Awesome
Im placing this drama with the level i placed some Cdrama classic faves like Nothing But Thirty (2020) and Go Ahead (2020).Very relatable and educating. very good drama and it shows how time can change people.
Came for the Male Lead and stayed for the story.
too bad is coming to an end but i really enjoyed it. i rarely a movie person, this drama kept me captivated and comiong back for more. kudos to the actors and team that made this. My emotions are still raw because this drama was so relatable from high point to low point of each character.
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This review may contain spoilers
Like one of the other reviews, I personally think this drama was good too. Like the other review said, no annoying characters, and not cliche at all.
The number of times he loses memory is perfect, not too much rather not too few and the good part is that it came as a shock, which was really good.
I like the FL's personality, she's super chill and not annoying or naive at all. She wants a simple wedding and wedding ring, it feels like she's very down to earth.
I also like the relation between the FL and the second ML, really close but only as friends.
The second FL, the actress, was also super cool and chill, she gave up really quickly as she realized that the ML only loves the FL.
There's a lot of comedy happening in the office and all the coworkers are really funny.
The ending was nice, I looks a lot like every character ends up finding someone, which is a very happy ending.
I recommend it.
And regarding the sound, then is most likely because you are watching it on youtube. Youtube is not the best place to watch dramas, i recommend IFVOD. tv, but it's only for Chinese speaking people, sry.
If you're looking for more dramas I recommend:
- Love Designer
- My Love, Enlighten Me
- Girlfriend
- Well Intented Love
- My Dear Lady
- Sweet Dreams
- Because of Meeting You
- Moonshine and Valentine
- Luckys First Love
- A Little Reunion
- Put Your Head on My Shoulder
- My True Friend
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1
1The Princess Bride.
Lost You Forever is a dark, beautiful, suspenseful and, poignant tale of intrigue, treachery and longing. This drama is immersive with its air of mystery, the shiver of danger, a whisper of regret and a sense of profound loss and longing that saturates every scene. It is a story about love but it is not a love story. It is a far more complex and expansive exposition of the many kinds of love and how it can be restraining and boundless at the same time.Set in Dahuang, a magical, treacherous and unpredictable world where humans, demons and deities co-exist, two forsaken royal orphans vow to always cherish and protect one another. Shattered by a broken promise, Xiao Yao loses herself, misplaced during a time of great turmoil. She assumes the appearance of a man and lives among the humans and demons of Qingshui Town as the village fertility doctor. This is the most exciting arc because everyone has secrets and danger lurks around every corner. When cornered, Xiao Yao is most adept at grovellng, lying or poisoning her way out of trouble. Yet she is carefree, uninhibited and almost contented in Qingshui Town with her found family. Alas, destiny catches up with her as Cang Xuan, Tushan Jing and Xiang Liu all converge upon Qingshui Town, shattering her refuge.
The latter arcs take on a political tone as Cang Xuan emerges as a contender for the Xiyan throne with Xiao Yao clearing the path for him. They must establish Cang Xuan's support base among the restless and resentful Central Plains; where the noble clans and families have complicated blood ties to remnants of the defeated Chenrong state. Xiao Yao is the princess bride, a chess piece that Cang Xuan dangles temptingly in front of the scions of the powerful aristocratic families he seeks to win over. Marriage to him is simply a means to seal alliances. He supresses his heart's deepest, secret longing by sheer willpower. Zhang Wanyi adroitly portrays Cang Xuan as a consummate politician, a very dangerous, smiling tiger / xiàomiànhǔ 笑面虎 who has his enemies in a death lock before they even know it. Love is not of paramount importance for Cang Xuan and Xiao Yao, whose destinies are interlocking as a result of their childhood oath. They work towards a greater purpose with one heart and one mind. Anyone and everyone else is always subordinated to this purpose. They are both unattainable characters who have already carved out so much of themselves for each other that there is not much left for anyone else. This is why what Xiao Yao seeks is an unequal relationship with essentially, a doormat. The princess in her however prefers that it is a doormat made of fox fur rather than a rather foolish, entitled product of too much in-breeding.
Xiao Yao is by far the darkest, most complicated, and most independent female protagonist I have come across in Chinese dramas. This is an awesome and challenging role that Yang Zi delivers magnificently. As someone who had a huge allergic reaction to her earlier works, I am speechless at her portrayal. Her Wei Xiaoliu has decisively unseated Ni Ni's Fang Weizhi as the most convincingly acted female disguised as a male character. But it is her heart-wrenching homecoming scene that can squeeze tears from a rock that truly captures the depth of Xiao Yao's sense of abandonment and despair over the person she lost forever. I can't think of another actor that has so visibly taken their acting to a high a new level the way Yang Zi has. That said, no power on this earth will make me revisit her past roles though I enthusiastically look forward to her future ones.
Tushan Jing is the weakest link in this drama both in terms of how the character is written and portrayed. Despite his stunning physical appeal, this is not a role that a promising but inexperienced actor like Deng Wei is ready for. He pulls off a charismatic and endearing Ye Shiqi that melted Wei Xiaoliu's stone-cold and lonely heart. But he lacks depth and range and visibly struggles to get into character as Tushan Jing. His perpetual stricken, deer-in-the headlight expression threw me out of some of the drama's best, most intense moments. When the Haoling King assures his daughter that the shrewd and canny Tushan Jing must have already guessed her identity, the camera pans to a dumbfounded looking Tushan Jing! I burst out laughing even though I am absolutely sure I was not supposed to. It does not help that the character's weak and indecisive waffling does not match Tushan Jing's reputation as one of the most brilliant and cunning minds of Dahuang. There is clearly also a writing issue but it does not excuse the actor's inability to make the character seem deeply conflicted rather than just weak and lacking basic smarts and survival instincts. This is a glaring weakness that weighs on both my viewing experience and my rating.
Xiang Liu is Xiao Yao's greatest nightmare, a demon that she is bonded to by a spell no one fully grasps. He is her soul mate; they are both lonely, realistic characters trapped by a cause that is bigger than themselves and thus have no free will. Tan Jianci's masterful, subtly tragic rendering of this vicious, resentful and enigmatic nine-headed demon with a shockingly passionate heart has catapulted this fantastic actor to a new level recognition. His styling is spectacular but what takes my breath away is how with the angle of the head or a flicker of an eye, his expression can change from unholy amusement to vicious cruelty; from tortured to pure, unbridled joy and affection. I don't know how Xiang Liu's story ends but the fact that he is committed to a lost cause that pits him against the person Xiao Yao protects at all costs fills me with dread. I cannot see any scenario in which this ship does not somehow sink but my heart won't listen to my head that urges me to get on the lifeboat to safety before it is too late.
Season 1 sets up the backstory of a world torn apart by war and introduces many well-written and multi-faceted characters that were collateral damage in the conflict. Intricate relationships and debts that will at some point come due accumulate between the various stakeholders. After some draggy politicking, Season 1 ends triumphantly with an unexpected twist and sets the stage very nicely for Season 2. I expect Season 2 to reveal even more secrets from the past that will force Xiao Yao to make some impossible choices. How unbreakable is her bond with Cang Xuan? Will the tragic story of Chi Chen and the Xiling witch repeat itself? Will Deng Wei finally get his act together and give us the real Tushan Jing? Will Xiao Yao shock us with her marksmanship by shooting her rival in her black heart? I hope we will not have to wait too long to find out. At the same time, I am grateful that this breaks in a good place for a time out. I have come to care too much for these characters and something tells me that this is the kind of story where even those who get what they want may not truly want what they get.
So far, Lost You Forever is the most addictive and immersive drama I have watched in 2023. I rate this a 9.0 for now because there are some notable flaws but if Season 2 comes together well, there is scope for me to revise it up.
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Sci-fi or birthing campaign?
Food analogy: plastic plateI follow Lee min Ho's cinematography byheart ( bcoz city hunter was my first kdrama, i. e emotional attachment) but i don't think he read this script.
The story is made of loopholes with very little plot in it. The pacing so slow that I was praying for a 2.0x button from netflix. The first episode was still tolerable, but the characters made it impossible to root for them.
Somehow, what I hated the most was that the moment eve got pregnant, all her value for her life, the amazing career that she had created, everything got overshadowed. It was like she became a heavenly creature the moment she decided to give birth, even after knowing that it will potentially kill her. The way these kinds of sacrifices are glorified are severely unhealthy, as if women loose value if they choose not to give birth.
The music was ok but i couldn't enjoy it because i felt like i was wasting my time.
I never thought i would say this but somehow min ho's acting detoriated as the series went on. It was like he stopped trying. Somehow, everyone felt very unserious and loose with what could actually be.
There is like no redeeming quality in this series, better scroll social media.
Ps: How the baby survived the launch in her belly is beyond me.
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raw, emotional and with a cliffhanger....
While some episodes where not as interesting as others and had some "logic holes", the outstanding feature of this show are the characters and the actors playing them. Even the action scenes were, for a thai BL, quite good (in contrast to Jack & Joker). It's rare for any thai BLs to leave "badies on the field" after the final episode, something we have not seen yet. But the bitter pill we also have to swallow is an open end, which means they are gearing for a season 2.This show is not for everyone. While there is eye candy and sensual scenes, this show is mostly raw and brutal. That begins in the prison with all the abuse you may associate with it and ends in the finale which is one action sequences after another ending in a blood bath. Also the thai/korean co-production did not feel akward compared to other shows, even when the K-Dad was not really Korean at all, but we will forgive that.
Overall it was something fresh for a thai BL, something different and something not seen yet and for that courage alone we should praise this show. Of course, it was not perfect, the storyline could have been better, but some twist were also well thought out and not as predicable compared to many other shows.
So, if you can stomach the raw and brutal scenes or don't like the overly fluffy stuff, it's a show worth watching.
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It is all about balance and whole a lot of pain...
In not so many fancy words, I think this movie is phenomenal! Why?• Two hours flew by in a second
• Intimate scenes are so raw and believable, and just the way I want them. If someone can do a nasty yet sensual NC scene that makes your stomach turn is Japanese. This time, the scenes are going so well along the story. Lets be honest, many Japanese movies do have explicit content that can overpower the story, or, especially dramas can lack any kind of sexual or intimate content. This does not make them bad, I am just talking about how well Egoist is balanced compared to Japanese movies, and in general.
• I enjoyed the balance between letting it go and being polite and restrained. Overall movie has that. And all of that is very nicely packed and topped with a hint of luxury and poverty.
• The whole story about financial and emotional compensation left me deeply wounded, so at the end of my short review, I would say this is not a love movie, nor a romance. This is movie filled with love by the people who were severely damaged by life and their families and they did love and they did care, the way they knew how.
• I feel I cannot pick the pieces of my heart after watching this movie and that is not that bad. It made me feel something, it made me feel a lot actually.
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There's some changes in my review
Let me be honest, the reason I've been looking forward for this drama is because of Kubota Masataka and Ishihara Satomi. They're both my favorite J actors. But as I finished this drama, I've fallen in love with all the actors from UDI. The acting is on point and all the characters are awesome, well except from the villains of course lol.Whenever I watched an investigation drama, I will mostly judge the drama based on the cases. Unfortunately, in my opinion, the case in episode 1 is quite boring BUT other than that, all the cases in this drama is very interesting and intriguing. There are few cases that touched my heart and make me shed tears because it's so touching and sad.
This is my first Asian drama about pathology and Unnatural certainly set the bar high for my next pathology drama. Watching the procedure and the conclusion is very fascinating. I learnt a lot from this drama.
I hope there will be season 2 will all the same cast because this drama is perfection and I totally recommend this!
------------------------------------------------------ UPDATE ------------------------------------------------------
Hello, this is me in the year 2021 and I want to share something.
Recently, I re-watched this drama and I noticed that I stated "the case in episode 1 is quite boring". I want to slap myself lol. With this pandemic that's happening all over the world for already 1 year, it made me appreciate the case in episode 1 when I re-watch this drama. It hit too close too comfort with the pandemic that we're all currently experiencing. I understand the panic and chaos that happened in the drama.
With my changed statement, I hereby announce that all the case in this drama is very interesting and intriguing lol.
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This review may contain spoilers
A bit weird and edgy, yet refreshingly and unashamedly honest about what love life also is like
"LTNS" (Long Time No Sex) starts off where other series usually end. TVING doesn't care about age ratings. “LTNS” is unusually explicit for a KDrama. At the same time, “LTNS” presents itself as a pitch-black comedy with venomously satirical overtones. Be prepared for an edgy series that is refreshingly and unashamedly honest about what love life also is like...If desire in a relationship has been turned off over time by habit and everyday worries while instead alienation and disinterest are creeping in... what should you do? The protagonists unexpectedly find an almost absurd option to bring some excitement and “we”-time back into their relationship. With detective zeal, they set out to blackmail those in whom the fire of (actually forbidden) desire still burns happily... and in doing so, they thus try to create a (almost criminal) virtue out of their own need, so to speak.
"LTNS" has fun with scenes that convey uninhibited sexuality one moment, but are completely unerotically thwarted the next. It is somehow down to earth in a most peculiar way. Bedroom stories are being told here that we haven´t been waiting for. All of a sudden such a certain mood for certain hours is eventually collapsing like a house of cards due to a mishap or unexpected incident... A "Bravo!" in this context to the actors, too!
“LTNS” promises a special kind of bizarre, weird series delight with plenty of potshots at the mendacity concerning certain facades of a solid and sincere love life and family life that are usually and preferably presented to the outside world.
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BL to Thriller or Vice Versa?
At first, my fujoshi heart was all aflutter for some fresh BL content, but six episodes down the line, I found myself spiraling into a rabbit hole of thrills and chills instead.Not a moment of fast-forward was needed through the saga: it's a wild ride through the eerie and the unknown, with narratives that grip you, suspense that keeps you on the edge, and a raw delve into the realm of mental health. It's a murder mystery adorned with a rich blend of folkloric whimsy and literary allegory, each scene more captivating than the last. This series is where the tender allure of BL meets the pulse-racing thrill of a mystery, all wrapped up in a cloak of cultural and literary elegance.
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What bothers me the most is that this has the ingredients to be a very good story. It's an arranged marriage in which both parts are taking something out of the situation, in which both parties come from very different backgrounds and have different priorities: Chiwa is a hardworking young girl who has to work two jobs to make ends meet while paying for her (terrible) father's gambling debts; Hokuto is a hardworking man with a very overwhelming family, who wants to succeed in business to uncover a family secret related to his past and take revenge. The premise is good.
Now, if we add to that every cliche from Josei manga you can possibly think of, that's when things go south. Hokuto is that kind of male lead who is downright a jerk and whose backstory is supposed to make you feel for him enough to forgive him for being a possessive toxic jerk. It doesn't work for me. Chiwa is a very interesting character in premise but the moment she starts getting ~feelings~ for Hokuto, we lose her. We have, however, a couple snippets of the Chiwa who should be, I can count at least 3 times in which she read Hokuto and his family for filth, and that is the direction I wish this would have taken. Furthermore, she has, like I said, a father who is constantly getting in debts and disregards her well-being, but instead of it being taken seriously, the comic relief they (think) they're turning him into transforms Chiwa's struggle into something less important.
To that dynamic, add every other thing you can fit in 12 episodes: love triangles (plural), betrayals, paparazzi drama, multiple near death experiences for various people, grudges with daddy, slut shaming, women hating other women on principle, weird family connections pulled in the last minute and making no sense, you name it, it's all there.
I can't help but compare this with Please Love The Useless Me because a) they're both based on Josei manga b) they both came out this year c) they both have the "cold male lead/cute female lead" premise d) they both have Dean Fujioka. And, in the comparison, Please Love The Useless Me wins by a landslide. The premise of that drama was much less interesting than this one, but the character development was good and it didn't retort to the same cliches to fill the story (no girls hating girls, no slut shaming, no evil ex-girlfriend with machiavellian plans).
If you don't like the same old josei premise as per usual, you don't like the male lead treating the female lead in a questionable manner, you don't like a plot that has everything but the kitchen sink and you constantly question yourself why the girl is doing this to herself, this is not the drama for you.
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A good cute story
First things first, a warning about this drama is that there is a lack of attention to detail. Just small things like, ‘how is he not wet after being in the rain’ or ‘what happened to those cuts from five minutes ago’. There are also parts where some actions lack explanation for example, ‘how does bunny’s dad have people that beat people up. what is his occupation’.Also there is a situation where solo is drugged and almost raped by a woman and it’s just ignored. I didn’t like that but as far as I’m concerned it’s because she ran out of the building and got hit by a bus....
SoloGui:
I know people love the side couple, but SoloGui where definitely my favourite. They have a relationship built on mutual respect and honesty so they appear to be perfect, but no relationship is perfect and the flaw of their relationship I’d say is transparency. To explain, when Solo fall in love with Guitar, he falls hard. Gui was his entire happiness, all that mattered was Gui and because of this he doesn’t really think about much else and by that I mean his fiancé. He honestly never loved her because he loves Gui but he just didn’t say anything about it. He should have at least warned Gui about her. Same with when he just disappeared. However I liked that Solo never actually lied to Gui.
PhuKao:
This relationship was fifty shades of pure fluff. it was just really wholesome and cute. At first the bunny thing was pretty weird and cheesy to watch, but it eventually grew on me and I enjoyed it a lot. As they where a side couple they never had any real conflict with each other, so I wasn't that emotionally invested in them. So, when we learn that Phu needs to go to England I didn't expect it to hurt that much lol. but it did.
Kao was also the most supportive friend even when he was missing Phu, which I find so amazing. He is really the perfect friend.
PetchKhimPerthKhem (ugh):
This whole love square thing was an absolute mess. It really made no sense .
Dr. Perch has THE MOST punchable face I’ve ever seen OMG I’ve never been so frustrated. He has got to be the most useless excuse for a doctor how this idiot got a medicine degree is beyond me. He hurts and lies to so many people without even realising how much harm he’s done.
At the start I really didn’t like Khim because she didn’t know how to respect peoples boundaries and would invaded people's space, which I hope was the production mocking the fans that behave like this in real life. I think there was some development in her character, because at the end she seemed to have changed.
Initially the acting of the main couple felt quite awkward, but as the story progressed their acting, as well as their chemistry improved greatly.
I loved the ending of this drama so bloody much. Solo finally fixes his relationship with his father, and he is finally with Gui and their stepson*insert giggle*.
In the last episode, where Solo came to the farewell party and Gui kissed him on the cheek and ran away.... that was by far my favourite moment of the drama. The smile on GUI’s face was so authentic and it felt so real .
Lastly what I love of this series is the OST and sound effects. I don’t know if it’s just me but I love being surrounded by music like I can’t even sleep without listening to music so I really liked that and the intro was perfect. I literally never skipped it .
To conclude if you just want a ‘lightly sweetened’ series with many fluffy cute moments I definitely recommend this one. But be warned!! If you stay to the end it gets stressful as the main drama happens from about ep 10 before then it’s literally all the calm before the storm.
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You Taught Me All the Precious Things
42 people found this review helpful
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fun premise but… why are the ex’s family STILL here??
This show had so much potential but the biggest problem is 100% the ex’s family hanging around way past the first act. Like… why are they still in every conflict? Why do they get THIS much screentime?? People keep saying the leads lack chemistry but honestly they don’t; the show just wastes all their moments by stuffing in secondary characters who don’t matter to the actual romance. Every time the leads start building momentum, boom: unnecessary side drama. It could’ve been a tight, cute romcom, but the pacing drags because we’re stuck watching plotlines that should’ve ended 10 episodes earlier.Was this review helpful to you?
Unnatural features a skilled cast depicting intriguing characters with complex backstories and motives portrayed by Ishihara Satomi, Iura Arata and Kubota Masataka. This drama marks a reunion of Ishihara Satomi and Iura Arata. They were last in a drama together in 2012’s Rich Man, Poor Woman. It is remarkable the transformation Iura has made from the two roles. I only realized it was him after reading through the cast. Iura is such a skilled actor with amazing range. I will have to seek out more of his works.
I binged this drama in a couple days before the last episode aired and this drama is quite a ride. This drama is extremely well balanced and keeps its audience engaged from episode to episode. This drama does a very good job in introducing its characters backstories and delving into what makes them tick. While each episode typically offers a new case, it’s the overarching focus on its characters that kept me so engaged throughout. I’m typically pretty cautious when it comes to procedural dramas, but this drama is the perfect mix. If you are like me and hesitate about starting this drama, Don’t Be! Take the plunge! Trust me, you won’t regret it! Here’s to hoping there is a second season!!!
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