This is more than boy-meets-girl kind of movie where the story usually just revolves around the lead actors being in love and how they conquer anything and everything that hinders their relationship. This movie, on the other hand, will give the viewer a glimpse of both lead actors' selfless character that one would agree that they really deserve each other and would hope that they end up together. It's unique in it's own way; smartly revealing each of the lead actor's amusingly cool character that any film viewer would be able to relate to and appreciate.
The concept of destiny that often seen in romantic films was given a different twist in this movie. A must-watch film that will leave a smile on your face and a smile in your heart and soul.
What are you waiting for?! Go check out this wonderful Thai movie!
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Messy but Charming
Honestly when I watched the first episode of this drama, it was so far removed than what I thought this drama was going to be, I was going to drop it and move on....I AM SO GLAD I DIDN'T! If you stick with it, don't take it to seriously, you will be won over and love this drama when you finish with it.STORY: As I stated above, do not take this drama and it's storyline too seriously. Just go with the flow and you will enjoy it more. I am not saying that the story was bad it just had its moments where it seemed very farfetched and messy, some parts even were a little predictable for it being a spy drama. If you don't look that much into it, you will find the story to be charming, exciting, funny and adorable all at the same time. It is a fun ride to be on.
CASTING: At first when I started this drama, I did not like some of the characters because they seemed to be a little tropey and annoying but as the drama went on, the characters got more depth and color which helped you as a viewer fall in love with them and their interactions. By the end of the drama, it was hard to say goodbye to them. MY favorite characters HANDS DOWN in this drama was the Ahjumma group and Jin Young Tae surprisingly (I found him to be annoying at first). I thought the actors did a great job and the drama was well casted.
MUSIC: I LOVE LOVE LOVE THE FIRST OST FOR THIS DRAMA!! I listen to it all the time. I also liked the music that played when the action was happening. It gave depth to the fight scenes and made them very exciting to watch.
REWATCH VALUE: I would rewatch this again if it was a rainy day and I had nothing else to watch. It is an easy drama to watch.
OVERALL: Even though this drama was messy and all over the place, you can't help but fall for its charms. It was a drama that didn't take itself to seriously and had action, comedy, and a little romance. If a second season happened, I would watch it. It would be interesting to revisit all the characters and see where they are. Just watch this drama for an easy drama to watch and go with the flow. Also So Ji Sub with kids is always a plus
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This review may contain spoilers
Disillusioned life scenario, yet spiked with moments as the ego steps aside + heartopening happens
A wonderful movie in many ways.This KMovie is aiming straight at the heart. This is already indicated in the international title "Keys to the Heart". Also, that the piano plays a key role - i. e. its 88 white and black keys.
The original title is more like "This only is my world" and refers in its own way to the piano, because this is the world of the autistic protagonist Jin-tae. However, this also refers to the (also limited) world of his brother Jo-ha, to which Jin-tae starts belonging. Additionally, revolving around Jin-tae (and Jo-ha) is their mother. "Keys to the Heart" is a story about that mother and her two very different sons. She left one of them decades ago as a little boy under dramatic circumstances and to date he hasn't forgotten, let alone forgiven. The other is autistic with savant syndrome.
It´s a given that the story intends to bring tears to your eyes. Yes. The story wants to get to the heart. But not generally in a tender, comforting and blissful manner. In fact, there is nothing but pain drifting around those hearts in this story. The framework of the plot draws a disillusioned, depressed scenario of the lives of ALL characters - regardless of whether they are rich or penniless, or otherwise have a more or less comfortable living. (The exception to the rule here is the autistic Jin-tae.) As if it were the most natural thing in South Korean everyday life for people to suffer. There is a good deal of social criticism in this KMovie. I think that's often overlooked in its critics or reviews.
There's the drinking, beating father; the abandoned son; the penniless son who can do nothing but box; the brutal world of dog fighting, where boxers beat each other bloody for money; the single mother with cancer; the mother with guilt; the autistic son; the depressed, suicidal, rich, once famous invalid; the Jaebeol CEO, whose money doesn't help her to be able to buy back her daughter's happiness. Eventually "Key to the Heart" is a dreary, sobering contemporary document. Not a picture of society of the crisis-ridden 1990s, no. It is a simple, unpretentious social inventory of the South Korean affluent society from the year 2018...
Now, some heart-warming light is shining into this fundamentally gloomy everyday world. (And in those of the audience as well.) In rather small spots though. These are brief details, inconspicuous moments (apart from the big spotlight of the finale, which is a bit more spectacular). However, those little spots make all the difference. Not a flash of inspiration, rather a flash of the heart, in which the injured ego steps aside for a moment: for a moment of clarity for the essential: actually, what´s NOW. For a moment, people can just let go of all grief and become open to what life has to offer just NOW: beauty, warmth, joy, hope. This NOW can transform, heal, completely change the view of the world. The world on this earth itself is the same, yes, the planet does not change its orbit because of it. It's not suddenly 'everything will be fine again'. And yet it is something like 'everything-IS-good'. ... That brings us to the KMovie's favorite quote: "Impossible is not a fact. It's an opinion." (Muhammad Ali)
Admittedly, a button is pressed when it comes to the piano music. The classics take their space. But here, too, the story does not fail to take the opportunity to point out the ego-driven business with it - the talent and passion of the musicians may be on the one hand, but the very personal interests of teachers and directors are on the other...
Of course, with Jin-tae as a young man with an autism spectrum disorder with savant syndrome, the KMovie is deliberately pressing another selected button, with the intention of moving hearts. Nevertheless, even this developmental disorder is not romanticized, yet shown as demanding and exhausting to deal with.
Particularly pithy and powerful: The contrast between the world of the buttoned-up, reserved, respectable, reasonable and properly dressed classical music scene and the childlike, impulsive and playful but brilliant Jin-tae, whose piano playing tears down walls for a moment.
At last, we are back at the beginning: a story about that mother and her two very different sons... There is hurt, sorrow, the pain of loss and guilt - all is there, what life has to offer to become estranged from each another, or to feel lonely and abandoned. And that's where love - no matter how screwed up - finds its screwed-up moments. I don't think predictability is a problem with this movie, because it doesn't want to be 'enthralling'. Yet, it wants to touch the heart, and it does. Eventually, that's good for everyone. With this movie, it is the HOW that is decisive: by sober narration of a basically rather depressing story that thrives on short, unspectacular moments (and the actors) in which 'new' NOW-decisions are made and heart opening becomes possible.
Great!
--------------------------- SIDE NOTES --- Savant syndrome ---
Savant syndrome has often been a topic in the cinema, for example in the US production "Rain Man". There are only around 100 "Savants" known worldwide (from the French 'savoir' = knowing, how to do it). Accordingly, the phenomenon has only been scientifically examined to a limited extent. In the musical field, there are various examples of Savants (like the fictitious Jin-tae here in the movie) who, without any music lessons, are able to play the most difficult pieces of music with accentuated detail after just hearing it once - solely thanks to their perfect hearing.
However, Savant syndrome usually goes hand in hand with autism spectrum disorders. This in turn refers to developmental disorders of varying severity. The people affected typically have little interest and competence when it comes to social interaction. They prefer to live in their own world. Generally, their perception is strongly focused on details and does not weight them like the otherwise socialized majority around them. Details that others usually overlook become subjectively crucial, while information considered essential to their environment may not play any particular role at all. Information is initially unfiltered, being of equal value in its perception. Thus, without the social-cognitive filters that non-autistic people learn to develop, the moment of sensory overload followed by stress is quickly reached.
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This review may contain spoilers
Gut-wrenching drama that will haunt you for ages with an incredibly compelling male lead!!!
SPOILERS....As a veteran drama watcher (grew up watching Asian dramas), I'm extremely picky and only like dramas (prefer romance or ancient historical fiction) with a decent script and production. Story and characters are the most important to me and I find many romantic dramas these days to be crappy with non-existent plots.
"Goodbye my princess" took me completely by surprise and will go down as one of my favorite romantic dramas of all time along with "Ten Miles of Peach Blossoms" and "Someday or One Day" (both are well-crafted/quality dramas with a romance that stole my heart). "Ten Miles" also has one of the most charismatic/powerful MLs (male lead) who's as relentless as Li Chengyin (ML in "Goodbye my princess") when it comes to the FL (female lead) -lol, love it!!!
I initially never even bothered to look at "Goodbye my princess" as not only is it a tragedy, it's based on a novel by Fei Wo Si Chun, an author I avoid like the plague because I don't like the type of angst she writes -depressing plots and angst just for the sake of torturing her characters. Even when someone who shared my exact taste for possessive MLs recommended it, I still resisted.
Luckily, my sister stumbled upon some clips and finally convinced me to watch at least the first and last 10 episodes since it has the kind of angst I like, an extremely compelling and obsessive ML, and a very lovable FL. The clips she showed me peaked my interest and the rest is history. I hunted for the director's cut and knew from the first episode that this drama was going to be my jam. It had everything I wanted in a drama: Irreplaceable leads with explosive chemistry, an obsessive/powerful ML, a high quality production, and a decent script that mainly stayed on track even if the pacing did slow down massively from episodes 15-29. I loved episodes 1-15 and 30 to the end the most (though the drama did get rushed towards the end and I would have liked to see more episodes of Chengyin dealing with his memories coming back -that kind of angst would have be stellar).
And aside from being a tragedy, GMP (Goodbye my princess) surprisingly embodied the kind of romantic angst I love and avoided almost every type of angst I hate.
The kind of angst I hate in a romance is noble idiocy (ML pushing the FL away for her own good, etc.), cheating/constantly parading women in front of the FL, angst for the sake of angst, ML being too passive and self sacrificing (I only love MLs who go after their girl no matter what and like to take the initiative), and ML giving up/letting the FL go (only love MLs who never give up or let go of their girl).
GMP mainly had angst I liked and it all fit into the story organically and didn't feel forced. I generally can't tolerate the ML sleeping with anyone other than the FL, but in GMP, he actively avoided it as much as he can while keeping up his charade and it can even be argued the number of times he may have touched the secondary FL, Sese, was minute as she was constantly subjected to house arrests by the Empress due to his shenanigans. I was able to handle it because the drama made it clear Chengyin only wants to be with the FL, Xiaofeng, but is forced to spend the occasional night with Sese to keep up pretenses. Even then, he does his best to keep himself pure by using work/the Empress to ward her off.
Above all else, when it comes to the love story, the ML encompassed everything I could possibly want in a leading man. He's obsessive/possessive and relentless when it comes to Xiaofeng -will never give up on her. Plus, he's faithful, capable, intelligent, charming, charismatic, hot as hell, and can see through subterfuge.
He can be ruthless to everyone except for his beloved Xiaofeng and that just really appeals to me in a romance. Ruthless and powerful MLs who's only soft towards the FL and can't live without her is my kryptonite in a romance. Never in a million years did I expect one of Fei Wo Si Chun's stories to have this kind of ML. Especially when the source novel has Chengyin being abusive and always hiding his affections.
I never expected the drama to portray the "abuse" in such a humorous and charming manner. It just never felt malicious to me (there was too much love/affection in Chengyin's eyes and mannerisms -he acted more like a spoilt child) as the drama made it so blantantly obvious that every cruel act's a show that I was thoroughly entertained and enjoyed all of their bickering. Lol, I found it as endearing as Chengyin did. He's literally engaging in foreplay with the heroine even in their public fights and whenever he gets mad for real, it's always due to his petty jealousy. Lol, this guy becomes wary of every male Xiaofeng has a good relationship with. It's like he wants to be the only recipient of her smiles and laughter.
I really felt Chengyin's all-consuming love for Xiaofeng: I actually loved watching their married life because even though he couldn't display his feelings in front of her, he still wore his heart on his sleeve for us viewers. Every one of his supposed "mean" actions toward Xiaofeng was juxtaposed by his pained/regretful reactions when he later talked to his subordinates.
Lol, as a viewer, I actually thought Sese suffered more in the palace than Xiaofeng because of Chengyin's fake love that effectively used her as a meat shield to protect Xiaofeng from the Empress's jealous antics. Many people in the palace were very nice to Xiaofeng as the ML concentrated on surrounding her with trustworthy people.
Unlike some fans, I didn't mind his scenes with Sese as his fake interactions with her made for a brilliant contrast in comparison to his genuine interactions with Xiaofeng. His eyes literally light up whenever he sees her, even when Sese's around -his eyes are always kind of dead when he's spending time with Sese. In my opinion, Sese's presence in this drama highlights Chengyin's deep love for Xiaofeng even more.
He always acts so distantly polite whenever he interacts with Sese and it just gets worse as he finds it harder to rein in his passion for Xiaofeng. Towards the end, he looks like a zombie and is struggling to even maintain decent courtesy whenever he bothers to see her. I found it hilariously entertaining and can't understand the fans who think his scenes with Sese were too lovey-dovey. His affections were so obviously (his mask was always on and I felt no affection) fake and it only served its intended effect, which was to keep the Empress off of Xiaofeng.
I love Chengyin and find him to be one of the most fascinating and compelling protagonists I've ever seen. I've always loved more villainous MLs and Chengyin is a poster child for that trope. I live for drama characters like him. Honestly, the only thing Chengyin did wrong was to both fall in love and covet the key pawn in his plans. His unwavering love for Xiao Feng is both his curse and salvation.
My heart bleeds for both Xiaofeng and Chengyin as she can never be with him with her memories intact and he can never stop himself from chasing after her because she's his only hope of happiness, the light to yank him back from the darkness. Only when Chengyin is with Xiaofeng does he let down his guard completely and reveal his true self. I completely understood why he went nuclear and full on yandere when he thought she hated him and loved someone else. He's terrified of losing the one thing he can't live without. It's utterly heartbreaking when what he feared the most inevitably happened and he couldn't even follow after her as he was binded by his promise to her to live on. Even then, he had to delude himself into thinking she faked her death in order to make it through those 30 yrs. His love for Xiaofeng is all-consuming and he will go down as my favorite ML along with Ye Hua from "Ten Miles."
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First off, would I recommend the drama? Yes. Rewatch? Potentially, after some time has passed, though personally I'm not one to rewatch many dramas, no matter how great of an impression it left. Did I like it? Of course, and I was hooked like nothing else mattered, which led me to binge all 61 episodes in less than 4 days.
Now, onto the details:
I watched this series on TV at first, then on Youtube, both of which had no English subtitles. It took me a while to decide to continue watching because the first three episodes start very slow, and they're mostly there to set up the main characters' positions. From what I saw in the comments on every episode, every watcher seemed to greatly dislike the female MC, Xu Bi Cheng, to the point where they blamed her (as a character) for every mishap in the story, or claimed she ruined the drama. I have to admit, I didn't particularly like her either at the beginning, nor in the first twenty or so episodes that followed, because she was pretty clumsy (especially considering her job as an agent) and tended to cause trouble for the other MCs, which wouldn't be so bad if she would actually learn from enduring all the dire consequences that others have to suffer from as a result of her own recklessness and selfishness. Throughout the drama, she continues to have other clean up her messes and never loses that vexing everyone-will-take-care-of-me perception - until one certain event becomes her turning point. Thus, this is a bit of a let-down as she IS the female MC so we automatically set up high expectations for her performance and role from the beginning; however, it could also be down to the actress selection, since Zhou Dong Yu, though feminine and petite and perhaps fitting a Shanghainese beauty ideal in that period, has an expression that makes her look 10 years younger and perpetually petrified like a deer caught in headlights (i.e anything but mature, sophisticated, and steady in mind). But worry not, because in the last arc of the drama where things get to their climax, we do see her finally think more rationally about her actions before carrying them out, and manages to play a part in saving others, including the MC: Chen Shen.
Chen Shen and Xu Bi Cheng's relationship? I liked it. I think it was simple, straightforward, and pure. Considering all the manipulating, strategizing, and assassinating that occurred constantly around them, I think their love was refreshing and heart-warming from when it started to the end, regardless of how XBC herself was as a character for the most part. With such complicated plots like the one in this drama, the relationship drama should be toned down to keep it balanced, which imo this drama did perfectly well.
Plot twists: this drama was full of them, and while some were fairy predictable from the beginning (like who "Sparrow' really was), many did catch me by surprise, and I thoroughly enjoyed the guessing/watching process. The drama was also never short of touching moments, where some did trigger some tears, especially towards the end, which you'd expect from the overall vibe of the drama and its intro song.
Music was used beautifully at just the right moments, and the quality of filming is definitely not to be worried about.
The antagonists were truly masterpieces of the drama, for it was a struggle between hating/wanting them dead and loving/wanting them to survive with the MCs the whole way. The relationship between the MC Chen Shen and his closest friend Bi Zhong Liang was unique among all the MC-Antagonist relations I've come across in the dramas I've watched. Just this focal relationship alone should make many people want to watch this drama.
Finally, the ending. The ending is always a huge deciding factor as to whether or not a drama will become a favourite, or an absolutely terrible experience you wish you hadn't set foot upon: because what happens in the end can either ruin everything that has happened till then, or make it all worthwhile. For dramas like these, set in the revolutionary period of Shanghai, I always feel dread towards the end because tragedies have become so common, even as a plot twist in happy-go-lucky dramas, never mind in such a suspenseful, intense drama like this one. I can say that the ending was fitting and well-rounded, and I am satisfied, though I won't say it wasn't bittersweet or that it didn't leave a slight pang in my heart, which was to be expected from the beginning.
A masterful piece that is worth your time; even if suspense/mystery isn't your usual genre, please give it a try.
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1Everyone is responsible for the Result of their own actions and decisions.
The main question presented in the series is, Should one support lesser evil to achieve greater good?This series is adapted from the Dutch author Robert van Gulik’s novel of the same name. However in my opinion it is loosely based rather than adapted as the original stories are changed quite a lot. Youku gives a disclaimer in the beginning of each episode, "It is a work of fiction. Any resemblance (to real historical figures) is purely coincidental". Judge Dee (also known as Ti Jen-chieh or Di Renjie), the hero of Robert van Gulik’s 'Judge Dee' mystery series, is purportedly based on the historical Di Renjie (630–700), chancellor of Empress Wu Zetian during the Tang Dynasty, who earlier in his career served as a district magistrate.
This series includes a total of 9 cases solved by Judge Di Renjie. Each case is resolved within the span of around 3 to 4 episodes. In the beginning of the series, Di Renjie( Zhou Yi Wei) is portrayed as a disillusioned person, uninterested in joining the court. Without a doubt, he is a brilliant person having forward thoughts, suitable to help shape a dynasty. On the other hand Empress Wu Zetian (Zhong Chu Xi) is Introducing many 'new' reforms in the country benefitting the common people. However she is facing massive opposition from the majority of courtiers who believe a woman should not be given too much authority.
Empress Wu Zetian is impressed by Di Renjie but she thinks he needs more experience before he can be of any help to her. So after passing the imperial examination, Di Renjie is appointed as a magistrate of Penglai county, a remote frontier. At the end of the 4th episode Di Renjie appoints Hong Liang (You Yong) as his inspector, Ma Rong (Zi Ling) and Qiao Tai(Ji Ta) as his attendants. This ragtag group goes to the Penglai county to start their journey. In Penglai county Di Renjie meets Cao An (Wang Li Kun) who becomes Do Renjie's confidant and lover, becoming a soundboard for Di Renjie's inner thoughts and conflicts. Throughout the series the Empress Wu transfers Di Renjie to different places where he encounters different problems, faces varied situations and resolves the plight of local people. Empress Wu wants Di Renjie to gain experience so that later he could serve as her advisor in the court.
Di Renjie is warned by Grand Secretariat Wei Wuji - "you think all the new is good and right. But the 'new' means changes, chaos, severed heads and bloodshed and saber rattling and fight. "
Di Renjie is of the opinion, "A reform means replacing the old with the new. We should examine it's purpose and means. Now, new policies have been enacted. The new laws benefited the people, allowing them to live in peace."
In ancient China, a judge's role was that of a father figure in the society. He was a link between the rulers and the common people. Di Renjie proves to be an exemplary judge because besides his great observational skill, deduction ability, attention to detail and lightning fast reflexes, he also has compassion for people and a strong drive to uncover the truth while serving justice. Even when presented with bizarre cases, he finds a rational explanation. He disbelieves in coincidence and fate and is convinced that everything is planned, dictated by logic.
There are three story arcs to the series, the major arc is the change in the system due to Empress Wu's reforms and its implications faced by officials as well as Di Renjie gaining experience in order to later aid Empress Wu in court politics. The second arc is to discover Di Renjie's father's past, to understand what circumstances led him to commit suicide. Somehow Cao An and Heiyan are connected to his father's past. The third arc consists of all the short cases that Di Renjie solves.
I feel that somehow the method of solving the cases in the beginning didn't allow room for the audiences' deductions because only after Judge Di reaches a conclusion, the audience become aware of the importance of the clue. Hence the audience becomes mere spectators to the brilliance of Di Renjie and not active participants in the case solving. The later cases were quite simple as they were mere means to drive the story of Emotions VERSUS Law forward (greed, anger, ignorance, dislike, love, desire, hatred). To be a good judge, it is a prerequisite to be sagacious and impartial in upholding law, irrespective of the people involved. This becomes the underlying theme in later part of the cases.
Special attention is paid to details in the Script in order to recreate the culture, customs and traditions of ancient China. The lavish sets gives a feeling of grandiose. Detailed ornate costumes provides authenticity to the characters. The colour grading gives more cinematic aesthetics, the series is suited to be watched on the big screen to truly appreciate the picturisation. Cinematography is fantastic, comparable to any high budget cinema work. Breathtaking visuals of locations accompanied by strategic upbeat background music during key moments transports the viewers to the era of splendour. I feel a resemblance of the opening score and background score to the sound track of the movie 'Dune'. The intensity and tempo are a little different but the same kind of instrumental score accompanied by similar vocal is included in this series. Especially when the background music is played during strategic points of the case, it gives a hair raising subliminal effect.
The icing on the cake is the stellar Main Cast at the helm of the project. The series has also managed to rope in some popular as well as veteran actors for the Support Cast. All the actors perform their roles zealously making it possible for the viewers to experience the splendor of the era.
Overall: It is a good series, it is like a gourmet meal to be savoured slowly because there are lots of subtle dialogues, the whodunit is not as important as experiencing the culture of the period. Those looking for quick gratification and thrill of case solving may find it a little slow paced.
I have compiled notes on Detective Dee, Dutch author Robert Van Gulik, Empress Wu Zetian. I have also written summary of each cases in the discussion section of the drama page. Don't forget to read it for more information and details of this series.
Leaving links below for the notes.
1. Basic information
https://mydramalist.com/discussions/judge-dees-mystery/122837-basic-information-about-the-cases-and-judge-dee?pid=2949011&page=1#p2949011
2. All Nine case summaries, starting from case 1.
https://mydramalist.com/discussions/judge-dees-mystery/122837-basic-information-about-the-cases-and-judge-dee?pid=2957009&page=1#p2957009
I will also leave Clickable links of the above mentioned discussion section as a comment to this review.
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If you are looking for a simple love story or a plain science fiction, this one is not for you. This is like a brain game. Every single detail shouldn't be missed, well, of course, there are some scenes and dialogues that are so cheezy and quite long, but that's the downside of the story.
The writer was not able to justify bringing the two lovers in one world, but that's the exact reality of what might happen if there is really a parallel world. I love the story.
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Fluff, fluffier, fluffiest! !
This was just a huge dose of fluff and is probably the sweetest fluffiest drama out there at the moment, Everybody is just so cute, not only as characters, but together too. The story is both interesting, sweet and of course not completely without drama, but even the drama is cute and resolved in a sweet manner making your (my) heart flutter over and over again of ooooh that is just so cute!While many other shows may have some unnecessary drama that may frustrate you, the drama here is different, it shows some struggles (without letting it take over the cute), some well known prejudice one may face or be afraid to face, but that too is handled really well.
The grownups here do not make me want to scream, or ashamed of being part of the grown up community. There is actually a teacher who is shown to be kind, supportive and honest, who knew that was possible?
The mother here is just soooo sweet, I just wanted to hug her!
The different types of friends here are also, yes you guessed it, Sweet, supportive, super cute!
Even the love triangle (yes real triangle) is just sweet and cutely done....
To top it off we get a bickering couple, and adorable dog, a lovely visit of the see thru umbrella and opposites attract...
Yes even the misunderstandings in this are.... CUTE...
Did I mention it is cute? So for you in need of a shot of some highly bingeable cuteness and fluff, this is it!
A small warning: I will however just mention that I was a bit bothered by the leads way of over acting with big comedic gestures that I normally hate, but they grew on me and I ended up finding it, yes you probably guessed it: CUTE
Also this probably is the drama, with the highest ratio smiles per minute I have ever seen...
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I really enjoyed this, I hope you do to.
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Hope is not a strategy.
The Hope is the Chinese adaptation of a Japanese manga Dragon Zakura about an unconventional teacher who takes on a class of underachieving students. While I haven't watched the Japanese television version, this Chinese adaptation has clearly been heavily localized even though it retains a manga-like flavor in certain characterizations and comedic sequences. This drama critically examines the Chinese education system and its strong emphasis on the all-important Gāokǎo/高考 nationwide college entrance exam which takes 9 hours over two or three days. In a nation of largely single-child families, nothing is more important than getting their only child into the college of their dreams. With over 10mm taking the Gāokǎo each year, the competition is intense. Even though the pass rate is very high (85-90 percent), a minimum score of 600 (out of 750) is needed to gain acceptance to the most elite universities. Less than 7pct of students are accepted at these top universities and the acceptance rate at Qingbei (Tsinghua University and Peking University) where the crème de la crème matriculate is less than 0.1pct.After a series of entrepreneurial setbacks, star lecturer Lei Ming returns to teaching. He teams up with Sang Xia, a psychology teacher on an experimental program to turn around students that are not living up to their potential. His handpicks five students for his experimental Class 11; an orphan Li Ran, a math whizz Cheng Yushan, an aspiring rapper Jiang Qinglang, gossip girl Bian Xiaoxiao and the browbeaten Yu Yang. With Gāokǎo just a year away, his lofty boast of getting all five of them into Qingbei is widely ridiculed. His biggest skeptics are the students themselves and Sang Xia. His methods though unconventional are hardly trailblazing; much of it involves tried and tested methods used by successful students including time management, minimising distractions, identifying focus areas and being tactical about selecting courses. The drama makes it clear that hope is not a strategy and that while there are smarter, better ways to study, there is just no way around putting in the hours.
This is an exceptional drama that makes a poignant and compassionate case for students who have fallen behind. It exposes how they are failed by an indifferent sink or swim kind of education system. Each of the young actors does a fantastic job portraying their hardships, self-doubt and how they discover their best selves in their struggle against overwhelming odds. I don't have a favorite among them because they all have their own special talents, their own crosses to bear and blossom in their own ways as they learn to take ownership over their own destines rather than just being victims of circumstances they can only change at the margin. Lei Ming and Sang Xia are like fairy god parents who can help but can't make their lives perfect. Rather, they impart upon them the invaluable gift of learning how to cope and the ability to feel compassion for others. This is seen in how the understanding they show poor little rich boy Shen Yao and Lei Ming himself when he lets them down. In saving them, in many ways Lei Ming saves himself.
As for Zhang Ruoyun, he once again shows his uncanny ability to pick fantastic scripts. As always, he leaves so much runway for his young co-stars to shine and lets this story really be about them without defaulting into simply being a plot device. Because his Lei Ming is far from perfect; he is cynical and beneath his confident facade, deeply damaged by his resentment of his father, the great teacher Lei. In helping Class 11 in their struggles with Gāokǎo and their personal devils, he gains perspective on his own journey many years ago and gains some understanding of his father. My heart was in my throat watching Zhang Ruoyun portraying this role so movingly in light of his own difficult relationship with his father. Probably largely due to Zhang Ruoyun's powerful charisma, I found Sang Xia's constant baiting and argumentativeness to be pompous and super annoying initially. But she grew on me and I came to appreciate how their relationship actually thrives on calling each other out and challenging each other to do better.
This drama for all intents and purposes ends at episode 29 and it is fine to just stop there. The episode 30 "twelve years later" epilogue replaces the young actors with older vague lookalikes. That broke my connection with the young actors that I grew to love so much. I didn't mind the sober tone of the epilogue. It delivers the right message that there are no absolutes in life; that even Qingbei is no guarantee that all's well that ends well. The biggest lesson learned, the one that stands the test of time beyond all the academics is about coping with life's ups and downs. And they are still young enough that the whole world still lies ahead of them so their journey continues. My biggest issue with it is I had hoped for better for Lei Ming. But I guess that is what makes this drama so special; this ability of to be so incredibly inspiring yet so unbearably realistic at the same time. If you wish to skip the realism, then call it a day at episode 29. It still falls short of a fairytale but at least there is an abundance of hope.
This is a highly recommended and very memorable watch that I enthusiastically rate 8.5/10.0.
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Once the adults age and the children grow, however, the pacing adopts an uneven groove which alternates between satisfying speed and sleepy doddering. Some plot points evolve merely as long chains of people finding out secrets (or not). Several subplots, related to the main story in passing, are explored over time; these often fizzle quickly without much impact, but the characters introduced in them tend to stick around after the fact. Because of the intense focus on the kidnapping and its fallout, these become frustrating due to lack of development. The "romance" between the main couple suffers from this issue as well; their interactions are numerous, but feel hollow and unnecessary. Each secondary couple, some of which are surprising and strangely built, have twice the chemistry and a fourth of the airtime.
However, punch remains to be found. When something big happens, despite being padded down by the aforementioned fodder, it's like an explosion. Crisp cinematography works together beautifully with the wild turnarounds and shifts in dynamic. This drama knows how to swing emotional weight in spades. There are just too many episodes, with too little oomph to distribute over its course.
Of the numerous actors and actresses featured in Scandal, Jo Jae Hyeon offers the most laudable performance. Whatever the role of Ha Myeon Geun called for, he delivered without question. What struck me most was the veracity of emotion and striking normalcy this character exuded. Because of this powerful performance, my sympathies wrapped around this character in spite of his crime. Ki Tae Young also has a fantastic go as second lead, the "other" Eun Joong. His feelings were openly displayed in his eyes and face without exaggeration, a true mark of talent. As for the "primary" Eun Joong, my first experience with Kim Jae Won was a good one. Despite landing a slightly boring character, he elevates the part with good choices and natural charisma.
Park Sang Min confused me, as I have often heard him described as a talent. As Jang Tae Ha, despite an instance or two of strength, he overacted noticeably. Add to this misfortune the desperate attempts to make him look old enough for the role (stuffing him into "grandpa" clothes, dying his hair a new shade every episode). There are also several wasted characters, such as the one performed by Jo Yoon He. Her Wu Ami starts somewhat irritating, steadily improves, then drops in importance as a character separate from the loveline.
Scandal may count its atmospheric and masterfully utilized soundtrack among its strengths. Silences are strewn throughout scenes, allowing for the instrumentals (sometimes moving, others haunting), to shine when played. All of the vocals are memorable as well, with the best offered by Masyta Band ("I Am"), Kim Jin Seon ("Stay") and The Position ("Last Love of My Life").
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Wang Youshuo Looks Absolutely Stunning
"Dear Mr. Heavenly Fox" revolves around the legendary heavenly fox, Bichuan (played by Lu Xiaoyu, aka Rain Lu), who falls in love with Lingzi (Wang Youshuo), a spirit man destined for sacrifice to save the world. To prevent her beloved from being sacrificed, the fox crashes into the sacrificial mountain, sacrificing herself in the process. This act unleashes evil spirits, and Lingzi takes it upon himself to seal the lord of evil, sustaining fatal injuries and a broken heart in the process. He vows to be reborn as a fox in his next life and love her forever.In this life, Wang Youshuo's character, Zhang Yue, is born as a fox, while Lu Xiaoyu's character, Qi Yuanbao, is the Lingzi, a spirited child, carrying an evil spirit within her. The playful and mischievous Qi Yuanbao, along with her cousin brother Xue Hanyu (Zhou Zhaoyuan), engages in street fights and causes trouble. Many viewers are upset that Lu Xiaoyu is not pretty enough to play the role but I find her portrayal is truly convincing, and I think the casting directors made a great choice because in the story, Qi Yuanbao is said to have a common appearance, with someone even calling her ugly.
One day, Qi Yuanbao accidentally stumbles upon a forbidden place and encounters the heavenly fox Zhang Yue, who is cultivating there. By mistake, she consumes the spirit fruit that Zhang Yue is nurturing with his soul. To retrieve his soul, Zhang Yue follows Qi Yuanbao to the human world and becomes her teacher.
Zhang Yue's striking good looks and suave demeanor attract numerous admirers, including Qi Yuanbao, who falls deeply in love with him. Though initially embarrassed by her forwardness, Zhang Yue can't help but feel a connection with her and eventually falls for her. As the story unfolds, he becomes her protector and willingly sacrifices himself for her. Wang Youshuo delivers a heart-wrenching performance, truly nailing his role.
Amidst various villains seeking to harness the power of the evil spirit for their own gain, the entire cast portrays their characters convincingly. I was especially impressed with the story of the second couple, which is filled with bickering and explosive moments.
My Verdict
Although the drama has a cheesy title, the romance between the fox and the human is undeniably intriguing. However, there are some plot holes and instances of poor writing and editing, leading to confusing scenes that lack explanations. Characters facing life-threatening situations sometimes act nonchalantly, which seems illogical. Additionally, the dubbing doesn't always match the characters' mouth movements, creating a disconnect between audio and visuals.
The drama does end with a twist that results in the demise of beloved characters, followed by an abrupt resurrection scene, which feels somewhat bizarre. Perhaps to appease some viewers, a bonus episode with an alternative ending was added. Despite these shortcomings, "Dear Mr. Heavenly Fox" remains a highly enjoyable drama, especially thanks to the mesmerizing portrayal of the heavenly fox by Wang Youshuo. Overall, I would recommend giving it a watch!
Bravo!
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Acting/Cast: I didn't know most of the actors in this and only watched it for Emma.. love Gui Gui she's too adorable! But this drama really introduced me to a bunch of cuties XD Alen.. Leon.. Edwin.. I hope to see them in more dramas soon! It's great to see Zhang Han again but I really don't see what the fascination with this guy is.. why is he like everywhere?
Music: I'm not too sure what the songs are because the version I watched had the opening and ending cut off.. so I can't really comment much here.
Rewatch Value: I probably won't watch this again as re-watching will lack all the suspense and anticipation that it had as I already know the story now.
Overall: This was a fun ride. It was actually I think my first drama with magical powers that isn't a historial/fantasy drama so it was very interesting for me. I was quite impressed with the CGI effects, unlike in those fantasy dramas XD If you want to watch a pretty boy drama but sick of all those high school/college love dramas then totally give this a go! The romance and drama is still there but with the addition of a bit of excitement.. which let's be honest... most of those other dramas lack.
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A Gem Under the Radar
To me, a good drama doesn’t depend on the big names of the actors nor how esteemed the directors are, not even how complicated a story needs be. As long as the story is coherent, the logic makes sense, the actors immerse themselves in their roles, the costumes not garish nor gaudy, the main characters are lovable, and the overall struggles and conflicts of the characters capture my heart and my emotions, this is considered a good drama. The Letter from the Cloud is one such drama.I don’t know the relevancy of the title to the story, which to me is still a mystery after completing the drama. Nonetheless, this is a story about power struggle for the throne that involves a girl whose whole family was wrongly executed by the Emperor, and a royal prince who tries to find his missing mother. They meet and fall in love with each other even though the girl has just got married to one of the prince's cousins who turns out to be a girl disguises as a man from birth. I love all the relationships between the characters here, including the second couple. The villains are in the open from the start, and all evil schemes are planted by the antagonists from start to finish.
Qi Zhang (Xie Binbin) inherited the title Prince Jing upon the untimely demise of his father. He is stationed in the north-west country guarding the border. Intelligent and a great swordman, he is lonesome and distrustful, determined to find his missing mother, so he comes back to the capital to his maternal grandmother’s home to track news of her. Here, he falls in love with a girl whom he initially recruits to work as his spy in his grandmother’s household.
I have liked Xie Binbin since the first time I saw him in Qing Qing Zi Jin. He exudes a clean, innocent and yet authentic aura that attracts viewers. Here as the impeccable Prince Jing, Xie Binbin aces the role. His styling and demeanor are perfect and lovable. His uncertainty, dismay, jealousy, joy, determination and more, are all acted out very appropriately without overacting and yet can stir emotions within the viewers. Excellent acting here.
After the persecution of her whole family, Gu Yi (Wu Jiayi) was adopted by a “Jianghu” doctor and changed her name to Shen Yu. Because of her horrifying childhood experience, Shen Yu becomes obsessed with money and will do anything for a buck. For money, she marries into the Zhou household and crosses path with Qi Zhang and gets hired as a spy for him in finding secrets that concern him in the Zhou household. Shen Yu is intelligent, fast witted and streetwise. With her amazing skills in medicine which she puts to good use later in saving lives and in her investigations.
I really love the Shen Yu character here and Wu Jiayi has given an excellent performance. Her Shen Yu is authentic and human, cheeky and yet relatable, and not too proud to admit to her mistakes and to show her vulnerability to her trusted. How she continually gains an upper hand with Qi Zhang is funny and well executed, and how she makes him jealous is fun to watch. Wu Jiayi is very natural. With her watery large eyes, pouting lips, and extremely contagious smile, she captures hearts. Viewers can empathize with her zeal for finding justice for her family, and her resignation when justice is not being served. Wu Jiayi has carried out her role with full marks.
I also want to applaud the whole cast including the actors who play the antagonists. The villains are being acted so realistically that viewers want to rip the villains' hearts out for the heinous crimes they commit. The cross-dressing is believable as actor Fu Jing (Zhou Yue) gives the viewers a sickly looking man with a raspy voice. A great performance here by all.
My Verdict
This series is said to have been adapted from a web novel. Upon my brief scan, I believe that the original novel involves a character with a name called 锦书 (Jin Shu), literally means “letter” in English. Though the script writing has been diverted from the original novel, the title has not, hence results in a confusing title here. I stand to be corrected.
Though with some details not further explained to clarify some confusions for viewers, the overall story here is rather intact with not that many plot holes. Some tropes, like falling off cliff, are used here and there which doesn’t seem distasteful. The ending is concluded appropriately with every character receiving its deserving ending, and without massive killing off the characters like many Chinese dramas fond to do. For the main couple, a three-year separation spurs their individual growth, and deepens their love and devotion for each other. The background music is cartoonish and helps in accentuating the funny moments and blunders the characters make.
Overall, a drama well done. I have thoroughly enjoyed this series and strongly recommend it to new viewers. Great watch! Don’t miss it.
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Highly addictive series..
I remember being enthralled with the 80’s version miniseries as a child, and I am happy to report that this one is even better.The whole show is a piece of art- from the stunning cinematography, gorgeous costuming, haunting music, amazing cast, and the well-paced storytelling..
The story portrayed here is of Japan’s feudal history and it is fascinating: illustrating their strategy, politics, samurai, ninja assassins, Lord’s and Ladies, war games, and even everyday life of its people- it’s enough to send you into a deep dive of Japan history, or at least make you curious enough to read the book inspired by these events.
I can’t believe how fast a one hour episode seems to fly by.. really top-notch in every way.. I wouldn’t be surprised to see several, well-deserved Emmy nominations for this series..
Highly recommend!
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