Reviews

Being right next to the person you genuinely love is all that matters.

i came across this on netflix and i thought it would just be like any other movie. you know, those you just watch to pass time. But it’s 2am now and i’m bawling my eyes out & my nose is blocked af. i didn’t realise i’ve been tearing up painfully while watching the movie.

As y’all know, the male lead is a gangster and i was really irritated watching his scenes at the start. He was violent, aggressive & vulgar. However, my heart softened when i realised he had a heart of gold. I wondered if he saved or harmed the universe in his past life, to be trapped with an ill-fated life & at the same time, blessed with a kind, pure & genuine soul. A guy who sacrificed without yearning for any acknowledgement or rewards. Really, the world doesn’t deserve him. Ahhhh Roy chiu acted really well and his emotions really brought me with him in the movie. He’s really really good.

The female lead expressed herself so well too, i could precisely feel the way her heart melted at every touching moment she witnessed & feel the same way her heart crashed at every painful moment she suffered. It made me feel that the female character was so strong for even….. existing. ❤️

This love between them was passionate, fiery, yet, f*king painful. It’s so beautiful, i can’t get my eyes off them. I yearn for a love as beautiful as theirs.

Anyway, y’all really need to watch to understand those feels. & will i watch again? yea, when i need a good cry.

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The Confusing/Boring Solution (interesting premise let down by poor writing/editing)

Overall: although episode 6 finally explained things, they ruined Ryou/Mai. It could have been a masterpiece with solid writing but I regret watching this. Aired uncut on GagaOOLala (1st episode was 1hr11min), cut on YouTube PTG Entertainment channel (1st episode was 45min). September 2024 they released the uncut version on their YouTube channel https://youtube.com/playlist?list=PLLwO0HIPrzVqg8pOveOEbzGzubh0XVs7D&si=YWn1lSeK9Yv-oWbn I watched the uncut version.

Important Plot Points to Know
- the very first scene is a flashback, there are flashbacks several times but they don't indicate they are flashbacks, the woman in the flashback is a character in the present
- the sandwich dude is playing two characters, himself in the present and his dad in the past
- the world building is explained in the final episode

Content Warnings: non con touching/attempted rape, punch, bullying, manhandling, non con turned consensual, slap, manipulation

What I Liked
- an established couple with realistic relationship issues
- decent solo NSFW scene (only in uncut version)
- camerawork where everyone else moves at a faster speed but the main character doesn't, to show how he's stuck
- the high school storyline up until the 2nd half of episode 5

Room For Improvement
- the way it started was confusing (note, this is a flashback)
- scenes jump with no explanation of how a character got there/when, for example, when/why/how did he get that business card? they never show the one guy being locked in the locker room? (explained in ep 6) why does Patis get a key from that nurse? why didn't they actually show the wish asking scenes in more detail (explained in ep 6)
- they needed to do more world building/hints prior to episode 6, they should not have included that grocery store scene
- episode 6 ruined Mai/Ryou, Mai should have stopped right away, also Ryou's wish was so awful, so we don't even know if the love was real or just because of the wish
- I don't want Thana and Patis together for many reasons
- I'm not sold on that level of tame kissing with an established couple and then how Patis is reluctant many times
- stupid wishes, why ask for a job when you can ask for a trillion dollars???
- cliche female character
- the pink transition effect was distracting
- open ending
- confused why they age restricted their youtube episode themselves as the cut version doesn't have anything in it that warrants being age restricted
- episodes are odd/out of order on their youtube channel

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Best psychological drama seen in a while.

I started this drama with no expectations because I was wary of the psychological aspect not being handled well but holy moly was I proved wrong. In fact I started this expecting a cheesy romance as mango TV trailers all showed the romance aspect and once again I was proved wrong.
In fact the romance in this drama is a background. Its a slow burn. Its irrelevant. Therefore fans of romance might need to be patient with this one.
The story happens at a psychologist firm with one of the leads as a co-owner. After a meeting with the fl ,they embark on solving several psychological cases that happen in our daily lives,to us and the people we might know.
They explore each case and resolve it with in episode per episode.
There are many stories that you will relate to and feel like this is dejavu. The stories are educational and the way they handle them is excellent.
Also the ML (Lin Shen) our psychologist uses hypnosis as major way to handle these cases. I don't know much about hypnosis so I can't tell you how accurate it is but I do love how cases are handled with sensitivity.
I'm one of those people who first didn't like the fl character but later learnt she is a minor flaw to the greater picture.
I highly recommend watching this because it might have a story and lesson for you. The romance between the main leads is a pleasant bonus.
Do not let the rating deter u. Many people are harsh to psychological dramas because they're not used to them & consider them boring when they're the most educational & always carry important messages.

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A masterfully done crime thriller, mercilessly progressing offside the beaten track

Fabulous! "Your Honor" is a masterfully done crime thriller, mercilessly progressing offside the beaten track – with an upright protagonist maneuvering himself deeper and deeper into a hopeless fiasco.

Right and wrong, black and white – they turn out to be impractical templates. Almost everything and everyone will be turned upside down at some point, and the entanglements will become more and more devastating.

In "Your Honor" suspense isn´t exactly associated with an arc. It is rather smoothly taking one loop after the other. When it comes to the protagonists: it is emotionally intense, yet at the same time controlled to the extreme, calm on the surface, though concentrated to the max. And yes, it is cruel and merciless at (most) times, too. In a dark vesture and at the same time with disarming grace this KDrama is fathoming personal boundaries of what is bearable and often enough even exceeding them.

PS:
“Your Honor” is based on the original series Kvodo by Shlomo Mashiach, for which several international remakes have since been produced.

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Should have dropped

Review @ ep20.
So this was on my watchlist because I like YangYang but dang.
There were so many things wrong with this drama and IMO the only good thing about this drama is the visually appealing casts and their camaraderie with each other and also some of the emotionally charged rescue scenes.
So far this drama doesn’t really care about details/continuity and also getting proper procedures right. I am by no means a medical professional or a firefighter but even I can tell a lot of things that has happened so far didn't seem right and is so unbelievable and unrealistic but I guess the emotional tug of it is canceling out the lack of realism for a lot of people.
Then let’s get to the main leads, I love YangYang but the constant stoic frowny face was not giving at all. Sometimes his expressions were over the top and not adequate for the corresponding scene.
That face worked in Who Rules The World because he was supposed to be shrouded in mystery as Prince Feng Lanxi with the alter ego of Hei-Fengxi, it didn’t work that well in You Are My Glory but the script/plot in that one was better and also the chemistry/maturity of the characters covered up for it. I guess YangYang equates serious/intense with Stoic/frowny face.
But in this one I can barely feel any chemistry between the leads (which is surprising considering the rumor that they are dating). We are being told that they have this epic love that has made both of them stay single and maybe even celibate for 10years but I just can’t see it in the present time, we can’t see why they like each other because they end up fighting after almost every conversation and don’t seem to have the same life ideals and values. Even the flashbacks we’ve been shown so far doesn't really show me this epic love story, it was cute and all for a high school romance but nothing so life altering in the way it’s being presented in the present time. So honestly it doesn’t really make you care about the lead’s getting together. How many high school romance make it all the way?
The FL is basically suffering from Stockholm syndrome with her family and I seriously get the trauma she is dealing with but some of her character portrayal doesn’t make any sense. She’s very weak/meek towards her mom which is very understandable according to the storyline so far. But I don’t get why she is sassy/bold with the ML one minute but whenever they get into the rinse/repeat rollercoaster scene that has been their interactions for the last 20eps where they have the “we can’t be together because I don’t have the courage to fight for you but I will be stalking you and asking you why you aren’t seeking me out all the time & fighting for me even though I am the one that can’t commit to the relationship because of my family” conversation and she’s uttering this words in the most lowest voice possible with downcast eyes and pathetic/demur demeanor.
I honestly tolerated the pathetic/weak/timid/demur characterization of the FL because of the upbringing she had but my tolerance level went to ZERO after the supermarket scene in ep20. The female lead had always not only stood up to her creepy delusional brother prior to that scene but also even lashed out at him but all of a sudden we are supposed to accept her acting terrified/petrified of him in the supermarket all because of a freaking bag of chips, puhhhhh-lease. That scene made zero sense and was done for no other reason than the ML and the FL’s brother to have a testosterone filled pissing contest and for the ML to be the hero and save the day by rescuing the FL and honestly it was just beyond ridiculous.
I should have dropped this drama but I will complete it with the help of the fast forward ⏩ button and except you really like any or both of the leads or you just want to watch a fire fighting show where you don’t really care about accuracy and correct details/procedures then go ahead and watch this otherwise I strongly advise you to not bother with this.

Updated review after completion.
Even with the fast forward ⏩ this was a struggle to finish. It didn’t get worse by any stretch of the imagination and although there were lots of cute scenes and heartbreaking scenes that tugged at the heart, for me it didn’t get any better either.
Typical CDrama kumbaya ending. It’s so weird that a wedding was talked about so much in lots of episodes but there was now no wedding at the end of the drama, I don’t really understand the directional decision on that but honestly I don’t even care because I was just happy to finally finish the drama and put it in the forgotten pile.
The drama just had lots of doom and gloom and the romance while cute at times was very muted for an adult based drama so it didn’t even balance out all the heaviness of the doom and gloom.
I definitely won’t ever be rewatching this. Like I said earlier except you are a HUGE fan of either of the leads or want to watch a highly questionable “right procedural” fire fighting and error filled medical show, by all means have at it, if not, do yourself a favor and don’t bother with this.

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A Short but Sweet Reunion of Hee Tae & Myung Hee in 2021

I was so excited when I heard that Lee Dohyun and Go Minsi would be reuniting for a mini-drama, so I was a bit disappointed that it turned out to be a 6-minute long episode (if you can call it that). However, I am still very happy to see them reunite for this small project even if it is so short and an ad for something. It's so nice to see a happy ending for Hee Tae and Myung Hee even if it's in this way. I missed this couple so much so it made me really happy. It is also very nice that there were small indirect and direct references to Youth of May so it was fun noticing them as I watched. The storyline for this short "drama" was also written well to be interesting and funny despite it being only 6 minutes long. And, Lee Dohyun and Go Minsi's acting of course did not disappoint in this, even though it was a short "drama". Lee Dohyun is also adorable in this as he is with his other projects. Besides it being too short, this reunion was sweet and what I was looking for in their reunion. So, even though this is a very short reunion, I enjoyed it and it was fun to watch them in the modern day. But I really hope that Lee Dohyun and Go Minsi can reunite for a full-length drama or webdrama next time though!

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Disappointing! Feels drastically different from S1

I am really disappointed. I watched Season 1 shortly before Season 2 came out and was super excited. The Teasers looked promising and the cast looked fantastic in their new styles. Especially So Mun with the longer curly/wavy hair. Cho Byeong Kyu can shape-shift with his different hairstyles. But styling and looks is not enough to create a great follow-up season.

Where this season went wrong:
- The comedy is over the top and not my taste. Especially because it wasn't like this in S1
- The dynamic between the characters feels different as well. Less serious.
- The tone of this season is generally different from season1 and not in a good way. S1 was more personal and serious
- The Plot was running in circles. So much that it was getting draggy and boring.
- They wasted Yoo In Soo. His character was really annoying. I thought it would get better after ep 3&4 but it did not
- I don't know why, but it just felt hollow

If you do a second season with a different tone etc. ... do it at least good. Not like this.

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May the baddest man win.

This is the drama adaptation of a popular female harem web novel "Kun Ning" (坤宁) by Shi Jing (时镜) with an interesting approach; readers voted on who the female protagonist ends up with. It is a dark and gripping tale of intrigue, conceit, betrayal, revenge and redemption. Jiang Xuening is the alluring but resentful, selfish and ambitious daughter of a court official who ruthlessly parleys her charm and cunning into becoming empress. Her schemes lead to the downfall of the royal family and the ruin of both her childhood sweetheart Yan Lin and the erstwhile incorruptible Zhang Zhe. Desperate and full of regret, she barters her life with the blackbellied Xie Wei to save Zhang Zhe. She finds herself reborn as her 18-year old self with a chance for a do-over. She vows to do better this time, to steer clear of the bastions of power and the malevolent Xie Wei. She tries to use her preternatural knowledge to save Yan Lin and Zhang Zhe from their sad fortune. As she embarks on a journey of atonement, she discovers there is an element of destiny that pulls her towards the center of power. This time, with greater wisdom and insight, she uncovers hidden secrets and unexpected allies that help her better grasp the intrigue unfolding around her. Is that enough to change their destinies or are they doomed to the same tragic fate?

This story explores the causal links between the past, the present and the future.; the idea that if only knowing what we know now, we can go back and do what we should have, could have but did not do. It begins with a Ning'er who is already a fully realised character that is not yet revealed; a charming beauty who had the world at her feet and lived a wicked and self-indulgent life. Even though Ning'er's goals change, her innate nature stays the same. The past is told in flashbacks just before the moment plays out again in the present. This works in terms of the more detailed plot points but dilutes the character and relationship stories. Thus while Bai Lu pulls off her role well overall, the piecemeal telling of the backstory doesn't capture the depth of Ning'er's regret or the layers in her relationships with some of the main characters.

Where the storytelling falls short is in Zhang Zhe's arc. To me, it is the most pivotal love story in the drama. He was the best of men, a morally upright official who betrayed his principles for her. And she was a selfish person who was so moved she became selfless for him. Their emotions were so powerful it pushed them both outside of themselves towards a mutually destructive outcome. Sadly unlike the novel, their do-over relationship is shallow and barely scratches the surface of the unfinished affinity between them. It's a pity that instead sticking to the novel which better fleshes out this arc they wasted a bunch of time on the nasty Consort Shu's boring and tropey petty antics. Wang Xingyue delivers such an empathetic portrayal of Zhang Zhe that I was disappointed his character was short changed by the narrative.

As for Xie Wei, I have a weakness for unapologetic, unspeakably damaged, vengeful and morally ambiguous characters like this. Zhang Linghe delivers an intense portrayal of this dark and complex role. Although he overdoes some of the snarls and sneers, his performance overall deserves praise and is his strongest to date. Every time the full fury of Xie Wei's fiery death glare flashes across the screen, I go weak at the knees and my brain turns to mush. Yups, I am definitely a "may the baddest man win" kind of girl. Xie Wei is far from the best man but they are well matched, morally flexible ends justify means kind of people. Their romance arc only takes off later on but it is worth the wait. A mutual understanding develops gradually between them before things get really hot and steamy. When it does, their audacious chemistry explodes in a way that sets a new bar for passionate kiss scenes going forward.

Even though the political conspiracy is not that complicated, it is well told and riveting. Xie Wei's origins are a bit too obvious early on but I enjoyed how Ning'er and Xie Wei work together to uncover the conspiracy. They are both diabolical in how they manipulate the different factions around like chess pieces. The villains are no pushovers but they are overshadowed by the force of nature that is Xie Wei and Ningér's combined dark ruthlessness. This is not an action heavy drama but all of the fight scenes were well shot. I particularly enjoyed the vicious ferocity and absolute glee with which Yan Lin cuts through a melee. I hope this fight maniac Zhou Junwei's small indiscretion does not stand in the way of future roles in action intensive wuxias. Outside of one unnecessary and infuriatingly gratuitous death, the drama ends on a strong note after a bloody, intense and thrilling showdown.

While I enjoyed this drama immensely, the storytelling left me vaguely dissatisfied; as if I only watched the cliff note version of a story that had a lot more depth, nuance and substance than the drama managed to convey. This director is not great at knowing which plot arcs to give more weight to and has an unfortunate predilection for over-bright spot lights and spinning cameras. The production values are mediocre at best. This is a story that had so much potential it deserved to be in the hands of a better director and a better budget. I still rate this a highly reccomended 8.5/10.0.

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It’s so basic, but so good.

There is exactly nothing innovative about this show. Typical exaggeration of the unfair social structures currently existing in the world, typical villain with selfish motivations, typical hero with personal story. And yet, I had so much fun watching.

I would agree that the world buildup and storytelling is rather vague - lacks the details on how the society truly works, what are the motivations of all the characters and groups. Some do things because they are good people, some because they are selfish or desperate, some scared, sometimes (most of the time) it’s personal story or revenge, but we don’t really get a proper and more elaborate exploration and explanation - neither about the past, present nor the future.

I might be in the minority here, but it honestly did not bother me at all. I think with post-apocalyptic stories, I actually prefer when a lot of things are left with a question mark that I have to think about and find the answers for myself. For me, the process of filling the gaps with my own ideas is actually a part of the entertainment. All that consider, I can see how others might view it as a rather big flaw.

The performances were great. Do I think they will be remembered for a long time? No, since the characters were not exactly that complex and well written. That said, the actors did a phenomenal job with delivering performances that made the characters seem real and cohesive, even if the writing was rather imprecise. The brotherhood between 5-8 and Sa Wol was both entertaining and low key heartwarming - all thanks to good on screen chemistry between Kim Woo Bin and Kang Yoo Seok.

Being a fan of Song Seung Heon, it was rather disappointing how little acting this man had to do. Probably one of the weakest aspects of the show performances wise, and it’s all on the character’s writing and not the actor himself. Since the character was rather boring, I honestly don’t think anyone could make him stand out more.

Directing wise, everyone should look at this drama as a great example on how to end episodes - these were true cliffhangers that made you curious! I honestly could not stop watching. Binge watched all 6 episodes with just pee breaks.

What’s more, the pacing is great. They don’t focus unnecessarily on unimportant bits, highlighting the scenes that matter the most. Sadly, the final confrontation was a let down. It ended before I could even register what’s going on and I was left with the thought: that’s it? Well, that’s anticlimactic.

As for the production - I loved the set design. You know what is one of the most ridiculous things in post-apocalyptic and sci-fi shows? The over the top complex designs. The world is shattered, people would lean towards the simplicity that would be cost efficient, except for the rich elites who would try to pretend the reality is either the same it was in the past, or not as bad as it truly is. We got just that here - simplicity for the poor, trying to maintain the idea of normal life for the rich.

For the negatives - the show is really dark during some scenes. Yes, in context it makes sense, but you still need to think about your audience and not just the realism of the situation. Watching just a black screen is not entertaining. If you make it impossible to see, you can as well just make it into an audio book. That problem mostly existed in the first two episodes and lighting got a lot better later on. There were a few scenes that managed to create a beautiful picture just with the right lighting in the right spot.

A small bit that got me laughing - truly questionable blood splashes during the fight scenes. The gun wounds were fine, but the poorly animated CGI blood during fist fights was just comical.

Overall, I had a blast watching. It can be both: brainless entertainment and a start for some conversations and reflections about social issues and structures as it reflects our reality rather well.

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Let's Go Home For Dinner

“Let's go home for dinner” can even be an appropriate alternative title for this drama. For 48 episodes, the home scene of eating dinner together as one big family perhaps occurs the most times and in every episode. This scene is also the most endearing scene for me as I value family time having meals together as the most enjoyable event in life.

This drama is an investigative story with the three main leads working together from different angles to solve crimes and uncover conspiracies. They investigate government corruptions, punish the guilty, exonerate the innocents and save the kingdom. Though they have totally different personalities, they all have one common goal, that is to protect the Ming Kingdom from all dangers within and without, and to stay loyal to the Emperor throughout.

Tang Fan (Chen Kuan Hong or Darren Chen) is a low-level government official with a magnanimous heart. Though poor with a low income, he’s altruistic and generous to people around him. He has a mind of a genius but can be silly all the times, and that’s the fun part watching him getting into trouble, but somehow manages to come out in one piece. Darren Chen has a very beautiful face with delicate feminine features. Together with a slender body, he makes the most beautiful she-man I’ve ever seen. His acting with a bashful smile and puppy looking eyes catches many viewers’ hearts – he’s adorable.

Sui Zhou (Fu Meng Bo) is a calm, firm, forthright and upstanding man. Though cold, he has a warm heart. Time and time again, he covers Tang Fan’s back while Tang Fan helps him solve his investigations. He’s a good fighter and his fighting scenes are so good. A great cook perhaps in real life, Fu Meng Bo’s kitchen skill is applaudable.

I love the eunuch Wang Zhi (Liu Yao Yuan) who is perhaps the most cunning of all. Ruthless and with his enormous power, he’s also the one who helps both Tang Fan and Sui Zhou in every difficult situation they encounter. Liu Yao Yuan has a boyish face and his acting as a talented young eunuch doing all the dirty work for the Emperor and Consort Zhang, Liu Yao Yuan delivers this role convincingly. He’s perfect!

Despite their differences in personalities, all three work seamlessly together. I love the silent relationship they have with each other. Bromance or not, this friendship is utmost precious.

The supporting cast has done a most marvelous job in their respective roles. I love watching that little girl Dong’er (Huang Yang Tian Tian) who is also the adult in the room keeping the boys together in harmony. It is fun to watch how she outsmarts the boys and the disbelieved look on their faces when they are beaten. It is also fun to watch Consort Wan dresses in armor leading a team of girl soldiers to protect the Emperor.

The flashback showing how the three have met doesn’t occur until Episode 35. In this episode, it explains what has happened to their respective lives and how each gets to the current positions they are holding.

Overall, the drama has a very Jackie-Chan style. After all, he’s the director. It is fast moving, funny at times, silly dialogues, and misfortunate coincidences. There are a lot of chasing and fighting scenes, Jackie Chan’s stunts and moves. I like the great martial arts scenes with incredible sword fighting but dislike the background music during those fights. Although there are some minor plot holes, script writing and editing flaws here and there, this drama overall is a great watch. The ending is nicely done with proper closure for all characters and events. As how the final scene ends, I’m not surprised they are hinting for a season 2.

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The wind rises in Luoyang

2021 has not been a particularly prolific year for detective investigation and wuxia themed C-historicals. The only one that I had completed this year would be The Imperial Coroner, which was quite good for a low budget web series. There were probably a couple others that I recall encountering but nothing large-scale in terms of the budget and prominence… until Luoyang came along. This is a highly anticipated production for several reasons.

> It is headlined by Wang Yi Bo, Huang Xuan and Song Qian. WYB obviously has his immense popularity and fanbase, but I also think he is a talented actor who has much to showcase if given the right script. The critically acclaimed and award-winning HX needs no further introduction while SQ is no stranger either with a fanbase for her music productions and acting honours in recent years as well.

> One look at the source material for the adaptation tells you pretty much what to expect. The story is based on Ma Bo Yong’s eponymous novel. For those in the know, Ma Bo Yong is the author of The Twelfth Hour in Chang’an, from which The Longest Day in Chang’an is adapted, as well as The Wind Blows from Longxi which is currently being adapted to a drama.

> Ever since the teaser appeared earlier this year, expectations have been soaring, judging from social media responses and even here on MDL. I was super impressed from what little had been shown because it looked very much the top quality content that it promises to be.

Luoyang is directed by Xie Ze, who helmed Jun Jiu Ling this year as well as the high profile Yang Mi fantasy, Legend of Fu Yao. Qing Mei serves as scriptwriter, after her interesting work on The Eight last year. Principal photography took place entirely at Hengdian World Studios between November 2020 and March 2021. This iQiyi co-production is big budget which reportedly involved in excess of 5,000 sets of clothing and modeling accessories, as well as more than 15,000 sets of props. These efforts were meant to accentuate the prosperous scenes of Luoyang during the heyday of the Tang Dynasty.

The story is set during the interregnum period of the short-lived Wu Zhao Dynasty, itself a part of the great Tang Dynasty. At this time the imperial capital was relocated from Chang’an to Luoyang. The fates of three unrelated individuals are intertwined as they cross paths during investigations into a mysterious murder case which puts them on a collision course with an enigmatic secret organisation that has nefarious designs on the reign of China’s only Empress regnant, Wu Zetian.

What I Liked

The production quality. Specifically the art direction, set designs, action choreography and most obviously the money well spent on the sheer numbers of extras. From the first minute of the first episode, you could tell immediately this is top-tier content. Luoyang actually resembles a real city, rather than merely a production set. The huge crowd of inhabitants walking the streets exude a metropolis feel to the bustling city centre. Although this was filmed at Hengdian, you simply couldn’t tell because the production team managed to mask the obvious very well indeed. The action sequences of the choreographed martial arts moves, the coordination of mass fighting and the frenetic street chases are absolutely superb entertainment. Meanwhile, the inner palaces and the throne room settings are gloriously opulent and majestic, thanks in large part to the visual framing of the scenes. The general appearance of this drama is reminiscent of The Longest Day in Chang’an, with the exception of a more polished colour grading and less grain in the overall visuals.

The premise and the plot. The Tang Dynasty and Empress Wu Zetian historical settings are favourites of mine. The infusion of an intriguingly extensive overarching mystery with a profoundly conspiratorial connotation and no lack of convoluted twists makes Luoyang all the more enthralling. It is complex, fast paced, eventful and unpredictable - it’s truly been a while since we had such a smartly-written mystery. The reveals are timed to perfection without letting the cat out of the bag too early or being underwhelming to adversely detract from the gripping nature of the storytelling. The story continuously builds and engages right to the climactic ending.

The main characters and portrayals. Huang Xuan plays the gritty investigator Gao Bing Zhu, the perfect ancient iteration of the hardboiled detectives in crime noirs. This is a deliciously layered and multifaceted role that suits the range and depth that he possesses. In fact, most of the powerfully emotional moments in this drama feature his scenes. Wang Yi Bo is the stoic but brilliant engineer and scion of a prominent house of imperial engineers, Baili Hong Yi (aka Er Lang). In many respects, this character is an exact replica of his Lan Wangji in The Untamed. I actually prefer his brooding interpretation here compared to the playful character in Legend of Fei where he just can’t stop smiling. Making up the dynamic trio is Victoria Song Qian’s female inner guard, Wu Si Yue. This is an interesting character who is the only one of the three leads that initially embodies the values of justice and professionalism in her conduct, whereas the other two have their own vested interests and personal motivations. It’s safe to say that Song Qian’s performance here indeed warrants the tag of strong and relentless FL.

Of the supporting characters and cast, I have to mention a number of performances that have left quite an impression on me. The veteran Yong Mei plays Wu Zetian in what has been a uniquely refreshing take on the iconic historical figure. Most depictions hitherto have been utterly colourful, fashionably stylish and, of course, hugely intimidating. Her version is understated, subtle and nuanced. Whilst the image appears less menacing and even motherly, given the twilight years of her reign, I still feel the ominous undercurrent that threatens to burst into life beneath that deadly calm exterior. Despite the limited screen presence, Zhang Li deserves credit for her portrayal of Yao Niang, particularly during one of the scenes of acting masterclass between her and Huang Xuan.

The drama features a total of six original songs in its soundtrack. My personal favourite is the contemplative ending theme by Huang Shifu, Longing of Heart. Full listing as follows:

长风送 Chang Feng Sang - 宋茜 Song Qian
心念 Longing of Heart - 黄诗扶 Huang Shifu
无关 Wu Guan - 汪苏泷 Wang Sulong
笑黄梁 Xiao Huang Liang - 李振宁 Li Zhenning
天机 Tianji - 李常超 Li Changchao
风起洛阳 Wind from Luoyang - Winky诗 Winky Poem

What I Didn’t Like

The somewhat trippy camerawork, particularly for the action sequences. The cinematography has been somewhat inconsistent in this respect, although it does progressively improve. I do understand that it is a stylistic choice in the way the fight scenes are presented, to immerse viewers into the atmospherics of the scenes. The quieter and emotional moments, on the other hand, are generally better framed.

I did not appreciate the melodramatic aspects of the plot pertaining to FL’s brother persistently attempting to marry her off or frequently constraining her investigative efforts. Likewise the story arc relating to a certain side character and his unhealthy obsession with a long-lost childhood love interest.

I need to rant about one character in particular, Liu Ran. Somehow a majority of C-historicals seem to favour this particular characterisation. The whiny, clueless, and besotted airhead who constantly annoys by ceaselessly crying out for the object of her affections. In this case, I think I’ve heard the name “Er Lang” being called out hundreds of times throughout the whole drama. Usually such characters would eventually experience tremendous growth but not so here. Her trajectory remains constant right to the end, unfortunately. However, I do not blame Song Yi for the portrayal. She could only make do with what she’s given and I know she has a lot more substance than that.

The last thing that irked me - the ending. Without spoiling it, let’s just say that while the story does achieve closure, the final outcome isn’t ideal. There is a huge room for improvement in this aspect but I fear this is as good as it will ever get for us viewers.

Final Thoughts

All things considered, Luoyang is most definitely one of the better C-drama productions and investigation themed historicals of the year that shouldn’t be missed by fans of the genre and for those interested in trying their hand at C-historicals. At only 39 episodes in length, the storytelling is brisk, intense and coherent which is very well-suited for the binge.

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This was a waste of time

If this show taught me anything, it’s that you shouldn’t let ratings tell you what to watch.

Idk how it’s rated 8.1 on MDL but that convinced me to give it a try, along with the cast-I’m also from legend of yunxi so I like both actors, but I wish I had never started this drama.

First of all, the synopsis is all wrong. This show is not about a girl who sees the future. That lasted the first 2 episodes and deteriorated into something entirely useless and incoherent.

Second, this is the worst female lead I have ever encountered. I usually always give the Fl the benefit of the doubt and find the good despite all the bad but in this show, the bad farrrr outweighed the good. Not once did she trust the ML. She kept repeating the same bad behavior with the same consequences or results throughout to show-even till the last couple of episodes. How do you write a character like that? No growth at all. She talked so much about trust and the truth, but she didn’t trust her teacher/master and she didn’t trust her husband despite him repeatedly reassuring her of his innocence on numerous occasions. Also, her always spending so much time with the second male lead, in public and privately, especially after the male lead expressed discomfort about it repeatedly to her annoyed me. Like you are married-a little bit of respect towards your husband won’t kill you. There was also the issue of the blind faith/trust she had in the SML due to them knowing each other for like 5 secs when they were kids that she doesn't extend to the ML, who is...her husband. I didn’t even care if she lived or died-in fact, on some occasions, I wanted them to truly get divorced and he married the princess. Put simply, the female lead sucks, she’s awful. Her character belongs in a trash can.

The second male lead is even worse. He decides to go on this entire evil crusade based off secondhand info about a 10-year-old incident without verifying or questioning a single thing. Who does that? Who formulates an entire revenge plan that involves the betrayal and murder of so many innocent people without first verifying your reason? Even if he was right and that incident was what caused his mother's death, the male lead was a child then??? You're telling me the writer decided that his main villain is going to be someone who can't distinguish between a mistake made by a child and malicious murder? You will betray and murder someone who calls you uncle and has done nothing but trust you because he knocked over a candle when he was like 10?? Also, the actor’s acting was pretty bad. Maybe this role doesn’t suit him or something idk, this is my first show of his, but he portrayed zero emotions and he tried to act without moving his lips and that just annoyed me. And his obsession with the female lead due to their 5 sec childhood interaction grew tiresome really quick. Also, the way his story ended was the absolute WORST! We watched this lunatic run around for 39.5 episodes killing people in an attempt to kill the male lead over the stupidest misunderstanding, all for him to die before fully understanding how wrong he was and what he had done. Like what was that?!

The secondary couple, although cute, became annoying and repetitive promptly after because they refused to actually do anything about their relationship or make it official. This is a historical drama, how many episodes of flirting and almost kisses can there be before you freaking ask for the girl’s hand in marriage? The whole show with them flirting and fighting and no marriage. It was the same thing over and over.

And then there's the ex-friend of the female lead who became her enemy after misunderstanding the female lead's part in her father's execution. It was literally the simplest misunderstanding that could have and should've been easily resolved but it dragged the entire drama and the friend tried to murder her and it never gets resolved. Why not clear it up at the end-even if it's to make the ex-friend feel guilt and remorse for her actions? They left that unresolved.

The only character that had any growth was the annoying princess and that’s the saddest thing I’ve ever written. She grew from the most annoying person on the show, to still annoying but sorta like-able and caring.

I stayed through the drama for the male lead. While he was the typical cold ml, every so often he’d smile, smirk, or make the funniest, most ridiculous faces that just made your heart melt. He also turned into a total sugar ball around the female lead.

This show sucked. The plot was awful-I’m not even sure that there even was a solid plot to follow. The villain is so crappy that you’re more annoyed than scared of him. Every episode is a repeat of “how can we make the people in the male lead’s life not trust or believe him today about issues that are clear cut until he almost dies proving himself to them”. This is what you will be watching for 40 episodes.

I couldn’t wait for the special episodes but now that I’ve finished the show, I don’t even want to watch it cause just looking at the female lead is going to piss me off. Also, my idea of a happy ending for this show does not include the female lead. He could do so much better and be so much happier with a person who loves and trusts him. He loves her with everything, but she abuses that. My perfect ending would have been if he fell in love with someone, one of the times they were separated, and she cares about and trusted him as much he does her.

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What was the point?

Well this was a bit of a mess and I spent every episode asking what's the point, what's the point of all these new characters and all these different plot threads that are introduced but not resolved? It felt like the show was working so hard to set up season 3 that they forgot they were actually supposed to make season 2 and so what we got was this hastily cobbled together collection of episodes. In expanding the world outside the apartment complex of season 1, the writers also focused too much on adding new characters without giving us a reason to care about them, and even the core group of survivors from season 1 felt harder to connect with this time around because we kept jumping from one character to the next without really getting to spend much time with anyone. The CGI continues to be pure nightmare fuel but on the bright side, at least they didn't play that Imagine Dragons song 20 times every episode.

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City Hunter is obviously one of the fewest well-made action dramas in South Korea.

This drama’s story centers on revenge, action, friendship and romance: the ultimate combination to create various story’s developments all the time excluding any chance for dragging or slow moments. The intense events were always present to create cliffhangers at every turn in each episode. What I appreciated the most about this drama’s screenwriting was the action and revenge departments; they were really well done in a way that will make you believe they’re the core of the drama regardless of any other subjects. I also have to refer to the masked hero theme that was used in a great way.

The acting department was actually good. Lee Min Ho can be quite stiff but that doesn’t deny that his action scenes were pretty well done. Other cast were also appreciated since they could deliver feelings especially Kim Sang Joong who portrayed the villain role in a perfect way. As for characters, I believe they were nice to follow considering the fact that their developments were quite good.

As for music, I have to give this drama’s OST credit; not only they were well chosen but they were also put at the right moment creating an enjoyable atmosphere.

This drama can be watched by those who like action dramas mixed with revenge and romance or those who like the masked hero theme and thrilling stories. However, this drama should be avoided by those who dislike Lee Min Ho or those who are looking for a light drama.

If you’re willing to watch City Hunter, get ready to throw yourself in an endless circle of intense events without a drop of slow moments.

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