This review may contain spoilers
"Love when you are ready and not when you are lonely"
What can I say? NADAO really isn't playing when it comes to the production of this series. Ever since the first season to this one, I actually believe they have improved and given us this delightful first episode, filled with many captures and panoramic views of the city, and also of course the always so aesthetically pleasing scenes with our main leads, Teh and Oh-aew.The shots where they enter and the whole dynamic with the colors Blue and Red (just like in the first season), will be very significative along the series and probably has a plethora of symbolic meanings associated to them.
What I do love about this story is how realistic and relatable it truly feels. Teh and Oh-aew really do represent all of us in terms of chasing our goals and dreams, while questioning our own sexuality and passions, to graduating high school and applying to college that not always is close to home, having old and new friendships, and many more... all in all, the ordeals of a lifetime.
Am sensing that a lot will happen this time around too...
The first season was more like an awakening. Like a realization of a blooming of youth.
Meanwhile in this, it will depict the changes that come with college life and access to adulthood.
BK once again awe us with his skills in conquering both of our hearts with the way he takes the character of Teh, the always avid dreamer and aspiring actor and then we have PP being his adorable self, taking us in an emotional ride by how well he shows Oh-aew struggles through the screen. The way they can draw emotions in their roles is truly amazing. PP with just his expressions alone can really makes us see the pain and suffering that his character is going through, that talent hasn't changed from the first season to this one, on the contrary their acting has only gotten better. Am looking forward to see more of it.
Teh is a constant, while Oh-aew is a variable.
That is only reinforced through the outcome of their own life changes and decisions within their personal journey here. Hard not to feel empathetic towards the characters when they give us an insight that we can without a doubt relate. Not everyone is set on their dream so passionately as Teh is, some of us are lost like Oh-aew until we do find our own dream. Changes are always the hardest to accept, mainly when the fears speak louder than reason. However some are inevitable.
What I do love about the episodes of this second season is the fact that we are able to witness their coming of age, along with how their personal choices affect others and their own perceptions of what is right or wrong, bad or good, and the maturity they need to overcome the obstacles that might settle in their own way.
And somehow, I like those odds.
"Love when you are ready and not when you are lonely"
It's a phrase that can easily apply here and also when it comes to temptation. Still, it's quite enthralling the way they film the turmoil of conflicted emotions within the scenes between Teh and Oh-aew. Every single scene is made with the sole purpose of pleasing the artistic eye, therefore to engage the viewers with the complexity of feelings their characters are feeling, all through their intimate and personal journey and paths.
If we go beyond and past all prejudice here, we might see the levels of maturity this season and characters deal with when it comes to the ordeals of life and relationships, be it love, betrayal and even friendship and family. It teaches us valuable lessons if we are able to see between the lines, if we manage to decipher the symbolic value of each and every scene.
People keep on commenting and comparing about ITSAY and IPYTM, from my point of view they are both masterpieces in their own unique way. Both series are different but with the same characters, they are shown to take a step towards adulthood while making mistakes and losing the moon while counting the stars, but it's also shown how to overcome obstacles, how to change paths and chase new dreams, how to deal with breakups and failure, the bittersweet feeling of loneliness and the good friendships we make in life we do carry in our hearts. To not give up on ourselves and on others, and most importantly to learn our own worth and to love ourselves first before opening our hearts to love once again.
It's a trial and error this thing called LIFE.
We're never too sure of whatever our decisions be won't uphold consequences of appreciation or regret.
Sometimes we have to swing it, be bold, learn how to overcome our mistakes. Be mature enough to admit them or to forgive them. Not everything can be forgiven, that's certain, when it comes to relationships communication is one of the most important things to have, without it there's no foundation to begin with.
Teh and Oh-aew have shown that they have come a long way. And it's okay.
Coming to the start point is not always a step back. The beach in Phuket is always their start point.
It's the place where they matured from boys to men. Where they shed uncertain and sorrowful tears, and where they discovered themselves and their over growing feelings towards one another, their sexual awakening was written in those grains of sand and witnessed by the crashing waves, and their very first time was shared and covered by the blanket of the twilight sea as the beaming moon testified up in the night sky above them.
It was their safe place, where they started it all and I found it was the perfect place for them to end their final scene.
They did it, they fulfilled a full cycle ever since ITSAY all the way until here and now in IPYTM. And I am one to admit I would love to have a third installment but at the same time am pleased with how this one ended as a whole in all the symbolism.
Both of them were able to show that it's okay to have new interests, new paths, different dreams and goals, and jobs. It's not okay to cheat in anything or anyone in life, but there are those who overcome it, those who regret it, and those who don't mind at all.
I am just glad that Teh and Oh-aew were able to show where they stood in both of their point of views in that matter.
Don't blame one character, to err is human. Humanity is bound by several mistakes it makes, no one is a saint in this life. And not everyone have or deserves any second chances. For some mistakes it does not take one person but two. If people blame only one in a scenario, then what about the other party? It was the trouble the minute it showed up and the way it used it's own way and merit to climb up top too success without caring about the lives it would ruin by allowing so...
Meanwhile let me add another thing to this long review xD sorry not sorry...
The only flaw I might point out to this, or rather my expectation when I learned that ITSAY was going to have a second season. I was looking forward to have a better insight of Oh-aew. In the first and last episodes we are somehow granted that. But in the middle it felt off. Almost like Oh-aew was a support and not a main character because the attention seems focused on Teh once again just like it was on ITSAY and although on that one it's totally understandable, here it would be better to have both or more screen time for him to shine as well. Nevertheless, they tried to include a variety of characters each one with their own struggles and at the end they even brought the old friends from the first season into the screen to show their roots and connection between the series and the main characters. It was a nice touch I give them that.
The OST is cute, to have BK and PP song as an intro makes it even more special.
They made this one for this and the lyrics are all about Teh and Oh-aew.
And I also like the fact that it has an instrumental version too. They have outdone themselves with the OST of many songs for this season and I am loving them all. NADAO really spoilling us with MVs from the songs and promotions that I can't complain.
I might change the ratings at the end, but so far I am given a high score even though I know they will make me suffer :')
Visually appealing, the emotional scenes are nicely done too, not to slow or fast paced, it doesn't dwell on too silent moments and it also doesn't have those overbearing music scenes. Cinematographically they give us plenty of good shots, while playing with angles, taking advantage of the natural and artificial light and even using the zoom in such a smoothing way that it's very pleasing to see. In certain scenes it gives us a warm like filter, and in others a cold filter which makes me think again of the colors they are paired with, Blue and Red (detail on that also on the plushies they have, and also their college ties ;3)
This drama is the reason I will be anticipating the next few Thursdays of the moon cycle schedule.
Because this season started on a full moon and it will end on a full moon :') therefore completing a full cycle.
And I really wonder if both Teh and Oh-aew will complete their own cycle as well after everything they will go through...
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Fact is, for once I've decided to write a review which is very personal and not at all objective. It's based upon the emotions it gave me, not the cinematographic quality of the drama.
Also, I think it's necessary to say that among the 3 versions of the same story, this was the last I watched, despite its being the first live-action based on the popular manga.
And while I consider the Japanese version the best one regarding acting and music and the Korean one better in terms of photography, colours and characterization, I'm ready to face criticism and admit that the Taiwanese version was the most satisfying to me on a romantic level.
The chemistry between Shan Cai and Dao Ming Si is what makes this into a worth watching show. For the first time, I was not rooting for the heroine to end up with the second lead, but for the main couple to finally be together. While watching hana Yori Dango and Boys Before Flowers I found myself constantly thinking: throw that arrogant brat away and choose Rui, or Ji Hoo!
You are allowed to laugh.
I ascribe this to the actors and the way their interactions were portrayed.
While Shan Cai can be annoying at times, she is a consistent character and once she finally realizes who she loves - it takes her some time - she is truly convincing. The same can be said about Dao Ming Si, whose candour as a besotted lover is quite endearing.
Therefore, although I recognize this show is pretty cheap when it comes to costumes, screenshots, photography and overall acting, I still have a fond memory of it and will probably rewatch it in the future.
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If you've watched "Signal" (if you haven't - what are you doing?!), you might think that the premise sounds a bit familiar, though the dramas don't have that much in common. In my opinion, "Signal" was a better crafted drama with less plot-holes/the-police-is-too-dumb moments, however "Tunnel" is still a drama that deserves a chance.
One of the things that stood out to me in this one was the main female lead, something that I've disliked with OCN's dramas are their stupid and useless female characters (though, to be honest the rest of kdramaland is no better), however, Shin Jae Yi has been the exception for me. Sharp, smart, and unrelenting, she was a great female character that held my attention alongside the male duo.
This drama's weakness comes towards the end, just like "Voice", it began to fizzle out, with too many police stupidities and too many instances of Park Kwang Ho, the main character, just yelling "bastard" over and over. It was hard for me to get through episode fourteen but I'm glad I did. The ending wasn't as sharp as it could've been, and it wasn't unique like how I would've wanted it (but I do like sad and torturous endings), but it was a heart-warming one.
"Tunnel" is not a perfect drama but it's a good addition to the ever-growing crime genre in Korean dramas. I recommend giving it a try, but be ready to be at the edge of your seat each episode, and be warned that you'll probably spend sixteen hours in front of your screen because it's hard to stop watching one you start.
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Oh. My. God. This show is so ridiculously bad, I'm not even mad anymore.
What's worse is that I think I actually may have enjoyed it instead.Game Rai Game Rak, like almost all Lakorns comes with its fair share of bullshit. You've got an old Island crone whose eyes turn bright blue everytime she sees the future (which ofcourse is completely irrelevant to the plot), you've got a one-dimensional villain, a nasty insecure bitch of a relative who basically destroys lives left and right but somehow has a change of heart in the last ten minutes of the show, wins everyone over and sets off in the sunset without ever having to pay for her crimes.
You've got a selfless and highly forgiving damsel in distress who's constantly being sexually, physically and mentally harassed by our main lead who misunderstands her because of trusting the lies his worst enemy fed him.
Not the brightest tool in the shed, I tell you.
Ofcourse there is always that one guy who is like a brother to our heroine (however always conveniently having waaay more skinship than normal siblings have) who inspires jealousy and possessiveness in the male lead who then proceeds to humiliate the heroine by calling her a slut and whatnot. We also can't possibly forget the one or two or in this case, three other guys who're interested in the female lead and are so insignificant, they might as well be invisible.
Everything is overdramatic and over the top. Rape gets romanticized like nobody's business. People get shot and catch bullets on the daily. Corny dialogues flow out like bad breath everytime someone opens their mouth. Obnoxious music starts playing every ten minutes; effectively swiping away any sincerity that the show managed to portray. Scenes are constantly repeated and the plot-line soon gets derivative.
In short, it's an honest to God definition of a hot mess.
But then again, nobody watches Lakorns for a solid story, well developed characters or a good plot with lack of loopholes. No, people mostly watch Lakorns because they're the classic guilty pleasures and because they get the chemistry between characters spot-on.
Game Rai Game Ruk is no different, which is why despite everything, I still watched it to the end.
This is the third Thai drama starring Yaya, that I have watched and unsurprisingly she impressed me once again. Her acting is always a 100% genuine and the characters she brings to life are so hard not to love.
Game Rai Game Rak is very very similar to Kleun Cheewit; having an almost identical feel at times, but where Jeerawat was a fierce and fearless woman, Fahlada radiates innocence. She's pure, delicate and basically the classic good girl- all the while, successfully staying far away from the 'kind but dumb' category everybody hates.
However, as adorable as she is, I feel that if you don't like YaYa you might not like Fahlada either. In Kleun Cheewit, I started to love the actress because of the drama and her role in it but in GRGR, I liked the drama only because I loved the actress and if I had seen this drama first I might've never adored Urassaya as much as I do now.
After watching this drama I finally understand why Yaya and Nadech are such a big deal in Thai entertainment industry. Their chemistry is absolutely electric and while I did feel that Nadech has a short emotional range as an actor, I believe this was one of his best roles.
From start to finish, it's impossible to hate Saichon. Even when things get ugly and he acts like an ultimate creep by smelling Fah's hair when she isn't looking, taking pictures of her when she's unaware, spying on her with a telescope, tying her up again and again and degrading her, (there's always the unforgivable and romanticised implied rape and all the other times he makes her cry and do things without her will) the reason you can't hate him is because of their sweet as hell moments in the island and the surety that no matter how rotten he acts he still deeply loves Fahlada.
The ultimate on-his-knees groveling session at the end and the fact that Fahlada hits him quite a lot all the time really does help his case furthur and to be honest, even though I am highly unforgiving of assholes there was never a moment where I didn't root for them to be together.
So all in all, Game Rai Game Rak is the kind of show that you can only watch while being extremely lenient 'cause the moment you start to notice all that is wrong with it, you'll start hating it. While I reccomend this for a good time-pass, personally, I skipped and fastforwarded a lot of scenes because, as the show progresses the episodes begin to be filled with more of the same thing. So even if it is skipped a bit, it won't effect the over-all watching experience.
Your classic bad boy-good girl story that you'll love to hate and hate to love and unfortunately do both by the end.
Enjoy!
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Potentials Wasted & Left a lot to be desired
the first half of the show is pretty soild (for a rom-com) but the second half is boring as hell. i skipped alot just to be done with it. I watched it for PMY but her acting is questionable at some points. Main Male lead's performance was also underwhelming, the second male lead was good tho.i think what made the second half unbearable to watch (aside from the poorly written script) is that the main characters had no chemistry, the FM and the second lead worked better for me, and it's not for "second lead's sympathy" reasons, they pairing felt refreshing and made up for the chemistry which lacked in the endgame couple. in addition, i think their stories would've made a lot more interesting plotlines and events than what we've been left with. I was surprised by the LGBTQ+ representation but again, something was lacking, much like most of the sub-plotlines, it felt poorly done and toned down.
to put it simple, yet another underwhelming project from PMY.
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1Who's your daddy?
Destined is a story about how an unlikely couple discovers themselves and each other and survive turbulent times together. Liu Yuru has been auditioning all her life to be a worthy wife to the finest young gentlemen in Yangzhou. To her aghast, she finds herself engaged instead to Gu Jiusi, the scandalous scion of Yangzhou's wealthiest family. Gu Jiusi is no less dismayed to find himself shackled to such a paragon of virtue but he is chastened by his careless prank that got them in that situation. They hilariously find that they are actually well suited and the sum of their parts is greater than the whole. The first arc is by far the best; it is funny, romantic and underpinned by genuine chemistry and rapport between Song Yi and Bai Jingting.The couple's newfound bliss does not last as the country is swept into chaos as civil war breaks out. At their loss of influence in the capital, the Gu family is forced to flee Yangzhou for Youzhou far to the north. There they are still inevitably caught up in the war and ensuing political upheaval. Meanwhile, in the shadows, a hidden mastermind plots their downfall at every turn. There is a marked dark tone shift in the drama as it delves into the political arcs in the latter half. This drama explores the - "Who's your daddy?" question and whether it matters. All of the main characters have bad dads to different degrees; overly-indulgent, indifferent, overly-judgemental, negligent, wilfully blind and missing in action. Most of them are no worst for the wear but others allow their resentment to get the better of them.
This is a very entertaining drama despite that the second half is sloppily written and ridden with logic holes. The source material evidently had more substance and depth but the drama adaptation falls short on multiple fronts. The plot and character designs don’t make sense without novel readers to help connect the dots (see @CloudA’s discussion threads). The best written parts include most of Jiusi and Yuru’s arcs and humorous moments. The political arcs have too many logic gaps and farcical sub-plots that undermines the intelligence of allegedly smart characters. The writers have a very superficial understanding of history, politics and inner palace protocols. It is mystifying why the Dowager Empress does not secure the position of crown princess for her daughter in exchange for her support. Instead she uses up all her goodwill to try to foist her on a happily married man! The new emperor is so weak instead of banishing these harpies to the cold palace, he allows them free rein to bully his loyal court officials and interfere in official proceedings. He puts a known villain in charge of the crown prince's education when both Ye Sh'an and Gu Jiusi are obviously better choices. They forgot to tell us Luo Zishang has an invisibility cloak that gives him better access to the emperor's bedchamber than a favorite concubine! Game of thrones in this drama pretty means Pass the Throne (parcel). This kind of writing is why fluffy romance writers should stick to their knitting and not try to write about stuff they know nothing about.
What does make this drama work is phenomenal acting all around that papers over the lousy writing. All of the main actors are incredibly charismatic and blend into their roles so well that the portrayals surpass the character blueprints. This is especially true of Liu Xueyi's mesmerising ability to make the vicious, misguided and tragicomic Luo Zishang seem sympathetic even though his backstory and motives are not well explored and only fully revealed at the end. As a result, for most of the drama, this character comes across as a cardboard villain; a delusional sociopath that is just evil for the heck of it. Similarly Fan Yu's character evolution takes abrupt turns and his interest in succeeding his father is not well explained. Fortunately the good characters in this drama are far better written than the tired trope of villains who blame their bad behavior on their bad dads. Their motivators are not as forced and it is a lot of fun to watch the rapport, loyalty and friendships between them blossom so organically. After Jiusi and Yuru, Zhou Ye is my favorite character even though he can be a noble idiot. He just gets really hard things done and done right in the nick of time to save the day.
In the final arc, both Jiusi and Yuru are sidelined so that everyone else can do absurd things to let the villain easily get the upper hand. We are short changed of a satisfying final battle of wits between Jiusi and Zishang to make way for a very anti-climatic reveal of Zishang's backstory that devolves further into a maudlin moment of truth and reconciliation that somehow diminishes both characters.Along comes Zhou Gaolang to bravely re-take a city that was already in hand! There was a senseless, gratuitous death of a terrific character just to squeeze a few audience tears and to add insult to the injury, the perpetrator was unjustly sentenced to live the life of the idle rich. While many favourite characters got good outcomes, some of them deserve better and the final denouement fell flat and was anti-climatic This drama peaked too early at King Liang's epic siege and went downhill from there. The early arcs were an 8.5 for me but the back half was at best 7.0/7.5. Even though I can only rate this 8.0 overall, it is still a very enjoyable drama that is shored up by some fantastic acting. It is best watched tipsy or with your brain half switched off as the plot does not bear close scrutiny.
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It didn't give what it was supposed to give
*Sigh*I was really looking forward to this one.
I rewatched Go-Go Squid just before I watched Dt. Appledog's time, and I wish I hadn't.
In short, it's no match for Go-Go Squid. My head hurts from how BORING it was. The plot was just okay. I was really hoping for more, but I think the original Go-Go Squid cast is what made it so GOOD. This cast just didn't have the same chemistry as the old one. The sets also didn't feel the same, KK headquarters felt... Cold? The GGS KK headquarters felt like home, but the set they chose to felt so empty.
I was glad to see Hu Yi Tian finally saying sentences, and his chemistry with Li Yi Tong wasn't too bad either. I was rooting for them the whole time but couldn't bear to watch their story through.
I think this drama might be interesting to people who have not seen Go Go Squid, but if you haven't seen it yet watch GGS first! Don't bother with this one :p
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1The female general and her- Lover boy, Protector and Arch Nemesis.
I have a question- what will you do if your life is suddenly surrounded by 3 very mysterious people!?-One is the shy and sweet LOVER BOY who gives you sweet promises and flowers. Swearing to always be by your side to protect you.
-Second is the supernatural, powerful and mystical PROTECTOR with silver hair and a sexy mask who just appears out of nowhere to protect you whenever you are in danger.
-Third is the ruthless, cunning and formidable ARCH NEMESIS who you are sworn to kill as duty.
This my friends is a classic recipe to a 'disaster' or 'an epic romance' because the real plot twist is THEY ALL ARE THE SAME PERSON.
PLOT-
1 man. 3 identity. And a bond forged in blood.
Shadow love follows the story of a female general and a prince/general who both are sworn enemies whose kingdoms are at war with each other but somehow get their fates entangled together after a series of events which lead the ML to transform into a shadow puppet with the FL as his blood master. In the process the ML loses his memory and his identity. Together they navigate through blood connections, crazy consorts, insane crown princes, sly court politics, wars, hidden identity, supernatural powers/ artifacts and hidden enemies. This drama follows the thin line of love and hate, loyalty and duty, obsession and indifference.
MUSIC, COSTUME, DIRECTION AND CINEMATOGRAPHY-
The cinematography of the drama is just top notch, the colour grading and costumes go well with the whole vibe of the drama and suit the character well.
The background music add to the charm of the drama. The OST specially is beautiful. All the BGM played during the soft romance scene and intense fight scenes compliments the tone of the drama.
The fight scene are also immaculate, like you actually grip your seats while watching them. With the supernatural element in the drama we see quite a lot of high quality VFX.
The director are the same as from 'the prisoner of beauty' so you can totally imagine the unique and beautiful way the scenes are portrayed. The way of story telling hooks you to the drama immediately.
ACTORS-
Both the main cast have been a spot on casting, they are literally made for their role. I had reservation about the FL in the start but as the episodes progressed she did really good in portraying her role a female general.
I have to take a moment and appreciate the ML, like cheng li had 3 characters to play and he played them soo well. From soft and determined to ruthless and unhinged, he played all his 3 characters really well. His eyes sing emotions. I am not shy to say I have become a fan. The total 180 degree change in between his character was insane and he did such commendable job playing them.
And I mean if a character makes you hate their guts it means the actors slayed and in this case the villains slayed hard. Both the crown prince and empress dowager were character that made me want to throw things.
OVERALL MY THOUGHT-
The plot is intriguing, and keep you hooked from the very beginning. It may get a bit slow in the middle but catches up with the plot very soon. Watching the drama, you feel the love, anger, hate, happiness, sadness through the screen. You actually connect with the character's and theirs story.
If you are fan of 'vampire', 'fantasy', 'flash' I think you will love this drama.
The music and cinematography gives the drama a different vibe that makes it addicting to watch.
The scenes are done soo perfectly, like the whole direction of fight scenes and intimacy scenes is next level. I mean I can clearly see the director of TPOB and this is same by the way the scenes are presented.
I love the romance part of the drama, the small touches and kisses are really well done. There are alot of intimacy scenes which doens't really have kisses but like small touches, act of service, them protecting each other, the whole blood sucking thing. All this just adds to the romance vibes.
I love how it was more romance plotted than political which was nice, the attention was the main leads and their dynamics.
And one thing I think made me fall even more in love with this drama was the trust, love and act of service between the main leads. Like they literally would fight the whole world for each other, protect each other even when they hate the other, have forgotten them . The love between them was between the souls. The way they trusted each other and were ready to protect each other made me so immotional.
During the climax of the drama so many things were not said between them but their hurt, love, betrayal and loyalty to each other was expressed through their eyes.
Even when the ML at a point forget her he still knew deep down in his heart that she meant something so much more than just her enemy. Even when the FL knew she should hate him and kill him for her duty she could just not stop being kind to him, stop loving him, stop hurting.
At the end I just had one thought- 'oh to be loved like they love each other'.
Overall the drama is a must watch. And deserves the time you invest in it. It might not be perfect but it deserves the recognition.
SOME of my favorite scenes till now-
-the transformation scene/ blood pool scene (ep 1)
-the charcter introduction scene (ep 1)
-the blood sucking scene (ep 5)
-the general killing scene with a sword (ep 11)
-the sword dance scene
-the battle in general house with prince li
-the scene where she disguised as a dancer and went to save him
-the marriage scene
-his entry scene in the court when he gets his memory back
-their first battle against each other when he forgot him memory
-the interrogation scene between them
-when he as prince annan saved her from the torture chamber
-the whole confrontation scene and forced kiss (ep 34)
-her celebrating his birthday and dancing for him (ep 36)
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This review may contain spoilers
THE SIGN of Better BLs to Come
If anything, I am happy that Thai companies are expanding beyond the typical BL storylines. its A SIGN that the genre is evolving and has a lot of potential.Quick recap. Phaya and Tharn are reincarnations of Garudas and Nagas - mythical deities in the Buddhist/Hindu culture. Their connection was so strong that even at childhood, they were drawn to each other and Tharn became an unofficial protector of sort to Phaya. The end. Okay, Im kidding so many things has happened in this show that its so hard to make a quick recap.
What i like about the series:
1. I really love the first episode because it hooks you in to want to see more.
2. Great production value, you can see that they have really thought hard about the story and execution to deliver us a unique story. Even the action sequnces, which may often feel too rehearsed, is commendable. The CGi somewhat feels subpar but it is very acceptable considering that this is from a somewhat new production outfit. Hands off to them.
3. Maybe one of the best looking cast in a BL ever. Do i need to say more? Billy's scenes in those black boxers are BL gold. Babe is undeniably a gorgeous boy. I love all the support cast. The first episode with all the fake nude scenes is like a rain blessing to water the dryest dessert. And yes, the almost obligatory NSFW scenes in almost all episodes (but more on this later).
4. Im really happy that this is not just another university/high school story.
What i dislike:
1. I thought Tharn as a Naga is in female form, that were the dream sequences, werent it? They made such a big deal about it in the beginning but the later episodes Tharn Naga became just Tharn with long hair.
2. While a lot of the viewers like the weekly crime solving cases and the overall human baddie, i hated it. The truth is they weren't used to advance the story of Phaya and Tharn and their love story. In fact the big case turned out to be not important in the scheme of things.
2, Chalathorn turned out to be nothing but a dud instead of being the menacing villain.
3. There were too many subplots. The show wanted to be so many things. This show is worth at least 2 good BLs rolled together in one - the result is a mishmash, 2 half-baked pies and confused if its an action or a fantasy series.
4. One blatant proof of the show's identity crisis is with Tharn - one second he was this strong guy solving cases next second he is this soft crybaby blaming himself for whatever accident Phaya has gotten himself into. He is a police officer who will suddenly leave his post just to save the damsel Phaya. His character, lost consistency and could have been handled better.
5. While the male cast is the focus of the show, the young female support and the GL is acted so poorly. Even the grandmas who were suppossed to be lovable just werent. Their lines were so cringy and could have been edited out of the story to make it leaner.
6. The show got so convulated in the second half that i was watching the episodes in 2x speed. From being a must-see show it became a tedious watch, a show i just needed to finish because i want to see the ending of the fantasy story.
7. The almost obligatory NSFW scenes. For crying out loud, Phaya escaped the hospital in episode 9 just to answer a booty call.
8. The cashgrab finale. I get it, i get it, the producers wanted to capitalize and earn a little extra and god knows they deserve it for all their hard work, but it left a lot of sour taste in the mouth . Once i saw that ad showing the last episode will be shown in a streaming event, i almost decided to drop this show. What made it worse, the 3 week break between sepisode 11 and the free -to-air episode 12 turned out to be non-climatic after all, with so many plotholes and unexplainable things happening. Action scenes and that forest chase scenes became laughable, and that mythical love that is supposed to be epic in size just werent.
9. Please also explain to me how did Tharn saved Phaya from falling off that cliff from mid-air because that defied time and logic. That must have been a very very high thousand kilometer cliff because so many things have happened during that fall (the criminal was even able to get back to the base and shoot Chart) and yet Tharn still managed to save Phaya mid-air. and I watched it a few times to get a sense of it but just cant. Boy they didnt wrap this show properly.
Will i rewatch this series. No. It is tedious and there are tons of other contents right now. Im just giving it a 7.5 for all the effort and what it could have been. Will i reccommend? Sure, even with all the inconsistencies it is still a good watch, the boys alone is worth it.
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One that loved not wisely but too well.
Once upon a time in Beili, there lived a woman who was simply too beautiful 倾国倾城/qīng guó qīngchéng; she could fell a city with one look and fell a kingdom with a second look. This kind of woman is a menace to mankind that can only be locked out of sight in a gilded cage. This is the cautionary tale of a brave man, one that loved not wisely but too well who dared to set her free. And his one true friend who tried to help him do the right thing.Dashing Youth 少年白马醉春风 or Young White Horse Drunk in the Spring Breeze is the highly anticipated prequel to 2022's dark horse hit high fantasy martial arts drama The Blood of Youth 少年哥行. Like its predecessor, it is a youthful coming of age story about friendship, adventure and the spirited idealism of youth. Even though Baili Dongjun is the titular character, it is equally his best friend Ye Yun's villain origin story. They are parallel characters; both innate martial artists and scions of the Beili empire's founding families. As boys, they vowed to storm the martial world together when they grew up; Yun as the Sword Deity and Dongjun as the Liquor Deity. After the Ye family's downfall, they are destined to go down opposite paths. Dongjun lives a charmed life; making a name for himself as Li Changsheng's final disciple at the prestigious Jixia Academy; surrounded by new friends like Sikong Changfeng and Beili's Eight Talented Gentlemen. He reunites briefly with Ye Yun, who now calls himself Ye Dingzhi. In sharp contrast, Ye Dingzhi's path is a lonely one, full of obstacles, inequities, betrayals and brief snatches of happiness.
At its core, this is quite a straightforward story that is cluttered in the storytelling. There are too many digressions into the Who's Who of the martial world and and its pretentious rankings. While the fan service is terrific, such a dazzling array of too hot to handle swordsmen put my exploding ovaries in danger of apoplexy. The surfeit of hot filler characters with shallow side stories distract from the main arcs. For all their fancy swords and pompous rankings, all we see are a few showy poses and twirls before the CGI takes over and screen explodes in a gory orgy of light and digital creatures. While the CGI is well done, it is a big let-down not to see a few well choreographed live action fight sequences.
I was happy to see Hou Minghao dub himself as Baili Dongjun. It makes a big difference in how the character comes to life. While his acting is still a work in progress, he plays a character he can relate to and it shows. Ye Dingzhi is a more complex and intense role, one that He Yu pulls off charismatically. Even though he does questionable things, I empathized with him every step of the way. It would have been nice to see more of Xia Zhiguang's Sikong Changfeng. The humor and camaraderie between all the dashing youths is one of the drama's highlights. Even though the romances are not convincingly written or well developed, I liked all of the couples enough to root for them. The role of Yi Wenjun should have been more sympathetically portrayed instead of just as helpless, selfish and willful. The lovely Ye Yao is only Dongjun's muse, her character doesn't get to do much.
The irreverent Li Changsheng/Nangong Chunshui is the funniest, best acted and most engaging character in this story. Even though his arcs don't tie well with the main plot, the narrative visibly sags after his exit. His parting words to his disciples 凭心而动/píng xīn ér dòng or "act according to your heart" captures the spirit and idealism of youth that is Dongjun's lifelong mantra; one that years later, he passes on to his disciple Tang Lian. He helps Dingzhi steal the bride because Wenjun was not willing and therefor it is wrong to force her. It is the simple, absolute truth that trumps the cynical calculations driven by politics and expedience. He never wavers from this belief. It is true that Wenjun is a selfish, weak and dislikable character who makes terrible decisions with devastating consequences. But she was still wronged in the first place. Thus like Dongjun, I understood, even tried to empathize with her until she was too easily manipulated into returning to Tianqi. That was not only a stupid decision, it showed that she simply did not trust and love Dingzhi enough to wait for him. Poor Dingzhi, he never got any breaks. Even the love of his life failed him at the end. Through sick and sin, it was always and only Dongjun who remained his one true friend.
There is little new in the political plot that wasn't revealed in dialogue and flashbacks in TBOY. Which would be fine if they fleshed out the character stories and the succession struggle instead. But those are dealt with cursorily with Ruojin left as a blank cartoon character and the relationship between the brothers not explored. TBOY romanticizes Prince Langya as a tragic hero, the noble uncrowned king of Beili. In this prequel, he is the character that disappointed me most. He tore up his father's will out of misplaced loyalty and his own selfish desire to live an unrestrained life. He never made the case for why Ruojin was more worthy, supported him unconditionally and in the case of Wenjun, enabled him even though he knew it was wrong. There was never a so called greater good or do or die reason why Wenjun had to marry Ruojin, it was simply a matter of imperial privilege and entitlement. They could have escaped with his help and everything could have been so different. But I don't hold him solely responsible; there were so many malign forces at play and bad decisions that there is plenty of blame to go around.
The ending to this story leaves that bitter after taste that the bad guys won. It makes too convincing a case that a too beautiful woman who can topple kingdoms must be safely locked out of sight so she can do no harm. Both Wenjun and Dingzhi paid a high price for their mistakes but too many people who pushed Dingzhi down the dark path got off unscathed. In the novel, Dongjun has an epiphany about his own dào/道 or convictions in the middle of his fight with Dingzhi. He switches sides and punches the daylights out of the emperor instead. He scolds him: "She does not like you, why force her to marry you? She has escaped and is living a happy life, why lock her up again? You are the emperor with a harem of 3000. My brother only loves one person. Live and let live. Learn from your brother, he can even let you have the throne, why can't you let my brother have one wife?" Even though it changed nothing it was something that had to be said. Without this scene, Ruojin is never called out or held accountable for his role in starting a war over a woman. Instead it is Dingzhi who is destroyed and villainized for trying to hold on to a grass hut in a tiny corner of the world where he was happy. It is very hard to feel good about a story that ends like this.
This messy and disappointing prequel was in some ways limited by what was already canon in TBOY but still could have been better on multiple fronts, Nonetheless it is a chock full of eye candy and a fun watch if you don't look too hard at it and ignore the inconsistencies with TBOY. Even though this is a critical review I enjoyed the drama. I am just mad because it had the potential to be almost as good as TBOY. But it wasn't and so I can only rate this 8/10. I am still happy to recommend it , especially if you loved TBOY. If you liked Wuxin before, you will love him more after knowing his parent's story.
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1Attractive, captivating, and also eye-catching—this is THE GLORY
StoryFirst, I want to talk about the story. It’s completely creative, taking a specific slice of Chinese history. At first glance, the costumes and jewelry might feel unfamiliar, but they are still incredibly eye-catching.
The original story comes from Cha Ke, and as expected, this author's works share a distinct mood and feel quite similar to each other. But instead of being a flaw, I see this as a strong point. Though the screenplay differs significantly from the novel, I believe this is for the better. Since this was one of the author’s earliest works, the storyline naturally isn’t as strong as The Double.
Well, I want to give a brief explanation about the storytelling.
This series was entirely female-centered. It didn't just use revenge as a tool to punish the villains but rather as a way to soothe the pain of the suffering characters.
This "revenge" helped heal Han Yan's wounds, and I really liked this perspective.
I just want to say that this series deserves attention and praise, as it had truly beautiful screenwriting.
The screenplay is incredibly well-structured, with a smooth narrative flow that transitions seamlessly from one episode to the next. Normally, I can't binge-watch a drama without getting bored at some point, but with this one? There’s absolutely no way I can say I’ve felt even a tiny bit tired of it so far.
Acting
I genuinely admire Chen Du lings' acting. The way she stares—her eyes alone convey vengeance and sorrow so vividly. It’s as if she doesn’t need any dialogue to express her emotions; her gaze says it all.
I also really like the male lead. He fits the role perfectly, and I appreciate how he brings his character to life. His portrayal and the character development are both done incredibly well.
The supporting roles? Absolutely top-tier. And how could we forget Han Yan’s mother? That woman is phenomenal.
The casting choices were spot-on, precise, and complete. I have no complaints whatsoever.
Music
The drama’s soundtrack was beautifully executed. Personally, I loved how meaningful and well-connected it was to the storyline. In fact, the opening theme was what drew me into the drama within the first few minutes—it’s just that stunning.
Direction, Editing, and Cinematography
Everything was handled professionally, exactly as expected from this team. Watching this drama feels like witnessing a piece of art unfold, and honestly, it’s mesmerizing.
It’s absolutely worth watching. Thank you for reading! ❤️
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This review may contain spoilers
The ending isn't the only problem with this drama
The whole drama is one big problem. This drama is so bad that I decided to write a review for the first time to warn others. Don't waste your time. There are much better dramas worth watching.Why do I think drama is so hopeless?
It's mostly about the plot. Or rather, the lack of it. What's the point of this story anyway? There isn't any. Really. Normally, every story has a beginning, a middle part and an ending. It reaches some conclusion.The story started out interesting . DAS wasn't as good as other zombie/monster dramas, but it was still interesting. Aliens invasion was quite original idea. And that's it. The further you go, the more nonsense the story becomes.
Part 2 begins by showing the students eliminating the aliens. It's promising. We know it's been a while since the incident when Sergeant Lee was killed. It seems that the children have matured and learned to take care of their own safety. You could not be more wrong. From this moment the story starts to get idiotic and full of plot holes.
First of all, why are the children alone? What happened to Kim Won Bin? Did he leave the children alone? Did he evacuate without them? Why do children talk about everyone who died and not him? He seems to have survived, so why did the writers suddenly forget about him?
As I wrote above, at the beginning of part 2 we see that the children have grown up. And suddenly... They start acting irrationally and getting hysterical again. All character development suddenly disappears. The other scenes don't make sense either. Why was the prison scene included in the series? The kids needed parts for a radio, so shouldn't they look for an electronics store in a deserted city? And how is it possible that the prisoners survived? We know that it's been at least a month since Sergeant Lee's accident by the time part 2 starts, and the town has already been abandoned. Did these prisoners live for more than a month without food, water and other necessities? And they were in such great condition? Seriously? Where is the logic?!
Another thing are the spheres. Where did the spheres come from? What did they want? What was their purpose? In the first part, it seemed that people were learning more and more about aliens, e.g. that they were sensitive to cold and noise, and that they could communicate. And in the second part? Aliens are mindless. They run to the prison because the children screamed a few times, but they didn't show up at the amusement park, where children make noise, So I am asking again where is the logic? At the end, we also learn that a weapon was invented, thanks to which the aliens were eliminated, but the spheres were still in the air. Why?
As for the ending, In my opinion it was stupid. But the stupidest thing was that nothing foreshadowed it. The writers didn't show us that Guk Yeong Soo is slowly going crazy, he just suddenly went crazy because his exam was canceled. Seriously?! PTSD would be much more convincing.
All in all, I do not recommend wasting your time watching this drama. The writers made this story as if they didn't respect the viewers. The series was very hyped, so they wrote anything, after all, the viewers would not notice.
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Underwhelming
Honestly cutting the show into 2 parts was so stupid to begin with. It messed up the flow and the narrative of the story. I found part 2 to be bland compared to the first part. The writing became weak and there was also lack of flow with the scenes. The flashbacks became repetitive, like i get showing the backstory and all but most of those didnt explain what was happening.I felt that the characters were underused, there was potential but there was more time spent on useless plot lines. The way the show was wrapped was underwhelming like just ended in a odd place and it didnt feel like a ending at all. There were so many unanswered questions like goodness me...like whyyy. Like what the purpose of the people in white were. The hint at another season was off-putting. The acting and the music was the main reason that kept me going.
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I Will Rewatch it for a long time
so good.. i hooked even in first episode. i read a manga too, they put some scene to other eps so i feel bit confused. but really, in this 3 episode(sept 2th) i already rewatch more than 10 times! i prefer to rewatch a good drama than watch a new drama that didin't good. but this drama actually so good. even this drama did'nt complated yet, but i really like it so bad!! しかも、キッスもあるからびっくりした😅😅😅 でもいいんじゃない。めっちゃいいね！お楽しみに❗i hope we can get the sequel or season 2🙏🏻
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A lot of people dropping it and stuff like this.
So, I just got curious and decided to give it try.
Once finished it, I can tell that it wasn't THAT bad. I mean, I was expecting something definitely worse
(I prepared myself for the worst).
It wasn't a masterpiece but it was decent. I liked it.
The way writers built each character in a different way, with a different (and sad) background was really a good idea.
I liked that.
Still, I can understand why people lost their interest in it: there was no development. This is 'cause writers preserved it for a big finale. But I'm gonna talk about this later.
I think that another problem was Soo's character. He was so marginal, kinda meaningless. The writers weren't able to let viewers get attached to him. They could have worked so much on his character...
Talking again about the plot development.
The problem was this: the whole drama IS in the LAST episode, basically.
I'm serious. It was like the writers put all their ideas there. In fact ep. 16's finale was SO rushed. It's really a shame. This could have been a lot more interesting and entertaining and there could have been a different development of the story itself, but also of characters and their relationships.
A lot of WASTED POTENTIAL.
(OST awesome. I really liked it).
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