Such a good, different drama! Watch if 1) you feel like everything's the same in Dramaland these days, 2) you're sick of seeing the same kind of main leads, 3) you want to watch a show that's not about some rich chaebol and a Cinderella in the making. Don't watch if 1) you're looking for a well-developed, emotional love story, 2) you don't like stories with many secondary characters, 3) you don't like characters with flaws.
THE STORY
A story like you don't find in Dramaland, with characters that don't typically hang out over there too, and I loved it. I love reserved and down-to-earth Yoona, who is neither naïve, innocent and bright girl nor cold, distant and apathetic (it's usually one or the other); I love open-minded, caring Changman, who is neither a cold and arrogant prick nor a naïve and childish boy. I love how they interact with everyone around them; how loyal Yoona is, which inspires loyalty from others; how empowering Changman is, making others believe that they can aspire for more. I love the comedy, especially in the first half of the drama, and the glimpse into the world of petty crime. There's just so much good in this show. The only downside to it is that although it seemed as though the romance between the main leads and the character development of Yoona would be at the center of the story, they slowly were forgotten in favor of secondary characters and dragging plot elements, so that her changes kind of look incoherent or abrupt, and their love story, bland. The show would have been perfect if it weren't for that *sigh* The ending though, is satisfying, so it's okay.
THE ACTING
I didn't know the main leads before this show, but their acting was good. I liked her more than him, I thought she really had become Yoona. They also weren't bad together *sigh* Such a waste that the romance wasn't exploited some more. Some other actors were also quite good in their roles. Particularly the actress behind Yoonji, she was awesome. Because most characters are realistic, they aren't easy roles, but they were pulled off fine.
THE MUSIC
Just as the story and the characters, the music is sooo fresh. It's not every day that you hear K-country (does that even exist?) or Carla Bruni in a drama, it's so weird - in a good way - and totally fits with the mood. Of course, there's also Leesa's awesome song, Love will find a way. Absolutely addictive. From episode one, it got stuck in my head, and I had no choice but to download it.
REWATCH VALUE
I'd rewatch it, whenever I get in one of those moments in which all dramas just look too much the same. It's like getting some fresh air, without pulling the plug.
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The father, the son and the holy sheep.
After a long hiatus, Young Blood 2 picks up right where Season 1 left off with the team heading to Western Xia to rescue Zhao Jian's father. There they get embroiled in a plot to assassinate Yuan Hao, aka Emperor Jingzong of Western Xia. Yuan Hao was a formidable general and founder of the Tangut dynasty, which lasted almost two centuries. This narrative largely respects history so if you do not want to be majorly spoiled as to how this ends, resist the urge to Google him.Initially, Season 2's somber, pensive tone took me aback. But it is fitting for the desolate, rugged, mystical Helan Mountain terrain. It also ties well with the personal losses, betrayals, and disillusionment the team experiences at the end of Season 1. While screenwriter Wang Juan's humor and clever dialogues are evident in the writing, the difference in the directing team is noticeable. Character shots and comedic moments are not as well captured by the camera. Many of the people shots are not filmed at interesting camera angles and the main cast's humor does not flow naturally. The actors may be trying too hard to convey that some of their joie de vivre have faded after all that they've been through. Their energy often seems lethargic and their banter is lackluster despite the witty dialogue. What still shines is their unspoken affection and trust in each other which seems more mature, time-tested, and unbreakable. The "new" Yanei integrates well even though he unavoidably looks younger and is missing the swagger. Su Xiaotong's acting has most visibly improved and I enjoyed Pei Jing's growth this season.
In terms of comic relief, the antagonists steal the show in Season 2. The humor in their dialogues, the bald-faced lies traded with deadpan expressions among the Western Xia royal family had me in stitches. But it is the oddly gullible, absurdly superstitious, and unexpectedly sincere Yuchi Yuan that made me laugh hardest only to cry hardest when he admits he is someone that just needs to believe in divine intervention. Many supporting roles like Yuchi Yuan, the heroic Section 8, and the antagonists are so well written and dimensioned that they are the show stealers. Not only does Section 7's banter seem to lose its mojo, they also don't get to do the important tasks in the mission, other than show up for the finale. Indeed the main architect or spymaster is not from Section 7.
This season, most of the main characters grapple with the kind of person their father is, what he expects of them, and whether that is compatible with who they want to be. To different degrees, each parent and child take a measure of one another and don't quite like what they see. Yuan Zhongxin's dad may be a particularly nasty, cold-hearted, and misguided sociopath with questionable methods; but ultimately he wants his son to survive. This is not the case with Yuan Hao, who is the biggest, baddest, daddy of them all. Thanks to Hai Yitian's intimidating screen presence, Yuan Hao is a terrifying freak of nature, a giant rock formation that must have been hewn out of the sacred mountain itself. Just his menacing, diabolical appearance made me break out in cold sweat. Yuan Hao knows exactly what his son is up to and he gives him every opportunity, practically dares him to succeed. The dialogue within the dialogue and the dark humor behind barely veiled threats that petrifies poor Ningling Ge out of his wits is signature Wang Juan. I never felt more sorry for such a vile and duplicitous character; an apple that falls far, far from the tree. He seems diminished and less smart in Season 2, over-shadowed by the larger-than-life Yuan Hao. Father and son are both oddly pitiful to me as their story as recorded in history is already wildly dramatic and treacherous.
The plot is tighter and more focused than Season 1 because there is only one mission that spans several years with a time jump that interrupts the momentum slightly. The sub-plots are cleverly structured around the interplay of recurring themes around the father, the son and the holy sheep. At the time, the Tanguts practiced folk or natural relgion steeped in mysticism with shamans, and many spirits or gods. Like many ancient cultures, they believed that the ruler is divinely blessed but in times of chaos or natural disaster, can lose the mandate of heaven. In planning the mission, the yummy Wen Wuqi of Section 8 infiltrates Western Xia by assuming the identity of a sheep deity's envoy come to anoint Yuan Hao's regime. There are many allusions to fēngshén/封神 or the creation of gods, which is the underlying strategy the Song spies use initially to elevate and then subsequently to undermine Yuan Hao. Wang Juan's well researched and superbly written script clearly draws inspiration from Fēngshén Yǎnyì 封神演义 or The Investiture of Gods one of the great vernacular novels about Chinese history, mythology, folklore, fantasy and legends.
The ending will not come as a surprise to anyone who knows the history (or used Google). Even then, the finale delivers an epic showdown that the entire season builds up to. The fast paced and thrilling action choreography is one of the highlights of Season 2. The desperate, bloodthirsty and stunning final fight had me squealing, jumping up and down and bouncing off walls with adrenaline fuelled fear and excitement. I personally would have ended the story at the mid-way point of the final episode, where the ending credits roll. It is fitting and exactly the kind of irony, cynicism and dark humor I expect of Wang Juan. But that would have resulted in an outcry of gargantuan proportions and I equally enjoyed the final message that a father does not have to explain himself to his son. Despite the fantastic writing, I still wish the original team's chemistry worked a bit better. So for me, this was mostly tracking just a bit better than an 8.0/10.0 but I think ending a drama well is super important and I like the ending so much so I am happy to bump this up to an 8.5/10.0.
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This review may contain spoilers
Loved the Series, Hate the Format
I dont care what others say, i reallly hate this 2minute vertical series format - something that is designed and meant to be watched on your phones especially for short attention spanned viewers.Its a shame really because this series was actually good and could have been great. Ther story was simple but ample enough plus eventhough a lot of the cast is unrecognizeable but they all did a really good job. The main leads are really good looking and are very likeable plus they really did a good job. The music could is good too.
The format just didnt give the show enough time to breathe. Sometimes there are scenes when i felt like i missed or skipped something, The pacing felt rushed. I also dont understand why it has to be vertical. Didnt the makers know we can flip the phone sideways to make a wider view?
Imagine if this was a proper series, at least an 8 episode with 20 to 30 minutes each. They could have developed everything properly and gave us viewers enough time to bask in all its glory. It could have been so much bigger than it is right now but instead of being a great one, it felt like an easy to watch series that is also easy to forget.
I dont blame the creators for wanting to capture the GenZ audience and realeasing it in this format. Maybe there really is a market for this because there is already a few of these type out there. What im sugesting is if they want to keep doing it like this then maybe just release a fuller version of the same series in a more traditional format.
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People who want to have action and an amazing story which is not really connected to the world where we live will be disappointed.
However I loved how realistic it was. From beginning to end I was excited, shocked and realised that just little things can change a whole matter, your whole life, your character and surrounding.
This drama has a really good ending.
The acting was amazing.
The music fits really good.
... and I will rewatch it to unterstand it better.
Money can drive people crazy and these nine episodes are the proof.
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The drama centers around a group of friends, struggling with the pressures of adulthood, but not quite ready to give up on the dreams of their youth. The four leads have great chemistry from the start, and I really felt like I was watching real friendships. I think that's this dramas appeal. Of course, it's also a romantic comedy. The rom com elements center mostly around close friends who begin to realize/admit they have feelings for each other, but there is also a complimenting storyline of a longtime couple who's relationship gets tested. Both couples are really realistic, even dealing with some super corny and cliché moments.
I've seen Park Seo Joon in quite a few dramas now, where he definitely knows how to turn on the charm, and this role is no different. He plays fighter Dong Man, who leaves the sport behind after a fight leads to controversy, and is just making ends meet with an annoying job and without any passion. Kim Ji Won plays Choi Ae Ra, his girl bff, who has a natural talent for public speaking, but can't seem to find a way to make her announcer dream come true. Before watching I heard a lot about their chemistry, so I was excited to watch, but in the beginning I wasn't impressed. I thought she was annoyingly bossy, and he was so dopey, that their moments together seemed more childish than romantic in any way. Eventually, as their silliness grew on me, so did their romantic chemistry, and I was suddenly completely invested in their relationship. I also loved that they were so comfortable with each other. As their passion for each other develops, so does their passion for following their dreams, and both were inspiring to watch.
Song Ha Yoon and Ahn Jae Hong were endearing, and sometimes heartbreaking, as Seol Hee and Joo Man. There were times when I cared more about their storyline than the main couple, and they definitely made me much more emotional. I laughed, cried, and yelled at the screen over their relationship. I will say that I think Jae Hong is the MVP of this whole cast. She has a seemingly simple, and passive role, but she brought so much depth to the character that she brought me to tears.
The supporting cast was great. I adored the kid versions of the main characters, and thought the supporting cast had some pretty memorable characters (I loved the coach). Even when the writing was lacking, the characters pulled it off and made me keep caring. I do wish that Kim Sung Oh and Jin Hee Kyung had stronger storylines, and think that some talents were wasted by bad writing.
The writing is my biggest problem with this drama, especially towards the end. The most frustrating for me was that Jin Hee Kyung's Landlady character deserved a much better storyline, and they took too long to get into it, so the ending felt way too rushed. The land lady's son also wasn't given enough time to develop into someone I cared about at all. The Fight story was completely predictable, even if the fight scenes were entertaining, and hearing Ae Ra complain, and Tak Soo scheme started to get way too repetitive for me. The ex girlfriend seemed almost forgotten about completely at one point. The sister looked like she had the potential to be interesting, but was more like a glorified extra. I do have to give the writer some credit, because with each episode I was still entertained, and couldn't wait to watch the next episode... for the most part. The last two episodes, however, were pretty disappointing, and although it was a satisfying ending from the character's standpoint, I was more aware of how many loose ends or weak stories there were. The last scene was cute, but ridiculous, and felt like they just didn't know how to end it and gave up. I almost think that the drama could have used an extra 2 or 4 episodes to tell all the stories well, or cut the extra stories out completely and maybe make the whole thing shorter.
Overall, this is a fun drama, with a good soundtrack, and likable characters, so it's hard to complain too much. Also, I wish I had that secret rooftop bar in my life. That may be my favorite thing about the whole drama! I could watch "Fight for my Way" again, just for the interactions alone, but it's not high on my rewatch list. I think it's easy to relate to, so I understand why it has such high ratings from viewers, and I definitely recommend watching it if your expectations aren't too high. This is definitely the kind of cast you will want to cheer for as they fight through quarter-life-crisis feels, and support each other along the way.
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Acting/Cast: I was glad to see that Danson Tang came back to the TDrama scene with a bang. His depiction of the main character was brilliant. I love how Danson was able to act out such a wide range of emotions on his face from sombre, mad, in love, sad, naughty, teasing to just being plain cold and arrogant. His was my favourite character in the drama. This brings me to my least favourite character in the drama - coincidentally, the female lead! Do not get me wrong here. Ivelyn Lee acted brilliantly and delivered an excellent performance. It is her character that I disliked. What I disliked about Ivelyn's character of Guan Xiao Tong was Xiao Tong's cowardice and indecision when it comes to love relationships. She tends to over-analyse everything (like the psychologist she is) and tries to predict how the relationship will end. She failed to just enjoy being in a relationship and just let things develop naturally. She's always putting one foot in the relationship and another foot out (just in case things go wrong!). Therefore, she would always take the first step to end the relationship before she would really get hurt beyond repair. It did not matter what the man did for her or how much he had expressed his love for her...she has her own agenda and has already decided how she will end things with him. And once she had ended things with him, she started to over-analyse and regret her decisions in her past relationships.....the indecisiveness of her character totally makes me angry. Hers is like a pendulum, always swinging back and forth, always trying to take the middle ground but failed. Personally, I dislike ppl who are indecisive and have insecurity issues. I am glad that towards the end, she learns from this flaw of her character and grows more mature in her relationship with the male lead. It is because of my personal dislike of indecisive characters that I rated this drama 8.5/10 instead of the 9/10 I gave for its story. A stronger female lead character would be more to my liking.
Music: Lovely music but I've heard better ones before.
Rewatch value: I love all the lovey dovey scenes and the scenes where Danson acted the jealous and naughty man going after the girl he likes. I am a traditional person when it comes to love and appreciate it when the man is the one who goes all out after a girl and makes it so very apparent to all and sundry! To me, that is very flattering to the woman and very romantic as well. Therefore, this drama has a high rewatch value for me because of all of the romantic scenes between the leads.
Overall: It has been a while since I'd watched a TDrama. The industry has experienced a slump of late but once in a while, you'll find a gem and as of July 2015, this drama is the gem of 2015 TDrama for me. If you like romance dramas with mature story lines with a hint of mature comedy such as 'In Time With You', 'I want romance', 'Gentleman's Dignity' etc - you'll most likely like this drama as well.
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The plot of this drama was a bit...well let's just say it definitely wasn't the best. It didn't really have much depth, and a lot of things that were introduced the writers just never bothered delving into later on. Still, it was a single story kind of plot anyway. There were multiple obstacles that had to be overcome to reach the climax of the drama, but it was just that one event. Truthfully I think they could've done better with the fake musical. Even if it wasn't real, it should've at least made sense. They only showed like 3 minutes of it but I'm still thoroughly confused about 95% of it. It was still nice though, just a bit anti-climactic. I think the main thing that kept me watching is how utterly cheesy, cringeworthy (in a good way), and agitating this drama was. There were so so so SO many times when I found myself yelling at my phone or banging my head against the wall or punching my pillow because of how stupid or idiotic or frustrating the characters could sometimes be. Like just. WHY. Why would you do that. Do you need to go back to grade school. At any rate, you'll see what I mean. There were also warm fuzzy moments too, those extra cheesy lines or actions that make you what to scream and bite your lip and laugh maniacally? Yep, full of those. The love lines were pretty cute too, especially Joon Hee and Hee Joo, the most unlikely pair of 2011.
Oh dear the characters. Don't get me wrong, there was great acting in this drama. Yonghwa didn't disappoint, and Park Shin Hye was Park Shin Hye. It's just wow whichever writer wrote this drama needs to get strangled. Shin, the narcisstic prince, spends half the show pining after someone who obviously would never end up with him? Gyoo Won had pretty much no spine at all, and spent the entire time getting mad at Shin for no reason while he had to apologize every single time for something that wasn't even his fault. I don't think he's ever gotten genuinely mad at her once during their actual relationship. It's always been Gyoo Won making a ruckus over nothing. Not to mention, the both of them are so stupid and bipolar. I'd be spoiling if I gave reasons as to why they're stupid, but you'll see pretty soon once you start the drama. As for bipolar, well it's pretty much what it means. One moment Shin thinks this, the next he thinks this. One moment Gyoo Won says she hates Shin, 5 minutes later she smiles at him......OKAY. Are you planning to kill him with love? Cause it ain't gonna work. Lastly what you've all been waiting for, drumroll please......Park Shin Hye's kissing. Since I watched this drama after watching Pinocchio, I'll cut her some slack. She could actually kiss in that drama. Maybe she was tense and shy in her other dramas, but DANG that girl could not kiss. With a grand total of two (not) kisses in the drama, it was more like they were just brushing lips. I could stick a feather in between there seriously. And that deer in the headlights look for their first kiss? With both of their eyes open? Oh my god I had to look away. Seriously why would you open your eyes I do not understand. I mean her eyes were already big but when they were kissing (brushing lips) I could've sworn they were going to pop out. Just. Jesus. I mean I understand that Kdramas like to portray that innocent thing, but please director both of them are fully capable of a decent kiss, why are you torturing us like this seriously wtf.
The songs I really really really reaaaally loved. From You've Fallen For Me, to Because I Miss You, to Star, they're all perfect. I just love the OST for this. A definite A+ from me. Yonghwa's vocals are most definitely out of this world, so be prepared.
I will definitely re watch this many times before it gets too old for our time and turns into a grainy mess of pixels. It's a nice drama that really aggravates you and gets you involved, which I like. It's better than sitting there staring at a screen for 16+ hours with a blank look on your face hiding in your dark cramped closet right?
Overall, this drama was really refreshing. Although it wasn't the best ever, I thoroughly enjoyed it. Be prepared to yell and scream at the stupidity of all the characters, and cringe from cheesiness. If you'd like something that you can just watch lightly, without too much angsty stuff, give it a try. There will be crying though, but don't worry it'll pass. You'll most definitely LOVE the OST, so be prepared to sing along. ^.^ (And yes, I am watching it in 2015. You've gotta watch all the old ones so you can enjoy the new ones right?) Wow this was loooong, for the people who actually read through this, thank you and I hope you watch and enjoy the drama :)) Yonghwa, Shinhye fighting!
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Interesting, but could have benefited from character development
First, how depressing is this show?Human trafficking is a heavy topic for sure. And they wanted to focus on the victims and their families, so a large portion is devoted to telling their stories. The first child abduction story in particular goes in depth in showing how a family can fall apart after something like this, and is rather heartbreaking to watch.
That said, it IS a story about the police catching criminals and bringing them to justice, which is a good thing. And these police are remarkably successful. Their success snowballs and they catch criminal after criminal, saving victim after victim. They end up solving every case that’s introduced, even decades-old cold cases.
It doesn’t seem that realistic to me. All the outcomes seem a little too good; somehow everyone gets saved in the nick of time. Some victims, of course, have PTSD, but they are shown to be healing and/or their stories get dropped.
It bothered me a little that everything goes well, because real life isn’t like that. But at the same time, the show became much less stressful after I picked up on this pattern that things usually end up working out. It’s not all fun and games, for sure- I still cried a lot- and not everything is casualty-free. But considering its subject matter, it’s nowhere near as dark as it could be.
That aside, I was initially very interested in this show because it has a strong female lead with no romance. This means the story is actually about her as her own person (think about how rare this is in Cdramaland).
However, it ends up being not really about her at all. Deng Yan has her backstory, but it doesn’t factor too differently than any of the other cases; it’s just the biggest and most central one. There isn’t much focus on developing her character or showing her personal journey. She does seem a bit out of her depth at first, but there’s no real transition from that to being incredibly capable. At some point you just realize that she’s quite good at knowing what to do next and assigning responsibilities.
The other members of the team are all very likable, and we see them a lot, but we don’t actually get to know them that well. They’re just doing business. Chang Rui is listed as a lead, but he’s honestly just another team member- a very capable one who does some undercover work at the beginning, and gets maybe half an episode’s worth of character development, but by the middle of the show he’s already not that important.
There is no drama between team members. They’re coworkers who get along. There are some meaningful and supportive conversations between them, which I liked, but they are few. As mentioned before, no romance- which I found to be a good thing.
Although it was a conscious choice not to focus on the team’s personal stories, I think the show would have benefited from at least a little development. That would have given me something to emotionally invest in. We’re probably supposed to get an emotional hit from the victim stories, but I personally couldn’t feel too attached to any one, because there are so many. One story ends and it’s onto the next, rapid fire with little follow-up. It almost gets repetitive (they are very successful!), which might be why they stop showing the rescues after awhile. Instead, we are simply informed that so and so was found.
The other part of the plot is police solving crimes. It’s rather procedural, eg lots of interrogations at the police station, or team meetings showing their train of thought. I thought it was interesting but sometimes a little repetitive. For example, they use each captured perpetrator to find the next, and we hear over and over again the same arguments to make them talk. I agree the interrogations need these exchanges, but there are perhaps one too many layers in the web of criminals.
Eventually, the story settles down to just a few big fish. So there is a little more focus towards the end. The show does a good job hinting at the mastermind, keeping us in suspense before the reveal.
I’m not sure how many of the cases are based on true stories (all?)- maybe there are so many because, that way, more peoples’ stories are told. The lack of follow-up mirrors the police’s perspective in that, when one victim is recovered, it’s onto the next. The multitude of victims and criminals gives us an idea of the scope of the problem.
Still, from a narrative perspective, I would have preferred fewer stories and more in depth for each. I think it makes a better story when we can emotionally invest in characters who reappear throughout the show- whether those are the police or the victims- and follow their journeys all the way through. The Ranran case is the only one that achieves that in this show.
Acting-wise, I found Dilraba’s acting to be very natural here, I thought she did a good job. The other actors all did well too, for example the rest of the police team, the victims and their families that had to do so much crying, and especially the criminals who had to act all shifty and seedy. Imagine landing that kind of role!
Production-wise, this show seems nowhere near as polished as the dramas I’m used to. I guess it was rather low budget. I actually really liked all their clothing, very sensible. They don’t use background music that often, but it was nice when they did; I think the show would have benefited from more.
There was something weird with the sound mixing. Music would start and stop abruptly, and the sound effects, voices, background static, etc had inconsistent volume. An unverified online source said that this show uses on-set recorded sound, except for some dubbing they had to do to pass censorship. I wonder if censorship explains why everything goes so well for these police.
Overall, although this show didn't have me as emotionally invested as I would have liked, I still found it to be interesting and informative. It highlights an issue I wasn’t all that familiar with, and made me only slightly more scared to walk outside alone at night.
ENDING – READ AHEAD ONLY IF YOU WANT TO KNOW, CONTAINS SPOILERS
I found the ending really disappointing.
They do catch the final criminal (still confused how they sniped him without killing him) and everyone makes it out alive. The only notable death in this show is Officer Yin, who dies somewhere in the second half. Chang Rui’s story, which I had almost forgotten about, gets a little wrapup. And they do finally find Ranran, working in the fields of a remote village.
However, they only really show us a brief glimpse of Ranran. After that we get a bunch of pretty propaganda words and random flashbacks. A quick montage shows us that some of the victims seem to be doing well.
Ranran’s story is the central case of the show, and the lack of further detail or follow-up is a glaring omission that probably leaves every viewer staring blankly at their screen with a “wtf” look on their face. I don’t know who thought this was a good idea. If you look online you can probably find somebody justifying it as bittersweet artistic or something. But after so much emotional investment in this case, such an ending definitely left me feeling empty and unsatisfied.
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Still Walking centers on a particular day in the life of an ordinary Japanese family. While they try to maintain a semblance of normalcy on this day, the occasion cannot allow it to be wholly so. It is the memorial of a tragic death, and so even the most errant of relatives have come to call.
The story is told through beautifully written, but realistic conversations and domestic interactions between characters. While they cook, play, eat, or chat together, the dynamics between them slowly but surely unfold. We see fondness, pain, nostalgia, resentments, and all manner of feeling bubble to the surface. But none of this is done in the usual bombastic way, lending the entire piece more relatability than one might first imagine. It’s all very Japanese, but very human as well; how often have you swallowed a hurtful comment or urged yourself to forget it… just because of the ties that bind? I saw parts of my own family in Still Walking, little bites of conversation I've spoken myself. It leaves one with much to think about.
My chief issue would be that, while slow films rarely bother me, this takes a little *too* long to launch. Still Walking requires the viewer to see every minute to feel its effects to the highest measure. The ending also feels a little incomplete, but that can be overlooked; Still Walking is meant to portray life continuing under the cloud of death. We don’t always get perfect conclusions in real life, do we?
Calling out a particular actor or actress for an exemplary performance would be difficult. The entire ensemble works together so well they give the solid impression of an actual family, bitterness, warmth, and all. If forced to choose, Abe Hiroshi might win as the most easily recognizable among them; much of Still Walking focuses on his Ryota, and he’s arguably representative of Kore-eda himself. Kiki Kirin is also remarkable as Toshiko, the talkative and smiling mother who hides her many battle-scars behind polite words. She sometimes reminded me of my own mother, which was a little jarring.
A particular piece of music that sticks with me after completion is Blue Light Yokohama (Ishida Ayumi). If one has never "heard" nostalgia, this song will change that. Despite being quite the “oldie,” its inclusion is just exquisite. Common sounds are used effectively also; such as overlapping talk, popping and sizzling in the kitchen, etc.
Please note the interesting shots used in Still Walking. Detail in them is astounding, from hallways to individual rooms. The cinematography here lends an air of tranquility, of reality, of home…. My weak powers of description are not enough to describe the effect. One must truly see it for themselves.
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SHORT AND SWEET
Four (technically five) short easy to watch, fun and sweet episodes.I enjoyed every minute with Sky and James although i have to say that the time spent with the girl characters to provide comic relief were all wasted - time that could have been better spent in further developing the 2 leads' love story.
However with that said, even though i am left wanting to see more, i still feel like the story of James and Sky is complete enough and i am glad they didnt leave any unfinished story. This is a good series and i felt like my heart was lifted after the last episode.
Kudos to the team and to the actors. Overall rating 8.0.
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To think I once didn't like Sato Ryuta *face-palm* and I blame it on the roles he played (the idiotic but kind secondary guy). He was excellent as the MC in this drama, I love how he goes from a judgemental, ignorant guy to a understanding friend. His twin brother, Ryoji, was gay, he died and his Canadian husband comes to Japan to meet his brother-in-law Yaichi and all the places Ryoji loved.
I confess I usually don't like the foreign actors in J-dramas since it seems like anyone who is foreign but speaks a little of Japanese can be an actor; meaning, terrible acting. But Baruto, as Mike Flanagan, was perfect, he portrayed perfectly the gentle giant (he is gigantic! I remember how Nakai loved to pat his belly in SMAP Bistro XD)
This is a very realistic slice of life, where there would be ignorant people who rejects homosexuality or just refuse to accept it. At the beginning, Yaichi was all "would be make a move on me?", or just calling him "my brother's friend" or not liking Mike near his daughter. Slowly, he begins to see that Mike was a nice guy who just happened to love men. Mike was never ashamed of who he was, and he taught his niece and his niece's friends that men can love men (and marry them) and same with girls. And the little girls were confused at first, but they quickly were "if you love someone, is wonderful you can marry that person, even if the both of you are guys" :D
I smiled, I cried, I loved it! Very recommended. I will read the manga as well (the author was in my "banned" list but this one is very different from what I thought).
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Best K-POP variety show
Going Seventeen has been my source of happiness since 2017. From just the behind-the-scenes videos to a legend variety show. Nothing can beat this show. Thank you for an amazing year. It has been a really fun and wonderful year with you, GOING SEVENTEEN! If any of you reading this, you guys probably hesitate whether it is a good idea to start it but for me personally, if you ever find yourself into SEVENTEEN or just want something entertaining to watch, GOING SEVENTEEN, is the way to go. I really highly recommend this. Fyi, you don't have to be a SEVENTEEN's fan to watch the series. Seventeen have two separate fandom which is Cubic a.k.a just regular viewers of Going Seventeen, so don't feel burdened you can get to know them slowly one by one as you watch it. So have fun binge-watching these. I hope you can discover new happiness while watching it.Was this review helpful to you?
Tofu exists to tell us that miracles (rarely) happen
A fantasy show that explicit real-life matters in the most accurate way. The kind of drama who uplifts, inform, educate, and enlighten the general public about the world of a person falling in love with the same sex. It was reported to be the first-ever Lakorn BL that aired on a national television channel in Thailand. Which took the chance to build a new bridge on bringing out the difficulties, barriers, and emotional distress that criticism works on gay people. Exhibiting that generation gap is one of the biggest factors why most older people are homophobic. They are against seeing two male individuals being in love simply because of how society told them to be. In contrast to the people who borned in the earlier generations, who are more introduced to the freedom of choices that allows them to identify their own gender by themselves. Yet, LGBTQ+ community is far away from living in a world without experiencing a brutal approach, discrimination, and hate-crime from these anti-gay people.A perfect portrayal of this is Nut’s unhealed wounds from the past that he carries all throughout his life, not until his miracle happens. Living in a dysfunctional family, he surely suffers a lot. His father is a prideful man with toxic masculinity who physically and verbally abuses him. However, it's also frustrating that the one he considers to be the closest to, his mother, pushes that his son is like any other normal boy out there. Disregarding the child’s much-needed acceptance and support. Leading Nut to hold grudges and distance himself from his mother.
Fortunately, the appearance of Tofu slowly calms down the chaos from the house and closes the gap between the sour history of the mother-and-son. All thanks to the fantasy that I never expected to be this great, with the rarity of showcasing fresh ideas that I never yet seen from others. The level of imagination in creating talking objects from the strong emotions coming from humans. A well-appreciated flow of mysteries that is both entertaining and sentimental.
Tofu being one of the most selfless characters and cutest human-teddy in the history. His willingness to be hurt and sacrifice himself for the sake of the happiness from the people he loves is annoyingly making me all tear up. When Tofu put up with any kind of pain, I wholeheartedly wish that he became selfish for once.
Phenomenal acting on every dramatic and confrontation scene coming from Mrs. Na and Nut. You can feel the tension of their emotions ranging in their hearts by only looking at their eyes. We witness the importance of conversing in one’s life. The exchange of words and being honest can help to release the uneasy emotion that keeps dwelling inside. There’s nothing more touching than to finally witness Nut and his Mom embracing a new start in life. Tears can’t stop from flowing, especially the scene where they took a family picture. The journey towards reconciliation took so long but all’s well that ends well.
Theories are all over your mind once you start watching this. The drama that makes you feel excited for more since it triggers your brain on the possible outcome that the story may end. However, during the last few episodes, plots are predictable but who cares as long as they consistently display a fine job executing the storyline.
It also delivers a variation of big emotions. A feeling of warmth and comfort from Gen’s family. An open-minded parents letting their son decide for his own path in life. Their entire family conversation is extra-sweet and loveable; a real gem. The feeling of happiness on seeing the appended hole between Song and his Dad. The eighteen year old boy comparing himself to his deceased brother is sadly unavoidable. Perceiving favoritism is what makes Song unhappy as for the reason that his dad remembers a lot more things from Neung more than his living son. The realization of the dad was a joyful conclusion of their character development. Song and Gen’s family picture at the finale, draws a curving smile on my face.
Kuenchai is hailed as the cutest, fluffiest, and most intelligent dog in Lakorn. He outshone real human actors with his excellent acting skills as a supporting character. A bright ray of sunshine and the couple’s number one third wheel. His whole existence contributes a lot from the show, most especially his relationship with Tofu. Even when Tofu came back to his original form, Kuenchai wanted to play with him and keep him company from time to time. Tarn on the other hand is the person who colors the gloomy world of Nut. The bittersweet high school love story is a good memory. Nut lives in a depressing world at his house before but Tarn makes him feel the exact opposite.
The actress playing as Jan deserves praise as well. She did well on being firm to her character as the obsessed love antagonist. Saen as the greatest pretender was somehow expected since they didn’t have enough characters to be suspected for the crimes he did. It just felt so weird that Sean and Jan blamed each other before for Tarn’s incident and they ended up being the suspect.
The show also emphasizes that marriage is a life-time choice; marrying someone you truly love. Along with it, the artistic writing technique and the uses of idioms in life is an effective and affectionate way of storytelling.
In Sarin duality from this show is insane. Him as Tofu is full of cuteness while Nueng is full of manliness. You can easily differentiate the two from having distinct vibes. Also, I’m living my best life by seeing a lot of skinships and skin exposure from the series. It may not contain heated bed scenes but it is more than enough to say that the main leads are bathing in sexiness.
And yes! The episodes prior to the last, tried to prepare the viewers for the tragedy. I anticipated this ending but it still hurts me a lot. Conveying the message that fairy tales don’t exist and we will eventually end up going back to reality. I break down when Nut and Tarn bring back the tragic romance they had before while Tofu is happy enough to see Nut in a good situation.
This drama inspires and pushes me to start writing my own novel and I’m currently having a fun time doing it. I love that the show doesn’t only center in a love story but talks about various topics surrounding societal problems that mostly revolve around the family.
Tofu, your whole existence to the show doesn't end in a tragedy. The best version of yourself remains in everyone’s memories. Thank you for allowing us to witness a miracle in life. You deserve the whole world. You deserve a Tofu in life too.
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