhelming use of green screens *cough, cough G&I*. My problem is with the colours. Despite everything, the colours are still very "idol-ish wuxia" [2]. I much prefer the Zhang Ji Zhong adaptations where the colours were duller, more movie-like and looks like a proper drama as opposed to "idol dramas".
In all, I think the drama stands out from most of the 2017 productions. It also has an edge because of the fact that it's a recent adaptation, and after watching Yu Zheng's dramas, it's like a breath of fresh air. The drama also has a 8.0 rating on Douban, above the 2003 and 2008 versions. Not exactly deserved, but as I say, it has the advantage of being the diamond in the dirt.
-- Footnotes --
[1] I think it's based on the more recent editions of the book, which is a pity since I think in general the changes were for the worse.
[2] As years go on, Chinese period dramas are getting brighter and brighter in colours, which imo is a bad thing. It just looks... cheap.
Was this review helpful to you?
I even managed to regain my composure after the initial excitement, let some time pass and cool down, in order to look at it with a less passionate, more objective stance. The result is, SG remains my all time favourite, a drama I have watched and rewatched and will watch again until the characters and the script will be integral part of my life - perhaps they already are.
The plot speaks fot itself. There is fun, romance, magic, tragic, twists and literary references. It flows without interruptions, making you laugh like crazy and cry like a baby, at times flooding you like high tide, but it never leaves one dry or unsatisfied: questions are answered, references fulfilled, all spiced up with a little magic.
The script is unique and brilliant. The funny lines are hilarious, the serious ones thought-provoking. Nothing about this script is either predictable or shallow, making the characters come to life and become realistic in a fantasy world.
Which inevitably leads me to the acting, which is outstanding. The main leads have to play the part of themeselves, then that of the other, then that of the other playing the part of themselves. Lesser actors would have screwed up, but Ha Ji Won and Hyun Bin both do a fantastic job, providing laughters in heaps and tears in the same amount. And their love story is just as beautiful as their chemistry on screen is sizzling.
The secondary characters are not mere supporters. They are all interesting, complex personalities who adds to the plot and the dynamic wonderfully.
The music is addicting, even for a K-pop ignorant as myself. Songs and lyrics are never chosen randomly but highlight and define the scenes they soundtrack.
I can't ask more of a drama. In fact, I doubt I'll find something to fully compensate for the end of this wonderful show.
Was this review helpful to you?
I was really hooked around episode 8
I'm a Wuxia fan but I always enjoy a great Xianxia, and this happens to be one of them. Xiao Zhan is an incredible talent. Xiao Zhan is a consummate actor, able to play any role and become that character. I had just finished his beautiful & latest drama The Youth Memories 2023 not too long ago, where he played the confident, assertive, and gregarious Xiao Chun Sheng. That drama was a slice of life/coming of age. In The Long Promise, he played Shi Ying, a loner, calm, quiet, and introspective with a tragic past. Very few artists can reach that depth of acting in two totally different types of characters as successfully as Xiao Zhan has.The overall story is solid and the chemistry between all characters is excellent, it's not just 2D between ML and FL so that's another really strong point about this drama that many other dramas lack... The different relationships between all the characters and their character growth. Loved Gen Qing, Chong Ming, & Yuan.
I wanted to add that at first, I was skeptical about the FL because she's not a big-name star but she stepped up to the plate and played Zhu Yan wonderfully. A young, strong girl, who stands up to bullies even if she has to face adversity, and isn't afraid to show her true emotions. I always found little games like playing hard to get so annoying in other dramas (pet peeve) but that isn't the case in this drama.
Finally, the CGI, cinematography, and fighting scenes are so well done. The usage of natural geological landscapes is stunning. Scenes have a Zen-like quality. My favorite parts are usually the marital arts scenes since as I said, I favor the Wuxia genre. They were seamless and fluid, with great choreography. The color, the lighting, and the movement were done very well. It's just a stunning visual treat from beginning to end.
Highly recommended., especially if you love Xianxia.
Was this review helpful to you?
End of review, thanks for reading.
Indeed, I could end my review here, since the above is basically all the drama left me with. But to the precious 18 hours – or something – I’ve dedicated to this show, I owe at least a more in-depth epitaph.
"Something in the rain" would have worked wonderfully as a 2 hour movie: the plot can be easily condensed in so short a time, we would have enjoyed a lovely on-screen chemistry and there would have been still room for the artsy cinematography the drama likes so much to sport. But, alas, the writer and director opted for a long narration, taking one conflict and a half and building this repetitive and aggravating slice of “real” life around it. What in the beginning seemed like beautiful aesthetics meant to create an atmosphere and enhance the plot, turned soon enough to be a trick to hide the lack of it. Because of that, the cinematography became, in my eyes, one of the drama flaws.
Let me make this clear: I have absolutely nothing against a slow pace that helps the viewer enter the world of the characters. I love small details: a meaningful glance, a trembling hand, a quiet dialogue that says it all, but here scenes are simply overstretched, even the most mundane, irrelevant ones. I have actually timed a scene: a character gets out of a taxi and walks unobserved on the road for as much as 65 seconds (try to count in your head and you’ll realize it’s an eternity). The camera stays still and the character walks. No close-up shot of the face expression, no weird or telling gate, no encounter to be remembered later on, just a walk that bears no significance whatsoever in the plot, except perhaps that it teaches us how people walk in Korea. I could go on describing scenes like this one, there are a handful. When a 2 whole minutes hug came, I truly became restless. And bored.
All the while, most characters are extremely bi-dimentional. No explanation, flashback or insight is given to justify their motivations. They are trapped in this present bubble and immortalized with one or two character traits only. We are left to speculate about their past, future and, at times, present. This show isn’t centered around a meaty plot, but does not focus on characterization either. There’s only so much a believable on-screen chemistry and artsy aesthetics can do to keep my interest alive.
Which brings me to the love story itself. The only positive trait of this romance is it’s realism, at least in the beginning. However, because these two jump from meeting on the road to being madly in love, I was deprived of my favourite part of romance, that is the falling in love process. Worse, episode after episode I started feeling like a voyeur, peeping through the keyhole to spy on an ordinary albeit pretty married couple in its daily routine. Since voyeurism isn’t my favourite hobby, I lost interest very soon in the nth walk with or without umbrella or yet another scene with these two frolicking around with the ever-present music that should tell a story but does not. They have no heart-to-heart chat, they don’t talk about their dreams, their plans, their future together, they hide more than they tell. Why these two people who have very little in common should love each other is not for us to know. Ah, yes! They are both gorgeous, that must be it.
The tension is all built around the opposition of a mother who’s in serious need of good therapy in whatever culture we set this story. Don’t get me started on the ex boyfriend arc and the harassment on the working place: the first goes nowhere and the second takes an eternity to go… where did it go?
Not yet happy, these badly outlined characters are for the most part disagreeable. If I have to watch a slice of life drama, I want to become attached to these people, but here I grew increasingly indifferent to all of them, otp included. The heroine is possibly the one who frustrated me the most and no amount of sociological analysis on the customs of South Korea will ever make me love a grown up woman who can’t stand up for her rights and for the people she supposedly loves. The fact that the author decided to portray a female lead who never learns from her own mistakes put a huge distance between me and her and makes the ending, good or bad, senseless. If it was my fault to expect something different, than I’ll take the blame, but at least I have learned something and will try to be a wiser viewer in the future (i.e., drop the hot potato before it scorches).
Finally, the music! Two good songs repeated ad nauseam and another old-fashioned two that made seaweeds grow in my ears. That’s the ost – an inappropriate definition anyway, since ost stands for “Original Sound Track”, that is, songs or music created on purpose for the show. I doubt Carla Bruni (?), Bruce Willis (??) or even talented Rachael Yamagata met to create this meager ensemble.
It’s extremely ironic and sad that the episode I enjoyed the most is the discussed last one. If only everything had taken place much earlier on, I’d have liked this drama. Unfortunately, as it stands it makes little sense and the prospect of subjecting myself to a second watch is unthinkable.
My dear 18 hours, RIP.
Was this review helpful to you?
Perfectly constructed, every episode is just amazing, go watch!
Desperate to fund her daughter’s surgery, Myung Joon (Yoon Kye Sang) kidnaps a feisty child genius Rohee (Yuna), who lost her memories. When his call for ransom remains unanswered, Myung Joon drives to her house only to find her parents were mysteriously murdered.I’m going to first mentioned my most memorable aspect, that is Yuna as Choi Rohee! Yuna’s performance was such a delight! she stole the show with her vast range of emotions and also strong nuances in her micro expressions. It's magical how her emotions tore me apart. I laughed and cried for her! In one scene, I cried so hard and still cry however many times I watch the scene. T.T, I also love The Kidnapping Day for the solid storyline. It blends different genres expertly, giving me a high-stake, angsty, funny and endearing feel altogether. It’s a found family through kidnapping, but it never delve into Stockholm Syndrome as Myung Joon and Rohee dynamic is equal. Myung Joon is silly but caring, while Rohee tends to dominate, but as a child, she’s yearning for family love.
I enjoy how unpredictable and unconventional the mystery unravels. The investigation isn’t drag, the police make progress, obtain evidence, etc. We are rewarded with clues and twists constantly without them being overwhelming. It's rare to experience a drama that’s perfectly paced & each episode is juicy like this. For me, it’s the best release in 2023 and will always be one of my tops of all time! Wonderful!!
-Oct 2023, Yovita
Find me on Instagram: @kdramajudge
Was this review helpful to you?
The Ha family follows traditions that one doesn’t encounter often in modern day dramas and that was one of the most interesting concepts of the show. From holiday celebrations, weddings and funerals, to the etiquette that they practice in their everyday life and their conducting behavior, they give this drama a strong beginning just by being in it. Add one of the most adorable grandfathers that you’ve ever encountered in kdramaland and you have a winner.
On the other hand, the Lee family is crude and they happen to be the owners of the most kitsch sitting room that I’ve ever been unfortunate enough to behold, BUT Park Shi Hoo plays their eldest son so who cares about the golden armchairs?
The plot is mostly focused on the romantic relationships that involve the members of the two families and there are interesting sub-plots here and there that make Family’s Honor a smooth ride despite its long length.
What could be a drawback for some viewers, is the personality of the Ha daughter. Yoon Jung Hee did an amazing job with her part and she’s not your average kdrama heroine, but I suspect that her constant melancholy and seriousness might be considered a tad tiring after a while. Fortunately for her (and for us) Park Shi Hoo plays one of the two men who are after her heart, and his character has such an outgoing personality and charisma that you can’t help but root for the unlikely pair.
The entire casting was spot-on anyway. From the main to the secondary characters I can’t possibly bring myself to imagine other actors playing their parts; they practically owned them.
Not much to say about the music, I hardly ever notice it, but I did find myself whistling the ending song on my way to work the other day, and I almost chocked when I heard a traditional Greek song playing in the background.
Overall I’m giving it a high rating for originality, a well written plot and endearing characters.
Was this review helpful to you?
Drama Special Series Season 3: Sirius
25 people found this review helpful
Story: The premise was a little cliche for my taste. Two twin brothers who feel at odds and are polar opposites? Not exactly a twist. But somehow the writers managed to infuse a scattering of random cliches and use them to create an original and action packed story. It wasn't perfect, but at 4 episodes long, this drama special was a nice watch when you want a break from the cutesy rom-coms of dramaland.
Acting: None of the actors were very well known, and you could tell they were new to their jobs, but that didn't affect this drama the slightest. They all had a very nice stage presence.
Music: Was there music? I honestly can't remember. *shrug*
Rewatch value: The second time is never as good as the first, so I don't think I'll be rewatching. I might skim through it again if I'm bored, but I wouldn't watch it all over again.
Overall: Nice story with nice actors. Not exactly a forgettable drama, but not exactly something I will remember forever.
Was this review helpful to you?
My take- watch it for entertainment, for comedy, for visuals, for a low stress plot, sweet chemistry, slow burn nostalgic romance.
The best part is that there is no rush, all stories (including the support characters ) have a conclusion. The highlight is the proposal and wedding which most C dramas rush. Here it is done elegantly so we feel their joy and when their story ends we come out of their world feeling happy.
For viewers who like a slow-burn character driven love story (we can say slowest of the slow-burn until episode 24 when they confess and then its all sweet and fluffy moments making it worth the wait) it is recommended.
For Miles Wei fans who have been waiting since You Are My Secret (July 2024) for a romcom of his, (probably the last one of this kind from him) this is a must watch!
For anyone who have watched him in Flourished Peony and Love Beyond The Grave who want to see him in a green flag role.
It delivers exactly what it promises: a fluffy, satisfying romance with a definitive happy ending.
Realistic rating 8-8.5
Was this review helpful to you?
This review may contain spoilers
A pleasantly beneficial KMovie infusion. Quiet. Tender. Full of consolation & healing impulse
"One Day" is a beautiful KMovie. Quiet. Tender. Full of consolation and healing impulse. In addition, the story expands the usual dimensions of perception - human being sees ghost; man builds relationship with ghost. The extraordinary situation facilitates extraordinary closeness, opens up new perspectives and allows the male protagonist to look behind the obvious.The female lead character is visually impaired in life, yet specialized in sensing touch instead. The male protagonist, on the other hand, finds himself in a stage of his life, where he prefers to avoid his feelings, because they might overwhelm him. His inability to face the grief over his deceased wife, his feelings of guilt and being lost completely block him. By the way, the female protagonist is also blocked: she is in a coma.
The process of rapprochement between the two triggers a healing process, which is captured tenderly and lovingly, reaching out to the side plots, too. The KMovie knows how to touch. It might come along in an unexcited manner, yet with the perseverance of water, dealing with the stone...
After seeing the movie for the first time, I had no idea what had happened to me. It had pulled me into gentle inebriety. I had actually been sucked in and completely lost the distance.
So I couldn't write anything about it at first. I knew, l would rather want to see it again sometime in the near future. And again, it might not have been my last encounter with “One Day”. Why? Because of the overall gentle tone, the particular radiance, and the unique look&feel of this story. Because it's good.
“One Day” is not a blockbuster, no. However, in my eyes and according to my feeling, it offers a pleasantly beneficial KMovie infusion. (With wonderful acting, too.)
Was this review helpful to you?
