Just feels right
Everyone is cute, (almost) everyone is nice, no horrible horrible angst, just a bunch of lovely and brave kids growing up and turning into adults. It's relaxing, the friendship is solid even when there is obvious romantic feelings budding and there is no awkward second hand embarrasment for us viewers. The acting feels natural, nothing over the top, and the main couple is just adorable. ML and SML have this weirdly nice husky voices that I enjoy a lot. The FML makes sense most of the time. The only thing I find annoying is when they switch Bull's Nikon camera to Canon.Was this review helpful to you?
Dethrones Love O2O and Put Your Head On My Shoulder as my favorite RomCom!
I almost didn't watch this drama based on some negative comments and also the first 2 episodes had a rocky start, but once episode 3 hit and our leads finally interact via the game I was hooked. This drama is one of the funniest ones I've watched in recent memory. I was cackling nearly every single episode. I loved Lu Jing's roommates. Not a single brain cell between them and I love them for it. The gaming scenes were my favorite. Great CGI and funny interactions between our two leads. It made me excited to see what would happen when Lu Jing realizes who he's been gaming with. One thing I did not expect going into this was our main cp's chemistry. When I tell you that it was SCORCHING HOLY SHIT. Lin Yi has such a baby face but he amped up the sexual tension once he and Liang Chen finally meet in person. WHO TAUGHT THIS XIAO DIDI HOW TO KISS LIKE THAT??? He looked like he wanted to gobble Liang Chen during every scene. I was literally hiding behind my hands and giggling because I couldn't handle how sensual it was. Their first kiss had me in hysterics. Their first time in bed had me on the floor. I would say this drama is a must watch based on the two lead's chemistry alone. It's well worth it. I loved most of the supporting characters. The only things I didn't like were Jia Yun and the Ma Shan Shan/Taro relationship. Jia Yun creeped me out. He wasn't crossing any boundaries but the way he would try and reign in Liang Chen at times just put me off. I wish the writer's had axed this love triangle because he is way too old for her. His style of dress and speaking doesn't help either. Ma Shan Shan I also had issues with. I get she suffers depression due to her past relationship but she was so damn boring. I fast forwarded through most her scenes. And don't even get me started on her relationship with Taro. He really creeped me out in the beginning, too. He never respected her boundaries, borderline stalking her, wouldn't take no for an answer, etc. I wasn't rooting for them at all. They did grow on me a smidge at the end, but I wasn't invested in them at all. Over all, this drama is simple, romantic, and makes you smile. The plot isn't complicated, the leads shine with every scene they're in, and it's hilarious. No miscommunications or petty breakups for drama in the relationship, which I appreciated. The drama has a slow start and some may find the constant near misses of Liang Chen and Lu Jing frustrating, but if you can look past that and just buckle up for a fun ride, then it's well worth the time to watch.Was this review helpful to you?
My dark horse thriller of 2025
In the last days of 2025, three different thrillers aired, and after a rough personal year in the genre, I wasn’t craving anything extraordinary - just good dramas. And, as with many things in life, the positive surprise came from the least expected. That’s how **The Truth Within** turned out to be my dark horse thriller of 2025 - *The Hunt* remains my favourite.Without diving too much to avoid spoilers, this is a five-case thriller with an underlying mystery (the sixth case), where case-solving and criminal procedures, with a strong emphasis on the forensic aspect, take center stage, very much in the vein of the best era of CSI: Las Vegas. Here, there’s no room for cops’ family affairs, personal life matters, the old master-apprentice trope, or the social commentary we usually see in the genre.
It’s a stylized tense drama, far away from a gritty vibe but also from the overly artistic aesthetic that’s becoming the opposite trend in the Chinese entertainment landscape since last year.
The two Taiwanese directors - there’s also a third, Chinese one who collaborates with them - have a renowned portfolio in thrillers, and you can tell. I love the storytelling here and how they enhance a solid script. The lighting, the overall cinematography, where the framing and the use of the camera help create the atmosphere, together with neat and efficient dialogue, give this project a distinctive and fresh personality that I deeply appreciate. Silence and unsaid words are also protagonists, but again, used with precision.
The straight, clean, and plain focus on the case-solving process feels refreshing. Although short cases aren’t my preferred jam in any genre or format - and that was one of my two main gripes about it - they have the right amount of length and flow, are interesting, and even tackle a theme I never expected to see in C-dramaland. The underlying mystery is well interconnected too, and the viewer accompanies the investigation team as the clues unfold. Overall, the pace feels right: neither slow nor rushed.
Production is excellent despite it not being a super-budget drama, and my other gripe with this type of series luckily didn’t become a nightmare: procedures don’t have major flaws that make you roll your eyes, and they managed to introduce the main role of the forensic doctor quite logically within the team dynamics and stories, resulting in balanced and fair screen time among the main team, as it should be.
I liked how they presented the dynamics between the characters. I appreciate that every team member has a distinct personality, and that they didn’t go over the top or force comic relief with any of them. Despite the precise approach to cases, you find yourself getting attached to all of them when danger arises - proof of a good script, solid execution, and good acting from the entire cast, not only the main leads (by the way, not the usual suspects in these dramas either).
If I have to remark on the things that bothered me, the one that sticks out the most is the three or four images that were unnecessarily censored around the middle of the drama, once it gained more views.
There were other minor issues that didn’t ruin the overall tone of the show: a subtle (edit: perhaps more than subtle for the trained eye) drop in quality in episodes 14 and 15 - I guess they left the direction to a director’s assistant/apprentice? - and a few inconsistencies toward the last two episodes, where the story changes the vibe a little due to the logical progression of it. Luckily, the uniqueness returns in the last 15 minutes in all its glory, and the show ends on a high note.
**The Truth Within** is not a gritty drama, nor one that delves deeply into social topics and leaves you ruminating after it ends, but rather one that keeps you on the edge of your seat, eager to press play on the next episode.
For those who like this type of thriller and want a project with personality, it’s a very tight drama.
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If you want to watch a historical drama with many funny moments and no tragedy then this is a good watch. I liked the dialogues in this movie, worth reflecting on.
Not many romantic scenes, but enough to keep you happy.
The whole cast did a great job! Lee Seungi was perfect as usual <3
I liked the interaction between Lee Seungi & the other astrologer lol it was hilarious
I especially liked the progress of the story, was well balanced. Even though I have watched many historical dramas I could enjoy it because of its interesting storyline.
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Single mothers, especially, are the stars of this drama. Our main female character is one. Our main male character was raised by one. And that’s just the start (to say more would be spoiling things). In fact, in this entire drama save for three characters, fathers and men largely take a backseat in the mainly female-driven story. The heartrending way the drama talks about mothers makes this a perfect watch for everyone. Maybe you grew up motherless, maybe your mother physically or emotionally traumatised you, maybe your mother was overbearing, maybe you loved your mother and lost her, maybe your mother is just a phone call away, maybe you used to be a mother, maybe you are about to become one, maybe you wish to be one... no matter who you are, I think this story will be healing, relatable, and ultimately empowering for the viewer.
It’s important to come into this not expecting it to be just one thing. Neither does it set out to establish itself as a “jack of all trades” type of drama. The characters are genuine, the story is honest, and everything unfolds rather mellowly. I would say there is some meandering in some parts, but let the characters grow on you, keep your judgement at the door. Immerse yourself and you’ll feel glad to be able to spend a bit more time with them.
Oh, and remember that no one is weak. We’re all just seeds, drifting and struggling to plant ourselves and take root, hoping to eventually flower and bloom. Give these characters the chance to do that, and give yourself the chance to too.
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In a word, Switch is exceptional and definitely the biggest surprise of 2018. I normally do not write reviews, but I want other K-drama fans to see this show so that it can get the attention and viewership that it deserves. The writing, acting, and cinematography are phenomenal. I would recommend this drama to everyone who enjoys an intelligent, exciting, and creative show that will keep you guessing until the very end.
But let’s start with what I didn’t like. You have to suspend your disbelief during certain parts, and a couple of the plot devices are not 100% airtight. Also, there seemed to be more names to keep track of than in most shows. That is about it for the negatives.
While no script is perfect, the highlight of this drama is the writing. The plot is like a fast-paced chess game. I love shows that are plot-driven and have great characters, and Switch does not disappoint. The plot is unpredictable, and deception abounds. I can tell that the writer is smart because the script is thoughtful and shows attention to detail. In fact, some of the plot twists and cons are simply brilliant. I typically expect dramas to begin to lag around episode 12 or so, but Switch had excellent pacing and never lost my interest. The ending was so good that it gave me chills.
The awesome and memorable cast of characters was another key part of this drama’s success. It was a joy to watch the interactions between the crafty Sa Do Chan and the upright, driven Prosecutor Oh Ha Ra. The protagonists were people I really wanted to root for, but the antagonists were also impressive thanks to their brains and resources. Heroes and villains were well-matched, and it was hard at times to know who had the upper hand. The con team deserves a special mention for being hilarious and providing lots of light moments throughout the show.
I was unfamiliar with most of the cast before starting Switch, but I was blown away by the acting. They got the facial expressions, demeanor, and emotions exactly right. Han Ye Ri is perfect for her part, as is Jung Woong In. Jung Woong In was great in I Hear Your Voice and My Sassy Girl, but Switch is his strongest performance. Jang Geun Seok similarly did very well in his demanding role, and he had excellent on-screen chemistry with Han Ye Ri.
As for the overall production, I liked the camerawork and editing. I have no idea how they shot some of the more complex scenes (you’ll see what I mean if you watch the show), but I was seriously impressed. The scoring is also perfect. The OST features a range of instrumental and vocal tracks, including some that would be right at home in a spy film. Switch is one of the few dramas where I would listen to the entire soundtrack on its own.
In short, a wonderful and endlessly entertaining show. Switch is a truly exceptional production that should not be missed.
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This review may contain spoilers
A light easy to watch coming of age romance
The core of this show is two young teenage university freshman dealing with their respective struggles that stems from previous trauma and how their actions and words or lack thereof affect other people. I found the conflicts that arose very understandable and true to character and importantly it's dealt with within the narrative for character growth.Daonuea is the art student and extrovert of the two whose cuteness and charm stems from how friendly he is and gets along with everyone. Kluen who plays sports is the introvert and he's shown to genuinely not understand certain kinds of social communication as the show progresses. He reads as socially awkward but is not outwardly noticeable because he's handsome and surrounded by outgoing people, so they just assume he's cool.
The story starts off with Daonuea whose primary experience with love is being seemingly rejected by Kluen so he wants to avoid him. I really like that he easily becomes himself around Kluen once it's clear their scholastic activities keep them together for a while. This leads him to not want to hurt others as he himself was hurt so this causes complications when he has to deal with rejecting his own suitors.
Kluen does everything he can to spend time with Daonuea coming from the school of thought that actions speak louder than words though he learns that words is also important to speak along with the actions. I quite enjoy the acting of Dunk who plays Daonuea. It's his first role and quite close to his real life personality. He's very natural and effervescent on camera. Joong who plays Kluen does well in communicating with his eyes and little detailed actions. The music is pleasant and the show overall is easy to watch.
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EPISODE 1 "T": after watching it I was like "whaaaat wait what is this?". it's about a transgender girl who has sex with a random guy met at a party, who the morning after steals her motorcycle. Then she meets a friend from high school who helps her look for the motorcycle but they have sex (damn why is my life so plain), even if the guy has a girlfriend. Then they see the guy that she met the day before and she slaps him. End. Good acting, confusing plot.
EPISODE 2 "B": the one I was looking forward to, since I'm a bi girl myself. But I ended up disappointed. This girl is in a relationship with another girl, but she meets a guy, they kiss and the girlfriend sees them. This was based on the stereotype that "if you're bi, you'll surely betray your lover". But it is not true. On the other hand, the acting was pretty good.
EPISODE 3 "G": the one I liked the least actually. It's about a group of gay friends who knew each other because they all were in a relationship (in the same time, yes) with a guy named Joe. One day, one of them announces he's been in a relationship with Joe for more than 5 months and they're marrying soon. But then he promises to not marry him and the ending was quite confusing. I didn't like it that much, the acting was not that good.
EPISODE 4 "L": the best out of the 4! A girl who works as an assistant producer meets this actress, whom she helps to practice the scripts. Then they kiss. The two lead actresses are really good and had a great chemistry. The thing that disappointed me a bit was the sad ending, but I still really enjoyed it and I could watch it over and over again!
Overall, not bad, it's the first time I see something about a transgender person and a bisexual person and I still enjoyed it. Recommended if you have a spare evening and don't feel like watching a movie.
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Though predictable, this is one of the better BLs
Maybe I'm a sucker for a predictable, cute story line, but I was just grateful this actually had a reasonable plot and didn't involve dysfunctional relationships. The actors did very well. The story was cute and believable. The relationships felt realistic and I genuinely wanted the characters to be happy. Yes, there was the misunderstanding each other trope and it did go a bit far, but compared to some recent BLs I have been watching, I found this incredibly refreshing and heartwarming. I am already invested in the spin off "Sky In Your Heart," sight unseen. The OST was good, though nothing outstanding, it hit all the right notes. It's a love story, start to finish, so their isn't much for a deeper plot, but it's cute and fluffy.Bottom line: If you're in the mood for a cute love story with some heartfelt moments that will make you cry (or smile dreamily), this is the story you are looking for. As a side note, this show doesn't veer off into porn territory, so it's appropriate for a younger audience, which will be a plus for some BL fans.
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This review may contain spoilers
Bluest May
PLOT.I started watching this drama knowing it'd be a really tragic one, and finished watching it bawling my eyes out. I probably can't rewatch this drama anytime soon 'cause it was too painful, everything was too much to handle so I must recover first. Sad to know my theories were right since day one, and even sadder because most of it probably happened irl. I hate Heetae's father so much, he wasn't human istg. Many of us saw it coming but thank God it was still possible to laugh throughout some episodes. Ngl, there were moments where I coudn't dare to feel a bit of happiness watching the episodes since I knew it was just a warm breeze before the cold storm. Youth of May is a great drama to bring awareness as it was extremely realistic, and it definitely left a giant impact on me.
CHARACTERS.
- Hwang Hee Tae & Kim Myung Hee:
They deserved WAY better, life was immensely unfair and cruel to both of them. Sometimes I just wished Heetae would stop talking so much to refrain getting on his devil father's uglier side. On the other hand I also wanted to see a less sour and regretful relationship between Myunghee and her father. She had a whole life ahead of her with so many dreams, it was really sad.
- Lee Soo Chan & Lee Soo Ryun:
I felt bad for Soochan, he wasn't a bad person. He didn't care Myunghee was poor, instead he admired her for being so strong. He tried helping her out as much as he could despite knowing how much she loved Heetae. He had yet to find a way to live after feeling guilty. Sooryun started the drama as a revolutionary rich girl who wanted to fight and protest, but was way too comfortable inside her bubble. She had a good character development imo. Almost too late but she got out of her comfort zone even being scared of the consequences of her doings.
- Hwang Ki Nam & Kim Hyun Cheol:
It's just unbelievable how cruel and heartless Kinam was to his own family. He even killed Heetae's best friend, what a monster. What goes around comes around but unfortunately his younger son suffered the same fate as his childhood friend/neighbor. Hyuncheol's entire family was destroyed by Kinam, that's too much. As I said above, I really wanted to see him and Myunghee getting back on track somehow. He also deserved better.
CAST.
Hands down to everyone involved into this project. Everyone's acting was on point, I was left empty on the inside many times but I could be comforted as well somehow. Both Go Minsi and Dohyun nailed their lead roles! The two kids who portrayed Heetae's and Myeonghee's little brothers did a pretty good job. Also, last but not least: Won Young Choi was awesome as Heetae's older version. I could see the younger one there for sure.
COLORS & OST.
Wah, such beautiful sceneries! I really appreciate how well they used the color scheme to create the whole atmosphere from the 80's. They delivered that nostalgic vibe perfectly here so I have at least 3-4 songs I really really like! The ost will be even more heartbreaking to listen to once you finish watching it.
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Well executed revenge drama - highly recommend to watch!
I'm not usually a fan of Ch7 lakorns as I find previous ones to come across very 'nam nao', which basically translates to trashy or a drama with no real substance filled with bad acting. So when I saw the trailer for Fah Mee Tawan, it peaked my interest as i'm a sucker for a revenge lakorn! I started watching this with no expectations or preconceptions, and i've not watched a lakorn with neither of the two leads before. The director is the same one from Nang Rai, which was imo a complete mess. I dropped that as it was too OTT and frustrating to the point where the storyline became nonsense. Boy, he turned it right around on Fah Mee Tawan as this was a surprising hit in my books. It's one of the better lakorns that I've seen in a long time, i'm super impressed by it and i've watched A LOT over the years. It was well executed from start to finish, let me explain why.The main focal point of the lakorn is based on Paul's thirst for revenge and the constant battle he goes through to see it through to the end against his emotions of gaining acceptance and love from his estranged father. I would say that the romance storyline is secondary here, but there are still plenty of 'will they or won't they?!' scenes between the leads to keep you on the edge of your seat. The director has cleverly built up the romance over each episode to keep you invested in the developing relationship of Paul and Nai. Every episode served a purpose and the storyline was not rushed nor was it dragged out for too long neither. Surprisingly, I did not find myself skipping any scenes which I often have a habit of doing. I found the production of the lakorn to be of a high calibre, and had a very 'cool kdrama' vibe to it. There were a few typical lakorn traits where you will end up feeling frustrated at certain characters but nothing was too overly dramatic which I can appreciate.
The cast and acting was 10/10. Donut and Prapye did not come to play about! These two are some great examples of fresh new talent for ch7. But, Donut emerged as the real star of Fah Mee Tawan, as he was spot on in capturing Paul's complex character. He had many emotional scenes and you could vividly feel his pain, his long kept anger and the angst that he was trying to portray. He is a natural on the screen, and I hope ch7 continue to give him more grown up roles as he has excelled in this. The chemistry him and Prapye had was SO good and believable, the tension was steadily building between them from Ep1. Even though the romance is a slow burner, but it was very satisfying when you reached its conclusion and could scream YASSS! And there are some real hot kisses ;) I'm sure they are now a koojin and hope they will be paired together in another lakorn soon. I was unsure of Nai's character at first, as she came across as a weak and submissive FL but this was all part of her character development because in the end, she is the most reasonable character with a genuine heart. P'Jeab as the nang rai/evil adoptive mum was fantastic, her facial expressions were on point! I've never seen her in this type of role before, as in real life, she's very sensible and soft. The support cast were also funny and cute to watch as they added light humour to the storyline.
It's also a major plus for me that Paul's character was not an power trip abuser, and did not ever use sexual force or rape to gain the upper hand over Nai. It's important for Thailand to stop glamorising rape culture in their lakorns. It is not okay and should not be used for entertainment purposes. I enjoy a lil slap/kiss but within reason. Fah Mee Tawan had the perfect balance of the love/hate relationship between the leads. Although, I wish there had been a bit more romance/playful scenes between them, there were a few opportunities to take advantage of this which was shut down swiftly. Lastly, the OST has one of my faaaaav songs, 'Foon' by Big Ass. This bring back memories from my teens!
You will not be disappointed as this lakorn exceeded my expectations, thank me laters and go watch FAH MEE TAWAN now!
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Such a good, different drama! Watch if 1) you feel like everything's the same in Dramaland these days, 2) you're sick of seeing the same kind of main leads, 3) you want to watch a show that's not about some rich chaebol and a Cinderella in the making. Don't watch if 1) you're looking for a well-developed, emotional love story, 2) you don't like stories with many secondary characters, 3) you don't like characters with flaws.
THE STORY
A story like you don't find in Dramaland, with characters that don't typically hang out over there too, and I loved it. I love reserved and down-to-earth Yoona, who is neither naïve, innocent and bright girl nor cold, distant and apathetic (it's usually one or the other); I love open-minded, caring Changman, who is neither a cold and arrogant prick nor a naïve and childish boy. I love how they interact with everyone around them; how loyal Yoona is, which inspires loyalty from others; how empowering Changman is, making others believe that they can aspire for more. I love the comedy, especially in the first half of the drama, and the glimpse into the world of petty crime. There's just so much good in this show. The only downside to it is that although it seemed as though the romance between the main leads and the character development of Yoona would be at the center of the story, they slowly were forgotten in favor of secondary characters and dragging plot elements, so that her changes kind of look incoherent or abrupt, and their love story, bland. The show would have been perfect if it weren't for that *sigh* The ending though, is satisfying, so it's okay.
THE ACTING
I didn't know the main leads before this show, but their acting was good. I liked her more than him, I thought she really had become Yoona. They also weren't bad together *sigh* Such a waste that the romance wasn't exploited some more. Some other actors were also quite good in their roles. Particularly the actress behind Yoonji, she was awesome. Because most characters are realistic, they aren't easy roles, but they were pulled off fine.
THE MUSIC
Just as the story and the characters, the music is sooo fresh. It's not every day that you hear K-country (does that even exist?) or Carla Bruni in a drama, it's so weird - in a good way - and totally fits with the mood. Of course, there's also Leesa's awesome song, Love will find a way. Absolutely addictive. From episode one, it got stuck in my head, and I had no choice but to download it.
REWATCH VALUE
I'd rewatch it, whenever I get in one of those moments in which all dramas just look too much the same. It's like getting some fresh air, without pulling the plug.
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The father, the son and the holy sheep.
After a long hiatus, Young Blood 2 picks up right where Season 1 left off with the team heading to Western Xia to rescue Zhao Jian's father. There they get embroiled in a plot to assassinate Yuan Hao, aka Emperor Jingzong of Western Xia. Yuan Hao was a formidable general and founder of the Tangut dynasty, which lasted almost two centuries. This narrative largely respects history so if you do not want to be majorly spoiled as to how this ends, resist the urge to Google him.Initially, Season 2's somber, pensive tone took me aback. But it is fitting for the desolate, rugged, mystical Helan Mountain terrain. It also ties well with the personal losses, betrayals, and disillusionment the team experiences at the end of Season 1. While screenwriter Wang Juan's humor and clever dialogues are evident in the writing, the difference in the directing team is noticeable. Character shots and comedic moments are not as well captured by the camera. Many of the people shots are not filmed at interesting camera angles and the main cast's humor does not flow naturally. The actors may be trying too hard to convey that some of their joie de vivre have faded after all that they've been through. Their energy often seems lethargic and their banter is lackluster despite the witty dialogue. What still shines is their unspoken affection and trust in each other which seems more mature, time-tested, and unbreakable. The "new" Yanei integrates well even though he unavoidably looks younger and is missing the swagger. Su Xiaotong's acting has most visibly improved and I enjoyed Pei Jing's growth this season.
In terms of comic relief, the antagonists steal the show in Season 2. The humor in their dialogues, the bald-faced lies traded with deadpan expressions among the Western Xia royal family had me in stitches. But it is the oddly gullible, absurdly superstitious, and unexpectedly sincere Yuchi Yuan that made me laugh hardest only to cry hardest when he admits he is someone that just needs to believe in divine intervention. Many supporting roles like Yuchi Yuan, the heroic Section 8, and the antagonists are so well written and dimensioned that they are the show stealers. Not only does Section 7's banter seem to lose its mojo, they also don't get to do the important tasks in the mission, other than show up for the finale. Indeed the main architect or spymaster is not from Section 7.
This season, most of the main characters grapple with the kind of person their father is, what he expects of them, and whether that is compatible with who they want to be. To different degrees, each parent and child take a measure of one another and don't quite like what they see. Yuan Zhongxin's dad may be a particularly nasty, cold-hearted, and misguided sociopath with questionable methods; but ultimately he wants his son to survive. This is not the case with Yuan Hao, who is the biggest, baddest, daddy of them all. Thanks to Hai Yitian's intimidating screen presence, Yuan Hao is a terrifying freak of nature, a giant rock formation that must have been hewn out of the sacred mountain itself. Just his menacing, diabolical appearance made me break out in cold sweat. Yuan Hao knows exactly what his son is up to and he gives him every opportunity, practically dares him to succeed. The dialogue within the dialogue and the dark humor behind barely veiled threats that petrifies poor Ningling Ge out of his wits is signature Wang Juan. I never felt more sorry for such a vile and duplicitous character; an apple that falls far, far from the tree. He seems diminished and less smart in Season 2, over-shadowed by the larger-than-life Yuan Hao. Father and son are both oddly pitiful to me as their story as recorded in history is already wildly dramatic and treacherous.
The plot is tighter and more focused than Season 1 because there is only one mission that spans several years with a time jump that interrupts the momentum slightly. The sub-plots are cleverly structured around the interplay of recurring themes around the father, the son and the holy sheep. At the time, the Tanguts practiced folk or natural relgion steeped in mysticism with shamans, and many spirits or gods. Like many ancient cultures, they believed that the ruler is divinely blessed but in times of chaos or natural disaster, can lose the mandate of heaven. In planning the mission, the yummy Wen Wuqi of Section 8 infiltrates Western Xia by assuming the identity of a sheep deity's envoy come to anoint Yuan Hao's regime. There are many allusions to fēngshén/封神 or the creation of gods, which is the underlying strategy the Song spies use initially to elevate and then subsequently to undermine Yuan Hao. Wang Juan's well researched and superbly written script clearly draws inspiration from Fēngshén Yǎnyì 封神演义 or The Investiture of Gods one of the great vernacular novels about Chinese history, mythology, folklore, fantasy and legends.
The ending will not come as a surprise to anyone who knows the history (or used Google). Even then, the finale delivers an epic showdown that the entire season builds up to. The fast paced and thrilling action choreography is one of the highlights of Season 2. The desperate, bloodthirsty and stunning final fight had me squealing, jumping up and down and bouncing off walls with adrenaline fuelled fear and excitement. I personally would have ended the story at the mid-way point of the final episode, where the ending credits roll. It is fitting and exactly the kind of irony, cynicism and dark humor I expect of Wang Juan. But that would have resulted in an outcry of gargantuan proportions and I equally enjoyed the final message that a father does not have to explain himself to his son. Despite the fantastic writing, I still wish the original team's chemistry worked a bit better. So for me, this was mostly tracking just a bit better than an 8.0/10.0 but I think ending a drama well is super important and I like the ending so much so I am happy to bump this up to an 8.5/10.0.
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Loved the Series, Hate the Format
I dont care what others say, i reallly hate this 2minute vertical series format - something that is designed and meant to be watched on your phones especially for short attention spanned viewers.Its a shame really because this series was actually good and could have been great. Ther story was simple but ample enough plus eventhough a lot of the cast is unrecognizeable but they all did a really good job. The main leads are really good looking and are very likeable plus they really did a good job. The music could is good too.
The format just didnt give the show enough time to breathe. Sometimes there are scenes when i felt like i missed or skipped something, The pacing felt rushed. I also dont understand why it has to be vertical. Didnt the makers know we can flip the phone sideways to make a wider view?
Imagine if this was a proper series, at least an 8 episode with 20 to 30 minutes each. They could have developed everything properly and gave us viewers enough time to bask in all its glory. It could have been so much bigger than it is right now but instead of being a great one, it felt like an easy to watch series that is also easy to forget.
I dont blame the creators for wanting to capture the GenZ audience and realeasing it in this format. Maybe there really is a market for this because there is already a few of these type out there. What im sugesting is if they want to keep doing it like this then maybe just release a fuller version of the same series in a more traditional format.
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