Story/plot: -10- This drama had a cute, fun, and catch-worthy storyline! I absolutely loved how it was centered around swimming, mixed with life issues and dramas. I was intrigued from the very beginning to the very end, and although there were some parts that were dragged out, I couldn't really blame them; after all, they had to fill up 36-37 episodes... Even so, every episode hooked me in, and made me stay up late every night, telling myself "just one more episode" (even though we all know, that is never true :P). The ending is definitely NOT a downer! This ending was settled and it flowed smoothly and nicely.
Acting/cast: -10- LEMME TELL YOU! THIS CAST=PERFECTION! Xiong Dylan (Tang Yi Bai)+Tan Song Yun (Yun Duo)=so cute!!! They are the ULTIMATE couple and they were made to be the main leads. I squealed at their height difference every time, and their interactions on and off camera are also goals! Other than the main leads, I also loved how there were other cute couples around them like, for example, Huang Sheng Chi (Qu Rui Feng) and Wang Zi Xuan (Xiang Yang Yang). Not to mention, there were a lot of good lookin' guys in this drama! You need the right cast to carry out a good storyline and THIS CAST MADE EVERYTHING FANTASTIC!
Music: -10- This is my first drama where I truly payed attention and appreciated the song selection, and this is because the song selection for this drama is so memorable! Every song truly matched their placement during the moments throughout the drama. If anyone wants to take a sneak peak at a song example, here is my favorite, "Crossing the Pacific", which could be found here: https://www.youtube.com/watch?v=NY65i3DP9WA
Rewatch value: -8- Although I gave many complements about this drama, my rewatch value would have to be an 8. This is because since there were a lot of surprising twists and turns, rewatching the whole drama from beginning to end wouldn't allow the full attention this drama truly deserves. I will, however, re-watch all the cute moments the characters had with one another and beware! there are A LOT of cute moments where I guarantee you will squeal when watching!
Overall: -9.5- Overall, this drama was a cute and refreshing one to watch for me. My only downer is probably the rewatch value, but I still advice this to everyone because of all the positive things I stated above, from the storyline to the music, this drama made everything fit well altogether.
Thank you to everyone who read this relatively long review, but I hope whoever is reading this to give "My Mr. Mermaid" a try, and I hope you enjoy it as much as I did! :)
Chào for Now!
Lily L.
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This review may contain spoilers
Started strong but went downhill towards the end, such a shame!
This show started really strong for me. I thoroughly enjoyed the sweet chemistry between the leads. How I see it, I don’t see a sizzling chemistry between the leads, as you do for the second couple, however, they look good together and complement one another. The acting is also really great by both of the leads and I wish to see them in more works in the future.However, somewhere towards the middle, the show became a little drag. For a short series of 14 episodes with episodes not that long as well, I feel like it was unnecessary to include some of the tropes like a second male and female lead. It was not even executed well because it was so short that it felt like it was included just for the sake of having that drama instead of actually getting something out of it. Similarly, there were a lot of things happening without any context. Really poor writing and direction towards the middle which made me question if the writer has changed. They’re getting married out of nowhere and many other things happen like that which leave you questioning the entire plot and what exactly is happening.
For instance, Episode 13, though cute, was such a filler episode. No substance whatsoever. They're adding any random fight, argument, or misunderstanding now just to stretch it to 14 episodes. So many good subplots have been missed by their writing team like the business aspect (for the show focusing on her job so much at the start, that is barely covered anymore) or how they got married or even a better confession. As it is now, it starts feeling lame/repetitive/boring to me towards the second half. This was such a good plot, they definitely needed better scriptwriters.
The story in itself is quite simple, straight forward and sweet. I somewhat enjoyed it despite the lack of coordination because I enjoyed their scenes together quite a lot, so I kept my brain aside while watching. It’s an easy and fluffy romance that is a nice watch. Would recommend it for people who’re looking for some cute fluffy romance, no angst per se and no melodrama or toxic people per se (other than that one co-worker). Quite an easy watch (with too many plot holes).
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I understand where this plot wants to go, and I even appreciated – to some extent - the never-ending shifts of most characters from one side to the other, when not somewhere in between. However, it gets a little surreal in the long run, to the point that the unpredictable becomes predictable: once you know nothing is as it seems, you're prepared to think the opposite of what they want you to think – hence seeing through the smoke curtain. Therefore, if it weren't for the heartthrobbing Paksa Adil and all the scenes he's in bar none, this drama would be a sequel of police actions going askew either because some corrupted high power butts in or because they are as incospicuous as a baobab tree in the desert. Not to mention the nth old, or fat, or old and fat villain sitting on some baroque chair and acting like a lunatic buddha ordering this or that killing. I need to confess: at times I yawned. And why do the powerful and corrupted always meet at Japanese restaurants? Does sashimi embody the "raw" quality of the Korean politics?
Unfortunately, there's no way to explain the faults of this plot without spoiling it. Suffice to know that I stopped watching it for the plot and just went for the way scenes were shot and acted. Now, if it were possible to rate direction and cinematography in particular, it would be a completely different story, since the drama is visually and technically impeccable. Attention to details, colouring and the use of light – or lack thereof - all are spot on and intensely evocative. I found many of the characters extremely interesting, constantly fluctuating between dark and shade – light is completely absent here – and the acting by Kim Yoo Mi and Choi Moo Sung impressed me no end. Kim Yoo Mi in particular gives life to an amazing character, extremely stubborn as a "boss" and wonderfully human as a woman. My liking of her character is all due to her acting, because, let's face it, the poor actress's actions consist mostly on moving from an armchair to a sofa with a glass of whisky in her beautifully manicured hand. It's therefore the subtle changes of her face that tell her story.
As for Jung Kyung Ho's, it'd deserve a review on its own, so mesmerizing it was. His character is the best written one: you can peel off layer after layer and there's still something to find. The actor's take of it, suavely ruthless and gracefully tormented, makes his Doc's Son into one of those unforgettable characters who are going to stay with you for a very long time. Without him, this drama would be nothing more than a morbid, blurred photograph of an improbable criminal world. His onscreen chemistry with Nam Gyu Ri and his "putative family" is palpable and great to watch, but then again, I think this actor would have great chemistry with a tree trunk, if needed.
On the opposite side of the spectrum there's Ji Hyeong Min, the super cop who got so much on my nerves I want to forget him with all my might. He goes from being as likable as an ingrown nail to suddenly grasping the situation to no avail whatsoever. Truth be told, the whole police force – the official one, that is – could have heavily contributed to the comic if this drama had a comic intention, which it doesn't. The level of corruption and the number of undercovers borders on ridicule.
The soundtrack is classy, powerful, always appropriate. In short, marvelous.
I am not going to rewatch this drama any time soon, if ever. Intense but frustrating, it is the kind of experience which leaves me with a bitter taste in my mouth, since the ultimate meaning of it seems to be that justice is a mere word, a utopia for philosophers and dreamers. I have no doubt this is so in real life too, but at least when dealing with the world of fiction, I'd rather be deceived.
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1This review may contain spoilers
Wow, I loved it!
This series is primarily about a woman who is betrayed by her husband, but it was how she responded to his betrayal that made the story such a satisfying one. Rather than watching a bitter and traumatic struggle...it felt as if we had a ringside seat to one woman's grand awakening. Watching her journey of personal growth was thrilling and those of us who watched it LIVE loved every episode. The writers gave this FL a phenomenal character role and she made this story a stand out for me.Things I liked...
First, the FL.
Initially, her character appeared a bit subdued. She is beautiful, but she is not a bombshell. But as we watch her, her inherently graceful persona becomes captivating..and contrasts sharply with her husband and his crude and selfish parents.
She was portrayed as a woman who had married young, in a male dominated society, for whom love was of secondary importance. So when he cheated, it might've wrecked her world..but it did not destroy her. Her concern was only for her daughter, and money meant nothing if she could have her.
Her character was so authentically drawn that we believed in her. She was grace under fire and even when she yelled in agony when they took her daughter away and purposefully at the company dinner, she was never out of control. She mistreated no one..not even his cruel parents. She was also unexpectedly kind to both women who betrayed her, and because of that kindness...she gained a forever friend. Her grace not only endeared her to the SML...but also to her employees who would've followed her anywhere. And of course her daughter knew she was loved by her.
Interestingly, the only person who underestimated her was her ex-husband. But once she was backed into a corner..her confidence and determination combined with her keen brain made more her than his match. She was no less kick butt than any martial artist FL we have seen, sans the martial arts. Lol. And every time she succeeded we were elated.
Second, I Liked the SFL.
Her character was not simple nor one dimensional. She was young and a bit desperate ..and she foolishly trusted in lies. However, once she wakes up, she is smart enough to see her mistakes and to learn from them. It is a real and somewhat raw portrayal of the foolishness of women who fall for the machinations of powerful men. To give this woman credit, she is incredibly hard working and she fights hard to recover her self respect......earning mine in the process.
Third...I liked the SML.
This guy is everything her husband is not. He is decent, moral and brilliant. He is also to my surprise quite good looking..I didn't really notice until the scene where he met with the ML in his office and he was wearing this blue top and in the light of the window, his face looked so beautifully chiseled..with a sharp jawline and beautiful lips..... mummm...sorry...got a bit distracted there..lol ...but although he has been in love with the FL since his college days, neither he nor she ...know much about love.
So naturally, he isn't going to tell her how he feels..nope, absolutely not!! But there is no doubt that she has been under his skin from the beginning. There is a scene later on, where she is teasing him..and it makes him so angry that he furiously exits the car. Only she can make this guy that hot and bothered and...oh... it is so lovely watching a man unravel. Lol.
In conclusion, this was a story of contrasts.. love vs lust.. ethics vs corruption. Wrong was uncovered, truth was presented and justice was served. The ML had lived and played without virtue or consequence, until everything he had hidden was revealed.
And as for the FL and the SML ...they had lived as if they were waiting for each other... for them it was an epic new beginning and a brand new Alliance. This series was a joy to watch..don't miss it.. because I promise...you are gonna love it. ❤️
Happy Watching!
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The Body-Swapping Trope Done Right…
The body-swap trope can often be a slippery slope for quality screenwriting in dramas .However whilst " The Day of Becoming You" doesn’t exactly stray far from its " body-swapping” predecessors as a concept, screenwriter Wang Xiong Cheng surprisingly uses the tiresome trope well in order to explore character growth and the relationship between the main leads .
Steven Zhang ( playing seemingly cold idol Jiang Yi) and Liang Jie ( playing bubbly entertainment reporter Yu Sheng Sheng) were brilliant as our main leads. The duo had dynamic chemistry onscreen throughout and were perfectly able to mimic the mannerisms of one another during the " body-swap” scenes. Respectfully whilst Vian Wang ( playing Sheng Sheng’s editor and best friend Tong Hua), Shen Po Qing ( playing Sheng Sheng’s close doctor friend and her second love interest) and Jiang Yi’s fellow band members of ” Little Galaxy” faded more into the background than the main leads, their performances were equally good.
On a more critical note ” The Day of Becoming You" isn’t entirely the more ” realistic" imagining of the ”body-swap” scenario either . The jobs of main leads respectfully as a journalist ( Liang Jie) and an idol ( Jiang Yi) were often taken for granted by inconsistent timing schedules or evident responsibilities with their jobs often dismissed easily. ( The irony not lost that Liang Jie trying to make up for loss time by working late at night could come in early the next day to work, looking fresh as a daisy without bags under her eyes.) However, these points are more nuanced and as the show only uses these settings really for exposition , they can be overlooked .
Arguably what made our main leads and their pairing refreshing was the gradual process of development . It would be easy to have established Liang Ji merely as the “ significant other” in the drama without exploring further interactions, however, the series provides surprisingly heartwarming insights into her character’s sentience by her familial life as well as her friendship with Tong Hua.
This was perfectly contrasted by Jiang Yi and his “ complicated" family scenario with his father Jiang Dong Ha ( Zhang Lei) and his estranged younger sister Jiang Mo ( Cong Shang).Admittedly whilst it wasn’t the focalised subject of the series, it would have been intriguing to have explored more about Jiang Yi and his father’s reconciliation, than some of the earlier trivial scenes dedicated to his " secret crush” on superstar and close friend Xu Shu Yi ( Zhao Yao Ke). ( Only really provided to add " angst” and an ” obstacle” to the main romantic pairing.)
However, the drama arguably did allow time for Jiang Yi to heal some of his emotional wounds through his gradual alliance to friendship to affectionate relationship with Shengsheng. There were times this relationship did feel a little disconcerted by the sudden reversal of Jiang Yi’s " feelings" for Jiang Yi being dismissed so readily. ( Although Shengsheng’s feelings for Doctor Shen were slightly more drawn out, they suffered a similar fate of being disregarded when the storyline called for it.) Importantly but the relationship between Jiang Yi and Shengsheng was healthily built upon learning to trust and rely on one another by being ( literally) in one another’s shoes. The ending certainly offered an unseen twist which will likely surprise viewers, however, nonetheless does help to tie-off the more far-fetched moments of the storyline.
So, is “ The Day of Becoming You” worth watching? Whilst the show offers a more sugarcoated version of the respected industries and romance, there is something which is undeniably well-written about the body-swap scenario in order to allow the characters to grow, a main pairing who gradually developed an an unforeseen ending which surprisingly works. Definitely worth a watch if you’re looking for something easygoing and fluffy but with good screenwriting and acting on top.
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"Wanting to be someone else is a waste of the person you are."
Sure, people can change themselves and their life, and it's good when you are trying to better yourself and prosper. But when you want to change yourself just to surpass the standards of certain someone, you end up loosing yourself, which is immensely evident.REFLECTION OF YOU is a story of such desires and the constant urge of vengeance from someone who had pushed you off the cliff just when you were about to embrace your dreams. This is a story about two women: one who despite of her achievements, couldn't help herself in making choices and another who after loosing herself has become revengeful; both, thereby creating unavoidable consequences, that somehow drags their families into the mess. This is a story of love, desires, betrayal and revenge, as the synopsis states.
"Reflection of You (2021)" is the live action adaptation of the novel "Someone Who Looks Like You (너를 닮은 사람)", originally written by Jung So Hyeon (정수현)
Director Im Hyun Wook has done a very good job here, even as a newcomer with lesser experience; I am sure his work in his previous drama of similar genre, has helped him a lot. Yoo Bo Ra jakka-nim is a known and acclaimed face in the industry and she must be applauded for the stupendous plot development in this drama that carries several peaks and keeps the same intense throughout the series. Her method of storytelling as well as the monologue narrations and dialogue writing are all praiseworthy indeed.
Jung Hee Joo is a famous artists and essayist, married to a rich family. He got a loving husband and 2 adorable children: a highschool daughter and a 5yo son. She loves her family to the extent she can do anything for them and has to manage it along her artist life that she has built-up through passion. Gu Hae Won is a failed artist who has lost her path to happiness and changed from a happy-go-lucky girl to a revengeful woman. Both of them share a past that has ruinned themselves to different levels. The story shows their encounter after years, which involves the unveiling of the past events that has dragged them to hell and they try to bring down each other by any means. This major plot invoves many other characters involved with their individual lives and some sub-plots that is related to the main storyline, more or less.
What I loved about the production is that the script of the drama never ran out of substances. Whenever you feel like it might become boring and context-less, leading to subsequent exaggeration, the writer comes up with another enraging scenario which serves as a side dish. First episode successfully establishes an intriguing impression upon the audience, creating plentitude curiosity. In my case, I was mesmerized from ep1 to ep6 so much on my first day of watching that my anticipations was raised high. The way everything about their pasts got revealed within those episodes just so the viewers can draw the entire picture on their own, bothered me a lot as to what else they got to offer next. But I'm happy didn't go blank at all till the end. There's in fact no episode that didn't see development or was boring. The last 4 episodes become very intense, typical makjang vibes, that is frustrating and anger inducing like usual.
Jung Hee Joo (Go Hyun Jung) doesn't lack anything other than constant love and loneliness has grasped her.. She has seen the harshest of days but to her fortune, she falls in love with Ahn Hyun Sung (Choi Won Young), who always wants to remain flawless. Her family comes first to her and she's become very strong over years, despite which she's indecisive and can be easily manipulated that lands her in pickles many a times. Gu Hae Won (Shin Hyun Been) is a budding artist and was Hee Joo's teacher years back. She was a easygoing girl back then but situation and time has made her rude, arrogant, resentful and crazy for vengeance. She can now go to any extent to get her job done. She is married to Seo Woo Jae (Kim Jae Young), another aspiring sculpture artist who doesn't have any control over his feelings and can be reckless to get what he wants.
Other minor characters are Kim Bo Yun as Park Young Sun (Hee Joo's MIL), Kim Ho Jung as Lee Jung Eun (Hwain Museum Director), Kim Sang Ho as Yoon Sang Ho (Pub owner), Hong Seo Joon as Lee Hyung Ki (Min Seo's husband), Park Sung Yun as Lee Dong Mi (Hee Joo's friend), Seo Jung Yun as Goo Jung Yun (Hae Won's mother) and Shin Hye Ji as Lee Joo Young (Lisa's friend) , who are more or less good actors with experience.
Being a mystery-revenge thriller with makjang elements, this drama comprises of many important factors of reality. Loneliness being one of them, has won over almost everyone's mental health for which they choose to keep everything to themselves and be submerged within illusion. The worst part of it is not the pain inflicted by sad memories, rather the loneliness of it. Second being revenge, is a means to intrigue the viewers in here; they say, the best revenge is to unlike them who has caused the injury. But do people really believe in that? No! We are mostly who choose to avenge through damage, even so it is caused upon us. Obsession being another factor, proves once again that it in itself is a way of ruined beings to destroy themselves further. Of all human weaknesses, obsession is the most dangerous and the silliest. Also, lying being considered the worst habit of human beings, is something that can't be fixed. But we must remember, our lies catch up to us someday, somehow. Jealousy too is a factor that immensely dominate the story. The inner consciousness of one's own inferiority is something that can eat us out completely. Domestic violence, disturbances in marriage, parental love as well as negligence, bullying culture in highschool, greed, hate speech, extra-marital affairs, cheating, competition, insecurity, possessiveness, mistrust, etc are also a part of the drama.
I was worried the writer and director might forget about the few side plots that was incorporated into the major plot via the minor characters like Ahn Lisa (Hee Joo's daughter) played by Kim Soo An, Jung Seon-u (Hee Joo's brother) played by Shin Dong Wook and Ahn Min Seo (Hee Joo's SIL) played by Jang Hye Jin. Since there were long gaps before they brought forward the consequences of those scenarios, I was uncertain about them not turning into plotholes, but thankfully!
This has a set if good OSTs. My most favourite is "The Moment" by Lim Kim which is an English song that reminisces past and resonates the consequences with a sense of guilt and regret. The harmony in the track is very soothing, indeed. "Moving Away" by Savina & Drones is a lowbeat, despondent track with immense vocal works. "I Am Lost" by Lee Seung Yoon is a melancholic song about heartbreaks whose high note rhythms are enough to melt your soul. "Knocking On" by Jannet Suhh and "Midnight Sun" by Kim Kyung Hee are the other 2 tracks.
The sound production is also well done. The background scores and the OSTs have been utilized appropriately and were able to keep up the thriller plus makjang vibes throughout.
Knowing own-self is the beginning of all wisdom and can prove a great teacher. But the attempt to imitate someone else's reflection will only bring you misery and land in a horrendous & repulsive situation. What matters is the timely realization and withdrawal, followed by self-reflection and learning.
The finale week had the most dramatic consequences. 15th episode in fact laid a foundation for a superb finale episode but to my disappointment, that seemingly amazing seqence actually got wasted somehow; the peak at the end of ep15 somehow calmed down as soon as within 30 minutes of the 16th ep and the resr 1 hour of it was heading down some unknwon path. I don't wanna comment on it firmly bcs I am uncertain about the writer's intention, nor have I read the original work to be aware of it. But let me simply put it, that it might have another season, otherwise, we'll have to move on from it, considering that the drama got some plotholes. The ending sequences in the last 15 minutes have left me all confused and I have got at least 5 questions, which can be answered with another season only.
Its not new for Kdramas to have unsorted endings just to leave the audience to interprete and assume by their own but ai believe that's not the case here at all. I would have been happier if they had wrapped up the entire story within one season bcs I don't honestly see a potentially amazing drama out its 2nd part. Sure, this one is good but adding more to it will somehow feel like an unnecessary exaggeration, I think. Hoping to listen from the makers soon, I mean they should be clarifying about their intentions by now.
Overally, this is very good, if not something unique or groundbreaking but surely has different kind of moods and I thoroughly enjoyed the entire thing. It's more of a combination of mystery thriller and makjang, and not the typical frustrating makjang kinda drama. The last 6 episodes have the actual intense makjang stuffs, which might not be that sensitive. But anyways, enjoying this depends on your expectations and taste in makjang drama. For example, I am not a fan of intense makjangs so this mild dose was honestly good for me. It has it's own flaws of drawing plots and characters at few points but it's definitely worth the one time watch.
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This review may contain spoilers
THE SIGN of Better BLs to Come
If anything, I am happy that Thai companies are expanding beyond the typical BL storylines. its A SIGN that the genre is evolving and has a lot of potential.Quick recap. Phaya and Tharn are reincarnations of Garudas and Nagas - mythical deities in the Buddhist/Hindu culture. Their connection was so strong that even at childhood, they were drawn to each other and Tharn became an unofficial protector of sort to Phaya. The end. Okay, Im kidding so many things has happened in this show that its so hard to make a quick recap.
What i like about the series:
1. I really love the first episode because it hooks you in to want to see more.
2. Great production value, you can see that they have really thought hard about the story and execution to deliver us a unique story. Even the action sequnces, which may often feel too rehearsed, is commendable. The CGi somewhat feels subpar but it is very acceptable considering that this is from a somewhat new production outfit. Hands off to them.
3. Maybe one of the best looking cast in a BL ever. Do i need to say more? Billy's scenes in those black boxers are BL gold. Babe is undeniably a gorgeous boy. I love all the support cast. The first episode with all the fake nude scenes is like a rain blessing to water the dryest dessert. And yes, the almost obligatory NSFW scenes in almost all episodes (but more on this later).
4. Im really happy that this is not just another university/high school story.
What i dislike:
1. I thought Tharn as a Naga is in female form, that were the dream sequences, werent it? They made such a big deal about it in the beginning but the later episodes Tharn Naga became just Tharn with long hair.
2. While a lot of the viewers like the weekly crime solving cases and the overall human baddie, i hated it. The truth is they weren't used to advance the story of Phaya and Tharn and their love story. In fact the big case turned out to be not important in the scheme of things.
2, Chalathorn turned out to be nothing but a dud instead of being the menacing villain.
3. There were too many subplots. The show wanted to be so many things. This show is worth at least 2 good BLs rolled together in one - the result is a mishmash, 2 half-baked pies and confused if its an action or a fantasy series.
4. One blatant proof of the show's identity crisis is with Tharn - one second he was this strong guy solving cases next second he is this soft crybaby blaming himself for whatever accident Phaya has gotten himself into. He is a police officer who will suddenly leave his post just to save the damsel Phaya. His character, lost consistency and could have been handled better.
5. While the male cast is the focus of the show, the young female support and the GL is acted so poorly. Even the grandmas who were suppossed to be lovable just werent. Their lines were so cringy and could have been edited out of the story to make it leaner.
6. The show got so convulated in the second half that i was watching the episodes in 2x speed. From being a must-see show it became a tedious watch, a show i just needed to finish because i want to see the ending of the fantasy story.
7. The almost obligatory NSFW scenes. For crying out loud, Phaya escaped the hospital in episode 9 just to answer a booty call.
8. The cashgrab finale. I get it, i get it, the producers wanted to capitalize and earn a little extra and god knows they deserve it for all their hard work, but it left a lot of sour taste in the mouth . Once i saw that ad showing the last episode will be shown in a streaming event, i almost decided to drop this show. What made it worse, the 3 week break between sepisode 11 and the free -to-air episode 12 turned out to be non-climatic after all, with so many plotholes and unexplainable things happening. Action scenes and that forest chase scenes became laughable, and that mythical love that is supposed to be epic in size just werent.
9. Please also explain to me how did Tharn saved Phaya from falling off that cliff from mid-air because that defied time and logic. That must have been a very very high thousand kilometer cliff because so many things have happened during that fall (the criminal was even able to get back to the base and shoot Chart) and yet Tharn still managed to save Phaya mid-air. and I watched it a few times to get a sense of it but just cant. Boy they didnt wrap this show properly.
Will i rewatch this series. No. It is tedious and there are tons of other contents right now. Im just giving it a 7.5 for all the effort and what it could have been. Will i reccommend? Sure, even with all the inconsistencies it is still a good watch, the boys alone is worth it.
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1Shin Hye Sun Running Circles Around Oppas that Can’t Act and a Crappy Plot that Can’t Plot
You know a writer has overestimated themselves when a show with an interesting premise, distorted timelines, flawed characters and major potential turns into pure, convoluted, nonsensical garbage.❌ The writing and execution in this is seriously bad. Like one of the worst I have seen in a long time. While the drama starts out very promising with unreliable protagonists who slowly reveal their intentions, it loses the plot somewhere in the middle and just ends up being vomit on screen that calls itself a script.
❌ Some things are added just for the sake of it - no logic or reasoning required. Random dead bodies in random freezers, random trucks of doom, random cabins in the freaking forest. There is so much randomness is this show, I was half convinced the writer was on shrooms.
❌ The drama tries desperately to be complicated but ends up coming off as confused as a floppy fish out of water. This was what I was afraid of when I saw who the director was. I have watched almost all of his dramas and things with him go either way. Either he nails his execution and gives you masterpieces like 25-21 and Search WWW or he completely fucks things up like in King Eternal Monarch. Unfortunately, this drama has the same floundering headless chicken execution that King Eternal Monarch had and it’s just sad.
❌ Then, there are the crappy love interests. There are literally three of those in this drama. The third ML is there for no reason. He is also basically a brother figure of the FL’s long term ex boyfriend (the ML) and his pursuit and feelings for her are just awkward, messy and add zero substance to the plot. Just one of those random things the show throws in just for the sake of it.
❌ However, ofcourse, the major downfall of this show are the two main oppas. First of all, neither of them are good actors. They are bland, plastic and have zero nuance to them. Also, their screen presence is in the negatives. I swear Kim Nam Gil’s sock has more screen presence than all of these 3 oppas combined.
❌ Second of all, both of the two male leads are severely unlikeable and selfish for the majority of the show.
❌ The first ML, Hyun Oh, who breaks up with the FL after eight years of dating is trash human being number one. He is selfish and thinks that the world revolves around his mommy issues and the fact that he has two dozen grannies to take care of.
❌ Oh, poor him, his sad oppa problems give him a get out of jail free card to be the most toxic, wishy washy faded red flag that you want to 10000% avoid in real life. And, when I say red flag, I don’t mean the sexy bad guy red flag, I just mean dirty mud blood red flag that is just disappointing and annoying.
❌ Their entire relationship is just about him. He constantly makes her feel like he is better than her and she constantly doubts herself. After dragging her along for eight years and breaking her heart, he still doesn’t cut it off clean. He keeps giving her mixed signals and doing things for her she never asked for so she can never fully move on. And the moment he hears that she COULD move on, he is all scandalised about it.
❌ This man’s head is so far up his own ass that he never realises how someone who he has claimed to love for YEARS is in unbearable pain. And while, I did like their past relationship scenes together and was initially rooting for him, with every episode it seemed he just got worse and worse. By the last episode, I wanted to throw him off a cliff and call it a day.
❌ Then, comes the second main oppa, Ju Yeon. I didn’t like his and Hyeri’s (Fl’s second personality) dynamic from the get go because it came off childish, awkward and silly. Which is fine because that was who Hyeri was supposed to be as a character. What is not fine is that when he learns about her disorder, his reaction is the WORST thing imaginable.
❌ Instead of consoling her or feeling for her, he makes her apologise for hurting him, REPEATEDLY. And then, keeps insisting that she bring the other damaged personality around because he is in love with it.
❌ The whole delusion around the fact that he is in love with a fictional personality and wants her to remain sick just so he can fulfil his own kinks is SICKENING.
❌ After that, I really didn’t see the romance in him waiting around for the personality to show up. It was just stupid and even though the drama later tried to convince us that he’d take her as both Hyeri and her original personality, his actions clearly reflected that he is still very much hung up over Hyeri.
❌ Ofcourse, it’s inevitable that the oppas do get some redeeming moments in the last couple of episodes where they finally focus on people other than themselves but I don’t really give a fuck. I make judgements on characters as the way they are throughout the entire drama not their last minute actions and from the way these two were, the only happy ending for the FL would have been was to stay alone and away. Hell, the 3rd ML who was basically irrelevant cannon fodder was the most likeable option.
❌Also, speaking of shitty things in this drama, let’s talk about the whole DID thing. I usually don’t care about the science and logic of these tropes and I don’t care here either but I feel like it’s almost romanticised. This constant question of were you more happy as the other personality? Then this whole grown ass man being in love with and constantly reinforcing the other personality after knowing the woman for one single MONTH.
❌It gave me a bad taste in my mouth because the FL’s second personality is just a defence mechanism and it’s unnatural, born out of trauma and shouldn’t even exist in the first place, much less be reinforced and constantly validated.
❌ But, I shouldn’t have cared about the technicalities because this drama seriously does not give a shit about authenticity. It pulls out the worst “Oppa’s love heals everything even if it’s freaking DID” card I have ever seen in a drama.
Especially when that love is toxic, unwanted, weirdly codependent and downright stupid. They didn’t even try to pretend like they were using the illness as anything other than a plot device.
❌ To top off the nonsense, every single problem in these people’s lives MAGICALLY gets solved in the eleventh episode. DID? Cured by good old Oppa humping. ML’s reason for breaking up with Fl in the first place which led to this 14 episode worth of junk being made? Solved in 2 seconds. Love triangle? Solved with a good old smiley, breakup date.
It is just outlandish how bad the writing is. There is no real healing or character development anywhere. You won’t find it even with a NASA grade microscope.
✅ So, is there anything good about this show? Yeah, it’s Shin Hye Sun. She is one of my favourite actresses and like always she does an excellent job here as well. Her acting range is insane. She is nuanced, charismatic, expressive and delivers both her roles with perfection.
✅ I loved her as the damaged, sassy, broken, insecure, overly dependent and deeply flawed Ju Eun Ho. She made me feel for her struggles and I absolutely rooted for her. (Atleast, I did root for her before she became a manic panic obsessed oppa groupie who was legit like “I missed your toenails” to her shitty ex boyfriend.)
✅ While I wasn’t as much of a fan of her Hyeri personality with how over the top she was with the whole childish get up, and the exaggeratedly slow speech, I still appreciated SHS for it because it did the job of what the show wanted to deliver with her.
✅ Shin Hye Sun grossly overpowered all other actors with her talent in this drama and it showed. She single-handedly carried it on her back and I hope she asked for a freaking full body deep tissue massage along with a hefty paycheque for this.
✅ To be honest, there are some other good aspects of the show as well. For one, the skin ship and the kisses in it are good. Some episodes pack a surprisingly emotional punch. There are some great cinematography and OST moments. Moreover, the ups and lows of a relationship in flashbacks are also nicely shown but overall, it’s not enough.
❌ Because when you don’t have all the plot holes, the unlikeable male leads, the bad acting, the terrible writing and the confused timelines, you have uninteresting side filler characters taking up the screen.
❌ The grannies are boring, the office people are annoying and all other supporting characters are lacklustre. The only one interesting side character is Hye Yeon but she doesn’t have enough agency to make you invested.
❌ Which is why, on the whole, this drama does feel like a lot of wasted potential and has the tendency to turn your brain cells to rot.
Take my free advice; save your time and your IQ and go watch something else.
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Who's your daddy?
Destined is a story about how an unlikely couple discovers themselves and each other and survive turbulent times together. Liu Yuru has been auditioning all her life to be a worthy wife to the finest young gentlemen in Yangzhou. To her aghast, she finds herself engaged instead to Gu Jiusi, the scandalous scion of Yangzhou's wealthiest family. Gu Jiusi is no less dismayed to find himself shackled to such a paragon of virtue but he is chastened by his careless prank that got them in that situation. They hilariously find that they are actually well suited and the sum of their parts is greater than the whole. The first arc is by far the best; it is funny, romantic and underpinned by genuine chemistry and rapport between Song Yi and Bai Jingting.The couple's newfound bliss does not last as the country is swept into chaos as civil war breaks out. At their loss of influence in the capital, the Gu family is forced to flee Yangzhou for Youzhou far to the north. There they are still inevitably caught up in the war and ensuing political upheaval. Meanwhile, in the shadows, a hidden mastermind plots their downfall at every turn. There is a marked dark tone shift in the drama as it delves into the political arcs in the latter half. This drama explores the - "Who's your daddy?" question and whether it matters. All of the main characters have bad dads to different degrees; overly-indulgent, indifferent, overly-judgemental, negligent, wilfully blind and missing in action. Most of them are no worst for the wear but others allow their resentment to get the better of them.
This is a very entertaining drama despite that the second half is sloppily written and ridden with logic holes. The source material evidently had more substance and depth but the drama adaptation falls short on multiple fronts. The plot and character designs don’t make sense without novel readers to help connect the dots (see @CloudA’s discussion threads). The best written parts include most of Jiusi and Yuru’s arcs and humorous moments. The political arcs have too many logic gaps and farcical sub-plots that undermines the intelligence of allegedly smart characters. The writers have a very superficial understanding of history, politics and inner palace protocols. It is mystifying why the Dowager Empress does not secure the position of crown princess for her daughter in exchange for her support. Instead she uses up all her goodwill to try to foist her on a happily married man! The new emperor is so weak instead of banishing these harpies to the cold palace, he allows them free rein to bully his loyal court officials and interfere in official proceedings. He puts a known villain in charge of the crown prince's education when both Ye Sh'an and Gu Jiusi are obviously better choices. They forgot to tell us Luo Zishang has an invisibility cloak that gives him better access to the emperor's bedchamber than a favorite concubine! Game of thrones in this drama pretty means Pass the Throne (parcel). This kind of writing is why fluffy romance writers should stick to their knitting and not try to write about stuff they know nothing about.
What does make this drama work is phenomenal acting all around that papers over the lousy writing. All of the main actors are incredibly charismatic and blend into their roles so well that the portrayals surpass the character blueprints. This is especially true of Liu Xueyi's mesmerising ability to make the vicious, misguided and tragicomic Luo Zishang seem sympathetic even though his backstory and motives are not well explored and only fully revealed at the end. As a result, for most of the drama, this character comes across as a cardboard villain; a delusional sociopath that is just evil for the heck of it. Similarly Fan Yu's character evolution takes abrupt turns and his interest in succeeding his father is not well explained. Fortunately the good characters in this drama are far better written than the tired trope of villains who blame their bad behavior on their bad dads. Their motivators are not as forced and it is a lot of fun to watch the rapport, loyalty and friendships between them blossom so organically. After Jiusi and Yuru, Zhou Ye is my favorite character even though he can be a noble idiot. He just gets really hard things done and done right in the nick of time to save the day.
In the final arc, both Jiusi and Yuru are sidelined so that everyone else can do absurd things to let the villain easily get the upper hand. We are short changed of a satisfying final battle of wits between Jiusi and Zishang to make way for a very anti-climatic reveal of Zishang's backstory that devolves further into a maudlin moment of truth and reconciliation that somehow diminishes both characters.Along comes Zhou Gaolang to bravely re-take a city that was already in hand! There was a senseless, gratuitous death of a terrific character just to squeeze a few audience tears and to add insult to the injury, the perpetrator was unjustly sentenced to live the life of the idle rich. While many favourite characters got good outcomes, some of them deserve better and the final denouement fell flat and was anti-climatic This drama peaked too early at King Liang's epic siege and went downhill from there. The early arcs were an 8.5 for me but the back half was at best 7.0/7.5. Even though I can only rate this 8.0 overall, it is still a very enjoyable drama that is shored up by some fantastic acting. It is best watched tipsy or with your brain half switched off as the plot does not bear close scrutiny.
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This review may contain spoilers
Mixed Reviews? Just watch it.
Im going to give my opinion on the complaints i see, whilst trying to remain unbiased because Pit babe (1+2) are easily in my top 10.1. "There wasn't enough recap from the first season, I was confused!"
That’s entirely on you. I know my memory’s trash too, so you know what I did when season two dropped? I rewatched season one. Simple as that. You can’t fault a show for not spoon-feeding you a 30-minute recap just because you didn’t bother catching up.
It’s just common sense if a sequel comes out years after the original, whether it’s a series or a movie, you go back and refresh your memory. That’s your job as a viewer. Expecting the story to pause and re-explain everything just because you forgot is wild.
2. "Where are the authorities?"
Our main antagonist isn’t just some random thug he’s a very well-connected billionaire (or at least extremely wealthy) with ties to businessmen, politicians, and all sorts of shady elites. He’s also full of pride and ego. Involving the police would risk exposing himself and be an admission that he couldn’t handle things on his own that he had to rely on “low-level pawns” to do the dirty work for him. That’s not his style.
And from the protagonists’ side, calling the cops would be pretty much useless. With the kind of power Tony holds, the second law enforcement got involved, he’d be tipped off instantly. The whole thing would backfire, fast. In short: the cops aren’t missing they’re just irrelevant in a world where money, influence, and abilities speak louder.
3. "How the hell is Tony back? Lazy screenwriting."
(Skip this part if you're avoiding spoilers.)
People keep acting like this came out of nowhere, but it’s literally been explained since season one—this whole series is built around people with special abilities. That’s not a new thing. Tony’s ability is that he can bring himself back to life if he swallows his own blood at the time of death. It’s not some random plot twist; it’s tied directly to the rules of the world they’ve set up.
The downside? His body still needs time to recover and he has to be closely monitored after. He’s not some untouchable immortal, and the show doesn’t treat him like one. It’s not lazy writing it's actually one of the more consistent things in the story. We were given clear answers to the what, how, and why. Just because you missed it, doesn’t mean the writing failed.
4. "The acting was terrible."
This one’s super subjective. Personally, I thought the acting was solid line delivery, emotion, all of it felt on point. There were plenty of scenes where you could clearly see what the characters were feeling or thinking without them having to say a word. That’s real acting. It’s not just about speaking lines it’s about expressing, embodying, feeling the role. And in Pit Babe 2, I felt that.
To me, “bad acting” is when someone’s just reciting words with no depth, no connection to the character or the emotion behind it. I never got that vibe here. If anything, it felt like the cast really got their roles and committed to them.
5. "The plot was bad/not present."
(Heavy spoilers, read after watching.)
This is hands down the worst opinion I’ve seen in the reviews.
We’re continuing from season one where Tony was running a human trafficking facility for superhuman babies. That was the whole climax, and in the end, his plan was exposed and he was presumed dead. Season two picks up from that exact mess, and people are acting like the plot disappeared?
The main crew is trying to make sure something like that never happens again. That’s where the serum comes in. They’re developing one that can remove special abilities. The point is to protect people who don’t want their powers or can’t control them. Jeff is a great example of this. His ability is unstable and dangerously strong. If he doesn’t get rid of it, it could seriously hurt him or others.
Then conflict hits fast. With Kim leaving, the team is weaker. They try to patch that by bringing in North as a new racer. That’s already a big shift in dynamics, but then enters Willy. New racer, new energy, and he's openly interested in P’Babe. For the first time ever, Babe comes in second place, which throws everything off. The team feels it. Babe feels it. It rattles him hard and starts pulling at his relationship with Charlie.
Charlie, on the other hand, is stressed and pouring everything into the serum. He’s not trying to be distant on purpose—he just wants them to be safe. He wants a future where Babe isn’t hunted or used for his ability, ever again. So he temporarily steps away from racing to finish the serum, but that only creates more space between him and Babe.
Then Dean returns. That alone brings more tension. He’s promoted to racer to help support the team while Charlie’s away, but let’s be honest, Dean’s presence always comes with drama.
And just when they’re trying to hold it together, guess who comes back? Tony. Not in the loud, obvious way people expected, but silently through Willy. Tony’s no longer chasing the boys himself. He’s watching from the shadows, playing the long game. His new goal is creating a serum that gives special abilities. Imagine how much money that could bring in—selling powers to the highest bidder, especially in military or elite circles.
So while the team is trying to eliminate the danger of abilities, Tony’s building the exact opposite. And while that’s happening, Babe’s shaken confidence, Charlie’s distance, Dean’s reappearance, and the team reshuffling all add more layers to the actual plot.
There was a plot. And not just a basic one. It was detailed, emotional, and connected all the way back to season one. Pit Babe is the only Thai BL series that’s even touched this kind of storyline. Calling it unoriginal, bad, non-existent, or lazy just because it isn’t your cup of tea is just a lazy and shallow take.
((Its like saying Vanilla ice cream is terrible just because you don't like it, its not disgusting it's just not something you personally enjoy; therefore you have no right to deter others away from it.)**)
Now on the complaints i expect to see.
1. "Alan was hellbent on protecting everyone, why is he so selfish now?"
At first, it didn’t make sense to me either. Alan has always been the caretaker the rock of the team. He’s the oldest, the boss, the mentor. Everyone leans on him. But season two reveals his old spinal injury from racing hasn't healed and it’s come back and worsened. His condition is chronic, affecting his nerves and mobility, its not just old age and something he can get rid of. He can’t race, he can’t pushd his body like he used to, he cant properly protect the team. Altogether it shoves him into feeling useless, he knows he can't protect anyone; and if he goes through surgery to get rid of these spinal issues he'd be even more limited on how he could help because he'd be recovering.
That helplessness is what pushes him into bargaining with Tony. He believes going to Tony might make him stronger and give him a way to protect Dean and Kenta. He’s never dealt with Tony directly, he isn't truly aware about how underhanded Tony can be and he genuinely thinks he can negotiate his way into being useful again and maybe even outsmart Tony.
Then it all blows up. Instead of saving anyone, Alan ends up betraying trust and landing himself in danger. He knows exactly what he’s done. ( when Jeff confronts him, Alan doesn’t argue. He knows he broke his own rules. He knows he lied, and worse, he endangered his people. That silence that acceptance that’s not selfishness. It’s accountability after bad judgment, born from desperation. )
I'll always have the opinion that if you didn't like a series because you refused to pay attention, or it wasn't the genre you liked, or the plotline wasn't your preference, or you've watched less then 3 episodes. You cannot give a valid review nor should you try. A series isn't bad just because you specifically didn't like it.
(will add more to this review later)
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Story: Basically, the plot will give you a parody about behind-the-scenes of drama-making and a man who will conquer everything for the sake of his ambition. The story isn’t really life-changing but it is certainly highly influential and enlightening in my case--at least on how drama production works. Yes , it’s supposed to be fiction but watching this one and at same time hearing news about real life drama made me wonder if in reality what was happening here is based on real life-drama filming experience.
I love the writing— Simple yet has a refreshingly engrossing storytelling and it managed to combine right amount of angst, romance, huge dose of comedy while handling issues about ratings, writer and director difficulties, financial problems, sponsorships, actor- behaviors and even extras. Of course, KoD is still a drama, there is a main story going on and I can guarantee that this one gives no dull moments. Intense and fast-paced, you’ll realize what I’m talking about if you try now and watch the first episode. Since KoD satirizes drama-making, it’s only natural for it to be funny, and if I may add, it is enjoyably hilarious in almost every episode. Comedy-wise, it’s a genuine masterpiece for me. Romance is subtle yet touching at first and tends to develop later which makes it more believable and truly romantic—not the usual wrist grabbing can determine the person you love. Did I mention a lot of anti-cliches here? Well, It has. And I love every bit of it! The ending was lovely and very satisfying for my taste.
Cast/Acting: Another thing to love about this drama was the evident character development on the main casts. In the end I have no choice but to love all of them. When I first watched this, I had known little of the casts and it was a great surprise watching all of them. Kim Myung Min also played stellar performance, the character change is very convincing on his part. He is amazing that he can take full control of his facial muscles while conveying the right expressions on his role. I love the strict, straightforward Representative with a sexy voice. Yes, I have to add that, lol. Jung Ryeo Won’s character is loveable-simple yet strong and determined. Her expressions are adorable. Their chemistry was noticeable just with their eyes and gestures, oh well, it comes with the leads personality, that’s why it’s like that—at first. The chemistry was wonderful, with just their gazes alone, I’m melting; Anthony Kim-Lee Go Eun has just become one of my top OTP’s this year. The biggest revelation, I credit it to Si Won—He is simply a truly great actor here. At first it was all funny just because it innates from his personality and self-love, then his expressions, his eyes, and then it comes a time that just his presence evokes hilarity. That’s how funny he is. Min Ah’s character is annoying at first but becomes likeable later on. World’s boys, who wouldn’t love them? Let me join your group! Tehe-
Music: Blind for Love, Keep In Your Heart and Tuesday Song are memorable OST’s for me, now another fave added. Even the instrumentals were catchy.
Rewatch Value: 10 because I rewatched some episodes already while waiting for the new one.
Overall: If a true drama lover runs in your veins, I believe you should watch this!—err, scratch that, I mean you would appreciate, relate and enjoy this refreshing, funny, one-of-a-kind drama as much as I did. :P
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The Boy Next World Special Episode: A World Where We Don’t Know Each Other
38 people found this review helpful
This review may contain spoilers
I Really Hope We'd Be Getting Another Season!!!
The way I laughed watching this! 😂🤣 I think it made me forget all the tears I cried while watching the past 10 episodes. I love it so much, wish we had more of Bratty Cir and Nerdy Phu 🥺And as usual the NC was mind blowing.. I am writing this review lying in my coffin ⚰️ 😂 BossNoeul why you do this to me.. LOVE THE SHOWER SCENE TOO!! 🫠🤭
Hopefully we'd be getting another season with the way they ended the episode.🤞 Definitely need to see more of Black Cir 🖤
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1This review may contain spoilers
To let go is to embrace
Hello, dear Wispys~ Most of us have finally reached our destination (i.e. the finale of the story), while some are still 'experiencing' the journey together with Tang Li Ci and others. It was a wonderful journey for me, and I hope it was a splendid experience for you as well! (˶ᵔ ᵕ ᵔ˶)💞Loosely adapted from the novel “Enduring a Thousand Tribulations” by Teng Ping, the drama follows its sole main character, named ‘Tang Li Ci’, on his journey to accepting certain truths, letting go of obsessions, and sacrificing for the greater good. The story begins with the lavish wedding of a young woman named A-Shui, who allegedly sold herself to City Lord Hao Wen as his concubine to pay for her father’s funeral. However, the wedding is abruptly halted when a devastating tragedy occurs mid-occasion, at the hands of a single man, as if it were a blessing in disguise for the innocent, young girl. This mysterious assailant reveals himself to be Tang Li Ci, a cruel and cunning cultivator who supposedly gouged out the heart of his saviour, who was essentially family for seven whole years. Being accused of the brutal massacre, the true young master Tang embarks on a journey to clear his name, along with his faithful friend, who is more like a devoted follower, Chi Yun. That is how he meets new people, such as A-Shui, Zhong Chun Ji, and Shen Lang Hun, some of whom later become his newfound family… Our male lead will face several confrontations and betrayals as he steers his life towards an almost impossible goal of resurrecting his deceased senior brother, Fang Zhou, and making things right.
Unlike some historical C-dramas we’ve watched, [Whispers Of Fate] draws on a range of philosophical and religious themes closely connected to Buddhism, such as “letting go of the self” and “embracing emptiness”. Therefore, I would humbly like to interpret my review through the lens of Theravada Buddhism (School of the Elders), exploring certain plot points and identifying how they are interconnected with the concepts of “The Four Noble Truths”, “The Wheel of Life”, and “The Eightfold Path”, which I will provide relevant links below to aid further understanding. (..◜ᴗ◝..)✨
More than ten years before the incident at the Hao residence mentioned above took place, Tang Li Ci (formerly known as Ajibaner Tang Jia) was rescued and taken under the wing of a highly revered martial artist, Fang Zhou, who was the eldest disciple and master of the Zhoudi Tower. Fang Zhou bestowed the name 'Tang Li Ci' upon him with the hope that he would become someone special—someone who doesn’t cling to past grievances. Seven years passed, and the bond of brotherhood between them grew deep—so deep that Tang Li Ci could not accept the fact that Fang Zhou was nearing death due to old injuries sustained during a battle with Yi Que Yin Yang at Tiandu Peak. This obsession led him down a dark path, where he practised an unorthodox technique to transfer his healthy life force to Fang Zhou while absorbing the poison harming his senior brother into his own body. However, this attempt ended in disaster, resulting in Fang Zhou's instant de@th due to Liu Yan’s interruption. Still unable to accept this loss, Tang Li Ci clung to a final desperate hope. He dug out his senior brother’s heart crystal to 'nourish' it within his own body, ensuring that it would continue to beat. As if that weren’t enough, this crafty 'fox' even stole the ice coffin belonging to Wangyu Yuedan’s father, the former leader of 'The Palace of Fallen Jade,' to preserve Fang Zhou’s deceased body inside. (Yes, I know… He’s been a naughty boy, stealing other people’s belongings… (ᵕ—ᴗ—) )
All living beings experience suffering, both physical and mental. Tang Li Ci's situation serves as a perfect example of Gautama Buddha's famous quote, "the root of suffering is attachment." This celestial being felt his world crumbling when confronted with the First Noble Truth: suffering or unsatisfactoriness (known as ‘dukkha’). His intense longing and obsession to be with Fang Zhou, who had already passed away, led him to pursue an impossibly dedicated goal of resurrecting his deceased senior brother—this is a clear example of mental suffering.
The Second Noble Truth (‘samudāya’) addresses the origin of dukkha, which is suffering caused by desire and attachment. This suffering arises from craving permanence in an impermanent world. These desires can manifest in wanting to achieve something—such as Tang Li Ci deluding himself into thinking he could bring the deceased Fang Zhou back to life—or in not wanting something, which reflects Tang Li Ci’s unfortunate fate associated with Yi Que Yin Yang. This latter aspect is a significant source of the misfortunes he has encountered.
In episodes 32 and 33, the male lead finally grasped the importance of letting go of his past obsessions, accepting them, and living in harmony with the present. From a Buddhist perspective, these small steps toward understanding one’s cravings and recognising the illusory nature of permanence represent significant progress toward the Third Noble Truth, or 'nirodha,' which means the cessation of suffering. 'Nirodha' signifies the potential to end our suffering and be liberated from the “Wheel of Life” (Bhavacakra). This concept illustrates the Buddhist belief in the cycle of Shengsi (生死), the Chinese transliteration of life and de@th, emphasising the interconnectedness of birth, death, and rebirth, as well as the teachings of karma.
Our male lead is determined to keep everyone by his side and to alter the tragic outcomes he has witnessed—the deaths of many innocent people, including his close friends and acquaintances. It is only when Tang Li Ci comes to understand his own suffering and its origins that he will truly grasp what it means to let go of these desires and embrace emptiness; this is what ‘liberation’ entails. As another quote states, “No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.”
The fourth and final Noble Truth, known as 'magga', explains how individuals can guide themselves to achieve enlightenment by practising "The Eightfold Path". This path consists of right view, right intention, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration. In simple terms, it is a guide that helps us move away from our cravings and towards ultimate freedom. In his final moments, Tang Li Ci reflected on the sincere wish he had made during the Lantern Festival:
“No matter how the world changes as years pass, I hope the people I care about, those who were with me, and friends who fought side by side…, can live peaceful and happy lives.”
When Tang Li Ci focuses on his desires, he becomes ensnared in the Wheel of Life once more, taking on different forms: first as a little white fox, then as a dragon. In the new timeline, he consistently serves as a guardian deity, protecting Shenzhou (神舟), which means Divine Land or Divine Continent, and its remnants. This role has led to the creation of the Legend of the Fox-Dragon. While it can't be said that he has fully achieved enlightenment—since he remains tied to that world by his attachments to friends and those close to him—it can be inferred that this protective Fox-Dragon may have finally grasped the Four Noble Truths before disappearing into the mortal realm. This occurs after he resets the world to a time before the existence of the Tianren realm and Yi Que Yin Yang.
Although time travel does not exist in Buddhism, ancient texts describe countless physical galaxies, solar systems, and worlds similar to ours (**which would be Shenzhou in the drama), collectively referred to as the “Thousand-Fold World System.” With that context in mind, here is my subjective interpretation: What if the Tang-gongzi we knew were reborn as an entirely different being in a world that resembles our own? At some point, he might have regained his memories due to his abundant spiritual powers, allowing him to ‘change the past’ and create a brand-new world filled with happy inhabitants.
And now… CUT! -ˋˏ✄┈┈┈┈ This is getting far-fetched… (๑´>᎑<)~* Let me finally present my humble insights on the drama...
Although the ending of [Whispers of Fate] may not be considered perfectly happy by all viewers, it is a drama that boasts stunning visuals, enchanting music, and a thought-provoking storyline. The production team paid close attention not only to the attractiveness of the main and important supporting characters but also to several minor characters who have only a few minutes of screen time. For instance, this includes the lesser-known members of Feng Liu Dian (House of Pleasures), the two goddesses guarding Ajibaner Tang Jia’s celestial mother during her pregnancy, along with other celestial beings.
One of the most charming aspects that captivated me was the music and the traditional instruments used. I was especially taken by Hong Gu’s arched harp, known as the Zonggaoji (originally called the "Saung-gauk" in Myanmar). This instrument is unique and rare, as it is not commonly seen in historical Chinese dramas. Among all the original soundtracks, my favourite is "春声碎 (Shattered Sounds of Spring)," followed closely by "临风吟 (Ballad to the Breeze)." "Shattered Sounds of Spring" feels like a soulful ode to Tang Li Ci’s longing and false hopes, as well as Liu Yan’s resentment towards him after Fang Zhou’s passing. In contrast, "Ballad to the Breeze" seems to convey that Tang Li Ci has finally come to terms with the truth and has moved past his earlier struggles. Additionally, the wardrobe designs for each character have been thoughtfully chosen not only for their visual impact but also to reflect the rich history of ancient China. Personally, I found Zhong Chun Ji's wardrobe choices less appealing. Unfortunately, her styling came across as somewhat over the top. For instance, her initial hairstyle at her introduction and the purple princess outfit paired with ocean-themed head accessories were particularly striking. (づ˶˃⤙˂˶)
[Whispers of Fate] can be a slow watch, and some viewers might feel that the story drags before reaching certain climactic plotlines. However, as you continue watching, you will find yourself hooked. The drama is undeniably complex, and it would have benefited from more thorough explanations of key events, such as how Ajibaner Tang Jia(Tang Li Ci) was injured and subsequently saved by Fang Zhou, as well as Tang Li Ci’s connections to Yemo and Yi Que Yin Yang. Additionally, the character arcs can be confusing, particularly with A-Shui.
A-Shui had great potential to drive the story forward with her intriguing, mysterious background. She was depicted as a pure-hearted woman who heals those around her with unconditional love and care, without any ulterior motives. However, she came across as a plain, blank sheet of paper left unused on a desk—without intention or purpose. A-Shui was one of the biggest enigmas for both Tang Li Ci and the audience. Unfortunately, her characterisation felt unsatisfactory. It would have been more effective if her relevance and importance had been hinted at in the earlier episodes, rather than being crammed into the later ones.
Despite a few downsides, [Whispers of Fate] is definitely one of the best dramas worth watching. By paying closer attention to the details and themes, we can learn a lot from these characters about their choices and their consequences. The drama offers not only entertainment but also a rich narrative filled with knowledge about ancient Chinese culture, infused with artistic heritage, philosophy, and religious viewpoints.
┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ . ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁. ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈
The following links may help clarify the concepts I used for my review:
The Four Noble Truths-related:
https://www.ebsco.com/research-starters/religion-and-philosophy/four-noble-truths
https://buddhasartofhealing.com/blogs/thangka/dharmachakra-the-wheel-of-law?srsltid=AfmBOorLcTPTx228ED37pwiRx-P8kp8WFuUEg0Ip4NDq-Lu0NHYxWHbu
https://buddho.org/buddhism/#the-truth-of-the-way-that-lead-to-cessation
https://www.worldhistory.org/Four_Noble_Truths/
The Wheel of Life:
https://www.oxfordbibliographies.com/display/document/obo-9780195393521/obo-9780195393521-0072.xml#:~:text=bhava%2Dcakra)%E2%80%94or%2C,concrete%20form%20abstract%20metaphysical%20concepts.
https://www.lionsroar.com/buddhism/wheel-of-life-bhavacakra/
Many-worlds system concept:
https://www.quora.com/Does-Buddhism-support-the-theory-of-parallel-universes
https://www.themindingcentre.org/dharmafarer/wp-content/uploads/2009/12/R450-160524-Parallel-universes-RB150.pdf
Famous Gautam Buddha Quotes:
https://www.vedantu.com/general-knowledge/gautam-buddha-quotes
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In Amazement!!
I thought this drama was perfect! I am in amazement at how many reviews have missed the whole story line and decided to focus mainly on the acting skills of the ML and FL. Living in North America, it is fascinating for me to learn about other country technologies and their perspectives as they apply to the world market. I certainly won't take anything away from Dylan Wang and Bai Lu as they both are exceptional actors. It is refreshing to see Dylan Wang accomplish a more serious modern day role and how he brings a mature level to his acting. I have seen Bai Lu in many dramas and her acting gives a "real" feel to her roles. I would definitely rewatch this drama again.Was this review helpful to you?
So this is not the drama to watch if you want to think deeply about the world or be moved by something new or profound. It IS the drama to watch if you just had surgery and you need something to keep your mind off the pain while you recover, or if you are that combo of bored and distracted that means you can't keep track of complicated plotting, or if you're feeling sad generally and want to watch an angst-light bickering couple be adorable at each other for a while.
One point I thought worth making is that the premise of forced marriage and subsequent escape/chase as the base of a romantic relationship is tricky to handle well. The show does a great job of balancing the characters and the romantic development so that it doesn't feel like the female lead is intimidated into love or suffering from Stockholm syndrome or something. His intentions towards her aren't creepy, and while she's attracted to him early on, she doesn't fall for him until much later when the power balance between them is much more equal (side note: I would hesitate to call this a "historical".... it's thoroughly modern in terms of the ideas that the characters have about love and morality).
There's a lot of reviews already so rather than describe the show again, I'll respond to two of the major flaws that have bothered other people: plot, and the female lead's character.
Plot: This feels adapted from a web novel, and so rather than a straight plot that carries us from beginning to end, there are definite arcs: The Island Arc, the Escape/Chase Arc, the The Black Gang Arc, and the White Jade Arc. We drop some characters along these arcs and move to new locations where new characters come in, so the beginning of each arc is a bit like starting a new show, with some ramp up time before the story gets going again. The transitions to the Black Gang arc and the White Jade arc are a bit choppy, so our gang of heroes ends up talking about goals for a while and the audience is like "huh? Explosion? What? Coverup? How did we get here?"
Eventually everything makes sense again and it's pretty easy to fill in the gaps, so if you're in it for the cute couple it's not a major detractor. But if you really want a compelling and tight plot, you will definitely hate the transitions and probably not enjoy the show much overall.
Lead Female: She is a bit screetchy at the beginning, and I think the type of character (her backstory) isn't well enough established early on to make sense of some of her actions. However, she's actually a pretty good character once you get her (and the screaming subsides), so here's my take on her: She's a general's daughter who is stubborn, book-smart, and has an intense sense of justice and desire to do good in the world. She's been indulged, but not *specifically* trained. So she's grown up around martial arts and picked up some things, and she knows lots of tricks that she's read about and is decent at putting together traps or thinking her way out of a situation. BUT she's not that great at anything other than slingshot. She's got a lot more courage than experience, so when she starts having experiences, she isn't always prepared for what's happening.
What I liked about her character was that for everything except cooking, what they established that she was good at remained good throughout the show (and the cooking is a really minor exception). So, she has a photographic memory, which is useful even at the end. She's good at tricks and quick thinking. She doesn't use them every possible time, but she doesn't get "dumber" over time as some smart characters tend to; in fact her skills improve. The pirate actually changes to get better at trusting her and acknowledging her strengths, and she learns new skills. It's not *amazing* but it is well done enough to keep their relationship interesting throughout the show, which is great because the romantic arc is such that the show could have suffered from early bed death.
The show was a ton of fun for me. I even loved the cheesy costumes (caterpillar eyebrows!!!!) and props, which offered their own laughs at times. The show never takes itself to seriously, which is what you want for a low-budget comedy low on realism and loose with plot. A high production value would have made the historical inaccuracies and trope-heavy plot unbearable.
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